Archive of the Business Category

Sound Devices Demonstrates Latest Solutions for Production Professionals at BIRTV 2013

PIX 260i Production Video Recorder and 664 Production Mixer Bring Expanded Functionality to Broadcast and Production Professionals

BEIJING, CHINA, AUGUST 21, 2013 — Sound Devices, specialists in portable audio and video products for field production, showcases the newest functionality for the PIX 260i Production Video Recorder (China Broadcast Technologies Co., Ltd. Booth 1A112) and 664 Production Mixer (Dingrun International Digital Tec.co., Ltd Booth 2001) at the Beijing International Radio, TV & Film Equipment Exhibition 2013. BIRTV is one of the most influential exhibitions in the broadcasting industry in Asia. With recent firmware updates, PIX 260i and the 664 both offer increased functionality to the end user.

“We look forward to attending BIRTV each year, as it gives us the opportunity to meet with local content creators from the region and discuss their needs,” says Ed Capp, Global Director of Sales for Sound Devices. “Attendees at this year’s show will soon find that this year’s lineup can vastly improve their workflows—whether they are looking for production recorders or mixers.”

Sound Devices’ PIX 260i brings the features and tools needed by production companies and broadcasters looking to migrate to file-based recording and playback environments. It records QuickTime files in either Apple ProRes or Avid DNxHD video formats. Files recorded in these intra-frame codecs are ready for editing directly from the recorder in common editing environments, such as Avid, Final Cut Pro and Adobe Premiere, eliminating time-consuming transferring and transcoding. For color-critical applications, the PIX 260i supports Apple ProRes 4444 through its 12-bit, 4:4:4 3G-SDI I/O. Users can also play out files from the PIX 260i for real-time applications.

Files are recorded simultaneously on up to four separate, 2.5” SSD storage devices via two front-panel PIX-CADDY slots and two rear-panel eSATAp connections. This redundancy in local, removable storage devices, coupled with standard Ethernet-based file transfer features further reduces steps in the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer these files quickly into a post-production environment.

PIX 260i can also be controlled from browser-capable computers and tablets. When connected to a data network, transport and setup menu controls are available on PIXNET, which offers control of one or multiple PIX 260i recorders. Multiple units can be grouped for simultaneous control.

With version 1.03 firmware, available as a free download to existing PIX 260i users, PIX 260i provides support for the new Sound Devices PIX-CADDY CF accessory. The PIX-CADDY CF allows the PIX 260i to record polyphonic WAV files directly to removable CompactFlash cards (audio poly mode only). In addition, v1.03 enables users to record and playback Mono Audio Wave Files (audio only mode with SSD and HDD) and supports RS-422 locate to timecode, cue point commands and device type ID (Sony BVW-75 emulation). Version 1.03 also provides an added scene increment shortcut feature from the main screen and added options for displaying smaller audio meters in various parts of the main screen.

Also on-site will be the 664, Sound Devices’ flagship portable production mixer. The 664 features six ultra-low-noise, high-dynamic-range and transformer-less preamps that accept mic- or line-level signals and include analog peak limiters, high-pass filters, input trim control and direct outputs on every channel. Featuring full analog audio paths for high-performance audio and superb power efficiency, the 664 also has numerous digital capabilities. Inputs 1 and 6 can be selected as AES3 or AES42 inputs for digital microphones, each with its own SRC for simplicity in system clocking. The 664’s analog output compliment includes four output buses. The L and R buses are on balanced XLR, 10-Pin and TA-3M connectors and on unbalanced TA-3M or 3.5mm connectors. Secondary output buses X1 and X2 are available on balanced TA-3M connectors. Users can route inputs and buses to four AES3 connections for eight digital outputs on the XLR and 10-pin connectors.

Firmware version 1.05, also now available for existing customers as a free download, brings additional features to the already-powerful mixer, including greater flexibility and ease of use during outdoor production. The LCD Daylight Display Mode incorporates a daylight-specific color scheme for improved readability in sunlight. It also offers a new solid bar metering option for improved readability in direct sunlight. Sound Devices has also incorporated additional Front Panel button shortcuts, including LCD Daylight Display Mode (HP + SELECT encoders) and Phrase list (HP + RTN B/C) for fast entry of notes. Version 1.05 also incorporates the shortcut for activating the alternating Tone mode (SELECT + TONE)—if Tone Mode is set to Continuous in the menu, then (SELECT + TONE) activates L-Ident tone. Users also have a Track Names in Meters options (without color gradient/ramp) that are selectable for either right- or left-side display.

