Archive by Hummingbird Media

Grizzly Bear Evolves its Unorthodox Onstage Vocal Chain, Using Several TRUE P-Solo Preamplifiers

2012 has been a defining year for Grizzly Bear, a Brooklyn, NY-based indie rock band that has headlined at venues including Radio City Music Hall in New York and The Greek Theater in Los Angeles, and performed on television shows including “The Tonight Show with Jay Leno,” “Late Night with Jimmy Fallon” and others. A few years ago, the band began employing a somewhat unorthodox practice of integrating guitar pedals and other stage effects into its onstage vocal chain. Thanks to front of house engineer Drew Malamud, the band has recently taken this approach to the next level by incorporating several TRUE Systems P-Solo preamplifiers, distributed by audio specialist Sennheiser.

“When I started working with Grizzly Bear back in 2009 around the release of ‘Veckatimest,’ they were doing things like taking their stage mics and plugging them right into reverb pedals with just an XLR to 1/4″ adapters on the end of the cable,” Malamud recalls. “Then after the reverb pedal, they would go into a DI and that was their vocal chain. It didn’t sound very good because a microphone likes to hit a preamplifier before anything else.”

Malamud began searching for a suitable preamp solution to use at the foot of the stage, before eventually choosing the TRUE P-Solo. “I liked many things about the P-Solo,” he says. “It is compact, has a robust build and also has an internal power supply rather than a wall wart. I was already familiar with the great sound because I have a TRUE Precision 8 in my own studio.” Malamud soon acquired six TRUE P-Solos for Grizzly Bear’s live performances, one for each vocal mic on the stage.

After setting up the P-Solos on stage, which took the microphone input and then ran to a Radial Engineering X-Amp™ active preamplifier, through a series of effects pedals and finally through a Radial JDI, there was a noticeable increase in the quality of the audio signal. “Once we had the TRUE P-Solos all set up and routed through the wireless personal monitors, the band couldn’t believe the difference in sound they were hearing versus just plugging a mic into an effects pedal,” Malamud says. “They were able to experience much more sonic detail and clarity.”

Having noticed that TRUE preamplifiers are often used in recording trucks for well-known festivals such as Bonnaroo, Coachella and others, Malamud has long appreciated the natural sound of the TRUE P-Solo. “It is a clean sound that I knew would work with Grizzly Bear,” he says. “It also had really nice LED metering on the front so I could see what was going on, even in extremely low light situations.”

While its onstage vocal chain set up may be somewhat unconventional, it is the result of Grizzly Bear’s relentless desire to recreate the sonic textures of their studio work in a live setting. “Part of their whole sound is the effects,” Malamud says “When Grizzly Bear is recording and mixing in the studio, I am always thinking, ‘How am I going to help recreate this sound live?’ And for the onstage vocal effects, the TRUE P-Solo is a perfect fit.”

As Grizzly Bear continues to find new audiences around the world and its live rig continues to expand and evolve, the band remains committed to its sound: “I feel like it’s all been a natural growth,” concludes Malamud. “We are one of the few bands in music today still doing everything with analog at front of house with really unique and exotic gear and vintage analog effects. Our TRUE P-Solos are a perfect complement to our approach.”

TRUE Systems P-SOLO at a glance

Natural, musical, highly detailed soundfield
Complete compatibility with condenser, dynamic and ribbon mics
A totally balanced, dual servo, high dynamic range, transformerless design
Internal linear AC power supply for excellent transient response
Built-in DI: high-impedance instrument output
High impedance instrument input
High-pass filter and 48 V phantom power
Dual analog outputs
Four-level metering
Oversize volume control with selectable 10 dB input level attenuation
Compact, portable, solid desktop case

The upgraded version of the P-SOLO is available now, and pricing remains the same at $599.95.

Photo captions:
1) Grizzly Bear during a rehearsal on their Fall 2012 tour.
2) The TRUE P-Solo is a core component of Grizzly Bear’s on-stage live vocal chain.

