Archive for April, 2013

Acoustic First Ceiling Tiles get a face lift for the perfect fit to any application

For Immediate Release

Acoustic First Ceiling Tiles get a face lift for the perfect fit to any application.

Sonora acoustical ceiling tiles

Sonora acoustical ceiling tiles

Acoustics First® has expanded their line of acoustical ceiling tiles allowing you to dress up any ceiling grid with a generous number of finish options. The legacy line of Sonora® ceiling tiles includes fabric faced ceiling tiles in either the standard square edge or a tegular edge that reveals below the grid. These tiles are available in a multitude of fabric colors and can be utiliezed in a wide range of applications to provide an upscale ceiling system that looks as good as it sounds. If you are looking for the absence of color, there are now two white options. The Sonora® UltraWHITE facing provides a basic smooth white finish while the Sonora® Nubby tile provides a texture white appearance. White ceiling tiles are an excellent choice for areas where a seamless look is desired and maintaining a room that is both bright and vibrant. Alternatively, if your application requires the ceiling to disappear, a black scrim version is also available. These black scrim ceiling tiles are a popular choice for public theaters, home theaters, restaurants or any application where a dark ceiling is desired. Additionally, choose from either a PVC faced or encapsulated ceiling tile if your application requires a wipe-able surface for resistance to liquids and dirt. Test labs, animal shelters, restaurants and similar facilities may require their ceiling tiles to be cleaned on a regular basis. In addition the ample amount of absorptive ceiling tiles, Acoustics First® also carries a wide range of diffusive ceiling tiles including the patented Art Diffusor® Model C and Model F. Product information, specifications and pricing can be found on the website @ http://www.acousticsfirst.com/sonora-ceiling-tiles.htm.

Ryan Larkin
Sales & Marketing
www.AcousticsFirst.com
Acoustics First Corporation

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Acoustics First Corporation supplies acoustical panels and soundproofing materials to control sound and eliminate noise in commercial, residential, government, and institutional applications worldwide. Products include the patented Art Diffusor®, sound absorbers, noise barriers, acoustical fabrics and accessories. Acoustics First® products are sold for O.E.M applications, direct, and through dealers. For more information on acoustical materials and their application, please visit www.AcousticsFirst.com or call Toll Free 1-888-765-2900 (US & Canada).

RTW TM3-3G TouchMonitor to Make its NAB 2013 Debut

Unit Features 3G-SDI Interface, Eight-Channel Level and Loudness Instruments

LAS VEGAS, APRIL 4, 2013 — RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is exhibiting at NAB 2013 (Booth C1844) its TM3-3G TouchMonitor. The TM3-3G seamlessly allows the TM3’s current hardware and software design to visualize, convert and replay 3G SDI signals in TV and video production and post production applications, offering a feature set unrivalled in its class. Attendees will also have the chance to win one of three TM3-3G or TM3 units that RTW will be raffling off during the show. A winner will be chosen live at the booth at 5 p.m. local time, on Monday, April 8; Tuesday, April 9 and Wednesday, April 10. Participants are encouraged to be in attendance each day to win.

The TouchMonitor TM3-3G is a compact yet versatile solution for metering, de-embedding and monitoring 3G SDI audio. It features a 4.3-inch touch screen for horizontal as well as vertical orientation, which can display any of the eight audio channels contained in a 3G-SDI stream. For that purpose, it includes a large number of graphical and numerical instruments showing single-channel and summing loudness bargraphs, PPM, true peak, SPL, loudness range (LRA), dialnorm and correlation. The TM3 offers comprehensive loudness metering in compliance with all globally relevant standards (EBU R128, ITU BS.1770-2/1771, ATSC A/85 and ARIB). It also features the Magic LRA mode, specifically designed by RTW, for intuitive visualization of the loudness range and integrated-loudness parameters.

