Archive of the Business Category

RTW Announces Legacy Trade-In Program

Initiative Offers Exchange of Used RTW Devices at Exclusive Pricing

COLOGNE, JULY 14, 2014 – RTW, the market leader in visual audio meters and monitoring devices, has announced an extensive trade-in program. Customers will have the opportunity to exchange their existing inventory of legacy RTW devices for latest-generation products, which provide loudness metering in compliance with worldwide standards, at attractive pricing.

Through October 31, 2014, customers can return any number of functioning devices from the RTW Peakmeter, PortaMonitor, DigitalMonitor or SurroundMonitor ranges and purchase the same amount of new devices in any configuration at an extra discount of 10 percent. For additional details, customers are encouraged to call their dealers or systems vendors. They can also contact RTW directly.

“With the recent release of the new TM3-Primus, as well as our continuous license offerings for our TouchMonitors, we felt this was a good way to give customers the opportunity to upgrade to our latest products and innovations,” says Andreas Tweitmann, CEO, RTW. “The RTW trade-in program will help our customers experience new tools at a cost-effective price point.”

For more information about RTW’s trade-in/trade-up program, please visit www.rtw.de.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130.

Video Devices PIX 260i Streamlines Multi-Campus Workflow For Bethlehem Baptist Church

MINNEAPOLIS, JULY 8, 2014 – When Bethlehem Baptist Church was looking for a reliable video/audio solution for recording and playback of weekly services among the house of worship’s multiple campuses, it turned to the PIX 260i Production Video Recorder from Video Devices, a new brand of Sound Devices that is dedicated to the company’s mission critical video products. The church utilizes five PIX 260i’s to ensure the highest quality video and audio when rebroadcasting sermons to the campuses.

Comprised of three campuses (Downtown, North and South), Bethlehem Baptist Church hosts multiple services a week. In order to ensure that all three campuses have a current sermon from the main pastor, Associate Director for Media Ministries Jonathan Davis records the Saturday night service using the PIX 260i. He then sends the recording for playback to the two campuses not being served by the preaching pastor, on a particular Sunday morning. Recorded files can be transferred over Ethernet or delivered on one of the four drives that the 260i is able to simultaneously record to. The Downtown and North campuses feature a full production setup, while the South Campus is a portable campus at a local high school for the Sunday morning services. The Downtown and North campuses each have two PIX 260is, and the South campus has another.

The PIX 260i’s extensive audio capabilities are an essential component for the facility. The facility records both the mono- and stereo-feed of the house, as well as an iso of the pastor’s mic. Using the PIX 260i, the facility is able to send and receive all audio over Dante to and from its Yamaha CL5 mixing system. In order to cater to its ethnically diverse members, Bethlehem Baptist Church also records live Spanish and Russian translations. The multiple track count gives the facility room to grow in terms of having additional isolated audio tracks available, when needed. In addition, with only two full-time media staff members, the facility needed a user-friendly solution to cater to its large volunteer base. The PIX 260i’s large display and easy-to-use controls enable non-professionals to use the equipment with ease on an ongoing basis.

“We found that the PIX 260i met all of our criteria, and most importantly, it was seamlessly incorporated into our existing AV system,” says Davis. “The PIX 260i gives us ultimate flexibility in being able to record content from SDI or HDMI, and to get that content back out just as easily. In addition, the PIX 260i allows us to take whatever we record and deliver it directly into our post-production workflow in order to post services online as well as streamline our other productions.”

Davis and the church are already familiar with the company’s products, as they have used its PIX 240i recorder for on-location productions. “We found the PIX 240i to be very proficient and an improvement to our workflow, so when we heard about the PIX 260i, we knew we had to give it a look. It sounded perfect for what we needed,” says Davis. “We needed something that was rock-solid reliable, because when it comes to church services, it is a timed event. There isn’t a backup and you don’t get a do-over. The Video Devices PIX 260i gives us the reliability and redundancy we need to ensure that we capture the services and are able to play them back at both our fixed and mobile locations.”

