Archive for October, 2012

Antelope Audio Announces World’s First 32 Channel AD/DA Converter and Audio Master Clock in a 1U Rack Box

Antelope Audio today announced Orion 32, the world’s first 32-channel AD/DA converter and audio master clock in a 1U rack. The new device supports both MADI and USB interfaces, clocked by Antelope’s renowned 64-bit Acoustically Focused Clocking (AFC) technology.

Orion 32 allows 192 kHz I/O streaming of 32-channel digital audio through its custom-built USB chip, which provides simple connectivity to any USB-enabled DAW or computer. The converter also provides 32 channels of 96 kHz audio through its Fiber Optic MADI I/O connections, which can be used to connect with any suitably equipped MADI device.

Orion 32 also supports ADAT protocol by offering 16 I/O channels, for even greater compatibility with a large number of audio devices. The multi-channel converter inputs and outputs pass the analog signal through 8 D-SUB 25 I/O connectors.

Antelope Clocking for Increased Sonic Accuracy
In addition to being an extremely high quality audio converter, Orion 32 is also an audio master clock. The Orion 32 employs Antelope’s proprietary 4th generation of AFC and oven controlled oscillator, both technologies that made Antelope Audio clocks an industry leader for accuracy and reliability in recording, mastering and post-production facilities around the world. The four word clock outs, together with the 10 MHz input, make Orion 32 ideally suited to be in the center of any project or high-end studio.

“The multi-channel Orion 32 is the logical step, following our highly acclaimed stereo AD/DA converter Eclipse 384 we launched last year,” Igor Levin, Antelope Audio CEO says. “We have developed this device in response to customers who have demanded Antelope’s signature-quality sound, but in a multi-channel device. Orion 32 is ideally suited to a sound engineer’s needs for high quality, clean and transparent conversion, combining the efficiency of MADI and USB interfaces with the perfection of Antelope clocking.”

With its seamless digital routing options, the Orion 32 offers exceptional flexibility. The routing feature allows sound engineers to, for example, use the AD conversion and output the signal simultaneously both through the MADI and USB interfaces. The device is managed through a user friendly desktop application available for both Windows and OS X. Moreover it is equipped with five preset buttons for fast and easy recall of favorite settings.
Orion 32 is packaged in a 1U enclosure with an eco-friendly power consumption of only 15 Watts. In addition to saving rack space and having very low heating levels, Orion 32 comes with an extremely reasonable pricing even for small home studio, launching with a street price of only $2,995.

Key Features

  • Antelope Audio precise AD/DA conversion technology
  • Up to 192 kHz on 32 channels I/O via custom-built USB chip
  • 32 channels I/O via Fiber Optic MADI I/O connections
  • Eight D-SUB 25 connectors for AD and DA
  • 16 channels on 4 ADAT input and output connectors
  • Antelope’s renowned 64-bit Acoustically Focused Clocking with Atomic input
  • Antelope’s proprietary Oven Controlled Oscillator for supreme clocking stability
  • Four word clock outputs and one word clock input
  • Five presets for fast and easy recall of favorite setups
  • 1U rack size with power consumption of 15 Watts and very low heating levels
  • A user friendly desktop application available for both Windows and OS X

Moog Announces Release of “Analog Delay,” First Delay Designed Exclusively for the 500 Series Pro Audio Format

Today Moog Music announced the release of the “Analog Delay,” the first delay designed and created exclusively for the 500 series pro audio format. The Analog Delay is a 100% analog signal path module that features 800ms of delay time, front panel MIDI control, and an assignable Tap Tempo/CV jack on its front panel. Included with each unit is a free VST/AU/RTAS editor for easy implementation into any recording, live, and performance situation.

The Analog Delay has been designed with tone, connectivity, and flexibility at the forefront. Moog’s engineering team worked tirelessly to deliver a delay with an incredibly clean front end that could easily be pushed into a warm, natural overdrive for saturated delay trails or distorted delay effects.

