Archive of the Business Category

RTW Exhibits Masterclass PlugIns, LQL Software and TouchMonitor Family of Meters at BroadcastAsia 2014

Broad Range of Tools Give More Customers Access to Renowned Company Products

MARINA BAY SANDS, SINGAPORE, MAY 14, 2014 – RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is pleased to exhibit its new RTW Loudness Tools from the new Masterclass PlugIns range of software, the LQL Loudness Quality Logger software and its TM3, TM7 and TM9 TouchMonitor audio meters at this year’s BroadcastAsia Show (Booth 5E6-01).

Masterclass PlugIns
The new Masterclass PlugIns software provides RTW’s renowned metering tools as standard-format plug-ins for Windows and Mac OS platforms, allowing a larger number of RTW customers to access the tools. The RTW Loudness Tools are the first of the company’s products available as part of the new software.

The RTW Masterclass PlugIns Loudness Tools visually depicts audio with all relevant level and loudness values as specified by international standards. Conforming to the EBU R128 loudness standard, as well as ITU-R BS.1770-3/1771-1, ATSC A/85, ARIB, OP-59, AGCOM, CalmAct and custom as well as SPL mode, it is a handy tool for quality control, offering the precision and ease of use required to ensure compliance with custom specifications. Operation of the plug-in is highly intuitive, so that even users without a great deal of experience in monitoring loudness can use it effectively. The plug-in includes RTW’s Peak Program Meter, TruePeak, and Spot Correlator instruments and also offers all common loudness displays plus MagicLRA mode or SPL view.

The user interface of each plug-in is based on the award-winning RTW TouchMonitor TM7 and TM9 units, and offers the same degree of functionality and clarity as the hardware models. The instruments provide graphical/numerical, as well as bargraph views, and can be freely rearranged and scaled. Various function parameters, such as integration time, operational range and tolerance, along with a number of viewing options for metering data and scales, offer extra flexibility. The plug-in window dimensions can be set to the native resolution of RTW TouchMonitor display screens, including 480×272, 800×480, 1024×800 (landscape view) or 272×480, 480×800, 800×1024 (portrait view). Users can store all setups and layouts as presets in their DAWs.

The RTW Masterclass PlugIns Loudness Tools require Windows 7/8 (32-bit or 64-bit) or Mac OS 10.6 or higher. RTW has first made them available in the VST 2.4 format for Windows systems and the RTAS format for Mac OS. VST, RTAS and native AAX64 support on the two platforms will follow.

LQL Quality Logger Software
The LQL is a natural extension of RTW’s range of innovative software options for the 7- and 9-inch line of TouchMonitor audio meters, as it was developed for logging, true-peak data analysis and reporting. It is compatible with the TM7, TMR7 and TM9 TouchMonitor line of products running with the Logging Data Server license (SW20014).

Once activated, LQL enables measured Loudness and TruePeak data to be derived directly via an IP connection from a capable TouchMonitor audio meter, as well as from external storage media such as a USB stick. The software also includes dual limit weighting, status information, marker and various other reporting features. The new PC software is free of charge to users; however the SW20014 Logging Data Server license is required to enable a TM7, TMR7 or TM9 series meter to be compatible with data export and additional display functions.

TM3, TM7 and TM9 TouchMonitors
Controlled using a touch-sensitive display, the TM3 TouchMonitor has a budget-friendly base price, a 4.3-inch touchscreen and a stylish exterior allowing for horizontal and vertical placement. It includes a large number of graphical and numerical instruments showing single-channel and summing-loudness bargraphs, PPM, true peak, SPL, loudness range (LRA), dialnorm and correlation. It offers comprehensive loudness metering in compliance with all globally relevant standards, including EBU R128, ITU BS.1770-3/1771-1, ATSC A/85,ARIB, OP-59, AGCOM, CalmAct and custom as well as SPL mode. As with all TouchMonitor products, it features the Magic LRA instrument, designed by RTW for intuitive visualization of the loudness range and integrated-loudness parameters.

The TM7 and TM9 TouchMonitors, which include the innovative Magic LRA instrument, feature a seven- and nine-inch touch-sensitive display, respectively, and provide unparalleled flexibility and modularity combined with intuitive control. The software visualizes multiple sources simultaneously. Both support displaying the same signal on multiple instruments in parallel, each with dedicated defaults with both horizontal and vertical operation. The system visualizes up to 16 analog and/or digital sources at the same time.

