Archive by Nicole Smith

Sound Devices Teams Up with Habitat for Humanity for Deconstruction Project at New Facility

REEDSBURG, WI, APRIL 19, 2012 — Sound Devices (2012 NAB Booth C2546), experts in portable audio and video products for field production, recently relocated and settled into its new 27,000-square-foot U.S. headquarters in Reedsburg, WI. As part of the move, the company made its renovation a community project by donating the front portion of the building to the local Habitat for Humanity affiliate.

“The front section of the building was isolated from the rest of the facility, so it was originally in our plans to tear it down,” says Jon Tatooles, managing director of Sound Devices. “However, when I learned that Habitat for Humanity participates in deconstruction projects, it made sense to donate the material and divert it from a local landfill. The volunteers on site were really amazing throughout this venture and we are happy to help others in need.”

After hearing about Habitat for Humanity’s deconstruction projects through a business associate who sits on the board of directors for the Dane County Habitat branch, Sound Devices coordinated the project with the local Sauk and Columbia County affiliate. Bruce Koch, deconstruction and ReStore (Habitat’s ReStore resale outlets sell reusable and surplus building materials to the public) coordinator for the affiliate, conducted an initial visual inspection of the facility in order to determine the types and quantity of materials that were salvageable. Once the project was green lighted, volunteers worked meticulously to deconstruct the entire building over the course of seven days.

Habitat for Humanity is an international organization with local affiliates across the globe that builds housing for low-income working families. The materials collected at the Sound Devices project totaled more than six 30-yard dumpsters of either usable, re-sellable or recyclable materials, including approximately 33 40-foot trusses, 200 2x6s, 80 sheets of 4×8 plywood, 200 studs, siding, insulation, piping, wiring, doors, the furnace and air conditioners. The re-sellable items will be sold in Habitat’s ReStore in nearby Baraboo. The money raised will help Habitat build new houses and pay for overhead expenses at the ReStore.

“For a company like Sound Devices to think outside the box and let us come in to their facility to help others is amazing,” says Koch. “Wonderful things happen when a low-income family has its own home—the children flourish and the parents can better provide—it’s really a great thing to see firsthand. At Habitat, we strive to do everything we can to further that cause. When a local company like Sound Devices can see that vision with us, we’re all happy and everyone benefits.”

Sound Devices’ new facility is located at E7556 State Road 23/33 in Reedsburg.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The thirteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Sound Devices Unveils New PIX-DOCK at the 2012 NAB Show

Data Dock for PIX-CADDY with Thunderbolt Connection

LAS VEGAS, APRIL 18, 2012 — Sound Devices, experts in portable audio and video products for field production, unveils PIX-DOCK at the 2012 NAB Show (Booth C2546). PIX-DOCK connects drives mounted in a Sound Devices PIX-CADDY to computers equipped with Thunderbolt™ high-speed I/O over a single Thunderbolt cable.<

The PIX-CADDY, which is used to connect SSD volumes to all PIX recorders, is an SSD mounting accessory that also operates as a multi-format interface to attach the SSD to a computer for file transfer and management. With the introduction of the PIX-DOCK, users can now leverage Thunderbolt’s fast transfer speeds between drives and computers. Thunderbolt offers up to 10 Gbps interconnection speeds, making the file copying of large-capacity drives fast and easy. When using fast storage drives, its high throughput allows realtime playback of multiple streams of high-data-rate video.

The PIX-DOCK provides both power and data over a single cable and is compatible with SATA drives. PIX-DOCK includes a six-foot Thunderbolt cable that connects to the PIX-CADDY using its eSATAp connection. It also offers a secure, latching connection to PIX-CADDY, and its weighted base prevents sliding on desktop surfaces.

“PIX-DOCK simplifies and speeds the transfer and management of files when using our PIX recorders,” says Jon Tatooles, managing director at Sound Devices. “By utilizing Thunderbolt, we are able provide our users with blazing fast and reliable transfers.”

