Archive by Sue Sillitoe

Jünger Audio’s New V*AP Voice Processor Makes Its Debut At IBC 2012

At IBC 2012 (Hall 10, Stand D20), dynamics processing specialist Jünger Audio is unveiling V*AP, a brand new two channel voice processor that is specifically designed to make life easier for engineers working in radio stations and TV production voice-over studios.

V*AP draws on Jünger Audio’s extensive experience with previous Voice Processing devices such as its v-series, but adds new tools and algorithms to create a new, easier and more efficient approach to voice processing with no compromise in sound quality.

V*AP’s main task is to offer perfect control of microphone recordings but Jünger Audio has also included processing such as HP/LP filtering, dynamic section, full parametric EQ and de-essing. All of the V*AP functions can be easily performed with the click of a mouse, making it hassle free for any journalist or reporter to use. Jünger Audio has also provided a dedicated voice leveler combined with a voice over circuit to help integrate voice programs into loudness-based broadcasting on the fly. Using the optional SDI I/O card automated voice over for embedded audio becomes an attractive feature of the V*AP.

Available as either an insert into a mixing desk or as a stand-alone unit, V*AP offers interfaces that allow integration in existing environments via an AES insert. The unit can also use used with an optional analogue board that adds two high quality mic-preamps.

Another key feature of V*AP is the inclusion of Spectral Signature™, Jünger Audio’s automatic spectral sound management algorithm that dynamically boosts and attenuates frequency bands to preserve natural balance while achieving station sound without wide band crushing tools. With Spectral Signature™, users can automatically analyze the ideal recording of their voice (direct or over telephone lines) and easily create pre-defined sound fingerprints that become the reference the algorithm matches to on all subsequent live recordings.

For more information on V*AP and the entire Jünger Audio range, please visit www.junger-audio.com or visit the company at IBC 2012, Hall 10, Stand D20.

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities.

Red TX Captures The Broadcast Audio For A Number of High Profile Summer Music Events

Broadcast audio specialists Red TX sent its Red II Outside Broadcast truck to Cambridge recently to capture an extensive programme of music during the three days of the Cambridge Folk Festival.

Top folk artists including The Proclaimers, Joan Armatrading, June Tabor & Oysterband, Clannad and Seth Lakeman descended on Cherry Hinton Park for the event, which was broadcast live on Sky Arts and was presented by Zoe Ball, Mark Radcliffe and folk singer Julie Fowlis.

Red TX was commissioned to handle the broadcast audio by production company Smooth Operations. As well as feeding a 5.1 mix of the audio from the main stages to Visions for the Sky Arts broadcast, Red TX also prepared a separate stereo mix for BBC Radio 2.

Viv Atkinson, Director of Smooth Operations, says: “I book Red TX because, apart from being consummate professionals with everything you need to do the job, they are technically superb and most importantly brilliantly helpful with an amazing attitude that makes any job with them a pleasure.”

The Red TX team comprised Ollie Nesham, who was on board Red II, and Ian Dyckhoff and Mike Silverston, who used a de-rig recording set-up to mix and record the acoustic performances in the presentation studio.

Ollie Nesham says: “Cambridge is a great festival to be part of and the entire team really pulled together to deliver up to six hours of live music mixes per day.”

Red TX is now back in London having been commissioned by Live Nation to record the audio for the BT London Live concerts in Hyde Park during the London 2012 Games fortnight.

The first, which took place on July 27th to coincide with the opening of the Games, featured Snow Patrol, Stereophonics, Duran Duran and Paolo Nutini. Renowned live sound engineer and Red TX director Tim Summerhayes was behind the controls of Red TX’s Red 1 truck for that concert, which was broadcast on Absolute Radio.

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About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD. It is headed by Ian Dyckhoff and Tim Summerhayes, both of whom have extensive experience in delivering high-quality audio for broadcast. www.red-tx.com

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Prism Sound Delivers Simpler Audio Measurement Solutions To All India Radio

All India Radio (AIR) has taken delivery of 35 Prism Sound dScope Series III audio test instruments, which are being used to check the audio quality of AIR’s transmitter links throughout the country.

