Archive of the Business Category

Myers Introduces Live Log Dynamic Data Exchange Between Traffic & Automation

Northampton, MA – Myers the highly respected developer of broadcast traffic, business, and content management software – today announced the introduction of Live Log, an extension of its BXF integration between ProTrack and 3rd party automation systems. Leveraging the BXF protocols developed by SMPTE, Myers’ advanced implementation features dynamic updating of running playlists.

“Myers has been a long-time SMPTE member and supporter,” said Crist Myers, company CEO and president. “We’ve actively participated in the BXF Working Group since its inception, and I’m pleased that we are among the very first traffic systems to successfully implement this highly sought-after functionality. By facilitating a seamless exchange of information between programming, traffic and automation, we benefit both our clients and theirs with greater efficiency and real-time decision-making tools.”

Live Log broadens the bi-directional, real-time exchange of data between ProTrack and the facility’s play-to-air automation. It provides the ability to edit ProTrack logs and deliver them to automation in real-time. Users may view changes before republishing and receive confirmation receipts when the updates are accepted; and ProTrack will maintain a history of those modifications. Live Log permits users to make and track strategic business decisions within ProTrack. It improves operational efficiency through streamlined processes and enhances sales opportunities by extending log-closing deadlines with the ability to identify, react to and reschedule errant spots.

ProTrack, Myers’ proven flagship suite, is available in both radio and television editions. It offers comprehensive scheduling and business management for individual, multichannel and multi-station facilities. Actively used by more than 226 media outlets, supporting more than 1,300 channels, ProTrack provides a high-level of structure, scalability, and systems integration for today’s rapidly evolving media environments.

ABOUT MYERS
Formerly known as Myers Information Systems, Inc., the company has been developing broadcast management software since 1989. Myers provides technology and services for television, radio and other digital media providers designed to improve every aspect of their operations, from contracting to invoicing, media management to scheduling, and from trafficking to reconciliation. For more information, please visit: www.myersinfosys.com

Myers Information Systems contact: Crist Myers
+1-413-585-9820 / sales@myersinfosys.com

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmoon.tv

Clear-Com Tempest Line Extender Wins “STAR” Award from Editors of TV Technology Europe

ALAMEDA, CA, SEPTEMBER 30, 2013 – Clear-Com® is pleased to announce that its Tempest CCT-RT-EX Remote Line Extender is the recipient of a prestigious 2013 STAR Award (Superior Technology Award Recipient), which was presented by the editorial staff of TV Technology Europe magazine at the 2013 IBC convention in Amsterdam.

The STAR Award is designed to celebrate and showcase technological innovations available to the broadcast industry. TV Technology Europe’s editor reviewed a variety of products, examined the technical applications and their overall contribution to the industry, and then chose 25 winners.

“STAR Awards are given to interesting new products that help a user save money or accomplish a task in an easier way,” says Mark Hallinger, Editor of TV Technology Europe. “This year in particular we also looked for smaller incremental improvements in established products, as these improvements generally reflect a manufacturer responding to customer input, a laudable thing. The products selected help advance the industry; some were chosen because of technical novelty or innovation, some because they filled an important gap in the production or transmission chain, and others because they were just cool products.”

Shown for the first time at IBC, the new Tempest CCT-RT-EX Remote Transceiver Line Extender is used to increase the maximum distance between a Tempest BaseStation and the Remote Antenna Transceiver. The CCT-RT-EX expands the distance of a BaseStation signal to a remote antenna by as much as 914 meters (3,000 feet) with one Line Extender or 609 meters (2,000 feet) per Line Extender if using more than one Line Extender. A total of three Line Extenders can be connected to provide total coverage of up to 2286 meters (7,500 feet). These solutions further enhance the system’s application for users requiring ultra-portable wireless communications in RF-rich environments.