The PIX 220, PIX 240 and PIX 260 record directly to QuickTime using Apple’s ProRes or Avid’s DNxHD codecs. Since PIX recorders use ProRes and DNxHD, files recorded in the field can be used directly in post production, making the workflow simple and fast. The PIX 240 and PIX 260 add even more flexibility, with their time code, sync generator, and simultaneous SDI and HDMI outputs. All PIX recorders bring the company’s award-winning audio expertise and performance to their video products.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The thirteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Clear-Com Introduces Tempest2400 Masterbelt at the 2012 NAB Show

All the Capabilities of the Tempest2400 BaseStation in a Compact and Portable Package

LAS VEGAS, APRIL 18, 2012 ? Clear-Com, a global leader in critical voice communication systems, today announces the Tempest2400 MasterBelt digital wireless intercom at the 2012 NAB Show (Booth C8008). Ideal for mobile productions, the Tempest2400 MasterBelt offers all the advanced features, reliability and robustness of the Tempest2400 rack-mount BaseStation, including the new version 3.0 features, in a compact, portable and easy-to-deploy package that can be conveniently worn on the hip.

The Tempest2400 MasterBelt provides mobile broadcasters the ability to coordinate and communicate hands-free within the form of a Tempest2400 BeltStation. The MasterBelt can be paired with any standard Tempest2400 CP-222 two-channel BeltStation to create a full-featured two-channel system in the 2.4 GHz band. The MasterBelt itself also functions as a BeltStation allowing up to six full-duplex wireless users to be in communications.

Designed to be comfortable, rugged and robust, the MasterBelt Station and all Tempest BeltStations can operate in harsh weather conditions and are protected by a durable, weather-resistant ABS co-polymer blend with a high performance polyurethane overmold. The MasterBelt is provided with a rechargeable Li-Polymer battery capable of up to eight hours of operation or can be powered by three Standard AA Alkaline batteries as backup, providing four hours of operations.

“The Tempest2400 system has proven itself as the “go-to” communications solution for remote productions operating interference-free even when other wireless devices are in the same vicinity,” says Craig Frederickson, Clear-Com wireless product manager. “The MasterBelt is the latest development in the Tempest2400 line, giving broadcasters an even more flexible alternative for mobile productions, such as reality TV, sports sideline communications or ENG, where a stationary BaseStation is not desirable, feasible or optimal.”

Tempest2400 operates in 80MHz of spectrum in the 2.4GHz ISM frequency band. Tempest wireless systems will not interfere with traditional wireless microphone, IFB or in-ear monitor systems that operate in the UHF TV band. Because of Frequency Hopping Spread Spectrum (FHSS) technology, the Tempest system does not compete with signals from other 2.4 GHz wireless devices, minimizing frequency coordination and enabling flawless performance. Further, with state-of-the-art Redundant Data Transmit (2xTX), which sends each packet of audio data twice on different frequencies, the system ensures uninterrupted audio communications.

Similar to all Tempest systems the Tempest MasterBelt offers three modes of operations: Normal, Shared and Split. Because the MasterBelt can also function as a BeltStation, up to six full-duplex wireless users can be in communication in Normal mode. In Shared mode, an unlimited number of wireless users can listen while five have PTT capability. In Split mode, four wireless users are full-duplex talk while an unlimited number may listen. The ‘fifth user slot’ is an unlimited single-channel shared between the users with momentary talk buttons only.

About Clear-Com
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HME
HM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

Sound Devices Introduces Next-Generation Functionality for PIX 240 at the 2012 NAB Show

LAS VEGAS, APRIL 17, 2012 — Sound Devices, experts in portable audio and video products for field production, is pleased to introduce new functionality for its popular PIX 240 portable audio/video recorder at the 2012 NAB Show (Booth C2546). This latest firmware update, Version 2, now makes PIX 240 even more powerful with the addition of several monitoring features.

