Archive by PR Guy

GUITAR CENTER ANNOUNCES THE OPENING OF 250TH STORE

New Waco, Texas location features on-site lessons, new repair services, and vast inventory selection

ANNOUNCEMENT HIGHLIGHTS:

Guitar Center has opened its 250th store location in the U.S.
GC Garage service will provide a much-needed range of musical instrument repair services
GC Studios, first-ever GC lessons facility in Waco to support local music scene, is at the store, located at 4314 W. Waco Dr. Waco, TX 76710

(Los Angeles, CA) – Guitar Center, the world’s largest retailer of guitars, amplifiers, drums, keyboards, recording, live sound, DJ and lighting equipment, marked a major milestone in its corporate growth on Thursday, July 11, 2013, with the grand opening of its 250th location, in Waco, Texas. The opening of Guitar Center’s 250th store emphasizes the company’s ongoing plans for growth and long-term expansion while assuring customers throughout the country that they will get the widest selection of musical instruments and professional audio products at the best possible prices sold by an experienced and knowledgeable sales staff.

The store, located at 4314 W. Waco Dr. Waco, TX 76710, is also part of a new wave of Guitar Center retail stores that feature lesson spaces, which allows GC to offer additional music lessons, special programs and expanded opportunities for local musicians.

WACO STORE LOCATION BACKGROUNDER:

Vast Product Selection and Low Prices – Guitar Center Waco brings an unprecedented selection of products to Waco, all backed by Guitar Center’s guarantee and available at attractive prices. The store features the latest in guitars, amplifiers, percussion instruments and keyboards, as well as live sound, DJ, lighting and recording equipment.
Guitar Center Studios – Deeply vested in expanding and enhancing the local music scene, Guitar Center Waco also brings Guitar Center Studios to the new location. The fully-equipped, in-house lesson space is giving area residents of all ages and skill levels access to affordable music lessons. Sourcing locally trained store employees as certified instructors, courses will be offered on guitar, bass, keys and drums, as well as vocals and recording techniques using Pro Tools and Logic Pro and GarageBand.
Guitar Center Garage – Guitar Center Waco includes GC Garage, the store’s on-site guitar repair service, offering a host of services, including electronics repair, hardware customization, fretwork, structural repairs, cosmetic enhancements, setup and maintenances.

Guitar Center Waco: Additional In-Store Programs and Opportunities Include:

Guitar Center’s “Endless Aisle” – Waco customers can now shop from Guitar Center’s new multi-channel “endless aisle,” which extends the in-store inventory to over $400 million in new and used products from across the nation. Shoppers will be able to purchase in-store, online and via phone, with the option to have products shipped to their home or to the store for convenient pick up.
At: Guitar Center Programs – Throughout the calendar year, Guitar Center Waco will host an array of free events, such as artist workshops, lessons, product launches and performances, as a part of the company’s ongoing commitment to educating and assisting unsigned artists. These programs aim to provide musicians with the opportunities and exposure essential to achieving their music goals.
Recording Made Easy – Available at all Guitar Center locations, the Recording Made Easy program is a four-week, user-friendly series of weekly classes occurring Saturdays from 10:00 to 11:00 a.m.

In addition to special programs at the new Waco store, Guitar Center offers year-round programs designed to spearhead creativity and highlight promising undiscovered talent. Waco residents will now be able to participate in these ongoing events from their hometown. Programs have included Your Next Record, Guitar Center On-Stage, Guitar Center Singer-Songwriter, Guitar Center’s Battle of the Blues and Guitar Center’s Drum-Off.

Guitar Center Waco Store and Studio Hours
Mon-Fri: 11 AM-8 PM
Sat: 10 AM-7 PM
Sun: 12 PM-6 PM

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

Lowell Manufacturing Offers New Wall-Mount and Rackmount Shelves

— Lowell continues to expand its product range with new solutions for contractors and system integrators —

PACIFIC, MO, July 29, 2013 — Lowell Manufacturing Company, a U.S. manufacturer of professional A/V products, has introduced a light-duty, wall-mount shelf (WSL-1814), and two new rackmount shelves (SLS and KS Series).

