Prism Sound has released two new versions of its SADiE 6 software, which was recently nominated for a TEC Award in the Workstation Technology category.

SADiE 6 Professional and SADiE 6 Lite are designed to bring this ground-breaking audio production and recording software to a much wider audience by allowing users to access the software at a lower price point.

Graham Boswell, Sales Director of Prism Sound, says: “SADiE has always excelled in roles where the most sophisticated editing capabilities are required and where reliability and robustness are paramount. However, we have recognised that not every user needs a full complement of features and functionality, so we have tailored specific versions of SADiE 6 software to suite different budgets and applications. SADiE Professional and SADiE Lite are the latest additions to our product suite.”

SADiE 6 Lite presents the core capabilities of SADiE in an entry level package, while SADiE 6 Professional can handle unlimited tracks and incorporates one year’s free support including all major updates. Both SADiE Lite and SADiE Professional include SADiE’s unique and streamlined array of flexible and non-destructive editing tools such as the Playlist, Trim and Region editors. They also provide a slimmed down core set of iZotope VST plug-ins and the well-established palette of SADiE channel strip processing.

“SADiE Professional and SADiE Lite are designed to appeal to radio producers who want the core functionality of SADiE 6 so that they can edit on their own lap-tops,” Boswell adds. “These versions are ideal for users who don’t need integration with networked radio automation or facilities to master or restore audio.”

SADiE Professional retails at £949 plus VAT, while SADiE Lite retails at £450 plus VAT. Both versions are available now as a download or on a dongle.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

Following a record year for sales in the Asia and Pacific regions, DPA Microphones is consolidating its success by opening a new regional office in Hong Kong.

Headed by Ken Kimura, DPA’s general manager for the APAC region, the new office signals DPA’s commitment to its partners and customers by acting as a hub for sales, marketing and after-sales service. It will also enable the company to expand its sales network and develop new business channels in market sectors that have yet to discover the benefit of DPA’s high quality microphone technology and products.

Kimura, who was previously based in Shanghai, says: “Establishing our new office in Hong Kong makes sound economic and geographic sense. By basing our office here we can significantly expand our reach as well as visibility within the entire region and thereby aim our ambitions much higher.”

During the last trading year, DPA’s sales have been on the increase in virtually every APAC country with some showing growth as high as 40%. This incredible success has been achieved by DPA developing strong partnerships with its distributors and dealers so that they can fully support their customers.

Christian Poulsen, CEO of DPA Microphones, says: “The increased consciousness of good quality in the Asian markets, combined with our ability to develop fantastic products, has resulted in our huge success in this region. To follow up on this we take the next important step by establishing this new office to support our sales partners even more and encourage their commitment to the brand. This support has been delivered in a variety of ways, including listening to our partners’ needs and implementing specific activities such as customer events.”

Renowned for their audio accuracy, reliability and superb engineering, DPA microphones are the first choice for numerous recording and touring artists and sound engineers. The company’s extensive product range also encompasses many other industry areas including broadcast, film, theatre, installation, conferencing and security.

“The breadth and depth of our product range is really quite staggering and gives us plenty of scope to develop our customer base around the world,” Kimura says. “The APAC region is no exception – there are many applications for our technology that have yet to be exploited and our aim is to be highly visible so that we can make the most of these new business opportunities.”

DPA plans to supplement its existing team in Hong Kong with new sales staff and is interested in hearing from any suitable candidates.

For more information please contact Ken Kimura at kek@dpamicrophones.com.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

DPA Microphones is delighted to announce the launch of the d:dicate™ Recording Microphone range, which combines the best capsules with the best pre-amplifiers to deliver superior sound for all applications where high quality audio is required.

The d:dicate range includes DPA’s new modular MMC4018 supercardioid capsule, the counterpart to the MMC4018V capsule used in the company’s new d:facto™ Vocal Microphone and one that is ideally suited to applications where clarity and audio quality are critical. d:dicate also includes the well-known MMC4007 hi-SPL omnidirectional capsule, previously known as 4007, now in a modular version. Widely used for measurement purposes, this capsule has an unbeatable dynamic range and can handle extremely high sound pressure levels. Both capsules is widely used for picking up drums, percussion, brass instruments – and for measurement purposes. Both are entirely compatible with other d:dicate preamplifiers.