The TM9 is also capable of providing a view of up to 32 digital channels when the 3G-SDI option is implemented. Along with RTW’s entire TouchMonitor range, the TM7 and TM9 were created to help adhere to all major industry loudness standards, including EBU R128, ITU BS.1770-3/1771-1, ATSC A/85, ARIB, OP-59, AGCOM, CalmAct and custom as well as SPL mode.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio systems. The company focuses its business on professional audio signal metering tools that are in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio highlights the TouchMonitor range, a new series of tools for visual signal analysis and comprehensive loudness metering. The TouchMonitor combines the highest of flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, integrating exceptional surround-signal visualization using the unique and groundbreaking Surround Sound Analyzer. The high-end SurroundControl series of products with fully fledged loudness measuring combines the convenient metering options of the RTW surround display devices and the control functions of an eight-channel monitoring controller.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office houses all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

iZotope Honored with a New England Innovation Award

SBANE recognizes iZotope for innovation in audio

iZotope Inc., Cambridge, MA - iZotope Inc., a leading audio technology company, has been honored with a 2014 New England Innovation Award by the Smaller Business Association of New England (SBANE). Selected from 210 organizations that lead development in their fields, iZotope was chosen by SBANE for its technological contributions to and reach throughout the audio industries. iZotope technologies are a key component in many music and television studios around the globe, allowing users to change the way they approach audio production.

SBANE recognizes companies and organizations that have transformed their unique ideas into a product or service that SBANE_Logodemonstrates significant benefit to users and addresses market need. One prominent example is iZotope’s Emmy Award-winning RX®, which has changed the way audio is repaired and enhanced in the television broadcast industry. Former winners come from varying fields such as technology, manufacturing, service (both for profit and not for profit), and retail/distribution. Previous winners have included notable companies such as Staples, PictureTel, Ben & Jerry’s, Brooks Automation, Direct Tire, Genzyme, Nantucket Nectars, Imagitas!, Aurora Imaging Technology, and iRobot.

“SBANE is doing very important work in highlighting the amazing innovation that is happening in New England,” says Mark Ethier, co-founder and CEO of iZotope. “It’s inspiring to see what’s happening here and to be a part of it. We are excited to continue to innovate and continue to change the way people are producing sound. It is an honor to accept this award.”

Winners and Finalists of this prestigious award were honored at the “Evening of Innovation” Gala Dinner on May 7, 2014 at the Westin Hotel, Waltham MA. The keynote speaker for this Gala Dinner was Andy Miller, Chief Innovation Architect of Constant Contact.

A complete list of winners can be found on SBANE’s website.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®.

For more information on iZotope products, please visit www.izotope.com.

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Hal Leonard publishes Music 4.0: A Survival Guide for Making Music in the Internet Age

Everything you knew about the music business has changed again!

Montclair, NJ (May 7, 2014) – Music 4.0: A Survival Guide for Making Music in the Internet Age is a completely updated version of the best-selling Music 3.0, by Bobby Owsinski. With the addition of fresh interviews from several of today’s successful music industry innovators, Owsinski reveals new and proven pathways to success in the modern music world. Music 4.0 is for the musician overwhelmed by the seemingly never-ending options of the fast evolving Internet, and along with some new high- and low-tech tips for inexpensive marketing and promotion, the book answers the following questions, and more:

- How are streaming music royalties determined and why is your payout less than you expected?
- Why is streaming music considered the savior of the music business by many industry insiders?
- How is money being made from YouTube and how you can benefit from its current “Wild West” mentality?
- Who are your customers and fans and how can you reach them?
- What are the most up-to-date ways of marketing your music in this new world?
- Who are the new industry players and why would they want to talk to you?
- What’s your brand and how do you develop it?
- How are Facebook, Twitter, and YouTube best used as marketing tools specifically for your music?
- What are the new technologies being introduced that will influence how you sell and market your work?

Included in this new edition is a chapter about the new economics of streaming music, which includes information that simply can’t be found in one place anywhere else. Music 4.0 is an aggregation of concepts about the new music business in the Internet age and the information is organized and presented in a way everyone can understand.