Sennheiser to Host “Al Schmitt & Friends” Roundtable at AES to Include Elliot Scheiner, Ed Cherney, George Massenburg, Chuck Ainlay and Frank Filipetti

Audio specialist Sennheiser announced that it will sponsor “Al Schmitt & Friends: AES Roundtable of Award-Winning Engineers” at the 133rd Audio Engineering Society (AES) convention, to be held at the Moscone Convention Center in San Francisco later this month. The roundtable, which is free to registered AES attendees on a first-come, first-serve basis, will cover a range of recording-related topics and includes some of the biggest names in audio production: Elliot Scheiner (Foo Fighters, Eric Clapton), Ed Cherney (Bob Dylan, The Rolling Stones), George Massenburg (Earth Wind & Fire, James Taylor), Chuck Ainlay (Mark Knopfler, Dire Straits) and Frank Filipetti (Foreigner, KISS).

The roundtable will be hosted by 21-time Grammy-winning engineer and producer Al Schmitt and is being presented as part of Sennheiser’s Recording Sound Academy (RSA) program. Admission to the event at the convention is free for all AES attendees. For those not able to attend, the event will be recorded and posted online at the Recording Sound Academy (RSA) and AES websites. The archived video can be viewed free for all RSA and AES members, and just $9.95 for non-members. To learn more or to sign up for RSA, please visit http://www.sennheiserrsa.com.

Details on time and location
When: Friday, October 26, 2012 between 3:30 p.m. and 5:30 p.m. PDT
Where: 133rd AES Convention, San Francisco
Moscone Convention Center Special Events Room #134

Topics covered at the roundtable will include:
Understanding the differences of recording at home, in a project studio and in a larger traditional studio
How to effectively record drums
How and when to use effects
Techniques for vocal thickening
Obstacles that were encountered and resolved during the recording of classic albums
Diplomacy in the studio with artists, executives and other stakeholders

During the presentation, the panel will answer questions both in person and those posted by RSA members from the RSA forum page.

Register for the Online Recording Sound Academy
By registering for Sennheiser’s Online Recording Sound Academy, participants have the opportunity to have two of their own mixes critiqued by award-winning engineers, in addition to having access to live and archived webinars and other special events featuring well-known artists and producers. Members can also access exclusive tutorial videos and receive a free copy of CuBase LE5 mixing software as well as the chance to win a Neumann U 87 studio microphone.

Photo caption:
Al Schmitt, 21-time Grammy-winning engineer and producer (image courtesy Capitol Studios).

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Moog Announces Revolution 2 of its Minitaur Analog Bass Synthesizer

Moog Music announced the release of Revolution 2 for its Minitaur Analog Bass Synthesizer, which was recently nominated for a 2013 TEC Award in the ‘Musical Instrument (Hardware)’ category. REV 2, which is a free update for Minitaur owners, unlocks a host of new performance features and implements a number of user requested updates to Minitaur and the free Minitaur Editor/Librarian.

Among these updated features, Minitaur REV 2 owners can now create up to 100 presets and store them directly within their Minitaur. Presets are managed from within the free Editor/Librarian software and can be conveniently recalled from the Minitaur’s front panel controls.

Also in REV 2, a new operational mode for the Decay/Release knob provides users independent control of Decay and Release times from Minitaur’s front panel. Users can easily switch between this new mode and Minitaur’s legacy mode from the front panel.

In addition, Minitaur’s CV and Gate inputs are now assignable from the Minitaur Editor/Librarian software. The Pitch and Mod CV inputs can be routed to any function, while the Gate input can be routed to functions with on/off behavior. REV 2 also enables Minitaur to effectively function as an intuitive CV to MIDI converter.

Minitaur: Analog Bass Synthesizer
The Moog Minitaur is a powerful, compact analog bass synthesizer that features a classic one knob per function design. At only 8.5″ x 5.25″ and less than 3lbs, the Minitaur puts legendary analog Moog bass into a package designed to fit seamlessly into today’s performance and production environments.

To download REV 2 firmware, and an updated manual go to: http://www.moogmusic.com/products/taurus/minitaur#downloads-tab

NOTE: This Firmware update requires the Minitaur REV 2 Editor/Librarian.
To receive the Minitaur REV 2 Editor/Librarian, register your Minitaur at http://www.moogmusic.com/register

Currently registered Minitaur owners will receive an email from Moog with download instructions.

Links:
Web Page: http://moogmusic.com/products/taurus/minitaur
Sounds: http://moogmusic.com/products/taurus/minitaur#sound-tab
Videos: http://www.moogmusic.com/sight-and-sound/product_demo/minitaur-rev-2

Photo caption:
The Moog Minitaur analog bass synthesizer

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Moog Minitaur and Animoog Receive Technical Achievement Nominations for 28th Annual TEC Awards

Moog Music announced that it has been nominated for the 28th Annual TEC Awards in two separate categories: “Musical Instrument Technology (Hardware)” and a new category, “Audio Apps for Smartphones & Tablets.” The TEC Awards is the pro audio industry’s most prestigious awards show honoring outstanding achievement in product innovation and sound production. The 28th Annual TEC Awards will be presented during the 2013 NAMM Show in Anaheim, CA.

Nominations are based on product entries made by a select panel of industry professionals in numerous audio categories. Products must be released and in commercial use during the period of September 1, 2011 to August 31, 2012, to be eligible for nomination.

Mike Adams, CEO/President of Moog Music, commented: “It is a privilege for us to be considered for two TEC Awards this year, especially in the new Smartphone and Tablet Apps category. We are very proud of the work our team has done on both the Minitaur and Animoog and are grateful for this recognition.”

Minitaur: Analog Bass Synthesizer
The Moog Minitaur, which captured a nomination in “Musical Instrument Technolgy” is a powerful, compact analog bass synthesizer that features a classic one knob per function design. It is the first instrument in Moog’s Taurus family that does not have foot pedals. At only 8.5″ x 5.25″ and less than 3lbs, the Minitaur puts legendary analog Moog bass into a package designed to fit seamlessly into today’s performance and production environments.

Animoog: Expressive, Captivating and Sonically Immersive
Animoog, which has been nominated in the new “Audio Apps for Smartphones & Tablets” category, is powered by Moog’s new Anisotropic Synth Engine (ASE) and is the first professional polyphonic synthesizer designed for the IOS. Animoog captures the vast sonic vocabulary of Moog synthesizers and applies it to the modern touch surface paradigm, enabling a user to quickly sculpt fluid and dynamic sounds that live, breathe, and evolve. Visually captivating and sonically immersive, Animoog brings IOS music production to the next level.

For more information about Minitaur or Animoog, visit http://www.moogmusic.com.

For more information about the TEC Foundation, visit http://www.tecfoundation.com.

Photo caption:
Moog Music’s Minitaur and Animoog.

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Sennheiser Circle Series and DW Pro2 Headsets Win Top “Six Dragons” Rating from Voice Recognition Leader Nuance

Audio specialist Sennheiser announced that its DW Pro2 wireless headset received the top ranking for quality from Nuance, a leader in voice and language technologies. The DW Pro2 was the only and first product in Nuance’s recent wireless headset comparison to receive a score of “Six Dragons” — the highest possible ranking from the company’s rigorous testing — for use with Dragon NaturallySpeaking and Dragon Dictate for Mac.

Nuance routinely assigns quality rankings to audio equipment such as headphones and microphones on a scale of one to six dragons, six being the highest. According to the company, microphones and headsets are subject to a stringent evaluation of performance, accuracy, ease-of-use, durability, Windows compatibility and other criteria. To date, Nuance has certified more than 20 wireless headsets from nine other manufacturers .

In addition to the DW Pro2 headset’s Six Dragons rating, Sennheiser’s Circle Series SC230 and SC260 models received a top score of Six Dragons in the wired category.

“Sennheiser is completely dedicated to achieving great quality audio,” said Bill Rice, national sales manager, telecommunications, of Sennheiser. “The reason why Sennheiser is able to score so highly in these evaluations is because for more than 65 years, our core expertise has been sound. In the world of voice recognition, this is the ultimate attribute.”

The DW Pro2 professional wireless headset is an ergonomically designed, high-performance DECT (Digital Enhanced Cordless Telecommunications) headset that delivers HD voice quality and noise-cancelling capabilities in a comfortable, sleek design. The DW Series consists of the DW Pro1 and the DW Pro2, with the Pro2 being the stereophonic version. Professional wireless headsets allow workers greater comfort and mobility in an office setting, resulting in increased productivity and more precise communications.

Sennheiser’s DW Pro headsets were previously awarded a 2012 Speech Technology Excellence Award from TMCnet’s Customer Interaction Solutions magazine, which recognizes companies that have made significant contributions improving speech applications for their clientele. These models have also been certified for interoperability with telephony solutions from Microsoft, Avaya, Cisco, IBM and Polycom.

As business environments rely increasingly on digital audio content, speech recognition continues to gain momentum as a valuable tool. This technology is especially pertinent in markets such as healthcare, where physicians can transcribe patient records and verbal comments into their (now mandatory) electronic health records; or in education, where students and professors can electronically digitize the text of their lectures. Nuance holds significant market share in the healthcare vertical, as more hospitals and private practices transition their paper records to secure, electronic data files, in adherence with government HIPAA (Health Insurance Portability and Accountability Act) regulations.

“We developed our Dragon ranking system to help ensure our customers are aware of the highest quality audio products for our Dragon NaturallySpeaking and Dragon Dictate for Mac products. We congratulate Sennheiser and its DW Pro2 for achieving Six Dragons,” said Peter Mahoney, Chief Marketing Officer for Nuance, and General Manager for Dragon.

Audio for video: Sennheiser launches online tutorial for filmmakers

“If you’re asking me ‘What is the most underestimated power of filmmaking?’ that would be sound,” says filmmaker Geert Verdickt. To remedy this situation, the multi-award-winning video journalist has joined forces with audio specialist Sennheiser to develop a series of tutorial videos dedicated to the subject of audio for video filmmakers. In a total of five episodes, Geert Verdickt shows ambitious filmmakers how to record perfect sound for their videos, and does it in a way that is both professional and entertaining. New tutorials will be uploaded to www.sennheiserusa.com/audioforvideo every two weeks through November 14.

“The video series is packed with useful tips on every aspect of audio for video, ranging from everyday situations to particularly challenging filming environments,” explained Oliver Ohrndorf, Marketing Manager Professional at Sennheiser. “The tutorials are aimed at video journalists, video filmmakers and amateurs who want to enhance their video images with excellent sound. Geert Verdickt is not only an outstanding video filmmaker but also an entertainer who is able to inspire and motivate his audience.”

The subjects dealt with in the tutorials include wireless audio recording, choosing the right microphone, recording with DSLR cameras and using shotgun microphones, as well as tips and tricks for avoiding proximity effect and reducing wind noise.

A win-win situation
Not only does each tutorial provide valuable information, it also gives participants a chance to win an attractive prize by answering a question on the subject. For each episode, there will be a chance to win three combinations of an MKE 600, Sennheiser‘s new video shotgun microphone and a set of classic HD 25-II headphones. The winners will be drawn from all the correct answers submitted.

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Sennheiser HD 700 Headphones and Neumann KK 204/205 Wireless Microphone Capsules Each Nominated for TEC Award

Audio specialist Sennheiser announced that its HD 700 headphones and the Neumann KK 204 and KK 205 wireless microphone capsules have been nominated for the 28th Annual TEC awards. Sennheiser’s HD 700 headphone, which has been nominated in the new ‘Headphone/Earpiece Technology’ category, is an open, dynamic stereo headphone combining high-end sound with an innovative headphone design. The cardioid KK 204 and supercardioid KK 205 capsules, which have been nominated in the ‘Microphone Technology/Sound Reinforcement’ category, are fully compatible with Sennheiser’s 2000 Series wireless handheld transmitters.

Presented by the TEC Foundation, the TEC Awards is the pro audio industry’s most prestigious awards show honoring outstanding achievement in product innovation and sound production. The 28th Annual TEC Awards will be presented during the 2013 NAMM Show, to be held in Anaheim, Calif. in January 2013. The nominations, based on product entries by audio manufacturers, were made by a select panel of 130 professionals in numerous audio specialties. Products and projects released and in commercial use during the period of September 1, 2011 to August 31, 2012, were eligible for nomination.

Greg Beebe, president of Sennheiser USA, commented: “We are pleased that both Sennheiser and Neumann have once again been nominated for an Outstanding Technical Achievement Award by the TEC Foundation. Both the HD 700 headphone and the Neumann KK 200 Series capsules are best-in-class products, representing the pinnacle of premium sound and innovation.”

HD 700: A Wide Sound Stage with an Ultra-Fast Response
The HD 700 open, dynamic stereo headphone joins Sennheiser’s series of acclaimed audiophile headphones. A patent-pending vented magnet system manages air movement beneath the diaphragm, providing clean, controlled dynamics with ultra-low total harmonic distortion. An angled transducer design and a vibration dampening chassis offer audiophiles and mastering engineers outstanding spatial imaging without artificial coloration.

KK 204/205: Uniform over the Entire Frequency Range
The Neumann KK 204/205 microphone capsules were designed to complement Sennheiser’s renowned 2000 series wireless transmitters. The acoustic features of the KK 204 and KK 205 capsule heads are derived from the multiple award-winning wired Neumann stage microphones, the KMS 104 and KMS 105. The KK 204, with its cardioid pattern, ensures the best possible suppression of sound originating from 180 degrees to the rear, while the supercardioid KK 205 has greater directivity, and maximizes incident sound from the front as compared to sound from the rear. Due to the “single polar pattern design,” the polar patterns are very uniform over the entire frequency range and provide excellent resistance to feedback.

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Hot Chelle Rae Turns to Neumann KK 205 Microphone Capsules for Warm, Crisp Sound

Nashville-based pop rock band Hot Chelle Rae burst onto the charts last year with its double-platinum single, “Tonight, Tonight,” off its sophomore album, Whatever. Since then, the band’s intense schedule has taken them on an almost non-stop international tour with headline appearances in Australia, New Zealand, Malaysia and Japan. Premium audio brands Neumann and Sennheiser have been along for the ride as Hot Chelle Rae’s equipment demands have become increasingly sophisticated and their fan base multiplies.

Hot Chelle Rae‘s core members have been playing together for the better part of seven years and were born into Grammy Award winning singer/songwriter families. Just two years ago, the bandmates were touring in a van and a trailer playing 1,000-capacity clubs. Their single “Tonight, Tonight” helped rocket them to the top, coming in at number one on the Billboard Adult Contemporary charts and number five on the Billboard Mainstream Top 40 charts.

With a rigorous tour schedule that now involves buses rather than small trailers, the band routinely finds themselves opening for acts like Taylor Swift and The Script when they are not playing major headline dates themselves. The band has dramatically improved the audio quality of their live performance by utilizing a combination of Neumann KK 205 capsules and Sennheiser SKM 2000 wireless transmitters for their two primary vocal positions.

“We were looking for better clarity in our vocal performances,” commented Zach Snyder, monitor engineer and production manager of Hot Chelle Rae. “We selected the Neumann KK 205 mic capsule because of its warm sound and super-cardioid pattern, which does a great job in rejecting ambient stage noise. Paired with our Sennheiser SKM 2000 transmitters, these capsules save us an incredible amount of time on sound checks since they sound great out of the box since they require very little EQ.”

Snyder, who says he likes the frequency response of the KM 205 more than any other mic capsule he’s used, expects to add a Neumann KK 204 capsule when the band adds a new keyboard player to its lineup in the near future. In addition to the Neumann KK 205s, Hot Chelle Rae maintains 16 channels of Sennheiser RF on stage: six channels on guitar, eight for wireless personal monitors and two for vocal microphones. Snyder says he plans to increase that number to 22 in the near future.

The transition to the KK 205 capsules was seamless and has been a measurable improvement: “They’re really pumped and Ryan’s [Follesé's] vocals come through extremely clear,” says Snyder. “Also having the Neumann capsules have brought us tons of credibility with other engineers!”

The acoustic features of the KK 204 and KK 205 capsule heads are derived from the multiple award-winning wired Neumann stage microphones, the KMS 104 and KMS 105. The KK 204, with its cardioid pattern, ensures the best possible suppression of sound originating from 180 degrees to the rear, while the supercardioid KK 205 has greater directivity, and maximizes incident sound from the front as compared to sound from the rear. Due to the “single polar pattern design,” the polar patterns are very uniform over the entire frequency range and provide excellent resistance to feedback.

Photo caption:
Ryan Follesé of Hot Chelle Rae relies on a Neumann KK 205 microphone capsule, coupled with a Sennheiser SKM 2000 wireless transmitter.

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YOU’RE INVITED: Antelope Audio to Provide Sneak Preview of World’s First Atomic AD/DA Preamp at Rocky Mountain Audio Fest

Antelope Audio cordially invites you to experience a first hand, sneak preview of its groundbreaking Rubicon: the world’s first atomic AD/DA preamp. Join Antelope Audio each day at the Rocky Mountain Audio Fest where we will be conducting live demonstrations of Antelope Audio’s advanced AD/DA and clocking technologies, which are recognized and used extensively throughout the recording, mastering and film production world. In addition to showcasing the Rubicon and conducting private listening sessions of its DACs and clocking technologies, Antelope will have its renowned Zodiac Gold 384 kHz DAC on hand, which has been reviewed favorably in publications like Digital Trends, AV Guide, Stereophile and many others.

WHAT: Antelope Audio AD/DA and clocking demonstrations at Rocky Mountain Audio Fest
WHERE: Denver Marriott Tech Center, Marriott Tower Level 10, Room 1022
WHEN: October 12th through 14th, 2012 between 10:00 a.m. and 5:00 p.m.
RSVP HERE

Experience “True to Life” Analog to Digital Conversion
The 10 MHz Rubidium atomic clock, coupled with Antelope Audio’s proprietary clocking technology achieves at breakthrough in jitter management, providing listeners with unprecedented sound quality. The transformer-based, ultra low noise, discrete JFET phono preamp, together with the ultra-high 384 kHz sample rate A/D conversion and USB recording capability provide users with the sublime experience of digitizing their favoriate tracks, keeping the depth and warmth of the original analog recordings.

Zodiac Gold USB DAC with 384 kHz Audio Capability
Antelope’s Oven Controlled Oscillator and 64-bit clocking technology help audiophiles experience a new level of detail, sound clarity and warmth. The DAC features a plug and play USB interface that connects seamlessly to an iPad, Mac, PC, or just about any other digital media source. The 384 kHz audio capability dramatically improves the listening experience on both loudspeakers and headphones.

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Neumann KH 120 Studio Monitors Deliver Superior Midrange and Truthful Response for Classical Music Producer Leszek Wojcik

Since the early 1970s, Leszek Wojcik has been recording exquisite classical music performances at top venues including Lincoln Center’s Alice Tully Hall, The Rose Theater and Carnegie Hall, where he is employed as recording studio manager. Wojcik, who is also a highly sought after freelance classical recording professional, recently acquired a pair of Neumann KH 120 monitors.

Wojcik had been using a competitor’s pair of monitors, but ‘never really fell in love with them.’ He decided to switch to the Neumann KH 120s after one of his classical recording colleagues, Mateusz Zechowski, recommended them, citing their outstanding transparency and natural sound. Since then, they have become a foundational element of his control room and he’s never looked back.

“It took me about 15 seconds to make the decision to switch to the Neumann KH 120s,” Wojcik says. “The midrange is fantastic. It’s very truthful and flat, which is critical in recording classical music. For me, the midrange is the single most important part of a monitor’s sound, because most of the compositions in Western music were written for this range.”

Wojcik, who has a master’s degree in Tonmeister Studies from Chopin Music Academy and who lectures on “Aesthetics of Recording” at New York University, is well versed in both the theory and practice of audio recording and draws from over three decades of experience: “I come from the school that encourages making your decisions based on listening,” says Wojcik. “No two situations are the same in classical music recording so you have to keep searching for the perfect sound and you do this by listening. For this reason, the main component of the control room are the monitors, and the Neumann KH 120s are a great tool.”

Wojcik’s first field test of the KH 120 came during the recording of a performance of an orchestra from Qatar at the United Nations General Assembly Hall in New York City. Wojcik set up his Neumann KH 120s in an alcove adjacent to the hall where he monitored the recording and also sent out a stereo broadcast mix for television. While he was monitoring at low levels, he says that the KH 120s performed admirably, providing a dynamic sound that simplified his job.

For Wojcik, having the right mix of tools is an absolute prerequisite to creating the vibrant recordings he has become known for in the industry. “I’m sure that the chisel and the hammer that Michelangelo used to create his statues were the highest possible quality of the time, and for me, the Neumann KH 120 is a wonderful tool to have — it’s like Michelangelo’s chisel,” Wojcik said.

In addition to the Neumann KH 120 monitors, Wojcik relies heavily on other Neumann and Sennheiser equipment such as Neumann KM series microphones, Sennheiser MKH series microphones — including the Sennheiser multi-pattern MKH 8000 which he uses on the ‘most demanding’ instruments — and a pair of classic Sennheiser HD 580 headphones.

“The basic premise of classical music recording is concert realism,” Wojcik concludes. “The recording should reflect the concert sound. If you go to the ideal concert hall, sit in the ideal seat in the ideal distance from the performance, this is how you should expect to hear a well made recording. Your skill and your choice of tools is immensely important. In my work as a recording recording professional, the Neumann KH 120s are a very important tool for me.”

Image caption:
Leszek Wojcik recording on location with his Neumann KH 120 monitors at the United Nations General Assembly Hall in New York City.

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