With a national network of 237 broadcasting centres, AIR is one of the most influential radio broadcasters in India. Established in 1936 as a Government organisation with a remit to inform, educate and entertain, AIR underwent rapid expansion after India attained independence in 1947 and now reaches 99.18% of the population. Its home service broadcasts in 24 languages and 146 dialects, while its external service covers 27 languages – 17 national and 10 foreign.

Today, the broadcaster has 149 medium frequency and 54 high frequency transmitters, along with 177 FM transmitters. This extensive network is constantly checked to ensure audio quality and overall performance.

In order to win this important tender, Prism Sound worked closely with New Delhi-based Electro Dynamics, the company’s specialist agent for Government sector Test and Measurement business in India. Formerly an Audio Precision representative, Electro Dynamics has been supplying equipment to AIR and Doordarshan (TV) for many years.

Lalit Agarwal, founder and CEO of Electro Dynamics, says: “Alongside offering the most competitive financial package in its tender response, Prism Sound also offered the best technical solution. The dScope Series III instrument was deemed highly suitable for AIR’s requirements, particularly because it offers analogue and digital functionality and its ease of operation is second to none. The system will be used extensively during the overhaul of AIR’s infrastructure as it transitions to digital broadcasting, and we are delighted to be able to offer this state-of-the art solution at this key stage in AIR’s development.”

Prism Sound’s dScope Series III includes precision analogue and highly-optimised digital outputs and inputs. Precise and automatic gain-ranging enables high resolution measurements over a massive range, from a few micro-volts to more than 150 volts RMS, and from less than 1 Hz to over 90kHz. Its interface processor uses dedicated DSP to provide a wide range of real time measurements, while its software uses the host PC for almost unlimited number crunching and analysis options such as Fast Fourier Transforms, unique ‘FFT Detectors’, swept sine and multi-tone testing. Designed to be highly programmable, the dScope Series III can be automated from a wide range of third-party software using Active X controls, or internally using VBScript. The system also offers a range of uniquely powerful tools for broadcasters, including logging facilities for tracking down intermittent pops and glitches in the audio stream, and metadata inconsistencies and changes of status which could lead to audible problems.

Simon Woollard, Test and Measurement Product Specialist for Prism Sound, says: “This was an important project for Prism Sound and for AIR alike, so we took the time to consult with the client in order to understand their requirements in detail. Once we knew what measurements AIR’s engineers needed, we were able to customise the appearance of the standard dScope Series III interface, using in-built user-adjustable settings. In doing so, we were able to provide a simplified menu that was easy to understand and control, even for untrained users.

“The resulting main menu offers four main sub-menus of test groups, grouped by input and output domain, plus a quick tour of the instrument and the self-test routine that AIR requested. The sub-menus then offer the operator a choice of the most commonly needed tests, e.g. frequency response, THD+N, IMD, etc, which can all be accessed from a single click. Operators can then perform their tests using the standard test profiles, or they can customise the tests according to their specific requirements.

“As with all dScope Series III instruments, automated test sequencing and reporting is also possible. We will be consulting further with AIR following their initial training and usage of the instrument to determine whether they require any further adjustments to the appearance of the instrument’s interface, or to the tests and test reporting defaults provided.

“This project is very exciting for me, as I have been involved in Prism Sound’s strategic move into the Indian market since day one, and this is one of the most significant results we have obtained since we started this campaign. This news is important for all of our customers, as it helps to strengthen our position in the region, and I look forward to working with Electro Dynamics and AIR in future as we continue to develop our audio test and measurement solutions.”

Prism Sound has already provided Digital Audio training to AIR staff and will deliver more specific dScope Series III product training during 2012. It is anticipated that AIR will place further orders in the future as it rolls dScope Series III out to other divisions.

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

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DK-Technologies Unveils The DK3 Meter To European Broadcasters At IBC 2012

DK-Technologies is now offering broadcast engineers the ability to de-embed 16 channels of audio from an SDI input by using its award-winning DK3 Compact Audio Loudness Meter. And for those working in a non-video equipped facility, there is still the option of using the meter’s three AES inputs.

DK-Technologies has also made its successful StarFish™ surround sound display available to all DK meter users, as well as those investing in the new DK3, which makes its European debut at IBC 2012 (Hall 8, Stand E60).

