Archive for October, 2013

Myers Announces the Rollout of ProTrack v6.07

ENHANCEMENTS AND NEW FEATURES OFFERED FOR BOTH RADIO & TV EDITIONS

Northampton, MA – Myers – the highly respected developer of broadcast traffic, business, and content management software – today announced the immediate availability of v6.07, a significant upgrade to ProTrack, the company’s flagship software suite. Built on a more powerful SQL database management engine, the new Radio and TV versions further streamline facility workflows and incorporate numerous functionality and user-experience enhancements. Among them:
For ProTrack TV
• New Log Manager to centralize logging tasks
• A Consolidated Interstitial Search screen
• Customizable Interstitial Field defaults
• Streamlined Scheduling Grid screens
For ProTrack Radio
• New single or multi-channel “Master” Template
• Improved As-Run functionality
• Enhanced Broadcast Log toolbar
• New Channel Groups to assign Spot/Interstitial eligibility
“Our development team incorporated numerous end-user ideas and requests; we’ve improved the workflow and made information more accessible,” said Crist Myers, company CEO and president. “Many enhancements are ‘behind the curtain,’ especially the migration of ProTrack’s core architecture to a more robust and capable database structure; it’s a fundamental shift that enables more advanced techniques for growth and expansion, especially at the Enterprise level. We’re indebted to the ProTrack community for their ongoing feedback, support and partnership.”

ProTrack, Myers’ proven flagship suite, is available in both radio and television editions. It offers comprehensive scheduling and business management for individual, multichannel and multi-station facilities. Actively used by more than 226 media outlets, supporting more than 1,300 channels, ProTrack provides a high-level of structure, scalability, and systems integration for today’s rapidly evolving media environments.

ABOUT MYERS
Formerly known as Myers Information Systems, Inc., the company has been developing broadcast management software since 1989. Myers provides technology and services for television, radio and other digital media providers designed to improve every aspect of their operations, from contracting to invoicing, media management to scheduling, and from trafficking to reconciliation. For more information, please visit: www.myersinfosys.com

Myers Information Systems contact: Crist Myers
+1-413-585-9820 / sales@myersinfosys.com

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmoon.tv

NOV. 5TH PBS JIMI HENDRIX AMERICAN MASTERS SPECIAL FEATURES ELECTRIC LADY STUDIOS PROFILE

NEW YORK: On Tuesday, November 5th at 9PM, PBS American Masters Series will premiere Jimi Hendrix: Hear My Train A Comin,’ a 2-hour biography of the iconic guitar hero. In addition to rare performance footage and interviews with Paul McCartney, Steve Winwood, Lou Adler and other music industry notables, the program will highlight the compelling history of Electric Lady, Hendrix’s personal recording studio. Still cranking out hits 43 years after opening it’s doors on West 8th Street, in the heart of NYC’s Greenwich Village, ELS was conceived by Hendrix’s producer/engineer Eddie Kramer, and designed by Walters-Storyk Design Group co-founder/architect/acoustician John Storyk, both of whom provide personal reminiscences of working with Jimi on the creation of Electric Lady. For a preview of this not-to-be missed program, please visit:

http://www.pbs.org/wnet/americanmasters/episodes/jimi-hendrix/electric-lady-studios/2735/

Photo: John Storyk (left) with Eddie Kramer at the original entrance to Electric Lady Studios. Please credit photo by Howard Sherman

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Walters-Storyk Design Group has designed over 3000 media production facilities in the U.S., Europe, the Far East and Latin America. WSDG credits range from the original Jimi Hendrix Electric Lady Studio in Greenwich Village to NYC’s Jazz At Lincoln Center performance complex, broadcast facilities for The Food Network, CBS and WNET, over twenty teaching studios for The Art Institutes around the US, and corporate clients such as Hoffman La Roche. Recent credits include Jungle City, NY’s major new destination studio; private studios for Green Day, Jay-Z, Timbaland’s Tim Mosley, film composer Carter Burwell, Aerosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk (an adjunct professor at Berklee College,) Beth Walters, Sergio Molho and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG has collaborated with such noted architects as: Frank O. Ghery (Novartis Campus,) Rafael Vignoly (Jazz at Lincoln Center,) Norman Foster (El Aleph,) Oscar Niemeyer (CAMG,) Phillipe Stark (Faena Hotel,) Grimshaw (Zurich Airport,) and Santiago Calatrava (Berklee Valencia.) WSDG is a seven time winner of the prestigious TEC Award for outstanding achievement in Acoustics/Facility Design, including 2012 for NY’s Jungle City. WSDG maintains offices in NY, SF, Miami, Buenos Aires, Belo Horizonte, Basel, Beijing, Barcelona, Mexico City and Mumbai.

