Archive of the Business Category

Sound Devices Streamlines Production Workflows with Launch of Firmware 2.10 for Rack-Mounted Recorders

Latest Firmware Update Incorporates New Release Candidate Screening Program

REEDSBURG, WI, OCTOBER 21, 2014 – Sound Devices, specialists in portable audio and video products for field, live event and studio production, introduces Firmware 2.10, the latest software update for its 970 audio rack-mounted and PIX 250i, PIX 260i and PIX 270i video rack-mounted recorders. New features and upgrades include enhanced metadata functionality, sound report creation and improved file/folder formats. In addition, Sound Devices now offers a Release Candidate Screening Program, which gives existing end users of its rack-mounted recorders a sneak peek into new features and changes under development in the firmware.Video Devices PIX 270i

Firmware 2.10 features a new Metadata screen so users recording audio can quickly access and edit the Scene, Notes, Take and Circle status of Previous, Current and Next takes. It also provides the same metadata editing functionality from PIXNet, the Web browser interface. Additionally, the PIXNet clips tab has been enhanced to display useful information about recordings, including start timecode, fps, user-bits, duration, codec and audio format.

With regard to reel folder formats, in previous iterations of the firmware, a Custom option enabled users to edit reel folder names with any alphanumeric value, whereas the 2.10 firmware offers a second Daily option. If set to Daily, new reel folders will automatically be named with the current system date in the YYMMDD format. These daily reel folders, which are containers for the recordings, are helpful in organizing deliverables for projects that span multiple days. This latest firmware also features a new Phrase List Manager, which lets end users create a list of commonly used phrases and then use them to quickly edit the Notes field of recorded WAV files. Users can also now enter notes from either the File list or the new Metadata screen, for the next recording.

For those devices operating in Audio Only Mono mode, it is now possible to have the system append the actual audio track name to the end of the file name. While recording, track names can now be edited from the audio screen and from PIXNet. This assists those in post production in determining which audio file is associated with which member of the cast, a feature that is particularly useful in high-track-count reality shows. In addition, the new Sound Reports feature creates CSV files based on WAV-file metadata.
Sound Devices 970 - front panel
Sound Devices’ new Release Candidate Screening Program provides the company with direct customer input on the usability of its updates, ensuring the stability of firmware updates in real-world applications. Initially, the program will target the Video Devices and Sound Devices rack-mount products, with the company planning to expand the program to other product lines over time.

“The goal of our new screening program is to work together with end users to identify and resolve any potential stability issues and get feedback on product performance in real-life workflows, so the best possible firmware makes it into upcoming official releases,” says Dan Desjardins, Manager of Software Development and Quality Assurance, Sound Devices. “Sound Devices enjoys a highly regarded, open-door relationship with its customers worldwide, and this program promises to expand on that bond.”

Each Release Candidate will come with a pre-determined expiration date and limited technical support. Firmware 2.10 is available as a free download for all existing rack-mount products. To download this firmware and offer feedback on the Release Candidate firmware version, participants simply need to fill out a convenient online form located at www.sounddevices.com/download/release-candidate/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

Media Group International Delivers The Middle East’s First Dedicated Children’s Radio Station

Children's Media Network - PearFM 4

Leading systems integrator Media Group International has built an entire radio station for the Children’s Media Network (CMN) so that the company can broadcast dedicated children’s content to families in the U.A.E.

The project, which took Media Group International (MGI) just three weeks to complete, involved designing and installing two radio studios and a back-up studio that doubles up as a production facility when it isn’t needed for live broadcasts. MGI also installed server rooms where live broadcast material can be stored for up to 60 days.

MGI’s Managing Director, John Aslett, says: “This was an incredibly exciting project to be involved with because we were helping CMN make history. There has never been a dedicated children’s radio station in the Middle East and we are very proud to have played a key role in making this happen.”

Based in Dubai, CMN is committed to establishing a multimedia platform related to children, and to creatively working with them. The company also aims to provide a support network for parents as well as a number of local and international family events.

The initial idea for CMN came about 20 years ago when founding partner Jeff Price was working with Great Ormond Street Hospital Radio in the UK. This life-changing experience inspired Price to join forces with Nick Watson, who champions children’s health awareness campaigns in the U.A.E.

Earlier this year CMN was appointed to launch and manage PearlFM, an English and Arabic language radio station specifically for children and their families. The station will play a significant role in reflecting the vision of His Highness Sheikh Mohammed Bin Rashid Al Maktoum to provide a cultural space in Dubai dedicated to enriching the lives of children through a wide range of cultural learning and artistic programmes.