WSL-1814 Light Duty Wall Shelf
The WSL-1814 steel wall-mount shelf is an economical option for light-duty settings (up to 40 lbs.). It’s ideal for in-closet wiring applications. The WSL-1814 is made in the USA from a single piece of 100% certified 16-gauge U.S. steel that’s been formed and bolted. It features mounting holes on 16-inch stud centers and has two obround holes in the rear for cable routing. Bottom vents include provisions to mount an optional single fan kit (FW1-KIT, ordered separately) if active thermal management is desired. It sports a smooth black powder epoxy finish.

KS Series Knockdown Utility Shelves
The KS Series is a ready-to-assemble, steel rackmount shelf for which users order the base and ears separately, enabling them to keep fewer parts on-hand to mix-and-match and assemble the shelf size needed. This allows cost-efficient shipping, storage, and inventory management. Shelf ears are available in heights of 2U, 3U and 4U with 14-inch or 18-inch depth. The vented base is available with 14-, 18- or 21-inch depth. Load capacity is up to 70 lbs., depending on final assembly size.

KS Series Features:

Unassembled 16-gauge steel utility shelf
Order ears and base separately
Made in USA
Optional Accessories:
Single fan FW1-KIT or FW1-KITT or power strip ACS-1505-SW
Top clamping bracket (see specs)

SLS Steel Rackmount Shelf
Lowell Model SLS is a 19-inch E.I.A. steel rackmount shelf that slides out and latches in both open and closed positions to avoid unwanted movement or closure while working on equipment. The shelf’s full extension is 14”, while the shelf area measures 17.5” wide x 14.625” deep. The shelf is slightly more than 1U panel space, measuring 2.5” high. It sports a black semi-gloss enamel finish.

SLS Features:

Rackmount shelf slides forward to access contents
Latches in closed and open positions to avoid accidental closure while working on equipment.
Measures 17.5”W x 14.625”D
Slightly more than 1U panel space (2.5”H)
16-gauge CRS
Weighs approximately 13 lbs.
50 lbs. load capacity
Black semi-gloss enamel finish

For more information, please visit www.lowellmfg.com or e-mail Lowell at sales@lowellmfg.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

Recording Industry Golf Tournament (RIGT) Hailed as a Success

— Thousands of dollars raised for charity A Place Called Home —

Los Angeles CA, August 1, 2013 — The 2013 Recording Industry Golf Tournament (RIGT) was held Monday, June 24, 2013, at Malibu Country Club. The event was organized by seasoned event producer Karen Dunn of KMD Productions and benefited the music program at A Place Called Home, a dynamic community center and safe haven in South Central Los Angeles where underserved youth 8-21 years old are empowered to take ownership of the quality and direction of their lives through programs in education, arts, and well-being. GRAMMY®-winning recording veterans Ed Cherney and Al Schmitt served as Honorary Co-Chairs for the afternoon’s festivities.

Honorary co-chair Al Schmitt stated, “It was a distinct honor to serve as co-chair for the RIGT. My colleagues in the industry work very hard most of the time, so it is fun to spend a day unwinding on the links. Karen Dunn put together a fantastic tournament with a great atmosphere, and it was all a very rewarding experience.”

Sponsors included Blue Sky, Avid, GC Pro, Sterling Audio, Dave Collins Mastering, Design FX Audio, JBL Professional, Lurssen Mastering, Ocean Way Studios, PreSonus, Record Plant, SAE Los Angeles, Shure, Sound Design Corporation, TransAudio Group, Clyne Media Inc., Vintage King Audio and Westlake Recording Studios. A Harley-Davidson motorcycle hole-in-one prize was provided by Bartels Harley-Davidson in Marina Del Rey.

Bryan Bradley, JBL President, noted, “JBL is proud to have been a sponsor of the RIGT. In addition to supporting a great cause in A Place Called Home, we had the opportunity to spend time with our friends and associates in the industry and interact in a laid-back environment. Karen put together an excellent event, and we’re looking forward to next year’s tournament.”

Approximately 100 players made the rounds following the day’s registration time, which included a putting contest, massages, coffee, Bloody Mary’s, mimosas, muffins, and a selection of swag. After 18 holes, 1st place was awarded to the team from Sybersound Records Inc. (Steve Graham, Gary Sexton, Wayne Lura, Rob Bourque); 2nd place was Westlake Recording Studios (Steve Burdick, Chris Clark, Ryan Anderson, Chris Spilfogel); and 3rd place went to GC Pro / Sterling Audio Team #1 (Mike Pendleton, Matt Speitel, Bill Hall, Ryan Hall). Spilfogel of the Westlake team also got the chance at the $1 million shootout but unfortunately did not make a winning shot. A special tequila cart proved to be very popular, as was the Mexican dinner buffet offered during the afternoon reception. Also featured during the reception was a live musical performance from 29 Live, a group of children from the A Place Called Home program.

