Archive for March, 2014

DK-Technologies Ships First DK T7 Meters To Calrec

Audio and video metering specialist DK-Technologies has fulfilled the first orders for its new DK T7 Audio and Loudness meter, which was launched to much critical acclaim at IBC last year.

The DK T7 began shipping in February with the first two units delivered to UK console manufacturer Calrec. These have now been fitted into 48-fader Artemis Light consoles destined for Al Jazeera in London. Other broadcast and post production customers have chosen either stand-alone DK T7 meters or the new 3U rack mounted variant – the PT0T7. This fits neatly into a Tektronix rack system and can be used separately or in conjunction with a waveform monitor.

“We’re delighted with the number of pre-orders the DK T7 has generated and we’re ramping up production to fulfil them,” says DK-Technologies’ Product Marketing Director, Uffe Kjems Hansen. “The DK T7 is exactly what the market needs – a cost-effective audio meter with an easy to use multi-touch interface that delivers a whole host of useful features at a very cost effective price. At just €3,495 and USD 6,390 MSRP, there is simply nothing else on the market in this price range that gives users access to so much functionality. The nearest competitor product that even comes close to the DK T7′s feature-set is nearly double the price.”

Dubbed as the ‘everything included’ audio meter, the high precision DK T7 incorporates as standard every Audio and Loudness meter function currently offered by the award winning DK Meter range. These functions include Bargraphs, Moving Coil Emulation, DK-Technologies’ proprietary StarFish™ and JellyFish™ display technology, FFT spectrum analysis and, of course, industry compliant Loudness and Logging. The new DK T7 also includes 3G SDI Picture Preview, as well as the ability to read and log against SMPTE time-code – a feature that has only recently been added to the DK Meter range.

“Engineers working in the broadcast and post production industries now have to cope with a complex set of formats, standards and documentation requirements,” Uffe Kjems Hansen adds. “For this reason we felt it was vital to give them an easy to use Audio and Loudness meter that did the job it was bought for as soon as it came out of its box. The DK T7 is the most complete, high precision Audio and Loudness meter on the market today – and the most honest because it does not involve any hidden costs.”

The DK T7 allows end-users to adapt to virtually any format including 3G SDI I/O. The unit also offers 8 AES/EBU input/output channels, 2ch Analogue input channels, headphone output and HDMI monitor output. At just 20 x 135 x 180 mm (depth, height and width), its compact design also allows it to be highly portable and easy to position, while its intuitive multi touch interface makes it very straightforward to use.

Since first showing the DK T7 at IBC 2013, DK-Technologies has incorporated a number of improvements that are now available as standard. These include a pause/resume function for Loudness Logging that will save engineers time when they are adjusting Loudness to hit targets on larger time spans.

“Essentially, this function allows engineers to work step-wise through the entire audio clip, rather than having to go back and measure loudness from the top for every tweak,” Kjems Hansen says. “We’ve also improved our software so that it includes a new 7.1 Surround display feature for Theatrical Mix. This is something no other meter can do and it will have particular relevance to engineers working on big motion picture productions.”

For more information about the DK T7, please visit www.dk-technologies.com. Alternatively, please visit DK’s US distributor Ward-Beck, which will be showing the DK T7 and other DK product at NAB 2014, Booth N1202.

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About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Jünger Audio Shows The D*AP4 VAP Voice Processor At NAB 2014

At NAB 2014 (Booth C2134), dynamics processing specialist Jünger Audio will be showing its recently introduced D*AP4 VAP Voice Processor – a unique unit that is designed to make life easier for engineers working in radio stations, TV production voice-over studios and feature film ADR facilities.

What makes this processor so special is the inclusion of Jünger Audio’s proprietary Spectral Signature™ dynamic EQ – a totally new creative tool that offers automatic and dynamic EQ control to balance spectral differences. By analyzing incoming audio and comparing its spectrum with individually predetermined voice ‘fingerprints’, this clever unit can automatically apply dynamic EQ corrections to give a consistent sound.

For people working in TV voice over and feature film ADR, this facility is a Godsend. Imagine, for example, that you have booked an expensive and well-known actress to voice the cute little rabbit in your new children’s TV series. Over the course of the recording sessions you notice that her voice sounds different at different times of the day – maybe because she is tired, or has developed a sore throat, or has had a heavy night and smoked a lot of cigarettes. If you want your rabbit to sound exactly the same every time, how do you overcome this?

Jünger Audio’s D*AP4 VAP Voice Processor is the answer. On day one you record the actress’ best rabbit voice, and then measure it using Spectral Signature. The voice’s tonal characteristics are analyzed and recorded as a curve on a graph, which is used as a template for all future recordings. The next time your actress does her rabbit voice, the unit compares the new recording to the saved version and automatically adjusts the frequency until both voices match. Voilà! A perfect rabbit voice every time, thus saving a fortune in repeated ADR and voice over sessions, not to mention a lot of frustration on all sides.

Jünger Audio’s D*AP4 VAP Voice Processor is equally interesting to radio broadcasters who want to create an aural identity for their radio stations. By using exactly the same spectral sound management principles, the unit measures specific voice recordings and then uses these sound fingerprints as a reference. The Spectral Signature algorithm matches all subsequent live recordings to these fingerprints, thus creating a dedicated ‘station sound’.

“The D*AP4 VAP draws on our extensive experience with previous Voice Processing devices such as our popular VO2, but adds new tools and algorithms to create an easier and more efficient approach to voice processing with no compromise in sound quality,” says Peter Pörs, CEO of Jünger Audio. “We have also included processing such as HP/LP filtering, versatile dynamics section, full parametric EQ and de-essing, and made the unit really easy to use – even for non-technical radio staff such as producers and journalists.”

Jünger Audio has also provided a dedicated voice leveler combined with an auto-mixer circuit to help mixed voice programs into loudness-based broadcasting on the fly. Using the optional SDI I/O card automated voice over for SDI embedded audio becomes an attractive feature of the D*AP4 VAP.

Available as either an insert into a mixing desk or as a stand-alone unit, D*AP4 VAP offers interfaces that allow integration in existing environments via an AES insert. The unit can also be used with an optional analogue board that adds two high quality mic-preamps.

For more information about Jünger Audio’s D*AP4 VAP, please visit NAB booth C2134 or visit the company’s website at www.jungeraudio.com

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

The Music Producers Guild Introduces Mastering Engineers To Broadcast WAV

As the music industry prepares to adopt the Broadcast WAV file format as the best means of embedding ISRC data into future recordings, the Music Producers Guild is hosting an event to highlight the importance of this initiative and give recording professionals the information they need to make it a success.

The event, which is primarily aimed at Mastering engineers, will take place at the Hospital Club in London on the evening of April 9th, 2014. It is sponsored by digital audio workstation manufacturers Magix/Sequioa, Merging/Pyramix and Prism Sound/SADiE, all of whom have recently announced their support for the initiative by backing file exchange between their systems.

Headed by Alchemy Mastering’s Barry Grint, the MPG has led a strident campaign to get Broadcast WAV accepted by the music industry in place of ordinary WAV files, which don’t contain a method for embedding ISRC information. Their efforts have been successful as the boards of both the BPI and AIM have now recommended to their members that this new format be adopted.

“Our event on April 9th is the only opportunity Mastering engineers will have to understand and prepare for this format change,” Barry Grint explains. “Each of our DAW sponsors will demonstrate how the ISRC embedding process fits within their workflow, and how they are working together to ensure seamless exchange of the data between all of the workstations. This is a massive step forward for the industry and we really hope that Mastering engineers and other recording professionals who are interested in ISRC will take the opportunity to come along and learn more.”

Grint adds that the importance of ISRC cannot be understated. ISRC, which stands for International Standard Recording Code, is uniquely allocated to every song recorded. These codes are then registered with royalty payment agencies, thus ensuring that recording artists and copyright holders are properly remunerated for their work when it is played on radio or TV.

Broadcast WAV, the professional WAV format created by the European Broadcasting Union, can carry ISRC information and this is why MPG is so keen to see is adopted by as the de-facto standard for music interchange in the production process.

“The inclusion of ISRC information will remove the need for it to be re-entered and reduce the opportunity for error,” Grint says. “The new system is simple to implement and, once adopted, it will allow ISRC to flow through the whole production chain.”

The MPG’s aim is to establish ISRC as the cornerstone of every aspect of digital asset management, from tracking and reporting through to royalty reporting and song identification. This will give the entire music industry a robust and secure system for identifying tracks, and who had input into their creation, so that it can safeguard the incomes of all artists and copyright owners.

Ultimately, the adoption of BWF as standard will provide a cornerstone for the MPG’s Credit Where Credit is Due campaign, which aims to highlight the woeful lack of credit information within the digital domain.

“Our overall goal is to ensure that all music creators receive proper credit and proper payment for their work, and having an industry-standard technical solution that allows credit information to be included in the metadata is a major step forward in achieving this ambition,” Barry Grint says.

To register for this event, please visit: http://www.mpg.org.uk/events/279

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About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

DK-Technologies Shows its New DK T7 Audio Meter at NAB 2014

Danish manufacturer DK-Technologies is using the NAB 2014 platform to highlight its new DK T7 Audio and Loudness meter, which will be on show for the first time in the USA (Booth N1201, in conjunction with Ward-Beck).

Launched to enormous critical acclaim at IBC 2013, the ‘everything included’ DK T7 is now shipping with the first units already installed into two Calrec consoles destined for Al Jazeera London.

Designed as a cost-effective, one-box solution for broadcast and post production engineers, the DK T7 incorporates as standard every Audio and Loudness meter function currently offered by the award winning DK Meter range. These functions include Bargraphs, Moving Coil Emulation, DK-technologies’ proprietary StarFish™ and JellyFish™ display technology, FFT spectrum analysis and, of course, industry compliant Loudness and Logging.

The new DK T7 also includes 3G SDI Picture Preview, as well as the ability to read and log against SMPTE time-code – a feature that has only recently been added to the DK Meter range. At just 20 x 135 x 180 mm (depth, height and width), its compact design also allows it to be highly portable and easy to position, while its intuitive multi touch interface makes it very straightforward to use.

“The DK T7 allows end-users to adapt to virtually any format including 3G SDI I/O,” says Uffe Kjems Hansen, Product Marketing Director at DK-Technologies. “The unit also offers 8 AES/EBU input/output channels, 2ch Analogue input channels, headphone output and HDMI monitor output. At just €3,495 and USD 6,390 MSRP, there is simply nothing else on the market in this price range that gives users access to so much functionality.”
At NAB 2014, DK-Technologies will show a new Theatrical Mixing 7.1 Surround display feature for the DK T7, which will have particular relevance to engineers working on big motion picture productions. Also on show is a new pause/resume function for Loudness Logging that will save engineers time when they are adjusting Loudness to hit targets on larger time spans.

“Essentially, this function allows engineers to work step-wise through the entire audio clip, rather than having to go back and measure loudness from the top for every tweak,” Kjems Hansen adds. “The DK T7 was already the most comprehensive audio meter on the market but with these new features it can deliver functionality that no other audio meter can offer.”

DK-Technologies will also be using the NAB 2014 platform to launch its new Matrix PC application, which allows complete audio routing, preset handling, backup and overall management of an audio meter from the end user’s computer. Designed to work with all DK meters including the new DK T7, the Matrix PC application gives users a much better graphical overview of their meters – and significantly easier setup and handling.

Also on show for the first time will be the new DK T7 Stereo – an entry level version of the DK T& meter that is designed for engineers working in stereo.

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About DK-Technologies
DK-Technologies develops and produces a wide range of audio meters, video sync and test signal generators and video waveform monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Audio Engineering Society Releases Program and Event Details for 136th International Convention in Berlin

— FREE “Exhibits-Plus” Badge and premium “All Access” Badges are now available for AES136 Berlin Convention —

New York, NY, March 26, 2014 — The Audio Engineering Society has just announced details on the Technical Program for the 136th Audio Engineering Society International Convention, being held in Berlin, Germany, on April 26 – 29, 2014, at the Estrel Hotel and Convention Center. Offering a diverse range of engaging Tutorials, Workshops, Technical Papers, Engineering Briefs, and industry Exhibits spread over four days, AES136 will also see the European debut of the Project Studio Expo (PSE), as well as special events and presentations featuring leading engineers, producers and luminaries of the audio industry. Additional information on programs, presenters, and registration is available on the AES136 Convention web page at http://www.aes.org/events/136/.

Engineering Briefs
AES136 will feature over 25 Engineering Briefs covering diverse topics of audio engineering, including presentations such as: Remixing a Historic Film in HOA 3-D Audio; New Studio Strategies in Music Production — The Disappearing Gap between Engineer and Producer; An Approach to Bass Enhancement in Portable Computers Employing Smart Virtual Bass Synthesis Algorithms; Metadata, Tagging; and Multitrack: The Future of Music Formatting, among others.

Paper Sessions
As the chief goal of the Audio Engineering Society, audio research and applied techniques remain the top priority at the Berlin Convention, which will feature over 75 paper presentations within the topics of Recording, Audio Education, Signal Processing, Room Acoustics, Applications in Audio, Perception, Spatial Audio, Transducers, Network Audio and Forensics.

Project Studio Expo
The Project Studio Expo, a well-attended hit of recent AES Conventions, offers a venue for specialized discussions on some of the most timely and relevant areas of interest facing today’s recordist. These comprehensive presentations cover topics of note for engineers (whether in a home studio or top commercial facility), such as Basic Microphone Technology; Professional Mixes from Your Project Studio – Common Mistakes, Immediate Solutions; Electronic Dance Music: Live Performance Mixing Techniques; The Business of Being in the Music Business; How Did They Get that Sound?; Advanced Vocal Editing; Mastering Engineering – The Link to Your Audience; and more. Hosted by notable industry engineers, educators, journalists and sponsors, the Project Studio Expo offers a unique, new opportunity for attendees to interact with working industry professionals and to further their knowledge in order to get the most out of their recording experiences. Admission is included with both free “Exhibits-Plus” and premium “All Access” registration options.

Tutorials
A selection of in-depth Tutorials will also take place over the convention’s four days, offering analysis of topics including Tuning Your Studio – Acoustic Analysis of Small Rooms for Music; Dither and Noise Shaping in Digital Audio: Hows and Whys; Audio Forensics — What’s It All About; and The Drum Kit: What a Recordist Ought to Know.

Workshops
Another popular series of events is the audio Workshops that focus on areas of creative and technical applications and concerns. This year’s Workshops will include, among others, Practical Techniques for Recording Ambience in Surround; Speech Intelligibility; Myth-Busting Microphone Specifications; Applications for Object-Based Audio; and Implementing New Cinema Calibration Standards.

For more information on AES136 technical program, presenters, and registration visit the AES136 Convention web page at http://www.aes.org/events/136/.

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DK-Technologies Appoints A New ‘Budee’ In China

Audio and video metering specialist DK-Technologies has expanded its sales potential in China by appointing Beijing-based Budee Technology Development Company as its new distribution partner.

Founded by Mao Yanjun in 2002, Budee is now one of the country’s fastest-growing professional audio companies with over 100 employees and two branch offices and five provincial offices in mainland China.

Mr. Cheng Zhongjun, vice president and head of Budee’s Technical Division, says Budee’s new cooperation with DK-Technologies will allow the company to offer customers technology-driven metering products that deliver the right solutions for the broadcast and pro audio industries.

“We are very impressed by the reliaility of DK-Tecnologies’ products and their long standing reputation within the broadcast and pro audio industries,” Mr Zhongjun says. “DK-Technologies’ products cover numerous applications, from video to audio, and from radio to TV and post production. Budee’s business also covers a wide range of installations and we are very interested in expanding into new markets. Our cooperation with DK-Technologies gives us our first core brand in the broadast industry, and it certainly won’t be the only one. Working with an advanced and well respected brand like DK will allow Budee to build its own reputation in the broadcast field.”

Mr. Zhongjun adds that DK-Technologies and Budee both share the same core values of respect for customers and professionalism.

“We believe in always putting customers first and only recommending products and systems that are best suited to their needs,” he says. “Trust and friendship are very important and are central to the way both Budee and DK-Technologies do business. We also believe in long term brand management and we look forward to developing a firm friendship and long relationship with DK-Technologies.”

Uffe Kjems Hansen, of Product Marketing Director at DK-Technologies, says: “Budee is already well established in the pro audio and post production markets and is now expanding its remit into the broadcast sector. This perfectly suits our product line, which includes high end audio and video monitoring and metering products that are renowned for their extreme accuracy and quality. We see China as a major new market for DK, particularly for our Award-winning portable and affordable Loudness metering solutions, and we are very excited to be working with a distribution partner that is so obviously technology-oriented.”

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About DK-Technologies
DK-Technologies develop and produce audio meters, video sync, test signal generators and video waveform monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Monroe Electronics Helps Canadians Access Emergency Alerts

LYNDONVILLE, N.Y., and PETERBOROUGH, Ont. — March 26, 2014 — Monroe Electronics and Capella Telecommunications Inc., a leading Canadian distributor of voice, video, and data systems, announced today that Rogers Communications Inc., one of Canada’s largest providers of cable television, high-speed Internet, and telecommunications, has chosen the Monroe Electronics messaging platform to provide emergency public alerts in select markets across Canada.

Monroe Electronics’ One-Net(TM) SE EAS/CAP encoder/decoder filters and forwards targeted alerts from Canadian authorities, enabling customers in affected regions to receive emergency alerts and instructions in visual and audio formats, and in multiple languages. Capella Telecommunications is the exclusive distributor for Monroe Electronics emergency messaging platforms in Canada for cable TV, broadcast TV, and radio operations.

One-Net provides customers with access to emergency alerts and information from Canada’s National Alert Aggregation and Dissemination (NAAD) System with full support for Canada’s unique Common Alerting Protocol (CAP) messaging profile, CAP-CP.

“This is an important step in the process of providing emergency public alerts for our customers. We believe it’s vital that all carriers put the necessary infrastructure in place to deliver targeted alerts from Canadian authorities,” said Eric Bruno, vice president of video product management at Rogers Communications.

“In keeping with Capella’s strategy of introducing leading-edge products into the Canadian market, we are pleased that Rogers has selected Monroe Electronics for its public alerting platform,” said Norm Slater, president of Capella Telecommunications. “Monroe is a leader in alerting technology, and its One-Net offering is a key part of its product portfolio. Monroe’s emergency alert solutions fully support the Canadian Common Alerting Protocol format and are compliant with the recommended Canadian Common Look and Feel operating parameters for emergency alerts.”

“Monroe is pleased to be able to provide our advanced One-Net SE emergency messaging platform to help Rogers achieve its public alerting objectives, which will ultimately help enhance the safety of the Canadian communities that Rogers serves,” said Ed Czarnecki, senior director of strategy and development at Monroe Electronics. “Monroe maintains a strong commitment to fielding the most advanced and powerful alerting solutions for cable, TV, and radio operations, and to supporting these initiatives across Canada.”

Further information about Monroe’s One-Net EAS/CAP system is available at www.monroe-electronics.com.

Photo Link: www.wallstcom.com/Monroe/Monroe-OneNetSER189SE.jpg

# # #

About Capella Telecommunications
Capella is a value-added reseller providing the Canadian telecommunications industry and utilities with support services and products from world-leading manufacturers since 1993. Its focus on customer service and tailoring products to meet customers’ specific needs has made Capella a leader in the communications industry. Capella stocks a full line of leading-edge equipment for fully integrated video, voice, and data solutions. Visit Capella’s website at www.capella.ca.

About Monroe Electronics
Monroe Electronics began operations in 1954 designing and manufacturing specialized electrostatic discharge (ESD) instrumentation that continues today. From its headquarters in Lyndonville, N.Y. the company provides R&D, manufacturing, sales, and customer service for all Monroe Electronics, One-Net(TM), and Digital Alert Systems brands. Monroe Electronics’ Emergency Alert Systems (EAS) are the widely accepted standard for CATV with a hard-earned reputation for quality, reliability, and service to valued customers around the world. In October 2009, Digital Alert Systems, the leading innovator of next-generation Common Alerting Protocol (CAP) and EAS merged with Monroe Electronics to further extend its product offerings to radio and television broadcasters and better serve their collective customers into the future.

More information is available at www.monroe-electronics.com.

All trademarks appearing herein are the property of their respective owners.

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Sennheiser & Shanghai Concert Hall Collaborate Long-Term Naming Ceremony of Sennheiser Shanghai Concert Hall

Shanghai, PRC, March 25, 2014: Sennheiser Group and the Shanghai Concert Hall have agreed to terms that officially renames the Shanghai Concert Hall, “Sennheiser Shanghai Concert Hall”, effective March 10, 2014. This is the first time in Sennheiser’s history that a performance centre has been named after the company and signals a new beginning for Sennheiser Group. This prestigious event also introduces the formation of Sennheiser-owned record label, Sennheiser Media. Sennheiser Media is a subsidiary of Sennheiser. Famed Chinese musical prodigy, A-Bu is the label’s first signing and Sennheiser is pleased to launch A Bu’s first album at this event.

Sennheiser and the prestigious Shanghai Concert Hall have had a longstanding relationship in China. Through the renaming of the Shanghai Concert Hall, both Sennheiser and officials from the Shanghai Concert Hall will sign a contract that renames this historical concert hall that includes the opening of an official Sennheiser music store within the venue to sell different variety of headphones. The Sennheiser Shanghai Concert Hall was the first professional concert hall in China and aims to become a new platform to promote the development of arts in music in Shanghai and for the rest of China.

In this cooperation, Sennheiser will install a full set of top theatre and sound equipment, as well as design a state of the art centralized audio recording control system. Sennheiser will provide some of their most popular & sophisticated products such as 9000 series microphones. The world-renowned 9000 series wireless microphone is another favorite microphone among international artists and it was no surprise when it won “Outstanding Technical Achievement for Wireless Technology” at the 29th TEC. Italian loudspeaker company K-array will also be used as part of the installation.

Daniel Sennheiser, CEO of Sennheiser and Marc Vincent, President of Sennheiser, Greater China and Zhang Zhe, President of Shanghai Grand Theatre Arts Center and Zhang Ming, General Manager of Shanghai Concert Hall will officiate the renaming ceremony. Daniel Sennheiser is very impressed by the infrastructure and the growth of the Chinese musical instruments market. “This collaboration is an important milestone in our continuous pursuit of perfection and it’s a privilege to be here in China,” said Daniel Sennheiser, CEO of Sennheiser electronic GmbH & Co. KG.

The Shanghai Concert Hall has traditionally hosted a wide range of musical events including jazz and classical performances, and the acoustics created by Sennheiser will be second to none. A team has been set up to maintain the equipment, the concert hall’s high audio standards set by Sennheiser and ensure all performances are supported fully. Sennheiser will also provide regular workshops for the technical team at the concert hall. “It is with pride and honor that Sennheiser joins forces with the prestigious Shanghai Concert Hall to promote the music and sound culture in China.” said Marc Vincent, President, Sennheiser Greater China.

This cooperation also ensures audiences that the Shanghai Concert Hall will provide more charity events and free showcases to promote music and the artssuch as “Lunch Time Concert” and “Weekly Radio Concert”, to name a few. Shanghai Concert Hall officials also confirm that ticket prices will be maintained and managed appropriately to benefit the general public.

Mr. Zhang Zhe, President of Shanghai Grand Theatre Arts Center explained further, ‘We are glad that Shanghai Concert Hall and Sennheiser can reach this incredible cooperation. This year is the beginning of the second decade following our relocation to this venue. To join hands with Sennheiser, the world’s leading audio brand, it in itself provides a lot of possibility for future development for the concert hall. We believe that this cooperation will bring about a huge impact on the development of music culture in Shanghai.”

Sennheiser Recording Facility:

Parts of the plans include a commitment to set up a professional, world-class recording studio inside the Shanghai Concert Hall, scheduled for completion in 2015. This part of the concert hall will ensure future live performances in HIFI levels can be recorded. Once the facility is ready, the Sennheiser Shanghai Concert Hall will introduce a new project called “Young Talent Inspires“ to help young up and coming artists to record an album and promote it through Sennheiser’s global sales network.
“Sennheiser has supported many art and music related events in China, such as the MIDI Music Festival, Storm Music Festival, Shanghai JZ Festival and other notable events. This title sponsorship is the first cooperation between a public institution and a business organization in China and it is going to be a great one,” said a representative from the Shanghai Concert Hall.

Introducing Sennheiser Media:

Sennheiser has created its own music label, Sennheiser Media to record and promote local Chinese and international artists. Sennheiser has named A Bu as their first recording artist under this label. A Bu will perform at the official naming ceremony as will Violinist, Tobias Preisig & Pianist, Marc Mean, respectively.

About Shanghai Concert Hall:

The Shanghai Concert Hall is one of China’s heritage architecture buildings. Originally named the Nanjing Theater, it was designed by a Chinese architect and completed in March 1930.The Philadelphia Chamber Orchestra, Juilliard Quartet, violinist Isaac Stern, pianist Alicia de Larrocha and Chinese symphony orchestras all once performed there. “The Spring of Shanghai” festival also began at the concert hall. In December 2002, the restoration project started and by July 8, 2003, the Hall was moved 66.46 meters southeastward with its foundation uplifted 3.38 meters. It reopened on September 30, 2004 and continues to be one of Shanghai’s most important landmarks.

About Sennheiser:

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2012 the family company, which was founded in 1945, achieved a turnover of around 584 million euros. Sennheiser employs more than 2,300 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Swtizerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest informationby visiting website at www.sennheiserusa.com and www.shanghaiconcerthall.org.

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COUNTRYMAN MICROPHONES CRUCIAL TO PRODUCTION SOUND MIXER JOHNNY KUBELKA’S LOCATION SOUND SUCCESS

*** Johnny Kubelka ***

Los Angeles, CA – March 2014… … Coping with a myriad of variables and unexpected production challenges is a routine part of the job for any location sound engineer. Whether it’s compensating for unexpected ambient noise, dealing with difficult wardrobe requirements, or one of a thousand other variables, one’s choice of microphones is a key consideration when it comes to mission critical audio for TV and film work. That’s precisely why LA-based production sound mixer Johnny Kubelka relies on his arsenal of B3 and B6 Omnidirectional Lavalier microphones from Menlo Park, CA-based Countryman Associates.

As the owner of JNO Sound, Kubelka is the Production Sound Mixer for The Horseman’s Apprentice on RFD TV, which follows the training of horse whisperer and show host Pat Parelli. He also recently completed work on the comedy film Oliver Stoned, which is currently in production. Further, Kubelka is widely known as a microphone aficionado who has numerous video product reviews posted online. In the two-plus years that he’s been working with his B3 and B6 microphones, he’s become a big fan of Countryman products. more

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Hal Leonard publishes Modern Guitar Rigs, 2nd Edition

The Tone Fanatic’s Guide to Integrating Amps and Effects by Scott Kahn

The Tone Fanatic’s Guide to Integrating Amps and Effects by Scott Kahn

Montclair, NJ – March 20, 2014 – Hal Leonard Books, the musician’s best source of books on the music business, audio technology, instrument history, and more, has published Modern Guitar Rigs, 2nd Edition. This full-color, updated edition is the definitive book about building and playing advanced guitar rigs for players who want to move beyond a simple pedal board and combo amp. Modern Guitar Rigs, 2nd Edition, explores time-tested techniques and tools that any serious guitar player can draw upon to build a professional rig of their own.

“A guitar rig by my definition is the complete collection of tools used in delivering your sound. The rig includes your amp(s), speaker cabinets, effects pedals, and rack gear such as effects, tuners, loopers, wireless system, power conditioners, foot controllers and pedalboards, and all the other little stuff that ties it all together. A nice combo amp might be one component in your rig, but if that’s all you’ve got, you have an amp, not a rig,” says Kahn.

Whether you’re playing clubs at the indie band level, getting set for a major tour, heading into the studio to record a new album, or just searching for “ultimate tone,” this revised and updated edition brings you the most current and effective sound-shaping tools and techniques, including:

- Amp setups: integrating pedals and rack gear, wet/dry/wet configurations, modeling amps and profilers, rack-mounted amps, stereo rigs, and multiple-amp setups
- Rack gear: multi-effects processors and dedicated signal processors, audio loopers, amp function switching systems, and MIDI foot controllers
- Guitar options: piezoelectric pickups and splitting guitar signals to multiple amps
- Effects loops: choosing the right loop for your specific needs
- Rig infrastructure: power conditioning, noise suppression, power attenuators, wireless systems, custom cabling, and equipment racks
- Rigs of the stars: a look at the complex rigs used by many leading guitar players, including John Petrucci of Dream Theater, Alex Lifeson of Rush, and Steven Wilson and John Wesley of Porcupine Tree
- Interviews with leading custom rig builders, including the legendary Bob Bradshaw of Custom Audio Electronics

About the author:
SCOTT KAHN is a widely respected guitar and recording technologist and professional musician. As the editor in chief of MusicPlayers.com, the online magazine for serious musicians, he regularly evaluates and writes about the latest products being developed for professional guitar players and complex guitar rigs. Kahn is also known worldwide as the guitar player for the progressive rock band, Beyond Tomorrow, and as co-founder of the prog rock band, Days Before Tomorrow.

Modern Guitar Rigs, 2nd Edition
$29.99 (US)
Inventory #HL 00122321
ISBN: 9781480355156
Width: 8.5″
Length: 11.0″
208 pages, DVD-ROM included

For more information, please visit http://www.halleonardbooks.com – Hal Leonard Books – An Imprint of Hal Leonard Corporation

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