Archive for February 25th, 2013

Audio-Technica Unveils AT2020USB+ Cardioid Condenser Microphone

— USB side-address condenser microphone features high-quality A/D converter, mix control, headphone jack with volume control, and more —

Audio-Technica, a leading innovator in transducer technology for over 50 years, is debuting its AT2020USB+ Cardioid Condenser Microphone. Equipped with a USB output, this microphone is designed for digitally capturing music or any acoustic audio source employing users’ favorite recording software. The AT2020USB+ offers studio-quality articulation and intelligibility perfect for home studio recording, field recording, podcasting and voiceover use.

The AT2020USB+ features a built-in headphone jack with volume control that allows users to directly monitor their microphone signal in real time, and a built-in high-output internal headphone amplifier that delivers superior clarity. The microphone also offers mix control that can blend the microphone’s signal with pre-recorded audio (perfect for DJ/karaoke use). The unit’s cardioid pickup pattern delivers excellent off-axis rejection, while its A/D converter, with a 16-bit 44.1/48 kHz sampling rate, ensures extremely articulate sound reproduction.

The microphone is compatible with Windows 7, Vista, XP and 2000, and Mac OS X. It is powered from a USB Bus and includes a tripod desk stand, stand mount, USB cable and soft protective carrying pouch.

The AT2020USB+ will be available February 2013 with a U.S. MSRP of $279.00. For more information, please visit www.audio-technica.com.

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Genelec Inc. Appoints Paul Stewart Territory Manager – East Coast

— Genelec veteran will assume greater sales responsibilities as Genelec prepares for strong 2013 —

Genelec Inc., the U.S. subsidiary and distributor for Genelec Active Monitors, announces the appointment of Paul Stewart to the position of Territory Manager – East Coast. Stewart, who has been with Genelec since 2006 and previously served as Product Specialist, will assume greater sales responsibilities in the eastern U.S. as Genelec prepares for a strong 2013 with new product introductions and continued sales initiatives. The announcement was made by Lisa Kaufmann, Genelec Inc. Managing Director.

A graduate of the Berklee College of Music, Stewart draws on more than 15 years of experience in professional audio sales to high-end production facilities and individual artists around the globe. Prior to joining Genelec, as a project consultant, he provided design expertise from equipment specification to layout and system integration. Paul has designed and installed numerous wiring systems in recording studios as well as home theater and multi-media rooms. He will continue to employ his extensive contacts with major studios, engineers, producers, artists and record companies nationwide to further strengthen Genelec’s network of business partners.

Kaufmann noted, “For the last several years, Paul has been an asset and resource for Genelec, and we are very proud to see him assume his new role in the organization. We have big plans for 2013, and with Paul’s help, we will have the tools in place to serve our customers in the best way possible.”

For more information, please visit www.genelecusa.com/.

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Audio-Technica Expands Sponsorship Role for the John Lennon Educational Tour Bus

— Already a longtime microphone sponsor, A-T is now also headphone sponsor for non-profit mobile studio —

Audio-Technica, a leading innovator in transducer technology for over 50 years, has expanded its role as sponsor of the John Lennon Educational Tour Bus, a non-profit state-of-the-art mobile recording and multimedia studio. For several years, A-T has served as the Bus’s microphone sponsor, and they now also serve as headphone sponsor, supplying ATH-M40fs Precision Studiophones and ATH-M50 Professional Studio Monitor Headphones to be used by the Bus’s patrons.

The John Lennon Educational Tour Bus travels around the U.S. throughout the year. Outfitted with traditional musical instruments as well as high-tech professional audio and video gear, the Bus has provided free hands-on programs since 1998 for hundreds of high schools, colleges, Boys and Girls Clubs, music festivals, concerts, conferences and community organizations.

Jeff Sobel, John Lennon Educational Tour Bus Chief Engineer, stated, “The Lennon Bus demands a lot from its equipment. The ATH-M50’s have exceptional accuracy for critical listening and the power and isolation needed for tracking. But equally important: they’re built tough. Each year we record over a thousand enthusiastic kids and host thousands more in our public hands-on demo tents, and Audio-Technica’s are the only headphones that have endured this daily abuse without failing.”

“It was an easy decision to expand our commitment to the John Lennon Educational Tour Bus and Songwriting Contest,” said Gary Boss, Audio-Technica Marketing Director. “It has been extremely rewarding to work with them, as A-T shares the Bus’s goal of getting more young people involved in making music.”