Moogfest and Moog Music announce 4th Circuit Bending Challenge

Some Soldering Required*

ASHEVILLE, NC – October 29, 2013Moog Music was born when a young Bob Moog, started tinkering with electronic circuitry. As a boy, Moog built small radios, amps, and theremins in his basement workshop with his father and the rest is history. This experimentation with the inner workings of electronic devices to create new sounds and effects has been developed into an art form known as circuit bending.

Circuit bending is a creative medium that combines technology, sonic artistry and creativity. By altering the internal circuitry of electronic devices such as keyboards, drum machines, and children’s toys, circuit benders are able to produce new sounds not intended in the original design.

In celebration of this creative curiosity that fueled a young Bob Moog and all of those that follow in his footsteps, Moog is sponsoring its 4th annual circuit bending contest.

This year, Moog’s circuit bending contest is challenging entrants to take a battery powered device and circuit bend it into an instrument capable of creating new and unique sounds for a total budget of $70 or less.

Entrants will create and post videos on YouTube featuring their completed instruments and documenting the process of their creation. Moog will select three finalists and invite them to showcase their creations at Moogfest in April of 2014 where Moog’s judges and the general public will decide a winner of the contest.

Grand Prize: Moog Sub Phatty & Two Passes to Moogfest 2014
2nd Place: Moog Slim Phatty & Two Passes to Moogfest 2014
3rd Place: Moog Minitaur & Two Passes to Moogfest 2014

More information on the contest and a full list of rules for entries can be found at www.moogfest.com/circuit-bending.

Stay updated on Moogfest through www.moogfest.com and on Facebook at www.facebook.com/moogfest.

*Actually, soldering isn’t required. You can use any medium you wish in order to bend your device including (but not limited to) bubble gum, bottle caps, foreign currency, used chopsticks, unicorn hair, or a really cool hat.

About Moogfest:

Since 2004, Moogfest has been a gathering for the musicians that worked closely with Bob and his instruments. In 2014, Moogfest is amplifying its vision and becoming a 5-Day event dedicated to the synthesis of technology, art and music. Moogfest honors the inventiveness of Bob Moog and the legacy of the analog synth with an experimental line up of daytime conference programming and landmark nightly performances. Moogfest takes place April 23-27th, 2014 in downtown Asheville, NC. To learn more, visit www.moogfest.com.

About Moog Music:

Moog Music is the leading producer of analog synthesizers in the world. The company and its customers carry on the legacy of its founder, electronic musical instrument pioneer, Dr. Bob Moog. The company hosts Moogfest, a five-day festival celebrating the intersection of music and technology in honor of Moog’s innovative spirit. All of Moog’s instruments are hand built in its factory on the edge of downtown Asheville, NC. To learn more, visit www.moogmusic.com.

Lowell Manufacturing Adds Deep Profiles to Wall-Mount Rack Series

— New 28- and 32-inch-deep racks for LWR Series —

PACIFIC, MO, October 28, 2013 — Lowell Manufacturing Company, a U.S. manufacturer of professional A/V products for more than 65 years, has expanded its LWR Series of wall-mount racks to include two deep profiles—28” and 32”—for applications requiring greater depth for electronics and accompanying cables and wiring. These deeper-profile wall racks feature the time-saving sectional design that allows the backbox to be sent to the job site while the cabinet (mounting section) is filled at the shop.

LWR Series Features:

Heavy duty, swing-open, sectional rack (load capacity to 300 lbs.)
Backbox: 10” square opening in rear, removable knockout panels, lacing points, and provisions to attach board-mounted accessories. Two side locks keyed differently than (optional) front door.
Cabinet (mounting section): 1-pr. adjustable mounting rails, integral rails in top and bottom, vented sides, and knockouts.
Four depths: 19”, 23”, 28”, 32” (varied heights)
Made in USA with 100% certified US steel

For more information, please visit www.lowellmfg.com or e-mail Lowell at sales@lowellmfg.com.