“Charged with launching a radio station, we recognized that we needed specialist help to install the technical infrastructure,” says CMN’s Jeff Price. “We chose MGI for this project because the company has a reputation for delivering world-class broadcast solutions. As part of our remit is to allow children to present some of our programmes, we needed tough, durable equipment that is also easy to operate. MGI gave us excellent advice and helped us choose equipment that was ideally suited to our needs. They also worked exceptionally fast to complete the radio station and gave us great service and support throughout.”

The equipment chosen for the new station includes Clyde Broadcast Synergy Master Control systems that have been installed in all of the studios. These are complimented by RCS play out systems; microphones from Clyde Broadcast, Shure and Beyerdynamic; Sonifex delay units and a range of production and control software from various manufacturers.

PearlFM launched in October 2014 with a live broadcast from the Al Jalila Cultural Centre for Children in Dubai. Catering for children up to the age of 12, the station will present a wide variety of interactive radio programmes that combine music with discussion topics. It will also give school children the opportunity to get creative by taking over the airwaves and presenting their own shows. PearlFM will also provide a support network for parents who can phone in during talk shows or simply listen to experts discussing a range of topics covering health, wellbeing, education and current affairs.

Once PearlFM is established, CMN plans to launch a sister station, LuluFM – the first all Arabic radio station for children. Ultimately, CMN plans to expand within the Middle East, Europe and Asia by developing its Radio, Television and online brands.

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Notes to the editor:
About Ghanim bin Saad Al Saad & Sons Group Holdings
Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.
GSSG has enjoyed steady growth and success in many fields and industries locally and internationally. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.
The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.
In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.
www.gssg.com

Media Group International
Media Group International (MGI) is an award-winning media broadcast and communications systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 35 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.
Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor and multisensory environments. MGI provides solutions from safeguarding national security, such as in government operations, to creating the best educational venues in museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.
Media Group International won the Digital Studio award for ‘System Integrator of the Year’ in March 2014. The company also holds ISO 9001:2008 certification, the world’s most recognised quality management standard. It is the first company of its kind to receive the prestigious accolade within the Middle East region, guaranteeing customers world-class quality assured products.
www.mgi.tv

GatesAir Minimizes Long-Term Operating Costs for Minnesota Broadcaster KFMC(FM)

Radio station reduces monthly power bills, maintenance requirements with high-efficiency Flexiva™ solution

CINCINNATI, October 9, 2014
GatesAir, a global leader in wireless, over-the-air content delivery solutions for radio and TV broadcasters, is helping a Minnesota FM station slash monthly bills and long-term operating expenses to enhance total cost of ownership. The station, KFMC(FM) in Fairmont, has significantly reduced energy use and utility costs since installing a GatesAir Flexiva™ high-efficiency transmitter this summer.

KFMC Flexiva Close

The 30kW solid-state Flexiva transmitter replaces an aging tube model from another vendor that was increasingly more costly to operate. Since installing the Flexiva transmitter, the station has reduced its annual energy consumption by over 28kW, resulting in a more than $3000 power bill reduction. These savings, along with vastly simplified maintenance procedures, deliver exceptionally low total cost of ownership over the transmitter lifecycle. Due to the evidence of significant long-term energy reduction with the GatesAir Flexiva transmitter, KFMC was also granted a rebate from its local utility company exceeding $1200.

“Our previous transmitter was nearly three decades old, requiring constant maintenance made more difficult by a dwindling supply of spare parts,” said Woody Woodward, general manager of KFMC and sister station KSUM(AM). “The money we were putting into maintenance exceeded the value that the transmitter delivered. The Flexiva solid-state transmitter is affordable even at higher power levels, and we no longer have to worry about replacing tubes every three years. The PA modules are plug-and-play and the spare parts are minimal, further simplifying maintenance. The dollar savings from reduced energy use and maintenance offer a clear economic incentive that will help us reap more benefits in the long term.”

Flexiva transmitters are based on GatesAir’s ultra-efficient PowerSmart® 3D architecture, with broadband designs that eliminate complex maintenance requirements. Hot-swappable module and power supply replacement ensure that stations continue to operate at high power while supporting a simple exchange of components to enhance safety and working conditions. The PowerSmart 3D architecture also delivers the highest transmitter power density in the industry, reducing size for more efficient real estate use. In the case of KFMC, the compact footprint also improves cooling and circulation.