“We were all extremely pleased with how the day’s activities played out,” stated event organizer Karen Dunn. “A great time was had by all, and we raised money for an important cause. We cannot wait for the next tournament, in June 2014.”

For more information about the tournament, visit http://recordingindustrygolftournament.webs.com/ or call Karen Dunn at 925-708-0307.

About A Place Called Home
A Place Called Home (www.apch.org) is a dynamic community center and safe haven in South Central Los Angeles where underserved youth 8-21 years old are empowered to take ownership of the quality and direction of their lives through programs in education, arts, and well-being. APCH provides support and opportunities that increase the likelihood that young people will stay in school, go on to higher education and viable jobs, and make a meaningful difference in their communities and the world. Music and recording are key components of the organization’s program offering, and the APCH youth band performs and records on a regular basis.

About KMD Productions
Based in the San Francisco Bay Area, KMD Productions offers full-service event production across the US for businesses and individuals, providing a wide range of services needed to make events an overwhelming success. KMD Productions can handle all the details of your fundraiser, corporate function or trade show event. Whether you’re looking to launch a new product, get better brand recognition or raise money for your worthwhile charity, KMD Productions has the resources and experience to help you achieve your goals.

Photo File 1: RIGT_Group.JPG
Photo Caption 1: Leading members of the professional audio/recording community came out to support the Recording Industry Golf Tournament, which benefited L.A.-based charity A Place Called Home. Held on June 24, 2013, at the Malibu Country Club, the event raised thousands of dollars for the charity. Photo © 2013 Paul Lester Photography.

Photo File 2: RIGT_WinningTeam.JPG
Photo Caption 2: The winning team, Sybersound Records Inc., at the Recording Industry Golf Tournament, which benefited L.A.-based charity A Place Called Home. The event was held on June 24, 2013, at the Malibu Country Club. Photo © 2013 Paul Lester Photography.

Photo File 3: RIGT_Ed_Al.JPG
Photo Caption 3: Honorary co-chairs Ed Cherney (left) and Al Schmitt (right) at Recording Industry Golf Tournament, which benefited L.A.-based charity A Place Called Home. The event was held on June 24, 2013, at the Malibu Country Club. Photo © 2013 Paul Lester Photography.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

Focusrite RedNet System Simplifies Connectivity for Southwestern College’s Center for Recording Arts & Technology

Immersive audio arts program adds two RedNet 5 HD interfaces for Pro Tools® and three RedNet 2 16-channel analog interfaces

Los Angeles, CA, July 30, 2013 – The Recording Arts & Technology program at Southwestern College in the San Diego California suburb of Chula Vista is one of the nation’s top audio programs. Begun in May 2008, under the direction of Professor Jay Henry, a two-time Grammy® award nominee for his engineering and production skills, the Recording Arts & Technology program prepares students for careers in the entertainment industries of music, television and film, utilizing state-of-the-art music studios and labs for a hands-on learning experience that emphasizes fundamental recording technique and knowledge. Henry entered the music industry decades ago, and has experienced the huge changes in the music recording industry; he has kept his educational program flexible to adapt to the changes yet to come. That’s why he was excited to discover Focusrite’s RedNet networked audio I/O technology. In recent weeks, Prof. Henry directed the purchase of two RedNet 5 HD interfaces for his Pro Tools|HD systems coupled with three RedNet 2 16-channel analog I/O interfaces for his main recording and satellite mixing rooms. Once these units are installed, the two studios at the core of the Recording Arts and Technology program will be able to be completely networked, allowing seamless access of audio between rooms and giving students and faculty a high degree of flexibility in how those facilities are used.

“We’ve kept this program at the cutting edge since it began, and we’ve been waiting for a networked solution like RedNet to come along for a while,” explains Henry, whose professional and personal affinity for Focusrite products goes way back through his relationship with long-time colleague and current Focusrite Novation Inc. President Phil Wagner. “Phil and I go way back, and we understand how you need to both address the cutting edge of technology and also make sure that the sound is always the first consideration. I get that with the Focusrite RedNet system – we get seamless connectivity and the built-in Dante networking, and of course great sound at the same time. Focusrite has never let me down, and it’s going to be a great benefit for our students and teachers here too, as RedNet represents the future for recording and interconnectivity.”

