Archive for March, 2014

Barix Targets Private Radio Networks and Content Providers at 2014 NAB Show

New in-store radio solutions cover the spectrum for live retail radio, scheduled program playback

ZURICH/ST. PAUL, MINNESOTA, March 25, 2014
Barix comes to the 2014 NAB Show with a new strategy to create more efficient operations for private radio networks and content providers: fewer separate pieces, and more complete solutions.

At its NAB booth (Las Vegas Convention Center, April 7-10, Booth C1139), Barix will unveil two new complete solutions for in-store radio deployments that eliminate the device-centric philosophy of its previous-generation solutions, while delivering new operational efficiencies and revenue generating opportunities:
• Store & Play, a complete hardware and software solution for scheduled playout of music and advertising with automatic content updates
SoundScape, a complete live streaming and stored playback solution that enables simple, centralized management across large networks via a portal to control users, content, scheduling and monitoring

Store & Play
The next-generation Barix Store and Play solution receives its debut at the 2014 NAB Show. Store & Play gives private radio networks a flexible application for retailers and other businesses that want dynamic in-store radio programming without using too many network resources. While live streaming audio typically doesn’t require a large amount of network space, many businesses have limited network bandwidth to begin with – or otherwise want more control over what they are playing at what time.

Like previous generations, the new Barix Store & Play allows customers to download music and advertising content off the network, and reliably play out that programming on schedule with excellent audio quality. Unlike previous generations, the new Store & Play is a complete hardware and software solution as opposed to a device-centric system. Overall, the new Store & Play delivers much download speeds approaching 100 times faster, as well as improved system memory to preserve quality of playback through demanding processing actions. Additionally, a built-in MicroSD card eliminates theft of monetized content, while built-in precision clock timing ensures that playback schedules remain intact in the event of network outages. Overall, the new Store & Play solution vastly increases flexibility for content providers with a need for scheduled playback of in-store content.

SoundScape
SoundScape, unveiled in February, allows private radio networks to comprehensively manage audio distribution over IP networks, offering a centralized management portal and audio players at multiple locations. Users can manage, configure and group SoundScape audio players, schedule content and monitor device status network-wide.

SoundScape adds in-store radio flexibility through support of live streams and stored content playback over the same network, with seamless switching between the two applications. Both options support targeted, location-based advertising insertions that seamlessly fade in and out of music programs.

The network-wide management capabilities of SoundScape further reduces costs and complexity by enabling private radio networks to remotely deliver firmware updates, create and monitor logs, and track play reports for sponsors. This takes the onus off private radio networks who previously used in-house or third-party monitoring solutions to perform such services.

SoundScape additionally provides value through an ability to target content across the network. The end-to-end architecture ensures that businesses can group devices to receive specific ads, other languages or completely different programs – whether by location, by department or otherwise.

“Businesses of all kinds, including many private radio networks, have long used Barix in-store radio solutions to deliver live streams and file-based playlists to stores and locations,” said Ronni Guggenheim, CEO, Barix. “SoundScape and Store & Play retain the core Barix competency of efficiently and reliably moving audio across IP networks with outstanding audio quality, while introducing new features that will ultimately enable private radio networks and content providers to help their customers create better brand awareness and improve in-store experiences – with added flexibility and cost-efficiency.”

Barix: We Move Audio (www.barix.com)
Barix supplies simple and reliable solutions and components to systems integrators and end users worldwide. We move high-quality audio across IP networks, adding value to customer solutions for more than a decade with hundreds of thousands of devices installed worldwide. Background music distribution with dynamic advertising insertion for retail shops, bars and hotels; public address solutions for schools and public spaces; and intercom and entry systems for facility surveillance, protection and security are among the many applications of Barix solutions. Barix also supports OEM projects for a number of Global 500 listed companies serving many industries worldwide.

# # #

Barix AG, Seefeldstrasse 303, 8008 Zurich, Switzerland
Phone: +41 43 43322 11, Fax: +41 44 2742849
Barix Technology Inc, St. Paul, MN – (866) 815-0866

http://www.barix.com

http://www.ip-audio.info

DPA Appoints OKNO-AUDIO As Its Distribution Partner In Russia

DPA Microphones has appointed OKNO-AUDIO as its new distributor in Russia, with responsibility for its entire product range including the Award-winning d:facto™ Vocal Microphone, the recently introduced modular active booms from the d:dicate™ Recording microphone and d:fine™ 66 and 88 Miniature Headset Microphones.