Though not on the front panel, the Analog Delay features a 6 Waveshape LFO that allows users to create other time based effects such as tape delay, chorus and extremely modulated sounds. The LFO is easily accessed via MIDI and the free VST/AU/RTAS Analog Delay plug-in editor.

Also accessible via the included editor are advanced features like Tap/CV input routing, Keyboard Control settings, Clock Divisions and a Delay Multiplier for access to illegal delay times (up to 4x the front panel position). In addition to Tap Tempo and CV control, the Tap/CV input can also convert click track audio into a tap tempo signal.

The new Moog 500 Series Analog Delay module will be debuting at the 2012 AES conference in San Francisco booth 1222 and is expected to begin shipping in Dec. 2012

Web Page: moogmusic.com/analogdelay

Myers Exhibiting at Content & Communications World

New ProTrack TV & Radio Version 6.06 on-display in Booth #1060

Northampton, MA – Myers Information Systems – the respected developer of broadcast traffic, business, and content management software – today affirmed the company’s plan to participate in the industry event. Content & Communications World (CCW) — November 14-15 at New York City’s Javits Convention Center — embraces several formerly separate technology shows: HD World, 3D World, Production+Post Expo and SatCon. The Myers team will be at Booth #1060.

“CCW attendees represent a broad cross-section of the media industry; they’re involved in every aspect of the creative process, from concept to distribution,” noted Crist Myers, company CEO and president. “The business and content management workflow tools within ProTrack are designed to help make the creative enterprise profitable.”

Myers’ proven flagship suite, ProTrack, is available in both radio and television editions. It offers comprehensive scheduling and business management for individual, multichannel and multi-station facilities. Actively used by more than 226 media outlets, supporting more than 1,300 channels, ProTrack provides a high-level of structure, scalability, and systems integration for today’s rapidly evolving media environments.

ABOUT MYERS INFORMATION SYSTEMS
Myers Information Systems, Inc. has been developing broadcast management software since 1989. The Company provides technology and services for television, radio and other digital media providers designed to improve every aspect of their operations, from contracting to invoicing, media management to scheduling, and from trafficking to reconciliation. For more information, please visit: www.myersinfosys.com

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Myers Information Systems contact: Crist Myers
+1-413-585-9820 / sales@myersinfosys.com

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

Grizzly Bear Evolves its Unorthodox Onstage Vocal Chain, Using Several TRUE P-Solo Preamplifiers

2012 has been a defining year for Grizzly Bear, a Brooklyn, NY-based indie rock band that has headlined at venues including Radio City Music Hall in New York and The Greek Theater in Los Angeles, and performed on television shows including “The Tonight Show with Jay Leno,” “Late Night with Jimmy Fallon” and others. A few years ago, the band began employing a somewhat unorthodox practice of integrating guitar pedals and other stage effects into its onstage vocal chain. Thanks to front of house engineer Drew Malamud, the band has recently taken this approach to the next level by incorporating several TRUE Systems P-Solo preamplifiers, distributed by audio specialist Sennheiser.

“When I started working with Grizzly Bear back in 2009 around the release of ‘Veckatimest,’ they were doing things like taking their stage mics and plugging them right into reverb pedals with just an XLR to 1/4″ adapters on the end of the cable,” Malamud recalls. “Then after the reverb pedal, they would go into a DI and that was their vocal chain. It didn’t sound very good because a microphone likes to hit a preamplifier before anything else.”

Malamud began searching for a suitable preamp solution to use at the foot of the stage, before eventually choosing the TRUE P-Solo. “I liked many things about the P-Solo,” he says. “It is compact, has a robust build and also has an internal power supply rather than a wall wart. I was already familiar with the great sound because I have a TRUE Precision 8 in my own studio.” Malamud soon acquired six TRUE P-Solos for Grizzly Bear’s live performances, one for each vocal mic on the stage.