“The Flexiva is about 45 inches less in length, which allows us to move around the building and work more efficiently,” said Woodward. “The compact footprint enables more airflow for cooling, which results in better transmitter performance and lower bills over the long haul. In the winter months, we’ll recirculate the transmitter heat within the building to reduce demand on our furnaces, saving additional energy.”

In addition to the cost- and energy-reducing benefits, Woodward reports that the Flexiva transmitter, with its built-in GatesAir FAX exciter, has delivered a noticeable sound quality improvement.

“The audio quality has been amazing since we put the Flexiva on the air,” he said. “We sat out in my vehicle after turning on the transmitter, switched between KFMC and our competitors, and adjusted the output for the best presence on the dial and the best possible sound quality. We are filling the signal to its maximum capacity without the compressed sound that you experience with a lot of rock stations on the air today. The FAX exciter has a lot to do with that, and it also gives us an all-in-one package with its built-in Orban processor card, RDS display and remote monitoring capabilities.”

About GatesAir
GatesAir, Inc. provides complete solutions for over-the-air radio and television broadcasting, leveraging wireless spectrum to maximize performance for multichannel, mission-critical services. Powering over-the-air networks worldwide with unparalleled reliability for nearly 100 years, GatesAir’s turnkey solutions enable broadcasters to create, transport and transmit radio and TV content. With customers in more than 185 countries, the company leads the industry in innovation and design breakthroughs, improving efficiency and reducing total cost of ownership. Visit www.gatesair.com for more information, and follow us on Twitter at @GatesAir.

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Sound Devices 970 Takes Audio to the Rack at AES 2014

64-Track Dante™ and MADI-Equipped Audio Recorder Features New FileSafe™ Technology to Guard Against Unintentional Drive Removal and Power Loss

LOS ANGELES, OCTOBER 7, 2014 – Sound Devices 970, the company’s first-ever dedicated audio-only rack-mounted recorder/player, makes its AES debut during this year’s convention (Location Sound Booth 1340). The 970 boasts an impressive 64 channels of Dante™ and MADI, and incorporates Sound Devices’ latest FileSafe™ technology, which recovers audio files if drives are unintentionally removed or power is lost during recording. The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording such as capture of multi-channel sound for large-scale live performance and acquisition of dialogue for TV reality shows, drama and film. Sound Devices 970 - front panel

The Sound Devices 970 records 64 channels of monophonic or polyphonic 24-bit Broadcast WAV files from any of its 144 available inputs. Inputs available include 64 channels of Audio-over-IP using Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. It is a supremely powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any of the 64 tracks and any of these tracks can be routed to any output. In addition, 32-track recording at 96 kHz is supported.

The 970 records to up to four attached drives, which include two front-panel drive caddies and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

Sound Devices FileSafeFileSafe, which automatically detects and repairs corrupted file headers when drives are mounted, is incorporated directly into the 970. During recording, data is written to a proprietary Sound Devices file format optimized for high-data rate, real-time audio recording using an ‘.sda’ file extension. When a recording ends, files are automatically “finalized” by converting the ‘.sda’ files to standard ‘.wav’ files. In the event that files cannot be finalized, whether due to power loss or inadvertent drive disconnection, they still remain intact on the drive. Users can recover these files by simply inserting the drive back into the 970. In the absence of the 970, the FileSafe Mac or PC utility, available as a free download (http://www.sounddevices.com/products/filesafe/), can be used to recover files that have not been finalized.

In addition to RS-422 and GPIO control, the Sound Devices 970 features an embedded Web-based control panel for remote transport and setup control from any browser-enabled device as well as the ability to remotely instigate file transfer over Gigabit Ethernet with SMB. In mission-critical audio-over-IP AV installations, where hundreds of audio channels are distributed between zones, the ability to setup a redundant Dante network to protect against loss of audio due to network failure provides peace of mind. The ability to have one drive transferring files over Ethernet, while another continues recording, offers significant production time savings.

Users can perform fast file metadata editing of scene name, take number, notes, track names, circle status and reel folders during, before and after recording across all drives. Metadata is stored in industry standard Broadcast Wave iXML and bEXT containers.