Broadcast Networks Strengthens Management Team By Appointing Malcolm Robinson

Systems integration specialist Broadcast Networks has strengthened its management team, focus and skillset by appointing Malcolm Robinson as Director – Media & Broadcast Solutions.

A skilled broadcast executive and engineer who gained operational knowledge through experiences with CNN International, NEP Visions and Cine Video, Malcolm brings a wealth of technical knowledge and industry insight to Broadcast Networks. He joins the company from Sony PSE where, as General Manager for Live Production Solutions, he was responsible for the design and build of more than 200 Outside Broadcast vehicles and studios.

Innovation is always a key element to broadcasting and while at Sony Malcolm developed the team bringing leading-edge technologies to market. He was central to the development of HD, 3D and recently 4K into the outside broadcast environment.

Commenting on his appointment, Malcolm says: “Broadcast Networks has always been a strong brand and one I am well acquainted with, having previously subcontracted many Sony Live Production projects to its highly experienced team of solution architects and project managers. Their passion for innovation and customer satisfaction has always set them apart, so I am thrilled to be joining the company as it undergoes major expansion to secure its position as a leading integration partner. These are exciting times – for us and our customers.”

“The broadcast market is evolving to accommodate innovative technologies and new business models. Now, more than ever, broadcasters and media companies value partners who can help them implement game-changing ideas,” says Tom Haye, Managing Director Broadcast Networks. “We’re delighted that Malcolm is joining our team to help align our people, processes and the latest technology so that we can help customers win in this increasingly complex arena.”

As a systems integrator with more than 25 years’ experience, Broadcast Networks has a proven record in the delivery of high-quality broadcast and digital media systems to an international client base. The company specialises in fixed and mobile solutions including live production and studio systems; broadcast infrastructure, transmission and content distribution systems; Outside Broadcast and Satellite News Gathering vehicles. Clients include Chellomedia, News International, UPC, NBC Universal, Bloomberg Television, ITV and OB Team in Norway. Broadcast Networks has recently announced a strategic partnership with IEC Group and investment which will drive the expansion of its operations and capabilities.

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About Broadcast Networks
Broadcast Networks is a UK-based Systems Integrator with over 25 years’ experience in delivering solutions to clients the world over, including national broadcasters and global media organisations. From live production systems and OB vehicles, studios and broadcast infrastructure, satellite uplinks to content distribution, the company offers totally integrated and innovative solutions. With a highly experienced and knowledgeable team of solution architects and project managers, a flexible approach and a real commitment to customer service, Broadcast Networks works closely with organisations to meet their business and operational objectives and to deliver game-changing ideas.
Learn more: www.bcnet.co.uk

BERKLEE COLLEGE OF MUSIC 160 MASS COMPLEX APPROACHING COMPLETION

BOSTON: 160 Massachusetts Avenue, the Berklee College of Music’s stunning new $100 million, sixteen-story, mixed-use building, is approaching completion. With initial openings planned for January 2014, and full occupancy scheduled for Spring 2014, the 155,000 square-foot tower represents a significant expansion for Berklee. It is also the first ground-up building in the school’s 66-year history. Distinguished by dramatic floor-to-ceiling glass walls, the sprawling music recording/education facility will house eight Walters-Storyk Design Group studios and a live room scaled to host a 50-piece orchestra.

WSDG Partner Sergio Molho, reports “The complex encompasses technical suites, classrooms, practice, ensemble and community rooms, a film dubbing theater and, a unique, three-story 4000 square foot, 400 seat, dual purpose, auditorium/dining hall. Designed by award-winning architects William Rawn Associates, the building will also serve as a residence for the entire 370-member freshman class. This has been one of the most ambitious projects of our 40 year+ company history,” Molho adds, “In addition to an invaluable contribution by our NY-based Sr. Project Manager Romina Larregina, it has engaged the talents and resources of each of our international offices, and virtually every one of our 50+ team members. It will be an extraordinary way to begin the New Year.”

