Archive of the Business Category

DPA Microphones Opens A New Office In Hong Kong

Following a record year for sales in the Asia and Pacific regions, DPA Microphones is consolidating its success by opening a new regional office in Hong Kong.

Headed by Ken Kimura, DPA’s general manager for the APAC region, the new office signals DPA’s commitment to its partners and customers by acting as a hub for sales, marketing and after-sales service. It will also enable the company to expand its sales network and develop new business channels in market sectors that have yet to discover the benefit of DPA’s high quality microphone technology and products.

Kimura, who was previously based in Shanghai, says: “Establishing our new office in Hong Kong makes sound economic and geographic sense. By basing our office here we can significantly expand our reach as well as visibility within the entire region and thereby aim our ambitions much higher.”

During the last trading year, DPA’s sales have been on the increase in virtually every APAC country with some showing growth as high as 40%. This incredible success has been achieved by DPA developing strong partnerships with its distributors and dealers so that they can fully support their customers.

Christian Poulsen, CEO of DPA Microphones, says: “The increased consciousness of good quality in the Asian markets, combined with our ability to develop fantastic products, has resulted in our huge success in this region. To follow up on this we take the next important step by establishing this new office to support our sales partners even more and encourage their commitment to the brand. This support has been delivered in a variety of ways, including listening to our partners’ needs and implementing specific activities such as customer events.”

Renowned for their audio accuracy, reliability and superb engineering, DPA microphones are the first choice for numerous recording and touring artists and sound engineers. The company’s extensive product range also encompasses many other industry areas including broadcast, film, theatre, installation, conferencing and security.

“The breadth and depth of our product range is really quite staggering and gives us plenty of scope to develop our customer base around the world,” Kimura says. “The APAC region is no exception – there are many applications for our technology that have yet to be exploited and our aim is to be highly visible so that we can make the most of these new business opportunities.”

DPA plans to supplement its existing team in Hong Kong with new sales staff and is interested in hearing from any suitable candidates.

For more information please contact Ken Kimura at kek@dpamicrophones.com.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Jampro Antennas Awarded Contract by MediaCorp for Turnkey System Serving Singapore & Malay Peninsula

Sacramento, CA — Jampro Antennas of Sacramento, California has been awarded a major broadcast equipment contract by MediaCorp, Singapore. Jampro will provide a complete system comprised of a Jampro model JUHD broadband UHF panel antenna and an extremely complex switching and patching matrix to integrate MediaCorp’s three main towers that serve Singapore and the Malay Peninsula.

In making the announcement, Alex M. Perchevitch, Jampro’s president said, “We are very pleased and proud to be working with Singapore’s leading media organization on their critical infrastructure. Fortunately, our extensive product line covers all of the necessary components. Moreover, we can ensure high performance because we are handling the entire installation in Bukit Batok, the primary Broadcast Site for Singapore and one of the most critical sites for Singapore, Malay Peninsula, and Indonesian Archipelago.”

Jampro will provide a broadband UHF panel antenna with dual runs of High power transmission line. A dual chain digital UHF combiner, comprising 12 Constant Impedance modules and cross-site patching matrix system, which allows transmission on different antennas/towers. Included in the order is a massive 48-panel JUHD UHF panel antenna, which can handle multiple channels DVB-T/H or analog, PAL signals on UHF bands IV and V.

“We build our JUHD antennas with stainless steel and aluminum,” added Perchevitch. “That gives MediaCorp long term value and durable performance in their tropical rainforest climate.”

To combine signals MediaCorp specified Jampro model DVB-T/T2 UHF constant impedance mask filter / combining modules. They provide outstanding low-power performance in a compact design, particularly suited to MediaCorp’s equipment space limitations.

