Archive by Sue Sillitoe

DK-Technologies Expands the DK Audio and Loudness Meter Family

DK-Technologies has announced the availability of its DK3 meter AND added the brand new DK4 meter to its award-winning DK METER family.

Like DK3, DK4 offers de-embedding of SDI 3G input channels. Additionally, DK4 includes three AES as well as two Analogue inputs.

Building on the already impressive DK METER Loudness and Audio toolbox, DK4 adds FFT Spectrum analysis, Screen Grabber and the classic MSD Meter Landscape View as standard features. These features are all optionally available for the other meters in the DK METER range.

To coincide with the launch of the DK4, DK-Technologies has also introduced an integrated set-up Wizard that takes DK Meter user friendliness to a whole new dimension. With this quick set-up guide, engineers can get to grips with DK’s powerful metering technology in a matter of minutes, thus giving them a head start with any meter in the DK range.

Jacob Hänel Christensen, Sales and Marketing Director for DK-Technologies, says: “With the addition of DK4, the DK METER reach has once again been expanded. Broadcasters and Post Production engineers can now monitor everything from compliant Loudness Measurements and True Peak readouts, through to detailed Spectrum Analysis.”

In common with the other meters in DK-Technologies range, the DK4 is compliant with all known loudness recommendations including; EBU R128, BCAP, ATSC A/85, ARIB, ABC, AGCOM 219 & ITU BS1770-2. Alongside StarFish™, Vectorscope and Moving Coil Emulations, new software features also include ‘Eye Width’ Instant SDI signal quality read out.

Since the launch of DK1 in 2011, the DK METER range has been rapidly adopted by broadcast and post production companies because it meets industry demand for cost-effective stereo and 5.1 metering, including loudness. No bigger than a smart phone, all of the meters in the range are easy to install and can be powered from a computer USB port, making them ideal for location recording. They are supplied with standard DK-Technologies meter scales plus the industry-standard StarFish™ and deliver conventional metering as well as loudness metering at the same time, on the same display and in a single box. Pricing for these products is highly competitive – starting at just $1499.00 in the US and €995.00 in Europe.

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About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Salam Media Cast Announces New Partnership With VidiGo

Leading systems integration company Salam Media Cast (SMC) has announced an exciting partnership with VidiGo that will allow SMC’s customers to access VidiGo’s revolutionary range of broadcast software products.

The new deal, which comes hot on the heels of similar arrangements with HoloVis International Ltd and Visual Unity, will enable SMC to expand its world leading capabilities in the Broadcast Solutions market and offer an even greater range of technology, solutions and services to its burgeoning client base in the Middle East and Europe.

Launched in 2006, VidiGo has developed a range of high quality, intuitive software products running on standard IT-hardware that liberate the use of professional video and make the production of AV content accessible and affordable for everyone.

Among the many software solution in the VidiGo range are VidiGo Live, a multi-camera live production solution that incorporates audio and video effects; VidiGo Toolbox, a software solution that allows broadcasters to easily incorporate Skype, Google Maps and YouTube into their programming; VidiGo Graphics, that allows broadcasters to interact with social media; VidiGo Works, a software for creating, editing and distributing processional video content; VidiGo Playout, for incorporating Adobe Flash graphics into a playout schedule, and VidiGo Visual Radio, which gives radio broadcasters access to online, mobile and TV platforms.

Paul Hennessy, CEO of SMC, says the new partnership with VidiGo will allow SMC’s broadcaster customers to access some of the most sophisticated software solutions on the market.

“SMC has a proven track record in identifying the very latest broadcast technologies and we are constantly investigating new ways in which we can bring value-added solutions and services to our clients,” he says. “Our new partnership with VidiGo is very exciting as it expands our ability to deliver innovative workflows that truly benefit customer specific requirements.”

Hans Krouwels, CEO of VidiGo adds: “We are delighted that SMC is partnering with us and look forward to introducing many new customers to our product range. By replacing complex hardware driven workflows with easy-to-use VidiGo solutions, creative staff can regain control of their workflow while broadcasters can make substantial savings in investment and operational costs.”

Based in Doha, Qatar, SMC has over 35 years’ experience of systems integration in the Gulf region. The company represents many worldwide manufacturers such as Avid Technology, Quantel, SeaChange, Leitch, Vinten Broadcast Ltd., Telestream, Vizrt and EVS Broadcasting. It also serves TV channels and networks, movie studios and network operators in the region, providing telecommunications, broadcasting, integrated systems and state-of-the-art security.

In 2010, SMC joined GSSG Holdings as part of its Media Group, with offices in Qatar, UAE, Oman, and Saudi Arabia. More recently, the company has been expanding its team by acquiring local and international talent, opening an office in the UK and diversifying its activities to reflect the technological changes that are taking place within the broadcast and media industries. This shift in focus is enabling SMC to enter new markets and develop its business in the multiscreen environment. It is also introducing new services such as Salam Media Cast Support, a cost effective service that is designed to help customers deal with their day to day maintenance requirements and simplify the management of multi-vendor hardware and software to ensure that systems operate at peak performance.

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About Ghanim bin Saad Al Saad & Sons Group Holdings

Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.
GSSG has enjoyed steady growth and success in many fields and industries locally and international. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.
The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.
In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.
www.gssg.com

Salam Media Cast (SMC)
Salam Media Cast is a proven Media Broadcast and Communications Technologies solutions provider, serving the Media, Telecommunications, Security, Education, Hospitality and advertising industries in the Gulf region for nearly 40 years. In 2010, SMC joined GSSG Holdings as part of its Media Group, with offices in Qatar, UAE, Oman, and Saudi Arabia.
Salam Media Cast pioneers not only in equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, but also equips whole multivendor environments. SMC provides solutions from safeguarding national security such as in government operations, creating the best venues for education such as museums and classrooms, enhancing sports environments and revolutionizing health facilities and satellite telecommunications.
To support the workflow and innovation demands of our valued customers, we have recently expanded our team with new local and international talent. We use our expertise to help realise your goals and ambitions – we listen, advise, design and build great workflows that work for you. Our ambition is to be your trusted partner in the Gulf region.
www.salammediacast.com

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Prism Sound Launches Lyra – A New Audio Interface For The Studio Producer, Musician and DJ Market

Internationally renowned manufacturer Prism Sound is bringing its high performance audio technology to an even wider audience with the launch of Lyra, a brand new family of interfaces aimed at musicians, composers, project studio owners, DJs, re-mixers and other audio content producers such as radio and podcasting. It is also anticipated that high-end home audio enthusiasts will find the USB interface and stereo configuration with digital volume control an attractive package.

Lyra, which will make its debut at the 2012 AES Convention in San Francisco, is based on the award-winning and critically acclaimed Orpheus interface. With Lyra, music recording professionals can access the power and sophistication of the Orpheus audio path and clock circuitry, but in a smaller package and at a much improved price point.

“Lyra connects seamlessly with both Macs and PCs via a simple USB interface,” says Graham Boswell, Sales and Marketing Director for Prism Sound. “For recording professionals who don’t need eight channels of analogue I/O, Lyra is the perfect interface because it allows them to access Prism Sound quality in a convenient package and at an affordable price.”

Prism Sound, which plans to launch a number of different variants of Lyra, has started the ball rolling with Lyra 1 and Lyra 2. Both incorporate new ARM Cortex-based ‘Xcore’ processor design offering class-compliant USB interfacing, plus DSP and a low latency ‘console-quality’ digital mixer for foldback monitoring. Both products also have optical SPDIF capability and Lyra 2 also supports ADAT.

Lyra 1, which retails at £1,349 plus VAT, will be of particular interest to the musician and project studio market. This unit offers two analogue input channels – one for instrument/line and one for mic/line – plus two DA output channels and optical-only digital I/O. With Lyra 1, musicians can connect a guitar and a microphone through the input channels, plug into their software mixer via a simple USB connection and start laying down basic tracks in a matter of minutes.

Lyra 2, which retails at £1,849 plus VAT, takes the concept a little further by offering two AD input channels with switchable microphone, instrument or line input modes and four DA output channels. Both optical-only digital I/O and copper S/PDIF are available on this version of Lyra, which also offers wordclock In/Out enabling synchronization with other digital devices.

Both products are ergonomically designed to look as good as they sound. The front panel has a master volume control assignable to selected output channels, while the unit’s small size – just 11 inches wide – makes it very easy to transport for musicians, producers and DJs on the road. For studio use, Prism Sound can supply dedicated rack mounts as an extra.

“We know there is a market for Lyra because our customers have been demanding this product ever since we launched Orpheus,” Graham Boswell adds. “However, we are very protective of our reputation for delivering the highest possible audio quality so we were not going to bring any product to market until we were 100% convinced that it could live up to our exacting specifications. Lyra does just that, and we are very proud to introduce it.”

Lyra will start shipping in November 2012 and will be fully supported by Prism Sound’s acclaimed technical and after-sales service staff.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Lauren Laverne Confirmed as Host of the Music Producers Guild Awards 2013

Radio and television presenter Lauren Laverne is to host the 2013 Music Producers Guild Awards, which take place at the Café de Paris in London on February 7th 2013.

An award-winning presenter, Lauren began her career in the music industry as a member of the indie band Kenickie. She entered the world of broadcasting in 1996 when she joined leading London radio station XFM, before moving to BBC 6Music where she now hosts a daily show.

Lauren has a successful and varied on-screen career, presenting TV shows such as Transmission, The Culture Show, Style on Trial, 10 o’Clock Live and coverage from music events including Glastonbury and The Mercury Prize. She is also no stranger to the red carpet, having hosted a number of premieres in London’s Leicester Square.

Steve Levine, chairman of the Music Producers Guild, says: “We are delighted that Lauren will be part of our 2013 Awards ceremony. She is immensely experienced and has a deep understanding of the music industry, both as an artist and a presenter. Her obvious love of music makes her ideally suited to host an event that recognises the recording professionals whose creative talents contribute so much to the hit records we all enjoy.”

The 2013 Music Producers Guild Awards offers the perfect opportunity to mingle, network and rub shoulders with many of the industry’s most celebrated recording professionals, artists and decision makers.

“Audio professionals have a unique place at the very heart of the music industry,” Steve Levine adds. “As true independents, we have an important role to play in supporting and guiding the artistic creation that is the lifeblood of our industry.”

Now in its fifth year, the 2013 Music Producers Guild Awards will once again be presenting a BRIT Award for Best Producer to the winner of its UK Producer of the Year category. In total there are 18 award categories and these include:

UK Producer of the Year
International Producer of the Year
Breakthrough Producer of the Year
Recording Engineer of the Year
International Recording Engineer of the Year
Breakthrough Engineer of the Year
Mix Engineer of the Year
Mastering Engineer of the Year
Re-mixer of the Year
UK Album of the Year
UK Single Song Release of the Year
Live Production of the Year
Studio of the Year
The A&R Award
The Unsung Hero Award
The MPG Innovation Award
The MPG Inspiration Award
Outstanding Contribution to UK Music

For more information about the Music Producers Guild awards please visit www.mpgawards.com

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About Music Producers Guild (UK):
The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk or www.mpgawards.com

DK-Technologies Appoints New Sales & Marketing Director

As DK-Technologies celebrates its 25th anniversary, the company has announced a key strategic appointment that is designed to strengthen its global sales and marketing effort.

Jacob Hänel Christensen has joined DK-Technologies as Sales & Marketing Director, with responsibility for promoting the company’s entire range of audio and video metering products including the award winning DK Meter and PT0760M waveform monitor. He will be based at DK-Technologies’ head office in Herlev, Denmark.

With a degree in Mechanical Engineering from DTU and an E-MBA from CBS, Jacob is ideally placed to drive the company forward as it enters the next phase in its development. He joins DK-Technologies from dnp denmark, a world leader in optical projection screens. During the 11 years he spent with dnp, Jacob held positions within sales and product marketing, ultimately achieving the post of Head of Business Development with responsibility for the dnpSolar business unit.

Karsten Hansen, CEO of DK-technologies, says: “We are delighted to have Jacob on board and feel confident that his background in sales, marketing and business development will help DK-Technologies capitalize on the success of products like the DK Meter range by developing opportunities in existing markets and expanding our reach into new territories around the world.”

Jacob adds: “I am very excited about joining DK-Technologies and look forward to helping the company promote its world class products and expand its sales network on a global scale. The timing of my appointment is perfect as the new DK Meters are making a big impact on the market. I will be working extensively with DK’s sales channels to ensure maximum exposure for these groundbreaking Loudness meters, along with all of the other products in DK’s portfolio.”

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About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

The Music Producers Guild Helps Define A New Industry Standard

The Music Producers Guild’s Mastering Group has achieved a significant breakthrough for all recording artists and other copyright owners by working with the European Broadcasting Union (EBU) to create an industry standard for embedding ISRCs within digital music files.

This major step forward will make accurate file identification and content tracking much easier and could help royalty agencies develop more precise systems for payments, thereby safeguarding the incomes of all artists and copyright owners when their recordings are played on air.

MPG Mastering Group board member and Alchemy Mastering Engineer Barry Grint, who led the initiative, says: “ISRC stands for International Standard Recording Code. Every song released – and indeed every version of that song – is allocated a unique ISRC by the record label. In the past the ISRC information was included within sub data streams of a CD, so a track could be identified by its associated ISRC.

“However, now that we have entered the digital age and are increasingly using digital WAV files, the ability to securely associate ISRC data with specific tracks has been lost because the only common way to incorporate ISRC into a WAV file is via the file name. If someone renames the file – or if the name is truncated or amended by a software program – the vital ISRC information can easily be lost. Unfortunately many record companies are not aware of this and simply assume that ISRCs are being embedded into WAV files. Technically that just isn’t possible so many mastering engineers were simply adding the code to the file title, which was an insecure practise.”

The MPG Mastering Group recognized that this was a major problem and that the industry needed an approved method for embedding ISRC data within a WAV file. Fortunately the EBU had developed the Broadcast WAV File (BWF), a variant of the WAV file for use by broadcasters. Although this variation allows for metadata to be added within the file, no standard had been defined as to how and where the data should be stored. Also workstation manufacturers offering the ability to create BWF files did not have a consensus as to the fields in which data should be entered.

Barry Grint approached the EBU and asked them to adapt the BWF standard so that ISRC’s could once again be included in metadata in a regular way.

“The new system is simple to implement and the MPG is encouraging workstation manufacturers and record companies to use BWF in preference to WAV as the standard specification for file exchange,” Barry Grint says. “Once adopted, this system will allow ISRC to flow through the whole production chain. iTunes and other aggregators will be able to pull the ISRC through during encoding and broadcast playout systems can easily be adapted to recognise the ISRC, making airplay reporting far more accurate.

“This is a major step forward for the music industry as it gives us the opportunity to identify with certainty every digital Master file regardless of how that file is named. We would like to thank the team at the EBU for recognizing the importance of this to the MPG and the Music Industry worldwide and the speed with which they were able to bring this about. By making ISRC the cornerstone of asset management and royalty reporting, we should be able to ensure a more accurate system of royalty payments and writer/performer credits, thereby supporting the income of all recording artists and copyright owners well into the future.”

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About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

Jünger Audio’s New V*AP Voice Processor Makes Its Debut At IBC 2012

At IBC 2012 (Hall 10, Stand D20), dynamics processing specialist Jünger Audio is unveiling V*AP, a brand new two channel voice processor that is specifically designed to make life easier for engineers working in radio stations and TV production voice-over studios.

V*AP draws on Jünger Audio’s extensive experience with previous Voice Processing devices such as its v-series, but adds new tools and algorithms to create a new, easier and more efficient approach to voice processing with no compromise in sound quality.

V*AP’s main task is to offer perfect control of microphone recordings but Jünger Audio has also included processing such as HP/LP filtering, dynamic section, full parametric EQ and de-essing. All of the V*AP functions can be easily performed with the click of a mouse, making it hassle free for any journalist or reporter to use. Jünger Audio has also provided a dedicated voice leveler combined with a voice over circuit to help integrate voice programs into loudness-based broadcasting on the fly. Using the optional SDI I/O card automated voice over for embedded audio becomes an attractive feature of the V*AP.

Available as either an insert into a mixing desk or as a stand-alone unit, V*AP offers interfaces that allow integration in existing environments via an AES insert. The unit can also use used with an optional analogue board that adds two high quality mic-preamps.

Another key feature of V*AP is the inclusion of Spectral Signature™, Jünger Audio’s automatic spectral sound management algorithm that dynamically boosts and attenuates frequency bands to preserve natural balance while achieving station sound without wide band crushing tools. With Spectral Signature™, users can automatically analyze the ideal recording of their voice (direct or over telephone lines) and easily create pre-defined sound fingerprints that become the reference the algorithm matches to on all subsequent live recordings.

For more information on V*AP and the entire Jünger Audio range, please visit www.junger-audio.com or visit the company at IBC 2012, Hall 10, Stand D20.

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities.

Red TX Captures The Broadcast Audio For A Number of High Profile Summer Music Events

Broadcast audio specialists Red TX sent its Red II Outside Broadcast truck to Cambridge recently to capture an extensive programme of music during the three days of the Cambridge Folk Festival.

Top folk artists including The Proclaimers, Joan Armatrading, June Tabor & Oysterband, Clannad and Seth Lakeman descended on Cherry Hinton Park for the event, which was broadcast live on Sky Arts and was presented by Zoe Ball, Mark Radcliffe and folk singer Julie Fowlis.

Red TX was commissioned to handle the broadcast audio by production company Smooth Operations. As well as feeding a 5.1 mix of the audio from the main stages to Visions for the Sky Arts broadcast, Red TX also prepared a separate stereo mix for BBC Radio 2.

Viv Atkinson, Director of Smooth Operations, says: “I book Red TX because, apart from being consummate professionals with everything you need to do the job, they are technically superb and most importantly brilliantly helpful with an amazing attitude that makes any job with them a pleasure.”

The Red TX team comprised Ollie Nesham, who was on board Red II, and Ian Dyckhoff and Mike Silverston, who used a de-rig recording set-up to mix and record the acoustic performances in the presentation studio.

Ollie Nesham says: “Cambridge is a great festival to be part of and the entire team really pulled together to deliver up to six hours of live music mixes per day.”

Red TX is now back in London having been commissioned by Live Nation to record the audio for the BT London Live concerts in Hyde Park during the London 2012 Games fortnight.

The first, which took place on July 27th to coincide with the opening of the Games, featured Snow Patrol, Stereophonics, Duran Duran and Paolo Nutini. Renowned live sound engineer and Red TX director Tim Summerhayes was behind the controls of Red TX’s Red 1 truck for that concert, which was broadcast on Absolute Radio.

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About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD. It is headed by Ian Dyckhoff and Tim Summerhayes, both of whom have extensive experience in delivering high-quality audio for broadcast. www.red-tx.com

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Prism Sound Delivers Simpler Audio Measurement Solutions To All India Radio

All India Radio (AIR) has taken delivery of 35 Prism Sound dScope Series III audio test instruments, which are being used to check the audio quality of AIR’s transmitter links throughout the country.

With a national network of 237 broadcasting centres, AIR is one of the most influential radio broadcasters in India. Established in 1936 as a Government organisation with a remit to inform, educate and entertain, AIR underwent rapid expansion after India attained independence in 1947 and now reaches 99.18% of the population. Its home service broadcasts in 24 languages and 146 dialects, while its external service covers 27 languages – 17 national and 10 foreign.

Today, the broadcaster has 149 medium frequency and 54 high frequency transmitters, along with 177 FM transmitters. This extensive network is constantly checked to ensure audio quality and overall performance.

In order to win this important tender, Prism Sound worked closely with New Delhi-based Electro Dynamics, the company’s specialist agent for Government sector Test and Measurement business in India. Formerly an Audio Precision representative, Electro Dynamics has been supplying equipment to AIR and Doordarshan (TV) for many years.

Lalit Agarwal, founder and CEO of Electro Dynamics, says: “Alongside offering the most competitive financial package in its tender response, Prism Sound also offered the best technical solution. The dScope Series III instrument was deemed highly suitable for AIR’s requirements, particularly because it offers analogue and digital functionality and its ease of operation is second to none. The system will be used extensively during the overhaul of AIR’s infrastructure as it transitions to digital broadcasting, and we are delighted to be able to offer this state-of-the art solution at this key stage in AIR’s development.”

Prism Sound’s dScope Series III includes precision analogue and highly-optimised digital outputs and inputs. Precise and automatic gain-ranging enables high resolution measurements over a massive range, from a few micro-volts to more than 150 volts RMS, and from less than 1 Hz to over 90kHz. Its interface processor uses dedicated DSP to provide a wide range of real time measurements, while its software uses the host PC for almost unlimited number crunching and analysis options such as Fast Fourier Transforms, unique ‘FFT Detectors’, swept sine and multi-tone testing. Designed to be highly programmable, the dScope Series III can be automated from a wide range of third-party software using Active X controls, or internally using VBScript. The system also offers a range of uniquely powerful tools for broadcasters, including logging facilities for tracking down intermittent pops and glitches in the audio stream, and metadata inconsistencies and changes of status which could lead to audible problems.