One of the largest educational studio facilities built in the U.S. this year; the 18,000 SF recording/education complex at 160 Mass. offers students a massive battery of production, post-production and recording technology. Each of the four Production Control Suites is equipped with Genelec 8050A Speakers, MOTU MIDI Express 128, TC Electronics 6000 Remote CPUs, Ephonix MC Control, Akai MPK-61, Crown D75 Cu Amplifiers and a comprehensive collection of outboard gear and software programs. Tech Lab features include: Edirol UM-ONE, Euphonix MC Mix, Dangerous Music ST/ST Dynaudio AIR 15. The Central Machine Room incorporates a Dub Stage Digital Console Computer DF66; a Dub Stage Analog I/O AM713/MA703 console; a Dub Stage Console Sonic Wall Router and a host of high-end technology. The Mastering/Critical Listening Lab is outfitted with Euphonix MC Control, ATC SMC 150 ASL, Lipinski 707 Speakers, JL Audio Subwoofer F113 and Manley Mastering Backbone.

WSDG has a long-standing relationship with Berklee. John Storyk developed the school’s signature studio design course. He is also an adjunct professor, and lectures frequently to Berklee College music production and engineering students. This on-going connectivity with both faculty and students, played a significant role in the design program for 160 Mass. The most advanced predictive acoustic modeling software was engaged in the initial development stage, and the latest acoustical and technical innovations have been incorporated in every facet of the design to insure the highest degree of future-proofing for these studios and teaching labs.

For an overview on Berklee’s 160 Mass complex please visit: http://www.berklee.edu/Berklee160

For video tours visit: http://www.youtube.com/watch?v=Fu_iAWHH8Ho and http://www.youtube.com/watch?v=qo4oaw2ArxY&feature=youtu.be

Photo: Rendering of Berklee College of Music 160 Mass.

http://i41.tinypic.com/2e65uab.jpg

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Walters-Storyk Design Group has designed over 3000 media production facilities in the U.S., Europe, the Far East and Latin America. WSDG credits range from the original Jimi Hendrix Electric Lady Studio in Greenwich Village to NYC’s Jazz At Lincoln Center performance complex, broadcast facilities for The Food Network, CBS and WNET, over twenty teaching studios for The Art Institutes around the US, and corporate clients such as Hoffman La Roche. Recent credits include Jungle City, NY’s major new destination studio; private studios for Green Day, Jay-Z, Timbaland’s Tim Mosley, film composer Carter Burwell, Aerosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk (adjunct professor, Berklee College of Music,) Beth Walters, Sergio Molho and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG has collaborated with such noted architects as: Frank O. Ghery (Novartis Campus,) Rafael Vignoly (Jazz at Lincoln Center,) Norman Foster (El Aleph,) Oscar Niemeyer (CAMG,) Phillipe Stark (Faena Hotel,) Grimshaw (Zurich Airport,) and Santiago Calatrava (Berklee Valencia.) WSDG is a seven-time winner of the prestigious TEC Award for outstanding achievement in Acoustics/Facility Design, including 2012 for NY’s Jungle City. WSDG maintains offices in NY, SF, Miami, Buenos Aires, Belo Horizonte, Basel, Beijing, Barcelona, Mexico City and Mumbai.

Hal Leonard Publishes Power Tools for Cubase 7

Master Steinberg’s powerful multi-platform audio production software

Montclair, NJ (October 25, 2013)Hal Leonard Books, the musician’s best source of books on the music business, audio technology, instrument history, and more, is now shipping Power Tools for Cubase 7 by Matthew Loel T. Hepworth.

Cubase is a program that transforms your computer into a complete recording studio, providing every button, knob, switch, and fader found in a hardware-based studio, plus a few extra controls that don’t normally exist in that realm. Cubase 7 offers practically unlimited tracks for musicians, producers, and music enthusiasts alike, limited only by the power of the host computer. With so many options, the processes of composing, recording, editing, mixing, and mastering can be challenging, but Power Tools for Cubase 7 will help the reader easily and efficiently take advantage of all that creative power and flexibility.