Established in 2012, OKNO-AUDIO is a division of Russia’s premier broadcast systems integration company OKNO-TV, which itself has been in operation for more than 20 years. OKNO-AUDIO’s staff have a thorough knowledge of the Russian pro audio market and the company is already a distributor of a number of key pro audio brands including Behringer, Harman Professional, Lab Gruppen, Mogami and Tannoy.

Michael Trolle, DPA’s Area Sales Manager for EMEA, says: “The Russian market is growing rapidly and carries enormous potential for DPA. To maximise this, we need a strong distribution partner with an established presence in the live sound, broadcast and installation markets. OKNO-AUDIO fits this brief perfectly. The company understands the quality hallmark of the DPA brand and shares our proactive approach to developing the market for our products.”

Trolle adds that OKNO-AUDIO has links with other high quality pro audio brands and this brings additional benefits to the partnership.

“Many of these brands complement our product range and OKNO’s ability to offer a comprehensive equipment package gives them – and DPA – additional leverage in the market,” he says.

Renowned for their audio accuracy, reliability and superb engineering, DPA microphones are the first choice for numerous recording and touring artists and sound engineers. The company’s extensive product range also encompasses many other industry areas including broadcast, film, theatre, installation, conferencing and security.
Kirill Pavlov, General Director of OKNO-AUDIO, adds: “It was extremely important for us to become a distributor for such a well-known brand as DPA. The popularity of these microphones is constantly increasing, both among system integrators and in the retail network. OKNO-AUDIO not only possesses one of the biggest dealer networks in Russia, but is also developing its own contract branch of activities by cooperating with theatres, sports complexes and sound recording studios.

Vladislav Manaenkov, co-founder and Executive Director of OKNO-AUDIO, continues: “By being part of OKNO-TV, which is the greatest TV and broadcast integrator in the Russian Federation, we have no doubt that the use of DPA microphones in this field will be valuable and up-to-date. We are proud to be an integral part of the DPA international team and will do our utmost for the brand’s development in all spheres of the Russian professional market.”

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Kenneth Copeland Ministries Reaches Millions of People Around the World with Sennheiser and Neumann

Sennheiser 2000 Series Wireless System and Neumann KK 204 Capsules Play an Integral Role in KCM’s Mobile Worship Team, With Live Broadcasts from Around the U.S.

Newark, TX, March 18, 2014: Kenneth Copeland Ministries has been an important contributor in the Christian community since 1967, reaching over 60 million people through its various faith-based outreach activities. In addition to the KCM broadcasts, which reach an international audience of over 100 countries, the Ministry regularly provides humanitarian and disaster assistance through its KCM Relief Fund, which recently helped provide Haiti with $2.7 million of medical supplies and 7,000 pounds of antibiotics. KCM broadcasts its meetings from various arenas, conferences centers and ballrooms around the country using Sennheiser wireless equipment combined with microphone capsules from Neumann.

KCM’s mobile set up includes (4) Sennheiser EM 2050 dual channel receivers and (8) Sennheiser SKM 2000 handheld transmitters, each coupled with Neumann KK 204 cardioid capsules. “We have a very small rig, but it sounds great and saves us a lot of time,” explains Jesus ‘CHUY” Esquivel, Event Tech Coordinator/Audio Engineer for Kenneth Copeland Ministries. “We reviewed top of the line microphones from other manufacturers and the Sennheiser / Neumann combination was so clear, it was like night and day compared to all the others.”

The recently acquired system covers all the needs of the KCM worship team. The switch to Sennheiser was made after the production team faced quality and reliability issues while using products from other manufacturers: “Very often, we had trouble with RF while using other systems Esquivel reports.”With our new Sennheiser equipment, we have overcome all of these difficulties.”

In addition to the rock-solid reliability of the 2000 series wireless system, Esquivel says overall ease of use was a big differentiator: “Setting up frequencies on the EM 2050 is fast and easy,” he says. “Now, our system set up takes between 15 to 20 minutes, whereas before it took almost two hours to scan and set up with other systems. This is important because we have other things to do.”

Esquivel and his team appreciate Sennheiser’s Wireless System Manager (WSM) software, which comes bundled with the EM 2050 system and provides unparalleled access to its wireless set up via remote control. “It is very useful, especially to monitor frequencies,” says Esquivel. “Having the ability to adjust frequencies, monitor battery levels and mutes is very reassuring in both rehearsals and live performance.”