Completing the d:dicate line-up are microphones from the familiar and well-loved DPA Reference Standard series, which has been absorbed into the d:dicate range with all former Reference Standard products now carrying d:dicate branding. These include the modular 4000 and 2000 series, which are manufactured to perform within very narrow tolerances and offer exceptional linear frequency responses, high SPL and superior gain before feedback. Within the 4000 series there are a wide variety of capsules including the new 4018 supercardiod, 4017 shotgun, 4015 wide cardioid, 4011 cardioid and 4006 omnidirectional. The 2000 series consists of two twin diaphragm capsules – the 2011 cardioid and the 2006 omni versions that are rooted in the design technology of DPA’s classic miniature capsules. All these capsules can be combined with a state-of-the-art A pre-amp, a B pre-amp with low cut and high boost filters, and a C pre-amp, which is a compact version for discreet miking.

Like all DPA microphones, every variant in the d:dicate range delivers clear, transparent and precise sound, along with the robustness and versatility that are the hallmarks of DPA’s ingenious engineering techniques. These high quality microphones are increasingly being employed in harsh live sound environments, particularly on drum kits where there is a demand for exceptional sound quality but where the microphones solution needs to be robust and sturdy so that it can be relied on time after time.

Christian Poulsen, CEO of DPA Microphones, says: “Our new d:dicate Recording Microphone range gives customers the ultimate in flexibility as any microphone in the range can easily be transformed into a new variant simply by choosing a different capsule or preamplifier. Customers will also find that owning several capsules is more cost effective than purchasing a completely new microphone.

“By gathering these microphones into a specific group, d:dicate now joins our other established product groups: d:fine™ Headset Microphones, d:vote™ 4099 Instrument Microphones and d:facto™ Vocal Microphones.”

New accessories have also been developed for the d:dicate Recording Microphone range, including modular active cables (MMP-ER with rear cable entry and MMP-ES with side cable entry) plus modular active booms (MMP-F) that are compatible with all d:dicate capsules. These new microphone solutions can be used in many different situations, for example as a podium microphone on a desktop or podium, suspended for high-end capture or on elegant stage stands. The active booms come in several lengths and configurations with flexible gooseneck and XLR termination, while the new active cable only adds a centimetre to the capsule, making it even more discreet than the compact C pre-amp, while giving comparable performance.

“It was difficult to split the preamplifier construction and make an ultra-compact head without sacrificing the sound quality,” Christian Poulsen adds. “However, we succeeded and now customers can have DPA’s renowned sound quality across many applications where we have not been widely used before, for example installation, concert halls, on stage, etc.”

The two new capsules and new accessories in DPA’s d:dicate Recording Microphones range will be available from August 2013. Former Reference Standard capsules and preamplifiers now included in the d:dicate range are available now.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

DK5, the newest addition to DK-Technologies’ award-winning DK meter range, introduces Logging as its significant feature, allowing detailed documentation, visualization and evaluation of DK Metering data.

On show for the first time at NAB 2013, the new DK5 Logging PC application allows for session based real time logging of metering data history on loudness, along with peak channel performance, essentially providing instant documentation and metering hindsight. The integrated log session database provides safe storing, identification and advanced search facilities, while data can be exported in several file formats for additional analysis and visualization.

“Our ‘One box’ DK Meter range has already proven its versatility in allowing broadcasters at-a-glance Loudness conformity with all major loudness standards, as well as a long list of other metering tools and views,” says Jacob Hänel Christensen, DK-Technologies’ Chief Operating Officer. ”With the addition of DK5 and the Logging solution, users can now document, visualize and evaluate their material in real time.”

The new Logging feature is also available for all existing DK Meter owners as an optional software upgrade, and as a software update feature for owners of DK-Technologies’ PT0760 flagship Audio and Video Waveform Meter.

DK-Technologies is giving customers the opportunity to trial the new DK Meter software upgrade for a period of 180 hours. This try-before-you-buy period will give users unlimited access to all of the software’s upgraded features and improved functionality.

Finally, the DK Meter software update adds a new ultra wide moving coil emulation in the MSD View, as well as 5.1 Down-mix opportunity.

DK-Technologies’ new DK5 and DK Meter software update will be on show at NAB 2013 on the Ward-Beck Systems Ltd booth N1202. DK5 and the new software will both be available in April. For a brochure and video demo of the DK Meter range, please visit DK-Technologies at www.dk-technologies.com

-ends-

About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

The Music Producers Guild’s efforts to establish an industry standard for embedding ISRC data within digital music files has received a significant boost with the announcement by MAGIX Software GmbH that it will incorporate EBU (European Broadcasting Union) Broadcast WAV files in the latest software upstate for its popular Sequoia Digital Audio Workstation.

