Archive by Hummingbird Media

Animoog, the award-winning Synthesizer app from Moog is Now Available for the BlackBerry Z10

ASHEVILLE, NC – May 16, 2013 – At BlackBerry Live this week, Moog Music announced the release of Animoog®, it’s award-winning app for the BlackBerry® Z10™ smartphone. Animoog, previously only available on iOS®, is Moog’s first music creation tool for the BlackBerry® platform.

The Animoog app for BlackBerry 10 was unveiled earlier this week and will continue to be showcased throughout BlackBerry’s annual enthusiast, developer and partner conference in Orlando, FL. From May 16th through May 23rd (the date that would be Bob Moog’s 79th birthday), Animoog will be available on the BlackBerry® World™ storefront for the BlackBerry Z10 smartphone at an introductory price of $.99. After this promotional period ends, Animoog will return to its regular price of $9.99.

“We are very excited about the release of Animoog on the BlackBerry 10 platform and about our relationship with BlackBerry,” said Mike Adams, President and CEO of Moog Music, Inc. “BlackBerry has long been the choice for business professionals who in many cases are in creative fields. Now, for the first time, we can offer a high performance music creation tool to artists and synthesizer enthusiasts that prefer BlackBerry,” said Adams.

“Moog is a long time iconic brand in the music industry and their synthesizers are used by major artists worldwide,” said Martyn Mallick, VP of Global Alliances and Business Development at BlackBerry. “We are thrilled to have Animoog available on the BlackBerry 10 platform”.

Moog Music is driven by a company culture that lives at the intersection of technology and music. This culture is celebrated annually at Moogfest, its multi-day festival in honor of the innovative spirit of its founder, Bob Moog who was inducted into the National Inventor’s Hall of Fame last week. Moog’s early adoption of the BlackBerry 10 platform is in line with this pioneering philosophy.

“This project is the beginning of a collaboration with BlackBerry’s innovative user experience team and an exploration of new means for creative expression with handheld devices. It is always our intention to create better tools for artists and this relationship allows us to investigate exciting future possibilities,” said Emmy Parker, Moog’s Senior Brand Manager.

Links:

- Video: http://www.moogmusic.com/sight-and-sound/product_demo/animoog-blackberry
- Animoog on BlackBerry World:
http://appworld.blackberry.com/webstore/content/28277801
- Animoog product page: http://www.moogmusic.com/animoogbb
- Moog Music website: http://www.moogmusic.com/
- Moog Music on Twitter: http://www.Twitter.com/MoogMusicInc/
- Moog Music on Facebook: http://www.Facebook.com/MoogMusicInc/

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About Moog Music:
Moog Music synthesizers and other electronic musical instruments are designed and lovingly handcrafted in the Moog factory in downtown Asheville, N.C. Moog Music and its customers carry on the legacy of Dr. Robert Moog, inventor of the Moog synthesizer and Founder of Moog Music Inc.

BlackBerry and related trademarks, names and logos are the property of Research In Motion Limited. BlackBerry is not responsible for any third-party products or services.

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Mikkel Heimburger Forays Into High Profile Movie Trailer and Sound for Picture Projects with Antelope Audio Orion32

Santa Monica, CA, May 9, 2013 – Mikkel Heimburger is a sound for picture composer focusing primarily on movies, film and television commercials and advertising. During the last several years, he has successfully repurposed his audio career, having previously been an engineer/producer, focusing on the pop music scene. Recently, Heimburger has been working on several high profile projects. He placed a song in the latest Al Pacino film Stand Up Guys, and composed, performed and mixed the trailer score for the most recent Muppet Movie. Each day he relies on his Antelope Audio Orion32 audio interface as the cornerstone of his Los Angeles-based studio.”I was a creator of dance, pop and urban music just a few years ago,” Heimburger says. “But now I am producing trailers and advertising segments that are diverse and creative, but also more lucrative.” Needless to say, he is working in a segment that has become increasingly competitive and saturated. Heimburger says that to stand apart, he must ensure that his productions are ‘as good as they can be.’ Therefore he depends on his Antelope Audio Orion32 to help set his music apart.

“The companies I am pitching to often receive dozens of tracks in a day — I want them to remember mine not only for writing and performance, but also for sonic quality,” he states. The Antelope Audio Orion32 is now a key component in his set up: “When I first heard it, I was blown away,” he says. “It has what many of today’s other converters are lacking – punch. I really need this for the trailers I am working on, and with the Orion32, it happens automatically — it is just there and I don’t have to adjust the EQ or manipulate the low end.”

For Heimburger, the main differentiator between the Orion32 and other well known high-end converters rests primarily on sonic quality. “I’ve been through a half a dozen audio interfaces during the last decade, just trying to keep up with technology changes in the market,” he says. “When I A/B’d the Orion32 against the other units I had from other manufacturers, suddenly they sounded way too thin and overly sibilant. I also noticed that many of these other converters introduce a ’3D effect’ that just wasn’t true.”