Sound Devices PIX 240 firmware Version 2 now enables users to monitor images in varying exposures through Exposure Assist, a feature that allows for false-color and zebra-stripes viewing. It is also equipped with Focus Assist, which includes a peaking filter and 1:1 pixel zoom. Monitor brightness, contrast and chroma adjustments are also now available. Version 2 of PIX 240 also includes standard definition recording (NTSC and PAL) and support for using simultaneous analog and SDI/HDMI audio inputs. These new features are available as a free firmware update to all PIX 240 users and can be downloaded by visiting http://www.sounddevices.com/download/pix-firmware.htm.

“Our new PIX line of audio/video recorders have received overwhelming support and interest from the industry as a whole,” says Jon Tatooles, managing director at Sound Devices. “We have listened to our customers’ needs and requests and are excited to officially launch Version 2 of PIX 240 at this year’s NAB show.”

PIX 240 is the perfect companion to a wide range of professional cameras used for feature films such as ARRI and RED as well as small-format HD cameras from Sony and Canon. PIX 240 connects to cameras with HDMI or SDI and records directly to QuickTime using Apple’s ProRes or Avid’s DNxHD codec. Since PIX recorders use Apple ProRes and Avid DNxHD, files recorded in the field can be used directly in post production, making the workflow simple and fast. PIX 240 includes a built-in Ambient Clockit time-code generator/reader with genlock output for multi-camera and double-system sound applications. The source time-code can be derived from the SDI stream, from an external source or from the built-in generator in PIX 240. Additional features include digital audio inputs on AES3 and an external eSATAp connection for direct connection to large SATA drives.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The thirteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

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Clear-Com Launches Helixnet Partyline at the 2012 NAB Show

World’s First Networked Partyline Intercom System Delivers Greater Efficiency, More Flexibility and Cost-Savings Through the Revolutionary Platform Design

LAS VEGAS, APRIL 17, 2012 Clear-Com, a global leader in critical voice communication systems, is pleased to announce the formal, worldwide release of the HelixNet Partyline Intercom System at the 2012 NAB show (Booth C8008). HelixNet Partyline is the industry’s first networked partyline intercom system with a set of unique capabilities for achieving greater efficiency, cost-savings and flexibility from set up to operation and maintenance. The initial release of HelixNet Partyline consists of the HMS-4X Main Station, HBP-2X HelixNet Beltpack, HLI-2W2 Two-wire Interface Module and the HLI-4W2 Four-wire Interface Module. The system begins shipping in June of 2012.

HelixNet Partyline is the first set of products to demonstrate a revolutionary platform with the superb audio clarity of the digitized Clear-Com sound, central administration of the entire system (firmware upgrades and maintenance) from the Main Station with a single cable and flexible cable options with the ability to leverage an existing cable infrastructure.

“For over 40 years, the Pro Audio community has been using the common, three-pin XLR microphone cable to carry audio for analog partyline systems,” says Chris Barry, Product Manager at Clear-Com. “In order to preserve our customers’ investments in intercom systems and cabling infrastructure, we had specifically designed HelixNet Partyline to transmit four channels of digital quality audio, plus program and power for beltpacks, over a single, shielded twisted-pair cable (ex. microphone cable, CAT5 or CAT6 cable). This capability alone is unprecedented in the history of intercom technology.”

Furthermore, the HelixNet Partyline system offers many unique features to create a much higher audio quality, increase efficiency during the set up and maintenance processes and simplify operations.

HMS-4X HelixNet Main Station and Interface Module

High channel density and high user capacity. The sleek 1RU HMS-4X HelixNet Main Station fits into any standard 19” rack and can provide power and four channels of audio to support up to 20 digital beltpacks.

No hum. No buzz. Unlike standard analog systems, the all-digital HelixNet system is immune to electro-magnetic interference and ground loops.

Highly flexible and offers intuitive user operations. System settings and menus are quickly accessible. Firmware maintenance and upgrades can be achieved easily via USB ports.