André Standke, Product Manager Sequoia, MAGIX Software GmbH, says: “For years, Sequoia has been an integral part of leading broadcast and mastering studios worldwide. We focus our attention on delivering the best sound and tools by working closely with engineers and music producers including Sterling Sound in New York, Air Studios, Alchemy Mastering in London and many more.

“As optical media is gradually replaced by file and server based audio content, we will continue to support the changes to the mastering process with innovative developments such as EBU tech3352 and we are happy to announce this feature is now incorporated into Sequoia, our number one product on the market.”

From the MPG’s point of view, the importance of ISRC cannot be understated. ISRC, which stands for International Standard Recording Code, is uniquely allocated to every song recorded. These codes are then registered with royalty payment agencies, thus ensuring that recording artists and copyright holders are properly remunerated for their work when it is played on radio or TV.

In the past the ISRC information was included within sub data streams of a CD, but in today’s digital age, where music is often stored on digital WAV files, the ability to securely associate ISRC data with specific tracks has been lost. This is because the only common way to incorporate ISRC into a WAV file is via the file name – and if someone changes the file name or it is truncated or amended by a software program, the vital ISRC information can easily go missing.

To resolve this problem, the MPG’s Mastering Group has been working closely with the EBU to develop an industry-approved method for embedding ISRC data within a WAV file. Following discussions, it was agreed that the best solution was to use was the EBU’s existing Broadcast WAV File (BWF), a variant of the traditional WAV file that was developed for use by broadcasters. The EBU has now agreed to adopt the BWF as standard so that all-important ISRC data can be securely associated with specific tracks.

MPG Mastering Group board member and Alchemy Mastering Engineer Barry Grint, who is leading the BWF initiative, adds: “MAGIX’ decision to incorporate BWF into Sequoia is a significant step forward for the MPG’s initiative and we are delighted that the company has embraced BWF as the standard specification for file exchange. The new system is simple to implement and, once adopted, it will allow ISRC to flow through the whole production chain. We now hope that other DAW manufacturers will follow suit.”

Grint adds that ISRC is set to become the cornerstone of every aspect of digital asset management, from tracking and reporting through to royalty reporting and song identification.

“The entire music industry needs a robust and secure system for identifying tracks, and who had input into their creation, so that we can safeguard the incomes of all artists and copyright owners,” he says. “Ultimately, the adoption of BWF as standard will provide a cornerstone for the MPG’s Credit Where Credit is Due campaign, which aims to highlight the woeful lack of credit information within the digital domain. Our overall goal is to ensure that all music creators receive proper credit and proper payment for their work, and having an industry-standard technical solution that allows credit information to be included in the metadata is a major step forward in achieving this ambition.”

-ends-

For more information about Sequoia Digital Audio Workstations, please visit www.sequoia-audio.com.

About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

The National Radio Company of Ukraine (NRCU) has expanded its stock of microphones by investing in six DPA Reference Standard 4011C compact cardioid microphones.

Vyacheslav Zhdanov, Head of Audio at NRCU, says “Buying these microphones was not a difficult decision to make. We had previously been renting DPA microphones so our engineers were familiar with them and knew they offered exceptional sound quality. We also knew that, coming from such a well-known Danish company, we would have no problems with their reliability and build quality.”

Zhdanov adds that the small size of DPA’s Reference Standard 4011C compact cardioid microphones was another attractive feature as they can be used discreetly, particularly on television broadcasts.

Designed for situations where unobtrusive miking is required, DPA’s 4011C microphones are ideally suited to television, film, theatre, concert and studio performances where they deliver a clean, natural sound while reducing the noticeable effect of lighting reflection and minimizing bleed from other instruments.

NRCU’s microphones were supplied by DPA’s Ukrainian distributor Realmusic and are now being used to record classical and folk music concerts for radio and television broadcast across all three of its national channels and one international channel. The majority of these recording are taking place at House Recording NCGR in Kiev.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

The vital part that music producers play in creating best-selling singles and albums is being highlighted by radio station Xfm, which is hosting a series of interviews with top producers, all of whom are members of the Music Producers Guild.