Richard Kelley, Sales and Marketing Director for DK-Technologies, says: “The introduction of the DK3 meter has made the Award-winning DK Meter range even more versatile. Broadcast engineers can now monitor audio levels from both video and audio sources. This is in line with industry trends that have seen audio and video being combined more frequently.”

In common with the other meters in DK-Technologies range, the DK3 is compliant with all known loudness recommendations and has pre-sets built in to allow for EBU R128, BCAP, ATSC A/85, ARIB, ABC, AGCOM 219 & ITU 1770-2. Alongside StarFish™, new software features include moving coil emulation of PPM and VU mechanical meters with user selectable scales and a goniometer display for stereo audio. These features are also available to DK1 and DK2 users and can be installed via a free software download from DK-Technologies’ website:

www.dk-technologies.com

Since their launch in 2011, DK Meters have been rapidly adopted by broadcast and post production companies because they meet industry demand for cost-effective stereo and 5.1 metering, including loudness. No bigger than a smart phone, all of the meters in the range are easy to install and can be powered from a computer USB port, making them ideal for location recording. They are supplied with standard DK-Technologies meter scales plus the industry-standard StarFish™ and deliver conventional metering as well as loudness metering at the same time, on the same display and in a single box. Pricing for these products is highly competitive – starting at just $1499.00 in the US and €995.00 in Europe.

DK-Technologies will complete its IBC line up with its full range of audio and video solutions including the PT0700 Series multi-channel waveform monitor, which delivers remote access, logging, Dolby decoding, audio delay, video measurements and loudspeaker level control, making this a high-grade cost effective quality control device that provides in-depth analysis with simple pre-set control. DK-Technologies will also show its industry standard SPG with auto changeover, which now has GPS and SNTP options.

If you would like a demonstration or more information about any of these products, please visit DK-Technologies in Hall 8, Stand E60.

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About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

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DK-Technologies Celebrates 25 Years Of Audio And Video Excellence At IBC 2012

DK-Technologies, the world-leading manufacturer of audio and video solutions for the broadcast, music and post production industries, will be celebrating its 25th anniversary at IBC 2012.

The company will be marking the occasion by showing an anniversary range of meters branded with new colour schemes and an anniversary logo. Visitors to the DK-Technologies booth (Hall 8:E60) will also have the opportunity to collect a commemorative gift.

Over the last 25 years DK-Technologies has cemented its reputation for ground-breaking Research and Development by introducing a range of audio and video test and measurement products that have rapidly become industry standards. The company has won numerous awards for innovation and for its ability to match its solutions to customer requirements.

Founded in 1987 by its current CEO Karsten Hansen, DK-Technologies has notched up many industry firsts including:

? The first to introduce stand-alone audio metering products that could be sold as individual units
? The first 5.1 surround meter (the MSD 600C MkI)
? The first visual display technology (JellyFish™) to show stereo audio signals in an easy to understand format
? The first surround sound display technology (StarFish™) to show an image of acoustic audio levels as they are experienced by the listener
? The first to offer four waveform monitors in one box (the PTO760M)
? The first to develop a remote unit for a waveform monitor (the PT0700-R) so broadcast engineers on location can see the same audio and video display as engineers in the Master Control Room
? The first to launch a small, portable and cost-effective hand-held audio meter range (the DK Meter) that offers full compliance will all known loudness recommendations (EBU R128, ATSC A/85, ARIB, ABC, AGCOM 219 & ITU 1770-2).

DK-Technologies is not afraid of change and has consistently pushed the boundaries in its bid to develop new technologies that satisfy the needs of the broadcast, music and post production industries.
We hope that you will visit us at IBC 2012 and join in our celebrations to mark a magnificent 25 years.

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About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

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Prism Sound Appoints WAVNet To Represent Its Test Products In The USA

Prism Sound is pleased to announce that it has appointed WAVNet as its newest representative in the USA. WAVNet will help promote sales and provide application support and training for Prism Sound’s range of class-leading audio test and measurement instruments, including the revolutionary dScope Series III audio analyzer.