With its vast array of input and output types, the 970 allows for live conversion between analog, AES digital, MADI and Dante, acting as a bridge and routing matrix between these types of audio I/O. The built-in, rock-steady Ambient Recording Lockit time-code technology makes the 970 well suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports external synchronization from word clock, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

Sound Devices 970 is designed with a large five-inch screen for large, easy-to-read, full scale metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

Middle Atlantic Names Colindres As Western Regional Sales Manager

Fairfield, NJ––Middle Atlantic Products has appointed Marco Colindres as Regional Sales Manager for the Western Region. Colindres’ territory includes the Pacific Northwest, Northern California, Northern Nevada, and the Rocky Mountains (Wyoming, Montana, Colorado, Utah and New Mexico) for all market segments.

With extensive sales and marketing experience in the CE, Custom Install and Commercial markets and special expertise in the Power category, Colindres held several key positions at CORE Bands including Ecommerce Sales Manager, National Sales Training Manager and Special Products Marketing Manager prior to joining Middle Atlantic.

Colindres also served as National Sales Manager and Product Area Manager-Cable for Monster Products and headed up his own sales rep firm, Pride of Hawaii Sales Group in Honolulu. His educational background includes an MBA in Business Administration from San Francisco State and a BS in Business Administration Marketing from the University of San Francisco.

Commenting on Colindres’ appointment, Middle Atlantic Sales Director Whitt Adams said, “In addition to his extensive sales and marketing background and technical expertise in key market segments, Marco’s energy, passion and commitment to our customers is what really sets him apart. The fact that he’s become such a valuable asset for Middle Atlantic and our team in a such a short time comes as no surprise.”

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

RTW Mastering Tools PlugIn Makes US Debut at AES 2014

Additional Loudness Solutions on Display at Avid Connectivity Partner Pavilion

LOS ANGELES, OCTOBER 6, 2014 – RTW, the market leader in visual audio meters and monitoring devices, will showcase its RTW Mastering Tools, the second plugin in its Masterclass PlugIns line of software-based metering solutions, at the 137th AES Convention (Avid Connectivity Partner Pavilion Booth 1101). Ideal for post production, TV, film and music recording, the new addition brings extensive analysis and display functions for mastering, metering and loudness measurement for single- and up to eight-channel applications as a standard-format plugin for Windows and Mac OS platforms, including AAX Native 64-bit plugin for Avid ProTools 11. RTW_Mastering_Tools

Designed for simple, intuitive operation by a broader user base, RTW Mastering Tools offers a wide range of PPM scales, displays and TruePPM measurements. As with all of RTW’s software plugins and TouchMonitor line of meters, RTW Mastering Tools provide support for many of the leading global loudness standards including ITU BS.1770-3/1771-1, ATSC A/85, EBU R128, ARIB, OP-59, AGICOM and CALM Act. Other key features include numerical or bar graph-type readout, plus MagicLRA and correlator display, audio vectorscope, RTA (Real Time Analyzer), SSA (Surround Sound Analyzer) and multicorrelator. For added convenience, users can choose from up to six selectable window frame sizes and multiple instances.

“We are thrilled to introduce our new RTW Mastering Tools software to our friends in the U.S., especially as part of Avid’s Connectivity Partner Pavilion at AES,” says Andreas Tweitmann, CEO, RTW. “Our plugins put a very powerful tool for mastering, metering and loudness measurement into a convenient, easy-to-operate software package, adding further efficiency to the overall workflow. Having them available for use right within Avid ProTools is an exciting step for us and we are happy to join our new partner during this year’s show.”

RTW_Mastering_Tools_Box
Also on display will be RTW’s Masterclass PlugIns Loudness Tools software (also available as an AAX Native 64-bit plugin for Avid). RTW Loudness Tools was designed to serve the needs of users in the DAW sector. Finally, RTW will also demo its TM3-Primus, the latest entry to its smart product category, a compact, fully-loaded specialized meter at an entry-level price point, perfectly suited for individuals working in smaller production environments such as OB vans.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com, www.facebook.com/rtw.de or call +49 221 709130.

A New Kind of Record Label: Blend.io

Blend announces record label and distribution deal, giving musicians and fans more control over their music

NYC – Blend (http://blend.io), the premier music collaboration platform, has partnered with the distribution powerhouse The Orchard to offer its community of producers and musicians a digital distribution outlet via the official Blend.io label (https://blend.io/label)

Blend sees the addition of a record label as a natural progression of the expanding platform by providing everything a music producer needs in one place: inspiration, collaboration, record deals, and distribution. By partnering with The Orchard, a music distributor that amplifies reach and revenue across hundreds of digital, physical and mobile outlets around the world, the Blend label is able to deliver music through a proven infrastructure to every digital music outlet.

blend-logo-final

Blend has managed to democratize the music publishing process and puts more control in the hands of its artists. It’s easy to see which songs and remixes gain the most notoriety in the vibrant Blend community as Blend members vote for their favorite pieces and engage with the music of their preferred producers. When a song or remix reaches a certain level of votes, it has a good chance of being included in the label’s line-up. This way, the decision of which pieces makes it to publication is not up to one executive but is made by a vote of peers – a revolutionary new model for music distribution.

“We don’t want to be arbiters of taste,” said Kolundzija in a recent interview with Billboard Magazine. “We want to see what’s happening with the platform and if there’s activity around certain projects we want to give those projects a bigger stage and the label and distribution deal allows us to do that.”

The label (https://blend.io/label) will develop up and coming talent as well established artists who are interested in new and innovative ways to connect, engage and create with their fans. Apart from the instant audience on Blend, the label will support marketing and help the artists to monetize their work through distribution.

“We built the label arm to further inspire and empower our users and artists. We continue to see how our platform encourages personal connection as well as workflow and creativity, and with our new capabilities we’ll be able to further foster these relationships and give even more back to the community,” adds Guy Licata, Blend Label Manager.

About Blend
Blend is a Betaworks backed startup for musicians and producers to connect and share in¬-progress tracks and collaborate. On Blend, users share music projects in their native (source) format. Blend supports major music software tools including Ableton Live, Logic Pro, FL Studio, Reason, Pro Tools and Garageband. For more information, please visit http://blend.io.

About The Orchard
The Orchard, a pioneering independent music and video distribution company operating in more than 25 global markets, provides an innovative and comprehensive sales and marketing platform for content owners. With industry leading technology and operations, The Orchard’s creative, tailored approach streamlines its clients’ business complexity while amplifying reach and revenue across hundreds of digital and mobile outlets around the world, as well as physical retailers in North America and Europe. The Orchard was founded in 1997 to foster independence and creativity in the music industry.

Hal Leonard Publishes Alan Parsons’ Art & Science of Sound Recording

Alan Parsons and Julian Colbeck to present ASSR, The Book based on the award-winning DVD set at the 137th AES in Los Angeles

Montclair, NJ (September 24, 2014) – Alan Parsons’ Art & Science of Sound Recording: The Book, is a complete rewrite and reappraisal of the award-winning video series. Parsons takes his approach to sound recording to the next level as the book provides ample space to present more technical background information, more detailed diagrams, and more in-depth discussion on each of the twenty-four topics, from “A Brief History of Recording “ to the now-classic “Dealing with Disasters.”

AlanParsons_cover

Written with the DVD’s co-producer, musician, and author Julian Colbeck, ASSR: The Book offers readers a classic “big picture” view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. The Book has a logical flow of chapters, looking at how sound is created and how it behaves before moving on to the different processes of manipulating sound recordings such as EQ, reverb, delays, compression; covering how to work and record with live musicians as well as the art and science that go into the mixing process.

“With the videos we strove to keep you visually and aurally entertained. Now, you can be reading this at home, or in a busy Starbucks, or on a plane… you can read one page at a sitting or one chapter, or just dive in here and there using the index or the glossary,” said Parsons.

For all its heft and authority – authored by a man trained at London’s famed Abbey Road Studios in the 1970s – ASSR: The Book is also written in plain English and is packed with priceless anecdotes from Alan Parsons’ own career working with the Beatles, Pink Floyd, and countless others. Not just informative and packed with colorful pictures, but also highly entertaining and inspirational, ASSR: The Book is the perfect platform on which to build expertise in the art and science of sound recording.

Alan Parsons and Julian Colbeck will present ASSR, The Book at AES in Los Angeles with a book signing on October 10, 2014 at 12 pm in the Hal Leonard booth #1141.

About the authors
Alan Parsons’ recording career got off to a great start with the Beatles when he served as their assistant engineer on Let It Be and Abbey Road. With an illustrious engineering career that included The Dark Side of the Moon, Parsons went on to become one of the most sought-after producer/engineers of the seventies and eighties, scoring No. 1 hits with multiple artists. In 1976, he formed the Alan Parsons Project, enjoying multiplatinum success with hits such as “Eye in the Sky”, “Time”, and “Games People Play”. Parsons remains an active recording artist and producer.

Julian Colbeck was a professional keyboardist for over twenty-five years, working with Yes/ABWH, Steve Hackett, John Miles, and his own group, Charlie. He has also authored a dozen books on music and music technology, including the groundbreaking Keyfax series, and he has written and produced numerous instructional DVDs on recording, live sound, and synthesizer technology. CEO of Keyfax NewMedia since 1994, Colbeck has most recently been on active duty with the creative and advocacy platform Musicians Guild.

Hal Leonard Books is an imprint of Hal Leonard Performing Arts Publishing Group – please visit alanparsonsbook.halleonardbooks.com.

Alan Parsons’ Art & Science of Sound Recording – THE BOOK
$49.99 (US)
Inventory #HL 00333735
ISBN: 9781458443199
Width: 8.75″, Length: 11.25″, 272 pages
alanparsonsbook.halleonardbooks.com

RTW Announces Mastering Tools PlugIn at IBC 2014

Second Addition to Masterclass PlugIns Line of Software Offers Extensive Analysis and Display Functions

AMSTERDAM, 12 SEPTEMBER, 2014 – RTW, the market leader in visual audio meters and monitoring devices, will introduce RTW Mastering Tools, the second plugin in its Masterclass PlugIns line of software-based metering solutions, at the 2014 IBC Show (Hall 8, Stand D92). Ideal for post production, TV, film and music recording, the new addition brings extensive analysis and display functions for mastering, metering and loudness measurement for single- and up to eight-channel applications as a standard-format plugin for Windows and Mac OS platforms.

Designed for simple, intuitive operation by a broader user base, RTW Mastering Tools offers a wide range of PPM scales, displays and TruePPM measurements. It provides support for many of the leading global loudness standards including ITU BS.1770-3/1771-1, ATSC A/85, EBU R128, ARIB, OP-59, AGICOM and CALM Act. Other key features include numerical or bar graph-type readout, plus MagicLRA and correlator display, audio vectorscope, RTA (Real Time Analyzer), SSA (Surround Sound Analyzer) and multicorrelator. For added convenience, users can choose from up to six selectable window frame sizes and multiple instances.

“RTW’s development of the RTW Masterclass PlugIns Mastering Tools plugin is part of the company’s continuing efforts to give a wider range of our customers access to high-quality audio metering and measurement,” says Andreas Tweitmann, managing director, RTW. “It puts a very powerful tool for mastering, metering and loudness measurement into a convenient, easy-to-operate software package, adding further efficiency to the overall workflow.”

The RTW Mastering Tools plugin is the second product in RTW’s Masterclass PlugIns line, which provides users with software versions of some of the company’s most popular metering and measurement solutions. The first product in the series, the RTW Loudness Tools plugin, was announced earlier this year.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com, www.facebook.com/rtw.de or call +49 221 709130.

RTW to Support the 2014 IBC Show with a Range of Loudness Metering Solutions

AMSTERDAM, 11 SEPTEMBER, 2014 – RTW (IBC Hall 8, Stand D92), the market leader in visual audio meters and monitoring devices, is once again providing the IBC 2014 show’s technology team with TM9 and TM7 TouchMonitor audio meters and SurroundControl 31960SD controller to support audio in the RAI’s D-Cinema auditorium featuring the IBC Big Screen Experience, as well as four TM3 TouchMonitor units to support the IBC News crew’s live and studio coverage of the show.

“We are very happy to be back this year, supporting the IBC show with an assortment of audio metering tools from RTW,” says Andreas Tweitmann, CEO, RTW. “We are longtime collaborators with IBC and are happy that the technology team finds our metering solutions useful for their important productions. This show represents the epitome of innovation in the broadcast technology market and we look forward to another inspiring show.”

In the RAI’s D-Cinema Auditorium, RTW’s TouchMonitor TM9 (HW 20911) will be used for confidence monitoring between the outputs of the console in the auditorium and the input to the cinema system. The IBC technology team chose to also use RTW’s SurroundControl 31960SD controller with 3G/HD/SD-SDI de-embedder interface option, “in order to give us flexibility to meet any de-embedding or other signal requirements,” explains Terry Nelson, Technical Resources, IBC.

Also in the auditorium, engineers will use the TouchMonitor TM7 (HW 20711), that is connected to the control surface of the Cadac console, this will help to provide accurate monitoring of the cinema system feeds.

Meanwhile, the IBC News crew will make use of several TouchMonitor TM3 audio meters. These will be used in the different production areas of IBC News and were chosen to be an important element in controlling and verifying levels.

The IBC Big Screen Experience is the ultimate showcase that demonstrates how the disciplines between cinema and traditional broadcast are merging. For the full IBC Big Screen Experience programme of events, click here.

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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