“We are extremely proud to be recognized by TV Technology Europe, a prestigious industry publication, for this innovative product for the professional broadcast industry,” says Judy Cheng, Director of Global Marketing, Clear-Com. “The CCT-RT-EX Line Extender provides the extra coverage required, particularly on large productions to ensure that critical directives are heard regardless of location in a venue/facility. As the only intercom-focused product honored in this year’s awards program, Clear-Com is excited to continue to be recognized for its efforts to be at the forefront of providing cutting-edge intercom technology”

About TV Technology Europe
TV Technology Europe is the region’s leading magazine for broadcast technology. The magazine is published by NewBay Media. See www.nbmedia.com.

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

SSL Live Console is Now Shipping

SSL’s first live console ships on schedule to first wave of customers and commercial partners

OXFORD, ENGLAND — The premiere of the SSL Live console at Prolight + Sound in April 2013 surprised and enthralled the industry. Solid State Logic has been a dominant player in the design and manufacture of consoles for Music, Broadcast and Post for more than 35 years, but it had never produced a product designed specifically for live audio production. SSL’s reputation and business was built upon visionary operational design and benchmark quality standards in audio reproduction and manufacturing so expectations were instantly high.

Early response from FOH and Monitor Engineers has been extremely positive. The more operators see it, the more the excitement surrounding the console grows. Praise surrounds the operational flexibility of the console, its sonic performance and the sensation of ‘finger painting with audio’ via the gestural touch screen. The on-board effects and superb channel processing toolkit and the unique SSL Blacklight system, which simplifies running audio and control between console and stageboxes delivers a surprising amount of power at a compelling price.

The first three consoles all shipped to U.K.-based global tour production company Britannia Row for use on Peter Gabriel’s forthcoming European ‘Back to Front’ tour and another two shipped to SGroup in France for the imminent Amel Bent tour. Console manufacturing production for 2013 has been sold out since July, and details of the new commercial partner network for SSL Live are available in the ‘Where to Buy’ section of the SSL website.

SSL’s CEO, Antony David, says: “The on-schedule completion of the new Live console is an important milestone for SSL. This has been one of the biggest developments we have undertaken for some time and marks the first application of our new Tempest digital platform. We have been very encouraged by the response from mix engineers, rental companies and our channel partners since we presented the console in April this year. Demand has substantially outstripped our initial production plans, but we will return to reasonable lead times by early 2014.”

Since April, SSL has expanded its dedicated Live product team with key hires including Jason Kelly as Live Consoles Product Manager based in the U.K. office and Jay Easley as Vice President – Live Consoles to lead SSL’s live sector sales operation in North America. Certified training courses have also commenced, with focus on Commercial Partners and initial purchasers. A training program for the wider operator community is scheduled to commence from January 2014.

The SSL Live will be exhibited at next month’s 135th International AES Convention in New York and at ISE in Amsterdam in February 2014. With its latest offerings, SSL will relocate to Hall 8 at Prolight + Sound in Frankfurt in March 2014 and the company will exhibit at InfoComm for the first time, in Las Vegas in June 2014.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Prism Sound Appoints Elliott Whyte

Prism Sound has boosted its Test and Measurement department with the appointment of Elliott Whyte to the position of Junior Applications Engineer.

Elliott recently graduated from Birmingham City University with a first class honours degree in Music Technology. During his second year at university he began building his own audio equipment and this enabled him to secure a work placement with Technical Earth Ltd. His responsibilities at Technical Earth Ltd included repairing and testing analogue and digital audio equipment using a variety of test methods including Prism Sound’s dScope Series III audio analyser.

Graham Boswell, Prism Sound’s Sales and Marketing Director, says: “Elliott’s work placement at Technical Earth brought him into daily contact with Prism Sound’s dScope Series III audio analyser and gave him a good understanding of the product he is now representing. In addition, by designing his own audio equipment as part of his degree course Elliott indicated a strong ability to take an idea from conception through to a working product. His enthusiasm is obvious and he demonstrates a very innovative approach to his work. We are confident that he has all the attributes needed to succeed in the audio industry and we are delighted that he is now part of the Prism Sound Test & Measurement team.”