In addition to raising the overall sonic quality of his mixing rig, the Orion32 has introduced workflow efficiencies at cost savings that was unexpected, but most welcome. “The Orion32 is considerably less expensive than competitors’ models — you basically get a 32 channel interface for $3,000,” Heimburger observes. “Other models typically cost $3,000 for 8 channels, and don’t sound as good!”

Having access to no less than 32 tracks of Antelope Audio conversion at the output stage has enabled Heimburger to employ creative summing techniques, which he says has led to increased fidelity. “I am using every single output on the Orion32, and having all these channels means I can sum my mixes the way I want. I use the Orion32 in combination with my Shadow Hills Equinox, which is a 30 channel summing mixer. This combination has made a really big difference as far as the width and depth of my mixes are concerned,” he says.

All in all, the Orion32 has earned a place in Heimburger’s studio not only from a sonic perspective, but also feature and price. “In my opinion, the Orion32 wins hands down in every measure,” he concludes. “I am pretty sure the competition will need to rework their product strategies.”

About Antelope Audio
Antelope Audio is the brainchild of Igor Levin who has more than 20 years’ experience and a number of innovations in digital audio and synchronization technology. The company is widely acknowledged as the leading manufacturer of audio master clocks.

In 2009 Antelope Audio launched its product line of high-resolution USB D/A converters, being among the pioneers designing a 384 kHz DAC. Antelope’s DACs employ their renowned 64-bit clocking and jitter management technologies and custom-designed circuits, achieving unprecedented precision and sound clarity.

# # #

All brands and trade names are the property of their respective owners.

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Neumann Microphones Help RUNA Make Celtic Roots Music Come Alive

Old Lyme, Conn. – May 8, 2013 – RUNA is a Celtic roots band that fuses music from Ireland, Scotland, Canada and the U.S., creating refreshing contemporary arrangements of traditional, Celtic-based material. Now an internationally touring band that routinely plays at large national concert halls such as Nashville’s Ryman Auditorium, the band quickly emerged from its humble beginnings playing coffee houses and dive bars in Philadelphia just four years ago.

RUNA’s live presentation is rich in its authentic Celtic instrumentation and dynamic storytelling through song — and is made all the more sonically engaging by the band’s choice of vocal microphone: the Neumann KMS 104 Plus and KMS 105 handheld condensers. This month on May 17th, the band returns ‘home’ to Philadelphia to sing the National Anthem before 40,000 some odd baseball fans at Citizens Bank Park to celebrate the Philadelphia Phillies’ Irish Heritage Night.

Lead singer Shannon Lambert-Ryan explains the band’s transition to Neumann on stage: “I had been using a popular competitor’s mic and someone suggested I try a Neumann,” she says. “We tried it at a gig and there was just no comparison. I heard better tone, warmth and clarity while singing through the KMS 104 Plus. It was like singing against silk, and I cannot speak highly enough about it.”

For RUNA, a band that prides itself on connecting with audiences through dramatic and lyrically vibrant performances, microphone clarity and sensitivity go a long way: “The Neumann KMS microphones pick up all of the nuances of the human voice,” observes Lambert-Ryan. “It provides the definition and clarity to cut through the mix, but also has a huge, warm tone. I’ve noticed that other microphones deliver great clarity, but often sound too thin and don’t have enough sonic definition.”

Over the last two years, RUNA — a five piece band consisting of Shannon Lambert-Ryan on vocals, Fionán de Barra on guitar, Cheryl Prashker on percussion, Dave Curley on mandolin/vocals, and Maggie Estes on fiddle — has been recognized with many industry awards and accolades. This year, they captured nominations in the Independent Music Awards for their song “Amhrán Mhuighinse” (Somewhere Along the Road), in the Irish Music Awards for Best Female Vocalist, and in the past have received multiple accolades from the Montgomery Buck Music Awards.

RUNA’s other vocalist, Dave Curley, has been using the Neumann KMS 105. “He was really struggling to find the right vocal mic that works for his voice, which is very gentle and has a different timbre than mine,” recalls Lambert-Ryan. “The first time he sang through the KMS 105 onstage, he said, ‘Wow – what is this?’ It was very smooth and had such a nice balance.”

For Lambert-Ryan, the Neumann KMS 104 Plus has given her more control over her vocal dynamics on stage: “Since we don’t have a bunch of electronic instruments happening in our style of music, the vocals tend to be much more ‘exposed.’ Therefore you need to hear all the nuances that are occurring,” she says. “With the KMS 104 Plus, Neumann has delivered here.”