With version 1.05, 664 now offers users Monophonic Broadcast WAV file support, with the ability to record up to 10 tracks to two cards, three second pre-roll maximum. If a card not optimized for multi-channel monophonic file recording is used, or if the monophonic 10-track limit is exceeded, a warning message is displayed on the LCD when starting a recording. Polyphonic mode or reducing track count is recommended. In addition, when formatted in the 664, SD cards 64 GB and larger are now automatically formatted as ExFAT (in accordance with the SD Association’s recommendation). All CF cards and lower-capacity SD cards remain FAT32. Version 1.05 also enables a Headphone Volume or Headphone Preset default option, which sets the HP encoder to operate as headphone level or to select HP presets when rotated. Pressing the Headphone encoder momentarily activates the alternative function.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Sound Devices Demonstrates 788T with Latest Firmware and Production Capabilities at SMPTE Australia 2013

SYDNEY, JULY 22, 2013 — Sound Devices, specialists in portable audio and video products for field production, will be on-site at The Society of Motion Picture and Television Engineers biennial conference and exhibition, SMPTE13, demonstrating its latest solutions for content creators in the motion-imaging, sound and broadcast industries (John Barry Sales, Stand C29). The company will exhibit its flagship 788T and 788T-SSD digital audio recorders with the latest firmware update, Version 3.0.

With the influx of multi-tracking in the field and on set, the 788T has become the next-generation digital audio recorder for advanced sound mixers who require additional isolated tracks. It boasts eight full-featured inputs and records to up to 12 tracks. It accepts either microphone or line-level signals, provides 48-V phantom power for condenser microphones, offers peak limiters for microphone inputs and features fully adjustable high-pass filters—all in a compact package. Routing flexibility allows each input to be routed to left/right mixed tracks, isolated tracks or aux tracks.

Further positioning the 788T as one of the foremost solutions for today’s evolving production standards, Version 3.0 is a free download for all existing and new 788T users offering a 192-kHz sampling rate for up to four tracks (L through B) recording to one drive. It provides for scene, take, notes, false takes, circle and track name metadata to be synched between C-Linked 788Ts. Version 3 firmware also features digital input limiters for AES3 and AES42 inputs, perfect for digital microphones. Additional enhancements include a left/right tone identification mode with a shortcut to toggle the mode on or off, added user-customizable CL-9 encoder adjustments, which affect trim gain and EQ frequency, and the option to decode MS into LR MIX only and leave ISO tracks as un-decoded MS.

In addition, Version 3.0 offers a new timecode mode, “Free Run – Auto Output Mute.” This is the same as the “Free” run mode, but mutes the “Lemo” timecode output when stopped and can be used to roll external devices when the “Rec-Run” timecode is not suitable. In addition to overall faster drive formatting, the latest firmware features an upgraded external low-voltage threshold, now 11.3V, along with various overall system improvements and optimizations.

“SMPTE is a leading technical society for the industry and we look forward to attending the conference once again this year,” says Ed Capp, Global Director of Sales for Sound Devices. “We believe attendees will be pleased to learn more about the new upgrades to the 788T and how the product can continue to be a mainstay in their production rigs, especially as audio production techniques continue to evolve.”

788T/788T-SSD users can download Version 3.0, by visiting: http://www.sounddevices.com/download/788t-firmware/download/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Get HD Sound For HD Pictures with DPA Microphones at IBC 2013

Broadcasters attending IBC 2013 will only need to stop at DPA Microphones’ stand D76 in Hall 8 to cover all HD broadcast microphone applications, from the single interview to the complete TV show.

Since its beginning in 1992, DPA Microphones has been developing microphones that deliver HD sound from the deepest sounds to the highest peaks, covering the whole dynamic range, delivering perfect, linear HD sound.