Power Tools for Cubase 7 was written with the new user in mind. First, you’ll learn the process of installation and proper studio configuration. Then, you’ll learn the foundations of rudimentary Cubase operations; how to avoid common mistakes; how to properly record and edit MIDI instrument and audio tracks, and how to use techniques that produce smoothly polished and powerful results. Finally, you’ll learn how to add mastering treatments for a professional-sounding, competitive, punchy, shiny, and loud mix!

The included DVD-ROM contains valuable supporting material and actual Cubase session files that add to the in-depth learning experience provided by Power Tools for Cubase 7.

About the Author
Matthew Loel T. Hepworth has been teaching music technology since 1984 and is the author of many how-to videos as well as other books on music and audio software. He consults on, records, mixes, and masters audio projects for many clients, including Air Supply, Devil Driver, Foothill Drive, Gene Swift, the Jonni Lightfoot Band, the Red Rock Hot Club, Supersofar, and many others. The son of two educators, he has the unique ability to thoughtfully teach people how to use complex music products and software. Hepworth plays a variety of instruments, including bass guitar, guitar, and the very unusual Theremin. He also provides video services to various dance companies and corporate clients and uses a 48-input mobile recording system to capture live concert performances into Cubase. He regularly travels the world to consult with recording studios and he frequently provides technical support for motion picture and photographic production teams.

Power Tools for Cubase 7
$39.99 (US)
Inventory #HL 00333397
ISBN: 9781458413680
Width: 7.5″ Length: 9.0″ 328 pages, DVD-ROM included

More information at www.halleonardbooks.com

Media Contact:
Please contact Music Marcom for review copies, author interviews and excerpts:
Music Marcom
Martina McConnon
v: 610-577-4982
e: martina@musicmarcom.com

Invisible Cities Opens to Sell-Out Performances at Los Angeles’ Union Station as Sennheiser Technology Enables ‘Artistic Creation Without Borders’

City of Los Angeles Issues Proclamation to Invisible Cities as Sennheiser Delivers Highly Personalized, Yet Communal Artistic Experience to Consumers

Los Angeles – October 25, 2013Invisible Cities, the world’s first large scale opera for wireless headphones, opened to critical acclaim on October 19th at the iconic Union Station, where it was issued a Proclamation by the City of Los Angeles. The visionary production, which was written by Christopher Cerrone and produced by The Industry and L.A. Dance project, is made possible through the professional and consumer technology of leading audio manufacturer Sennheiser.

Invisible Cities, which is based on the 1972 novel by Italo Calvino that explores Marco Polo’s descriptions of fantastical cities as described to Emperor Kublai Khan, turns the classic operatic archetype on its head, transforming Los Angeles’ iconic Union Station into a constantly moving and artistically unique experience for each participant. Invisible Cities pushes the limits of artistic production and is made possible through Sennheiser’s wireless headphone and microphone technology. This enables patrons to experience a vastly repurposed art form both as independent participants and as a connected, communal audience.

“Over the last decade, we have seen technology increasingly become a primary driver in the creation of art,” commented Stefanie Reichert, director of strategic marketing, Sennheiser. “Invisible Cities relies on a very creative application of Sennheiser’s leading edge wireless microphone and headphone technology to deliver an ingenious, pioneering artistic experience to its audiences. As Invisible Cities illustrates, Sennheiser’s wireless microphone and headphone technology enables the consumer to be more of a participant in the artistic performance itself.”

Sennheiser’s wireless headphones enable participants to have a unique perceptual experience based on an almost infinite number of vantage points from which they can view the performance. At the same time, participants are gathered together in the highly ‘communal’ environment of a train station and all wearing headphones. Union Station, with its illustrious history and exquisite architecture, serves as the perfect backdrop to this tale of people in imaginary cities as cast members intermingle with both active audience members and ordinary passers by.

“Being in your own space, yet still being part of a community is a very common style of today’s generation,” Reichert said. “As social media and personalized listening experiences permeate the lives of modern consumers, Invisible Cities illustrates that people can share a communal experience with others while still enjoying art independently. This production actually leverages this phenomenon into its dramatic presentation, creating a deeper and more meaningful experience for participants.”