Greater connectivity with existing analog intercom systems and audio devices. The expansion bay in the Main Station allows optional HLI-2W2 two-wire and HLI-4W2 four-wire interface modules to connect easily with existing analog intercom systems and audio devices, while preserving the high audio quality that is free of hum and noise.

HBP-2X HelixNet Beltpack
High channel density and selectable channels to save resources. The rugged, ergonomically-designed HBP-2X HelixNet Beltpack is a two-channel beltpack that can access two of any four system channels and program audio over a single cable, along with individual level control. Networked audio is distributed over a single, shielded twisted pair, keeping the number of cables required, low.

Easy to operate and read. Optimally positioned buttons and volume knobs are easy to locate, identify and control on the beltpack. Channel labels are simple to read on the high-contrast 10-character OLED displays. Beltpacks can be set up in daisy chain or star configurations with no need for active split boxes.

Highly durable and flexible. HelixNet Beltpacks are highly durable, fabricated from lightweight cast aluminum, and come with a sturdy beltclip, rubber bumpons and an integrated strap guide to offer a variety of practical mounting options.

About Clear-ComClear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HMEHM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

RTW TM3 TouchMonitor Now Shipping Worldwide

Affordable, Compact Addition to TouchMonitor Range Supports Compliant Loudness Metering

LAS VEGAS, APRIL 16, 2012 — RTW, a leading vendor of visual audio meters for professional broadcast, production, post production and quality control, is pleased to announce that it is now shipping worldwide the new TM3 TouchMonitor. The TM3 is the latest introduction in the company’s successful range of products marking the next generation in compliant professional audio signal metering, which will all be on display at the RTW booth (C1844) during NAB 2012.

The TM3 includes features of the larger TM7 and TM9 TouchMonitor versions and is controlled using a touch-sensitive display. With its budget-friendly base price, a 4.3-inch touch screen and stylish exterior allowing for horizontal and vertical placement, the TM3 is a highly appealing, compact solution ideal for editorial offices, edit suites and small control rooms.

“The TM3 has received such wonderful feedback thus far and there have already been a large number of units sold in advance, so we are thrilled to begin shipment,” says Andreas Tweitmann, CEO, RTW. “It was important to us to provide the broadcast community with a range of solutions that will help them meet CALM Act compliance standards by the end of this year. The timing of the TM3’s shipment could not be better.”

Featuring PPM and true-peak instruments, the TM3 offers comprehensive loudness metering in compliance with all globally relevant standards, including EBU R128, ITU BS.1770-2/1771, ATSC A/85 and ARIB. Instruments include single-channel and summing bar graphs, an LRA instrument and numerical displays. The basic version handles analog and digital stereo audio, while the 5.1 option adds the support of six-channel digital input.

Full technical details about the TM3 and all of RTW’s products can be found at www.rtw.de.

About RTW
RTW, based in Cologne (Germany), has more than 40 years of experience in designing, producing, and marketing advanced recording-studio systems. The company focuses its business on professional audio signal metering tools that are in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio highlights the TouchMonitor range, a new series of tools for visual signal analysis and comprehensive loudness metering. The TouchMonitor combines the highest of flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, integrating exceptional surround-signal visualization using the unique and groundbreaking Surround Sound Analyzer. The high-end SurroundControl series of products with fully fledged loudness measuring combines the convenient metering options of the RTW surround display devices and the control functions of an eight-channel monitoring controller.

For more information, visit www.rtw.de or www.facebook.com/rtw.de, or call +49 (0) 221 709130.

Clear-Com Announces Seamless Roaming For Tempest2400 at the 2012 NAB Show

New Product Breakthrough Delivers Uninterrupted Coverage for Large-Scale Broadcasts

LAS VEGAS, APRIL 16, 2012 ? Clear-Com, a global leader in critical voice communication systems, today is pleased to unlock the Seamless Roaming capability for its Tempest2400 digital wireless intercom at the 2012 NAB Show (Booth C8008). Further enhancing one of the most feature-rich and robust system within Clear-Com’s wireless product line, Tempest Seamless Roaming will be most applicable in large mixed facilities that are separated by sizeable distances such as campus buildings, multi-studio environments and/or outdoor venues.