Also available is Owsinski’s Social Media Promotions for Musicians – The Manual for Marketing Yourself, Your Band, and Your Music Online. This book focuses on promoting your work via social networks and how to communicate with your fans and clients in the right way in various channels. The book reveals insider tips and tricks that will help to gain more fans and followers, increase views, and grow ticket and merchandise sales.

About the author
Producer/engineer BOBBY OWSINSKI is one of the best-selling authors in the music recording industry, with 23 books that are now staples in audio recording, music, and music business programs in colleges around the world, including The Music Producer’s Handbook, The Touring Musician’s Handbook, How to Make Your Band Sound Great, and many others. He is also a contributor to Forbes, writing on the new music business. His popular blogs have nearly 5 million visits, and he’s appeared on CNN and ABC News as a music branding and audio expert. More information at bobbyowsinski.blogspot.com and bobbyowsinski.com. He lives in Los Angeles.

For more information, please visit http://www.halleonardbooks.com – Hal Leonard Books – An Imprint of Hal Leonard

Music 4.0
$24.99 (US)
Inventory #HL 00122318
ISBN: 9781480355149 Width: 8.5″, length: 11.0″
296 pages

Social Media Promotion for Musicians
$29.95 (US)
Inventory #HL 00126957
ISBN: 9781480387355
Width: 8.5″, length: 11.0″
304 pages

Sound Devices Latest Video and Audio Recorders Now Shipping

PIX 270i, PIX 250i and 970 Now Available

REEDSBURG, WI, APRIL 28, 2014 – Having first made their official debut at this year’s NAB Show, Sound Devices, specialists in audio and video products for production, announces its PIX 270i, PIX 250i and 970 are now shipping. After a successful launch only a few weeks ago, these rack-mounted products are now available through the Sound Devices network of authorized resellers and distributors.

PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events and mobile production. The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback. The units record edit-ready Apple ProRes or Avid DNxHD files and allow simultaneous multiple-drive recording, giving production staff peace of mind with their rock-solid redundancy and backup capabilities (four drives for PIX 270i and two drives for PIX 250i). Additionally, file transfer and machine control is available over gigabit Ethernet. Their extensive audio capabilities, including 64 channels of both MADI audio and Dante audio-over-Ethernet for PIX 270i, and PIX 250i’s 16 tracks of audio, make each unit a comprehensive, cost-effective replacement for complex video servers and an effective tool for high-performance video production.

Sound Devices 970 is the company’s first-ever dedicated audio-only rack-mounted recorder, which boasts an impressive 64 channels of recording from Dante and MADI sources. The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including drama and reality production, and live concert recording. The 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital.

The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported. The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Middle Atlantic Unveils New Customer-Focused Website

Fairfield, NJ––Middle Atlantic Products has launched a new, totally re-imagined website to improve the user experience and help its customers find the exact information they need from the company’s extensive product offering.

Exceptionally useful, middleatlantic.com features an elegant new look, easy to navigate design and a wealth of downloadable information including Revit®, CAD and Visio™ drawings, Designer™ and Racktools® free design software, white papers, and easy to reference A&E specifications.

The new website includes a separate page for every rack model offered by Middle Atlantic with dynamic specification information and complementary products for that specific model. For example, a customer can simply click to a specific rack to see a variety of appropriately sized vertical power strips for that model.

A unique Market Solutions section demonstrates how Middle Atlantic products are used to build systems for Commercial A/V, Broadcast, Residential A/V, Security, Structured Cabling and Education applications.

New videos are constantly being loaded onto the website as an easy and effective way of helping customers find and evaluate the right product with tips and tricks to facilitate and improve their installation and use.

A Live Chat feature demonstrates Middle Atlantic’s commitment to its customers by providing a new means to communicate directly with the company’s support team during support hours.

Interactive, wide-ranging and entirely dedicated to the customer, middleatlantic.com marks a significant evolutionary step for the company.

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com, or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

Sound Devices Hosts Lineup of Renowned Industry Professionals at Its Booth During NAB 2014

Hear from the Pros as They Discuss Today’s World of Audio and Video Production

LAS VEGAS, APRIL 4, 2014 – Sound Devices, specialists in audio and video products for production, will host several presentations from leading industry professionals at its booth throughout the 2014 NAB Show (Booth C2546).

“Sound Devices is thrilled to welcome Alex Lindsay, Eliot Mack, Dave Ruddick and Drew Taylor to provide their expert insight and experience in various aspects of audio and video production,” says Paul Isaacs, vice president of marketing for Sound Devices. “I encourage all of those in attendance at NAB to come be a part of these informative sessions.”

These leading industry influencers will share their first-hand production experience with multimedia workflows, extreme location audio and video capture, and other challenging scenarios, providing their insights into the real world of production from both the audio and video perspective. The NAB seminar lineup includes:

Monday, April 7, 2014 – 2:00 p.m.
Alex Lindsay – Founder, Pixel Corp.

Alex Lindsay has been working in computer graphics and video production for over 25 years. Starting in programming and computer aided drafting, Lindsay has worked in radio, print, games, interactive, broadcast and film. He spent three years working at Lucasfilm and Industrial Light and Magic on Star Wars: Episode 1 before starting his own companies, dvGarage, which builds tools for the visual effects community, and Pixel Corps, a world leader in live interactive streaming events — producing over 300 events per year around the world. Lindsay will discuss the audio and video challenges of multi-site live stream productions.

Tuesday, April 8, 2014 – 2:00 p.m.
Eliot Mack – CEO, Lightcraft Technology

Lightcraft Technology was founded in 2004 by mechanical engineer and MIT/University of Michigan graduate Eliot Mack. Mack has worked at Walt Disney Imagineering, where he led the mechanical engineering effort on the iRobot Roomba before applying his skills and dedication to the development of the Previzion virtual studio system. In this presentation, he will walk through the details and benefits of how Lightcraft’s Previzion virtual studio system embeds tracking data into Apple ProRes Quicktime files captured by the Sound Devices PIX 240i, which can then be transferred into traditional post-production tools or played back in real time from the PIX 240i into Previzion.

Tuesday, April 8, 2014 – 4:00 p.m.
Dave Ruddick – Location Sound Mixer

Dave Ruddick records audio in some of the most beautiful, treacherous and remote locations in the world. An accomplished mountain climber and outdoorsman, Ruddick is in demand when the conditions are the most challenging, including productions taking place on the summit of Mount Everest, following the Iditarod in Alaska and scaling glaciers in Greenland. His customers include National Geographic, Discovery Channel, PBS Nova, WGBH Boston, History Channel and Skywalker Sound. Dave will discuss the challenges of audio production in extreme locations, far from mains, technical support and hot showers.

Wednesday, April 9, 2014 – 11:00 a.m.
Drew Taylor – Business Development, HRS Control

HRS Control is a four-year-old company with a deep background in corporate rental, staging, live event production and concert touring that has also expanded into broadcast and commercial system integration. The company develops its own products for AV system control. Taylor will talk about how HRS Control products control and automate the PIX 260i, taking advantage of the frame synchronous playback and record.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Audiofile Releases Triumph 2.3

Major update to professional audio editor and post-production tool includes integration of Final Cut Pro X technologies

Minneapolis – April 2, 2014 Audiofile, a leading music technology company, today announced the latest major update to Triumph, their acclaimed audio editor and post-production tool for Mac.

Currently featured as a “Best New App” and “Great App for Final Cut Pro” on the Mac App Store, Triumph 2.3 now supports Final Cut Pro X XML import and export complete with video preview, placing it among the App Store’s most powerful audio editors for sound designers, video editors and filmmakers. 

Triumph_Screenshot

“Triumph 2.3 represents a significant step forward for Final Cut Pro X integration,” according to Matthew Foust, Audiofile Managing Partner and co-founder. “With this release we’ve made it even easier for filmmakers the world over to create sound for their films that is as beautiful and polished as the their visuals.” 

In addition to bridging the gap between sound design and Final Cut Pro X, Triumph 2.3 introduces iCloud support, adding to its already rich list integrated Mac technologies. With the inclusion of iCloud support, users are now able to share Triumph projects across all of their personal or studio machines and iOS devices.

“Support for the latest Apple technologies isn’t just a box we check,” says Ev Olcott, Senior Software Architect and co-founder. “Apple technology—from iCloud to Applescript and nearly everything in between—is quite literally at the core of what we do and it has been since the beginning.”