With its unorthodox approach and creative use of Sennheiser wireless technology, Invisible Cities successfully reinvents the traditional opera in many ways. For example, with no opera house or assigned seats, audience members are free to move about the entire performance space — a public train terminal — as the opera progresses. This often puts them directly ‘on-stage’ aside actors and performers. Regular terminal passengers and bystanders — perhaps initially unaware that a dramatic event is unfolding before their eyes — become an impromptu element in the performance as someone standing directly beside them dressed in 14th century attire, suddenly breaks out into beautiful song.

In addition to Sennheiser’s RS 120 consumer headphones worn by participants, Invisible Cities‘ technical production also relies on Sennheiser’s state of the art Digital 9000 professional wireless system, which transmits pristine audio for the duration of the performances. This system, which was launched last year after having been under development for over a decade, is the most advanced wireless system in the world and used in top level theatre, music and broadcasting events.

For more information on Invisible Cities, including performance dates and ticket information, please visit http://invisiblecitiesopera.com/.

About The Industry:

The Industry is a new home for new and experimental opera in Los Angeles. Founded and led by director Yuval Sharon, The Industry creates ambitious productions that expand the traditional definition of opera and explore new paradigms for interdisciplinary collaboration. Mark Swed of the Los Angeles Times writes “The Industry is quickly and dramatically becoming an essential component in American opera. It’s now indispensable to the LA scene.” The Industry’s inaugural production, Anne LeBaron and Douglas Kearney’s Crescent City, was instantly hailed as “reshaping LA opera” (Los Angeles Times) and “changing the face of music-theater in this city overnight” (Out West Arts). The large-scale multimedia production, featuring the work of six visual artists in a 25,000 sq. ft. warehouse in Atwater Village, performed over three weeks in May 2012 to capacity audiences. The Industry recently presented First Take, a west coast opera workshop showcasing excerpts from six new operatic works-in-progress by the legendary Pauline Oliveros, and rising star composer Mohammed Fairouz at the Hammer Museum’s Billy Wilder Theater. For more information visit: www.TheIndustryLA.org.

About L.A. Dance Project:

L.A. Dance Project is an artist collective founded in 2012 by renowned choreographer and dancer Benjamin Millepied, along with composer Nico Muhly, art consultant Matthieu Humery, producer Charles Fabius, and film producer Dimitri Chamblas. L.A. Dance Project’s mission is to create new work and to revive seminal collaborations from influential dance makers. Programs include full-length evenings in traditional theater venues as well as various modular performances in non-traditional environments. New works by the company endeavor to be multidisciplinary collaborations with various artists: visual artists, musicians, designers, directors and composers. L.A. Dance Project promotes the work of emerging and established creators, contributing to new platforms for contemporary dance. For more information visit: www.ladanceproject.com.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

Photo captions:
1) The Invisible Cities opera, written by Christopher Cerrone and based on the 1972 novel by Italo Calvino, combines historical fiction with surrealist elements to create an ‘invisible opera for wireless headphones’. (Photo Credit: Dana Ross).

2) Yuval Sharon, artistic director of The Industry, is presented with a proclamation from The City of Los Angeles on Saturday, October 19. (Photo Credit: Dana Ross).

3) The Invisible Cities production included an 11-piece orchestra using Sennheiser and Neumann microphones. (Photo Credit: Dana Ross).

135th Audio Engineering Society Convention Hits A Five-Year High

— Convention takes a bite out of the Big Apple and reminds the industry that “If It’s About Audio, It’s At AES” —

New York, NY, October 24, 2013 — The 135th Audio Engineering Society Convention (Thursday, October 17, through Sunday, October 20, 2013, at the Javits Center in New York City) was the place to be if you have anything to do with the audio industry. The exhibit floor, panels and technical sessions were packed all four days, and as AES celebrated its 65th Anniversary, a five-year-high number of 18,453 registrants was tallied.

At show close, AES reported a 16% increase in registration since the last time the convention was in New York two years ago (131st AES) and a staggering 71% increase over last year’s San Francisco event (133rd AES), which unfortunately was plagued by smaller attendance due to Hurricane Sandy.

