Archive for May, 2013

Pearl-Cohn Entertainment Magnet High School Opens Recording Facility with Support from The Recording Academy® Producers & Engineers Wing®

Metro Nashville Public Schools’ music education initiative, “Music Makes Us,” provides students at Nashville’s Pearl-Cohn Entertainment Magnet High School with a student-run record label mentored by Warner Music Nashville and a complete world-class recording studio designed, equipped and guided by the efforts of P&E Wing members

SANTA MONICA, Calif. (May 21, 2013) — On May 8, 2013, leading members of The Recording Academy® Producers & Engineers Wing®, along with Nashville public officials, representatives from key sponsors, members of the media and more attended a red-carpet event celebrating the grand opening of the new recording program and facility at Nashville’s Pearl-Cohn Entertainment Magnet School. On hand to help commemorate the occasion were Nashville Mayor Karl Dean; Scott Hendricks, Senior Vice President of A&R for Warner Music Nashville; Nancy Shapiro, The Recording Academy Senior Vice President, Member Services; Pearl-Cohn Principal Sonia Stewart; Metropolitan Nashville Public Schools (MNPS) Director Dr. Jesse Register; and more. The studio, part of the first-ever student-run record label in a high school (announced earlier this year by Mayor Dean, Dr. Register, and John Esposito, president/CEO of Warner Music Nashville), was designed and assembled by members of the P&E Wing, who contributed their time and talents over the course of the last year. Pearl-Cohn is the only entertainment magnet high school in the country. The studio will serve the school’s Academy of Entertainment Management and Academy of Entertainment Communication divisions.

Addressing the crowd of more than 100 Nashville luminaries assembled in the school’s lobby, Nancy Shapiro commented, “When you ask the P&E Wing to work on something, you better be dreaming big.” Members of the Pearl-Cohn Subcommittee of the P&E Wing, including Subcommittee Chair Jeff Balding, Nashville P&E Wing Committee Chairman Chuck Ainlay, Steve Durr, Ben Fowler, Julian King, Sam Lorber, Nick Palladino, Terry Palmer, Matt Schlachter and Nashville Chapter President Jon Randall Stewart, all contributed their collective knowledge, wisdom and passion to the project, which features a 32-channel API 1608 console and JBL® Professional M2 Master Reference Monitors in the main control room and two 5.1 surround sound post/editing suites equipped with SSL Nucleus DAW controllers. Additionally, the facility is equipped with products from Audio-Technica, Fredenstein Professional Audio, the HARMAN® Professional brands (AKG® Acoustics, JBL Professional and Lexicon®) and Shure. Representatives from these supporters were in attendance at the red-carpet event to help celebrate the studio’s opening.

Subcommittee member Steve Durr of Nashville-based Steven Durr Designs also served as the designer for the studio, laying out the acoustical and ergometric concepts. His portfolio includes studios for Austin City Limits, The Black Keys, Mark Ronson, Lenny Kravitz and Zac Brown. He stated, “I tried to achieve a design that would allow students to experience recording music with both machines and people,” Durr explains, citing the large control room that will allow several students and teachers to work comfortably using drum machines, digital samplers and synthesizers as well as the recording equipment, and the sizable tracking room where they will be able to capture great recordings of live musicians playing in ensemble. “What I hope this ultimately accomplishes is that kids will now be able to learn about making music in an environment that was designed around great sound. Kids who have been brought up on MP3s can experience what music can really sound like. That can change their lives.”

The studio, which cost $1.2 million to build and outfit (not including thousands of hours of donated labor), is a multi-room facility with a spacious control room whose sleek design belies the challenges it posed to make it conform to classroom and other design requirements, such as adapting access to the API 1608 console for ADA compliance. “There was so much that went into this that goes way beyond the typical recording studio,” said Nashville P&E Wing Co-Chair Chuck Ainlay, a GRAMMY® Award-winning producer/engineer who has worked with artists including Mark Knopfler, Miranda Lambert, George Strait and Peter Frampton. The studio also features several isolation booths and two 5.1 surround sound editing suites with acoustical treatments donated by Acoustics In A Box and Perdue Acoustics. In addition, the facility houses a multi-station teaching area with individual Apple iMac-equipped workstations for 30 students connected to the teacher’s station and to the studio.