“With Seamless Roaming, a Tempest2400 wireless BeltStation can cover an extensive area with multiple zones that would not be adequately supported by a single BaseStation installation,” says Craig Fredrickson, Clear-Com’s wireless product manager. “This allows broadcasters to focus on critical production cues rather than having to change the settings on their wireless BeltStations when moving within a venue.”

Tempest Seamless Roaming is meant for individuals on the production team who must move freely and wirelessly from a given coverage area to another without interference or dropout of intercom communication. Base stations are linked together with the newest ZSync (Zero Synchronization) Technology. The ZSync Technology provides a zero sync reference that coordinates the hopping patterns of all connected BaseStations every time the system is powered up, irrespective of random time variation in power up sequences, to provide improved system performance and a seamless wireless experience.

With the Seamless Roaming feature, BeltStation users can migrate between as many as 16 different Tempest2400 BaseStations (coverage areas or zones). Both Seamless Roaming and iSelect Roaming are available to accommodate virtually every application need.

The Tempest2400, designed with Frequency Hopping Spread Spectrum (FHSS) technology, utilizes a narrow band signal that is continually changing frequencies to powerfully burn through RF noise and interference. Because of FHSS technology, the Tempest system does not compete with signals from other 2.4 GHz wireless devices, minimizing frequency coordination and enabling flawless performance. Moreover, the wireless system features state-of-the-art 2xTX Transmission Voice Data Redundancy, which sends each packet of audio data twice on different frequencies and through different antennas, ensuring uninterrupted audio communications. Via four- and two-wire connections, it can interoperate with other Clear-Com intercom systems, as well as those from other manufacturers.

Tempest2400 offers three different modes of operations—Normal, Shared and Split. All modes are supported under the Seamless Roaming function. A single Tempest2400 in Normal mode can support between one and five full-duplex wireless users who always need to speak on the intercom system. However, in Split or Shared mode, an unlimited number of users can monitor the conversation and share talk capability. A combination of Tempest systems operating in either Normal or Shared mode can co-exist in the same environment for the ultimate in flexibility. Each digital BeltStation offers four audio channels. By stacking up to 10 BaseStations together, 50 independent, full-duplex wireless BeltStations can operate together in a single system.

About Clear-Com
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HM Electronics, Inc. (HME)
HM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

SSL Introduces V5 Software for C100 HDS Digital Broadcast Console at the 2012 NAB Show

Upgrade Introduces Dual Operator Functionality

LAS VEGAS – Solid State Logic, the world’s leading manufacturer of advanced analogue and digital audio consoles, is pleased to announce V5 software for the C100 HDS Digital Broadcast Console at the 2012 NAB Show (Booth C2013). This new software release will implement a range of features to enable Dual Operator Mode for SSL’s C100 HDS specialized broadcast console. While the development of V5 software responds to feedback from a wide range of SSL clients, the upgrade is particularly relevant to mobile installations where complex productions demand two operators but space and weight are at a premium.

“As the broadcast industry continues to encounter more complex production situations involving multiple mixes, our team has developed the V5 software enhancement for the C100 HDS to meet the needs of two mix engineers at the same time,” says Piers Plaskitt, CEO of SSL, Inc. “V5 allows our most powerful digital console to be installed in a space and weight conscious OB van, for example, to easily handle a live international sporting event presented in different languages, therefore requiring different simultaneous mixes. We believe the V5 software upgrade will further solidify the C100’s impact on the market.”

SSL’s Dual Operator Mode provides two operators the ability to have independent physical controls and access to shared audio assets, through a single console processing engine, Routing and I/O configuration. The system allows for an unlimited number of consecutive eight-channel fader bays to be assigned to a 2nd operator. These bays can be located at either end of a C100 console or separated and installed in a remote location such as a production gallery. The 2nd operator bays can be specified with a dedicated Master Tile to provide access to EQ, dynamics, aux sends and various routing functions, or specified without a Master Tile for simple fader-only operation.