Henry added, “The best thing sonically about RedNet is the detail and width of the stereo image, which is a direct result of RedNet’s next generation A/D – D/A design and analog circuitry. RedNet sounds more open; it’s like taking the roof off your mix.“

RedNet is Focusrite’s flagship range of modular Ethernet-networked audio interfaces that harnesses the power of Audinate’s tried and tested Dante digital audio networking system to bring studio quality sound to any modern audio application.

RedNet 5 connects your RedNet system to Pro Tools|HD via a standard DigiLink or Mini DigiLink cable. Up to six units can be connected to one Pro Tools HDX system, supporting up to 192 channels at 96 kHz or 96 channels at 192 kHz. Pro Tools|HD Native and Pro Tools|HD are also supported. RedNet 5 is interoperable with other Pro Tools® interfaces and features extremely low latency.

RedNet 2 adds 16 analog channels in and out to your RedNet network and can be located anywhere you can run an Ethernet cable. Featuring Focusrite’s precision 24-bit A-D and D-A conversion for superb audio performance, it delivers 119 dB dynamic range at sample rates up to 192 kHz. The rear panel includes standard DB25 connectors for analogue patchbay or breakout cable interfacing.

Photo File: SWC_Henry.JPG
Photo Caption: The Recording Arts and Technology program at Southwestern College recently installed two RedNet 5 HD interfaces for Pro Tools and three RedNet 2 16-channel analog interfaces from Focusrite. Pictured is two-time GRAMMY® nominee, professor Jay Henry, with his rack featuring Focusrite gear.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

Audio-Technica Supports Nashville’s Pearl-Cohn Entertainment Magnet High School’s New Recording Program

STOW, OH, July 19, 2013 — Audio-Technica, a leading innovator in transducer technology for over 50 years, is proud to be among an elite group of audio equipment manufacturers lending key support to Nashville’s Pearl-Cohn Entertainment Magnet High School (the only entertainment magnet high school in the country) as it rolls out its new recording technology program and world-class recording studio, the result of Nashville Metro Schools’ “Music Makes Us” initiative. The studio was designed and assembled by leading members of The Recording Academy® Producers & Engineers Wing®, and is part of the first-ever student-run record label in a high school. On May 8, 2013, members of the P&E Wing, along with Nashville public officials, representatives from Audio-Technica and other key sponsors, members of the media and more attended a red-carpet event at the school’s campus celebrating the grand opening of the program and facility.

The studio, which will serve the school’s Academy of Entertainment Management and Academy of Entertainment Communication divisions, is a multi-room facility with a large control room that will allow several students and teachers to work comfortably using the recording equipment, synthesizers, digital samplers and drum machines. The studio also features a sizable tracking room where the Audio-Technica microphones will be employed as students capture recordings of live musicians. The facility also features several isolation booths and two 5.1 surround sound editing suites. In addition, the studio houses a multi-station teaching area with 30 Apple iMac-equipped workstations connected to the teacher’s station and the studio.

A-T equipment in the studio includes two ATM650 Hypercardioid Dynamic Microphones; an ATM450 Cardioid Condenser Instrument Microphone; three ATM25/LE Limited edition Hypercardioid Dynamic Instrument Microphones; two AT4081Bidirectional Ribbon Microphones; two AT4033/CL Side address Cardioid Condenser Microphones; an AT4047/SV Side address Cardioid Condenser Microphone; an AT4050 Multi-pattern Condenser Microphone; two AT4051b Cardioid Condenser Microphones; an AT4050ST Stereo Condenser Microphone; and five sets of ATH-M50s straight-cable Studio Monitor Headphones.

Multiple GRAMMY® Award nominee Jeff Balding, P&E Wing Pearl-Cohn Subcommittee Chair, stated, “We thank Audio-Technica and all of our key sponsors. They provided an integral piece of this puzzle, and they have made a tremendous impact on this groundbreaking program. I can’t help but think of what a gift it will be for these students to be working with such state-of-the-art gear as Audio-Technica microphones and headphones. This is an unprecedented opportunity for the present and future of music, and we are proud to have Audio-Technica involved.”