Convention Committee Chair Jim Anderson and his team created the most ambitious and comprehensive schedule of workshops, panels and technical programs in AES convention history; AES135 will be remembered by those in attendance as an exciting and enlightening experience, and one of the most heavily attended conventions in years. From the opening keynote address on Thursday by Josh McDermott from MIT; and the Heyser Lecture by legendary producer, technologist and multi-GRAMMY® Award winner George Massenburg; to Friday’s lunchtime keynote by multi-GRAMMY Award winner Jimmy Jam; the Project Studio Expo and Knowledge Center; the “Sound For Picture” Deadliest Catch workshop; the GRAMMY SoundTables event honoring the late Phil Ramone; presentations by engineer and Jay-Z collaborator Young Guru; and more, AES135 hit it out of the park for attendees and exhibitors alike.

“I can’t express how thrilled I am with our Convention this year,” stated Bob Moses, Executive Director of the AES. “Our organizing committee really outdid themselves, with over 250 presentations from an astounding 682 leading researchers and practitioners in the field, many of them standing-room only. The convention floor was absolutely packed, and the only complaint I heard was that we ran out of convention programs on the second day because so many people showed up. We took some risks with this show in an attempt to bring in lots of new blood and to maintain our position on the proverbial cutting edge, and the fact that it was such a fantastic success gives us confidence to ratchet it up a few more notches in Los Angeles next year. Actually, why wait for October 2014? – we’ll be back in Berlin in April, and much of what made this show so great will be leveraged to breathe new life into our European convention.”

No matter what sector of the industry you are involved in — recording & production, broadcast & streaming, game audio, live sound, networked audio, sound for picture, post production or system integration — AES135 had it all. The convention received support from over 20 industry sponsors and partners including: Audio Precision, Cerwin-Vega, CharterOak, Focusrite/Novation, Gibson, Hal Leonard, Harman/Soundcraft, iZotope, KRK, NewBay Media, Onkyo, SAE Institute, Sennheiser, Sound On Sound, Sound and Picture, Stanton, Tascam, and THAT Corporation. Additionally several organizations lent their support, including APRS, ASCAP, DTV Audio Group, International Music Festival Conference, Manhattan Producer’s Alliance, The Recording Academy® Producers & Engineers Wing® and SPARS, as well as leading audio retailers GC Pro and Sweetwater.

The convention garnered praise from exhibitors and attendees alike. Piers Plaskitt, CEO, Solid State Logic, Inc., stated, “We went into the 2013 AES with high expectations, a new console for the live market, a cool summing box for our music professionals and a MADI/Dante bridge for our broadcast customers. We staffed up accordingly, and I’m very pleased to say that we had an extraordinarily busy show that exceeded our projections on every level. We are looking forward to 2014 and the convention’s return to Los Angeles.”

“This AES in NY was the best AES convention in many years,” stated Eric Mayer, President, DPA Inc. “This year the show floor traffic seemed up, our booth attendees were more ‘qualified’ and spirits seemed high. I’m not sure what changes were made, but whatever they were, they were needed and they worked.”

Katy Templeman-Holmes, Sr. Marketing Manager USA, Mixer Group, HARMAN, echoed Mayer’s words: “We had a great show, specifically with the hands-on workshops we hosted. Attendance was stronger than ever and it was a valuable mix of student, new and veteran engineers all looking to learn and experience the available technologies and products. A good show all around.”

“AES NY is always special, as no other show draws such a diverse crowd of key decision leaders in music, post, broadcast and live sound,” stated Phil Wagner, President of Focusrite Novation Inc. “This year’s AES show had our booth and sound demo room packed with potential customers from start to finish. We were proud to sponsor both the Project Studio Expo and Networked Audio Track. We look forward to a strong presence at AES Los Angeles next year.”

For additional information on the Audio Engineering Society and its conventions, conferences and technological outreach, visit http://www.aes.org.

Photo Caption 1: The 135th Audio Engineering Society Convention (Thursday, October 17, through Sunday, October 20, 2013, at the Javits Center in New York City) saw five-year-high registration numbers. Photos courtesy of Audio Engineering Society. © 2013

Photo Caption 2: Attendees flock to the 135th Audio Engineering Society Convention on the opening day of exhibits, Friday, October 18, 2013. Photos courtesy of Audio Engineering Society. © 2013

Photo Caption 3: The aisles on the exhibition floor at the 135th Audio Engineering Society Convention were filled with wall-to-wall attendees. Photos courtesy of Audio Engineering Society. © 2013

For additional photos from the 135th AES Convention, please visit http://clynemedia.com/AES/AES135/photos/.