Multiple GRAMMY Award nominee Jeff Balding says the project was about giving back to the community, but it was also a technical challenge in which P&E Wing members were eagerly engaged. “It’s great to see the whole community come together over this — teachers, artists, engineers, producers, and more. I believe in pouring our experience into the generation coming after us. If we can take our ceiling and make that their floor, it will allow them to take our industry to a much higher level, and that’s exciting to me.”

“My vision for Music City is to have the best music education program in the world,” Mayor Dean said. “The music industry and philanthropic community have embraced this vision and are working tirelessly with the city and Metro Schools to make it a reality. The opening of this label and studio are wonderful milestones in the development of Music Makes Us and moves us closer to that ultimate goal.”

Balding continued, “We wanted to get the feel of a real recording studio here, but we also knew it needed to function as an actual classroom.” He added that even through the Pearl-Cohn studio is an amalgam of state-of-the-art technology and the exceptional technical experience of the P&E Wing members, it’s far more than the sum of its parts. “This is something that will always be here,” he says. “It’s for future generations of music creators.”

About Music Makes Us
Music Makes Us is a joint effort of Metro Nashville Public Schools, Mayor Karl Dean and music industry and community leaders. The Music Makes Us initiative will lead the nation in music education. With a focus on music literacy and student participation, Music Makes Us is strengthening traditional school music while adding a contemporary curriculum that embraces new technologies and reflects a diverse musical landscape.

Photo File: PearlCohn_Group.JPG
Photo Caption: Pictured L-R: Sonia Stewart, Principal, Pearl-Cohn; Don Wershba, Sr. Vice President, SSL; Piers Plaskitt, CEO, SSL; Roxanne Ricks, Artist Relations, Audio-Technica; Sam Lorber, Instructional Designer, Pearl-Cohn; Ben Fowler, P&E Wing Sub-Committee member and producer/engineer; Nick Palladino, P&E Wing Sub-Committee member and Owner, NPALL Audio; Mayor Karl Dean; Julian King, P&E Wing Sub-Committee member and producer/engineer; Joseph Wagoner, Product Manager, AKG; Nancy Shapiro, Sr. Vice President, The Recording Academy; Steve Durr, Owner, Steven Durr Designs; Chuck Ainlay, P&E Wing Committee Chairman and producer/engineer; Scott Hendricks, Sr. Vice President of A&R, Warner Music Nashville; Jon Randall Stewart, The Recording Academy Nashville Chapter President and singer/songwriter/musician; Jeff Balding, P&E Wing Sub-Committee Chair and producer/engineer; Peter Chaikin, Senior Manager Recording and Broadcast Marketing, JBL Professional; Dr. Jesse Register, Director of Schools, MNPS; Larry Droppa, President and Owner, API; Terry Palmer, Owner, Terry Palmer Services; Ryan Smith, Regional Manager of Artist Relations, Shure Incorporated. Photo by Frederick Breedon. Photo courtesy of The Recording Academy®/WireImage.com. © 2013.

Sound Devices Elevates Commitment to Technical Sales Expertise with Recent Company Promotions

Pat McConnell New VP of Sales, Ed Capp Named Global Sales Director

REEDSBURG, WI, MAY 21, 2013 — Sound Devices, experts in audio and video products for field production, is pleased to announce two internal promotions. As the company continues to evolve in the professional audio and video markets, it has named Pat McConnell Vice President of Sales and Ed Capp Global Sales Director.

At a time when the level of technical expertise required for successful sales is paramount, the pair has demonstrated leadership in the specialized audio and video production markets. In their new roles, Pat and Ed will oversee the Sound Devices sales team to further promote the company’s entire range of products globally, while continuing to strengthen the Sound Devices reseller and distributor network.

Pat, who joined the company last year, brings his deep experience in audio, systems sales, and sales management to the company. He also continues on with the tradition of single-syllable first names for Sound Devices officers. Ed, a 10-year veteran of the Sound Devices sales team, has been instrumental in significantly expanding the reach of Sound Devices throughout the world. Ed has developed Sound Devices strength in Asia as well as the important Southern California markets.