Christian Poulsen, CEO of DPA Microphones, says: “People spend a lot of time in front of their TV and enjoying this experience depends on the picture they see and the sound they hear. This is where DPA microphones make the difference. A poor sound, even with a good picture, is not accepted. Our goal is to make it as easy as possible for the sound engineer to work with DPA microphones. This means that they are extremely linear and need very little or no EQ’ing. DPA is the only company on the market that delivers the same sound pattern, whether you work with a miniature microphone or a larger d:dicate™ microphone. The microphones simply blend perfectly and give a fantastic sound experience – for the sound engineer and the audience.”

Broadcast applications cover many situations and different miking possibilities depending on requirements, taste and specifications. In the broadcast studio the TV host is close miked with a DPA lavalier miniature mic mounted on the chest, or perhaps the elegant d:dicate™ mic on a goose neck mounted on the desktop. The journalist (the VJ) who interviews people in the field needs lightweight equipment because he has to record both the video and the sound at the same time. He would be miked with a DPA miniature or headset mic, while recording the interview with a d:facto mic. In a full blown TV talent show, the TV host wears a d:fine™ Headset Microphone, the singer sings into a d:facto™ Vocal Microphone, the band is reinforced with d:vote™ 4099 Instrument Microphones and d:dicate Recording microphones and the whole ambience is captured with the 5100 Mobile Surround microphones. And the list of combinations goes on and on.

“We believe we deliver the best sounding microphones to the broadcast industry and you can challenge us on that,” Christian Poulsen adds. “The audience deserves the best and we want to be the first choice when it comes to the best sounding microphones. The hallmarks of DPA’s ingenious engineering techniques ensure that every DPA microphone delivers clear, transparent and precise sound, along with the robustness and versatility.”

Beside DPA’s unique miniature based microphones, broadcasters will be particularly interested in the new d:dicate™ 4017C Shotgun microphone, a shorter version of the popular d:dicate 4017B Shotgun microphone. Thanks to the modularity of this new d:dicate range, DPA has been able to team the much loved 4017 shotgun capsule with its compact C preamp to create a microphone that is ideal for boom recording in tight spaces and rooms where ceiling height is limited. Offering the same functionality as the 4017B-R, which is the shotgun microphone in a Rycote Windshield, the 4017C-R offers the same solution, just with the 4017C and a smaller Rycote Windshield to give outside broadcasters, journalists and location film-makers everything they need for clear, directional sound, regardless of weather or environmental conditions.

The d:dicate series has been expanded with yet another new preamplifier solution, two modular active cables (MMP-ER with rear cable entry and MMP-ES with side cable entry), plus a number of modular active booms (MMP-F). These new microphone solutions can be used in many different applications, for example as a microphone solution on a desktop, on a podium, suspended for high-end capture or on elegant stage stands. The active booms come in several lengths and configurations with flexible gooseneck and XLR termination. The new active cable only adds a centimeter to the capsule, making it even more discreer than the compact C preamp, but giving comparable performance.

At IBC 2013, DPA Microphones will also be showing its new, high quality d:facto™ II Vocal Microphone that gives users unlimited possibilities for their performance. This eagerly awaited addition to the DPA condenser microphone range brings true studio sound to the live stage by offering an extraordinarily natural sound, superior gain before feedback and extreme SPL handling. In addition to use with the new wired DPA handle, the d:facto II provides singers and engineers with the added benefit of a state-of-the-art adapter system that allows for seamless integration with many professional wireless systems.

DPA will complete its IBC 2013 line up with its expanded d:fine™ series of Headset Microphones. Offering impressive gain before feedback and very stable construction, these unobtrusive microphones are easy to fit and provide presenters and guests with a discreet microphone solution that can’t be seen on the face. The d:fine range is renowned for its audio accuracy and its ability to deliver natural voice intelligibility and consistent audio performance at all SPLs. Available in both directional and omnidirectional options, in single or dual-ear designs and with long or short booms, d:fine™ headset Microphones are designed to fit comfortably and can be adjusted to accommodate any ear size and head shape.

At the DPA stand every microphone can be listened to and there is even a tombola where you can win a d:vote 4099 Instrument Microphone every day at 5 pm.