Fellow subcommittee member Chuck Ainlay, who also acts as the Chair of the P&E Wing in Nashville, added, “I have personally been a long-time user of Audio-Technica microphones and headphones, and it’s great that the students at Pearl-Cohn will have the opportunity to use the same microphones that the pros use in the studio. With the support of companies like Audio-Technica, the recording technology program at Pearl-Cohn will help raise students’ expectations about the quality of music and have a tremendous impact on their lives.”

For more information, please visit www.audio-technica.com.

About Music Makes Us
Music Makes Us is a joint effort of Metro Nashville Public Schools, Mayor Karl Dean and music industry and community leaders. The Music Makes Us initiative will lead the nation in music education. With a focus on music literacy and student participation, Music Makes Us is strengthening traditional school music while adding a contemporary curriculum that embraces new technologies and reflects a diverse musical landscape.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

AES Holds 50th International Conference with Focus on Audio Education

— The Audio Engineering Society’s first conference dedicated specifically to audio education will focus on teaching methods, instructional resources, learning outcomes, technical operations, industry relations, and related topics impacting all aspects of professional audio education —

— Event will be held July 25-27, 2013, at Middle Tennessee State University in Murfreesboro, Tennessee —

New York, NY, July 18, 2013 — The Audio Engineering Society (AES) is holding its 50th International Conference, dedicated specifically to audio education, July 25-27, 2013, at Middle Tennessee State University (MTSU) in Murfreesboro, Tennessee. The three-day conference will focus on teaching methods, instructional resources, learning outcomes, technical operations, industry relations and related topics that impact the theoretical and practical aspects of professional audio education. The conference will bring together leading educators and professional audio industry representatives to exchange ideas and knowledge that will contribute to improving quality and effectiveness for students and faculty alike. The event will also for the first time include a significant focus on live sound as a component of a pro audio education curriculum, a fact underscored by the event’s keynote address delivered by Bob McCarthy, Director of System Optimization at Meyer Sound.

In recent decades, audio education has expanded significantly worldwide, with many colleges and universities, career institutes, high schools and manufacturers now offering a wide range of courses and training in professional audio. There are practical questions that administrators and faculty face managing audio as a discipline within educational institutions. For example, what skill sets should students develop and what career options can they pursue? What are the practical and financial implications of acquiring, installing and maintaining necessary equipment and infrastructure? How does the popularity of distance learning affect audio education? What role can audio education play in local artistic and economic initiatives and community development?

More than 120 educators and industry representatives from around the world will address these and other questions through a focused series of presentations, papers, workshops, case studies and discussions. The conference results will include a collection of over 30 formal papers, historical documents, survey instruments and potential recommendations for educational resource management and development. In addition, eight workshops and tutorials will focus on topics including pedagogy, curriculum design and instructional resources; internships, employment and career counseling; partnerships with industry and professional organizations, learning outcomes and academic standards, accreditation and program administration. Full program details are posted here.

“AES members who are in academia and industry share a similar passion for strengthening the range and quality of educational resources associated with audio engineering,” states Bill Crabtree, Conference Co-Chair and Associate Professor in the Department of Recording Industry at MTSU. “We expect that this conference will have a lasting and positive effect on pro audio education programs at all types of schools going forward.”

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

System Integrators and Contractors Embrace Lowell Manufacturing

PACIFIC, MO, July 17, 2013 — Products from Lowell Manufacturing Company, a U.S. manufacturer of professional A/V products for over 65 years, have become a leading choice for contractors and system integrators nationwide. From boardrooms and professional multimedia areas to arenas and houses of worship, educational facilities, theaters and other fixed installation projects, Lowell rack, power and audio products continue to be specified by high-profile audio/video professionals.

“My relationship with Lowell Manufacturing actually began with my father being friends with company founder Ben Lowell, so I not only have a business relationship, but a long-term personal relationship with the company,” stated Mark Schultz, Systems Engineer for Minneapolis, Minnesota-based Parson Technology, a leading system integrator that established its business in 1927. “As a system integrator designing and installing audio visual and voice data, as well as security systems for healthcare, houses of worship, casinos and gaming, retail stores, sports complexes and hotels and resorts, we employ Lowell equipment racks and ceiling speakers on most of the projects we do for our clients. Lowell has an extremely wide selection of products that not only are high quality and cost effective, but they also have convenient features that are not available from other manufacturers.”