If equipped with the corresponding software license option, the integrated de-embedder also outputs up to 16 audio channels from the 3G-SDI signal on eight AES3 two-channel ports. The output signals are independent from the visualized audio. In addition, the TM3-3G can be upgraded with a built-in monitoring controller license. This uses an on-screen fader for output-volume adjustment, a stereo output and phones out. The optional timecode license expands the feature set of the TM3-3G to allow external or SDI timecode signals to be decoded, displayed and used for additional functions.

The intuitive operating concept of the TM3 allows for quick and easy selection of presets that can be configured using RTW’s Devicer DC1 software (available for Mac OS X® and Windows®). Using custom presets, the user can easily switch between the various sources, loudness standards and instrument layouts. The configuration software allows users to freely scale and place the required instruments virtually anywhere on the screen.

ABOUT RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s ranges of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

Sound Devices Highlights New 4:4:4 Feature for PIX 240 And 240i at the 2013 NAB Show

Video Recorders Can Now Record 12-Bit, 4:4:4 Content to Apple ProRes 4444

LAS VEGAS, APRIL 4, 2013 — For attendees in search of the latest 4:4:4 recording solutions, Sound Devices showcases its latest upgrade to PIX 240 and PIX 240i Production Video Recorders at the 2013 NAB Show (Booth C2849). This new major update, available for all PIX customers free of charge, offers Apple ProRes 4444 recording from video sources over 3G-SDI (4:4:4 RGB or YCbCr). Recording 4:4:4 offers productions superior color precision for applications in chroma-keying, color-grading and multi-generational editing.

PIX 240 and 240i users now have the ability to record into Apple ProRes 4444, which offers impressive quality with 4:4:4 sources and workflows involving alpha channel transparency. With its 12-bit, 4:4:4 capability, the PIX 240 and 240i can record 330-Mbps Apple ProRes 4444 files that are perceptually indistinguishable from the original source material. Popular cameras with 4:4:4 capable outputs include the ARRI ALEXA, Canon C500 and Sony F3.

“Sound Devices is pleased to feature this latest firmware update at NAB, as we know this is an important feature to many of our users and we foresee this capability being a hot topic at this year’s show,” says Paul Isaacs, Technical Development Manager, Sound Devices. “Bringing Apple ProRes 4444 recording over 3G-SDI to the PIX 240 and 240i offers additional color accuracy available in a 4:4:4 environment—reinforcing the PIX recorder as a master-grade production recorder suitable for the most demanding production applications.”

Additional features available in this latest v3.0 firmware update include time-code and recording status displays on the SDI and HDMI outputs, up to 500 ms of audio delay to compensate for multi-device picture delay, and selectable 4:4:4 or 4:2:2 video output independent from the source material.

Users can connect PIX 240 and 240i to cameras with HD-SDI, 3G-SDI, or HDMI and record directly to QuickTime using a range of different Apple ProRes or Avid DNxHD codecs, including Apple ProRes 4444. Since PIX recorders use ProRes and DNxHD, files recorded in the field can be used directly in post production, making for simpler, faster workflows.

The PIX 240i’s high-performance five-inch, IPS-based LCD display is an accurate field monitor, providing users with immediate confirmation of framing, exposure, focus, audio metering and setup menu selections. It offers excellent color accuracy and contrast, great off-axis visibility and accurate motion tracking.

The built-in hardware scaler and frame rate converter allows PIX to output and record material at different resolutions and frame rates than supported by the camera. Conversion between HD and SD, with and without anamorphic conversion, is available.

The audio circuitry of the PIX recorders is based on Sound Devices’ award-winning 7-Series digital audio recorders. The low-noise (-128 dBu EIN), high-headroom, high-bandwidth inputs are mic/line switchable and include limiters, high-pass filters and phantom power.