Stepping Up to Neumann
Since the music in each worship service is unique and includes a variety of vocalists, it was important for KCM to choose a microphone capsule that could deliver consistently outstanding performance. “Each of our singers is totally different,” says Esquivel. “And with the Neumann KK 204 capsules, they can perform as they like without feeling limited. If there is part of a song that is quiet, the capsule is open enough to capture every nuance to develop the sound that we need.”

The KK 204 microphone capsule is specifically designed for the Sennheiser SKM 2000 handheld transmitter. Each capsule delivers a full, transparent and naturally warm sound, and a single polar pattern design enables a uniform response across the entire frequency range. This contributes to the KK 204′s excellent gain before feedback performance. “There is something about the combination of the SKM 2000 transmitter and KK 204 capsule that makes the sound,” Esquivel continues. “It is so crisp and bright and you can hear every breath a performer takes. It is also very natural — the way the voice comes out is the way the microphone captures it.”

While relatively compact, KCM’s acquisition of Sennheiser and Neumann equipment has taken its performances to the next level. “Music plays a very important role in our ministry outreach” concludes Esquivel. “We have been very pleased with how the system from Sennheiser has been working and it has made a measurable difference in the quality of our worship services.”

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

Captions:

1) Kenneth Copeland Ministries has been an important contributor in the Christian community since 1967, reaching over 60 million people through its various faith-based outreach activities.
2) The Neumann KK 204 microphone capsule is specifically designed for the Sennheiser SKM 2000 handheld transmitter.
3) Jesus ‘CHUY” Esquivel, Event Tech Coordinator/Audio Engineer for Kenneth Copeland Ministries, standing beside KCM’s rack of Sennheiser EM 2050 dual channel receivers.
4) The Neumann KK 204 capsule delivers a full, transparent and naturally warm sound, and a single polar pattern design enables a uniform response across the entire frequency range.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

Jampro Heads to 2014 NAB Show with Full Range of Solutions for the Broadcast Market

NAB Booth C2617

Click to schedule a visit with Jampro at NAB

Manufacturer to Feature Complete Line of Antennas and Filters and Highlight Custom Systems for Customers

Sacramento, CA – Jampro Antennas, Inc. — a world leader in the manufacture and design of antennas, combiners & filters and RF components for every application in radio and television broadcast including DTV, DVB-T, FM and HD Radio solutions — will showcase its full assortment and custom options of its newest antennas and filters at this year’s 2014 NAB Show in Booth C2617. The company’s product family includes the popular UHF Broadband Medium Power panel antenna, the JVD-U and JCD-U broadband antennas for UHF Bands IV & V, and its competitively priced RCEC family of mask filters.

“We are excited and proud to head to this year’s NAB show with so many great solutions and options for our customers in the broadcast market,” said Alex Perchevitch, Jampro president. “Jampro has not only provided more than 25,000 broadcasters worldwide with top-performing products, but have proved our consistency and dedication to our world-wide customer base by serving the needs of individual broadcasters with fully customizable, high-quality and competitively priced systems. We look forward to meeting with attendees at this year’s show and reveal how our solutions address every type of broadcast application.”

At the 2014 NAB Show, Jampro will exhibit broadband solutions that bring great value and outstanding features to all segments of the broadcasting industry.

LATEST ANTENNAS
UHF Broadband Medium Power Panel Antenna for All Polarizations
Jampro‘s UHF Broadband Medium Power panel antenna is now available for Bands IV & V in all polarizations: CPOL, EPOL, HPOL and VPOL. The antenna is designed as either a side-mount or a top-mount for DTV, ISDB-T, DVB-T/H, NTSC or PAL broadcasting.

JVD-U and JCD-U Broadband UHF Broadband Antennas
Now available for both VPOL and CPOL polarization the JVD-U and JCD-U broadband antennas for UHF Bands IV & V, these antennas were designed as low to medium power solutions, with a special focus on rooftop deployment. The antenna is a vertically or circularly polarized system enclosed by a full cylindrical radome for environmental protection and minimal urban visual impact. The antenna is broadband over band IV/V allowing multiple UHF channels to be transmitted at the same time. Ruggedly constructed from marine brass and aluminum and designed for long life and value, this antenna is ideal for DVB-T2 (ISDB-T or ATSC digital TV application) channels. The antenna is fully assembled and tested before shipping to the customer.

PRODUCT HIGHLIGHTS
JAT-U UHF Super Turnstile Antenna
Jampro’s Broadband Batwing IV/V 470 – 860 MHz Antenna has many outstanding features that bring great value to today’s broadcaster. The radome-enclosed unit can be either top or side mounted on a tower offering long life and many years of continuous service, ideal for broadband multi channel UHF applications. Minimum windloading while providing broadband response makes the JAT the perfect answer for applications where either one channel is defined, or multiple channels are combined.

Prostar JA/MS-BB Broadband UHF Slot Antenna
Jampro’s JA/MS-BB Broadband UHF Slot antenna, part of the legendary Prostar™ line, offers an economical alternative to buying, installing and maintaining multiple antennas. A single, compact solution, it conserves tower space and minimizes wind loading. Especially designed for multi-channel or combined-channel operations in analog-analog, analog-digital or digital-digital TV applications, the JA/MS-BB antenna comes factory tuned in an elegant, ready-to-install and streamlined design.

Jampro Family of RCEC Mask Filters
Jampro offers a family of RCEC mask filters designed to provide superior mask filter performance at an affordable price. Cross coupling creates steep rejection skirts and the high-Q cavities provide low pass band insertion loss in a compact package.

Models include:
RCEC-386-UM – 5kW AVG, UHF 8”/203.2mm mask filter ATSC/DVB-T/ISDB-T
RCEC-206-UMFB – 2.5kW AVG, 6-section cross-coupled UHF DVB-T non-critical mask filter
RCEC-#F6-UM – 500W, UHF 4”/101.6mm mask filter ATSC/DVB-T/ISDB-T
RCEC-DT6-UM – 250W, UHF 2”/50.8mm mask filter ATSC/DVB-T/ISDB-T

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 25,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. For additional JAMPRO information, please visit: www.jampro.com.

Jampro contact: Sonia Del Castillo
916-383-1177 • mailto:Sonia@jampro.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283
mailto:harriet@desertmoon.tv

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

Neumann Digital Microphones Shine in Digital Surround Recording of Landmark Organ Recital at Denver’s St. John’s Cathedral

Neumann Digital Microphones and KH 120 Monitors Used to Capture Performance on W.W. Kimball Organ, Following Recent $2 Million Restoration

Denver, CO, March 17, 2014: Last month, Julliard scholar and organist extraordinaire Michael Hey took the seat at the Platt Rogers pipe organ located in the narthex of Denver’s St. John’s Cathedral. The formidable instrument, a one of a kind W.W. Kimball that was built to specification almost a century ago, recently completed a painstaking 3-1/2 year, $2.5 million renovation to bring it as close as possible to its original splendor. The landmark performance on February 14th was recorded in high-resolution surround using a variety of well-placed Neumann digital microphones positioned throughout the venue.

To capture the complete sonic depth of such an instrument, St. John Cathedral’s Music Administrator, Alberto Gutierrez, turned to veteran recording engineer Mike Pappas, owner of Denver-based Pappas Consulting LLC. Pappas, who has worked extensively with The Colorado Symphony Orchestra, The Aspen Music Festival and others in the past, recorded the recital in 88.2kHz resolution/24-bit digital audio.

“I’ve worked with Alberto for several years with the Colorado Symphony, and he told me about the gargantuan restoration of this magnificent organ and Mr. Hey’s upcoming recital,” said Pappas. “I’d been eager to capture such an organ for a number of years and this was the perfect chance to make an audiophile grade recording using my collection of Neumann digital mics.”

An Instrument Suited for Digital:

The Platt Rogers organ is the largest intact American cathedral organ currently in use that was built before World War II. It has 96 ranks, 5,961 pipes and is powered by an enormous 25 horsepower motor. With such a large organ, which was being played in a very large cathedral with 60′ cielings and a 3-1/2 second reverb time, one of the primary goals was to capture the entirety of the instrument’s massive dynamic range: “An organ of this size can generate frequencies as low as 11 Hz, so I had to choose the right microphones to accommodate this,” explains Pappas.

Pappas deployed left, center and right microphone arrays, positioned equal distances apart by about 9′, placed 21′ high, and 20′ away from the organ. He chose the Neumann KM 133 D digital microphones, which he says are are his ‘go-to’ microphones for symphony work and which use the legendary Neumann M50 titanium capsule and diaphragm. Pappas appreciates this microphone’s flat low frequency response and omni-directional pattern.