DeWayne Rains, Vice President of Operations for Nashville, Tennessee-based Audio Electronics, Inc. (AEI), a full service Audio/Visual Company specializing in providing national retail, restaurant and hospitality clients with customized In-Store Music & Messaging Networks and Digital Signage solutions, echoes Schultz’s comments: “I’ve been working with Lowell for many years and specify their rolling floor racks, wall-mount racks and shelves, and wall-mount and rackmount volume controls for a variety of installations. The fact that their products are made in America is always important to us, plus John Lowell and his team take great pride and care in what they do — and that comes through when you get a Lowell product. Their customer service is second-to-none. I can order a rack for one of my clients like JCPenney, Cracker Barrel or O’Charley’s and have it the next day. That’s customer service.”

“We’ve standardized our installations using Lowell racks and accessories,” stated Jon Baker, President of Springfield, Missouri-based Audio Acoustics, a leading installer of premium sound and video systems since 1968 specializing in commercial audio/video, health care and education market sectors. “We use several types of their eight-inch ceiling speakers, including the LT series, for music and paging. We’ve been working with Lowell for over 10 years because they offer an extremely comprehensive range of quality products that we feel sound good, install easily and are competitively priced. When you compare the quality of a Lowell product to other choices on the market, with Lowell, you are getting a real value in every sense of the word. Additionally, they offer great customer support, are very responsive and truly understand our needs as a system integrator.”

For more information, please visit www.lowellmfg.com or e-mail Lowell at sales@lowellmfg.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

AES Draws World R&D Community for Sound Field Control Conference

— AES’s 52nd International Conference titled “Sound Field Control – Engineering and Perception” in Surrey, Guildford, UK, September 2-4, 2013 —

New York, NY, July 16, 2013 — Registration is now open for the first AES international conference on Sound Field Control, slated to take place at the University of Surrey, Guildford, UK, September 2-4, 2013. Held within a short distance of London’s major international airports, this conference aims to bring together engineers and perceptual scientists from around the world to share their research in this fast-moving field, and to discuss the numerous interactions between acoustics, signal processing, psychoacoustics and auditory cognition.

Inviting the world R&D community to attend the conference, chair Francis Rumsey said, “This is an unmissable event for anyone involved in the active control of sound fields, whether as a researcher, developer or practitioner. This is going to be a major theme of audio product development and design over the next ten years, and the personalization or customization of sound fields using audio technology is a becoming a really big deal. We’ve accepted over 40 contributions, including a number of invited presentations from the leading minds on beam forming, arrays, sound zones, spatial issues, perception and signal processing, and there’ll be some fascinating workshops and demos for people to experience the issues first-hand.”

Three fine keynote lectures from leading experts go hand-in-hand with live demonstrations and workshops on the interface between perception and engineering in this fast-moving research field. Keynotes include Professor Steve Elliott of the ISVR in Southampton, UK, who will give an introductory tutorial on “Active control of sound fields”; Professor Armin Kohlrausch of Philips Group Innovation and Eindhoven University of Technology, Netherlands, on “Evaluation of spatial sound fields; how far can we get with perceptual models?”; and Dr Frank Melchior, Head of Audio Research, BBC, UK, to discuss “Creative Sound Field Control.”

Sound field control enables the active management of audio delivered in an acoustical environment. Sophisticated signal processing and reproduction tools increasingly enable the engineer to tailor the sound field for specific applications, occupancy or listeners’ requirements. This can include the creation of independent sound zones in listening spaces, the active control of noise, personal communication systems, the electroacoustic manipulation of auditorium acoustics and the generation of complex spatial sound fields using multi-channel audio systems.

Discover the preliminary program and make your travel plans now to visit the UK in early September. Low-cost accommodation has been arranged in high-quality ensuite university rooms for conference delegates. Find out more and register for the event at the conference website: http://www.aes.org/conferences/52/. Find us on Facebook at https://www.facebook.com/AES.52 and follow us on Twitter at #AES_SFC.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

Auralex® Offers ELiTE Custom Fabric System™ (ELiTE-CFS™)

— Designed to meet the needs of the end user, both acoustically and aesthetically, each Auralex® ELiTE-CFS™ is completely custom-designed —

INDIANAPOLIS, IN, JULY 15, 2013 – Auralex® Acoustics, Inc., the world’s leading brand of acoustical treatments and currently celebrating its 35th anniversary, offers its ELiTE Custom Fabric System™ (ELiTE-CFS™). ELiTE-CFS (ELiTE stands for Engineered Listening & Theater Environment™) is Auralex’s proprietary, fully engineered turnkey acoustical treatment system, fully individualized per a project’s needs. Each installation is custom-designed by Auralex’s expert engineers, then installed and fabricated onsite by authorized, experienced craftsmen. Auralex coordinates all pre-installation details, thus minimizing the disruption of other contractors and ensuring the job is completed on schedule. Utilizing a patented retention channel and custom installation process, an ELiTE-CFS installation will turn any room into a completely immersive and dynamic listening environment.