“Ed and Pat are a great sales team and together they manage Sound Devices presence throughout the world,” says Matt Anderson, President of Sound Devices. “As the Sound Devices product lines become more and more technical, it is critical that our sales team is led by knowledgeable individuals who are immersed in the changing audio and video technology landscape. We are very excited to continue to grow our sales force and look forward to both Ed and Pat’s future contributions to the company.”

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

AES 135th CONVENTION POSTS DEADLINE FOR PAPERS PROPOSALS

May 29 Deadline for Abstracts

NEW YORK: AES 135th Convention Committee Papers Co-Chairs, Brett Leonard and Tae Hong Park, have announced an extension of the call to the professional audio community for technical papers proposals. The new deadline is Wednesday, May 29, 2013.

“We have already received a number of strong abstracts and completed papers,” reports Brett Leonard. “We anticipate a particularly strong turnout for this year. And, we want to make sure that our review board has as many options as possible in order to maintain the quality and diversity of our presentations. By reaching out to a wider segment of the professional and educational sectors we hope to add a number of atypical but eminently worthwhile subjects.”

“We recognize the fact that meaningful papers can originate from beyond traditional academia,” states Co-Chair Tae Hong Park. “Our goal is to develop the most stimulating, comprehensive and authoritative Papers Program possible. Points of origin are far less critical than points of fact, theory and originality.”

In addition to sharing knowledge and opening constructive dialogues on issues which impact on the professional audio community, presenting authors will have their Papers included on the CD-ROM of the full Papers / Posters Program, and, student members will be eligible for the Student Paper Award.

Authors may submit proposals in three categories:

1. Complete-manuscript peer-reviewed convention papers: www.aes.org/135th_authors
2. Abstract-precis-reviewed convention papers: www.aes.org/135th_authors
3. Synopsis-reviewed engineering briefs: www.aes.org/135th_ebriefs

Category 1 and 2 proposals must be submitted electronically to the AES 135th proposal submission site at: www.aes.org/135th_authors by May 29, 2013

Category 3 – Engineering Brief authors must supply a short synopsis by Aug. 14, 2013 followed by an electronic manuscript. These manuscripts will be freely available in the AES E-Library to AES members.

The 135th Audio Engineering Society Convention will be held Oct. 17 – 20, 2013 at New York’s Jacob Javits Convention Center.

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Audio-Technica U.S. Unveils Systems Integration Resource Center (SIRC) Web Site

— Dedicated password-protected web site includes A-T product information and other resources specifically intended for consultants, contractors and system integrators —

STOW, OH, May 15, 2013 — Audio-Technica U.S., a leader in transducer technology for over 50 years, is unveiling its new Systems Integration Resource Center (SIRC) web site at http://sirc.audio-technica.com. Intended for consultants, contractors and system integrators, this password-protected web site offers Audio-Technica product information, price lists, spec comparisons and other resources. Once authorized by Audio-Technica, the consultant, contractor or system integrator creates his or her own user profile and receives 24/7 access to a host of A-T resources.

Visitors to the site will have access to dedicated product pages by Microphone Type, Microphone Line, Wireless Systems, Headphones, Accessories and Other Products, along with a search function. Resources and tools include Current A-T Prices, A-T Mic Comparison (with categories including Boundary, Gooseneck, Hanging, Headworn, Lavalier, etc.), “The Alternator” Competitive Product Comparison, Project Literature Search and a “Contact A-T” tab. The far right column of the main page is a “My Favorites” list, which is customizable for each visitor and can be used for current or future jobs.

“The consultant, contractor and system integrator market is very important to A-T,” stated David Marsh, Audio-Technica U.S. Director of Sales & Marketing, Installed Sound. “With this new dedicated website, we are continuing our quest to give our customers all the resources they need to become familiar with our product line and to find the right tool for the job. In the field, there is not always time for extensive research, and with this site, we are simplifying the process for our valued customers. Also, using the My Favorites section of the site creates a shortcut for spec’ing mics and accessories for consultants, contractors and system integrators who are doing similar jobs to ones they have done in the past. It’s a great resource.”

Industry Sponsors Support Recording Industry Golf Tournament (RIGT)

— Annual charity event to be held at Malibu Country Club —

Los Angeles CA, May 15, 2013 — The 2013 Recording Industry Golf Tournament (RIGT), which will be held Monday, June 24, 2013, at Malibu Country Club, is attracting an impressive roster of sponsors representing leaders in every corner of the industry.

Sponsors named thus far include GC Pro, Sterling Audio, Dave Collins Mastering, Design FX Audio, Lurssen Mastering, PreSonus, Record Plant, SAE Los Angeles, Shure, Sound Design Corporation, TransAudio Group, Vintage King Audio and Westlake Recording Studios, with more to be announced.

The event has been organized by seasoned event producer Karen Dunn of KMD Productions and will benefit the music program at A Place Called Home, a dynamic community center and safe haven in South Central Los Angeles where underserved youth 8-21 years old are empowered to take ownership of the quality and direction of their lives through programs in education, arts, and well-being. Recording veterans Ed Cherney and Al Schmitt will serve as Co-Honorary Chairs for the afternoon’s festivities.

“A Place Called Home is a wonderful cause to support,” says Karen Dunn, “We are so grateful to our growing list of sponsors who are helping make this fun event happen, and A Place Called Home will benefit greatly from those who have chosen to take part in a sponsorship.”

Ed Cherney added, “I’m always happy to play golf but especially happy to play when we can not only have fun, but also directly benefit somebody personally. The money we raise will go directly to the music program at A Place Called Home. To be able to make a real difference in a person’s life is what we should all aspire to.”

Online registry for players and sponsors is available at http://2013recordingindustrygolftournament.eventbrite.com/. For more information about the tournament, visit http://recordingindustrygolftournament.webs.com/ or call Karen Dunn at 925-708-0307.

About A Place Called Home
A Place Called Home (www.apch.org) is a dynamic community center and safe haven in South Central Los Angeles where underserved youth 8-21 years old are empowered to take ownership of the quality and direction of their lives through programs in education, arts, and well-being. APCH provides support and opportunities that increase the likelihood that young people will stay in school, go on to higher education and viable jobs, and make a meaningful difference in their communities and the world. Music and recording are key components of the organization’s program offering, and the APCH youth band performs and records on a regular basis.

About KMD Productions
Based in the San Francisco Bay Area, KMD Productions offers full-service event production across the US for businesses and individuals, providing a range of services needed to make events an overwhelming success. KMD Productions can handle all the details of your fundraiser, corporate function or trade show event. Whether you’re looking to launch a new product, get better brand recognition or raise money for your worthwhile charity, KMD Productions has the resources and experience to help you achieve your goals.

WSDG Reveals Outreach To India

New Affiliation With Pivotal Bollywood Film/Audio Rep

NEW YORK: Sergio Molho, Walters-Storyk Design Group Director of New Business Development, reports that company co-principals Beth Walters and John Storyk returned from a recent visit to India with a pioneering relationship with leading Pro audio/film industry solution provider/recording engineer, Aditya Modi. Following a series of client meetings and two lectures on design and acoustics at Yash Raj Studios in Mumbai, Walters and Storyk finalized an agreement with Modi Digital for exclusive representation of WSDG throughout India.

“Aditya Modi is a 2nd generation audio/video/film industry professional,” Molho says. “Since 2007 he has managed Modi Digital, a successful technology sales/installation firm founded by his father, Vijay Modi – 40 years ago. In addition to his extensive business experience, Modi is an award-winning, creative audio engineer. Our agreement will see him working with us to introduce WSDG’s acoustic and architectural design capabilities to India’s thriving production community. We are extremely fortunate to be working with him,” Molho adds.

“We were deeply impressed with Modi’s artistic talents, his integrity and his social graces,” Beth Walters remarked. “He worked and studied in the U.S. for a number of years, his knowledge of and connectivity with India’s huge film and audio production community is unsurpassed. We have an abiding respect for Bollywood, and we are convinced that WSDG can be of great service this pivotal industry.”

After earning a Recording Arts Degree from Full Sail University in 2001, Aditya Modi moved to LA to work as a DJ. Returning to Mumbai after graduation, he became a successful recording engineer and businessman. In 2001 Academy Award-winning Bollywood composer A.R. Rahman (Slumdog Millionaire) enlisted Modi to manage his production/post production operations, and to serve as creative producer for his live and theatrical shows. Beyond his on-going relationship with Rahman, Modi established two personal recording, mastering & mixing facilities in Mumbai. In addition to writing for technical publications, he also hosts seminars for Music/Audio educational institutions.