The HDMI-only PIX 220 and PIX 220i video recorders also gain new features available in the new version 3.0 update, including Apple ProRes 4444 recording, time-code and recording status displays on HDMI outputs, and up to 500 ms of audio delay to compensate for multi-device picture delay.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

134th AES Convention Overview

Sponsors – Tracks – Workshops – Papers

ROME: Sponsors, Presenters and attendees are preparing for the first Audio Engineering Convention to be held in the Eternal City. Scheduled for May 4 -7 at Rome’s Fontana di Trevi Conference Centre, the 134th AES Convention will maximize the scenic and social advantages of one of the world’s most beloved cities. “We have coordinated a full program of distinguished speakers, timely tracks, and stimulating special events designed to provide information, inspiration in an incomparable setting,” states Convention Chairman Umberto Zanghieri. “Established audio pros and students preparing for next-generation jobs, will benefit immeasurably from this convention experience.

“In addition to an extraordinary technical and educational program, the Convention will feature special displays by over a dozen prominent Sponsors,” Zanghieri emphasizes. “We are pleased to welcome, Audio Precision, Audiomatica Srl, B&C Speakers, bdSound, CharterOak, Crane Song Ltd., EKO Music Group spa, Fairlight Europe, Klippel GmbH, LAMBDA srl, Microtech Gefell GmbH, RCF spa, Trinnov Audio and ZP Engineering srl, and we thank them for their support.”

Over 140 Papers Sessions, Workshops, Tutorials, Engineering Briefs, Student and Career Development events have been developed for the Convention. Preliminary lists of presentation titles are posted at http://www.aes.org/events/134/ click on the “Visitors” button for details. The Convention will also host Standards Committee and Technical Council Meetings. A variety of social events have been coordinated to support enhanced one-to-one connectivity throughout the four-day event.

The 134th AES Convention technical program is highlighted by Five Convention Tracks developed to provide timely, comprehensive perspectives on Live Sound, Loudness Issues, Recording Techniques, Spatial Sound and, Sound For Pictures and TV.

Papers Co-Chairs Veronique Larcher and Angelo Farina and their review committee evaluated over a hundred submissions in search of the most compelling presentations. Subjects encompass such issues as: Improving Listening Ability Using E-Learning Methods and Evaluation of Acoustic Features for Music Emotion Recognition. Click on Papers for comprehensive details.

Workshop and Tutorials Programs, will provide attendees with invaluable information on topics ranging from 3-D Audio Automotive Applications; Multichannel Immersive Audio Formats for 3-D Cinema and Home Theater; and, Creative Distortion? You Are in the Over-Driver’s Seat. Click on Workshops and Tutorials for preliminary program details.

A formal preliminary program will be posted at www.aes.org soon.

“Every AES Convention offers a unique opportunity for acquiring real-world insights from recognized leaders in professional audio,” Zanghieri remarked. “The benefits of interacting with product developers, researchers, educators, students and peers are pillars of AES events. The fact that Rome is our host city makes this Convention even more compelling,” he concludes.

For details on Convention Tracks visit: http://www.aes.org/events/134/program/

The deadline for Advance Registration is April 19, 2013 and you can register here: http://www.aes.org/events/134/registration/

Many unique and wonderful hotels are situated near the Trevi Conference Center as are unforgettable Roman ruins. Accommodations are available at special AES rates in a few selected hotels. Prices listed are good until April 5th. For information on reservations click here: http://www.aes.org/events/134/visitors/hotels/

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Photo: The 134th AES Convention will be held in Rome, Italy – May 4-7, 2013

http://i49.tinypic.com/2112qop.jpg

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

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CLEAR-COM UNVEILS FURTHER ENHANCEMENTS TO ITS TEMPEST DIGITAL WIRELESS INTERCOMS AT THE 2013 NAB SHOW

LAS VEGAS, APRIL 3, 2013 ? Clear-Com®, a global leader in critical voice communications systems, announces further enhancements to its Tempest Digital Wireless Intercoms at the 2013 NAB Show (Booth C8008). Included among the latest offerings are a new Tempest®900 BeltStation and a Remote Line Extender. These solutions further enhance the systems’ use for broadcasters requiring ultra-portable wireless communications in RF-rich environments.