Triumph_Tools

Triumph has been completely rebranded when Creative Director Joseph Kuefler joined the Audiofile team.

Triumph 2.3 is only the latest in a planned roadmap of major updates, all in an effort to further distinguishes it as the flagship Audiofile app for Mac.

For more information about Triumph, visit http://www.audiofile-engineering.com/triumph/ 

 

About Audiofile
Audiofile is a boutique technology company building apps that power the worlds musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2004, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name.

Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

Sound Devices Introduces the ‘970’ Its First Dedicated Rack-Mounted Audio Solution at the 2014 NAB Show

64-Track Dante and MADI-Equipped Multi-Track Audio Recorder Makes Industry Debut

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces 970, its first-ever dedicated audio-only rack-mounted solution, which boasts an impressive 64 channels of Dante and MADI, at the 2014 NAB Show (Booth C2546). The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including drama and reality production, and live concert recording.

Sound Devices’ 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported.

The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports word clock synchronization from external word clock, video sync, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

The Sound Devices 970 features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks as well as file transfer over the data network with SMB. File metadata editing of scene name, take name, notes, track names, and reel folders can be done during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also allows for format conversion between analog, AES digital, MADI and Dante.

Sound Devices’ 970 is designed with a large five-inch screen for metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Sound Devices Expands Line of Video Recorders with Introduction of PIX 270i and 250i at NAB 2014

New Recorders Offer Extensive High-Quality Video, Audio and Networking Capabilities Addressing the Multiple Source Needs of Today’s Large-Scale Productions

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces its latest PIX recorders, PIX 270i and PIX 250i, at the 2014 NAB Show (Booth C2546). PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events, and mobile production.

The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback with the ability to access and transfer high-quality files over Ethernet. The units record edit-ready Apple ProRes or Avid DNxHD files and allow simultaneous multiple-drive recording, giving production staff peace of mind with their rock-solid redundancy and backup capabilities (four drives for PIX 270i and two drives for 250i). Their extensive audio capabilities, including 64 channels of both MADI audio and Dante audio-over-Ethernet for PIX 270i, and PIX 250i’s 16 tracks of audio, make each unit a comprehensive, cost-effective replacement for complex video servers and an effective tool for high-performance video production.

The PIX recorders offer 3G-SDI (12-bit, 4:4:4) and HDMI I/O, and can record at numerous data rates. Full RGB Apple ProRes 4444 (330 Mbps) and low data rate proxy files (36 Mbps) are available. Files are ready for import directly into popular editing environments, including Avid, Final Cut Pro and Adobe Premiere Pro, eliminating time-consuming transferring and transcoding.

Up to four drives, two SATA drives in PIX-CADDYs and two SATA-connected drives can be connected to the PIX 270i. All four drives can be recorded to simultaneously or sequentially for redundancy and long-form programs. For PIX 250i, up to two SATA drives in PIX-CADDYs can be connected to the easily accessed front-panel drive bays. In the same fashion, both drives can be recorded to simultaneously or sequentially. This redundancy in local, removable storage devices, coupled with standard, Ethernet-based file-transfer features, further reduces steps in the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer these files quickly into a post-production environment.

Both products feature extensive network connectivity and can be connected over Ethernet for simultaneous grouped recording and playback, creating a cost-effective scalable solution that addresses the multi-camera recording needs of today’s production. Its built-in Web server, PIXNet offers browser-based transport and setup-menu control of any number of units. In addition, PIX 270i features built-in multiple unit synchronization, offering simultaneous, frame-accurate recording and playback, ideal for multi-camera production and live event multi-screen playback. Any number of units can be grouped and controlled as a single system from either the hardware or the built-in Web-based control panel. Frame accurate sync works with other PIX 260i and PIX 270i recorders. The PIX 250i can be grouped with other PIX 250i, PIX 260i and PIX 270i recorders. The PIX can also be controlled by external RS-422 (Sony 9-pin compatible) controllers as well as via its GPIO port.

The PIX 270i offers extensive audio capabilities, with 64 record tracks (32 tracks at 96k), eight channels of analog audio, eight channels of AES digital audio, 16 channels of embedded SDI audio, and 64 channels of both MADI (coaxial and optical) audio and Dante audio-over-Ethernet. The PIX 250i features eight channels of analog audio, eight channels of AES digital audio and 16 channels of embedded SDI audio, and supports up to 16 tracks of audio.