The PIX 260i brings the features and tools needed by production companies and other production-based AV environments looking to migrate to file-based recording and playback environments. It records either QuickTime files in either Apple ProRes or Avid DNxHD video formats or WAV format audio files. Files recorded with Apple ProRes or Avid DNxHD are ready for editing in common editing environments, such as Avid, Final Cut Pro and Adobe Premiere, eliminating time-consuming transferring and transcoding. For color-critical applications, the PIX 260i supports Apple ProRes 4444 through its 12-bit, 4:4:4 3G-SDI I/O. Users can also play out files from the PIX 260i for real-time applications.

Continuing the company’s heritage in production sound, the PIX 260i is infused with 32-track audio recording and playback capabilities. In addition to 16 channels of embedded SDI audio and eight channels of HDMI audio, the PIX 260i also accepts eight channels of line-level analog I/O and eight channels of AES digital audio. Using Dante, the PIX 260i can accept and transmit up to 32 channels of audio over Ethernet.

“The customer service that we receive from Sound Devices has been absolutely amazing,” adds Davis. “One of my favorite things about Sound Devices is how proactive they are in sending out firmware updates — not only do they fix any potential bugs, but they add new features, which is rare today. They take such great care of their customers.”

Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production. Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit Video Devices and Sound Devices websites, www.videodevices.com; www.sounddevices.com.

GP Marketing Awarded Broadcast Rep of the Year

GP Marketing won the Broadcast Rep of the Year Award at the Middle Atlantic sales meeting prior to InfoComm 2014.

Based in Redmond, Washington, GP Marketing represents Middle Atlantic Products for the Broadcast market in Washington, Alaska, Idaho, Oklahoma and Montana.

Commenting on the award, Middle Atlantic Broadcast Sales Manager Dave Amoscato said, “The main thing that made GP Marketing successful was really focusing on the marketplace and driving business from the end user to the sale. Spending the time to get specifications and doing what was needed to demonstrate and position Middle Atlantic product for key sales targets. They consistently created a lot of opportunities for us in the Broadcast segment.”

Photo caption (left to right): Dan Tarkoff, Whitt Adams, Middle Atlantic; Gary Ponto, GP Marketing, Inc.; Marco Colindres Middle Atlantic.

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us <http://www.legrand.us

Music Marcom Marks 10th Year

PR & Marketing agency serves over 50 music companies over the past decade, looks to the future

Phoenix, AZ (June 23, 2014) – Music Marcom (www.musicmarcom.com) is celebrating 10 years in business in 2014. During that time, the company has successfully provided marketing communications services to over 50 musical instrument, professional audio, and music technology companies as well as recording facilities and audio industry professionals.

Combining their collective PR and marketing experience from such companies as Guitar Center, Magix Entertainment, SDI Media, Steinberg Media Technologies and Fender Musical Instruments, Brian and Martina McConnon founded Music Marcom in 2004. “We actually met at the NAMM show in Anaheim, California,” points out Brian McConnon. “We have different, but complimentary skills sets that allow us to cover a lot of ground for our clients.”

The vision was to provide small to mid-size companies a menu of expert marketing and communications services as an alternative to an expensive in-house department. By keeping Music Marcom focused and specialized, they are able to provide a tremendous value for their clients. “As we ramped up, we found this formula fit a wide range of situations, from start-ups that need the entire portfolio of marketing services, to mid-size companies that need product launch or tradeshow support, and large corporations that need focused and targeted PR,” says Martina McConnon.

Kim Pfluger, PR and Events Manager for iZotope, Inc. said, “iZotope has had the pleasure of working with Music Marcom since the very beginning. Their focus, attention to detail, and assertiveness continue to build our brand in the Pro Audio, MI, and Post Production industries, as well as new industries and geographic locations. Up for anything, they deliver great results with a positive attitude, fostering close relationships with the media on iZotope’s behalf.”

As the industry has evolved, so too has the way Music Marcom markets their clients’ products and brands. “The shift to digital media has created more opportunities to engage customers, but it has also fragmented the landscape into specific interests and preferences,” adds McConnon. “We help clients plan and implement traditional PR and marketing strategies with modern digital, social, and content marketing strategies for a completely integrated approach.”

“We have been working with Music Marcom for the last five years to help us gain better product recognition of our musician oriented publications in the MI space,” said John Cerullo, Group Publisher, Hal Leonard Performing Arts Publishing Group. “They have done an amazing job augmenting our in-house efforts, which is exactly what we needed when we started this relationship. Brian and Martina have been wonderful to work with and are very engaged with both our publications and authors. This makes all the difference in the end results. We look forward to working with them well into the future.”

