Archive for February 22nd, 2012

INDUSTRY LEADERS UNITE TO SUPPORT THE RECORDING ACADEMY® PRODUCERS & ENGINEERS WING® GRAMMY® WEEK EVENT

Audio Industry Leaders Gather for the Fifth Annual GRAMMY® Week Celebration at The Village Studios in West Los Angeles, Honoring Music Producer, Executive and Entrepreneur Jimmy Iovine

SANTA MONICA, Calif. (February 22, 2012) — On Wednesday, Feb. 8, 2012, The Recording Academy® Producers & Engineers Wing® kicked off GRAMMY® Week with its fifth annual event, this year honoring music producer, entrepreneur and chair of Interscope Geffen A&M Records Jimmy Iovine, who has worked with artists including Bruce Springsteen, Patti Smith, U2, the Pretenders, Dire Straits, Stevie Nicks, Tom Petty & the Heartbreakers and many more. Iovine was recognized for his commitment to excellence in audio and ongoing support for the art and craft of recorded music. The event was held at The Village Studios in West Los Angeles. GRAMMY Week culminated with the 54th Annual GRAMMY Awards on Sunday, Feb. 12, 2012..

The event was held with the support of leading companies within the musical instrument and professional audio markets. Presenting sponsors included The Village Studios, West L.A. Music and Westlake Professional Sales. Co-sponsors included Harman International brands AKG Acoustics, JBL, and Lexicon; Iron Mountain; Avid; Musician’s Institute; Music Marketing; Shure Incorporated; Beats Electronics; Ultimate Ears; Focusrite Novation; Prism Media Products; Apogee Electronics Corporation; Full Sail University; Guitar Center Professional (GC Pro); Lurssen Mastering; Sennheiser Electronic Corporation; SoundExchange. Eco-friendly cocktails were provided by VeeV.

Producers & Engineers Wing Senior Executive Director Maureen Droney said, “The evening was a huge success, and once again we must offer a sincere thank you to all of our sponsors. It’s a simple fact that we couldn’t have done it without them. Since this was the P&E Wing GRAMMY Week event’s fifth anniversary, this year’s event was particularly meaningful, and it is especially gratifying that so many leading high quality brands joined together and with us to make the night happen. We all look forward to next year.”

Personnel from several of the sponsors also weighed in on the evening’s festivities:

Michael MacDonald, VP, Sales & Marketing, Harman Professional Division, stated, “Each year the P&E Wing’s GRAMMY Week Event brings the most major figures from the industry into one place. It is an honor to support the P&E Wing and to converse with the talented people behind the scenes of today’s music.”

“Everyone at Music Marketing was extremely proud to support The Recording Academy Producers & Engineers Wing GRAMMY Week event. We had a great suite, which enjoyed a solid succession of industry professionals, including honoree Jimmy Iovine, making the experience one to remember,” stated Ray Williams, President of Music Marketing.

Photo File: PE_IovineEvent_Sponsors.JPG
Photo Caption: Key sponsors and P&E Wing personnel gather for The Recording Academy® Producers & Engineers Wing®’s GRAMMY Week event, which this year honored Jimmy Iovine. Photo Courtesy of The Recording Academy/Wireimage.com. ©2012.

Peregrine Andrews Uses Prism Sound’s Orpheus To Record David Tennant For The BBC

Long-time SADiE user Peregrine Andrews has now added a Prism Sound Orpheus FireWire interface to his equipment list to help tackle recording, digital to analogue conversion and monitoring with 5.1 capabilities.

Renowned for his high-end radio and TV mixing work for clients such as the BBC, Mentorn, Wall to Wall and Falling Tree Productions, Peregrine Andrews operates mainly from his own private studio, Moving Air, which is based in west London.

“I spend about half my time mixing, and occasionally producing, radio (documentaries and drama), and the other half mixing TV (documentaries and comedy)… and the odd film,” he says.

“Recently, on the new series of the BBC sitcom Twenty Twelve, I used the Orpheus to record David Tennant’s voiceover. I also used it for all the ADR on the new BBC Dickens-style comedy Bleak Old Shop of Stuff. As a straight wire device, I don’t really expect the Orpheus to have a ‘sound’, but the voice recordings I’ve done where I’ve plugged the mic straight in have sounded excellent with very little EQ added in the mix.”

The Moving Air studio is equipped with SADiE, Nuendo, PMC monitoring and a Smart AV Tango control surface. His reason for buying the unit was to access a high grade DA/AD converter and monitoring controller so that he could replace the old Yamaha O1V desk that had previously been performing that function.

“I mix in the box so I don’t need any kind of console in the room,” he says. “The Orpheus is three things in one box – Preamp, AD/DA and monitoring controller. Prism Sound loaned me a unit and it worked well, sounded good and looked great, so I decided to buy it. I like its precise volume control of multiple outputs and its ability to derive an independent headphone mix. It’s a single box solution and removes any requirement for a separate soundcard, preamp/mixer, volume control etc.”

Andrews adds that although he had good practical reasons for buying an Orpheus, there were also more sentimental concerns at stake – not least his long association with SADiE, which is now part of the Prism Sound group.

“I’ve been a SADiE user since 1995 and rely heavily on it to make my business work,” he explains. “For precise speech and music editing it’s unequalled. The slip function and the trim editor alone make intense speech editing and assembly very fast. A lot of radio now is recorded in stereo by default (e.g. using flash recorders with built-in mics) but sometimes only one leg is really useful. SADiE allows stereo pairs to be split or re-joined in a keystroke. Also, the ability to have multiple EDLs is very useful at the assembly phase of documentary-making.”

Given this background, it’s no surprise that sentiment played a part in Andrews’ buying decision.

“Prism Sound has an excellent reputation – I’ve never read a bad review and I know, from talking to them, that they design their products using a sensible engineering approach,” he says. “I admit I was looking for a way of continuing to invest in Prism Sound/SADiE because it’s been a long time since I sent any money their way, yet I use their systems almost daily with fantastic support.”

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

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