Sennheiser receives Engineering Emmy‘s® Philo T. Farnsworth Award

Hollywood, CA – October 24, 2013 – Audio specialist Sennheiser has been honored with the prestigious Philo T. Farnsworth Award at last night’s 65th Primetime Emmy® Engineering Awards in Hollywood. The Philo T. Farnsworth Award honors an agency, company or institution whose contributions over time have significantly impacted television technology and engineering. The award originated in 2003 as a means to recognize Panavision’s years of contribution to the film and television industries. Unlike most other Emmy awards, it is not awarded every year. The award is named after the inventor of electronic television, Philo Farnsworth.

Seven Engineering Emmys were awarded at the ceremony: the Philo T. Farnsworth Award, the Charles F. Jenkins Lifetime Achievement Award, Engineering Emmys for YouTube, Aspera’s FASP Transport Technology, Josh C. Kline for creating Digital Dailies®, iZotope RX Audio Repair Technology and Previzion Virtual Studio System (Lightcraft Technology), as well as two Engineering Plaques awarded to Lawo AG for their audio networking and routing system and Final Draft Screenwriting Software.

Daniel Sennheiser and Dr. Andreas Sennheiser accepted the Emmy statuette “on behalf of the passionate Sennheiser staff that helped to create innovative audio products and have provided impeccable customer service in the fields of TV and broadcasting.”

Frank Morrone, governor of the sound branch at the Academy of Television Arts & Sciences, himself an Emmy Award-winning Hollywood audio engineer, congratulated Sennheiser on the award: “I am excited that the Television Academy has chosen to recognize Sennheiser as a leader in developing products that have contributed to advancing the way television is created and produced.”

Daniel Sennheiser commented: “We are thrilled that the Engineering Awards Committee has selected Sennheiser for this much sought-after award. This is an incredible honor for all of us at Sennheiser, and I dare say especially for our teams in North America, who are reliable and enthusiastic partners to the benchmark-setting US TV industry. The award also honors the achievements of my father and grandfather, who firmly grounded and advanced the company in the fields of production and broadcasting.”

Sennheiser’s wireless microphone systems and shotgun microphones are used in TV and film productions the world over. Whether robust and reliable RF wireless systems like Digital 9000 or highly precise gun microphones such as the industry-standard MKH 416 – sound engineers at production centers across the globe rely on Sennheiser microphone technology.

Sennheiser began producing shotgun microphones as early as the 1950s, and when the need for wireless transmission emerged in TV broadcasts at the end of that decade, the company was at hand to liberate hosts and actors from the cable with its first wireless mic in 1957. Since then, of course, technologies have evolved tremendously, resulting in today’s climate-resistant, rugged shotgun microphones and superior multi-channel wireless systems with tiny, easy-to-hide lavalier microphones and excellent handheld microphones.

About the Primetime Emmy® Engineering Awards:

The 65th Primetime Emmy Engineering Awards are overseen by chair Wendy Aylsworth, SVP of Technology, Warner Bros. Committee members are Stuart Bass, A.C.E., Picture Editors Governor, Academy of Television Arts & Sciences; Chris Cookson, President, Sony Pictures Technologies; Kevin Hamburger, Sr. Supervising Producer, THE TALK; Eileen Horta, Sound Editing Governor, Academy of Television Arts & Sciences; David Jensen, Partner, Monitor; Geoff Katz, Vice President, Watchwith; Frank Morrone, C.A.S., Sound Governor, Academy of Television Arts & Sciences; John D. O’Brien, Video Control/Consultant “The Big Bang Theory”; Mark Scott Spatny, VP Digital Effects, Stargate Studios; Barry Zegel, Senior Vice President and General Manager, CBS Television City.

About Sennheiser:

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2012 the family company, which was founded in 1945, achieved a turnover of around 584 million euros. Sennheiser employs more than 2,300 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Caption: Daniel Sennheiser and Dr. Andreas Sennheiser accepting the prestigious Philo T. Farnsworth Award at the Engineering EMMY® Awards Ceremony

Emmy®: The Emmy name and the Emmy statuette are the trademarked property of The Academy of Television Arts & Sciences and the National Academy of Television Arts & Sciences.

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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