Dual Operator Mode splits the C100 PFL system to provide independent PFL control for each operator with monitoring via headphones, or the main or mini monitor outputs. If both operators access the PFL system simultaneously and route to the monitor outputs, the PFL system delivers a sum of all selected channels. V5 also introduces a new momentary ‘non-latching’ PFL mode to facilitate shared use of monitor outputs.

Each operator will also have independent access to user layers to facilitate selection of individual channels to be laid out in each operator’s area and individual channels that are a shared resource, allowing simultaneous control from both operator areas. A fully redundant C100 system will see both Operator areas as a single console, delivering seamless redundancy for both users. For streamlined project recall for an entire Dual Operator system, all settings for both operators are also saved within a single project.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Sound Devices Debuts PIX 260 Production Video Recorder at the 2012 NAB Show

LAS VEGAS, APRIL 16, 2012 — Sound Devices, experts in portable audio and video products for field production, introduces its new PIX 260 production audio/video recorder at the 2012 NAB Show (Booth C2546). Based on Sound Devices’ field-proven PIX 220 and PIX 240 recorders, the rack-mounted PIX 260 is a file-based video/audio recorder/player that seamlessly replaces tape-based video decks in production and post-production environments.

Using the Apple ProRes or Avid DNxHD codecs, the PIX 260 records and plays files up to 220 Mbps in high-quality 10-bit 4:2:2 video as well as 32 tracks of 48 kHz audio. Files from the PIX 260 are ready for direct import into Avid and Final Cut editing environments, eliminating time-consuming transferring and transcoding. Files can also play out of the PIX 260 for realtime applications.

Continuing the company’s deep heritage in production sound, Sound Devices has infused the PIX 260 with 32-track record/playback capability. In addition to 16 channels of embedded SDI audio and eight channels of HDMI audio, the PIX 260 also accepts eight channels of line-level analog I/O and eight channels of AES digital audio. Using Dante, the PIX 260 can accept and transmit up to 32 channels of audio over Ethernet.

The PIX 260 has a built-in five-inch 800 x 480-pixel video display that allows users to view video and setup-menu selections. With its extensive control capabilities, the PIX 260 is a flexible video playback source that is compatible with Final Cut Pro 7, Final Cut Pro X and Avid sessions. The PIX 260 can be controlled by both external RS-422 and via Ethernet through the embedded Web server, allowing for machine transport control over Ethernet-based networks.

Up to four SATA drives can be connected to the PIX 260 simultaneously. All four drives can be recorded to simultaneously, for RAID-1 type redundancy and to eliminate the need for post-record copying when multiple copies are required.

The PIX 260 includes a built-in Ambient Clockit time-code generator/reader with genlock output for multi-camera and double-system sound applications. In addition to generating ultra-stable time-code, time-code can be read from the SDI stream, the HDMI stream or from an external source.

Like the PIX 220 and PIX 240, the PIX 260 includes a sophisticated scaler and frame rate converter. Regardless of the incoming signal, the PIX recorders can record the signal after up, down or cross-conversion at the same rate or a different rate. Hardware-based 3:2 pull-down removal is included as well.
PIX 260’s convenient 1/2-rack, 2U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through its four-pin XLR connector.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The thirteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Auralex Application Specialist Heads to the Front of the Class at Ball State University

Daniel Porter Shares Expertise on Acoustic Theory and Real-World Applications for Central Indiana Section of the Audio Engineering Society

MUNCIE, IN — Auralex® Acoustics, Inc., the industry leader in innovative sound control solutions, recently participated in the Central Indiana Section of the Audio Engineering Society’s first ever Central Indiana Audio Student Workshop, which took place on March 10 on the campus of Ball State University in the Music Media Production & Industry Studios. more

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