After setting up the P-Solos on stage, which took the microphone input and then ran to a Radial Engineering X-Amp™ active preamplifier, through a series of effects pedals and finally through a Radial JDI, there was a noticeable increase in the quality of the audio signal. “Once we had the TRUE P-Solos all set up and routed through the wireless personal monitors, the band couldn’t believe the difference in sound they were hearing versus just plugging a mic into an effects pedal,” Malamud says. “They were able to experience much more sonic detail and clarity.”

Having noticed that TRUE preamplifiers are often used in recording trucks for well-known festivals such as Bonnaroo, Coachella and others, Malamud has long appreciated the natural sound of the TRUE P-Solo. “It is a clean sound that I knew would work with Grizzly Bear,” he says. “It also had really nice LED metering on the front so I could see what was going on, even in extremely low light situations.”

While its onstage vocal chain set up may be somewhat unconventional, it is the result of Grizzly Bear’s relentless desire to recreate the sonic textures of their studio work in a live setting. “Part of their whole sound is the effects,” Malamud says “When Grizzly Bear is recording and mixing in the studio, I am always thinking, ‘How am I going to help recreate this sound live?’ And for the onstage vocal effects, the TRUE P-Solo is a perfect fit.”

As Grizzly Bear continues to find new audiences around the world and its live rig continues to expand and evolve, the band remains committed to its sound: “I feel like it’s all been a natural growth,” concludes Malamud. “We are one of the few bands in music today still doing everything with analog at front of house with really unique and exotic gear and vintage analog effects. Our TRUE P-Solos are a perfect complement to our approach.”

TRUE Systems P-SOLO at a glance

Natural, musical, highly detailed soundfield
Complete compatibility with condenser, dynamic and ribbon mics
A totally balanced, dual servo, high dynamic range, transformerless design
Internal linear AC power supply for excellent transient response
Built-in DI: high-impedance instrument output
High impedance instrument input
High-pass filter and 48 V phantom power
Dual analog outputs
Four-level metering
Oversize volume control with selectable 10 dB input level attenuation
Compact, portable, solid desktop case

The upgraded version of the P-SOLO is available now, and pricing remains the same at $599.95.

Photo captions:
1) Grizzly Bear during a rehearsal on their Fall 2012 tour.
2) The TRUE P-Solo is a core component of Grizzly Bear’s on-stage live vocal chain.

Acoustics First’s acoustical wall fabric saves $Green$ while being Green!

For Immediate Release

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Acoustical wall fabric installed under chair rail

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Not only is this economical acoustical treatment available in countless colors, it is manufactured from recycled materials, reducing environmental impact!

Sound Channels in manufactured using Eco-fi fibers. Eco-fi is a high-quality polyester fiber made from 100% certified recycled plastic bottles. It can go into any textile product such as clothing, blankets, carpets, wall coverings, auto interiors, home furnishings, and craft felt. Eco-fi can also be blended with other fibers, such as cotton or wool, for enhanced qualities.

AN EASY GUIDE: 15 bottles = 1 yard of wall covering

Why buy Eco?fi products?
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Click here for more information on the Sound Channels acoustical wall fabric.
http://www.acousticsfirst.com/sound-channels-wall-covering.htm

——————————————————————————————————————————————

Acoustics First Corporation supplies acoustical panels and soundproofing materials to control sound and eliminate noise in commercial, residential, government, institutional applications worldwide. Products include the patented Art Diffusor®, sound absorbers, noise barriers, acoustical fabrics and accessories. Acoustics First® products are sold for O.E.M applications, direct, and through dealers. For more information on acoustical materials and their application, please visit www.AcousticsFirst.com or call Toll Free 1-888-765-2900 (US & Canada).