Simon Woollard, Test and Measurement Product Specialist for Prism Sound, says: “This was an important project for Prism Sound and for AIR alike, so we took the time to consult with the client in order to understand their requirements in detail. Once we knew what measurements AIR’s engineers needed, we were able to customise the appearance of the standard dScope Series III interface, using in-built user-adjustable settings. In doing so, we were able to provide a simplified menu that was easy to understand and control, even for untrained users.

“The resulting main menu offers four main sub-menus of test groups, grouped by input and output domain, plus a quick tour of the instrument and the self-test routine that AIR requested. The sub-menus then offer the operator a choice of the most commonly needed tests, e.g. frequency response, THD+N, IMD, etc, which can all be accessed from a single click. Operators can then perform their tests using the standard test profiles, or they can customise the tests according to their specific requirements.

“As with all dScope Series III instruments, automated test sequencing and reporting is also possible. We will be consulting further with AIR following their initial training and usage of the instrument to determine whether they require any further adjustments to the appearance of the instrument’s interface, or to the tests and test reporting defaults provided.

“This project is very exciting for me, as I have been involved in Prism Sound’s strategic move into the Indian market since day one, and this is one of the most significant results we have obtained since we started this campaign. This news is important for all of our customers, as it helps to strengthen our position in the region, and I look forward to working with Electro Dynamics and AIR in future as we continue to develop our audio test and measurement solutions.”

Prism Sound has already provided Digital Audio training to AIR staff and will deliver more specific dScope Series III product training during 2012. It is anticipated that AIR will place further orders in the future as it rolls dScope Series III out to other divisions.

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

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DK-Technologies Unveils The DK3 Meter To European Broadcasters At IBC 2012

DK-Technologies is now offering broadcast engineers the ability to de-embed 16 channels of audio from an SDI input by using its award-winning DK3 Compact Audio Loudness Meter. And for those working in a non-video equipped facility, there is still the option of using the meter’s three AES inputs.

DK-Technologies has also made its successful StarFish™ surround sound display available to all DK meter users, as well as those investing in the new DK3, which makes its European debut at IBC 2012 (Hall 8, Stand E60).

Richard Kelley, Sales and Marketing Director for DK-Technologies, says: “The introduction of the DK3 meter has made the Award-winning DK Meter range even more versatile. Broadcast engineers can now monitor audio levels from both video and audio sources. This is in line with industry trends that have seen audio and video being combined more frequently.”

In common with the other meters in DK-Technologies range, the DK3 is compliant with all known loudness recommendations and has pre-sets built in to allow for EBU R128, BCAP, ATSC A/85, ARIB, ABC, AGCOM 219 & ITU 1770-2. Alongside StarFish™, new software features include moving coil emulation of PPM and VU mechanical meters with user selectable scales and a goniometer display for stereo audio. These features are also available to DK1 and DK2 users and can be installed via a free software download from DK-Technologies’ website:

www.dk-technologies.com

Since their launch in 2011, DK Meters have been rapidly adopted by broadcast and post production companies because they meet industry demand for cost-effective stereo and 5.1 metering, including loudness. No bigger than a smart phone, all of the meters in the range are easy to install and can be powered from a computer USB port, making them ideal for location recording. They are supplied with standard DK-Technologies meter scales plus the industry-standard StarFish™ and deliver conventional metering as well as loudness metering at the same time, on the same display and in a single box. Pricing for these products is highly competitive – starting at just $1499.00 in the US and €995.00 in Europe.

DK-Technologies will complete its IBC line up with its full range of audio and video solutions including the PT0700 Series multi-channel waveform monitor, which delivers remote access, logging, Dolby decoding, audio delay, video measurements and loudspeaker level control, making this a high-grade cost effective quality control device that provides in-depth analysis with simple pre-set control. DK-Technologies will also show its industry standard SPG with auto changeover, which now has GPS and SNTP options.

If you would like a demonstration or more information about any of these products, please visit DK-Technologies in Hall 8, Stand E60.

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About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

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