For more information on Music Marcom’s services, please visit www.musicmarcom.com, email martina@musicmarcom.com, or call 610-577-4982.

RTW Expands Into Additional Markets with New Products

Masterclass PlugIns Software and TM3-Primus Provide Entry-Level Offerings to Creatives Everywhere in the Audio Industry

COLOGNE, GERMANY, JUNE 23, 2014 – RTW, the market leader in visual audio meters and monitoring devices, recently announced that the company is expanding into new applications with three product segments, thus enabling a larger pool of professionals to access the company’s award-winning metering tools.

RTW has launched a new product segment that serves Software-based products. The Masterclass PlugIns Loudness Tools, a standard-format plug-in for Windows and Mac OS platforms, is the first item of this product line to serve the needs for users in the DAW sector.

In addition, the new Smart products segment includes the TM3S, TM3-3GS, TMR7S and the company’s latest innovation TM3-Primus – all compact, fully loaded, specialized meters at an attractive price point. This product segment is ideal for individuals working in smaller production environments such as mixing and recording studios and OB vans.

The RTW Premium product segment includes the flagship products of RTW’s flexible and scalable TouchMonitor range. This consists of all versions of the TM7, TMR7 and TM9 audio meters, as well as the SurroundControl products, all of which are good choices for larger television and radio broadcast environments.

For more information, please visit www.rtw.de or www.rtw.com.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

Sound Devices 970 Brings Rackmounted Audio to InfoComm 2014

64-Track Dante and MADI-Equipped Multi-Track Audio Recorder Makes AV Debut

LAS VEGAS, JUNE 18, 2014 – Sound Devices, specialists in audio and video production equipment, showcases the 970, its first-ever dedicated audio-only rack-mounted solution, which boasts an impressive 64 channels of Dante and MADI, at InfoComm 2014 (Booth C6443). The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including live events such as concerts and sports recording, corporate events, houses of worship (HOW), studio and mobile production, as well as theater and museum presentations.

Sound Devices 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported.

The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

The Sound Devices 970 features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks as well as file transfer over the data network with SMB. In mission-critical audio-over-IP AV installations, where hundreds of audio channels are distributed between zones, setting up a redundant network to protect against loss of audio due to network failure provides peace of mind. The ability to have one drive transferring files over Ethernet, while another continues recording, offers significant production time savings. Corporate, HOW, theater and museum presentation videos that are created, edited and rendered remotely can be transferred directly to the venue.

File metadata editing of scene name, take name, notes, track names and reel folders can be done during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also allows for format conversion between analog, AES digital, MADI and Dante, acting as a bridge and routing matrix between these types of audio I/O.

Sound Devices 970 is designed with a large five-inch screen for metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording. In addition, the 970 features FileSafe, which automatically detects and repairs corrupted file headers when drives are mounted. This occurs when a drive is inadvertently removed during recording, with the 970, simply reinsert the drive and it automatically repairs its files.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports external synchronization from word clock, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

Video Devices PIX 270i and PIX 250i Come Into Focus at InfoComm 2014

New Recorders Offer Advanced Network Functionality and Multi-Drive Recording for Seamless Integration into Existing AV Systems

LAS VEGAS, JUNE 17, 2014 – Video Devices, mission critical video products by Sound Devices, showcases its latest PIX recorders, PIX 270i and PIX 250i, at InfoComm 2014 (Booth C6443). The network-connected PIX 270i and PIX 250i multi-drive video decks offer comprehensive multi-channel AV record and playback tools for house of worship (HOW), corporate, live event and other production applications.

The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback with the ability to access and transfer high-quality files over Ethernet. Its advanced network functionality along with simultaneous multi-drive video and audio recording makes Video Devices latest PIX products a complete production-ready AV solution. In addition, its ability to be controlled over IP, RS-422 and GPIO make it ideally suited to be integrated into a range of AV applications.

Both products feature extensive network connectivity and can be connected over Ethernet for simultaneous grouped recording and playback, creating a cost-effective scalable solution that addresses the multi-camera recording needs of today’s production. Its built-in Web server, PIXNet, offers browser-based transport and setup-menu control of any number of units. PIX 270i features built-in multiple unit synchronization, offering simultaneous, frame-accurate recording and playback, ideal for multi-camera production and live event multi-screen playback. Any number of units can be grouped and controlled as a single system from either the hardware or the built-in Web-based control panel. Frame accurate sync works with other PIX 260i and PIX 270i recorders. The PIX 250i can be grouped with other PIX 250i, PIX 260i and PIX 270i recorders. The PIX 270i and PIX 250i can be controlled by external RS-422 (Sony 9-pin compatible) controllers as well as via its GPIO port.

Up to four drives, two SATA drives in PIX-CADDYs and two SATA-connected drives can be connected to the PIX 270i. All four drives can be recorded to simultaneously or sequentially for redundancy and long-form programs. For PIX 250i, up to two SATA drives in PIX-CADDYs can be connected to the easily accessed front-panel drive bays. In the same fashion, both drives can be recorded to simultaneously or sequentially. This redundancy in local, removable storage devices, coupled with standard, Ethernet-based file-transfer features, further reduces steps in the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer these files quickly into a post-production environment.

The Video Devices PIX 250i and PIX 270i are designed for mission-critical applications with their dedicated video hardware, and PowerSafe and FileSafe feature sets. Both products are equipped with the company’s proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording. PIX also features FileSafe, which automatically detects and repairs corrupted file headers when drives are mounted. Should a drive be inadvertently removed during recording; simply reinsert the drive and it automatically repairs its files. Powered by 10-27 VDC through a four-pin XLR connector, the PIX 270i also offers a secondary DC input for power supply redundancy.

The PIX recorders offer 3G-SDI (12-bit, 4:4:4) and HDMI I/O, and can record at numerous data rates. Full RGB Apple ProRes 4444 (330 Mbps) and low data rate proxy files (36 Mbps) are available. Files are ready for import directly into popular editing environments, including Avid, Final Cut Pro and Adobe Premiere Pro, eliminating time-consuming transferring and transcoding.

The PIX 270i offers extensive audio capabilities, with 64 record tracks (32 tracks at 96k), Dante audio-over-Ethernet, 64 channels of both MADI (coaxial and optical) audio, eight channels of analog audio, eight channels of AES digital audio, and 16 channels of embedded SDI audio, making the PIX 270i the world’s first video device that also includes Dante audio over Ethernet. The PIX 250i features eight channels of analog audio, eight channels of AES digital audio and 16 channels of embedded SDI audio, and supports up to 16 tracks of audio. With its wide range of input and output capabilities, the 270i also offers real-time bridging between the various audio interface types.

PIX 270i and PIX 250i also include a high-performance hardware scaler and frame-rate converter. Regardless of the incoming signal, PIX records the signal after up-, down- or cross-conversion at the same or different frame rate. Hardware-based 3:2 pull-down removal is also available.

With its built-in ultra-accurate time-code generator/reader with genlock input/output, the PIX is a great master clock for driving a network of devices requiring synchronization. In addition to generating ultra-stable time-code, time-code can be read from the SDI stream, the HDMI stream or external sources.

PIX can be seamlessly integrated into existing AV systems and environments due to its 1/2-rack, 2-U chassis dimension. Both the PIX 270i and PIX 250i have precision five-inch IPS, 800- x 480-pixel displays for setup menu access and video monitoring. The high-accuracy display, with its peaking, false color and zoom functions, is perfect for framing, exposure and focus evaluation.

Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production. Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit Video Devices and Sound Devices websites, www.videodevices.com; www.sounddevices.com.

DPA Microphones Goes on a Musical Journey with The Walk to Fisterra

Company supplies array of microphones for a unique recording and musical documentary about a U.S. cellist’s 600-Mile Trek through France and Spain

NEW YORK, JUNE 11, 2014 – New York-based Cellist Dane Johansen is embarking on The Walk to Fisterra, a 600-mile musical/walking journey along the Camino de Santiago, a popular pilgrimage route through France and Spain. Over the course of his six-week journey, which began May 14, Johansen will stop at several of the 36 historic churches along the Ancient Roman footpath, where he will perform Bach’s Six Suites for Unaccompanied Cello, while a team of filmmakers and music producers capture content for a stunning documentary about the pilgrimage. To ensure the highest quality audio, sound engineer, Kyle Pyke, and Grammy® Award-winner, Jesse Lewis, who is the music producer and co-sound engineer on the project, are using several pieces from DPA Microphones’ product line.

Included in their audio arsenal are d:dicate™ 4007A Omnidirectional mics for location recording and a combination of d:dicate 4011F Cardioid Podium and d:vote™ 4099 Instrument mics for close-pickup of the cello. A variety of d:mension™ 5100 Mobile Surround and d:dicate 4017B Shotgun mics are being used to capture ambience along the trail, while d:screet™ 4061 Miniature mics pick up dialogue.

“DPA was our top choice for microphones to record the audio for this journey,” shares Pyke. “When we were spec’ing out what we might need for the project, we enlisted DPA Microphones to be our exclusive mic partner. The reason is pretty simple, not only does the company’s catalog offer everything we could hope for, and more, in terms of microphone quality and detail, but DPA itself embodies an open, adventurous approach to pushing the industry forward, which is an intrinsic quality of The Walk to Fisterra.”

“DPA’s entire line of microphones is world class and the first I turn to for literally any situation,” adds Lewis. “Whether they are used for dialog, mobile-surround ambience or a solo cello, there isn’t another product line out there that can do everything that DPA’s mics can do. The accessories give us configurability, the vast microphone line gives us a freeing flexibility – which is something we especially need on this journey – and the capture of speech, ambience and music is lifelike and pristine. For a project like this, we need voices to be clear and the music has to be stunning, and that’s just what we get with DPA. Since DPA spares no expense in development and production, no matter the microphone or application, their mics are really a perfect fit for The Walk to Fisterra.”

As Johansen performs at churches along the route to Fisterra, his team will produce recordings and sound maps of each location, which Lewis can then use back in the studio to recreate the audio during film screenings or as background for Johansen’s live performances. “When we are on the road in often less-than-ideal acoustic environments, it’s important to make sure that nothing is lost due to noise or lack of detail,” continues Pyke. “We’re very happy with our selection of DPA mics, which ensure we keep the natural sound of the instrument intact during the recording process.”

To prepare for any unique audio challenges that they may encounter at the older venues, Pyke will rely on the cardioid pattern of the DPA d:dicate 4011F and d:vote 4099 mics, to capture sound directly off the instrument. The 4011F, superior for high sound levels and close pickup, will highlight the sound around the cello, while the d:vote 4099, much more natural sounding than any internal microphone or pickup, will be mounted directly on the cello to accurately record the instrument while removing any unwanted noise. Pyke also plans to use his DPA d:dicate 4007A Omni mics to capture in surround sound the reverberations produced by the instruments in the churches, which have an antique architecture that offers unique acoustics. The setup uses a decca tree in front, with two mics spaced at a variable distance and width, to give a sense of depth between venues.

“The 4007A’s flat response across the frequency spectrum is the perfect tool for capturing the true sound of the hall in both musical recording and impulse responses,” shares Pyke. “The 4011F offers a colorless pickup yet still retains its musicality, while the 4099 is conveniently small and unobtrusive without losing any detail. Additionally, the 5100, which we use to capture ambience in the venues, offers incredible audio quality in a rugged, easily mounted microphone design.”

In order to ensure the recordings offer listeners a true sense of the experience, Pyke must also capture dialogue and the ambience of journey along the Camino. To produce the best results, a combination of a d:mension 5100 Surround, 4017B Shotgun and several d:screet 4061 Miniature mics will be used. The d:mension 5100 comes conveniently packaged for recording surround on the road, as it can be mounted to a camera or boom, while the 4017B shotgun provides everything necessary for clear directional sound regardless of environmental conditions. The d:screet 4061s, though tiny, produce an accurate omnidirectional pattern without need to be aimed directly at the sound source.

The Walk to Fisterra was inspired by Johansen, who feels the voyage is symbolic to his relationship with music. The dedication needed to perfect the Bach Suites requires an artist to continuously pursue a singular goal and therefore is like a pilgrimage, endless and requiring extreme effort, daily commitment and absolute resolve. Johansen and his team hope the performances of Bach’s music and visits to mentor young cellists in schools along the Camino during The Walk to Fisterra, will inspire the communities as they speak through the universal language of music.

Johansen performs throughout the world as a soloist and chamber musician and he is a member of the Chamber Music Society of Lincoln Center. He made his Lincoln Center Debut performing Elliott Carter’s Cello Concerto with James Levine in celebration of the composer’s centennial and his Carnegie Hall debut in 2012, performing a program of his own design entitled Lightness, which explored philosophical lightness in music of the 20th century.

El Camino de Santiago, an ancient route to Santiago de Compostela and Fisterra on the western edge of Europe, was originally a Pagan footpath that was later appropriated by the Romans as part of their campaign to Christianize Spain. Still journeyed by those seeking to challenge their bodies and minds, the path features roads, monasteries and cathedrals along the route to provide pilgrims with areas of rest.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

GatesAir Transmitters Power National Over-The-Air Radio Services in Pakistan

Flexiva™ AM transmitters balance consistent, reliable coverage over large areas with low total cost of ownership

CINCINNATI, June 11, 2014GatesAir, a global leader in over-the-air broadcast solutions for radio and television, is helping Radio Pakistan (the Pakistan Broadcasting Corp.) deliver news, information and entertainment over the air to residents across the country with its reliable, efficient AM radio solutions. GatesAir supplied its high-power Flexiva™ DX® and 3DX® series of AM over-the-air transmitters to ensure reliable and consistent coverage across the large country.

The power-efficient Flexiva transmitters yield typical efficiencies approaching 90 percent, delivering the industry’s lowest operating costs for AM radio transmitters.

“Our national services are absolutely vital to Radio Pakistan, keeping the people informed and up to date,” said Mrs. Samina Parvez, director general, Radio Pakistan. “We want to focus our efforts on delivering the right programs, so our top requirement was for a supplier who could undertake the complete project and provide continuing support in the shape of essential spare parts to keep the transmission smooth. GatesAir has an excellent reputation in transmitters, and met all our criteria.”

All GatesAir AM radio transmitters leverage modern technology to run exceptionally cool and provide high reliability in harsh environmental conditions, with design efficiencies that ease ongoing maintenance. Specifically, DX transmitters use redundant circuit designs that, together with modular construction and off-the-shelf components, make them extremely easy to maintain. The 3DX line of digital, solid-state AM transmitters features Direct Digital Drive technology, which eliminates traditional RF driver designs. This enhancement results in a simpler design, greater efficiency and improved reliability, ultimately reducing operational costs.

“When considering very high-power transmitters, efficiency is one of the most critical factors, as is the huge impact on cost of ownership,” said Rich Redmond, chief product officer, GatesAir. “We have invested in unique and market leading technology to ensure superior efficiency and the exceptional reliability operators expect.”

The new transmitter networks are now on air. While Radio Pakistan is broadcasting analog radio on medium wave, the transmitter platforms can be converted in the field to provide digital radio broadcasting in the future.

About GatesAir

GatesAir, Inc. provides complete solutions for over-the-air radio and television broadcasting, leveraging wireless spectrum to maximize performance for multichannel, mission-critical services. Powering over-the-air networks worldwide with unparalleled reliability for nearly 100 years, GatesAir’s turnkey solutions enable broadcasters to create, transport and transmit radio and TV content. With customers in more than 185 countries, the company leads the industry in innovation and design breakthroughs, improving efficiency and reducing total cost of ownership. Visit www.gatesair.com for more information, and follow us on Twitter at @GatesAir.

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NEUTRIK USA APPOINTS KUKLINSKI AS APPLICATIONS MANAGER

**** Photo: David Kuklinski ****

Charlotte, NC – June 2014… Neutrik USA, the leading supplier of robust and reliable professional connectivity solutions for audio, video, and data, is pleased to announce the appointment of David Kuklinski to the position of Applications Manager. He will focus on the Broadcast market and new solutions offered by Neutrik and their channel partners. With a background of sales and professional services management in the technology sector, Kuklinski is an ideal fit for this newly created position. Kuklinski will be based out of Neutrik USA’s Charlotte, NC offices. He started on June 2, 2014. more

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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