With its built-in Ambient Clockit time-code generator/reader with genlock output, the PIX line is designed for multiple-camera and double-system sound applications. In addition to generating ultra-stable time-code, time-code can be read from the SDI stream, the HDMI stream or external sources. PIX 270i and PIX 250i include a high-performance hardware scaler and frame-rate converter. Regardless of the incoming signal, PIX records the signal after up-, down- or cross-conversion at the same or different frame rate. Hardware-based 3:2 pull-down removal is also available. Its convenient 1/2-rack, 2-U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through a four-pin XLR connector. The PIX 270i offers a secondary DC input for power supply redundancy.

The newest additions to the PIX line of products feature Sound Devices’ proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Both the PIX 270i and PIX 250i have precision five-inch IPS, 800- x 480-pixel displays for setup menu access and video monitoring. The high-accuracy display, with its peaking, false color and zoom functions, is perfect for framing, exposure and focus evaluation.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

RTW Debuts New Masterclass PlugIns Series at 2014 NAB Show

RTW Loudness Tools First in New Range of RTW Masterclass PlugIns

COLOGNE, 2 APRIL, 2014 – RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is pleased to announce the debut of its Masterclass PlugIns range at the 2014 NAB Show (C1246). The new software provides the company’s renowned metering tools as standard-format plug-ins for Windows and Mac OS platforms. The RTW Loudness Tools, scheduled for availability in May, will be the first of the company’s monitoring products available as part of the new range. This will allow a larger number of RTW customers to access its award-winning metering tools.

Each RTW Loudness Tools Masterclass PlugIn visually depicts audio with all relevant level and loudness values as specified by international standards. It conforms to the EBU R128 loudness standard, as well as SPL, ITU-R BS.1770-3/1771-1, ATSC A/85, ARIB, and custom (to set OP-59, AGCOM), making it ideal for audio and video engineers, radio producers and musicians, who are required by TV and radio broadcasters to conform to the standard. It is also a handy tool for quality control, offering the precision and ease of use required to ensure compliance with custom specifications. Operation of the plug-in is highly intuitive, so that even users without a great deal of experience in monitoring loudness can use it effectively.

The RTW Loudness Tools support all standard sampling rates up to 96 kHz and offer plug-in operation in mono, stereo and surround formats (eight channels maximum). The plug-in includes RTW’s Peak Program Meter, TruePeak, and Spot Correlator instruments and also offers all common loudness formats plus MagicLRA and an SPL view.

The user interface of the plug-in is based on the award-winning RTW TouchMonitor TM7 and TM9 units, and offers the same degree of functionality and clarity as the hardware models. The instruments provide graphical/numerical, as well as bargraph views, and can be freely rearranged and scaled. Various function parameters, such as integration time, operational range and tolerance, along with a number of viewing options for metering data and scales, offer extra flexibility. The plug-in window dimensions can be set to the native resolution of RTW TouchMonitor display screens, including 480×272, 800×480, 1024×800 (landscape view) or 272×480, 480×800, 800×1024 (portrait view). Users can store all setups and layouts as presets in their DAWs.

The RTW Loudness Tools Masterclass PlugIns require Windows 7/8 (32-bit or 64-bit) or Mac OS 10.6 or higher. RTW will first make them available in the VST 2.4 format for Windows systems and the RTAS format for Mac OS. VST, RTAS and native AAX64 support on the two platforms will follow. PACE anti-piracy and iLok USB copy-protection dongle are used for handling license management and plug-in activation. On an authorized computer, users can use unlimited RTW Loudness Tools instances.

About RTW
RTW, based in Cologne (Germany), has more than 45 years of experience in designing, producing, and marketing advanced recording-studio systems. The company focuses its business on professional audio signal metering tools that are in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio highlights the TouchMonitor range, a new series of tools for visual signal analysis and comprehensive loudness metering. The TouchMonitor combines the highest of flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, integrating exceptional surround-signal visualization using the unique and groundbreaking Surround Sound Analyzer. The high-end SurroundControl series of products with fully fledged loudness measuring combines the convenient metering options of the RTW surround display devices and the control functions of an eight-channel monitoring controller.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

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