For more information about DPA Microphones, please come to Hall 8, Stand D76 or visit the company’s website – www.dpamicrophones.com

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Vietnam Television Calls on Jampro Again for VHF and UHF Antennas

Sacramento, CA — Jampro Antennas of Sacramento, California has been awarded another contract by Vietnam Television (VTV) to supply two high-power broadband antennas, one for VHF Band III transmission, the other for UHF. Both antennas will provide coverage of CanTho, the fifth largest city in Vietnam, and the largest city in the Mekong delta.

“This follows a major 2011 order for ten Jampro DVB-T (Digital TV) antenna systems that were installed at sites located throughout the Socialist Republic of Vietnam,” said Alex M. Perchevitch, Jampro president. “For many years, we supplied Voice of Vietnam (VOV), the founder of VTV, with radio broadcast antennas. That excellent relationship and the proven field performance of our equipment led to this latest award.”

The JHD-HV4 is a half wave spaced, horizontally polarized flat panel, dual-dipole high-band VHF antenna that can broadcast on Band III at 174 to 230 MHz. Rugged galvanized steel construction ensures many years of dependable performance. The JHD antenna has been proven to have excellent bandwidth and VSWR. It’s ideal for VTV’s broadband/multi-channel op¬erations. Many standard and custom directional patterns are available to fit VTV’s coverage requirements.

The JUHD UHF antenna was selected by VTV for two primary reasons. Due to a modular design, it gives VTV flexibility to configure various elevation patterns so coverage can be customized to suit the topographical challenges of Vietnam which range from flat deltas to mountainous areas exceeding 3,000 meters. VTV engineers worked with Jampro’s technical staff to customize patterns to optimize coverage for the sites.

Secondly, the JUHD antenna’s robust stainless steel construction has proven reliable in hot, wet tropical climates. Fiberglass radomes provide additional panel protection.

Jampro is also providing its own manufactured Proline brand of rigid transmission line for both installations and related RF components.

Vietnam Television, or VTV, is the national television broadcaster for Vietnam. Each major city and most of the 64 provinces have their own TV stations. VTV broadcasts several terrestrial cable, satellite and regional channels, plus an international channel.

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 15,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. Additional information on JAMPRO can be obtained at www.jampro.com.

Jampro contact: Sonia Del Castillo
916-383-1177 • mailto:Sonia@jampro.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283 • harriet@desertmoon.tv

Sound Devices Celebrates 15 Years of Industry Innovation

REEDSBURG, WI, JULY 11, 2013 — Sound Devices is proud to announce its latest company milestone, commemorating 15 years as specialists in portable audio and video products for field production. Founded by three industry veterans in 1998, the company continues to fulfill its original mission—to develop products that help customers achieve the highest quality and performance in their field production workflow. Today, Sound Devices’ growing product portfolio of award-winning audio mixers, recorders, preamplifiers, computer interfaces, and video recorders, offer customers a wide range of essential gear for television and film production.

“We are very proud to celebrate our 15 years in the industry,” says Matt Anderson, Co-founder and President of Sound Devices. “The company has evolved into one of the industry’s most trusted companies, due in large part to the hard work and commitment of our staff.” Jon Tatooles, Co-founder and Vice President of Business Development adds, “We also thank our customers for their loyalty, support and feedback, helping us to reach this milestone in an industry where technology is constantly changing.”

Sound Devices entered the industry with its first broadcast-oriented product, the durable battery-powered MP-1 Portable Microphone Preamp. The company introduced the product and made it available for purchase at the 1999 NAB Show. Today, many elements designed into the MP-1 continue to live in later-generation Sound Devices products, including the battery tube design, high-performance microphone preamplifiers, and durable mechanical construction.

In 2000, Sound Devices introduced its 442 Field Mixer, essentially an over-the-shoulder portable mixing console for production, ENG and film. Developed with input from the industry’s top audio engineers, the 442 offered the audio performance, feature set and mechanical construction demanded by customers with higher expectations for audio from the field.

Soon after, in 2003, Sound Devices announced its entry into the portable digital audio-recording category with its 7-Series Recorders. The 722 and 744T began shipping in early 2005. The 702 and 702T followed, and in 2008, the 788T portable, eight-input, 12-track recorder with time code made its debut in the 7-Series family. Numerous accessories such as the CL-8, CL-9, and CL-WiFi have expanded the number of applications for these recorders, along with numerous feature enhancements through firmware updates.