WAVNet’s Owner and Chief Consultant Greg Groeper will be responsible for managing the Midwest/Great Lakes states of Minnesota, Nebraska, Iowa, Kansas, Missouri, Wisconsin, Illinois, Indiana, Kentucky, Michigan and Ohio. This is a territory he knows well from 25 years of Audio Test and Measurement sales and support in the region.

The appointment of WAVNet reunites Greg Groeper with Doug Ordon, Prism Sound’s US National Sales Representative for Test and Measurement. The two worked together for many years in Chicago during the 1980s as AVC Systems and then as Douglas Ordon and Co. During that time, in addition to establishing an 80% regional market share in Test and Measurement and Broadcast Automation, they helped pioneer the audio industry’s transition from tape based to random access digital editing. In 1992, when Ordon moved on to a new assignment, Groeper took over the business and re-organized it as WAVNet.

Speaking of the opportunity to work together again, Greg said, “Doug and I have been meaning to find the right venue to put our established track record of success to use for sometime. That track record based on extraordinary customer support and the fact that Prism Sound is in alignment with our philosophy is wonderful. This opportunity to work together again in Test and Measurement for Prism Sound is just what we’d hoped for.”

Commenting on WAVNet’s appointment, Simon Woollard, Test & Measurement specialist at Prism Sound, says: “This is an exciting development for Prism Sound, and I very much look forward to working with Greg as the latest member to join our team. I have known Greg for several years, having been introduced by Doug, and I have witnessed the rapport that he has with his clients and their respect for his expertise in the field of audio test and measurement. Greg brings many years of experience with him, and I am confident that he will be a real asset to our US test and measurement sales and support network.”

Greg Groeper has a long history of top level technical support within his large customer base of R&D, Broadcast and Manufacturing Engineering customers. He has always insisted on handling applications engineering and system development at the local/regional level, allowing him to develop expert knowledge in the analysis of acoustics, transducers, electronics and production engineering.

Recently, Groeper founded and manages the 1800+ member Linked-In Professional Group “atme” Audio Test & Measurement Engineering, an exclusive forum for audio professionals dedicated to the finer aspects of Audio Test & Measurement. People interested in joining are invited to register at www.linkedin.com/groups/Audio-Test-Measurement-Engineering-2408733

Additionally, there are several focused subgroups including: Audio Standards, Auditory/Medical, Automotive Audio, D’SPeech, Studio Schmudio and Loudspeaker Measurements.

Greg can be contacted via LinkedIn at www.linkedin.com/in/groeper or at his WAVNet email address wavggg@attglobal.net.

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

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Prism Sound Introduces Chinese Language Support For its Award-Winning dScope Series III Audio Analyser Range

In order to meet the needs of the burgeoning Chinese design and manufacturing sector, audio test and measurement specialist Prism Sound is now providing Chinese language support for its Award-winning dScope Series III audio analyser range.

The decision to specifically address the needs of this market is based on sound economics and recognizes China’s increasing global importance as an engineering and manufacturing nation. High-tech professional and consumer electronic devices such as mixing consoles, tablet computers, televisions and smart phones all have audio components that require testing, and high quality test instruments such as the Prism Sound dScope Series III range are in great demand.

All Prism Sound dScope Series III audio analyzers, including the brand new dScope Series IIIE system aimed at the high-volume manufacturing market, are now supplied with the Chinese language interface as standard. The user can set their language preferences as part of their Windows® installation, and the dScope Series III software looks up these preferences in order to determine which language to display.

In addition, and in recognition of the need to streamline the learning curve for engineers working in high-volume manufacturing, prism Sound is also launching an ‘Auto Sequence’ application, which enables engineers to configure automated test sequences and reports without needing to learn the dScope Series III automation scripting language.

Simon Woollard, Test and Measurement Product Specialist for Prism Sound, says: “Our new Chinese language interface is just one part of a series of exciting new developments for Prism Sound and our customers. We believe that we are the first major Western manufacturer of general-purpose audio measurement instruments to offer a Chinese language option. It is very important that we cater for the needs of our customers, and our sales partners in China, CDA Professional Audio, identified the need for their clients to be able to operate our systems in their native language. The translation task has been quite a substantial piece of work, but we are confident that the investment will be justified, and that it will greatly improve the usability of our solution by our customers in China.