About Neumann:

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

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Sennheiser Brings Premium Sound and Wireless Innovation to The American Pavilion at the Cannes International Film Festival

Cannes, FRANCE – May 7, 2013: Audio specialist Sennheiser will support The American Pavilion at the Cannes International Film Festival during its Conference Series this year in Cannes, which will feature panels and one-on-one interviews with the film industry’s leading talent and entertainment personalities. Over the course of the 12-day festival, which is the most high profile event in the film industry, audiences will be able to listen to The American Pavilion Conference Series through Sennheiser wireless headphones.

In conjunction with its sponsor partners and in celebration of its 25th anniversary in Cannes, The American Pavilion has redesigned its location to incorporate design elements of The Peninsula Hotel properties and includes a new conference center, bar, restaurant and a media terrace/green room. By providing attendees with Sennheiser wireless headphones, The American Pavilion enables guests to enjoy conference content wherever they roam within the facility, while background noise is kept to a minimum.

“We are excited to feature Sennheiser’s wireless headphone technology this year at The American Pavilion,” commented Julie Sisk, director and founder of The American Pavilion. “Sennheiser’s innovative technology will allow our guests to enjoy all the amenities of our open space, without missing any of the incredible interview and panel content that will be featured this year.”

The American Pavilion asked Sennheiser to provide support in Cannes after reading about its activation during SXSW with Paste Magazine this past March, in which the company hosted three days of interviews with leading content creators such as Fred Armisen of SNL, LeVar Burton of Star Trek, editor in chief of Marvel Comics Alex Alonso, and others. During this activation, fans and attendees were able to listen to interview content anywhere on the activation grounds, while donning Sennheiser wireless headphones.

The American Pavilion Conference Series features industry panels each day that focus on topics like film finance, acquisitions, producing and film + technology. The interactive sessions are moderated by well-known entertainment journalists and routinely attract the top names in entertainment. In prior years, guests have included Francis Ford Coppola, Terry Gilliam, Martin Scorcese, Robert Duvall, Kevin Kline, Tommy Lee Jones, Jude Law, Colin Firth, Anjelica Huston, James Cameron and many others.

The American Pavilion, which is located in the International Village next to the Palais, has become a hub for film industry professionals to gather and share ideas during the Cannes Film Festival — the largest and most prestigious film festival in the world. The festival itself attracts over 20,000 industry professionals and over 4,000 journalists from around the globe.

About The American Pavilion:

Celebrating its 25th year bringing professionals and emerging filmmakers together, The American Pavilion is the center of activity for the American film community at the Cannes International Film Festival.

Since its debut at the 1989 Cannes Film Festival, The Pavilion has served as a hospitality and communications hub for the thousands of Americans attending the Cannes Film Festival and Marché, providing an impressive array of facilities and services, including membership for the international film community, provocative and insightful programming, the Emerging Filmmaker Showcase, immersive student programs, and more.

For its corporate sponsors, scores of American participants, and hundreds of exhibitors and office holders, The American Pavilion accommodates the need for information, orientation and recreation, providing both a dynamic business environment and an opportunity to relax in comfortable surroundings for the duration of the Festival.

With a panoramic view of the Bay of Cannes and just a few steps from the Palais des Festivals, where all the major Festival films are premiered, The American Pavilion is now a permanent fixture on the Cannes landscape, proving to be the perfect place to transact business, share ideas and effectively reach the thousands of affluent international travelers who attend the Festival every year.

For more information, visit www.ampav.com.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences. For more information, visit www.sennheiserusa.com.

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Sennheiser Supports Cirque du Soleil’s “One Night for ONE DROP”

Las Vegas, May 6, 2013 – Recently, Cirque du Soleil presented “One Night for ONE DROP” at the “O” Theater, located in the Bellagio on the Las Vegas Strip. The one-night-only production, which combined talent and production expertise from seven other resident productions, was held on World Water Day on 22 March to help raise awareness on the increasing global water crisis. Audio specialist Sennheiser, which has a longstanding relationship with Cirque du Soleil that extends over two decades, loaned several channels of wireless equipment through its Global Relations team to help ONE DROP realize its creatively and technically ambitious production.
 
Established by Cirque du Soleil founder Guy Laliberté, ONE DROP is a non-profit organization whose mission is to ‘ensure that water is accessible to all, today and forever.’According to some estimates, nearly one billion people in the world live without clean drinking water, while another 2.5 billion people lack access to modern sanitation facilities. In the show “One Night for ONE DROP”, Cirque du Soleil illustrated the fragility of the Earth‘s water ecosystem and the impact of water needs around the world in beautiful stage sets, breath-taking artistics and music to remember.
 
Building on Enduring Success

One Night for ONE DROP was planned to run concurrently to “O”, Cirque’s resident show at the Bellagio since its 1998 opening. Therefore the Cirque team needed to augment the existing Sennheiser wireless system to accommodate the additional onstage talent. Gavin Whiteley, Technical Manager of Audio for Cirque du Soleil’s Resident Shows Division, reached out to Sennheiser to ensure the upgraded system would perform flawlessly and would meet the stringent technical demands of the show. “Sennheiser’s product line is not only proven industry-wide, but also within our own shows,” Whiteley says. “It is a known quantity and we knew we could count on it. Krista Monson’s [director] vision was to have more live musicians onstage than “O” normally does, so that’s when we were looking to get those additional resources in the theater so we could achieve her vision,” he recalls.
 