ATH-M50 Professional Studio Monitor Headphones
Audio-Technica’s flagship ATH-M50 professional studio monitor headphones (MSRP US $199.00) provide an exceptionally natural response for professional monitoring and mixing. The headphones feature a closed-back, collapsible design with 45 mm neodymium drivers, circumaural ear pieces (180° swivel) and luxuriously padded ear cushions. Color options: black with coiled cable (ATH-M50); black with straight cable (ATH-M50s); white with coiled cable (ATH-M50WH).

ATH-M40fs Precision Studiophones
Audio-Technica’s ATH-M40fs precision studiophones (MSRP US $150.00) offer a flat, extended frequency response for professional studio monitoring. Superior components provide very high SPL capabilities while maintaining exceptional clarity of sound. Exterior design features include sturdy strain-relief cable and comfortable circumaural earpieces that can be rotated 180° for one-ear monitoring.

About the John Lennon Educational Tour Bus (www.lennonbus.org)
The John Lennon Educational Tour Bus is a non-profit state-of-the-art mobile Pro Audio and HD video recording facility that provides hands-on experiences for students of all ages. In its 16th year of touring, the venture is proud of its fully professional bus and its studios, which boast the latest audio and video technology, gear and products. The concept began as an offshoot of the John Lennon Songwriting Contest, which is dedicated to providing opportunities for both professional and amateur songwriters around the world. The Bus travels across the U.S. and Canada year-round, providing free tours and workshops at schools, retailers, festivals, on tours with headlining artists, and at major industry conferences. The John Lennon Educational Tour Bus is made possible by an agreement with Yoko Ono Lennon.

For more information, please visit www.lennonbus.org, www.jlsc.com and www.audio-technica.com.

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Carl Tatz Design Unveils MixRoom™

– The new Carl Tatz Signature Series™ family of control room acoustic modules by Auralex and the acclaimed PhantomFocus™ System monitor tuning protocol are combined to create the
CTD MixRoom™ -

- MixRoom™ first implemented as turnkey professional mixing suite for legendary
engineer/educator Bob Bullock –

Nashville, TN: “The concept of the MixRoom™ was to emulate the look and performance of my award-winning custom control room designs at a fraction of the cost,” announces studio designer Carl Tatz, principal of Carl Tatz Design LLC (CTD), “and I think we’ve more than succeeded with that.”

The Carl Tatz Signature Series™ family of control room acoustic modules by Auralex® (now featured in a dedicated section on the Auralex website and debuting at the NAMM® Show), combined with the acclaimed PhantomFocus™ System (PFS™) studio monitor tuning protocol, according to CTD, renders a mix room, the performance of which is without peer, thereby defining a new generation of performance for the audio professional. The MixRoom can quickly and affordably transform a simple rectangular room into a world-class mixing environment.

“I am blown away with the evolution of Carl’s work in this second room he has designed for me,” quotes multi-Grammy®-winning engineer Bob Bullock. “Carl’s MixRoom™ concept is the future of personal mix rooms. Incredibly accurate and a total pleasure to use, it has reduced my mixing time dramatically, and with today’s reduced budgets that’s a big thing!” Bullock states. “In my career, I have been privileged to work in studios all over the world, but my experience using the MixRoom trumps them all – and at a very affordable cost.”

Ancillary gear for Bob’s MixRoom includes studio furniture by Argosy Console, featuring the PFS-compliant Dual 15-800 work station, two RR-H10-M Rack ‘N Roll equipment modules and SDT3-C-B Directors Table; Dynaudio Professional M1 monitors and Bryston SST 4B Amplification.

“We’re honored to work with Carl Tatz, one of the top studio designers in the industry, on this exciting new Auralex offering. This new series makes Carl’s signature style easy and affordable enough for any serious studio owner. Now virtually any room can benefit from the same aesthetic and sound control enjoyed by top hitmakers like Rascal Flatts and others,” says Eric Smith, founder and president of Auralex Acoustics.

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Genelec Winter NAMM 2013 Press Kit

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Audio-Technica Winter NAMM 2013 Press Kit

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Auralex Winter NAMM 2013 Press Kit

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Aphex Winter NAMM Press Kit

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Sound Devices 664 Field Production Mixer Earns Cinema Audio Society’s Prestigious Technical Achievement Award

REEDSBURG, WI, FEBRUARY 25, 2013 — Sound Devices, experts in portable audio and video products for field production, is pleased to announce that its 664 Production Mixer has earned the prestigious Cinema Audio Society (CAS) Technical Achievement Award in the production category. The CAS Technical Achievement Awards recognize innovations in recording technologies, including hardware and software products that are used by sound mixing professionals.