“Back in 1938 when they built the organ, they weren’t too concerned with being able to record at 138 dB of dynamic range,” says Pappas. “This organ is capable of generating 11 Hz notes. Using the Neumann KM 133 Ds, we were able to get a very smooth response while accurately capturing every nuance in these lower frequenicies.” For the two rear channels, Pappas opted for a mid-side pair arrangement, using the Neumann KM 184 D for the mid and the KM 120 D — which has a figure-of-eight capsule pattern — for the side. The entire recording was monitored on location using several Sennheiser headphones including an HD 600 and HD 800 open aire models.

Trailblazing with Neumann Digital Microphones:

The signal flow for the digital microphones was simple: each microphone was connected to the Neumann Digital Microphone interface — which also served as the clocking device for the entire recording system — and then was output via AES/EBU to a RME ADI 6432 converter. This outputs a MADI signal, which was then sent into Pappas’ Apple MacBook Pro running Logic X.

Simplicity is a key reason why Pappas was initially drawn to Neumann digital microphone technology: “For remote recording, using digital microphones means I have a lot less gear.” he explains. “At one point, we had 40 channels of preamps running into A to D converters, but now I am down to just 8 channels of digital — this greatly simplifies my set up.” He also realizes several advantages in audio quality. “Nothing else can give me comparable resolution, dynamic range or signal to noise ratio. Conventional signal chains include mic preamplifiers and A to D converters, and these can impart subtle colorations onto what you are trying to record. For us doing symphony work, all we want to hear is the microphone capsule.”

Neumann KH 120: Revealing the Essence of a Unique Instrument:

Following the recording, which took place on a Thursday evening, the recording stems were transported to the Colorado Symphony Hall, where Pappas has a 5.1 mix set up featuring Neumann KH 120 monitors and a Neumann KH 810 subwoofer. “The first thing we listened for was the left-right-center stereo channels to confirm all our mic placements,” recalls Pappas. “Once we knew we had that right, we added the rear channels to the mix to provide ambience.”

Pappas favors the KH 120s because of their revealing quality and dynamic response. “They are just spectacular,” he says. “What you hear is what you actually get on the mix, and it all translates. There are never any nasty surprises.” “The integration of the KH 810 subwoofer has been spectacular,” he adds. “It doesn’t call attention to itself, yet fills in exactly what you want. We never worry about how much low end is going into the mix.”

The exquisite recording of the Platt Rogers Pipe Organ is being prepared for a summer release on Chesky Records. To learn more about Neumann digital microphones, please visit http://www.neumann.com.

About Neumann:

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Photo captions:
1) Michael Hey sits at the Platt Rogers pipe organ at Denver’s St. John’s Cathedral.

2) Neumann KM 133Ds capture the Platt Rogers pipe organ at Denver’s St. John’s Cathedral.

Photographs provided by Mike Pappas

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

Audiofile Releases Fidelia 1.5

A major update to the popular high definition music player for OSX

Audiofile, a leading music technology company, today announced an update to Fidelia, the acclaimed premium music player for Mac. Fidelia 1.5 introduces AirPlay, support for Notification Center, Improvements to FHX™, significant improvements to reliability and performance, as well as an updated interface and branding.

“The sophisticated music lover will always be looking for the best listening experience,” says Matthew Foust, Audiofile Managing Partner and co-founder. “Fidelia offers what many digital music players can’t: support for the highest quality formats. But it’s not enough to simply support the best formats. Fidelia also provides users with tools that allow them to control nearly every parameter of the sonic experience.”

Fidelia 1.5 also introduces an updated design for Fidelia Remote for iOS. Fidelia Remote for iOS turns your iPhone or iPod touch into a full-featured remote control for the Fidelia music player. Browse your Fidelia library and playlists, adjust playback volume and navigate between or within tracks from as far away as your wireless network allows.

Fidelia 1.5 is the first in a series planned set of updates.
For more information about Fidelia, visit http://www.audiofile-engineering.com/fidelia/.

Pricing & Availability
Fidelia 1.5 is available on the Mac App Store starting at $19.99 or at audiofile-engineering.com.

About Audiofile
Audiofile is a boutique technology company building apps that power the world’s musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2004, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name. Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

The Audio Engineering Society Appoints Graham Kirk as International Sales Manager

– Organization expands its marketing efforts with addition of Kirk to business development team –

New York, NY, March 11, 2014 — As part of its newly focused business and marketing efforts, the Audio Engineering Society has appointed industry executive Graham Kirk to the position of International Sales Manager. The announcement was made by Bob Moses, AES Executive Director, and further underscores the AES’s bolstered business development campaign, which began with the 135th AES Convention in New York, resulting in record attendance, this past fall. In his new position, Kirk will spearhead sales for AES exhibition partners and sponsors, as well as work closely with Moses and Steve Green, AES Business Development Manager.

