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Jimmy Jam to Present Friday Keynote at Upcoming 135th AES Convention

— Five-time GRAMMY® Award-winner to address the intersection of technology and creativity with a keynote address titled “The Current And Future Direction Of The Recording Process from an Artist,
Engineer and Producer’s Perspective” —

New York, NY, October 4, 2013 — On Friday, October 18, 2013, the 135th Audio Engineering Society Convention at the Javits Center in New York City will feature a keynote address by Jimmy Jam, a five-time GRAMMY® Award winner and a renowned songwriter, record producer, musician, entrepreneur and half of the most influential and successful writing/producing duo in modern music history. Taking place at 11:00 a.m., the presentation will be entitled “The Current And Future Direction Of The Recording Process from an Artist, Engineer and Producer’s Perspective.”

Since forming their company Flyte Tyme Productions in 1982, Jam and partner Terry Lewis have collaborated with such diverse and legendary artists as Janet Jackson, Mary J. Blige, Gwen Stefani, Michael Jackson, Robert Palmer, Mariah Carey, Boyz II Men, Rod Stewart, Yolanda Adams, Sting, Heather Headley, Usher, Celine Dion, Kanye West, Chaka Khan and Trey Songz, among others. Jimmy and Terry have written and/or produced over 100 albums and singles that have reached gold, platinum, multi-platinum, or diamond status, including 26 No. 1 R&B and 16 No. 1 pop hits, giving the pair more Billboard No. 1′s than any other duo in chart history.

Jimmy Jam’s AES Keynote address will focus on the current and future direction of the recording process from various perspectives. As a songwriter, artist, producer and engineer, Jimmy is uniquely qualified to give a bird’s-eye view of how each of these “personalities” interact and contribute to the overall final product, and along the way, how technology has evolved and what it has meant to his craft.

“Of course it all starts with a great song, but then, it’s important to consider how and what technology should be used to capture that creativity,” stated Jam. “It’s that intersection between the technology and creativity that I have always looked at every day throughout my career. Ultimately, it’s my job as a artist/producer to have those two elements meet and not crash – And that’s when you’re using the available technology to capture the artist in their purest form.”

For further information on the 135th AES International Convention, and to register for your free Exhibits-Plus badge or the premium All-Access badge, please visit http://www.aes.org/events/135/.

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GUITAR CENTER OPENS NEW STORE IN GAINESVILLE, FLORIDA

Gainesville location features on-site lessons, new repair services, and vast inventory selection

ANNOUNCEMENT HIGHLIGHTS:

Guitar Center has opened its 252nd store location in the U.S.
Customers can take a “virtual tour” of the store online
GC Garage service will provide a much-needed range of musical instrument repair services
GC Studios, first-ever GC lessons facility in Gainesville to support local music scene, is at the store, located at 3210 SW 35th Blvd. Gainesville, FL 32608

(Los Angeles, CA) – Guitar Center, the world’s largest retailer of guitars, amplifiers, drums, keyboards, recording, live sound, DJ and lighting equipment, opened its 252nd location, in Gainesville, Florida, on September 5, 2013. The store, located at 3210 SW 35th Blvd. Gainesville, FL 32608, is also part of a new wave of Guitar Center retail stores that feature lesson spaces, which allows GC to offer additional music lessons, special programs and expanded opportunities for local musicians.

Customers can take a “virtual tour” of the store on the GC website at http://stores.guitarcenter.com/gainesville.

GAINESVILLE STORE LOCATION BACKGROUNDER:

Vast Product Selection and Low Prices – Guitar Center Gainesville brings an unprecedented selection of products to Gainesville, all backed by Guitar Center’s guarantee and available at attractive prices. The store features the latest in guitars, amplifiers, percussion instruments and keyboards, as well as live sound, DJ, lighting and recording equipment.
Guitar Center Studios – Deeply vested in expanding and enhancing the local music scene, Guitar Center Gainesville also brings Guitar Center Studios to the new location. The fully-equipped, in-house lesson space is giving area residents of all ages and skill levels access to affordable music lessons. Sourcing locally trained store employees as certified instructors, courses will be offered on guitar, bass, keys and drums, as well as vocals and recording techniques using Pro Tools, Logic Pro and GarageBand.
Guitar Center Garage – Guitar Center Gainesville includes GC Garage, the store’s on-site guitar repair service, offering a host of services, including electronics repair, hardware customization, fretwork, structural repairs, cosmetic enhancements, setup and maintenances.