AES Convention Heyser Lecture By JJ Johnston

“Audio, Radio, Acoustics and Signal Processing – The Way Forward

SAN FRANCISCO: An innovative and highly respected pro audio doyen James D. “JJ” Johnston, will present the 133rd AES Convention Heyser Lecture. Scheduled for Saturday evening, Oct. 27 from 6:30 to 8:00 PM at the Moscone Center. Dr. Johnston’s lecture is entitled “Audio, Radio, Acoustics, and Signal Processing – The Way Forward.”

This presentation will explore the current understanding of human auditory perception, and reveal how the way we actually work encourages a dichotomy of knowledge that no longer exists. Dr. Johnston will propose educational methods designed to amalgamate artistic and technical approaches; and techniques for applying some of the technical expertise we’ve acquired on the artistic side in order to better understand what the artistic side of the business needs and desires.

Currently an independent consultant, JJ Johnston recently retired from his position as Chief Scientist for DTS, Inc. In that role, he contributed to a variety of acoustical modeling, preprocessing and post-processing algorithms for audio capture, analysis, control, and presentation. He served in a similar capacity at Neural Audio, and as an Audio Architect for the Codecs, Core Media Processing, and Video Services Groups of Microsoft Corporation. He previously worked with AT&T Labs Speech Processing Software and Technology Research Department. And, with AT&T Bell Laboratories’ Acoustics Research and Signal Processing Research Departments.

“JJ Johnston is one of our most distinguished, imaginative, and forward-thinking AES members,” remarked AES president Jan Pedersen, “We are extremely fortunate to have him share the benefits of his long and productive career with us at the 133rd Convention.”

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Photo: 133rd AES Convention Heyser lecturer JJ Johnston

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Legendary ‘San Francisco Sound’ Artists Convene For AES Convention Special Event

From ‘Big Brother And The Holding Company To Country Joe McDonald

SAN FRANCISCO: Christopher Smith, Special Events Chair for the 133rd AES Convention, has collaborated with award-winning photographer, journalist Mr. Bonzai, on a special salute to “The Sounds Of San Francisco.” Set for Saturday, Oct. 27, 11:15 am – 12:30 pm, the panel will feature members of super-groups that helped create the soundtrack for ‘The Summer of Love.’ Also lending his keen perspective to the proceedings is Joel Selvin, a Bay-area journalist, who provided eyewitness coverage of those halcyon days for Rolling Stone, the LA Times, SF Chronicle, Billboard and Melody Maker.

Participants in this soulful ‘gathering of the tribe’ include: Big Brother And The Holding Company, founding member/songwriter/guitarist, Peter Albin; Huey Lewis And The News, bassist Michael Cipollina, and, Woodstock Festival legend, Country Joe McDonald

“Our panel looms as an historical, attitudinal, and philosophical show stopper.” Mr. Bonzai, aka David Goggin, remarked. “Their shared love of music, spirit of adventure and collective memories about this universally acknowledged high point in creativity, community and social awareness remains relevant today. And … it will totally rock. They’ll be mixing musical notes, recording anecdotes, and well-sewn wild oats. A high old time is guaranteed for all.”

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For a detailed Preliminary Calendar of Events please visit: http://www.aes.org/events/133/calendar/calendar.cfm

1. Country Joe (sans The Fish) at Woodstock, 1969
2. Peter Albin (right) with Big Brother And The Holding Company

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Platinum Producers & Engineers – A Gathering Of Eagles

Jack Douglas, Warren Huart, Narada Michael Walden and Young Guru

SAN FRANCISCO: With an all-star cast of 100% Certified Platinum participants, the 133rd AES Convention Platinum Producers & Engineers Panel looms as one of the show’s hottest tickets. Convention Special Events Chair, Christopher Smith worked closely with panel moderator Michael Romanowski, to coordinate this stellar event, set for Sunday, Oct. 28, 1:30 pm – 3:00 pm at the Moscone Center.

“We are tremendously excited to have a group of this stature participating in a single AES event,” Smith says. “The range of their work encompasses iconic hits for artists ranging from John Lennon to Aerosmith, Whitney Houston and Jay-Z. These superstar engineer/producers represent the best of the best.”

AES Platinum Producers & Engineers Panel: Moderator Michael Romanowski: Owner/chief mastering engineer of the SF-based facility, which bears his name, Romanowski has worked with Third Eye Blind, Big Brother & The Holding Company and many other major artists. He also serves as President of the NARAS SF Chapter. This highly anticipated Special Event will range across a field of creative and technical topics including: Memorable moments in the studio, the finer points of collaboration, and, innovative recording techniques.

PLATINUM PRODUCER/ENGINEER PANELISTS:

Young Guru: Weighs in with credits for over a dozen Platinum hip hop classics including Jay-Z’s The Black Album, Life & Times of S. Carter, and The Blueprint; Kanye West’s The College Dropout; Ghostface Killah’s FishScale; Nellyville, Drake’s Thank Me Later and Beyonce’s Crazy In Love. Young Guru has logged over a decade of Grammy-winning experience as an engineer, producer and, an A&R wizard for Roc-A-Fella and Def Jam Recordings. Committed to sharing his knowledge, he lectures extensively, and has established the Young Guru Scholarship Fund for students pursuing careers in Communications, Audio Engineering, Music Education and Music Business.

Jack Douglas: An undisputed legend, Jack Douglas had a long, and close association with John Lennon. Working in NYC’s fabled Record Plant he engineered the classic Imagine album, considered one of the most influential recordings of the last century. In 1980 he completed the Grammy of the Year Double Fantasy album, just weeks before John was murdered. Douglas went on to work with such giants as Supertramp, Guns N’ Roses and Miles Davis. He remains at the top of his game today, with current projects for the Michael Monroe Band and many other contemporary hit makers. Douglas also teaches a studio etiquette class at Ex’pression College for Digital Arts in Emeryville, CA., where he is also hosting an AES Tech Tour.

Narada Michael Walden: Is an eminently successful producer, drummer, singer, and songwriter. His musical career spans three decades, and is highlighted by multiple Gold, Platinum and Multi-Platinum Awards. In 1985 he won R&B Song of The Year Grammy for Aretha Franklin’s Freeway of Love. In 1987 he won Grammys for Producer of the Year and Album of the Year for The Bodyguard movie soundtrack, which included Whitney Houston’s timeless hit, I Will Always Love You. Named one of the “Top Ten Producers With the Most Number One Hits” by Billboard magazine, Walden has owned and operated Tarpan Studios, in San Rafael, since the mid-1980s.

Warren Huart: This Los Angeles based, UK-born music producer has played a fundamental part in creating platinum albums, and in the development of such successful artists as The Fray, Aerosmith, Howie Day and Matisyahu. Known for his hard work ethic and deep respect for the artist’s vision, Huart’s more than 20 years of experience encompasses record production, engineering, mixing and song writing. His extensive knowledge of musical equipment ranges from vintage through state of the art.

“The scope of their credentials may vary widely, but the quality and success ratio of their projects establishes a common ground for these creative masters. I also want to thank AES Tech Tours Chair Jessica Livingstone for her help in bringing Jack Douglas and Narada Michael Walden to this panel. This event will be the talk of the Convention,” “Christopher Smith concludes.”

Photos: AES Platinum Producer & Engineer Panelists

1. Young Guru
2. Narada Michael Walden
3. Jack Douglas
4. Warren Huart

For a detailed Preliminary Calendar of Events please visit: http://www.aes.org/events/133/calendar/calendar.cfm

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Christophe Anet Joins WSDG’S European Office

Leading Acoustician/Engineer Augments International Design Firm’s Resources

BASEL, SWITZERLAND: Dirk Noy, Partner/General Manager, Walters-Storyk Design Group | Europe Office, has welcomed Christophe Anet to the international architectural/acoustical design firm as an Acoustician/Project Engineer. A multi-lingual, technically accomplished, decision-maker with extensive fieldwork and managerial credentials, Anet brings a diverse skill set to this new appointment.

“WSDG has been engaged in a number of diverse projects over the past years,” Dirk Noy remarked. “From the electro-acoustic upgrade for the KKL Luzern Concert Hall to the acoustic restoration of the Cathedral in Solothurn, Switzerland, a major project for the Berklee College of Music’s expansive new campus in Valencia, Spain, and a recent commission for one of the largest ever recording studio projects in Doha/Qatar, we have sustained an on-going period of extremely high activity. The time lines and complexity of these projects have necessitated the expansion of our staff,” Noy says. “Christophe Anet encapsulates a technical, managerial and communications skill set which is an ideal match for this new position. We are confident that he will be as effective in on-site project management as he will be in boardroom client meetings.”

Most recently an executive with the Swiss Federal Administration, Anet previously served thirteen years with Genelec Oy, Finland, first as Customer Support Acoustic Engineer and later as Technical Editor for the Marketing Department. Fluent in French, English, Italian and German, Anet is also proficient in a wide range of software tools, including acoustical measurement equipments and web programming. He holds a Bachelor of Engineering degree with Honors in Electroacoustics from the University of Salford, Manchester, UK.

“I have followed WSDG’s growth for some time, and was continually impressed with the diversity and scope of their work,” Anet remarked. “I am delighted with the opportunity to collaborate with this talented and accomplished team. I look forward to serving in the field and to devoting my energies to expanding the Walters-Storyk Design Group client base in the broadcast, recording studio, performing arts, business/conference centers and religious spaces sectors throughout Europe and beyond.” Christophe Anet can be reached at chris.anet@wsdg.com.

Photo: Christophe Anet has joined WSDG as Acoustician/Project Engineer

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Walters-Storyk Design Group has designed over 3000 media production facilities in the U.S., Europe, the Far East and Latin America. WSDG credits range from the original Jimi Hendrix Electric Lady Studio in Greenwich Village to NYC’s Jazz At Lincoln Center performance complex, broadcast facilities for The Food Network, CBS and WNET, over twenty teaching studios for The Art Institutes around the US, and corporate clients such as Hoffman La Roche. Recent credits include Jungle City, NY’s major new destination studio; private studios for Green Day, Jay-Z, Timbaland’s Tim Mosley, film composer Carter Burwell, Aerosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk, Beth Walters, and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG is a seven-time winner of the prestigious TEC Award for outstanding achievement in Acoustics/Facility Design, including 2012 for Jungle City. WSDG maintains offices in NY, SF, Miami, Argentina, Brazil, Beijing, Mexico City, Spain and Switzerland.

Jack Joseph Puig, Dell, Skullcandy and Waves Audio Announce Cooperative Effort

Industry-leading electronics brands and GRAMMY®-winning producer join forces to create a new audio standard for next-generation consumer electronics products

October 16, 2012 – Three of the world’s leading electronics brands: the CE Division of Waves Audio, Skullcandy and Dell, along with GRAMMY®-winning producer Jack Joseph Puig, announce that they are joining forces to bring about consumer electronics products with proprietary, studio-quality audio technologies.

Waves, the industry leader in professional audio digital signal processing and recipient of a Technical GRAMMY Award®, has a longstanding relationship with iconic multi-platinum award-winning record producer/mixer Jack Joseph Puig, and has worked with him on several acclaimed signal processors for the professional market.

Waves has also previously worked with Dell to offer enhanced audio on select products. With the decision to deliver an enhanced audio experience on Dell laptops and desktops targeted towards consumers and professionals alike, Puig, working with Waves and Dell, then invited Skullcandy, a leading performance lifestyle audio brand that reinvented the headphone category, to join forces.

Initial results of this unique effort were unveiled recently with the launch of several new Dell XPS and Inspiron laptops, all of which include the Waves MaxxAudio suite. Select systems, like the sleek Inspiron 14Z Ultrabook, also include Skullcandy-branded speakers.