The Tempest line of feature-rich wireless intercoms comprises the 2.4 GHz Tempest®2400 and the 900 MHz Tempest900 wireless systems in either a two- or four-channel offering. Both Tempest systems deliver cutting-edge RF technologies to ensure interference-free communications for mobile productions and broadcast facilities. The Tempest2400 offers a Seamless Roaming feature, which provides broadcasters with continuous wireless coverage across an expanded production space. The Seamless Roaming feature allows BeltStation users to migrate between as many as 16 different Tempest BaseStations (coverage areas or zones), allowing audio professionals to focus on critical production cues rather than on the settings of their wireless BeltStations. This gives them the ability to move freely and wirelessly throughout large venues separated by large distances, such as multi-studio complexes and sports arenas. Both Seamless Roaming and iSelect Roaming are available to accommodate virtually every application need.

As part of a continuing effort to expand the Tempest system further, Clear-Com is introducing the latest Tempest900 BeltStation. Equipped with an advanced Planar Inverted-F Antenna (PIFA), the new BeltStation has an increased range, allowing more wireless coverage. Becoming increasingly more popular in the mobile phone market, a PIFA is low profile and has an omnidirectional signal pattern, which means it can receive a connection from any direction. Backwards compatible with Tempest900 firmware version 3.0, the new BeltStations will continue to operate within the 900MHz frequency band and are fully compatible with all versions of the Tempest900 BaseStations and BeltStations. The longer wavelengths and wider symbol width in this band allow the system’s signals to break through dense walls and other structural objects more readily, increasing the range for users and reducing any potential loss of audio.

The new Tempest Remote Transceiver Line Extender increases the systems’ cable run distance of a remote antenna by 3,000 feet (914m) with one Line Extender or 2,000 feet (609m) per Line Extender if using more than one Line Extender. This allows for the deployment of larger systems with longer cable runs from the BaseStation. A total of three Line Extenders can be connected to provide total coverage of up to 7,500 feet (2286m).

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

Tieline Announces Strategic Partnership With NETIA

Partnership Includes Integration of Tieline Report-IT Enterprise With NETIA

PERTH, Western Australia — April 3, 2013 — Tieline, the Codec Company, today announced a strategic partnership with market-leading content management solution provider NETIA, which includes the integration of Report-IT Enterprise with NETIA’s software solutions for managing and broadcasting radio content. This partnership delivers improved workflows to both Tieline and NETIA customers for ingest of news content and enhanced tools for mobile journalists in the field.

Both organisations worked closely with one of their mutual customers, ABC Australia, to integrate the ingest of recorded Report-IT audio files into NETIA’s Radio-Assist(TM) using FTP sharing. Tieline has also integrated iSnippet, NETIA’s latest Radio-Assist editing tool, into Report-IT Enterprise for iPhone(R)/iPad(R).

“Clearly Tieline’s partnership with NETIA opens up an entirely new world of opportunities for mobile journalism by making it easier and faster for journalists to get their stories to air via NETIA Radio-Assist systems. Journalists now also have access to improved and streamlined report editing capabilities with the integration of NETIA’s iSnippet editing application into Report-IT Enterprise for iPhone and iPad,” said Charlie Gawley, vice president of sales, APAC/EMEA for Tieline. “For engineers and all radio news stakeholders, this will deliver improved workflows which reduce time, effort, and costs.”

The range of editing tools available within Radio-Assist automation products is now available for iOS devices. Sharing the same look and ergonomic principles as the desktop interface, the new iPhone- and iPad-compatible iSnippet tool allows field reporters and other remote users to enjoy Radio-Assist audio editing capabilities — familiar from the desktop — on their portable devices.

“As the world moves increasingly towards the use of mobile devices, we are delighted to work with Tieline to deliver broadcast solutions on portable devices to bring a new level of flexibility for news operators working remotely,” said Paul Henri Oltra, vice president and chief technology officer at NETIA.

