Archive by Hummingbird Media

Sennheiser Appoints Andrew Kornstein as House of Worship Market Development Manager

Old Lyme, CT – June 15, 2012: Audio specialist Sennheiser [InfoComm 2012 booth C9736] announced that Andrew Kornstein has been appointed to the position of House of Worship Market Development Manager, effective immediately. In his new position, Kornstein will be responsible for identifying and driving opportunity for Sennheiser in the U.S.-based HOW (House of Worship) market. He will report directly to Dawn Birr, Vice President Sales & Marketing, Integrated Systems, Sennheiser.

Kornstein, who brings eight years of HOW A/V experience to his new role at Sennheiser, has applied his expertise at a broad range of worship environments, including mega-churches. As Worship Market Development Manager, he will be tasked with raising awareness of Sennheiser’s product line within the HOW market as well as engaging churches and worship facilities to help them find Sennheiser products to improve their overall ministry and worship experience.

“Andrew comes to us with several years of HOW audio and business experience. We are pleased to have him join the Sennheiser team,” Birr commented. “I believe our HOW end-user customers will find Andrew to be both very capable and personable. Additionally, he brings incredible enthusiasm to his role, which I believe our customers will find inspiring.”

Kornstein, who will be based out of Kansas City, MO, has been using Sennheiser products in HOW environments for many years and is very familiar with the entire product line. “I believe in Sennheiser products,” stated Kornstein. “They have always been my preferred product of choice in both microphone and wireless applications, and I have firsthand experience of their quality and performance in many different worship scenarios.

“I am very interested in not only raising awareness of Sennheiser in the entire church market, but also in helping communicate how Sennheiser solutions can improve the overall worship experience,” he continued.

Caption:
Andrew Kornstein, House of Worship Market Development Manager, Sennheiser

Sennheiser Partners with Channel IQ to Implement Dealer Verification Badges for its Network of Authorized E-commerce Dealers

Old Lyme, Conn., May 30, 2012: Audio specialist Sennheiser announced that it has partnered with channel management solutions developer Channel IQ to implement an innovative badging program for its network of authorized e-commerce dealers beginning this month. The program provides assurance to consumers that they are purchasing genuine Sennheiser products from an authorized dealer.

The authentication system, developed by Channel IQ with cooperation from Sennheiser, provides ‘instant dealer verification badges’ on authorized e-commerce sites, thereby adding an extra layer of protection for consumers during the online purchasing process. The badging system also enables Sennheiser to more effectively implement pricing controls, while mitigating the potential for grey market and counterfeit activity.

“By partnering with Channel IQ on this authentication program, we are able to tighten our distribution network while providing assurance to our loyal customers that they are purchasing genuine Sennheiser products,” commented Bill Whearty, vice president of sales and marketing for Sennheiser’s U.S. Retail division. “This is a tool that will help protect our premium brand image, while providing consistency in pricing among our valued dealer network.”

Sennheiser is an early adopter of the new Channel IQ program, which is beneficial to both consumers and dealers. The dealer verification badges — which provide third party indemnification to the consumer at the SKU level — each contain a unique serial number that changes any time a page is refreshed and cannot be copied.

“Channel IQ has a longstanding relationship with Sennheiser on minimum advertised pricing (MAP) violations and monitoring, and they were the first to step forward and implement this progressive program,” commented Jeff Messer, general manager, brand protection services, Channel IQ. “Consumers want to know that they are purchasing products through a secure and trusted partner. This program not only provides that confidence, but also adds legitimacy and authenticity to a dealer’s online shopping cart. It is a win-win for the consumer, the dealer and Sennheiser.”

Sennheiser is a world leading manufacturer of high performance and best-selling headphones and microphones, considered indispensable among music lovers, audiophiles, recording studios, sound professionals, custom installers and home theater enthusiasts. Sennheiser products feature superb sound reproduction quality, making them the first choice for many high-profile recording artists.

Sennheiser’s Professional System Division Names B&H Photo Video “Dealer of the Year” for Third Year in a Row

bh_sm.jpgOLD LYME, Conn. – May 30, 2012: The U.S. subsidiary of headphone and microphone manufacturer Sennheiser named B&H Photo Video its 2011 dealer of the year for excellent sales, customer support and comprehension of Sennheiser’s diverse line of professional audio systems and solutions.

“We are pleased to announce B&H as Dealer of the Year, Professional Systems,” said Jeff Alexander, vice president of sales and marketing for Sennheiser Electronic Corporation’s professional systems division. “Having achieved Dealer of the Year for three years in a row is quite an accomplishment. B&H remains an incredible resource to the professional audio community and is known for having one of the easy-to-use websites in the industry. We congratulate their entire team for their continued success and for their incredible ongoing customer commitment.”