Entitled Produced By, the series looks at the art of record production and will give listeners an insight into the role of the producer and how they have helped shape the music of the many artists they have worked with.

Produced By kicks off on Thursday February 28th 2013 when Xfm’s John Kennedy will interview Music Producers Guild Chairman Steve Levine, who has worked with numerous chart-topping artists including Culture Club, Honeyz, America, Beach Boys, Deniece Williams and Gary Moore. During his long career in production, Levine has garnered many accolades including both Grammy and BRIT Awards.

The series, which airs between 11.00 pm and 12.00 am on John Kennedy’s X-Posure show, continues on March 7th when Kennedy will interview Charlie Andrews, winner of the 2013 Music Producers Guild Breakthrough Producer of the Year Award. Others taking part include Bruno Ellingham (March 14th); Jake Gosling (March 21st) and Paul Epworth (March 28th), who has been voted the Music Producers Guild’s Producer of the Year and BRIT Best Producer on two occasions – not to mention this year’s Oscar for Best Original Music.

Commenting on the series, John Kennedy says: “’I wanted to find out more about the role of the producer as so many musician guests refer to them in interview. What better way than to talk to the producers highlighted in the recent Music Producers Guild Awards?”

Music Producers Guild Vice Chairman Richard Lightman says: “We are delighted to be collaborating with Xfm on this series of interviews that promotes recording professionals by highlighting the importance role they play in creating great music. It is interesting to note that, at this year’s BRIT Awards, 11 of the 12 winning projects were produced by Music Producers Guild members.”

-ends-

About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

Dynamics specialist Jünger Audio will use the NAB 2013 platform (Booth C2333) to give US broadcasters their first view of V*AP, a brand new two channel voice processor that is specifically designed to make life easier for engineers working in radio stations and TV production voice-over studios.

V*AP, the latest addition to Jünger Audio’s award-winning *AP family of products, draws on the company’s extensive experience with previous Voice Processing devices such as its v-series, but adds new tools and algorithms to create a new, easier and more efficient approach to voice processing with no compromise in sound quality.

V*AP’s main task is to offer perfect control of microphone recordings but Jünger Audio has also included processing such as HP/LP filtering, dynamic section, full parametric EQ and de-essing. All of the V*AP functions can be easily performed, making it hassle free for any journalist or reporter to use. Jünger Audio has also provided a dedicated voice leveler combined with a voice over circuit to help integrate voice programs into loudness-based broadcasting on the fly. Using the optional SDI I/O card automated voice over for embedded audio becomes an attractive feature of the V*AP.

Available as either an insert into a mixing desk or as a stand-alone unit, V*AP offers interfaces that allow integration in existing environments via an AES insert. The unit can also be used with an optional analogue board that adds two high quality mic-preamps.

Another key feature of V*AP is the inclusion of Spectral Signature™, Jünger Audio’s automatic spectral sound management algorithm that dynamically boosts and attenuates frequency bands to preserve natural balance while achieving station sound. With Spectral Signature™, users can automatically analyze the ideal recording of their voice (direct or over telephone lines) and easily create pre-defined sound fingerprints that become the reference the algorithm matches to on all subsequent live recordings.

At NAB 2013, Jünger Audio will also show its ground-breaking M*AP audio loudness processor, which combines an audio monitor controller and a loudness measurement device in one unit, thus providing comprehensive quality control and loudness monitoring for anyone working in a production or broadcast environment.

Designed for quality checking surround (5.1) and/or stereo programs, M*AP can be used for live monitoring and also to ensure compliance with today’s standards and regulations (ITU 1770/1/2/3, ATSC A85 or EBU R128).

The unit comes with alarm signals that alert the operator when pre-set loudness thresholds are exceeded, and these signals can be delivered by simple GPOs and/or SNMP traps, which carry actual loudness values. Loudness measurements can be performed over a long run or over a fraction of a program, or both. These measurements can be triggered by automation systems via GPIs or via the network – or even manually by buttons of the X*AP remote panel.

Alongside loudness measurements, M*AP also offers functionality for acoustical QA. It has eight speaker outputs that allow for A/B checking of stereo compatibility of a surround downmix through alternative speakers, as well as via L/R front speakers.