Prism Sound has been supplying successful high quality audio test solutions for more than 20 years. The company’s solutions provide state-of-the-art testing capabilities, backed up by consultancy and support services that are recognised as the best in the industry. It’s flagship dScope Series III audio analyzer platform provides a range of portable and versatile audio test solutions that offer comprehensive analogue and digital audio signal generation and analysis tools, plus support for digital audio carrier testing, quasi-anechoic microphone/loudspeaker analysis and testing of Windows™ sound devices.

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

Troast Joins Middle Atlantic Product Development Team

Tim Troast

Fairfield, NJ––Middle Atlantic has named Tim Troast as Director of Physical Infrastructure Products, an integral part of the company’s Product Development Team.

In this newly created position, Troast will oversee the development of Middle Atlantic rack and enclosure products and related options. He will drive innovation for a range of new installation products and services that help save time and labor costs for integrators in all market segments.

Troast will also work closely with product managers for power and thermal products to further strengthen the company’s integrated approach to ensuring system reliability. The benefits of integrated mounting systems are one of the key factors that have made Middle Atlantic a leading provider for infrastructure products.

Troast brings extensive experience in product marketing and development to Middle Atlantic. For the past 13 years, he has worked at Pitney Bowes, most recently as Director––Core Product Marketing, where he excelled at solving complex system problems. Tim has an MBA in Marketing & Management from Seton Hall University and a BS degree in Chemistry from the University of Miami.

Commenting on Troast’s appointment, Middle Atlantic Director of Product Management and Business Development Mark Tracy said, “I look forward to Tim’s unique contribution in terms of ideas, experience, and leadership as we develop innovative new products and services. With his expertise, Middle Atlantic will continue as the right choice to help our integrator customers deliver exceptional systems and user experiences.”

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

RTW Debuts New Software for TM3 TouchMonitors at IBC 2013

Moving Coil Instrument and Test Time Control Options Enhance Loudness Measurement Capabilities

AMSTERDAM, 15 SEPTEMBER, 2013 – RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, will display its latest innovative software options for its TM3 and TM3-3G TouchMonitors IBC 2013 (Stand 8.D92). The new TM3-SWMC software license, now shipping, incorporates a Moving Coil Emulation display, while the recent TM3 firmware update 2.50 includes the new Time Test Control option. RTW will demo a TM3 and TM3-3G equipped with both of these options at the show.

“We are thrilled to share our latest advancements in loudness measurement with the international broadcast community once again at IBC,” Andreas Tweitmann, CEO, RTW. “Since their introduction, the TM3 and TM3-3G TouchMonitors have generated much interest with broadcasters. This is very gratifying to us, as we are always striving to bring forth new technologies and options for users.”

Moving Coil Emulation
The new TM3-SWMC software license expands the functionality of the TM3 TouchMonitor series with PPM, VU, loudness and a new combination of PPM and loudness moving coil instruments. The display features vertical or horizontal orientation and numeric and peak indicators with single, double and stereo channel instruments. For stereo groups in the PPM moving coil mode, additional M/S moving coil emulation is selectable.

Based on a concept developed by the BBC, the TM3-SWMC software license option implements a combined PPM and loudness sum display. On this instrument, a third cyan-colored needle depicts one of the three summed loudness values—M, S, or I—on a separate scale. It is helpful for the intuitive display of loudness to be on target with a fixed relative-loudness scale (-9 to +9 LU). The Moving Coil license option requires users to install the current firmware version 2.50 and the current Devicer DC1 version 2.50. Users can download both for free by logging into RTW’s website: http://www.rtw.de/en/sales-support/manuals-software.html.

Time Test Control
Offered as part of firmware 2.50, users can employ this sub menu to set the parameters for starting and stopping loudness measurement functions. In addition to a manual control enabled by on-screen keys and/or the GPI interface, full or semi-automatic measurements can also be defined. Therefore, the user can choose between an autostart after loading a preset or autostart when reaching the value of an adjusted gate, with or without an automatic reset of previous values. Users can terminate loudness measurements manually with on-screen keys and/or GPI commands, as well as automatically by defining a threshold value and time span. The combination of those parameters allows users to set an automatic, semi-automatic or manual loudness measurement process as required for different applications. The Test Time Control option will also be available for the TouchMonitor TM7, TMR7 and TM9 with the next firmware update.