Guitar Center Gainesville: Additional In-Store Programs and Opportunities Include:

Guitar Center’s “Endless Aisle” – Gainesville customers can now shop from Guitar Center’s new multi-channel “endless aisle,” which extends the in-store inventory to over $400 million in new and used products from across the nation. Shoppers will be able to purchase in-store, online and via phone, with the option to have products shipped to their home or to the store for convenient pick up.
At: Guitar Center Programs – Throughout the calendar year, Guitar Center Gainesville will host an array of free events, such as artist workshops, lessons, product launches and performances, as a part of the company’s ongoing commitment to educating and assisting unsigned artists. These programs aim to provide musicians with the opportunities and exposure essential to achieving their music goals.
Recording Made Easy – Available at all Guitar Center locations, the Recording Made Easy program is a four-week, user-friendly series of weekly classes occurring Saturdays from 10:00 to 11:00 a.m.

In addition to special programs at the new Gainesville store, Guitar Center offers year-round programs designed to spearhead creativity and highlight promising undiscovered talent. Gainesville residents will now be able to participate in these ongoing events from their hometown. Programs have included Your Next Record, Guitar Center On-Stage, Guitar Center Singer-Songwriter, Guitar Center’s Battle of the Blues and Guitar Center’s Drum-Off.

Guitar Center Gainesville Store and Studio Hours
Mon-Sat: 10 AM-8 PM
Sun: 12 PM-6 PM

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Audio-Technica Offers System 10 Rebates

— Operating in the 2.4 GHz range, System 10 avoids TV and DTV interference, offering a cost-effective, high-fidelity wireless solution for houses of worship, musicians/hobbyists, karaoke, corporate applications and more —

STOW, OH, October 2, 2013 — Audio-Technica, a leading innovator in transducer technology for over 50 years, is offering rebates of up to $50.00 on its System 10 Digital Wireless systems. Systems purchased from an authorized U.S. Audio-Technica dealer between October 1, 2013, and December 31, 2013, will be eligible. Claims must be submitted by January 31, 2014.

End-users will receive rebates on qualifying System 10 purchases as follows:

Any 1 System – $10 Rebate
Any 2 Systems – $25 Rebate
Any 3 Systems – $50 Rebate

Users can register online at register at http://audio-technicaus.4myrebate.com with offer code AUD-10013. Alternatively, buyers may manually complete and mail in this System 10 Wireless Rebate 2013 Form with the required documents indicated.

For complete terms and conditions, please visit System 10 rebates here.

About System 10 Digital Wireless
System 10 offers high-fidelity digital wireless for performing musicians and presenters. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 offers advanced 24-bit operation and amazingly clear sound. System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.

Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak® body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars.

System 10 Products and U.S. MSRP:

ATW-1101 UniPak® Transmitter System $489.95
ATW-1101/G Guitar System $524.95
ATW-1101/H Headworn Microphone System $614.95
ATW-1101/H92 Miniature Headworn Microphone System $664.95
ATW-1101/H92TH Miniature (beige) Headworn Microphone System $664.95
ATW-1101/L Lavalier Microphone System $614.95
ATW-1102 Handheld Microphone System $524.95

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Leading Industry Journalists React Positively to Audio-Technica AT5040 Cardioid Condenser Vocal Microphone

— The ultimate studio condenser vocal microphone, the AT5040 represents a milestone in design, build quality, and the depth, presence and purity of its sound quality —

Audio-Technica, a leading innovator in transducer technology for over 50 years, is showing its AT5040 Cardioid Condenser Microphone, the inaugural model from its flagship 50 Series of elite studio microphones. Leading journalists and engineers have been raving about the AT5040 since its recent introduction.

In his review for the June issue of Mix magazine, Barry Rudolph, an L.A.-based recording engineer and audio expert, stated, “The AT5040 offers the elegance and natural sound of a well-designed large-diaphragm condenser microphone with the precision, wide frequency response and high SPL handling of a small-diaphragm microphone. The AT5040 is like super high-definition video—it captures everything in truthful resolution.”

In an August feature for Pro Audio Review, which recently nominated the AT5040 for a PAR Excellence award in the category of Large Diaphragm Condensers (LDCs, non-handheld), PAR Technical Editor and Nashville engineer Lynn Fuston stated that the “AT5040 is a well-built, respectable mic with a proud heritage and lots of unique design features … All together, this is the best microphone package A-T has ever made … The fit and finish of the AT5040 are superb.”

Additionally, Alan Branch, a freelance engineer/producer, wrote for the August issue of Audio Media, “…Audio-Technica has taken a fresh approach to how a mic can truly capture sound … resulting in what might just be the best vocal mic every produced!”

About the AT5040:
A-T’s ultimate studio vocal microphone, the hand-built AT5040 side-address condenser offers remarkably musical high-fidelity performance, with profound realism and depth, presence and purity of sound. Featuring a proprietary breakthrough element design, the AT5040 employs four ultra-thin (2 micron) rectangular diaphragms that function together providing combined surface area unachievable in a standard round diaphragm. Designed as a first-choice vocal microphone with smooth top end and controlled sibilance, the AT5040’s large-diaphragm characteristics and fast transient response also make it ideal for recording acoustic instruments such as piano, guitar, strings, and saxophone.

The AT5040 Cardioid Condenser Microphone, the first model in Audio-Technica’s flagship 50 Series of elite studio microphones, is now available with a U.S. MSRP of $2,999.00. For more information, please visit www.audio-technica.com.

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Get in a “New York State of Mind” with the Technical Tour Program at the 135th Audio Engineering Society Convention

— Technical Tour organizer David Merrill, son of famed baritone Robert Merrill, has planned a set of quintessentially “New York” excursions that will take attendees from Broadway to broadcasting, post-production and restoration —

New York, NY, September 20, 2013 — Continuing a long and always sold-out tradition, the 135th Audio Engineering Society Convention (Thursday, October 17, through Sunday, October 20, 2013, at the Javits Center in New York City) will include a four-day set of technical tours, itineraries that will take visitors into a wide range of interesting and significant facilities. And this year’s technical tour program is as “New York” as it gets. It was developed by David Merrill, a successful recording and mix engineer who has worked at several of the city’s major facilities over the past three decades, and a man who also has a very special investment in the city: he is the son of the late Robert Merrill, the longtime lead baritone for the New York Metropolitan Opera and the vocalist for “The Star Spangled Banner” before New York Yankees season-opening home games since 1969. Those fortunate enough to find a slot on what will be almost certainly sold-out tours will see the entire range of what New York has to offer as a world center for professional audio. Tickets will be available on-site at the Javits Center at the convention’s Tech Tours desk (space is limited).

Slated itineraries include the following:

On Thursday Oct. 17, attendees can visit Definition 6, a leading audio and video post-production facility.
On Friday Oct. 18, they can choose among four options: 1. A visit to Kaufman Astoria Studios (KAS), followed by a trip to the Museum of the Moving Image; 2. A look inside WNYC Radio’s station operation and their sound stages; 3. A trip to restoration specialist Battery Studios; 4. Or a jaunt to the Tony Award-winning Broadway show The Book of Mormon.
On Saturday Oct. 19, visitors will be awed by a tour of the famed Avery Fisher Hall at Lincoln Center, home of the New York Philharmonic, where they’ll tour the hall, the stage and the audio recording facilities.
On Sunday Oct. 20, attendees will stop by the NBC-TV studios of Late Night with Jimmy Fallon where they will be able to check out the sound stage and all of the production facilities.

David Merrill says he wanted to create a completely authentic New York pro audio experience, one that included iconic examples of music studios and broadcast facilities, post-production and live performances. “New York has so many great recording studios but I wanted to make this technical tour a more comprehensive experience, but still one that you can associate with New York City and nowhere else,” he explains. Even his research into the facilities on his itineraries was locally sourced. Merrill recalls that it was Avatar Studios manager Tino Passante who helped him make the connection to Lawrence Manchester, the music mixer on Late Night with Jimmy Fallon. “And you can’t get more New York than Broadway and Lincoln Center, so I’m really looking forward to people enjoying these tours. They’re going to have a real New York experience.”

For further detailed information on the Technical Tours, visit http://www.aes.org/events/135/tours/. For further information on the 135th AES International Convention, and to register for your free Exhibits-Plus badge or the premium All-Access badge, please visit http://www.aes.org/events/135/.

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Lowell Manufacturing Offers New LRS Series Desktop Rack Stands

— Available in 8U and 12U, the LRS is ideal for home office or studio —

PACIFIC, MO, September 18, 2013 — Lowell Manufacturing Company, a U.S. manufacturer of professional A/V products, has introduced its new LRS Series desktop rack stand. Made in the USA with 100% certified U.S. steel, the LRS has a small footprint with just enough rack space (8 or 12 rack units) to hold smaller AV or IT equipment arrangements where space is limited and a full sized cabinet is not needed. The compact design works as a freestanding rack or it can be bolted to a desk. Either way, it’s ideal for convenient access to mounted electronics such as a recording front end, effects processors or post-production equipment.

The LRS desktop rack stand features 11-gauge steel rails on a 10-degree angle for easy viewing of mounted equipment. It’s engineered to meet EIA rackmount standards and has a load capacity of 80 lbs. The LRS ships unassembled and includes hardware.

Features:

8U or 12U rack space on 10-degree angle
Two 11-gauge steel rails tapped 10-32 are printed with rack unit increments to aid equipment set-up. Includes 16-gauge steel side supports and bottom panel.
Smooth black powder epoxy finish
Made in the USA with 100% certified U.S. steel

For more information, please visit www.lowellmfg.com or e-mail Lowell at sales@lowellmfg.com.

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The Networked Audio Track at the 135th Audio Engineering Society Convention Explores the Future of Audio Connectivity

— Every vertical market in the broad field of professional audio is being impacted by the transitions in networked audio, and this track addresses these changes with a series of presentations —

New York, NY, September 17, 2013 — Following the recent publication of AES67-2013, a new engineering standard for networked/streaming audio-over-IP interoperability, the 135th Audio Engineering Society Convention (Thursday, October 17, through Sunday, October 20, 2013, at the Javits Center in New York City) will present the Networked Audio Track, a comprehensive examination of the ongoing fundamental shift in networked audio. The traditional paradigm of transmitting audio and video media content over dedicated point-to-point cabling is being rapidly supplanted by methods of moving media content over data networks such as Ethernet, local-area networks (LANs) and IP-based wide-area networks (WANs). The Networked Audio Track, supported by the AES Technical Committee on Networked Audio Systems, explores the latest developments in methods, protocols and applications of every aspect of networked audio, from low-latency media distribution to command and control of networked audio devices, from Audio-over-IP to coding and error correction.

Chaired by Tim Shuttleworth, a noted expert in the domain of networked audio and the Engineering Manager at systems manufacturer Renkus-Heinz, the Networked Audio Track will cover the entire spectrum of this complex topic, while catering to audience knowledgeability levels ranging from entry level to expert. A partial list of topics covered in presentations, which take place from 2:30 p.m. to 7:00 p.m. Thursday, Friday and Sunday, includes:

Audio Distribution Over Networks
A Primer On Fundamental Concepts of Media Networking
Command and Control Protocols
Networked Audio Interoperability Standards

“Networking will influence every aspect of professional audio within the next several years, and it’s already well-entrenched in areas such as installed sound and live sound,” observes Tim Shuttleworth. “Networked audio is very rapidly integrating itself into the very fabric of pro audio, in a wide range of applications. As a result, learning as much as you can about networked audio is critical to furthering a career in any corner of the industry. This track was developed with that in mind, to offer a wide range of information to the widest audience possible.”