At the 2011 NAB Show, Sound Devices brought its portable digital recording technology to video with the introduction of its PIX audio/video recorders, PIX 220 and PIX 240. With its strong history of developing high-quality products for the evolving production world, this was a natural progression for Sound Devices. The audio circuitry on the PIX 220 and PIX 240 is based on Sound Devices’ award-winning 7-Series digital audio recorders.

As part of the company’s continued evolution and commitment to its customers and community, Sound Devices relocated its headquarters to a new 27,000 square-foot facility in Reedsburg, Wisconsin, in early 2012. Equipped with state-of-the-art technology, the facility enables Sound Devices to continue to develop new, innovative field-production audio and video products with greater operational capacity. The headquarters is large enough to hold training meetings for its sales representatives and distributors, and offers space for permanent product displays designed for training.

Entering its 15th year, Sound Devices’ commitment to innovation has continued with the introduction of the PIX 260i. The rack-mounted PIX 260i is a file-based audio/video recorder that seamlessly replaces tape-based video decks in production and post-production environments. Its extensive audio capabilities include 32 tracks of audio with analog, AES digital, embedded audio over SDI and HDMI, or Ethernet-based Dante. Powerful network control capabilities include browser-based Ethernet machine control and drag-and-drop network file transfer.

For more information on Sound Devices and its innovations over the last 15 years, visit www.SoundDevices.com or www.facebook.com/sounddevices.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The 15-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Prism Sound’s Audio Design Workshop LIVE Travels To Helsinki

High profile guest speakers from Texas Instruments and Klippel are joining the next Prism Sound/Oxford Digital Audio Design Workshop LIVE, which takes place in Helsinki on August 21st, 2013. In an industry first, this groundbreaking event will be webcast live from the 51st AES Convention to audiences around the world.

The registration page for the live webcast can be found here:

http://audiodesignworkshoplivehelsinki-SS.eventbrite.com

The event, which is held in conjunction with the Audio Engineering Society (AES), is open to all engineers, engineering managers, students and academics involved in audio engineering. It will feature seminar sessions and workshops hosted by some of the most experienced engineers in the audio industry who will share their knowledge and practical expertise in active loudspeaker design, providing the audience with an opportunity to learn from their many decades of collective experience.

“The seminar sessions will cover aspects of analogue and digital audio system design and optimization, with a major emphasis on real-world, practical problem solving,” says Simon Woollard, Test & Measurement Product Specialist at Prism Sound. “Our audience will have plenty of opportunity for hands-on experimentation, and for networking with the presenters and other participants. This is a fantastic chance for everyone involved in audio engineering to learn the tricks of the trade from luminaries within the audio industry.”

Prism Sound and Oxford Digital, who have joined forces to organise the Audio Design Workshop LIVE series, have extensive experience in the field of audio engineering.

Prism Sound has been developing audio measurement solutions for over 25 years and has pioneered many major innovations in this field. The company offers high quality audio analyzers that are suited to a wide range of test and manufacturing environments.

Oxford Digital specialises in digital audio signal processing for mobile and consumer equipment. Its products include an extremely compact audio DSP core with a rapid programming and development environment and Sonic Tuning Tools that allow rapid optimisation of the sound reproduced by compact loudspeaker systems. The complete toolset is targeted at reducing time-to-market and lowering software maintenance costs.

Audio Design Workshop LIVE will feature seminar sessions and Q&A opportunities where delegates will have the chance to ask the panellists for answers and advice.

Places for Audio Design Workshop LIVE are limited and anyone wishing to take part is encouraged to register now. This can be done online via the dedicated registration page: http://audiodesignworkshoplivehelsinki-SS.eventbrite.com or by calling +44 (0)1353 648 888.

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

Solid State Logic Appoints Jay Easley as Vice President of Live Consoles

Industry Veteran Will Lead the Company’s Expedition into the Live Market in North and South America

OXFORD, UK – SSL Inc., the U.S. operation of Solid State Logic, is pleased to announce that Jay Easley has been appointed Vice President of Live Consoles in the Americas. Previously with Midas and Klark Teknik (MKT), Easley has had a successful sales and marketing career in the live sound market, with many years experience in global audio console launches, acquiring new business and increasing market share. In this new role, Easley brings his vast understanding of the live market to promote SSL’s recently introduced ‘Live’ console, which brings the industry standard, sonic legacy of the SSL brand to the stage.

Working closely with the team in the Americas, Easley’s initial goal is to build industry awareness of the SSL Live Console. He will also work closely with Jason Kelly, SSL’s newly appointed Live Product Manager, to define future product enhancements tailored to the needs of specific clients. Using his extensive knowledge of the performance market through years of successful console placements, Easley will help dealers and mix engineers understand the many benefits of this innovative, advanced technology live sound console.

“Jay’s extraordinary stature in the live sound industry brings a high level of credibility for SSL as we enter this exciting market segment,” says Piers Plaskitt, CEO of SSL, Inc. “His surgical focus and successful experience in live sound applications makes him the ideal choice to lead the charge for the Live Console in North and South America. We believe the addition of Jay on the SSL team will herald in a new era of technology leadership for the live sound market.”

Most recently, Easley served as Associate Vice President of MKT’s North American operations. In this position, he developed and executed sales and marketing strategies, new product introductions, and delivered presentations, seminars and training classes to clients and partners.

“I am truly honored to work for SSL, a company that I consider to have an unparalleled reputation for excellence and reliability,” says Easley. “I am excited to lead the Live Console business in the Americas. We have the opportunity to show customers SSL’s advanced console technology that exceeds industry expectations for what is now available for live sound. This is SSL and we expect the Live Console will have the same leadership impact on the live sound industry as it has enjoyed with the music, broadcast, post and film markets for decades.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Pro Tech Marketing Awarded Broadcast Rep of the Year

Fairfield, NJ––The Broadcast Rep of the Year Award was won by Pro Tech Marketing at a recent Middle Atlantic Products sales meeting held prior to InfoComm 2013.

Pro Tech Marketing represents Middle Atlantic for the Broadcast market in New Mexico, Arizona, Colorado, Utah, Wyoming and El Paso, Texas.

Commenting on the award, Middle Atlantic Regional Sales Director Whitt Adams said, “Pro Tech Marketing made a conscientious effort to create a team with the technical background and comprehension needed to sell high-tech systems. They are knowledge-providers and problem-solvers with an emphasis on applications. We appreciate Pro Tech’s hard work, and dedication, and are proud to present them with this prestigious award.”

Photo caption (left to right): Jaylon Shane (Pro Tech), Dave Amoscato and Diane Cote (Middle Atlantic), Shane Tunnell and Paco Aguilar (Pro Tech), Whitt Adams (Middle Atlantic), Dean Hinton (Pro Tech).

For more information about Pro Tech Marketing, please click to www.protechm.com.

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

Sound Devices Continues to Develop the 788T for the Latest Production Requirements

Firmware Update 3.0 Now Available for Free Download

REEDSBURG, WI, JUNE 17, 2013 — To further position the company’s flagship 788T and 788T-SSD digital audio recorders as the foremost solutions for today’s evolving production standards, Sound Devices, specialists in portable audio and video products for field production, announces the availability of firmware update Version 3.0. A free download for all existing and new 788T users, this latest software update offers a 192 kHz sampling rate for up to four tracks, increased C-Link metadata functionality and added limiters for digital inputs.

Version 3.0 now offers Sound Devices 788T users a 192 kHz sampling rate for up to four tracks (L through B) recording to one drive. It provides for scene, take, notes, false takes, circle and track name metadata to be synched between C-Linked 788Ts. Version 3.0 firmware also features digital input limiters for AES3 and AES42 inputs, perfect for digital microphones. Additional enhancements include a left/right tone identification mode with a shortcut to toggle the mode on or off, added user-customizable CL-9 encoder adjustments which affect trim gain and EQ frequency, and the option to decode MS into LR MIX only and leave ISO tracks as un-decoded MS.

In addition, Version 3.0 offers a new timecode mode, “Free Run – Auto Output Mute.” This is the same as the “Free” run mode, but mutes the “Lemo” timecode output when stopped and can be used to roll external devices when the “Rec-Run” timecode is not suitable. In addition to overall faster drive formatting, the latest firmware features an upgraded external low voltage threshold, now 11.3V, along with various overall system improvements and optimizations.

“As our flagship digital audio recorder, the 788T has become a mainstay in the industry, and is in constant use on high-profile film, television and new media projects,” says Paul Isaacs, Technical Development Manager for Sound Devices. “As audio production techniques continue to evolve and become more streamlined, Sound Devices is committed to ensuring that our products remain on the cutting edge of technology through regular firmware updates.”

With the influx of multi-tracking both in the field and on set, the Sound Devices 788T has become the next-generation digital audio recorder for advanced sound mixers who require additional isolated tracks. It boasts eight full-featured inputs and records to up to 12 tracks. It accepts either microphone or line-level signals, provides 48-V phantom power for condenser microphones, offers peak limiters for microphone inputs and features fully adjustable high-pass filters—all in a compact package. Routing flexibility allows each input to be routed to left/right mixed tracks, isolated tracks or aux tracks.

The 788T has several options for recording media, including an internal SATA hard drive (solid-state in the 788T-SSD), CompactFlash cards, an external FireWire hard drive or DVD-RAM (with bus powering). Any or all of these can be used simultaneously. Additionally, when connected to Mac or Windows computers with high-speed USB or FireWire 400/800, the 788T functions as a high-speed mass storage device.

To simplify AES3 connectivity with mixers and cameras, the 788T has eight channels of balanced AES3 digital inputs and six channels of balanced AES3 outputs. The 788T can be clocked from an external word clock or from video sync. The 788T also comes equipped with a high-accuracy time-code reader/generator. It also includes auto-record features to chase external “Rec-Run” video sources. To simplify metadata entry, the 788T accepts USB keyboards directly or can be operated remotely from iOS devices with the optional CL-WiFi. The 788T, like all Sound Devices products, is versatile and designed to withstand the physical and environmental extremes of rigorous field production.

788T/788T-SSD users can download Version 3.0, by visiting:
http://www.sounddevices.com/download/788t-firmware/download/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

DPA Microphones Bring Exceptional Clarity To Suede’s Guitars

Indie-rock stalwarts Suede, which released its sixth album Bloodsports in March 2013, recently recorded a live acoustic session for Absolute Radio at the world-famous Abbey Road studios in London.

The equipment line-up for this important gig incorporated three DPA d:vote™ 4099 Instrument Microphones, which were chosen for their clarity and exceptional audio quality.

Suede’s Neil Codling, who plays keyboards and rhythm guitar, was instrumental in the choice of microphones, specifying them for his own Martin D28 guitar and also for Richard Oakes’ Gibson J200 lead guitar and Matt Osman’s Dean acoustic bass. DPA’s UK distributor Sound Network was happy to supply the microphones.

“In an ideal world, a microphone should almost disappear, allowing the sound source to reach the listener’s ear unimpeded, dissolving the artifice of a recording,” Neil Codling says. “Like the best condenser mics, the DPA d:vote 4099 Clip Microphones capture what is happening in the room with clarity and life, putting you there, in the path of the shifting air. The wonder is that, wherever you place them, d:vote 4099 microphones give you a sound you can build a mix around, or incorporate into a mix without fuss. It’s as if they have one enormous sweet spot.”

Codling was introduced to DPA Microphones by Front of House sound engineer Jamie Orchard-Lisle, who is closely involved with the chamber orchestra Penguin Café, of which Codling is also a member.

“When I have downtime from Suede, I play in Penguin Cafe, which has a different acoustic flavour: violins, viola, cello, double bass, ukuleles, Venezuelan cuatros,” Codling says. “Whatever you point the DPA d:vote 4099 at, they seem to capture the essence of the instrument, its subtle timbres and the full breadth of its dynamic range. You get warmth without boom, intimacy without overpowering mids, clarity without brittleness. You just point them at the sound source and they sound great.”

Getting the opportunity to use DPA d:vote 4099 Instrument Microphones for the Abbey Road session was something Neil Codling jumped at – and he also enjoyed being able to acquaint other members of Suede to DPA’s high-end audio quality.

“When you introduce someone to DPA microphones for the first time, there’s always an exchange of looks on first hearing that says ‘wow, this sounds special!’” he says. “Even when you first set them up, it’s as if you’ve reached that point where you say ‘don’t touch a thing: that’s perfect.’ It’s a happy knack, and you just have to hit ‘record’ and enjoy it.”
-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

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