“This new user interface, along with our new dScope Series IIIE system and Auto Sequence application, will help us to raise the bar in ease-of-use and cost-effectiveness in QC system deployment. These are important developments, not just for our clients in Asia, but for our entire global customer base, many of whom work with manufacturing partners and design facilities in Asia. Any time savings in the learning curve and ongoing usage will be very welcome for all concerned.”

Prism Sound’s dScope Series III platform is ideally suited to production line testing applications as it can be easily automated using its built in VBScript interpreter, and now also from a dedicated test sequencer that avoids the need for script writing, enabling the creation of custom test routines and pass/fail limit checking. Furthermore, test automation can be accomplished with dScope’s “ActiveX COM” interface, offering support for third party automation executives e.g. National Instruments TestStand.

The latest version of the dScope Series III software, complete with Chinese language interface, can be downloaded from the following link:

http://www.prismsound.com/test_measure/support_subs/support_downloads.php

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Note To Editors
The name Prism is widely used in different markets and by many different companies worldwide. The Cambridge-based UK manufacturer of audio interfaces, test and measurement equipment and logging systems, to whom this press release refers, seeks to avoid commercial confusion with these other markets and companies by always using its full name, Prism Sound, in its commercial communications. To avoid further action by these companies, Prism Sound respectfully ask that this convention be followed in print and on-line media which refer to their company and products. Thank you.

About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

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Prism Sound’s New dScope Series IIIE Audio Analyzer Raises The Bar In Terms Of Functionality Versus Price

Audio test and measurement specialist Prism Sound continues its innovative product development strategy by introducing a new analogue and digital audio analyzer that sets a new benchmark in terms of functionality versus price.

Based on its Award-winning dScope Series III instrument and dubbed the ‘Essentials’ package, the new dScope Series IIIE audio analyzer represents Prism Sound’s ongoing commitment to offering its customers the best possible value for money, whilst delivering unique innovations in audio analysis capabilities.

dScope Series IIIE is ideally suited to a wide range of audio test applications, but is of particular relevance to automated production line testing where there is a requirement for a more targeted feature set.

Simon Woollard, Test and Measurement Product Specialist for Prism Sound, says: “Our flagship dScope Series III analyzer platform is the most powerful audio test solution available and leads the way in advanced generation and analysis tools. However, some of our customers don’t need the entire feature set of our top of the range systems and would prefer a streamlined solution that is more cost effective but still meets their analysis requirements.

“dScope Series IIIE retains the design philosophy of our range-topping dScope Series III but omits some of the more advanced capabilities that you might use in a heavy-duty design engineering role. We are offering a solution for all of the most commonly used measurement functions for analogue, digital and soundcard-based audio measurements, and including multi-channel switching capabilities and modern analysis methods such as multi-tones and chirps, to ensure the fastest possible test times. This, coupled with our new software application for creating automated test sequences and reports, makes the dScope Series IIIE the ideal investment for audio QC testing.”

The dScope Series III family now includes the original dScope Series III, the new dScope Series IIIE and two analogue-only variants – the dScope IIIA and IIIA+. Prices start from £3,895 ($5995 in the USA), and users can choose the version that best suits their needs, safe in the knowledge that they can upgrade at any time should their requirements change.

The dScope Series III family offers comprehensive analogue and digital audio signal generation and analysis, plus support for digital audio carrier testing, quasi-anechoic microphone/loudspeaker analysis and testing of Windows™ sound devices.

dScope Series III can be easily automated using its built in VBScript interpreter, and now also via a dedicated test sequencer which avoids the need for script writing, enabling the creation of custom test routines and pass/fail limit checking. Furthermore, Test automation can also be accomplished with dScope’s “ActiveX COM” interface, offering support for third party automation executives e.g. National Instruments TestStand. This makes all solutions in the dScope Series III range ideally suited to production line testing applications.

The dScope Series IIIE audio test and measurement system comprises a Windows PC (XP™, Vista™ and Windows 7 compatible) software application coupled with an external high-precision audio I/O processor for equipment-under-test (EUT) connection.

For a full list of features available with each version please visit:

http://www.prismsound.com/test_measure/products_subs/dscope/dscope_features.php

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

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White Mark and Langdale Technical Build World Class Radio and Music Studios For Nile Radio Productions

Continuing the expansion into new territories that has become a feature of its business development over the last few years, UK studio acoustic and design consultancy White Mark has successfully completed two radio studios and two music recording studios for Nile Radio Productions in Cairo.

This prestigious project involved rebuilding the existing Nile Radio Productions facilities, which are housed in buildings within the Media City complex on the outskirts of Cairo. State of the art radio on-air and pre-production studios were created for Nagoom FM, which positions itself as the Middle East’s No.1 Arabic Current Hit Radio Station, and its English language sister station Nile FM. These stations enjoy enormous audiences in this region of the world and can be heard (and seen) at http://www.nilefmonline.com/video

The brief also required White Mark to design two recording studios that will be used by NRP to create original music content for the stations and develop local talent by making world class facilities accessible to both artists and producers in Egypt. The company plans to set up a production, management and publishing arm to further facilitate this creative development and these studios form the basis of its production hub.

David Bell, Managing Director of White Mark, says: “As NRP was redeveloping their premises, this was a major undertaking that required detailed coordination, design, build supervision and technical infrastructure from the outset. Careful consideration had to be given to the detailed supervision of the Egyptian building company which was unfamiliar with the techniques required for this specialist project work. Scheduling also became a central issue as the two on-air stations had to continue broadcasting throughout the construction and have access to their commercials pre-production facilities. The new buildings are a significant improvement on the previous complex and detailed discussions were held as to the form the new rooms should take.”

Mrs Hala Hegazi, Managing Director and Group COO of NRP, says: “Nile Radio Production and Music Studios have been a long awaited dream for all of us to realize. We are all extremely excited about finally having the studios completed, and to have had the whole operation built by the expertise of White Mark and Langdale Technical is really where the value of the studios is magnified. We are optimistic that the studios will become a milestone in our business legacy and will deliver our expectations and beyond in Egypt and the entire region.”

Mr. Rami Mohsen, NRP’s Production Director, adds: “Needless to say, the team of producers on board feel that this is a huge breakthrough in their working track record and career portfolios. To be able to work and train and manage such world class studios and the technology that comes with them is a massive addition to all of us. This could not have come at a better time in our industry’s business path as our main direction is to focus on Radio production and music label releases in 2012 and beyond. We are all truly excited and feel privileged to be part of this world class launch.”

The project was undertaken against the backdrop of the political changes in Egypt but this had little effect on progress with site visits and coordination meetings taking place as planned on all but one occasion, which was postponed because of the elections.

The two radio studios share common facilities with the on-air rooms both facing a shared Talks studio. Also shared are the machine room and office and reception spaces. White Mark also designed a pre-production suite, which both stations use.

Much of the equipment was migrated from NRP’s former facilities and was re-installed by UK company Langdale Technical, which handled the technical installation for all four studios. Set up of the facilities was handled by Jeff Marcedo, White Mark’s newly appointed agent for India and the Middle East.

On the music side, NRP now has a no-compromise main recording studio that houses a 48-channel SSL Duality, Pro Tools and an extensive range of analogue and outboard equipment. It also has a small production room equipped with Pro Tools and an Avid 24-channel C|24 control surface. Both rooms feature ATC and Adams monitoring and access to a generous outboard equipment compliment.

Langdale Technical Director Bill Ward says: “The project involved close cooperation with the White Mark team and also a lot of liaison with NRP regarding equipment lists and layouts etc. Our involvement stemmed directly from White Mark’s recommendation, although we were already aware of recording studio element thanks to our links with SSL. As far as I was concerned it was critical that White Mark were involved because it gave legitimacy to the project and meant that any issues arising during the build could be quickly resolved because we’ve worked with White Mark sufficient times in the past for there to be real respect and trust between both teams.”

Ward adds that one of the main challenges was getting local builders to understand, and then achieve, the standard both White Mark and Langdale Technical expected. A further challenge successfully met was dealing with Egyptian customs for the import of the equipment and specialist building materials.