The DVB-T/T2 series combiner module and filter pro¬vides excellent results in the bandpass and channel combining application. Each unit is electrically and mechanically pre-tested by Jampro to ensure superior level field performance. Jampro is also supplying dual runs of high power transmission line and accessories

MediaCorp is Singapore’s foremost media company with the most complete range of platforms spanning television, radio, newspapers, magazines, movies, digital and out-of-home media. It pioneered the development of Singapore’s broadcasting industry, with the broadcast of Radio in 1936 and Television in 1963. Today, MediaCorp has over 50 products and brands in four languages (English, Mandarin, Malay and Tamil), reaching all of Singapore every week.

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 25,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. Additional information on JAMPRO can be obtained at www.jampro.com.###

Jampro contact: Sonia Del Castillo
916-383-1177 • mailto:Sonia@jampro.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283
harriet@desertmooncomm.com

Clear-Com Releases Concert 2.7 Software Upgrade at the 2013 NAB Show

Latest Version Offers Distributed Interface Gateways and Unlimited, Multi-Access IP Communications Channels

LAS VEGAS, APRIL 10, 2013 – Clear-Com®, a global leader in critical voice communications systems, is releasing Version 2.7 of its ConcertTM Intercom-over-IP Communications Solution (Concert v2.7) at the 2013 NAB Show (Booth C8008). This latest software update provides users with the benefits of four-wire linking of external audio sources, secure/private networking and support for multiple Interface Gateway servers.

Clear-Com’s Concert provides a secure and scalable solution for providing high-quality voice communication between single or multi-site facilities over an IP infrastructure. The new upgrade supports an unlimited number of remote Interface Gateway servers and provides the ability to integrate external audio sources seamlessly, such as additional Clear-Com equipment or other third-party analog equipment. Concert v2.7 also provides improvements in the web-based management interface, making the system more user-friendly. Concert is designed to be highly configurable, enabling an intuitive point-and-click interface for mission-critical applications anywhere in the world.

“With the latest 2.7 upgrade to the Concert software, the system has further solidified its position as a top Intercom-over-IP solution,” says Peter Stallard, Senior Product Manager at Clear-Com. “In addition to its existing ability to integrate seamlessly with traditional intercom systems and external audio interfaces over standard IP networks, Concert v2.7 now allows users to incorporate external audio sources seamlessly on one connection. With the improvement of reliability and stability, Concert can function as a standalone system or as an audio communications bridge between locations around the world, with real-time, organized and secure collaboration between local and remote users.”

Providing an intuitive, point-and-click user interface and an ultra-low-latency audio, Concert is ideal for many communication applications, such as on-site field reporting. The system also provides remote access to existing intercom systems and serves as a connection between third-party audio devices. It also allows collaborative workgroups to intercommunicate instantly and reliably from anywhere in the world on any PC or Mac with a LAN, WAN or Internet connection.

Based on the proprietary I.V.Core Technology, Concert’s enhanced audio features deliver crystal-clear audio and non-blocking communications over a standard LAN or Internet connection between local and remote users. It offers non-blocking and instant point-to-point or point-to-multipoint voice communications and conferencing from any personal computer. For times when a microphone is unavailable or a quiet space is needed, the system also offers listen-only and instant-messaging facilities

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

RTW Unveils Moving Coil Software for TM3 at NAB 2013

Loudness Moving Coil Instrument Now Available

LAS VEGAS, APRIL 10, 2013 — RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is proud to unveil the new TM3-SWMC Software for its TM3 series of TouchMonitors at the 2013 NAB Show (Booth C1844). This new software license, available as an add-on option, incorporates a moving coil emulation display.

This license expands the functionality of the TM3 TouchMonitor series, which includes the TM3 and TM3-3G, with PPM, VU and the new loudness moving coil instruments. The display can be chosen with vertical or horizontal orientation, numeric level information and peak indicators. Single-, double- and stereo-channel, instruments are now available. For stereo groups with PPM moving coil mode, additional M/S moving coil emulation is selectable. As with all instruments in the TouchMonitor series products, the user can individually define the instrument size and positioning on the screen to meet his specific application needs.