Whether part of a conference room, house of worship, custom home theater, professional audio facility or any dedicated listening environment, the ELiTE-CFS will provide the highest level of acoustic control. By enabling the designer to dictate the overall appearance of the custom-engineered system, any aesthetic need can be realized.

David Brune, Auralex Director of Sales, stated, “For each project, the Auralex crew handles acoustical design, woodworking, installation, etc., thus ensuring a well-integrated result. This system is a 100% turnkey solution and includes conceptual renderings, project management and professional installation. Some of our most famous clients, including top recording artists, sports figures, movie stars, Fortune 500 corporations and more, have benefited from custom ELiTE installations. Our quality and service are unmatched in the upscale, custom-installation marketplace.”

The finished look of an ELiTE CFS system is a smooth fabric surface with all the acoustical materials hidden behind the system’s elegant facing. The treatments include an engineered combination of absorption, diffusion, reflection, and bass trapping (features not available by most other competing systems). The Auralex engineering staff, based on physical room modeling and potential on-site visits, carefully diagrams the exact layout and placement of these treatments.

A proprietary and patented retention channel system is the core element of all ELiTE-CFS installations by providing secure mounting of fabric, creating a clean finished edge, and allowing for unlimited design possibilities. There are hundreds of fabric styles and colors to choose from to perfectly meet any aesthetic expectation, all approved for acoustical use and carrying a Class A fire rating.

The overall result is an interior finish that looks and sounds great and will provide an exceptional listening experience for years to come.

To discuss your project with an Auralex application specialist, please email auralexinfo@auralex.com or call 1-800-959-3343. For more information, please visit www.auralex.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

Lowell Offers LBR Series Rack Enclosures

— LBR Series racks provide contractors and system integrators a cost-effective solution for clients, without compromising strength or versatility —

PACIFIC, MO, July 9, 2013 — Lowell Manufacturing Company, a U.S. manufacturer of professional A/V products, is offering its LBR line of versatile, cost-effective, 19-inch EIA, fixed-rail floor rack enclosures, which offer flexible installation options for A/V, security, data and other applications. Designed specifically for contractors and system integrators who need a high-quality, cost-effective alternative for clients on a limited budget, the all-welded LBR racks, manufactured from 100% certified U.S. steel, support loads of up to 800 pounds on Lowell’s proven, robust structural foundation and feature solid sides with upgraded ventilation capabilities plus a reversible, vented rear door.

Lowell’s LBR rack line is available in depths or either 22 or 27 inches, and in heights up to 44 rack units (RU). Generous cable pathways are provided behind the rear rails (if optionally fitted) in both depths, and there is also ample space to accommodate Lowell’s POWERSTAC™ modular power system and cable management products. For contractors or system integrators needing additional installation and wiring flexibility, the top mounting rails (which are either 7RU or 10RU depending on rack depth) are tapped 10-32 to support various field modifications and can be removed to accommodate extra-large cable bundles.

LBR thermal management features include vented side panels and a reversible, vented rear door. A fully-perforated, Plexiglas or solid front door may be optionally fitted. The upper and lower side panel and rear door vents are designed to accept Lowell’s cooling fan products anywhere along the slotted vent pattern. The racks may also be fitted with a selection of platform bases, with or without casters.

“Our LBR rack series has the ability to satisfy many basic installation issues,” stated John Lowell, Lowell Manufacturing President and CEO. “They’re a versatile, time saving and, most importantly, economical solution for any integrator demanding flexible installation options for clients in audio-visual, security, data or other applications.”

For more information, please visit www.lowellmfg.com or e-mail Lowell at sales@lowellmfg.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

No Comments

Email This Post Email This Post

Related Topics: The Wire |

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

Calendar

April 2014
S M T W T F S
« Mar    
 12345
6789101112
13141516171819
20212223242526
27282930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication