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Neumann Announces Special Offers on Microphone, Monitor Purchases as Part of 85th Birthday Celebration

Old Lyme, Conn. – October 14, 2013: In celebration of its 85th birthday, premium audio brand Neumann USA has announced two very special incentives for U.S. based consumers interested in purchasing its microphones and studio monitors.

Effective immediately, customers purchasing any Neumann microphone are eligible to receive a free Sennheiser HD 280 Pro headphone, while customers purchasing a pair of Neumann KH 120 studio monitors, or a single KH 310 monitor, are eligible to receive a free soft carrying case, courtesy of Neumann.

Rebates are valid on products listed above, which must purchased from an authorized Neumann dealer between now and December 31st, 2013. Eligible rebate claims require the following:

• A completed rebate form, which can be downloaded from the Neumann website: http://www.neumannusa.com/promos
• The original UPC and EAN code, cut from the box (no photocopies will be accepted)
• A copy of the sales receipt, dated between October 1, 2013 and December 31, 2013, from an authorized Neumann dealer for a product listed above
• All materials must be postmarked no later than January 31, 2014

Authorized Neumann dealers are listed online at www.neumannusa.com/dealerfinder. To download the rebate forms, please visit www.neumannusa.com/promos.

Neumann was founded in Berlin in 1928 and has since become ubiquitous in the recording, broadcast and live sound industries. Neumann offers a range of world-renowned microphones for studio recording, live sound, broadcast and many other applications. The company’s line of studio monitor systems, including the KH 120 and KH 310, reflects Neumann’s philosophy of achieving the most accurate sound reproduction using state-of-the-art technologies and techniques.

To learn more about Neumann microphones and studio monitors, please visit http://www.neumannusa.com.

About Neumann

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

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iZotope to Unveil the New Nectar 2: Vocal Production Suite and Show the New Emmy Award-Winning RX 3: Audio Repair Suite at AES 135

Press conference and panel discussion will feature innovative new products and workflow solutions from iZotope

New York, October 11, 2013iZotope Inc. will host a press conference and panel discussion at this year’s Audio Engineering Society (AES) Convention on Friday, October 18th. The press conference, starting promptly at 10:30 a.m EST, will feature the new Nectar 2 Vocal Production Suite and iZotope’s new RX 3 Audio Repair Suite. Immediately following at 11:00 a.m., iZotope will present the panel discussion, Tips from a Pro LIVE! Audio Woes in Music and Post Production.

• WHAT: An iZotope press conference and panel discussion.
• WHEN: Friday, October 18: 10:30 a.m. press conference, 11:00 a.m. panel discussion
• WHERE: Knowledge Center (Room 1E05), Javits Center, New York City.

Press Conference: Introducing Nectar 2 and RX 3

Press conference attendees will get a thorough preview of the new Nectar 2 vocal production suite as well as the long-anticipated RX 3 audio repair suite. Nectar 2 brings the best of digital innovation and analog character into a complete set of tools designed specifically for voice, while iZotope’s RX 3 helps post production and audio professionals overcome audio issues with unprecedented efficiency.

Panel Discussion: LIVE! Audio Woes in Music and Post Production

This panel discussion, moderated by mastering engineer Jonathan Wyner (James Taylor, David Bowie), will feature GRAMMY-Award winning engineer Chris Shaw (Bob Dylan, Leonard Cohen) and post production mixer Jared Bartlett of Clean Cuts Audio. The panel will highlight personal stories of audio mishaps and solutions, while providing useful insight on production processes that can be applied to just about any audio workflow environment. The panel will be followed by a lively Q&A discussion, as well as personalized product demos of both RX 3 and Nectar 2.

About iZotope, Inc.

iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony.

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Sennheiser Delivers Flawless Wireless Performance on Bruno Mars ‘Moonshine Jungle Tour’

New York City, October 10, 2013: Superstar Bruno Mars finished the North American leg of his Moonshine Jungle Tour in September ­ a run that consisted of over 40 U.S. and Canadian dates, a spectacular appearance on the MTV Video Music Awards, and an announcement that he will perform at the Pepsi Super Bowl XLVIII Halftime Show on February 2, 2014. This month, the Moonshine Jungle Tour continues on to Europe before setting out to Australia and New Zealand in early 2014. Bruno and his band rely on Sennheiser microphones and wireless systems.

At the VMAs, which were broadcast from New York City’s Barclays Center and reached more than 10.1 million viewers, fans were treated to a thrilling rendition of Mars’ new single, “Gorilla”. Dressed in a leopard skin shirt on a stage awash in green lasers and gorilla imagery flashing on a massive LED screen, Mars delivered a memorable, soulful vocal performance through a Sennheiser SKM 5200-II wireless transmitter and MD 5235 capsule. During the VMAs, which also featured performances by Justin Timberlake, Kanye West and others, Mars picked up two Moonman awards: Best Male Video for his #1 hit single “Locked Out of Heaven”, and another for “Best Choreography” for his latest single, “Treasure”.

The VMAs were the icing on the cake for Bruno Mars’ production team, who has endeavored to continually raise the audio quality and production standards of the touring operation for the past several years. Sennheiser’s global relations team has played a direct role in helping them achieve this goal by providing superb wireless and microphone technology. “When I took on the Bruno Mars gig over 2-1/2 years ago, he and the background singers were using a competitor’s model. I just knew there was a better microphone and capsule combination for him,” recalls James Berry, monitor engineer for Bruno Mars. “I began transitioning the background singers first, then worked with the front-of-house guy to get Bruno to try a Sennheiser microphone. Now you couldn’t pry that microphone out of his hands if you tried!” he says.

For wireless audio at the VMAs, as well as with the rest of the tour, the Bruno Mars production team has relied on Sennheiser. At the VMAs, one particular challenge was the massive LED walls at the rear of the stage. “We had to shoot the wireless signal right through the LED walls,” Berry recalls. “We did a lot of pre-planning on antenna placement when we got there. It was all rock solid and performed flawlessly.” The monitor crew used Sennheiser’s WSM software to save set-up time: “We used WSM to preload all the frequencies we were sent, so when we arrived, we just booted up the system and were ready to go in about ten minutes. In the past, we would have had to go to every individual unit and program all this information in.” Berry also used the software to monitor each wireless element in real time: “I rely on WSM to see my battery and RF levels, as well as all the inputs and outputs,” he says.

Honing In on Bruno Mars’ Microphone and Wireless Touring Rig

Derek Brener, who has been Bruno Mars’ front-of-house engineer for 3-1/2 years, recalls a point where Bruno’s audio infrastructure took a huge step forward: “One of the main turning points was when James came in and said he would not use anything else but the Sennheiser wireless ­ that’s when everything changed. James is such a heavy hitter having worked with Beyoncé, Weezer and lots of other great bands, I trusted his opinion.”

After trying various Sennheiser capsule and transmitter combinations for some time, Berry and Brener eventually settled on an SKM 5200 handheld transmitter with an MD 5235 capsule. “For me, the MD 5235 capsule punches through the PA system better than any other microphone we’ve used on Bruno Mars,” says Brener. “Bruno is very involved with Derek and me on the way things sound and has very clear ideas on what he wants and what he expects,” Berry adds. “Now, it is a comfort thing. Whether we are playing arenas, stadiums or awards shows, there is no debating ­ he wants Sennheiser, and that’s what he’s going to get.”

For vocals and horns, the band’s wireless consists of ten channels of Sennheiser EM 3732-II receivers, seven SKM 5200-II transmitters with MD 5235 capsules and three SK 5212-II bodypack transmitters. Berry says that one of the primary reasons they chose the EM 3732-IIs was because of the AES3 digital output with external word clock synchronization: “We are clocking our wireless devices at 96kHz to get the best sound quality we can. We didn’t consider anything other than this unit because we knew it would give us the best sound quality and reliability on the RF side.”

“For me, clocking at 96kHz opens everything up so it sounds more full,” Berry continues. “You have the entire frequency expanse in there, and what you put in is what you get out. Therefore you can hear the Sennheiser MD 5235 microphone capsules we are using with even greater fidelity.”

The band also relies on Sennheiser for its wireless monitor systems, of which Berry has sixteen channels of SR 2050 IEM. This covers the entire band, as well as off-stage technical staff. “I’ve used a lot of in-ear systems, and the reason I chose Sennheiser is because of sound quality,” says Berry. “The wireless IEMs deliver a wide stereo image so I can put things right into place where they need to go in my mix. For me, there is no other option than the 2k series because of that.”

All in all, over the course of the entire North American tour including the VMAs, the Sennheiser equipment has performed flawlessly, reports Brener: “We have never, ever experienced a drop out as long as we have had the Sennheiser wireless. It is all rock-solid. I have major confidence in Sennheiser.”

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2012 the family company, which was founded in 1945, achieved a turnover of around 584 million euros. Sennheiser employs more than 2,300 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

Photo captions:
1: Bruno Mars on stage during the Moonshine Jungle Tour with his Sennheiser SKM 5200 transmitter and MD 5235 capsule (photo credit: Getty Images)

2: James Berry, monitor engineer for Bruno Mars, beside his racks of Sennheiser wireless (photo courtesy of DiGiCo)

3: Bruno Mars‘ front-of-house engineer, Derek Brener

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Neumann’s Jürgen Breitlow to be Featured on Panel Highlighting Microphone Specifications at 135th AES Convention

Breitlow will Discuss Technical Specifications of a Microphone on Panel to Take Place on Thursday, October 17th at 11:00 a.m.

New York – October 9, 2013: Premium audio brand Neumann announced that Jürgen Breitlow, director research & development, Neumann GmbH, will be featured on a panel entitled “Microphone Specifications – Believe it or Not” to take place in room 1E12 at the Javitz Center in New York City. Breitlow will discuss the technical specifications of a microphone, among other topics during the panel.

• WHAT: “Microphone Specifications – Believe it or Not” panel, featuring Jürgen Breitlow, director research & development, Neumann GmbH
• WHEN: Thursday, October 17th at 11:00 a.m.
• WHERE: Room 1E12, Javitz Center, New York City

Breitlow is an accomplished development engineer who has been with Neumann for 13 years. The panel, which is to be moderated by Eddy B. Brixen, EBB-Consult/DBA Microphones, is being presented in association with the AES Technical Committee on Microphones and Applications. Following is an abstract:

“There are lots and lots of microphones available to the audio engineer. The final choice is often made on the basis of experience or perhaps just habits. (Sometimes the mic is chosen because of the looks… .) Nevertheless, there is essential and very useful information to be found in the microphone specifications. This workshop will present the most important microphone specs and provide the attendees with up-to-date information on how these are obtained and understood. Each member of the panel—all related to industry top brands—will present one item from the spec sheet. The workshop takes a critical look on how specs are presented to the user, what to look for and what to expect. The workshop is organized by the AES Technical Committee on Microphones and Applications.”

To learn more or register for the panel, please visit the AES website or contact Christopher Currier, Product Specialist at Neumann at (860) 434-9190 x185 or ccurrier@sennheiserusa.com.

About Neumann

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

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Sennheiser to power World’s First Large Scale Opera for Wireless Headphones, Invisible Cities, Premiering at Los Angeles’ Union Station This Month

The Industry, L.A. Dance Project and Sennheiser Push the Boundaries of Art, Imagination and Wireless Technology for an Unprecedented, Interactive Dramatic Experience

Los Angeles – October 9, 2013 – Audio specialist Sennheiser announced that its world-class professional and consumer technology will play an integral part of Invisible Cities: the world’s first large scale opera for wireless headphones. The landmark production, a collaboration among The Industry, L.A. Dance Project and Sennheiser, will stage its world premiere on Saturday, October 19th at Los Angeles’ iconic Union Station — the largest railway terminal in the western United States.

The Invisible Cities opera, written by Christopher Cerrone and based on the 1972 novel by Italo Calvino, combines historical fiction with surrealist elements to create an ‘invisible opera for wireless headphones’. The opera’s narrative, which centers on explorer Marco Polo’s descriptions of fantastical cities to Emperor Kublai Khan, transform’s Calvino’s novel into a unique experience for each participant — combining a classic art form with the ultimate in technology. By using wireless headphones from Sennheiser, audience members will be intimately connected to the storyline, while having the ability to roam freely as the opera moves throughout the terminal.

“Art-making is not just about great ideas but about ingenious execution — making a vision something real,” commented Yuval Sharon, artistic director, The Industry. “Sennheiser is literally making The Industry’s dreams come true; this production simply would not exist without their commitment to innovation and the drive for excellence that will make this such a magical experience for audiences.”

“Our world is characterized by fast-paced, interactive communication and consumers seek experiences that touch them in a much deeper and more meaningful level. Invisible Cities caters to this desire and delivers a truly innovative performance to its audience,” commented Stefanie Reichert, director strategic marketing, Sennheiser. “We have worked in close cooperation with Sennheiser global relations, including project manager Kristy Jo Winkler, to make this a seamless experience for the entire audience. Invisible Cities showcases how innovative technology and cutting-edge artistic vision drives innovation in the arts.”

While Invisible Cities is an opera at its essence, it is unconventional in many ways. For example, there is no opera house and no assigned seats — audience members are not restricted in their movement and encouraged to roam freely. Also, whereas audience members at a conventional opera typically rely solely on natural building acoustics to hear an operatic production, Invisible Cities will utilize Sennheiser’s state-of-the-art wireless technology to convey both dialog and music to listeners. Performers will be outfitted with Sennheiser wireless microphones and attendees will use Sennheiser’s RS 120 wireless consumer headphones for a complete, intimate audio experience.

At the heart of Invisible Cities‘ technical production will be Sennheiser’s new Digital 9000 wireless system, which will provide patrons with pristine, uncompromising audio for the duration of the performances. This system, which was launched last year after having been under development for over a decade, is the most advanced wireless system in the world and used in top level theatre, music and broadcasting events.

An 11-piece orchestra consisting of strings, brass and percussion will perform an original score and will be miked using a selection of Sennheiser and Neumann microphones. Singers, dancers and performers in the production will also be outfitted with Sennheiser wireless microphones, and will be able to listen to their performances and director cues using Sennheiser’s world-class in-ear monitoring system (IEMs). The performance audio will be sent to a multi-channel digital console, where it will be mixed and broadcast via wireless RF technology to attending patrons, each of who will be donning Sennheiser wireless headphones.

Bexel, based in Burbank, Calif., custom built a Managed Antenna System (MAS) that allows for extended coverage of Sennheiser’s wireless microphones, in-ear monitors and headsets.

On the audio side, Bexel also supported Sennheiser’s superb high-quality microphones with a DiGiCo SD11 paired with a DiGiCo D-Rack. The orchestra, located approximately 1,000 feet from the main hall, is connected via fiber. The DiGiCo system allows the audio mixer to con-trol the mic preamp from that distance.

We are delighted to partner with Sennheiser and the The Industry’s audio professionals on Invisible Cities,” says Rod Allen, Bexel business segment manager, Audio West. “Sennheiser, who is providing the RF integrity, along with Bexel engineering and the rest of the audio team, has a big task to make that mix relevant no matter where the main focus happens to be in the venue, because the listener has only one stereo mix to reference. It was an intriguing assignment to help launch this unique event in a working public train station with the talent roaming throughout the venue.”

For more information on Invisible Cities, including performance dates and ticket information, please visit http://invisiblecitiesopera.com/.

Photo captions:
1) The Invisible Cities opera, written by Christopher Cerrone and based on the 1972 novel by Italo Calvino, combines historical fiction with surrealist elements to create an ‘invisible opera for wireless headphones’. (Photo Credit: Dana Ross)

2) Invisible Cities, a collaboration among The Industry, L.A. Dance Project and Sennheiser, will stage its world premiere on Saturday, October 19, at Los Angeles’ iconic Union Station — the largest railway terminal in the western United States. (Photo Credit: Dana Ross).

3) Yuval Sharon, Artistic Director, The Industry, on the set at Union Station with his Sennheiser RS 120 headset and SKM 2000 transmitter. (Photo Credit: Dana Ross)

About The Industry
The Industry is a new home for new and experimental opera in Los Angeles. Founded and led by director Yuval Sharon, The Industry creates ambitious productions that expand the traditional definition of opera and explore new paradigms for interdisciplinary collaboration. Mark Swed of the Los Angeles Times writes “The Industry is quickly and dramatically becoming an essential component in American opera. It’s now indispensable to the LA scene.” The Industry’s inaugural production, Anne LeBaron and Douglas Kearney’s Crescent City, was instantly hailed as “reshaping LA opera” (Los Angeles Times) and “changing the face of music-theater in this city overnight” (Out West Arts). The large-scale multimedia production, featuring the work of six visual artists in a 25,000 sq. ft. warehouse in Atwater Village, performed over three weeks in May 2012 to capacity audiences. The Industry recently presented First Take, a west coast opera workshop showcasing excerpts from six new operatic works-in-progress by the legendary Pauline Oliveros, and rising star composer Mohammed Fairouz at the Hammer Museum’s Billy Wilder Theater. For more information visit: www.TheIndustryLA.org.

About L.A. Dance Project
L.A. Dance Project is an artist collective founded in 2012 by renowned choreographer and dancer Benjamin Millepied, along with composer Nico Muhly, art consultant Matthieu Humery, producer Charles Fabius, and film producer Dimitri Chamblas. L.A. Dance Project’s mission is to create new work and to revive seminal collaborations from influential dance makers. Pro-grams include full-length evenings in traditional theater venues as well as various modular performances in non-traditional environments. New works by the company endeavor to be multidisciplinary collaborations with various artists: visual artists, musicians, designers, directors and composers. L.A. Dance Project promotes the work of emerging and established creators, contributing to new platforms for contemporary dance. For more information visit: www.ladanceproject.com.

About Bexel
Bexel is the pre-eminent worldwide provider of broadcast services including video and audio equipment rentals, fiber services, new audio sales, used equipment sales, and repairs/maintenance. Bexel provides brilliantly designed and flawlessly executed systems and solutions to all customers – including producers of the biggest and most important televised events in the world. For more information, visit www.bexel.com, and follow them on Facebook and Twitter.

About Sennheiser
Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

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AES NY: Antelope to Demonstrate Orion32 Multi-Channel Interface and Host “Hanging Out (LIVE)” with Jimmy Douglas and Michael Brauer

Demonstrations to Highlight Hybrid Multi-Channel Setup With the Orion32 — Purple Audio and Rupert Neve Designs to Feature Orion32 in 500 Series Product Set-Ups

New York, October 9, 2013 — During the AES convention exhibit in New York this month, leading digital audio manufacturer Antelope Audio [Booth 3139] will demonstrate the power and flexibility of its newest multi-channel interface: the Orion32. Antelope’s U.S. Director of sales and marketing, Marcel James, will be on hand to walk attendees through the unit’s capabilities when used with hardware summing and equipment inserts, while explaining how to make full use of Orion’s powerful Control Panel and Mixer.

GRAMMY-Award winning engineer Brian Vibberts (Michael Jackson, Chick Corea) has prepared a Pro Tools mix session for this special presentation and will discuss how the Orion32 fits into a broader hybrid audio setup consisting of 3rd party equipment from Purple Audio and Rupert Neve Designs.

“Hanging Out” with Antelope at the AES Exhibit

Antelope will also host two live episodes of its new “Hanging Out” Series with multi GRAMMY-Award winning mix engineers Jimmy Douglas [Justin Timberlake, Jay Z] and Michael Brauer [My Morning Jacket, Coldplay]. These sessions — which will feature a meet and greet — will occur at the Antelope booth on Friday, October 18th at 3:00 p.m. and Saturday, October 19th at 1:00 p.m. respectively. Both episodes will stream live on the Antelope Audio YouTube Channel along with live show demos and reports.

Additionally, the Orion32 will be featured within Purple Audio and Rupert Neve Designs’ AES exhibits. These companies, which will be demonstrating new 500 series modules and other equipment, will be using the Orion32 as the primary playback device to simulate mixing scenarios using hardware summing and other techniques.

Purple Audio will be debuting it’s new mixer, dubbed MF Twenty 5 that integrates with a 500 rack, effectively making it a sidecar. The unit is targeted at home users doing hardware summing — but also prefer working with faders. The new MF Twenty 5 will be taking its input signal from the Orion32. “I will be running the Orion32 because I want all the I/O, and because we have lots of video people coming in from time to time,” he says. “The Orion32 is a very affordable converter with a full-bodied character and a sound I would describe as ‘realistic.’”

Distribution Companies Fingerprint Audio and Rupert Neve Designs have been using the Orion32 for their demonstrations of Rupert Neve Designs popular summing and processing products and the sE Mic line. Jonathan Pines, director of strategic operations for Fingerprint Audio and Rupert Neve Designs, says the Orion32 is a “game-changer” which he uses regularly in the studio for his own projects. “I use the Orion32 in conjunction with Antelope’s 10M Atomic Clock, which creates an audible improvement to the already great sound of the Orion,” he says. “Also, the Orion is incredibly easy to use and works flawlessly for me both on the studio and on the road.”

For more information, please visit the Antelope Audio website, or to learn more about the AES convention, please visit the Audio Engineering Society home page. You can access a playlist of Antelope’s “Hanging Out” episodes here.

About Antelope Audio
Antelope Audio is the brainchild of Igor Levin who has more than 20 years’ experience and a number of innovations in digital audio and synchronization technology. The company is widely acknowledged as the leading manufacturer of audio master clocks.

In 2009 Antelope Audio launched its product line of high-resolution USB D/A converters, being among the pioneers designing a 384 kHz DAC. Antelope’s DACs employ their renowned 64-bit clocking and jitter management technologies and custom-designed circuits, achieving unprecedented precision and sound clarity.

# # #

All brands and trade names are the property of their respective owners.

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Moog Announces Minifooger Analog Effects for Guitar & Bass

New line of powerful, compact and affordable effects pedals

Asheville, NC – October 8, 2013Moog Music Inc. today announced the launch of the Minifooger Analog Effects family – a series of compact – easy to use stomp boxes designed primarily for use with electric guitar and bass. Each Minifooger is housed in a rugged cast aluminum enclosure and features a 100% analog signal path, true bypass design, optional battery power, and a single expression pedal input providing hands-free control of one specified parameter within each unit.

“We have been working on designs for a line of highly engineered analog effects pedals that are affordable, compact, and easy to use for some time. We are extremely pleased with the outcome and hope that guitar and bass players are too,” said Mike Adams, President of Moog Music.

Each Minifooger’s user interface is centered on musicality and the ability to create new effects quickly. There is also a dedicated expression pedal input that provides control over a function and allows the player to go beyond the panel settings to explore wild, and experimental sounds. This input can also be controlled via CV.

“We want people to approach these pedals from an aural standpoint. The sonic capabilities of Minifoogers are extensive, but they are also easy to use. You can just close your eyes, turn knobs, and create modern, vintage, or other worldly sounds,” said Cyril Lance, Chief Engineer Moog Music.

Moog is launching The Minifooger Analog Effects family with 5 compact stomp boxes – the MF Drive, MF Boost, MF Delay, MF Ring, and MF Trem. Each pedal is 100% analog, designed and hand assembled in Moog’s factory in Asheville, North Carolina and carries a US street price below $200. Moog is debuting two videos today featuring artists experimenting with the Minifoogers: Troy Van Leeuwen, guitarist for the band Queens of The Stone Age takes a more classic approach; and Xander Singh and Ian Hultquist of Passion Pit explore the other worldly side of the Minifoogers.

Minifooger Analog Effects Pedal Descriptions:

The MF Drive is a filter-based overdrive pedal employing a Moog Ladder Filter, boutique FET amplifiers, and OTAs in its drive section making it highly reactive to picking dynamics. The panel features a bipolar tone control and sweepable filter that work dynamically with input gain to offer each player unique and customizable sounds that retain the core timbre of their instrument. A filter Peak switch shifts harmonic content to the filter’s cutoff position, adding new tonal creation and dirty wah performance possibilities not found in other drive pedals. MSRP: $179.

The MF Boost is a selectable topology boost pedal that allows the player to switch between an “articulate VCA” signal path and a “colored OTA” signal path. Each is tailored to deliver boutique amplifier sound and responsiveness from any guitar/amplifier combination. The design also imparts natural compression to an input signal, which brings out note articulation and significantly increases the performance of other effects pedals. When paired with an expression pedal, the MF Boost can be used as a tone enhancing volume pedal, sweepable-gain boost pedal, and VCA. The expression pedal input also provides access to higher gain values not available on the panel. MSRP: $149

The MF Delay features 35mS-700mS of completely analog delay time. At shorter set-tings, repeats are fast and bright for creating classic slap-back and plate sounds. At medium and long settings the repeats become darker and naturally trail into reverb-like state. A Drive circuit allows the player to adjust the tone and feel of the MF Delay as well as overdrive the Bucket Brigade Delay line, and the input of a guitar amplifier for bigger sound and feel. Also, the expression pedal input is switchable between feedback for expressive swells and delay time for tape delay and chorus/flange effects. MSRP: $209.

The MF Ring is an analog ring modulator that is based on the world’s best selling Ring Mod, the Moogerfooger MF-102. Its refined frequency range and tone voicing circuit add new-musical elements to ring modification, making it easy to dial in everything from octaves and choral dissonance to harmonic undertones and synthesized lead lines. The expression pedal input provides hands-free control of the Freq parameter for sound sweeps, pitch shifting effects, and playing between two scales on the fly. MSRP: $159

The MF Trem is an analog tremolo pedal designed around a balanced modulator and Sub Audio VCO. This design creates a wide range of effects that are based on phase cancellation and addition. Players can create classic optical tremolo, hard tremolo, rotary effects and more that react dynamically to harmonic content. A variable Shape control interacts with Tone and Mix to craft subtle swells and gallops to rhythmic percussive, and swirling effects. When pushed, the MF Trem can also approach the beginnings of phasing and chorus. The expression pedal input adds control of the Speed parameter for hands-free swells and rotary effects. MSRP: $189

Minifooger Analog Effects Pedals are available for preorder from all authorized Moog dealers now. Moog Music will begin shipping the first units from their Asheville factory in October, 2013. For more information about Minifooger Analog Effects Pedals go to: MINIFOOGER.COM

Links:

• Video featuring Troy Van Leeuwen: http://www.moogmusic.com/Troy-Van-Leeuwen
• Video featuring Passion Pit: http://www.moogmusic.com/Passion-Pit
• Moog Music website: http://www.moogmusic.com/
• Moog Music on Twitter: http://www.Twitter.com/MoogMusicInc/
• Moog Music on Facebook: http://www.Facebook.com/MoogMusicInc/

About Moog Music:

Moog Music synthesizers and other electronic musical instruments are designed and lovingly built in the Moog factory in downtown Asheville, N.C. Moog Music and its customers carry on the legacy of Dr. Robert Moog, inventor of the Moog synthesizer and Founder of Moog Music Inc.

Photo captions:
1) The Minifooger analog effects for guitar and bass.
2) Troy Van Leeuwen, guitarist for the band Queens of The Stone Age.
3) Xander Singh and Ian Hultquist of Passion Pit.

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Moog Music Announces 3 New Expansion Packs for Animoog

ASHEVILLE, NC – October 4, 2013 – The award winning Animoog by Moog Music now offers three new expansion packs for iPad, iPhone, and iPod, available now. Each new expansion pack gives users the ability to create sounds never before available through the professional synthesizer app. Each expansion pack is available as an in-app purchase through the Animoog store.

The Monster Moog Expansion Pack, the largest of the three, comes with 167 timbres and 48 presets. It uses elements from new and classic Moog instruments including the System 15 Modular, Minitaur, 904a Filter, Freq Box, Bode Frequency Shifter, Sub Phatty, and more.

The Vintage Vibe Expansion Pack, holding 114 timbres and 46 presets, is a throwback to synths from the 1980s. It was made using vintage synthesizer VCOs and filters, shaping up for unique timbral content.

Meanwhile, The Vintage FX Expansion Pack contains 41 presets and 53 timbres. Its timbral content is derived from vintage modular, rack, and stomp box effects, including multiple analog delays, phasers, frequency shifters, resonant filters, and vocal phase filters.

Each expansion pack expands Animoog’s vocabulary and musical capabilities. Previous Expansion Packs include the Devine expansion pack ($3.99) and the Grateful Dead expansion pack ($4.99), which converted a 1968 live performance into a source of harmonic content for the app.

The Animoog app, which received the 28th annual TEC award for Audio Apps Technology For Smartphones and Tablets, is available for download on Apple’s iPad, iPhone, and iPod as well as for the Blackberry Z10.

Audio samples for Animoog expansion packs are available on the Animoog product page at http://www.moogmusic.com.

Prices:

Monster Moog Expansion Pack – $4.99
Vintage Vibe Expansion Pack – $3.99
Vintage FX Expansion Pack – $2.99

Links:

• Animoog on the iTunes App Store: https://itunes.apple.com/us/app/animoog/id471638724?mt=8
• Animoog product page: http://www.moogmusic.com/animoog
• Moog Music website: http://www.moogmusic.com/
• Moog Music on Twitter: http://www.Twitter.com/MoogMusicInc/
• Animoog on Facebook: http://www.Facebook.com/animoog

About Moog Music:

Moog synthesizers and other electronic musical instruments are designed and lovingly handcrafted at the Moog Factory in downtown Asheville, North Carolina. The company and its customer’s carry on the legacy of Dr. Bob Moog, inventor of the Moog synthesizer and founder of Moog Music Inc. Moog Music celebrates the innovative spirit of Dr. Moog in every instrument they produce and also at Moogfest, their five-day festival dedicated to the synthesis of technology, art and music.

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Antelope Audio Sets the Tone for Rocky Mountain Audio Fest with New Zodiac Platinum 256x DSD DAC and Rubicon Atomic AD/DA Preamp

Denver, October 3, 2013 — Leading digital audio manufacturer Antelope Audio (exhibit room 477) will set the tone at this year’s Rocky Mountain Audio Fest by demonstrating its new Zodiac Platinum DSD DAC and its CES 2013 Innovations Award Winning, Rubicon Atomic AD/DA, the first audiophile preamp with an integrated atomic clock.

The presentation will demonstrate the unprecedented clarity, detailed imaging and wide frequency response that is possible with digital audio recordings while using Antelope Audio’s premium audiophile componentry. Attendees will experience A/B listening comparisons between analog source material and digital recordings, using Antelope Audio playback systems.

In addition to the room exhibition, Antelope Audio Director of Sales and Marketing Marcel James will be on hand to present a seminar on Sunday afternoon entitled The Advantages of Superior Clocking for Digital Audio.

In Perfect Company

To effectively demonstrate the new Zodiac and Rubicon, Antelope Audio has chosen to use ATC Loudspeakers as part of its playback system — a company known for its purist approach in audio reproduction.

Introducing the Zodiac Platinum DSD DAC

The new Antelope Zodiac Platinum DAC brings audio appreciation to a higher level, offering the audiophile community the widest DSD support, including the unique 256 DSD mode and a PCM sample rate of 768 kHz via a custom-built USB chip.

The extreme DSD256 greatly extends the accuracy and transparency of the audio reproduction as well as the overall system performance. The custom-designed Antelope USB chip compliments high fidelity by reducing clock jitter and pushing the envelope of the USB streaming with sample rates four times higher than those offered by similar devices.

Whereas many top of the line DACs offer PCM upsamplers, the Platinum is the first device to offer a DSD upsampler. This distinctive feature allows the upsampling of DSD64 to DSD256, pushing DSD noise into higher frequencies, vastly improving the quality of the D/A conversion. The Platinum bypasses internal digital filters built into the DAC chip by implementing a custom upsampler with carefully designed high-precision linear phase filters in the FPGA.

In the heart of the new Platinum lie the renowned 64-bit Acoustically Focused Clocking and the ultra-low jitter oven-controlled crystal oscillator, which are Antelope’s signature for unprecedented sound quality appreciated by the best recording, mastering and post production studios around the world. In addition, the Platinum is equipped with a 10 MHz input for the legendary Antelope 10M Rubidium atomic clock, providing the most accurate and stable clocking reference and therefore an uncompromised digital to analog conversion.

Zodiac Platinum has an enhanced stepped relay volume control compared to its very successful and highly appreciated predecessor Zodiac Gold. It also carries the Antelope dual stage headphone drivers with impedance control. Platinum comes only in bundle with the second generation of the audiophile power supply Voltikus. The upgraded version of the PSU has a separating power line filter on its own board, an improved transformer shielding and better connector with stronger locking. A new, high-performance power cable, connecting both devices is also included in the bundle.

Rubicon – World’s First Atomic AD/DA Preamp

Antelope Audio will also feature Rubicon, its groundbreaking digital audio preamplifier which integrates the world renowned 10M Rubidium atomic clock. Catering for the ever-increasing interest in high-resolution DSD audio, Rubicon will be offering the unique 256 real DSD upsampler, providing high-end consumer electronics enthusiasts with the most accurate audio representation and detailed soundstage of both analog and digital recordings.

The integrated Rubidium atomic clock makes the clocking reference in Rubicon 100,000 times more accurate than the one of a traditional crystal oscillator. Coupled with Antelope’s 64-bit Acoustically Focused Clocking technology, the Rubidium achieves a breakthrough in jitter management, achieving analog-like sounding of the digital recordings.

The Advantages of Superior Clocking for Digital Audio

Antelope Audio’s Marcel James, U.S. Director of Sales & Marketing, will present a seminar titled, The Advantages of Superior Clocking for Digital Audio in the Marriott Aspen Amphitheater on Sunday, October 13th at 12 noon. In this seminar, he will explain how audio can be affected at the conversion stage by a master clock device. Examples will be given on how master clocks are used in the creation of nearly all of the audio we consume, including movies, television, mastering, live sound and production work. The importance of playing back audio at home, using the same clocking technology used in the creation process that more accurately represents the clarity and depth of the audio will be discussed.

About Antelope Audio

www.AntelopeAudio.com
Antelope Audio is a leading manufacturer of professional audio master clocks and A/D & D/A converters. The company is among the few offering 768 kHz USB DACs and the first one implementing a 10 MHz atomic clock in a consumer audiophile AD/DA Preamp, providing extremely accurate audio representation and detailed soundstage of both analog and digital recordings.

The company utilizes more than 20 years’ experience in professional audio to develop high-end consumer audio products, which bring to the home environment an audio precision and sonic detail comparable only to the finest pro studios. Antelope’s customers include many Grammy award-winning sound engineers, producers, and some of the most renowned recording, mixing, mastering and post-production studios around the world.

# # #

All brands and trade names are the property of their respective owners.

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Engineering Emmy® awarded to iZotope RX® Audio Repair Technology

iZotope Inc., Cambridge, MA (October 2, 2013) – iZotope Inc., a leading audio technology company, has been honored by the National Academy for Television Arts and Sciences with an Emmy Award for Outstanding Achievement in Engineering Development for RX Audio Repair Technology. The Engineering Emmy is presented to an individual, company or organization for engineering developments so significant that they materially affect the transmission, recording or reception of television.

“We are incredibly proud to be recognized by the Academy for the development of iZotope RX,” says Mark Ethier, CEO of iZotope, Inc. “iZotope’s customers have helped shape RX into what is today—their feedback has been invaluable as we’ve refined RX’s workflows and strengthened its processing power. We are excited to be recognized as a game-changer in the television and broadcast industries and are sincerely humbled by this award.”

For audio professionals in the television industry, RX is now the standard for rescuing audio from the cutting room floor. With remedies for noise, clipping, hum, buzz, crackles, unwanted reverb and more, iZotope’s RX visual audio repair technology is the fastest, easiest way to repair and restore audio. RX makes it possible to clean up dialogue that has been spoiled by weather conditions, microphone issues, equipment buzz, and sudden noises like dog barks, sirens and much more.

A highlight of RX is its powerful spectrogram, which exposes details that are hidden in a standard audio waveform. By revealing a rich visual display of audio frequency over time, RX allows engineers to detect and isolate problems with innovative selection tools. In addition, RX features intelligent, cutting-edge modules that are carefully designed to tackle specific audio problems. Whether used as a standalone software application, or as plug-ins within industry standard editors, RX integrates seamlessly with any post production workflow. To meet the modern demands of a fast-paced production schedule, post production studios worldwide use RX to transform troubled recordings into professional grade, broadcast ready audio.

RX Audio Repair Technology will be honored among YouTube, Aspera, Digital Dailies, and Lightcraft Technology on October 23, 2013 at the Lowes Hollywood Hotel.

To learn more about RX Audio Repair Technology, visit: www.izotope.com/rx.

About the 65th Primetime Emmy Engineering Awards

The 65th Primetime Emmy Engineering Awards are overseen by chair Wendy Aylsworth, SVP of Technology, Warner Bros. Committee members are Stuart Bass, A.C.E., Picture Editors Governor, Academy of Television Arts & Sciences; Chris Cookson, President, Sony Pictures Technologies; Kevin Hamburger, Sr. Supervising Producer, THE TALK; Eileen Horta, Sound Editing Governor, Academy of Television Arts & Sciences; David Jensen, Partner, Monitor; Geoff Katz, Vice President, Watchwith; Frank Morrone, C.A.S., Sound Governor, Academy of Television Arts & Sciences; John D. O’Brien, Video Control/Consultant “The Big Bang Theory”; Mark Scott Spatny, VP Digital Effects, Stargate Studios; Barry Zegel, Senior Vice President and General Manager, CBS Television City.
Learn more about the 65th Primetime Emmy Engineering Awards: http://www.emmys.com/news/press-releases/winners-announced-65th-primetime-emmy-engineering-awards.

About iZotope, Inc.

iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony.

For more information on iZotope products, please visit www.izotope.com.

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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