For further detailed information on the Networked Audio Track, visit http://www.aes.org/events/135/networkaudio/. For further information on the 135th AES International Convention, and to register for your free Exhibits-Plus badge or the premium All-Access badge, please visit http://www.aes.org/events/135/.

Photo File: TimShuttleworth.JPG

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Sessions on Product Design at the 135th Audio Engineering Society Convention Will Balance Technology and Marketing

— Audio product design takes center stage at the Product Design Track at the AES convention, and for the first time product branding will be discussed with a presentation entitled “The Power of the Brand” —

New York, NY, September 16, 2013 — Continuing its mission to present the professional audio community with a comprehensive knowledge platform, the 135th Audio Engineering Society Convention (Thursday, October 17, through Sunday, October 20, 2013, at the Javits Center in New York City) this year will again feature an increasingly popular event focused on pro audio products. The Product Design Track (taking place all four days of the convention), assembled and moderated by Dan Foley, Director of European Sales for Audio Precision, will focus broadly on product design, with an emphasis on system-performance measurement. New for this year is a special presentation on the importance of properly branding and marketing new professional audio products. Presented by noted industrial designer Adrian Weidmann, “The Power of the Brand” will define the meaning of branding and explore its power and importance for the commercial success of product development and service, be it a microphone, audio processing software, or a recording studio. As Weidmann states, “Creating, defining and maintaining your brand and its message may be the most important ‘product’ you ever develop.”

“This is a unique track for the AES convention, and we’ve made it that much more interesting this year with the inclusion of the product branding seminar,” states Dan Foley. “The overarching theme is all about product development, but this year it has a timely focus on performance measurement, coming as it does at the same time that the CALM Act [Federal legislation that tightly regulates the relative level of broadcast commercials] takes effect. But the inclusion of the product branding presentation is completely new, never before done at an AES convention. So we’re balancing our technical presentations with this one that really brings out the importance of properly presenting new products to the market. I believe this shows how the AES convention continues to evolve and adapt to new realities as the industry changes.”

The Product Design Track gives design professionals insight into the latest techniques for audio hardware and software development. The events in this track are very practical in nature and anyone involved in audio product development will benefit from attending. A partial list of sessions includes:

Best Practices in Audio Software Development
High-Order Harmonic Distortion Measurement and Its Impact on Fidelity
An Introduction To the Acoustics of Personal Telecommunications Devices
The Power of the Brand

Confirmed sponsors for the Product Design Track include THAT Corporation Audio Technology and Audio Precision.

For further detailed information on the Product Design Track, visit http://www.aes.org/events/135/productdesign/. For further information on the 135th AES International Convention, and to register for your free Exhibits-Plus badge or the premium All-Access badge, please visit http://www.aes.org/events/135/.

Photo File: DanFoley.JPG

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Audio Engineering Society Announces New Networked Audio-Over-IP Interoperability Standard: AES67-2013

New York, NY, September 12, 2013 — The Audio Engineering Society (AES) has officially announced the publication of AES67-2013, a new engineering standard for networked/streaming audio-over-IP interoperability.

High-performance media networks support professional quality audio (16 bit, 44.1 kHz and higher) with low latencies (less than 10 milliseconds) compatible with live sound reinforcement. The level of network performance required to meet these requirements is available on local-area networks and is achievable on enterprise-scale networks. A number of networked audio systems have been developed to support high-performance media networking, but until now there were no recommendations for operating these systems in an interoperable manner. This standard provides comprehensive interoperability recommendations in the areas of synchronization, media clock identification, network transport, encoding and streaming, session description and connection management.

The project was initiated by the AES in December 2010 under the project name AES-X192. In August 2012, the AES and EBU jointly announced an active collaboration to achieve interoperability of networked audio. The intent was not to invent new technology, but to identify an interoperable subset of existing technologies to achieve this goal. Task Group SC-02-12-H, under the leadership of Kevin Gross, met regularly using web conferencing and email to refine and clarify the necessary parameters.

To obtain a copy of this standard, go to http://www.aes.org/publications/standards/search.cfm?docID=96. AES standards are available to AES members free of charge as a benefit of membership. Details of AES membership can be found at: http://www.aes.org/membership/.