The Report-IT Enterprise application for iPhone and iPad allows reporters and announcers to send live broadcast-quality IP audio wirelessly from any remote location to a Tieline IP codec in the studio. Report-IT can also broadcast live and record at the same time, so audio can be sent in real time to a Tieline codec in the studio, or uploaded via FTP sharing to a news server with no codec required in the studio.

# # #

About Tieline
Tieline supplies high-quality STL, audio distribution and remote broadcast digital audio codecs. The company has won numerous awards for innovation in technology and thousands of customers around the world rely on Tieline codecs every single day for reliable broadcast solutions. The company has offices in North America and Australia, supporting a global distribution network spanning the Americas, Europe, UK, Africa, Asia, Middle East and Australasia. Tieline Technology, Tieline Technology logo are trademarks of Tieline Pty Ltd. Other trademarks may be the property of their respective owners.

About NETIA
NETIA, a GlobeCast company, is a leading provider of software solutions that enable efficient management and delivery of content to today’s full array of media platforms. Relied on by more than 10,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides content management solutions to major radio and television brands and to multimedia groups around the world. Clients include SBS and ABC in Australia, RAI Italy, France Telecom/Orange, MediaCorp Singapore, RTL France, Radio Globo in Brazil, RTM Malaysia, Radio France, the Associated Press, and France Televisions. NETIA has its headquarters in France, with offices in Northern America, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

Photo Link: www.wallstcom.com/NETIA/iSnippet.zip
Photo Caption: NETIA iSnippet for iPhone(R) and iPad(R)

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GUITAR CENTER NAMES MIKE PRATT NEW CEO

— Pratt appointed CEO and member of Guitar Center’s Board of Directors as company continues to grow and sets its sights on a strong 2013 and beyond —

Guitar Center today announced that Mike Pratt has been appointed Chief Executive Officer and a member of the Company’s Board of Directors effective April 1, 2013. Pratt succeeds Marty Hanaka, the Company’s Interim Chief Executive Officer, who will remain on the Board and assist in the transition.

Since 2008, Pratt has served as President and Chief Operating Officer of leading Canadian consumer electronics retailers Best Buy Canada and Future Shop. He began his career more than 20 years ago with Future Shop, which was acquired by Best Buy Canada in 2001. During Pratt’s tenure, Best Buy Canada grew from 165 to 275 stores and greatly expanded its e-commerce activities and web presence.

“There’s no question that Guitar Center is North America’s leader in musical instruments and related products, and there’s a long legacy of success that I greatly admire,” said Pratt. “Over the last few months, I’ve had the chance to look at the company even more closely, and I came away very impressed with its dynamic, multi-format business model with strong in-store and web-based brands. I’m excited about this opportunity and looking forward to working with Guitar Center’s management team and dedicated associates to build the business at retail and online.”

Pratt will be working closely with other members of Guitar Center’s management team, including: John Bagan, Executive Vice President & General Merchandising Manager; Michael Doyle, Senior Vice President, Guitar Merchandise; Dennis Haffeman, Executive Vice President of Human Resources; Frank Hamlin, Executive Vice President/General Manager of E-Commerce & Marketing; Gene Joly, Executive Vice President of Stores; Tim Martin, Executive Vice President and Chief Financial Officer; Michael Walter, Senior Vice President, Drums, B&O and Accessories; and Bill Wrightson, Senior Vice President, Technology Merchandise & Proprietary Product Management.

“2012 was a strong year for Guitar Center, and we continue to remain on track with the goals outlined in our strategic business plan,” stated Gene Joly. “We have big goals for 2013 – continuing to open new stores and carry out our already-successful business plan. With the appointment of Mike Pratt as CEO, who has a proven track record in retail, Guitar Center will continue to grow and expand over the coming years. He is a vital addition to our team and we look forward to working with him.”