RTW’s TM3 includes features of the larger TM7 and TM9 versions in a compact size. Users can control it with a touch-sensitive display. With its budget-friendly base price, 4.3-inch touchscreen and stylish exterior allowing for horizontal and vertical placement, the TM3 is an appealing compact device, ideal for edit suites, control rooms and OB vans. The TM3-3G, introduced in 2012, is a compact yet versatile solution for metering, de-embedding and monitoring 3G-SDI audio. It also features a 4.3-inch touchscreen for horizontal as well as vertical orientation, which can display any of the eight audio channels contained in a 3G-SDI stream.

ABOUT RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s ranges of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

Clear-Com Debuts Latest Matrix Frame for Eclipse HX Range at Prolight + Sound 2013

New HX-Delta Frame Offers High Performance Across Multiple Performance Spaces

FRANKFURT, APRIL 10, 2013 Clear-Com®, a global leader in critical voice communications systems, will debut the newest addition to its line of Eclipse HX Digital Matrix Systems, the Eclipse HX-Delta Matrix Frame, at Prolight + Sound 2013 (Hall 8.0, Stand L51). The Eclipse HX-Delta offers the connectivity and high capacity of a larger matrix system in a 3RU frame, giving users more flexible installation options.

The cost-effective and compact Eclipse HX-Delta is optimal for installation across several areas of a large performance space or concert venue. It provides two CPU cards for redundant system control, with the option of up to four varied I/O frame cards and up to three interface modules in a 3RU frame. Instead of installing large system frames in just one location, the Eclipse HX-Delta gives users the option of building a distributed matrix system. This offers a more flexible workflow and permits shorter cable runs between system frames and intercom panels, cutting down on cabling costs.

“No other matrix line offers such a wide range of advanced control panels, intercom interfaces and system frames as the Eclipse HX,” says Stephen Sandford, Product Manager at Clear-Com. “With the addition of the Eclipse HX-Delta to the already extensive variety of Eclipse HX frames, Clear-Com provides users with a complete intercom solution for every type of live production.”

The HX-Delta interface cards provide users with a variety of connectivity options. The Eclipse HX-Delta frame uses all of the current Eclipse interface cards, such as the E-MADI64-HX 64 bi-directional channel card, the IVC-32-HX IP connection card and the E-Que Integra integrated wireless or E1/T1 trunking card, to name a few. In addition to the four interface card slots, the HX-Delta also provides three internal slots for interface modules. These allow the HX-Delta to integrate seamlessly with other third-party communication devices, such as telephones, two-way radios and camera intercoms.

The Eclipse HX systems, comprising the Eclipse HX-Omega, Eclipse HX-Median, Eclipse HX-PiCo and Eclipse HX-Delta matrices, along with the EHX Software, allow users to make system-wide changes rapidly. They also provide simplified setup, operation and administration as well as high system capacity for many audio and user connections. Clear-Com’s V-Series and iStation user panels, existing frame I/O cards and interfaces, are all compatible with the Eclipse HX range, providing a seamless and logical upgrade path for most existing Eclipse customers.

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

Clear-Com and BroaMan Host Joint Demonstrations of Real World Broadcast Signal Distribution at the 2013 NAB Show

Companies Showcase Digital Distribution of Audio, HD Video, Data and Intercom over Fiber

LAS VEGAS, APRIL 10, 2013 – Clear-Com® (Booth C8008), a global leader in critical voice communication systems is highlighting its expanded partnership with fiber network specialists, Optocore and BroaMan (Booth C8443) at the 2013 NAB Show. The companies are utilizing Optocore technology for integrated real-time transport, routing, conversion and management of professional video, audio and data. Together, Clear-Com, Optocore and BroaMan provide turnkey integrated real-time solutions for studios, mobile productions and stadiums.

“At this year’s NAB, we’re looking to illustrate how easy it is for professional broadcasters handling a large remote event to set up a video, audio, communications and data backbone quickly and efficiently utilizing Clear-Com and BroaMan/Optocore solutions,” says Bob Boster, President of Clear-Com. “We are happy to partner with BroaMan once again to bring further connectivity options to our users.”

To demonstrate the partnership, Clear-Com and BroaMan have connected their booths via fiber-optic cable. Clear-Com has designed its NAB exhibit this year to mimic real world broadcast applications. There will be four kiosks representing a typical network which includes a control room and studio. In addition, two of the kiosks will represent a remote correspondent tied to a mobile production truck. All four kiosks are linked with the Optocore and BroaMan real-time fiber solutions for audio, HD video, intercom and data. To create a live remote production, two strands of fiber will connect the Clear-Com booth to the BroaMan booth. Clear-Com will be simulating an announce/commentary application at the BroaMan booth by feeding intercom and IFB to the talent via Optocore and BroaMan, as well as transporting HD video, on-air talent and talkback from the announce station to all of the kiosks within the Clear-Com booth.

“We have developed the BroaMan video products to help support the transport of video signals along with audio, data and intercom via our Optocore network,” says Marc Brunke, Technical Director, BroaMan. “We are glad to be working with Clear-Com to demonstrate the possibilities of our solutions.”

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About BroaMan
BroaMan, (Broadcast Manufactur GmbH) based in München-Gräfelfing, Germany, manufactures infrastructure solutions for broadcast applications such as studios, OB vans or sporting events. The turnkey solutions convert, transport and route all types of commonly used broadcast signals, including digital and analog video, audio, intercom, and control data, over a high-bandwidth fiber infrastructure. If required, this includes format conversions, e.g. from copper to fiber or from analog to digital, as well as routing of signals based on automatic or manual rules, up/down scalers, frame synchronizers, and many more features. The company offers customized solutions for every application that requires 3G/HD/SD-SDI video transport or routing—whether a big and complex system for broadcast studio or OB Van, or a simple point to point for a small church or conference hall. For more information visit: www.broaman.com.

Sound Devices Introduces PIX 240i KIT at the 2013 NAB Show

Convenient Kit Includes All Necessary Equipment for Professional Video Production

LAS VEGAS, APRIL 9, 2013 — Sound Devices, experts in portable audio and video products for field production, unveils its PIX 240i KIT, an all-inclusive kit that provides all the equipment needed to operate the PIX 240i in professional video production applications, at the 2013 NAB Show (Booth C2849).

Sound Devices’ PIX 240i KIT includes a PIX 240i, power supply (XL-WPH3), two batteries (XL-B2), two drives (includes PIX-CADDY with 240 GB SSD drives), sun hood (PIX-HOOD), articulating mount (PIX-ARM), HDMI and SDI interconnection cables, and a rugged carry-case (PIX-HC1). An ideal, all-in-one solution for video production professionals on the go, Sound Devices new PIX 240i KIT comes with all the necessary equipment needed on location or on-set, conveniently housed in a portable carrying case.

With the latest revision of firmware, version 3.01, PIX 240i users now have the ability to record into Apple ProRes 4444, which offers impressive quality with 4:4:4 sources and workflows involving alpha channel transparency. With its 12-bit, 3G-SDI 4:4:4 capability, the PIX 240i can record 330-Mbps Apple ProRes 4444 files that are perceptually indistinguishable from the original source material. Popular cameras with 4:4:4-capable outputs include the ARRI ALEXA, Canon C500 and Sony F3. Additional features available in Sound Devices’ latest v3.01 firmware update include time-code and recording status displays on the SDI and HDMI outputs, up to 500 ms of audio delay to compensate for multi-device picture delay and selectable 4:4:4 or 4:2:2 video output independent from the source material.

Users can connect PIX 240i to cameras with HD-SDI, 3G-SDI or HDMI and record directly to QuickTime using a range of different Apple ProRes or Avid DNxHD codecs, including Apple ProRes 4444. Since PIX recorders use ProRes and DNxHD, files recorded in the field can be used directly in post production, making for simpler, faster workflows.

The PIX 240i’s five-inch, high-performance, IPS-based LCD display is an accurate field monitor, providing users with immediate confirmation of framing, exposure, focus, audio metering and setup menu selections. It offers excellent color accuracy and contrast, great off-axis visibility and accurate motion tracking.

The built-in hardware scaler and frame-rate converter allows PIX to output and record material at different resolutions and frame rates than supported by the camera. Conversion between HD and SD, with and without anamorphic conversion, is available.

The audio circuitry of the PIX recorders is based on Sound Devices’ award-winning 7-Series digital audio recorders. The low-noise (-128 dBu EIN), high-headroom, high-bandwidth inputs are mic/line switchable and include limiters, high-pass filters and phantom power.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Clear-Com Announces New HelixNet Network Linking at the 2013 NAB Show

New Networking Capability Extends the Digital Partyline System for Supporting Broadcast Production Communication Workflow

LAS VEGAS, APRIL 9, 2013 ? Clear-Com®, a global leader in critical voice communications systems, will unveil version 1.1 of the HelixNet™ Partyline Intercom System at the 2013 NAB Show (Booth C8008). Included in this new product release is a system linking capability, which extends digital partyline intercom communications over a network among a production’s field users, mobile trucks and studio headquarters cost-effectively and efficiently, without compromising the audio quality.

The HelixNet Partyline Intercom System is the industry’s first digital network partyline intercom to combine the simplicity of a traditional analog partyline intercom with the advanced network management capabilities of a matrix intercom. As it uses a single-pair, shielded cable for supporting all audio channels, program audio, and power for beltpacks, it is ideal for broadcast applications that require quick setup and distribution of multiple channels of intercom.

Expanded functionality under version 1.1 includes the ability to link up to five HMS-4X Main Stations and up to 100 HBP-2X Digital Beltpacks via Ethernet to build larger and more sophisticated partyline intercom systems. HelixNet’s station-to-station networking function makes this possible by defining up to five Main Stations that can be connected via the new HLI-ET2 Ethernet Module. Main Stations can connect directly or through a LAN using standard IT switches. A new HLI-FBS Fiber Module is also available for linking stations over long distances. The Fiber Module has two fiber ports using SFP modules for simple exchange of fiber transceivers. It also allows linking to four other Main Stations in a fiber daisy-chain. The standard connection is Single-Mode with Multi-Mode offered as an option.

“HelixNet Partyline’s first release provided broadcast users with a revolutionary design that offered much functionality, power and simplicity for a cost-effective digital partyline communication solution,” says Simon Browne, Clear-Com’s Director of Product Management. “Now, broadcasters have a network extended solution with HelixNet Partyline 1.1 to distribute more channels without compromising the exceptional digital audio clarity or the ease of setup and maintenance, with the efficiency of simplified cabling.

Browne continues, “Linking HelixNet Main Stations together creates a network that pools channel resources of the individual stations. With the ability to link up to five four-channel stations, the system can dynamically discover and share up to 20 digital partylines plus five program inputs in a network distributed system. This means that any of the possible 100 two-channel HelixNet Beltpack users can select from up to a possible 20 partyline channels using a single-pair shielded cable.”

Since the HelixNet platform is based on Clear-Com’s I.V.Core™, a core set of Intercom-over-IP technologies for providing networking flexibility, this entire system can operate over any LAN infrastructure found in studio or remote production environments, making it easier to create a decentralized, distributed intercom architecture. Stage managers, along with teleprompter, lighting and camera operators, audio engineers and any HelixNet user can remain connected and easily interface with remote mobile production trucks and/or studios over HelixNet.

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

RTW Introduces 3G-SDI Interface for TM7 TouchMonitor at NAB 2013

New TM7 Hardware Interface Supports SD, HD and 3G-SDI Formats

LAS VEGAS, APRIL 9, 2013 — RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is debuting its new TM7-HW20714 TouchMonitor, featuring a 3G-SDI interface, at the 2013 NAB Show (Booth C1844).

RTW developed the new TM7 interface in response to requests by audio engineers in the broadcast market for a seven-inch audio metering tool that is compatible with 3G interfacing. The seven-inch size is a perfect fit inside OB trucks and other smaller-scale installations where space is a major issue.

The TM7-HW20714 accepts all SD, HD and 3G formats that are currently available in the marketplace, allowing for seamless integration into TV studios, switching rooms and video post-production environments. It complements the existing custom input configuration of TouchMonitor units, which makes analog, AES3 and AES3-id formats available in various combinations, depending on the hardware version the customer chooses. The through-port of the 3G-SDI interface forwards the SDI input signal. De-embedded SDI signals may be routed to any existing AES output. This new model includes four AES3 (eight-channel) inputs and four AES3 (eight-channel) outputs that can be used as direct AES outputs either to buffer or reroute the AES signals or to send out a decoded 3G audio signal. In addition, now with the 3G-SDI interface, the TouchMonitor TM7 can display up to 32 channels of audio from any combination of inputs.

The TM7 has a 16:9 TFT display and can be delivered as a tabletop or as a half-19” 3U rack-mount unit. It has two USB 2.0 interfaces, a GPIO-interface, RJ-45 ethernet connection, VGA output, a connector for 24 V DC supply, as well as a wall plug power supply option. It includes basic functions such as the pre-installed Stereo PPM software for Peak-, TruePeak- and Correlation measurement, further software licenses providing other instruments can purchased just as the user needs.

ABOUT RTW

For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s ranges of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

RTW Debuts the TMR7 for Radio Broadcasting at NAB 2013

New Four-Channel Metering Solution Offers Parallel Monitoring of On-Air Signals and Other Sources

LAS VEGAS, APRIL 8, 2013 — RTW, a leading vendor of visual audio meters for professional broadcast, production, post production and quality control, is proud to announce that its new TMR7 TouchMonitor is making its U.S. debut at the 2013 NAB Show (Booth C1844) and will begin shipping following the show. Specifically designed for radio broadcasting, the four-channel desktop unit features two AES3 digital (XLR) inputs that integrate all metering options required in radio broadcasting.

The latest introduction to RTW’s TouchMonitor series of cutting-edge metering and monitoring solutions, the TMR7 is based on the TM7 TouchMonitor, featuring a similar flexible, modular configuration. As with the TM7, the TMR7 also includes a seven-inch touch screen and is available as a desktop unit, fitted or as an OEM unit with 16 audio inputs. The versatile TM7 supports all professional audio metering applications.

“The TMR7 TouchMonitor is specifically targeted at users in radio broadcasting environments,” says Michael Kahsnitz, director of engineering at RTW. “It integrates all features required in radio production, two stereo inputs and extensive local configurability in an attractively priced package.”

Separate true peak and PPM instruments, as well as a vectorscope and correlator for evaluating stereo signals, are available on each TMR7 input channel. Licensing options include an extensive loudness-meter implementation (EBU R128, ITU BS.1770-3/1771, ATSC A/85, ARIB) with graphical and numerical single-channel and summing views, as well as loudness range (LRA), MagicLRA and SPL metering. Licenses are also available for an optional real-time analyzer (RTA) and the Premium PPM package with moving-coil instruments.

The intuitive operating concept of the TouchMonitor range offers maximum flexibility. Users can move freely the scalable instruments to any position on the graphical surface, allowing them to personalize the entire screen area. Views, scaling and metering standards are separately definable for each signal source. In addition, the convenient on-screen help function makes setting up the unit simple.

The four audio inputs provided by the two AES3 ports are configurable for mono, stereo or multichannel sources, providing separate instruments for each source. Plus, the GPIO interface for overall control, the Ethernet port and the VGA output for external display units offer further functionality.

RTW will also display its latest 3G version of the popular, compact TM3 meter, the TM3-3G. This unit has 16 audio channels of 3G-SDI and, as with every other TM unit, conforms to the latest loudness specifications. With its budget-friendly base price, 4.3-inch touch screen and stylish exterior allowing for horizontal and vertical placement, the TM3 is a highly appealing, compact alternative ideal for editorial offices, edit suites and small control rooms.

ABOUT RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s ranges of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

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