“Skullcandy brings a fresh branding perspective and audio expertise to this partnership. Our genesis was the collision of music, action sports and fashion, which allows us to be an authentic, everyday part of our consumers’ lives,” says Jeremy Andrus, President and CEO, Skullcandy, Inc.

Puig is responsible for some of the most successful recordings in music today, including work with Green Day, U2, Lady Gaga, Black Eyed Peas, Goo Goo Dolls, Florence and the Machine, Faith Hill, Beck, Mary J. Blige and many more. His extensive relationships with top artists and record companies give him a unique perspective on the nexus between the entertainment world, technology, and the world of consumer electronics.

“As leaders in their respective market sectors, it is natural that these companies would decide to do work together,” stated Jack Joseph Puig. “This cooperative effort has already led to some brilliant ideas. We are very, very close to where we can unveil some of the new results of our efforts. In the coming weeks and months, the market is going to see us introduce some groundbreaking technological innovations that set new standards in consumer electronics.”

“Now more than ever, people use their laptop or desktop as their primary entertainment center or communication device, and we are making the investment to ensure they get the best audio experience available,” said Brian Pitstick, Executive Director of Consumer Product Marketing at Dell. “Whether it’s listening to your favorite music playlist, watching a movie, or calling friends and family over VoIP, it sounds better with Dell.”

Tomer Elbaz, Executive Vice President, Waves Audio Consumer Electronics Division, stated, “Waves is proud to bring professional audio expertise to this partnership. Our DSP and design are used by every professional producer and engineer in all areas of entertainment audio. Waves Consumer Audio provides the infrastructure and tools that enable each member to do what they do best and, in the end, refine and redefine peoples’ perceptions of consumer electronics sound. Waves brings a precise representation of The Professional Studio sound to the consumer’s listening experience.”

About Skullcandy, Inc.
Skullcandy is a leading audio brand that reflects the collision of the music, fashion and action sports lifestyles. The Skullcandy brand and distinctive logo symbolize youth and rebellion and embody the company’s motto “Every revolution needs a soundtrack.” Skullcandy headphones feature the distinctive Skullcandy sound and leading-edge design. Skullcandy products are currently sold in the United States, as well as in more than 70 countries around the world and through its websites.

About Jack Joseph Puig
Jack Joseph Puig (JJP) has helped redefine the role of the producer and mixing engineer in modern music. As an inventor and technologist he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture the essence of the recording artists’ vision. JJP has worked with countless hitmakers, including Sheryl Crow, Fergie, Weezer, John Mayer, No Doubt, Sugarland, and The Rolling Stones.

About Waves Ltd.:
Waves is the world’s leading provider of audio DSP solutions for professional, broadcast, and consumer electronics audio markets, and recipient of a 2011 Technical GRAMMY Award®. Waves has twenty years of expertise in the development of psychoacoustic signal processing algorithms that leverage knowledge on the human perception of hearing to radically improve perceived sound quality. Waves’ award-winning processors are utilized to improve sound quality in the creation of the world’s most popular music, movie soundtracks, and multimedia titles. Waves offers semiconductor-with-embedded-software solutions under the Maxx brand for consumer electronics audio applications. Waves’ Maxx technologies dramatically enhance audio performance and are used by industry leaders such as Dell, Sony, Sanyo, ASUS, Toshiba, and many others.

About Dell
Dell Inc. (NASDAQ: DELL) listens to customers and delivers innovative technology and services that give them the power to do more. For more information, visit www.dell.com.

All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with Waves. GRAMMY is a registered trademark of the National Academy of Recording Arts & Sciences.

For further information please contact:

Waves: Robert Clyne, Clyne Media, Inc., O: 615-662-1616 E: robert@clynemedia.com

Skullcandy: Tyson Andrus, Marketing Machine, Product & Retail Marketing Division,
O: 435-729-2561 E: tyson@skullcandy.com

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