Peter Pörs, Managing Director of Jünger Audio, says: “By incorporating 3G, HD and SD auto detection, M*AP gives users the option of dealing with all 16 channels of SDI embedded audio at the same time. This means that you can listen to one program while permanently logging the loudness of two (5.1 +2 mode) or four (4×2 mode) programs. It is also possible to send further embedded programs to M*AP’s AES outputs to feed a third party instrument for analyzing and/or display.”

For no extra cost, the M*AP’s SDI board acts as an embedder as well and comes with video delay to compensate for any kind of audio delay. This feature is ideal for those looking to maintain lip sync in QA suites or control rooms. M*AP also features a built-in Dolby® Metadata generator and an optional Dolby® decoder that allows users to decode Dolby-E, Dolby-D (AC-3) and Dolby Digital plus (E-AC-3).

Jünger Audio will complete its NAB line-up with the Award-winning T*AP TV Audio Processor and Loudness Logger, a powerful tool that offers customers of all Jünger Audio levelling processors an easy way to monitor the development of the loudness over time. Using this new software, broadcasters can monitor in real time or by analyzing previously stored loudness log files. This innovation is critical as all broadcasters now need to show precisely how their audio levels are performing in order to comply with new legislation on Loudness.

If you would like more information about these products please visit Jünger Audio at NAB 2013 – Hall C, Booth 2333 for a demo.

-ends-

About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.junger-audio.com

DK-Technologies has released new software for its award-winning DK Meter range, taking the optimal ‘One Box’ metering solution to even greater heights of functionality.

The new software includes the Horizontal Bargraph mode, which compliments the existing MSD View, FFT analyzer and Graphical Loudness that are already incorporated into the DK Meter package. With this new feature in place, DK Meters now offer the ultimate range of landscape views, allowing users to see and secure their audio from any angle.

“DK Meters have always offered a wide range of benefits including at a glance Loudness conformity, compliant with all major loudness standards (BS1770-2, A/85, R128, ARIB and more),” says Uffe Khems Hansen, DK-technologies’ Product Marketing Director. “With this new software update, users can now access Dual Loudness bargraph functionality, as well as Dual Scale Views, allowing independent ppm and loudness scales to be viewed alongside each other.”

DK-Technologies has also introduced a new Quick Setup menu, making it a breeze to enjoy these new features.

With their compact, one box design and easy and intuitive user interfaces, DK Meters remain the perfect and surprisingly affordable solution to ‘One Box’ Audio and Loudness Metering for all broadcast and post production facilities.

The New DK Meter software update is available free-of-charge for download. To access this – and for a brochure and video demo of the DK Meter range – please visit DK-Technologies at www.dk-technologies.com

-ends-

About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Some of the most experienced engineers in the audio industry will be sharing their knowledge and practical expertise in active loudspeaker design at a unique workshop being hosted by Prism Sound and Oxford Digital, in partnership with the Audio Engineering Society, LOUDSOFT and TTid.

Audio Design Workshop LIVE will take place at Anglia Ruskin University, Cambridge, on March 25th 2013 and will be open to engineers, engineering managers, students and academics involved in audio engineering.

“The seminar sessions will cover aspects of analogue and digital audio system design and optimization, with a major emphasis on real-world, practical problem solving,” says Simon Woollard, Test & Measurement Product Specialist at Prism Sound. “Our audience will have a unique opportunity to learn from our panel’s many decades of collective experience, plus there will be plenty of opportunity for hands-on experimentation, and for networking with the presenters and other participants. This is a fantastic chance for everyone involved in audio engineering to learn the tricks of the trade from luminaries of the audio industry.”

Audio Design Workshop LIVE will feature seminar sessions presented by Peter Eastty and John Richards of Oxford Digital; Peter Larsen of LOUDSOFT; Ian Dennis and Simon Woollard of Prism Sound; plus a guest presenter to be announced shortly. There will also be a panel discussion/Q&A where delegates will have the chance to ask the panellists for answers and advice, a hands-on session with evaluation units and demonstrations, and plenty of opportunities to network. All delegates will also receive an audio engineering gift pack.

“We are encouraging delegates to bring along their own loudspeakers for evaluation and enhancement using Oxford Digital’s DSP tools,” Simon Woollard adds. “And for those who can’t physically attend, there will be the opportunity to watch the proceedings live via a global webcast.”

Places for Audio Design Workshop LIVE are limited and anyone wishing to take part is encouraged to register now. This can be done online via the Prism Sound website: www.prismsound.com/ADWLCambridge2013, or by calling +44 (0)1353 648 888.

-ends-

About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com