“I have been aware of the Walters-Storyk Design Group from the earliest days of my career,” Modi remarked. “John Storyk’s work is highlighted by world-class credits that range from Electric Lady in 1968 to NY’s newest super studio Jungle City. I know WSDG’s international team will make a huge impact on Bollywood’s technical capabilities. And, I am honored to be representing such a distinguished firm.”

“We established an immediate rapport with Modi, and we relate to his entrepreneurial spirit,” John Storyk adds. “He is a true player in the Bollywood community. We are already beginning design work on our first project in India and,” he concludes, “We look forward to a long and warm working and personal relationship with Modi.”

Photo: Aditya Modi is representing the Walters-Storyk Design Group in India

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The Walters-Storyk Design Group has designed over 3000 media production facilities in the U.S., Europe, the Far East and Latin America. WSDG credits range from the original Jimi Hendrix Electric Lady Studio in Greenwich Village to NYC’s Jazz At Lincoln Center performance complex, the KKL Luzern Concert Hall in Switzerland, broadcast facilities for The Food Network, CBS and WNET, over twenty teaching studios for The Art Institutes around the US, and corporate clients such as Hoffman La Roche. Recent credits include Jungle City, NY’s major new destination studio; private studios for Green Day, Jay-Z, Aerosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk, Beth Walters, and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG is a seven-time winner of the prestigious TEC Award for outstanding achievement in Acoustics/Facility Design, including 2012 for Jungle City. WSDG maintains offices in NY, SF, Miami, Buenos Aires, Belo Horizonte, Basel, Beijing, Barcelona, Mexico City and Mumbai.

GeoBroadcast Solutions Names Jampro Antennas as Exclusive Supplier for MaxxCasting, ZoneCasting Networks

CHICAGO — Terrestrial radio innovators GeoBroadcast Solutions (GBS) announce Jampro Antennas as a technology partner to advance its vision of helping radio broadcasters maximize over-the-air signals and grow revenues.

Jampro joins Harris Broadcast as exclusive technology suppliers for GBS MaxxCasting and ZoneCasting networks. MaxxCasting expands FM signal coverage areas, allowing broadcasters to take full advantage of their FCC-allotted spectrum. ZoneCasting, pending FCC approval, brings hyper-localization to radio through targeted over-the-air content delivery.

Jampro will supply all antennas, combiners and support equipment related to installation of these components. The custom antennas are specially designed for these networks, providing the advanced directivity required to ensure both maximized market coverage and highly-specific regional targeting.

Peter Handy, CEO of GeoBroadcast Systems, notes that Jampro brought a flexible approach to its antenna designs that uniquely fit requirements for MaxxCasting and ZoneCasting deployments. That flexibility extends to custom designs that meet the needs of each broadcaster — highly important as coverage patterns and targeting requirements will differ for each market.

“One critical concern is to minimize conflicts created between transmitting multiple signals across the same market,” said Handy. “Jampro clearly addresses these challenges with custom designs that can increase or decrease directionality. This is perfect for ZoneCasting, where we are geographically targeting content across multiple zones in a single market. Furthermore, it is ideal for spreading coverage into areas of a broadcast market that is lacking a clear over-the-air signal.”

The business benefit of integrating Jampro antennas therefore becomes very clear: A larger audience receives the signal due to their exceptional directionality, which means advertisers reach more listeners. This potentially translates to more advertising dollars for the broadcaster by opening new revenue streams.

Handy adds that GBS representatives had a number of conversations with broadcasters at the 2013 NAB Show that recognize the game-changing capability of ZoneCasting, but in the meantime are very interested in the opportunity to increase the distribution of their over-the-air programming through MaxxCasting. This is a perception that Jampro Antennas President Alex Perchevitch echoes.

“As an industry we have always accepted the fact that the legal signal coverage of a radio station is one model, while the actual signal coverage often falls considerably short of what a broadcasters is allowed to service,” said Perchevitch. “A solution like MaxxCasting that allows you to bridge that gap is not only unique, but very compelling.”

Harris Broadcast and Jampro often collaborate on radio and television transmission projects, bringing proven compatibility to GBS for out-of-the-box reliability. Harris Broadcast will integrate Jampro antennas and combiners across its single-frequency FM transmission networks, which incorporate multiple Flexiva™ transmitters and Intraplex® synchronizers as well as special GBS control software.

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 25,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. Additional information on JAMPRO can be obtained at www.jampro.com

About GeoBroadcast Solutions
GeoBroadcast Solutions, LLC (“GBS”) was formed in 2009 by founders who collectively have hundreds of years in the radio business. Peter Handy of GBS, Rich Redmond of Harris Broadcast and Alex Perchevitch of Jampro Antenna are amongst the architects and helped develop and test the GBS ZoneCasting technology, currently filed as a petition for rulemaking with the Federal Communications Commission. In 2012, GBS identified and launched MaxxCasting, the technology that helps broadcasters cover more of their signal coverage area. Both technologies are innovative, exciting and revenue generating. Visit http://www.geobroadcastsolutions.com for more information.

# # #

Contact Information:
Brian Galante
Dimension PR
brian@dimensionpronline.com
570-425-2315

Jampro contact:
Sonia Del Castillo
mailto:Sonia@jampro.com
916-383-1177

Jampro Press Contact:
Harriet Diener
Desert Moon Communications
harriet@desertmooncomm.com
845-512-8283

Animoog, the award-winning Synthesizer app from Moog is Now Available for the BlackBerry Z10

ASHEVILLE, NC – May 16, 2013 – At BlackBerry Live this week, Moog Music announced the release of Animoog®, it’s award-winning app for the BlackBerry® Z10™ smartphone. Animoog, previously only available on iOS®, is Moog’s first music creation tool for the BlackBerry® platform.

The Animoog app for BlackBerry 10 was unveiled earlier this week and will continue to be showcased throughout BlackBerry’s annual enthusiast, developer and partner conference in Orlando, FL. From May 16th through May 23rd (the date that would be Bob Moog’s 79th birthday), Animoog will be available on the BlackBerry® World™ storefront for the BlackBerry Z10 smartphone at an introductory price of $.99. After this promotional period ends, Animoog will return to its regular price of $9.99.

“We are very excited about the release of Animoog on the BlackBerry 10 platform and about our relationship with BlackBerry,” said Mike Adams, President and CEO of Moog Music, Inc. “BlackBerry has long been the choice for business professionals who in many cases are in creative fields. Now, for the first time, we can offer a high performance music creation tool to artists and synthesizer enthusiasts that prefer BlackBerry,” said Adams.

“Moog is a long time iconic brand in the music industry and their synthesizers are used by major artists worldwide,” said Martyn Mallick, VP of Global Alliances and Business Development at BlackBerry. “We are thrilled to have Animoog available on the BlackBerry 10 platform”.

Moog Music is driven by a company culture that lives at the intersection of technology and music. This culture is celebrated annually at Moogfest, its multi-day festival in honor of the innovative spirit of its founder, Bob Moog who was inducted into the National Inventor’s Hall of Fame last week. Moog’s early adoption of the BlackBerry 10 platform is in line with this pioneering philosophy.

“This project is the beginning of a collaboration with BlackBerry’s innovative user experience team and an exploration of new means for creative expression with handheld devices. It is always our intention to create better tools for artists and this relationship allows us to investigate exciting future possibilities,” said Emmy Parker, Moog’s Senior Brand Manager.

Links:

- Video: http://www.moogmusic.com/sight-and-sound/product_demo/animoog-blackberry
- Animoog on BlackBerry World:
http://appworld.blackberry.com/webstore/content/28277801
- Animoog product page: http://www.moogmusic.com/animoogbb
- Moog Music website: http://www.moogmusic.com/
- Moog Music on Twitter: http://www.Twitter.com/MoogMusicInc/
- Moog Music on Facebook: http://www.Facebook.com/MoogMusicInc/

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About Moog Music:
Moog Music synthesizers and other electronic musical instruments are designed and lovingly handcrafted in the Moog factory in downtown Asheville, N.C. Moog Music and its customers carry on the legacy of Dr. Robert Moog, inventor of the Moog synthesizer and Founder of Moog Music Inc.

BlackBerry and related trademarks, names and logos are the property of Research In Motion Limited. BlackBerry is not responsible for any third-party products or services.

Prism Sound Launches Two Low Cost Versions of SADiE 6

Prism Sound has released two new versions of its SADiE 6 software, which was recently nominated for a TEC Award in the Workstation Technology category.

SADiE 6 Professional and SADiE 6 Lite are designed to bring this ground-breaking audio production and recording software to a much wider audience by allowing users to access the software at a lower price point.

Graham Boswell, Sales Director of Prism Sound, says: “SADiE has always excelled in roles where the most sophisticated editing capabilities are required and where reliability and robustness are paramount. However, we have recognised that not every user needs a full complement of features and functionality, so we have tailored specific versions of SADiE 6 software to suite different budgets and applications. SADiE Professional and SADiE Lite are the latest additions to our product suite.”

SADiE 6 Lite presents the core capabilities of SADiE in an entry level package, while SADiE 6 Professional can handle unlimited tracks and incorporates one year’s free support including all major updates. Both SADiE Lite and SADiE Professional include SADiE’s unique and streamlined array of flexible and non-destructive editing tools such as the Playlist, Trim and Region editors. They also provide a slimmed down core set of iZotope VST plug-ins and the well-established palette of SADiE channel strip processing.

“SADiE Professional and SADiE Lite are designed to appeal to radio producers who want the core functionality of SADiE 6 so that they can edit on their own lap-tops,” Boswell adds. “These versions are ideal for users who don’t need integration with networked radio automation or facilities to master or restore audio.”

SADiE Professional retails at £949 plus VAT, while SADiE Lite retails at £450 plus VAT. Both versions are available now as a download or on a dongle.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

Sound Devices Offers Enhanced Recording and File Transfer Options for PIX 260i Users

Latest Firmware Update, Version 1.02, Now Available for Free Download

LOS ANGELES, MAY 15, 2013 — In an effort to continue to streamline workflows for production and post-production environments with its rack-mounted PIX 260i Production Video Recorder, Sound Devices, experts in portable audio and video products for field production, now offers expanded audio and video recording and file transfer capabilities with its newest firmware update, Version 1.02. Available as a free download to all PIX 260i users, this latest version will be highlighted at Cine Gear 2013 (Booth 94).

With Version 1.02, all drives are now formatted as exFAT instead of UDF. While this new drive formatting is available, it is still possible for PIX 260i users to record and play back from UDF drives for compatibility with the PIX 220i and PIX 240i. Users have the ability to set each PIX 260i drive independently to Ethernet File Transfer (Network) mode. This offers the convenience of transferring files over a network while the PIX 260i records new data. Drives will also automatically switch to the Ethernet File Transfer mode when full. In addition, the end user can now read and write data to PIX 260i drives over Ethernet. The update also enables the PIX 260i to provide users with both simultaneous recording to multiple drives or sequential mode, recording to the next successive drive as drives become full. A 10-second (maximum) pre-record buffer for the audio-only mode has also been added.

“The PIX 260i offers an innovative new approach to file-based audio and video recording,” says Paul Isaacs, Technical Development Manager for Sound Devices. “Every new version of PIX 260i firmware, including version 1.02, is the result of feedback from customers who have incorporated it into their everyday workflows.”

Based on Sound Devices’ PIX 240i portable audio/video recorder, PIX 260i is a rack-mounted, file-based audio/video recorder that seamlessly replaces tape-based video decks in production and post-production environments. PIX 260i offers 32 tracks of audio record and playback as well as control functionality from browser-capable computers and tablets. PIX 260i offers the features and tools that production companies and broadcasters require to migrate to file-based recording and playback capabilities. It records QuickTime files in either Apple ProRes or Avid DNxHD video formats. Files recorded in these intra-frame codecs are ready for editing directly from the recorder in common editing environments, such as Avid, Final Cut Pro, and Adobe Premiere, eliminating time-consuming transferring and transcoding. For color-critical applications, the PIX 260i supports Apple ProRes 4444 through its 12-bit, 4:4:4 3G-SDI I/O. Users can also play out files from the PIX 260i for real-time applications.

PIX 260i users can download Version 1.02 by visiting www.sounddevices.com/download/pix260i-firmware/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

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