“We are thrilled to once again be the recipient of the CAS Technical Award,” says Matt Anderson, President of Sound Devices. “We strive to bring innovative, field-proven products to market and being given this prominent award for the 664, our newest production mixer, confirms our dedication to developing award-winning products.”

Sound Devices has now been recipient of the CAS Technical Achievement Award three times. The 744T and 788T Production Recorders are past winners. The 664 Field Production Mixer is the new flagship in Sound Devices’ line of portable audio mixers. The intuitive 664 has six input channels and four output buses. All inputs and outputs are recordable to both CompactFlash and SD cards. This unprecedented amount of I/O connectivity and recording capability makes the 664 perfect for any portable production application.

The 664 has six ultra-low noise, high-dynamic-range analog inputs. These transformer-less preamps accept mic- or line-level signals, and include analog peak limiters, high-pass filters, input trim controls and direct outputs. Input connectors 1 and 6 can be selected to accept AES42 or AES3 digital signals

In complex multi-camera productions, output flexibility is essential. The 664 can send its main left/right outputs to three cameras simultaneously. Two additional output buses, X1 and X2, appear on balanced TA3 connectors. AES3 digital outputs are individually selected to appear on the main XLR and multi-pin output connectors.

The 664 can record each of its inputs and four output buses for 10 record tracks. Recordings are saved to CompactFlash and SD cards. Recordings are either 16- or 24-bit broadcast WAV files, with extensive metadata. All popular production sampling rates are supported. When used with a CL-6 Input Expander, the 664 records 16 tracks, 12 inputs and four output buses.

The mixer’s built-in, rock-steady Ambient time-code generator allows multiple devices to operate in synchronization. The 664 can operate as a time code master clock, or its clock can be jammed from an external time code. A helpful time-code comparison utility displays the difference between internal and external time codes.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

StreamGuys Explores Digital Media Impact for Public Broadcasters at iMA Conference

BAYSIDE, CALIFORNIA, February 25, 2013 – The public media, interactive and music industries are preparing to converge on the city of Austin, Texas for the Integrated Media Association (iMA) and SXSW Interactive conferences beginning next week. Perennial iMA gold sponsor StreamGuys returns this year in support of the public media space, with new content delivery models to help public broadcasters grow audiences and generate revenue in the digital media landscape.

The iMA Conference, taking place March 6-7 at the Austin Omni Downtown Hotel, will showcase how the industry can advance its public service mission with emerging technology. StreamGuys’ mission for the conference, in alignment with the iMA, is to demonstrate those possibilities given the financial challenges that public media face. StreamGuys will discuss new advancements in multi-platform delivery and targeted advertising for streaming media with attendees.

“Public broadcasters can rest assured that there are alternatives in the current marketplace not only for streaming content to many consumer devices, but for measuring, targeting and monetizing that content, as well” said Jason Osburn, executive vice president, StreamGuys, Inc. “We invite interested parties both inside and outside the public media space to attend this year’s iMA conference, and remain for the expansive emerging technology sessions, digital media experiences and live entertainment of the SXSW Interactive Festival.”

“iMA generates a great deal of inspiration and enthusiasm to embrace the changing technology landscape in public media,” said Jeannie Ericson, executive director, Integrated Media Association. “Anything we can do to generate discussion on advancing digital media and adopting new technologies to further the impact of public media is a boost to our industry. StreamGuys has been a long-time partner to public media and supporter of iMA, and it’s a natural fit to involve them in this unique event.”

A complete iMA Conference schedule can be found at http://tinyurl.com/bz3eahz. The 2013 SXSW Interactive Festival takes place March 8-12 at the Austin Convention Center, immediately following the conclusion of the iMA Conference. A full list of conferences and performers can be found at http://schedule.sxsw.com/.

About StreamGuys, Inc.
In business since 2000, StreamGuys is a provider of audio and video streaming toolsets and services. The company has a reputation for outstanding customer service, a robust and reliable network, and competitive rates. More than 600 clients worldwide, across many industries, depend on their mission-critical service. Projects include serving as the technology backbone for live streaming/podcasting for top public broadcasters such as New York Public Radio, WAMU Washington D.C., KQED San Francisco and WXPN Philadelphia; live video events for major auto racing circuits and the British Royal Wedding; audio streaming for government entities such as D.C. Court of Appeals, U.S. Army, and the National Science Foundation; mobile video content for Cisco Systems; and IPTV content for international broadcaster ABS-CBN.

# # #
StreamGuys, Inc – info@streamguys.com – www.streamguys.com – 707.667.9479
P.O. Box 828 Arcata, California 95518 – fax 707.516.0009

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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