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Digital Alert Systems to Provide Live Demonstrations of Canadian Bilingual Emergency Alert Service at the 2013 NAB Show

LYNDONVILLE, N.Y. — April 2, 2013 — Digital Alert Systems today announced that, at the 2013 NAB Show, it will provide a live demonstration of Canada’s National Alert Aggregation and Dissemination (NAAD) System, to highlight bilingual visual and audio presentation of emergency alerts by the DASDEC(TM)-II emergency notification platform. With full support for Canada’s unique Common Alerting Protocol messaging profile (CAP-CP), the DASDEC emergency messaging platform is the first broadcast alert solution to provide comprehensive support for NAAD requirements.

Operated by Pelmorex Communications, the NAAD system provides Canadian government agencies with tools to issue public safety messages using the CAP-CP. The NAAD system validates, authenticates, and aggregates alert messages into a data stream, which it distributes over the Internet and by satellite to ensure coverage across Canada. The DASDEC-II monitors the NAAD system for alert messages and allows radio and television broadcasters to select emergency event types and the appropriate broadcast language, French or English.

During the NAB Show demonstration, the DASDEC platform and MultiPlayer(TM) EAS audio player and program switcher will receive bilingual alert messages initiated by Pelmorex and Canadian provincial officials. A simulated broadcast environment will allow the system to forward these alert messages using the highest quality English and French-Canadian text-to-speech capabilities currently available.

Live demonstrations are scheduled for 11 a.m. and 2 p.m. on Tuesday, April 9, at booth C2644 in the Central Hall of the Las Vegas Convention Center. Representatives from Pelmorex will be on hand to answer questions and provide a demonstration of Canadian alert origination tools. The DASDEC platform will continuously monitor the Pelmorex NAAD system for alerts from Environment Canada and other Canadian sources throughout the show.

Further information about the DASDEC emergency messaging platform is available at www.digitalalertsystems.com.

# # #

About Monroe Electronics and Digital Alert Systems
Monroe Electronics began operations in 1954 designing and manufacturing specialized electrostatic discharge (ESD) instrumentation that continues today. From its headquarters in Lyndonville, N.Y. the company provides R&D, manufacturing, sales, and customer service for all Monroe Electronics, One-Net(TM), and Digital Alert Systems brands. Monroe Electronics’ Emergency Alert Systems (EAS) are the widely accepted standard for CATV with a hard-earned reputation for quality, reliability, and service to valued customers around the world.

In October 2009, Digital Alert Systems, the leading innovator of next-generation Common Alerting Protocol (CAP) and EAS merged with Monroe Electronics to further extend its product offerings to radio and television broadcasters and better serve their collective customers into the future.

More information is available at http://www.monroe-electronics.com and www.digitalalertsystems.com.

All trademarks appearing herein are the property of their respective owners.

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DK5 – DK Meter Logging Has Arrived!

DK5, the newest addition to DK-Technologies’ award-winning DK meter range, introduces Logging as its significant feature, allowing detailed documentation, visualization and evaluation of DK Metering data.

On show for the first time at NAB 2013, the new DK5 Logging PC application allows for session based real time logging of metering data history on loudness, along with peak channel performance, essentially providing instant documentation and metering hindsight. The integrated log session database provides safe storing, identification and advanced search facilities, while data can be exported in several file formats for additional analysis and visualization.

“Our ‘One box’ DK Meter range has already proven its versatility in allowing broadcasters at-a-glance Loudness conformity with all major loudness standards, as well as a long list of other metering tools and views,” says Jacob Hänel Christensen, DK-Technologies’ Chief Operating Officer. ”With the addition of DK5 and the Logging solution, users can now document, visualize and evaluate their material in real time.”

The new Logging feature is also available for all existing DK Meter owners as an optional software upgrade, and as a software update feature for owners of DK-Technologies’ PT0760 flagship Audio and Video Waveform Meter.

DK-Technologies is giving customers the opportunity to trial the new DK Meter software upgrade for a period of 180 hours. This try-before-you-buy period will give users unlimited access to all of the software’s upgraded features and improved functionality.