Kristy Jo Winkler, Sennheiser’s global relations manager for the Americas, comments: “Our relationship with Cirque du Soleil spans many years and Sennheiser has always maintained a deep and meaningful connection with the performing arts. We were inspired to play an integral role in ONE DROP – firstly because it represented another chance to push our technical boundaries and secondly because it was for such a worthwhile cause.”
 
“As soon as we got the call from Gavin, Sennheiser’s Global Relations team quickly provided ten additional wireless channels – all racked and preconfigurated so it would be ‘plug and play’ for this unique one-night spectacle,” explains Dave Missall, national market development, professional systems, Sennheiser USA.
 
Reinventing the Fundraiser, with a Little Help from Their Friends

“Our founder, Guy Laliberté, wanted to reinvent the fundraiser the same way he reinvented the circus 29 years ago,” says Gavin. “One Night for ONE DROP was to be performed only once, therefore we needed all our systems to be incredibly reliable and trustworthy.”
 
The 90-minute performance featured more than 230 artists and performers from neighboring Cirque du Soleil productions, an original composition for string quartet by award-winning film composer Danny Elfman, a dance piece choreographed by Sonya Tayeh of “So You Think You Can Dance”, a special guest performance by certified platinum recording artist Jackie Evancho and many other creative acts.
 
Gavin wanted to build on the capabilities of the wireless system that was already in place while using the existing frequency coordination and antenna distribution system – which had already been laid, filtered and optimized for the operation of the “O” show. “We wanted to work within our current frequency range so we didn’t have to open the doors to any new potential RF interference,” he says.
 
To accommodate ONE DROP, Gavin says he had to roughly double his wireless equipment to support additional instruments, singers and speaking parts – including Elfman’s string quartet composition, which was being performed in public for the first time. “It was a balance of working within the limits of the existing system, but still fulfilling the requirements each show needed to do it right.”
 
According to Sennheiser’s Dave Missall, reliable wireless performance is a critical dimension of any Cirque du Soleil production, especially for One Night for ONE DROP: “Everything has to be completely in sync, and of course you can’t have a wireless monitor or wireless instrument system fail,” he explains. “The entire show is timed perfectly from the very beginning, so precision and accuracy of cueing is everything.”
 
Flawless Performance from Beginning to End

In addition to the “O” Theater’s existing eight channels of Sennheiser EM 3732-II receivers, Sennheiser provided ten more channels of EM 3732-II receivers, eight SK 2000 bodypack transmitters, four SKM 5200-II handheld transmitters and two SK 5212-II beltpack transmitters to handle the additional wireless requirements of One Night for ONE DROP. “We ended up using all of it – on instruments, clowns, spoken word performers, you name it,” says Gavin.
 
One of the highlights of the show, Gavin says, was Danny Elfman’s string quartet, performed by musicians moving fluidly across the stage. “We used the extremely small SK 5212-II bodypack transmitters and mounted them either to the instruments themselves or directly on the performers,” says Gavin. “They were ideal for picking up the sound of each instrument.” Jackie Evancho sang through an SKM 5200-II wireless transmitter coupled with a Neumann KK 104-S capsule. “We asked her staff what kind of microphone she’s comfortable singing with, and they replied Sennheiser,” he says.
 
According to Gavin, the system performed flawlessly as expected from beginning to end: “Cirque is known for its visuals, its music and its top level production quality for every show it has in place. One Night for ONE DROP was no exception,” he says. “From a sound perspective, we wanted to get more of the audio quality we were already experiencing in “O”, one of Cirque’s longest running shows. We certainly achieved this and everyone was more than happy with how good it sounded.”
 
About Sennheiser:

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. The family-owned company, which was established in 1945, recorded sales of around €531 million euros in 2011. Sennheiser employs more than 2,100 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).
 
You can find all the latest information on Sennheiser by visiting our website at www.sennheiser.com.

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Moog Inducted into National Inventors Hall of Fame for Patent No 3475623, The Moog Ladder Filter

ASHEVILLE, NC – May 1, 2013 – Moog Music is proud to announce that today its founder Dr. Robert Moog will be posthumously inducted in to the United States Patent and Trademark Office National Inventors Hall of Fame.

Dr. Moog is being awarded this honor for Patent No. 3475623, more commonly known to Moog fans as the Moog Ladder Filter. Moog Music, which will be hosting Moogfest, its annual celebration of the innovative spirit of Dr. Moog on April 25th-27th 2014, has created a video featuring Moog hardware engineer Rick Shaich discussing the importance and innovation of this creation. The video can be seen here: http://www.moogmusic.com/sight-and-sound/product_demo/moog-ladder-filter

In the video, Shaich discusses the Ladder Filter, the first Voltage Controlled Filter, which is the heart and soul of the Moog modular synthesizers of the 60s, the Legendary Minimoog of the 70′s, and is still the same filter topology used in all Moog Synthesizers to this day. The Ladder Filter is an essential element of the massive, thick sound for which Moog instruments are renowned.

To celebrate this historic occasion Moog Music is reissuing the Moog Ladder Filter Tee, which is now available for pre-order and will ship with a free poster commemorating Bob Moog’s induction to the National Inventors Hall of Fame.

Links:
Ladder Filter Video: http://www.moogmusic.com/sight-and-sound/product_demo/moog-ladder-filter

moogmusic.com

moogfest.com

About Moog:
Moog Music is the leading producer of analog synthesizers in the world. The company and its customers carry on the legacy of its founder, electronic musical instrument pioneer, Dr. Bob Moog. The company hosts Moogfest, a three day festival celebrating the intersection of music and technology in honor of Moog’s innovative spirit. All of Moog’s instruments are hand built in its factory on the edge of downtown Asheville, NC. To learn more, visit www.moogmusic.com

Media Contact:
Jeff Touzeau
Public Relations
Hummingbird Media, Inc.
(914) 602-2913
jeff@hummingbirdmedia.com

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The Sound of Success: Sennheiser and Infiniti Red Bull Racing Take the Lead in Innovation and Excellence

Race Day at the Formula One Shanghai Grand Prix: The excitement mounts. Second only to the incredible spectacle of the cars is the intense sound, as the air fills with the roar of engines. It’s a meeting of sound, vision and passion. Reflecting this unique fusion, Infiniti Red Bull Racing and Sennheiser are joining forces for the 2013 racing season. The audio specialist has been named as the first Official Audio Supplier, supplying professional audio solutions for the Factory debriefs, driver interviews and powering the DJ booth in the exclusive Paddock Club. The cooperation will be kicked off at the Shanghai race with a special DJ set from Chinese superstar DJ, Jamaster A, and the creation of an exclusive edition of Sennheiser MOMENTUM headphones.

Infiniti Red Bull Racing has dominated the Formula One World Constructor’s Championships for three years, has the car to beat and a red-hot pairing of Sebastian Vettel and Mark Webber. Innovation, precision engineering, a passion for excellence, and a determination to be the best – Infiniti Red Bull Racing has epitomised these qualities. So too has Sennheiser, which has maintained its supremacy over 65 years at the forefront of high quality sound.

While Infiniti Red Bull Racing takes winning performance to the track, Sennheiser will take premium sound backstage as the first ever Official Audio Supplier to the Racing team. Sennheiser audio equipment will be used by Team Principal, Christian Horner, during his Team debriefs. Meanwhile, Sennheiser will also be helping fans get even closer to the action, with the wireless 2000 microphone series used for Paddock Club driver interviews.

A great start is all-important in Formula One: Sennheiser and Infiniti Red Bull will be launching the new relationship in style at the Shanghai Grand Prix, 11 – 14 April. Sennheiser will be wowing crowds with a very special DJ set by Chinese superstar, Jamaster A, who will perform for race visitors at the site entrance, equipped by Sennheiser. Later the party gets exclusive, as Jamaster A lays down the grooves for VIPs backstage in the prestigious Paddock Club, taking to the decks in the Sennheiser-powered DJ booth. At the European Races starting in Barcelona on 12 May, special guests of the Infiniti Red Bull Racing Team can enjoy professional sound additionally in the popular Red Bull Energy Station, which will be equipped with a Sennheiser wireless microphone system.

Throughout the season, the companies will be working together on a number of exciting projects that will take the sounds and sensations of Infiniti Red Bull Racing even further. The first development to be announced is the creation by Sennheiser of a very special Infiniti Red Bull Racing edition of its acclaimed MOMENTUM headphones, featuring the colours and logo of the F1 team. Part of Sennheiser’s Style Selection, the MOMENTUM combines high quality, luxury materials with incredible sound quality that draws on the audio expert’s longstanding expertise in high performance audio. This limited edition will be available to the teams and its very special guests. The MOMENTUM and additional Sennheiser flagship products such as the HD 800, HD 700, IE 800 headphones and the 9000 wireless microphone series will be on display in the Paddock Club at selected races.

“Sennheiser is used to delivering champion performance in sound through our commitment to excellence and innovative technology. Working with Infiniti Red Bull Racing is a real privilege and a great way of reflecting what Sennheiser means today,” says Paul Whiting, President of Sennheiser Global Sales. “Just as with Formula One, Sennheiser’s new MOMENTUM headphones match an aspirational, fashionable style to an unrelenting pursuit of high performance. They represent the same purity of purpose that underpins champion teams such as Infiniti Red Bull Racing”, explains Peter Callan, President of the Consumer Electronics Division at Sennheiser. Describing the relationship with Sennheiser, Christian Horner, Team Principal at Infiniti Red Bull Racing said: “Innovation, passion and performance are constant drivers in everything we do. Sennheiser’s shared commitment to these same values has advanced the science of sound for over 65 years and they continue to push the boundaries. That’s why we’re really excited to be working with the audio specialist.”

About Sennheiser
The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2011 the family company, which was founded in 1945, achieved a turnover of around 531 million euros. Sennheiser employs more than 2,100 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest information on Sennheiser by visiting our website at www.sennheiser.com

Media Contacts:

Jeff Touzeau
Public Relations
Hummingbird Media, Inc.
(914) 602-2913
jeff@hummingbirdmedia.com

Global Press Contact Sennheiser
Mareike Oer
Email: mareike.oer@sennheiser.com
Tel: +49 5130 600 719

Press Contact Infiniti Red Bull Racing
Lyndsey Fairburn
Email: Lyndsey.fairburn@redbullracing.com
Tel: +44 (0) 7764386399

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Neumann Announces Launch of KH 310 A Three-Way Active Monitor

Old Lyme, Conn. – April 8, 2013: Premium audio brand Neumann announced the launch of its new active studio monitor: the KH 310 A. The KH 310 A is a three-way system that reflects Neumann’s philosophy of achieving the most accurate sound reproduction using state-of-the-art technology and techniques. The KH 310 A will be on display at the Neumann booth at the 2013 NAB Show (booth C3217) and will be shipping next month.

The cutting edge electro-acoustic performance of the KH 310 A is based on newly developed drivers housed in a sealed cabinet — this ensures extremely accurate reproduction over the entire frequency response at surprisingly high reproduction levels. The new KH 310 A, along with the KH 120 monitor Neumann launched in 2010, demonstrates that Neumann is not only identified with first-class microphones but also manufactures sound transducers of equally high quality for the end of the signal chain.

“The KH 120 two-way near-field monitor has set a new standard in its class,” commented Wolfgang Fraissinet, President of Neumann Berlin. “The same uncompromising innovation characterizes Neumann’s new three-way monitor, the KH 310 A.”

The KH 310 A is suited for use as a near-field monitor for mixing and mastering, or as a front loudspeaker in medium-sized surround systems, or as a rear loudspeaker for larger mult-channel systems. It is recommended for demanding applications in the fields of music production, broadcasting, post production and mastering. In combination with the Neumann studio subwoofers, KH 810 and KH 870, which feature a 7.1 High Definition Bass Manager, the KH 310 A monitor provides users with a perfect surround solution. The system is particularly relevant for use in the movie industry, which often requires monitoring solutions for multichannel recordings with 8 or more audio channels.

The KH 310 A’s treble, midrange and bass drivers have all been designed and tested by Neumann. Each driver is carefully optimized using acoustic simulations and undergoes an extensive series of measurements, ensuring an extremely linear reproduction across the entire frequency range. The bass driver provides an accurate response down to 34 Hz. This is achieved using a sealed cabinet design that provides extremely fast transient response. The mid-frequencies, essential for speech and vocals, are reproduced with exceptional precision by a dedicated soft dome midrange driver. Meanwhile, the high frequencies are handled by an alloy fabric dome in an elliptical Mathematically Modeled Dispersion™ waveguide. The result is an authentic sound, rich in detail, that provides a wide sweet spot while minimizing reflections in the vertical plane.

Three powerful class-AB amplifiers and a high-capacity SMPS power supply deliver very high headroom to the system with no audible distortion, and the acoustical controls for bass, low-mid and high frequencies make the KH 310 A a problem solver for acoustically challenging environments such as edit suites and OB vans. The KH 310 A is magnetically shielded and an exstensive range of accessories offers a diverse range of mounting options.

The status of the comprehensive protective system is indicated by a back-lit Neumann logo, which signifies the highest manufacturing quality. Manufacturing tolerances are so small that any two KH 310 A monitors can serve as a matched pair. The KH 310 A cost $2,249.95 each, and will be shipping in early May.

About Neumann

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com or by contacting:

Jeff Touzeau
Public Relations
Hummingbird Media, Inc.
(914) 602-2913
jeff@hummingbirdmedia.com

Rachel Smolin
Public Relations
Sennheiser Electronic Corporation
(860) 434-9190, Ext. 180
rsmolin@sennheiserusa.com

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Antelope Audio’s Orion32 Interface Now Features Automatic Notification and Updating Capability and Zero Latency 32×2 Mixer

Santa Monica, CA – Antelope Audio announced that its Orion32 interface, the world’s first 32-channel AD/DA converter and audio master clock in a 1U rack unit, now includes another groundbreaking feature: the ability to notify users on firmware updates directly from the control panel and automatic updating at the user’s request.

The Orion32, which supports both MADI and USB interfaces and is clocked by Antelope’s renowned 64-bit Acoustically Focused Clocking (AFC) technology, automatically runs a software assessment at startup and can initiate any required software updates at the push of a button.

“Updates and user tips from the control panel and other new features we are announcing will enhance our customer’s experience even further,” commented Marcel James, director of sales & marketing, Antelope Audio. “With these and other new updates, the Orion32 packs a host of features never before seen on a pro audio device including its massive channel count per square inch and unmatched USB performance.”

Other recently updated features to the Orion32 — which is already being used by top recording artists such as Rihanna, Skrillex and Beyonce — include a zero-latency 32×2 mixer, news feed links to ‘how-to’s’ and helpful videos as well as other performance enhancements and general bug fixes.

Orion32: Unmatched Audio Quality and Clocking in an Interface

The Orion32 allows 192 kHz I/O streaming of up to 32 channels through its custom-built USB chip, which provides seamless connectivity to any USB-enabled DAW or computer. The converter also provides 32 channels of 96 kHz audio through its Fiber Optic MADI I/O connections, making it perfect for capturing audio in live sound environments and many other applications. When using the MADI interface, the Orion32 can handle 16 channels of 192k audio.

Orion32 is also an audio master clock, employing Antelope’s proprietary 4th generation of AFC and oven controlled oscillator — both technologies that made Antelope Audio clocks an industry leader for accuracy and reliability in recording, mastering and post-production facilities around the world. The four word clock outs, together with the 10 MHz input, make Orion32 ideally suited to be in the center of any project or high-end studio.

Orion32 is packaged in a 1U enclosure with an eco-friendly power consumption of only 15 Watts. In addition to saving rack space and having very low heating levels, Orion32 comes with an extremely reasonable pricing even for small home studio, launching with a street price of only $2,995.

Orion32: Key Features

• Zero latency 32×2 mixer
• Firmware update notifications at startup
• Antelope Audio precise AD/DA conversion technology
• Up to 192 kHz on 32 channels I/O via custom-built USB chip
• 32 channels I/O via Fiber Optic MADI I/O connections
• Eight D-SUB 25 connectors for AD and DA
• 16 channels on 4 ADAT input and output connectors
• Antelope’s renowned 64-bit Acoustically Focused Clocking with Atomic input
• Antelope’s proprietary Oven Controlled Oscillator for supreme clocking stability
• Four word clock outputs and one word clock input
• Five presets for fast and easy recall of favorite setups
• 1U rack size with power consumption of 15 Watts and very low heating levels
• A user friendly desktop application available for both Windows and OS X

About Antelope Audio

Antelope Audio is the brainchild of Igor Levin who has more than 20 years’ experience and a number of innovations in digital audio and synchronization technology. The company is widely acknowledged as the leading manufacturer of audio master clocks.

In 2009 Antelope Audio launched its product line of high-resolution USB D/A converters, being among the pioneers designing a 384 kHz DAC. Antelope’s DACs employ their renowned 64-bit clocking and jitter management technologies and custom-designed circuits, achieving unprecedented precision and sound clarity.

# # #

All brands and trade names are the property of their respective owners.

Contact information:

Jeff Touzeau
Public Relations
Hummingbird Media, Inc.
Phone: (914) 602-2913
E-mail: jeff@hummingbirdmedia.com

Georgi Lazarov
Marketing Communications
Antelope Audio
Phone: +44 20 8133 8113
E-mail: pr@antelopeaudio.com
Twitter: @AntelopeAudio
Facebook: http://www.facebook.com/AntelopeAudio

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“David Bowie is”: Sennheiser Helps the V&A Bring Together Sound and Vision

London/Wedemark – March 20, 2013 – The world’s leading museum of art and design, the Victoria and Albert Museum in London, has curated a unique exhibition on one of the most influential artists of our times: David Bowie. Designed to take visitors on an unforgettable, multi-faceted journey of sound and style, “David Bowie is” will open its doors to the public on 23 March. In order to ensure the best audio experience for visitors, the V&A has worked in partnership with audio specialist Sennheiser which – alongside other audio equipment – deployed its guidePORT audio guide system and two immersive 3D sound simulations.

David Bowie has been at the forefront of the world of popular music for nearly 50 years, and his immense creativity positions him as one of the most innovative performers of all time. His work is marked by continual re-invention, intellectual depth, musical innovation and striking visual presentation. Re-tracing Bowie’s creativity and influences from all areas of art, the exhibition shows a wealth of material, including videos, stage costumes, album covers, stage sets, photographs and of course Bowie’s music. For this, the exhibition’s curators, V&A’s Victoria Broackes and Geoffrey Marsh, were given unprecedented access to the David Bowie Archive.

Sound at the heart of the exhibition

The exhibition is designed to be an immersive audio experience. Sound quality is therefore one of the most critical elements, and the organisers have drawn on the expertise and technology of audio specialist Sennheiser to craft the exhibition’s rich soundscape.

Fittingly for a tribute to an artist that has embraced technology throughout his career, the exhibition uses leading edge tools to blend sound and vision. Audio guides, powered by Sennheiser’s guidePORT system, automatically provide the music and soundtrack when visitors approach the exhibits and screens, and seamlessly integrate all sound material into the tour. The exhibition will use 550 bodypacks with Sennheiser stereo headphones, offering a simple solution that lets the visitor explore Bowie’s music, art, and style with all their senses.

While two audio events are directly stored on the visitors’ bodypack receivers – a welcome text when entering the exhibition and an “extro” when leaving – all other music and video sound is transmitted as real-time, lip-sync stereo audio from eleven twin cell transmitters. These rack-mount units are located in two control rooms that also accommodate the control PC for the guidePORT system. The visitors’ receivers automatically download the audio when they pass by the corresponding guidePORT antenna units, and “know” which track to play when they approach so-called identifiers, small trigger units placed near the exhibits – just like an indoor GPS.

“This is a fully automated yet entirely personal tour, as the exhibition can be explored in whatever order and at any pace whatsoever. The audio is always played at the right time for each visitor,” explains Norbert Hilbich, Sennheiser Application Engineering, who assisted in the set-up of the guidePORT system. Tours with a tour-guide are possible too. For this, the museum uses a convenient bodypack transmitter with a headset microphone, enabling the guides to both make tailor-made commentary for their guests and trigger any of the pre-recorded exhibition material as they like.

3D audio simulation
The audio voyage through the exhibition culminates in two extraordinary 3D audio experiences. Viewing footage of David Bowie perform live concerts and recordings filmed for TV, visitors are enveloped within a fantastically spatial performance of his music delivered by hidden Neumann and Klein+Hummel loudspeakers. This 3D sound experience is also used during Tony Visconti’s evocative “mash-up” of Bowie songs, created specially for the exhibition by Bowie’s long-term producer.

To enable both stereo and mono material to be played as a 3D reproduction, an upmix algorithm by Sennheiser’s Gregor Zielinsky was used. “We had some really old mono material, not exactly recorded under the best of circumstances”, explained Gregor Zielinsky, International Recording Applications Manager. “With the algorithm and some fine-tuning in the studio we ensured that this rare material can now be enjoyed in an astonishingly new form.”

Geoffrey Marsh, co-curator of the exhibition, said, “’David Bowie is’ will integrate over 300 objects and costumes from the David Bowie Archive with high-quality sound and video to create a seamless evocation of Bowie’s career over five decades. This is the first major UK exhibition where sound is an integral part of the interpretation. Working with Sennheiser on audio delivery has been a fantastic opportunity. They have pushed the boundaries as to how sound can evoke, provoke and inspire visitors and they have created a genuinely multi-media museum experience which has been a challenging objective but one we are delighted to have done with Sennheiser’s support and expertise.“

Paul Whiting, President of Global Sales at Sennheiser, commented: “The Victoria and Albert Museum designed ‘David Bowie is’ to be as much about the sonic as the visual. The Sennheiser audio guide and groundbreaking sound system were installed with this in mind. Our sound engineers have used their considerable expertise and the kind of audio design normally found only at major music events. Sennheiser was innovating when many of these sounds were created, and we have pushed the barriers of sound again to enable you to hear Aladdin Sane, Ziggy Stardust and the Thin White Duke the way Bowie, Visconti or Eno intended.”

Following its run at the V&A the exhibition will tour internationally (venues to be confirmed).

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. The family-owned company, which was established in 1945, recorded sales of around €531 million euros in 2011. Sennheiser employs more than 2,100 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest information on Sennheiser by visiting our website at www.sennheiser.com.

For more information about the V&A “David Bowie is“ exhibition (23 March – 11 August 2013) please contact the V&A Press Office press.office@vam.ac.uk or +44 (0) 2079422502.

The equipment used includes…
(for the tourguide system):
• 550 guidePORT bodypack receivers for visitors (GP EK 3202-5-1)
• 1,000 dynamic stereo headphones (PX 100 II) with hygiene pads
• 11 cell transmitters for transmitting music and soundtrack to visitors (GP SR 3200-2)
• 34 active antenna modules (GP AM 3000) for the cell transmitters
• 48 indoor indentifiers (GP ID 3200-IN) to trigger the audio
• 55 charging units (GP L 3202-10)
• 1 bodypack transmitter with headset mic for a tour-guide (GP SK 3202-0-1 and HS 2)
• guidePORT installation and statistics software
(for the 3D simulation):
• 10 Neumann O 410 three-way loudspeakers
• 4 Neumann KH 870 sub-woofers
• 2 Klein+Hummel IS 153 three-way loudspeakers
• 8 Klein+Hummel IS 123 three-way loudspeakers
• 2 Klein+Hummel IS Sub 215 subwoofers

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