Leveraging his experience in the music and professional audio industries, Kirk has previously managed sales and marketing efforts for Audio Media magazine and as the European Sales Director for the NewBay Media Group. Further, Kirk will be at the upcoming Musikmesse 2014 International Music Fair (March 12 – 15) to meet with exhibitors and potential participants about partner and sponsorship opportunities at the upcoming 136th AES Convention in Berlin and the 137th Convention in Los Angeles.

“We are very excited to have Graham on board as we continue to gain momentum for our two International Conventions coming up this year, in both Berlin and L.A.,” states Bob Moses. “We have worked hard to provide new opportunities for both attendees and exhibitors at our upcoming events and we feel that Graham has an excellent background and skill set to help maximize these efforts and to help the AES grow as the number-one professional and educational resource for the industry.”

Exhibitors and potential sponsors are encouraged to contact Graham Kirk to discuss exhibition and advertising opportunities for upcoming conventions, newsletters and more, at graham.kirk@aes.org or via phone at: +44 (0) 787-246-1938 or +1 212-661-8528 ext. 114.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

Antelope Audio Announces Zen Studio, the First Portable Audio Interface with 20 Analog Inputs, 12 Mic Preamps and DSP effects

Zen Studio, featuring 38 simultaneous input and 32 output channels in a sleek, easy to carry ergonomic box, to be first seen at Musikmesse, hall 5.1, booth C60

Frankfurt, Germany, March 12, 2014: Leading professional audio gear manufacturer Antelope Audio introduces Zen Studio, a professional, portable audio interface with the most competitive analog and digital connectivity. The 12 world-class mic pres, Antelope’s signature clocking, the on-board DSP effects with multiple monitor mixers and the proprietary low-latency USB connectivity make Zen a world-class mobile recording system, that can fit easily inside a backpack or gear bag. Zen Studio is designed to meet the needs of the modern day producer or engineer on-the-go, as well as location sound engineers, sound designers, independent bands and musicians in search of greater sound quality and flexibility.

Supreme sound:
Antelope Audio Acoustically Focused Clocking guarantees the most authentic analog sounding A/D & D/A conversion on the market. Antelope’s clocking and conversion along with the custom USB technology implemented in Zen are identical to the ones in the top-selling 32-channel Orion interface which is a centerpiece in the playback rigs for artists such as Rihanna, Jay-Z and Justin Timberlake, and inside the mixing and mastering studios of engineers like Eric Sarafin (aka Mixerman), Brian Vibberts, Howie Wienberg or electronic music producers like Robert Babicz and Dusty Kid.

Power and flexibility:
In addition to proven sound quality, Zen Studio offers an extremely powerful DSP, based on a custom FPGA device with massive parallel processing capabilities. The proprietary FPGA makes the DSP chip in Zen Studio eight times more powerful than the ones used in similar devices. This allows fast and easy simultaneous processing of multiple effects, enhancing the workflow like no other device on the market.

Unique versatility:
All audio I/O is available simultaneously for a total of 38 possible input and 32 output channels, plus 24 simultaneous I/O channels via custom USB. Users can create up to four independent zero-latency mixes assignable to any outputs, including the two independent headphone outputs and monitor outputs. The unit is fully controllable using an intuitive desktop application on both PC and Mac, offering flexible signal routing and DSP-based effects alongside custom presets.

Zen Studio is a versatile stand-alone device as well as a perfect companion to Orion32. Zen was born out of the need for a studio-quality portable solution that can easily be taken with you, while your main interface remains in the rack. Zen Studio is based on proven technologies used in Orion32. Whereas the rack-mountable Orion32 stands out with its MADI connectivity and unmatched channel count available over USB, Zen Studio delivers a breakthrough number of mic pres and DI instrument inputs for a mobile-sized interface, along with exceptional monitoring and tracking DSP capabilities to be used on-the-go.

Zen studio is planned to start shipping by the end of Q2 2014 with a prospected price of $2,495.