Finally, the DK Meter software update adds a new ultra wide moving coil emulation in the MSD View, as well as 5.1 Down-mix opportunity.

DK-Technologies’ new DK5 and DK Meter software update will be on show at NAB 2013 on the Ward-Beck Systems Ltd booth N1202. DK5 and the new software will both be available in April. For a brochure and video demo of the DK Meter range, please visit DK-Technologies at www.dk-technologies.com

-ends-

About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

GUITAR CENTER OPENS NEW STORE IN KATY, TX

— 244th Guitar Center location features on-site lessons and repair services, along with
GC’s vast inventory selection —

On the evening of Thursday, March 14, 2013, Guitar Center held the grand opening of its new location in Katy, Texas, located at 24429 Katy Freeway, Katy, TX 77494. The Katy store is Guitar Center’s 244th retail location and is part of a new wave of Guitar Center retail stores that feature lesson spaces, which allows the brand to offer additional music lessons, special programs and expanded opportunities for local musicians.

Trevor McGrew, Katy’s new store Manager, stated, “I love being a part of people becoming musicians, from helping them find their first instrument, then watching them learn to play at GC Studios lessons, to when they come back to expand their collection – it’s exciting to have that connection with customers and feel like you’ve been a part of their achieving their musical ambitions.” McGrew has been with Guitar Center since 2006 and is certified in multiple departments including Guitars, DJ Gear, Lighting & Effects, Amplifiers & Effects, Effects Pedals, and Bass.

Guitar Center Katy: What Musicians Will Find In-Store

Guitar Center Studios – Deeply vested in expanding and enhancing the Katy music scene, Guitar Center Katy also brings Guitar Center Studios to the new location. The fully-equipped, in-house lesson space is giving Katy residents of all ages and skill levels access to affordable music lessons. Sourcing locally trained store employees as certified instructors, courses will be offered on guitar, bass, keys and drums, as well as vocals and recording techniques using Pro Tools and Logic Pro and GarageBand.
Vast Product Selection and Low Prices – Guitar Center Katy brings an unprecedented selection of products to Katy, all backed by Guitar Center’s guarantee and available at attractive prices. The store features the latest in guitars, amplifiers, percussion instruments and keyboards, as well as live sound, DJ, lighting and recording equipment.
Guitar Center Garage – Guitar Center Katy includes GC Garage, the store’s on-site guitar repair service, offering a host of services, including electronics repair, hardware customization, fretwork, structural repairs, cosmetic enhancements, setup and maintenances.

Guitar Center Katy: Additional In-Store Programs and Opportunities Include:

Guitar Center’s “Endless Aisle” – Katy customers can now shop from Guitar Center’s new multi-channel “endless aisle,” which extends the in-store inventory to over $400 million in new and used products from across the nation. Shoppers will be able to purchase in-store, online and via phone, with the option to have products shipped to their home or to the store for convenient pick up.
At: Guitar Center Programs – Throughout the calendar year, Guitar Center Katy will host an array of free events, such as artist workshops, lessons, product launches and performances, as a part of the company’s ongoing commitment to educating and assisting unsigned artists. These programs aim to provide musicians with the opportunities and exposure essential to achieving their music goals.
Recording Made Easy – Available at all Guitar Center locations, the Recording Made Easy program is a four-week, user-friendly series of weekly classes occurring Saturdays from 10:00 to 11:00 a.m.

In addition to special programs at the new Katy store, Guitar Center offers year-round programs designed to spearhead creativity and highlight promising undiscovered talent. Katy residents will now be able to participate in these ongoing events from their hometown. Programs have included Your Next Record, Guitar Center On-Stage, Guitar Center Singer-Songwriter, Guitar Center’s Battle of the Blues and Guitar Center’s Drum-Off.

Guitar Center Katy Store and Studio Hours

Mon-Thu: 11 AM-9 PM
Fri: 10 AM-9 PM
Sat: 10 AM-7 PM
Sun: 12 PM-6 PM

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