“This was a particular issue when it came to the SSL console as the desk was somewhat roughly unpacked by the local customs officials and needed replacement parts by the time it was released and finally delivered,” he explains. “Fortunately we were already on site and were able to make SSL’s commissioning a lot easier by having the console assembled and powered up before their team arrived. This meant we could tell them exactly what parts were needed, which saved a lot of time.”

Working in a country in the throes of political turmoil proved challenging for both White Mark and Langdale Technical.

“Every time we visited the site events seemed to move quickly from stable and calm to highly publicised unrest, but, by and large, we were detached from it because NRP’s premises are on the outskirts of Cairo some distance from the main gathering in Tahrir Square, which is in central Cairo.” Ward says. “On the last trip out, there was a possibility that we might have difficulty getting home as some of the European airlines were very quick to cancel flights. However, as we always travelled with Egypt Air, we had no problems because they were much more understanding about the situation.”

White Mark Managing Director, David Bell, concludes “The new facilities are truly world class and it has been a joy to be part of NRP’s project to empower local talent and bring it to the home audience. The challenge of working with local contractors at the level of quality required for the facility to become what it is now should not be underestimated, but the excitement of the changes in the country provided a very relevant backdrop to the creation of a suite of rooms of which Egypt can be very proud.”

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About White Mark:
Established in 1997 by David Bell, John Dunnill, Derek Buckingham and Alan Cundell, White Mark Ltd specialises in production facilities for music recording and the film and television industries. Over the last fifteen years it has designed and supervised the construction of over 500 production suites worldwide. The company’s impressive client list encompasses some of the world’s most famous music recording facilities including Peter Gabriel’s Real World Studios in the UK, Germano Studios in New York, Hit Factory/Criteria Recording Studios in Miami, Strongroom in London and private studios for producers and musicians such as William Orbit and Damon Albarn. In the area of audio post production, White Mark has completed over 140 audio studios and many broadcast and video editing facilities for more than 60 companies in Soho alone. The list of clients includes Grand Central, Hackenbacker, Envy, De Lane Lea, Scramble, Lipsync, Molinare, DeLuxe, 750mph, NBC/Universal, Wave, Unit and Boom. Advertising agency clients include worldwide facilities for Hogarth International and AMV/BBDO on four continents. www.whitemark.com

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Prism Sound Fulfils An Important New Order For Its SADiE 6 Craft Editing Software

Less than one year after installing 50 SADiE 6 editing systems at BBC North in Salford, the BBC has expanded its SADiE editing capabilities by ordering another 250 systems. These will be strategically located in the Corporation’s radio studios around the UK.

Following a comprehensive review of a range of potential solutions, the broadcaster selected SADiE as its standard “Craft Editor” for audio to complement its radio production and playout automation systems. This decision helped the broadcaster to streamline the range of tools that it supports internally for its radio programme makers.

The Corporation already has many hundreds of SADiE installations. Key to this success is the unique approach that SADiE has to audio editing and productivity, tailored to high-end radio production workflow. The new SADiE 6 software is primarily being used as a software-only application on the broadcaster’s desktops, but it can also be installed on existing SADiE 5 hardware as an upgrade.

The Craft Editor specification demanded a number of feature enhancements for the new SADIE 6 software, including the integration of a comprehensive signal processing plug-in package. This has been met with the iZotope plug-in pack for SADiE 6. In addition, Prism Sound has developed a USB interface for SADiE 6 that supports the broadcaster’s 200-plus SADiE hardware controller. This enables re-use rather than replacement of the controllers.

Graham Boswell, Sales Director of Prism Sound, says: “We are delighted that the BBC is making SADiE 6 available to many more of its radio production employees and we feel confident that they will appreciate the benefits that SADiE 6 brings.”

SADiE digital audio workstations and LRX 2 digital audio workstation have long been the mainstay of the broadcast community thanks to their editing and location recording capabilities. The SADiE product range is renowned for its speed and ease of use, making it ideal for radio drama production and topical documentaries where the emphasis is on a quick turnaround. The new SADiE 6 software operates on any computer running Microsoft Windows as well as existing SADiE 5 hardware platforms.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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