Connectivity:

• 12 Class A mic preamps, with phantom power
• 8 mic/line inputs
• 4 mic/line/instrument inputs
• 2 Independently assignable headphone outputs
• 2 DSUB-25 connector (8 channels I/O)
• 1 Stereo monitor out
• 4 ADAT connectors (up to 16 channels I/O)
• 2 SPDIF RCA connectors (I/O)
• 2 Inserts over TRS
• 2 Word Clock BNC connectors (I/O)
• 1 Low-latency high-bandwidth USB 2.0

About Antelope Audio:

Antelope Audio is a leading manufacturer of master clocks, A/D & D/A converters and the pioneer in the adoption of Atomic clock generators.

The company utilizes Igor Levin’s more than 20 years’ experience in digital audio to develop professional and consumer high-end products with the signature Antelope Audio sound. The company employs proprietary clocking and jitter management technologies as well as custom-designed circuits to provide both professional audio engineers and music aficionados with unprecedented musicality, sound stage and clarity.

Antelope is the first to design a 32-channel AD/DA USB audio interface and extremely precise master clock in only 1U. Orion32 is a breakthrough technology, offering both studio and live-recording audio engineers great productivity and flexibility.

The company’s customers include many Grammy award-winning sound engineers and some of the most renowned recording, mastering and post-production facilities around the globe.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

GeerFab Acoustics Chosen by NAMM to Provide Acoustic Treatment for Technical Excellence and Creativity (TEC) Awards

Custom MultiZorber Solution Brings Sonic Consistency and Even FrequencyResponse During Winter NAMM Week, Including 29th Annual TEC Awards

Anaheim, Calif. – March 11, 2014 – GeerFab Acoustics announced its was chosen by NAMM, the National Association of Music Merchants, to provide temporary acoustic treatment to the Anaheim Hilton’s Pacific Ballroom during the 2014 NAMM Show held in Anaheim, CA be-tween January 23 and 26th. The Pacific Ballroom is host to many key activities during the NAMM Show, including important industry events such as the TEC Awards, the Breakfast of Champions, the NAMM Best in Show Awards and others.

This year, the 2014 NAMM Show drew no less than 96,129 industry registrants, making it one of the most important global music industry events. For the fourth year in a row, the Pacific Ball-room, which has a capacity of roughly 1,200, was chosen as the host venue for the TEC Awards. While the space worked for conference events and seminars, the room presented massive acous-tic challenges for a high profile award show featuring live music and attended by the music indus-try’s elite sound engineers, producers and audio product manufacturers.

“The pre-treated room was a sonic mess,” recalls Eric Geer, president and founder of GeerFab Acoustics. “The overabundance of reflective surfaces and a parabolic concave structure that spanned the entire perimeter created a chaotic and uncontrollable acoustic environment.This was marked by out of control mid and high frequencies and excessive bass build up. During the TEC Awards, the room posed enormous intelligibility issues for performing artists, mix engineers and of course the audience.”

“The biggest acoustic problem was the parabolic concave surface which was about 4′ high and several feet deep. This structure disrupted the response of the room, essentially functioning as a slingshot that rocketed unwanted frequencies directly back to the audience,” Geer continued.

Last summer at a NAMM executive meeting, the acoustics of the room became a primary agenda item. “We knew we had to increase the audio intelligibility in The Pacific Ballroom,” says Pete Johnston, supervising producer & technical director of special events at NAMM. “When it came to the TEC Awards, it was an issue of credibility since we were giving out awards to sound engi-neers, producers and product manufacturers. We wanted to get it right and there was no room for compromise.”

Soon after the summer meeting and after consulting with several high profile acoustic designers, NAMM contacted Eric Geer of GeerFab Acoustics to implement an all-encompassing solution that would yield greater sonic accuracy and intelligibility for events held in the Pacific Ballroom during the entire 2014 NAMM Show, especially the 29th Annual TEC Awards.

On the weekend before NAMM week, GeerFab and Freeman, the convention services company that has been supporting NAMM since the 1960s, proceeded to install a temporary, re-usable solution consisting of (200) custom GeerFab MultiZorber panels, each measuring approximately 4′ x 9-1/2′ and consisting of lightweight, acoustically absorbent substrate material wrapped in a black fabric. These panels were strategically mounted on rigging points throughout the venue, suspended approximately a foot off the wall around the entire upper perimeter of the room, which measures roughly 30,000 square feet with a 21’ ceiling. The panels effectively concealed the concave surfaces while creating more even acoustic dispersion across the entire frequency range while also acting as a gigantic, continuous bass trap.