“We are extremely pleased to receive the Dealer of the Year Award from our more

Influential Tech Brand BGR Brings Production Integrity to the Fore with Sennheiser Wireless Mics as it Debuts The BGR Show

Old Lyme, CT – May 24, 2012— For six years, BGR (Boy Genius Report) has been a primary destination for consumers to get a first glimpse at breaking news and cutting-edge consumer products in the tech space. For BGR, one of the most prominent tech and mobile sites in the world, quality is key. Now, as it is making new forays into video, BGR has turned to Sennheiser for the best possible audio.

BGR, which was originally founded under the precept of providing viewers with not only the latest tech and product news but also leading commentary and insights from industry influencers and tastemakers, is focused on quality rather than quantity when creating content for its viewers.

Therefore, as it launches The BGR Show, a weekly video report that looks at the different ways technology has permeated our daily lives through the lens of manufacturers, celebrities, personalities and executives, BGR has armed its production team with a fleet of DSLR cameras coupled with Sennheiser ew 100 ENG G3 wireless microphone systems. The BGR Show debuts on BGR.com on May 31st.

“Most devices that are connected to the Internet these days — whether they are laptops, monitors or headphones, wired or wireless — are capable of delivering a high quality experience to people,” commented Jonathan Geller, President and Editor-In-Chief of BGR.com. “In terms of production quality, we wanted to partner with Sennheiser to make sure that everything we did with audio was to the highest standard.”

“Regardless of where we are capturing the content, Sennheiser’s microphones and wireless equipment play a fundamental role in this process,” he continued. Sennheiser’s wireless expertise regularly contributes to the success of events such as The Super Bowl, The Grammy Awards® and many other major broadcast productions.

The BGR Show is being launched in partnership with Pharrell Williams and Google and will cover the latest tech and lifestyle products, while featuring prominent celebrities, executives, and other influencers. Ken “Duro” Ifill, a Grammy winning mixer & producer who has worked alongside chart topping artists such as Jay-Z, The Beastie Boys, Usher, Mariah Carey and many others will be co-executive producing the show alongside Geller.

Video content will be capturing using Canon’s DSLR family, which provides both image quality and editing flexibility and the audio will be captured with Sennheiser ew 100 ENG G3 wireless microphone and transmitter sets, which provide not only outstanding audio quality but also ruggedness and reliability in the field.

For more information on The BGR Show, please visit http://www.bgr.com/2012/05/21/presenting-the-bgr-show/.

Moog Music Celebrates Namesake Pioneer with One Day Birthday Promotion Event to Benefit Bob Moog Foundation

ASHEVILLE, NC, May 21, 2012 — In celebration of Bob Moog’s 78th birthday Moog Music, Inc. will donate 50% of all online clothing and merchandise sales on May 23rd to the Bob Moog Foundation. For every $350 raised, the company will also donate one Etherwave Theremin to the Foundation’s educational initiative, Dr. Bob’s SoundSchool, to complete the DBSS Educational Kit that is provided to each participating school. Dr. Bob’s SoundSchool teaches elementary school students the science of sound through the magic of music.

Moog Music will feature a brand new line of product-inspired apparel boasting graphics bold enough to induce a geekfest for synth enthusiasts everywhere. DVDs, CDs, mugs and other ephemera will be part of the benefit promotion.

Moog Music clothing and merchandise can be purchased from the company’s online store: www.moogmusic.com/products/clothing and http://www.moogmusic.com/products/Merch

Moog instruments are not included in this annual fundraising event for the Bob Moog Foundation.

The promotion was created to include Moog customers around the world in the company’s support of the Bob Moog Foundation’s educational outreach efforts. Dr. Bob’s SoundSchool is a STEAM-based initiative, combining science, technology, engineering, art and math. It brings the late inventor’s work and spirit alive for children by teaching the physics of sound through intuitive engaging educational materials, including the theremin.

“Moog Music and our customers celebrate Bob’s pioneering legacy. In a time when science achievement is declining in this country, we are proud to support the Bob Moog Foundation in their efforts to bring science alive through electronic music. We invite all of our customers to make a purchase online on May 23rd and support the Foundation’s important work,” said Mike Adams, Moog Music President & CEO.

Moog Music, Inc. is the world’s leading producer of innovative analog synthesizers. The Bob Moog Foundation is an independent non-profit organization with a mission of igniting creativity at the intersection of music, science and innovation.

Read more about Moog Music at www.moogmusic.com
Read more about the Bob Moog Foundation at: www.bobmoogfoundation.org

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Tony Nominee LEAP OF FAITH Takes Broadway Sound Production to New Heights Using Neumann Digital Microphone Technology

OLD LYME, Conn. – May 9, 2012 – Audio specialist Sennheiser announced that LEAP OF FAITH, Broadway’s latest roof-raising Tony-nominated musical, is the first Broadway production to utilize digital microphone technology from Neumann. The musical, which features a score by eight-time Oscar® winner Alan Menken, opened late last month at the St. James Theater on 44th Street and features no less than 12 Neumann digital microphones in the orchestra pits.

Broadway is widely recognized as maintaining the “gold standard” when it comes to live sound production quality; its sound designers routinely specify Sennheiser and Neumann microphones and wireless equipment for their unrivalled sonic performance on both the stage and in the orchestra pit. For LEAP OF FAITH, Sound Designer John Shivers and Associate Sound Designer/Mixer David Patridge specified Neumann digital mics on the brass and woodwind sections of the orchestra, which were then fed into a Neumann DMI before reaching the DiGiCo SD7 digital console.

LEAP OF FAITH has two separate orchestra pits, both of which use the digital microphones. The pit below the stage and directly in front of the audience contain the woodwind section, which uses four Neumann KM 184 Ds as overheads and four TLM 103 Ds in a low position, approximately 15 inches off the floor and resting at a 120-degree angle towards the instrument. The other pit was situated below and to the rear of the stage and contained the brass section, which was miked with four TLM 103 Ds in a low position similar to that of the woodwinds.

An exquisitely pristine sound character
“We had already specified the analog versions of these microphones when Masque Sound brought up the possibility of our using digital microphones on this show,” Shivers recalls. “We jumped at the chance to use them since I am always interested in increasing the overall sound quality of the production. We didn’t get a chance to A/B these against their analog counterparts in a controlled environment, but my sense is that there is an increased clarity and transparency to these microphones.”

“These microphones exhibit an open, detailed sound,” Patridge adds. “I think additional clarity is evident in the high frequency range and the microphones themselves require less EQ. As for the noise floor, it is non-existent: these microphones are absolutely pristine.”

Realizing the benefits of remote control
According to Patridge, the benefits of using Neumann digital mics in the theater extend well beyond just the pristine sound, since many parameters such as shelving, padding and even polar patterns can be remote controlled from the FOH position*: “The pit can be a difficult area to access, and during sound checks I often have to send somebody in there to ensure there is no shelving or padding on the mics,” he observes. “With the Neumann digital mics, I can control all these settings from software interface on the console, which saves time and gives my production team one less thing to worry about.”

Shivers agrees that being able to control the microphones from a remote location is beneficial: “If a musician is playing particularly loud, having the ability to go to a control panel and adjust the padding could be very helpful. Also, having the capability to remotely switch to a hyper-cardioid from a cardioid pattern could give you a tighter sound and more rejection without having to move the microphone position. But for me, the audio quality is always most important.”

Prior to its official opening on Broadway on April 26th, LEAP OF FAITH was in previews for three straight weeks, during which time the Neumann digital microphones were put through their paces. “We were very impressed with how they sounded right out of the box,” Shivers says. “We knew from the reputation of the company that it would be an improved product, and now we can assuredly say that it is. The quality of these microphones is of a very, very high standard and I would love to use them again.”

*(available in the Neumann D-01 microphone, which features 15-switchable polar patterns at the click of a mouse).

Photo captions:

Greg Thymium of the LEAP OF FAITH woodwinds section plays into Neumann TLM 103 D digital microphone in the low position and a Neumann KM 184 D digital microphone in the overhead position (photo: Cheryl Fleming).
The Neumann KM 184 D is among the digital microphones currently being used in the LEAP OF FAITH musical production on Broadway (photo: Cheryl Fleming).
The Neumann TLM 103 D digital microphone was used in the low position on both woodwinds and brass during LEAP OF FAITH.

Sennheiser Appoints Alexander Schek Vice President Sales, Latin America

Old Lyme, CT – May 2, 2012: Audio specialist Sennheiser announced that Alexander Schek has been promoted to vice president sales, Latin America, effective immediately. In his new position, Schek will be responsible for Sennheiser’s sales strategy across each of its business lines, as well as managing the company’s area sales managers within the Latin American region. He will report directly to Markus Warlitz, general manager, Latin America.

Schek began his career with Sennheiser in 2009 as area sales manager for Central America and the Caribbean, where he was responsible for managing Sennheiser’s business across each of its divisions. In this role, he was very successful in increasing the overall distribution of Sennheiser products across Central America. As Vice President Sales, Latin America, Schek replaces Oliver Baumann who left Sennheiser in March.

“As one of the fastest growing economies in the world, the Latin American region represents a very important part of Sennheiser’s international growth strategy,” commented Markus Warlitz. “During his tenure at Sennheiser, Alexander has achieved remarkable sales performance while also possessing drive to take our business to the next level in Latin America. I congratulate him on this well deserved promotion.”

A German citizen who grew up in Brazil and Chile, Schek has an acute understanding of the Latin American market and business culture in addition to over a decade of executive level sales experience in the Consumer Electronics and Audio Industry. He holds a degree in Marketing from the University de las Américas, Santiago de Chile. Alexander is located in Miami, FL and will travel to the Latin American region on a frequent basis.

SmithsonMartin Inc. Announces New Retail Pricing Structure for Entire Product Line, Including Emulator, Kontrol Surface 1974

TORONTO, 26 April 2012— SmithsonMartin Inc., the company that brought musicians and producers Emulator and which released the Kontrol Surface 1974 last December, announced significant price reductions to its entire product line. Effective immediately, retailers can now access the Emulator, Kontrol Surface 1974 and a range of accessories at a fraction of the previous cost. Among the most notable price reductions is the Emulator Lifetime License, which last month was reduced from $499 to $99.

The price reductions, which have been made possible as a result of SmithsonMartin’s increased purchasing leverage and the elimination of its two-tier distribution model, represents an outstanding opportunity for retailers to capture additional margin on the most innovative DJ and MIDI control products currently available on the market.

New Opportunities for Retailers
Now that SmithsonMartin has extended its market recognition well beyond the DJ market into areas such as lighting, broadcast, houses of worship and other areas, our company has significantly increased its purchasing power,” observes CEO Alan Smithson. “This has in turn enabled us to reward our network of international resellers with greater pricing flexibility — and the opportunity to earn very generous margins on if they choose to stock our products.” Following is a summary of new prices for SmithsonMartin’s product line (effective April 1, 2012):

By selling its products direct to retailers and bypassing traditional distribution, SmithsonMartin is able to offer its retailer partners who keep stock attractive sales margins, while offering generously increased margins for its entire retailer base. The company will also continue to offer products through its state of the art eCommerce site, which provides outstanding product support and shipping / logistics capabilities. SmithsonMartin has also become a vendor through www.XchangeMarket.com, a new service that allows retailers to sell software without carrying stock. “Resellers are moving more towards an on-demand purchasing model and XchangeMarket is the ultimate in instant delivery of software serial codes for our customers. Guitar Center has lead the way by adopting this technology early, thus making it the industry standard for software sales moving forward.” Commented Mr. Smithson.

The MIDI software of choice for a broad range of professionals
Recently, SmithsonMartin has significantly extended its user base as its Emulator multi-touch MIDI control software has become the go-to software for lighting designers, video artists, clubs, broadcast professionals and houses of worship. This month, SmithsonMartin will release its Emulator Modular 1.2, which ships with a range of specialized buttons, knobs and sliders, while offering bi-directional MIDI support for the most widely used software platforms.

For a full description of the new pricing, including accessories, please visit www.SmithsonMartin.com or contact Julie Smithson at 1-416-219-8749 or Julie@smithsonmartin.com

Caption:
Kontrol Surface 1974 controlling GrandMA 2 software to light Skrillex at Ultrafest 2012.

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NAB Show Presents Sennheiser with ACE Award, Recognizing Excellence in Booth Design and Execution

Las Vegas–April 19, 2012 – Audio specialist Sennheiser [booth C2632] was presented with an ACE (Awesome Cool Exhibit) Award by the NAB Show on Wednesday during a special ceremony. The peer-driven award recognizes NAB Show exhibitors for innovations in booth design and execution. Sennheiser captured the ‘medium sized’ booth category, which is defined as being between 200 and 900 square feet.

The judging criteria for the NAB’s ACE Awards are as follows:

Creativity: use of color, sound, light and other creative elements
Effectiveness: how well the booth draws in and engages the visitor
Overall structure: quality of the build and innovative use of materials
Peer review: overall “look and feel” as judged by other exhibitors

The NAB Show booth design is based on Sennheiser’s new global booth concept that was debuted at the CES and NAMM shows earlier this year and providesa tangible experience of the audio specialist’s brand values, inviting exploration and interaction. The interior space presents Sennheiser’s products in a series of ‘focused islands,’ each concentrating on a particular theme and providing visitors with a ‘hands-on’ experience. A sophisticated lighting concept spotlights each product and optimizes visibility.

This new booth design is yet another milestone in the audio specialist’s premium brand strategy. The design concept, developed by the German design agency Syndicate, was first brought to life two years ago in Sennheiser’s point of purchase program that was executed worldwide. Sennheiser is now consolidating the presentation of its brand profile at shows and trade fairs throughout the world.

“Our team is very proud to have been recognized by the NAB with the ACE Award,” commented Greg Beebe, President of Sennheiser USA. “Our U.S. team was the first to execute this important global concept from Sennheiser, and we have received a great deal of positive feedback from booth attendees — both during NAB Show and at other important U.S. trade shows.”

Over the coming year, the new concept will be used at all Sennheiser leading shows and trade fairs in the Consumer Electronics, Installed Sound and Professional Systems markets.

Antelope Audio to Unveil Rubicon – World’s First Atomic AD-DA Preamp

Santa Monica, CA, April 19, 2012– Antelope Audio will introduce Rubicon, a groundbreaking 384 kHz digital audio preamplifier which integrates the world renowned 10M Rubidium atomic clock. Rubicon caters to the ever-increasing interest in high-resolution audio, addressing the specific needs of high-end consumer electronics enthusiasts for accurate audio representation and detailed soundstage of both analog and digital recordings. The new device will be presented to the public during the Munich High End Show, May 3rd – 6th.

Rubicon is the first DAC to integrate a Rubidium atomic clock, which is 100,000 times more stable than a traditional crystal oscillator. Coupled with Antelope’s 64-bit Acoustically Focused Clocking technology, the Rubidium achieves a breakthrough in jitter management, improving the sound quality in an unprecedented way. The same technology is implemented in the company’s flagship master clocks used for scoring blockbusters such as Avatar and available at the best recording and mastering studios around the Globe.

“I find the idea of an audio enthusiast being able to hear his/her favorite recordings clocked by the world’s most stable clock very exciting. I believe this will bring the music appreciation in the home environment to a completely new level compared only to the precision and sonic detail representation available at the finest professional listening rooms,” shared Igor Levin, CEO and founder of Antelope Audio.

Housed in a sturdy, machined-aluminum enclosure with a vintage Art Deco design, Rubicon incorporates a discrete phono preamp, ultra linear, dual stage headphone drivers and Antelope’s renowned gold-plated relay volume control.

The transformer-based, ultra-low noise, discrete JFET phono preamp is a complement that will be highly appreciated by many vinyl lovers. In addition to the 384 kHz DAC, Rubicon also includes ultra-high sample rate A/D conversion. These functionalities together with the high resolution USB recording capability provide the users with the sublime experience of digitizing their favorite tracks, still keeping the depth and the warmth of the original analog recordings.

In addition to the 384 kHz USB streaming, Rubicon offers extended flexibility and smooth user experience provided by the implemented DLNA capability. The DLNA streaming gives users the opportunity to wirelessly push audio files from their smart phone, PC or NAS (Network-attached storage) server and play the content through the high-sample rate DAC.

Rubicon inherits the D/A conversion technology from 384 kHz Zodiac Gold DAC – the 2012 winner of the Audio Excellence Award in Japan and often described by reviewers and prominent sound engineers as “future-proofed”, “clean”, “neutral” and “accurate”. The A/D circuit comes from the 2011 winner of the Audio Media Gear of the Year award, high-end professional mastering converter Eclipse 384.

Antelope Audio plans to present the Rubicon for the first time to the public and the media during the Munich High End Show, in hall 3, booth A 04, at 2 pm, on May 3rd.

Rubicon features

– 10M Rubidium Atomic Clock, providing 100,000 times more accurate reference;
– 64-bit Acoustically Focused Clocking jitter management technology;
– Ultra low noise phono inputs with custom audio transformers, discrete JFET preamp design;
– 384kHz A/D & D/A converters;
– Gold-plated stepped relay volume attenuator matched to 0.05dB for all volume levels;
– Ultra-linear, dual stage headphone amps;
– De-jittered audio S/PDIF output;
– Custom USB 2.0 chip streaming up to 480 Mbits/384kHz with recording option;
– DLNA streaming capabilities through an Ethernet interface

Specifiations:
Analog Inputs
1x PHONO Input on RCA
3x Inputs on RCA
1x HiZ Input on RCA
1x Combo Balanced Input on XLR/¼ TRS

Analog Outputs
1x Balanced Output on XLR
1x Unbalanced Output on RCA

Digital Inputs
2x S/PDIF
2x TOSLINK
1x AES/EBU
Word Clock Input
Ethernet port

Digital Outputs
2x S/PDIF De-jittered outputs

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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