About the AES Standards Committee
The AES Standards Committee is the organization responsible for the standards program of the Audio Engineering Society. It develops and publishes a number of technical standards, information documents and technical reports. Working groups and task groups with a fully international membership are engaged in writing standards covering fields that include topics of specific relevance to professional audio. Membership of any AES standards working group is open to all individuals who are materially and directly affected by the documents that may be issued under the scope of that working group. Complete information, including scopes of working groups and project status, is available at http://www.aes.org/standards. Enquiries may be addressed to standards@aes.org.

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135th Audio Engineering Society Convention to Feature First-Ever “Systems Sound Symposium” Sessions

— Sponsored by Systems Contractor News, the SCN Systems Sound Symposium offers a day of panel sessions that provide real-world experience and practical knowledge on the most pertinent AV business and technology trends of today —

— In its inaugural year, the SCN Systems Sound Symposium events will provide a comprehensive look at one of pro audio’s fastest growing sectors —

New York, NY, September 9, 2013 — The 135th Audio Engineering Society Convention (Thursday, October 17, through Sunday, October 20, 2013, at the Javits Center in New York City) this year will present the first comprehensive look at one of professional audio’s most robust market sectors. Sponsored by Systems Contractor News, the SCN Systems Sound Symposium, will bring together leaders in the business of installed AV, with an emphasis on how installed sound is expanding the professional audio industry. Running from 10.00 a.m. to 4.00 p.m. on Sunday, October 20, 2013, the SCN Systems Sound Symposium is a full day of panel sessions finely tuned to offer real-world experience and practical knowledge about the most pertinent AV business and technology trends of today. Four in-depth panel discussions will address the opportunities and issues affecting business growth and profitability in the near and long term. AV integrators, consultants and others in attendance will benefit from a program featuring relevant topics with compelling speakers that are changing the commercial audio business. The Systems Sound Symposium is open to all Exhibits-Plus badge-holders (free with registration in advance).

“The SCN Systems Sound Symposium will add a new dimension to the AES Show by more completely integrating what is an incredibly successful market sector further into the larger pro audio landscape,” explains Kirsten Nelson, Editor, Systems Contractor News. “From music clubs to restaurants to theaters and hotels and more, installed sound is part of the fabric of our day-to-day existence. It’s a massive market with a global reach, and one also intimately intertwined with the music industry, so it’s very appropriate that installed sound become a larger part of professional audio’s largest show – the AES Convention.”

The panel topic and presenter line-up for the SCN Systems Sound Symposium represents the many diverse aspects of installed sound. Topics include:

How Expertise in Intelligibility Measurement Can Build Your AV Integration Business, featuring Robert Badenoch of Shen Milsom & Wilke, among other notable speakers.

Big in NYC – How the Metro Area’s Premier AV Installations Influence the Industry, which will feature AV integrators, consultants and manufacturers in a discussion moderated by Felix Robinson of AVI-SPL, examining how top-level sound systems in clubs, performing arts venues, retail outlets, restaurants, stadiums, houses of worship, and boardrooms in the Big Apple represent the cutting-edge of systems implementation.

The Practicalities of Networked Audio in Permanent Installations, featuring presentations from Lee Minich, Lab X Technologies/AVnu Alliance; Kevin Gross, AVA Networks; Josh Evans, Lab.gruppen/Tannoy; and moderated by Karl Winkler, Lectrosonics.

Beyond Background Music – Designing Sonically Driven Spaces, Production Wireless Systems: Tips and Tricks from the Experts including Sam Berkow, SIA Acoustics; David Schwartz, Essential Communications; Ben Bausher, JaffeHolden Acoustics; and moderated by Josh Evans, Lab.gruppen/Tannoy.

For further detailed information on SCN Systems Sound Symposium presentations and programs and how they can broaden your horizons as an audio professional, visit http://www.aes.org/events/135/systems/. For further information on the 135th AES International Convention, or to Register for your Exhibits-Plus (free) or All-Access badge, please visit http://www.aes.org/events/135/.

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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