In addition to the room perimeter, Geer also installed a ‘acoustic hat’ above the stage, consisting of (40) 4′ x 8′ MultiZorber panels. This effectively reduced stage noise and eliminated unwanted reflections from drums, amplifiers and other instruments — enhancing overall monitoring accuracy while reducing the potential for on-stage feedback. With the “hat”, the entire installation com-prised over 8,000 square feet of MultiZorbers.

“Before the room was treated by GeerFab, it sounded horrible. There is a section of the wall that has the effect of a parabolic dish,” commented Scott Rodgers, front of house engineer for the TEC Awards. “After the MultiZorber panels were installed, it made a huge difference and the sound of the whole room tightened up significantly.”

“We ran the PA system between 98 and 105 dB and the sound was remarkably clear,” he contin-ued. “I didn’t have to touch the EQ to correct the room and by the end of the evening I had abso-lutely no ear fatigue.”

Now that the MultiZorber solution was successfully implemented in the Pacific Ballroom for the 29th Annual TEC Awards, Johnston says they are now considering a similar solution to provide acoustic treatment during Summer NAMM 2014. “We love the fact that the MultiZorbers are reus-able,” says Johnston. “Bringing great audio to our events increases the credibility of our brand while enhancing the overall experience of those attending our events.”

About NAMM:

The National Association of Music Merchants (NAMM) is the not-for-profit association with a mis-sion to strengthen the $17 billion music products industry and promote the pleasures and benefits of making music. NAMM’s activities and programs are designed to promote music making to peo-ple of all ages. NAMM is comprised of approximately 9,000 Member companies located in more than 87 countries. For more information about NAMM or the proven benefits of making music, interested parties can visit www.namm.org, call 800.767.NAMM (6266) or follow the organization on Facebook, Twitter and YouTube.

About GeerFab Acoustics:

GeerFab Acoustics manufactures and implements acoustic solutions for a wide range of clients in entertainment, restaurant, hospitality, healthcare and other industries. The company provides complete custom design and installation services and is the manufacturer of the innovative prod-uct line RoomZorbers, which includes the MultiZorber The company is based in Milwaukee, WI and was founded by Eric Geer. To learn more, visit www.geerfab.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

Sennheiser launches new training offensive – more RF Experts to support customer projects in future

Old Lyme, CT, March 11, 2014: The Sennheiser Sound Academy has begun a new RF Expert course. From February to September 2014, 23 wireless professionals from the worldwide Sennheiser organisation will be further trained to become RF experts, supporting their customers in the planning and execution of large events involving wireless technology. The first on-site training session took place from 24 to 28 February in Wedemark.

Extensive wireless microphone systems with several dozens of channels are now a matter of course at cultural and sports events, TV shows and large concert tours. At the same time, the complexity of the production environment is constantly increasing: in addition to the microphones for the artists and presenters, more and more channels are required for production staff to communicate and control the equipment as well as for the media reporting on an event. To make matters worse, the frequency spectrum that is available for wireless microphones is shrinking.

It is precisely these situations that are the specialist field of RF experts, who know how to make use of all technical possibilities to make complex projects with wireless systems a success. “Therefore, the course teaches extensive knowledge of the theory and practice of wireless microphone systems and antenna installations,” explained Kirsten Wessendorf, Manager Sennheiser Sound Academy. “Also, the production team at big events is very international, with many different groups of professionals working together. For that reason, intercultural training is a fixed part of the expert course.”

The 23 participants in the course come from 14 countries and, following the on-site week at the company’s headquarters, they will continue to be coached by experienced local tutors in their region. Two further on-site training sessions will round off the RF Expert training programme before it finishes in September. One of the successful projects involving RF experts who have already completed the course was, for example, the last Eurovision Song Contest.

Visit Sennheiser at prolight+sound in Hall 8, Stand A 70.

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2012 the family company, which was founded in 1945, achieved a turnover of around 584 million euros. Sennheiser employs more than 2,300 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Captions:
1: 23 Sennheiser participants from 14 countries have enrolled in the RF Expert course

2: One of the focal points of the training programme is the Digital 9000 wireless microphone system

3: The RF Expert course offers extensive knowledge of the theory and practice of RF wireless transmission and also includes intercultural training

(Photo credit: Karsten Koch)

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

Calendar

March 2014
S M T W T F S
« Feb   Apr »
 1
2345678
9101112131415
16171819202122
23242526272829
3031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication