Archive for October 28th, 2013

BERKLEE COLLEGE OF MUSIC 160 MASS COMPLEX APPROACHING COMPLETION

BOSTON: 160 Massachusetts Avenue, the Berklee College of Music’s stunning new $100 million, sixteen-story, mixed-use building, is approaching completion. With initial openings planned for January 2014, and full occupancy scheduled for Spring 2014, the 155,000 square-foot tower represents a significant expansion for Berklee. It is also the first ground-up building in the school’s 66-year history. Distinguished by dramatic floor-to-ceiling glass walls, the sprawling music recording/education facility will house eight Walters-Storyk Design Group studios and a live room scaled to host a 50-piece orchestra.

WSDG Partner Sergio Molho, reports “The complex encompasses technical suites, classrooms, practice, ensemble and community rooms, a film dubbing theater and, a unique, three-story 4000 square foot, 400 seat, dual purpose, auditorium/dining hall. Designed by award-winning architects William Rawn Associates, the building will also serve as a residence for the entire 370-member freshman class. This has been one of the most ambitious projects of our 40 year+ company history,” Molho adds, “In addition to an invaluable contribution by our NY-based Sr. Project Manager Romina Larregina, it has engaged the talents and resources of each of our international offices, and virtually every one of our 50+ team members. It will be an extraordinary way to begin the New Year.”

One of the largest educational studio facilities built in the U.S. this year; the 18,000 SF recording/education complex at 160 Mass. offers students a massive battery of production, post-production and recording technology. Each of the four Production Control Suites is equipped with Genelec 8050A Speakers, MOTU MIDI Express 128, TC Electronics 6000 Remote CPUs, Ephonix MC Control, Akai MPK-61, Crown D75 Cu Amplifiers and a comprehensive collection of outboard gear and software programs. Tech Lab features include: Edirol UM-ONE, Euphonix MC Mix, Dangerous Music ST/ST Dynaudio AIR 15. The Central Machine Room incorporates a Dub Stage Digital Console Computer DF66; a Dub Stage Analog I/O AM713/MA703 console; a Dub Stage Console Sonic Wall Router and a host of high-end technology. The Mastering/Critical Listening Lab is outfitted with Euphonix MC Control, ATC SMC 150 ASL, Lipinski 707 Speakers, JL Audio Subwoofer F113 and Manley Mastering Backbone.

WSDG has a long-standing relationship with Berklee. John Storyk developed the school’s signature studio design course. He is also an adjunct professor, and lectures frequently to Berklee College music production and engineering students. This on-going connectivity with both faculty and students, played a significant role in the design program for 160 Mass. The most advanced predictive acoustic modeling software was engaged in the initial development stage, and the latest acoustical and technical innovations have been incorporated in every facet of the design to insure the highest degree of future-proofing for these studios and teaching labs.

For an overview on Berklee’s 160 Mass complex please visit: http://www.berklee.edu/Berklee160

For video tours visit: http://www.youtube.com/watch?v=Fu_iAWHH8Ho and http://www.youtube.com/watch?v=qo4oaw2ArxY&feature=youtu.be

Photo: Rendering of Berklee College of Music 160 Mass.

http://i41.tinypic.com/2e65uab.jpg

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Walters-Storyk Design Group has designed over 3000 media production facilities in the U.S., Europe, the Far East and Latin America. WSDG credits range from the original Jimi Hendrix Electric Lady Studio in Greenwich Village to NYC’s Jazz At Lincoln Center performance complex, broadcast facilities for The Food Network, CBS and WNET, over twenty teaching studios for The Art Institutes around the US, and corporate clients such as Hoffman La Roche. Recent credits include Jungle City, NY’s major new destination studio; private studios for Green Day, Jay-Z, Timbaland’s Tim Mosley, film composer Carter Burwell, Aerosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk (adjunct professor, Berklee College of Music,) Beth Walters, Sergio Molho and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG has collaborated with such noted architects as: Frank O. Ghery (Novartis Campus,) Rafael Vignoly (Jazz at Lincoln Center,) Norman Foster (El Aleph,) Oscar Niemeyer (CAMG,) Phillipe Stark (Faena Hotel,) Grimshaw (Zurich Airport,) and Santiago Calatrava (Berklee Valencia.) WSDG is a seven-time winner of the prestigious TEC Award for outstanding achievement in Acoustics/Facility Design, including 2012 for NY’s Jungle City. WSDG maintains offices in NY, SF, Miami, Buenos Aires, Belo Horizonte, Basel, Beijing, Barcelona, Mexico City and Mumbai.

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Hal Leonard Publishes Power Tools for Cubase 7

Master Steinberg’s powerful multi-platform audio production software

Montclair, NJ (October 25, 2013)Hal Leonard Books, the musician’s best source of books on the music business, audio technology, instrument history, and more, is now shipping Power Tools for Cubase 7 by Matthew Loel T. Hepworth.

Cubase is a program that transforms your computer into a complete recording studio, providing every button, knob, switch, and fader found in a hardware-based studio, plus a few extra controls that don’t normally exist in that realm. Cubase 7 offers practically unlimited tracks for musicians, producers, and music enthusiasts alike, limited only by the power of the host computer. With so many options, the processes of composing, recording, editing, mixing, and mastering can be challenging, but Power Tools for Cubase 7 will help the reader easily and efficiently take advantage of all that creative power and flexibility.

Power Tools for Cubase 7 was written with the new user in mind. First, you’ll learn the process of installation and proper studio configuration. Then, you’ll learn the foundations of rudimentary Cubase operations; how to avoid common mistakes; how to properly record and edit MIDI instrument and audio tracks, and how to use techniques that produce smoothly polished and powerful results. Finally, you’ll learn how to add mastering treatments for a professional-sounding, competitive, punchy, shiny, and loud mix!

The included DVD-ROM contains valuable supporting material and actual Cubase session files that add to the in-depth learning experience provided by Power Tools for Cubase 7.

About the Author
Matthew Loel T. Hepworth has been teaching music technology since 1984 and is the author of many how-to videos as well as other books on music and audio software. He consults on, records, mixes, and masters audio projects for many clients, including Air Supply, Devil Driver, Foothill Drive, Gene Swift, the Jonni Lightfoot Band, the Red Rock Hot Club, Supersofar, and many others. The son of two educators, he has the unique ability to thoughtfully teach people how to use complex music products and software. Hepworth plays a variety of instruments, including bass guitar, guitar, and the very unusual Theremin. He also provides video services to various dance companies and corporate clients and uses a 48-input mobile recording system to capture live concert performances into Cubase. He regularly travels the world to consult with recording studios and he frequently provides technical support for motion picture and photographic production teams.

Power Tools for Cubase 7
$39.99 (US)
Inventory #HL 00333397
ISBN: 9781458413680
Width: 7.5″ Length: 9.0″ 328 pages, DVD-ROM included

More information at www.halleonardbooks.com

Media Contact:
Please contact Music Marcom for review copies, author interviews and excerpts:
Music Marcom
Martina McConnon
v: 610-577-4982
e: martina@musicmarcom.com

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