TM3 and TM3-3G TouchMonitor
Controlled using a touch-sensitive display, the TM3 and TM3-3G both have a budget-friendly base price, a 4.3-inch touchscreen and a stylish exterior allowing for horizontal and vertical placement. They include a large number of graphical and numerical instruments showing single-channel or, in the case of the TM3-3G, any of the eight audio channels contained in a 3G-SDI stream used for metering, de-embedding and monitoring 3G-SDI audio. Both also include summing-loudness bargraphs, PPM, true peak, SPL, loudness range (LRA), dialnorm and correlation. The TM3 and TM3-3G are highly appealing compact solutions ideal for editorial offices, edit suites and small control rooms.

Both the TM3 and TM3-3G also feature PPM and true-peak instruments and offer comprehensive loudness metering in compliance with all globally relevant standards, including EBU R128, ITU BS.1770-3/1771-1, ATSC A/85 and ARIB. Finally, they also feature the Magic LRA instrument, specifically designed by RTW for intuitive visualization of the loudness range and integrated-loudness parameters.

About RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s range of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

RTW Debuts SurroundControl Series Firmware Update at IBC 2013

Latest Version Simplifies Monitoring While Working in Various Audio Formats

AMSTERDAM, 14 SEPTEMBER, 2013 – RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is pleased to debut at IBC 2013 (Stand 8.D92) a firmware update for its flagship SurroundControl 31900 and 31960 series. In addition to supporting all current EBU/ITU loudness regulations, including ITU 1770-3, the new firmware simplifies the control of the studio monitoring environment when switching over between various audio formats like stereo, 3.1, 5.1 or 7.1, a common occurrence in today’s broadcast environment.

By enabling the user to select independent Trim and Delay values for both analog and digital monitoring outputs, this information can then be stored in up to five Level/Delay Trim Sets in the Audio System menu. When defining the individual input routing for the sub presets, these new Level/Delay Trim Sets can be allocated and tapped into as needed.

“It’s not uncommon for an audio engineer, especially in the broadcast sector, to be working with multiple audio formats at one time,” says Andreas Tweitmann, CEO, RTW. “By adding this new feature to our popular SurroundControl series, we are enabling users to easily organize their workflow, while simultaneously keeping up with the demands of working in various formats.”

RTW’s SurroundControl 31900 and 31960 series combines control, analysis and monitoring of eight-channel 5.1 to 7.1 surround sound into one single system. The proprietary Surround Sound Analyzer (House display) is a powerful tool for visualizing the interaction of all important parameters of surround signals. The dynamic behavior of all display elements corresponds to the subjective listening impression, enabling you to see the balance of a surround program intuitively and at a glance. RTW’s unparalleled Surround Sound Analyzer is capable of displaying any surround program up to 7.1 DD+ and Cinema for fast, in-depth evaluation.

Further, the SurroundControl series’ popular Multicorrelator display offers detailed phase information between all channel-pair combinations. Meanwhile, the LFE correlator is an advanced feature for testing for phase problems between any given channel in respect to LFE.

Users can download the firmware for free by logging onto RTW’s website: http://www.rtw.de/en/sales-support/manuals-software.html.

About RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s range of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

RTW Introduces Loudness Quality Logger Software for TM7, TMR7 and TM9 TouchMonitor Lines at IBC 2013

AMSTERDAM, 13 SEPTEMBER, 2013 – RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is pleased to debut at IBC 2013 (Stand 8.D92) its LQL (Loudness Quality Logger) a new tool for logging, true-peak data analysis and reporting that is compatible with the TM7, TMR7 and TM9 TouchMonitor line of products. The LQL license (SW20014) is a natural extension of RTW’s range of innovative software options for the 7- and 9-inch line of TouchMonitor audio meters. RTW executives will be on-hand to demo and discuss this new software at the company’s IBC stand.

LQL enables data to be derived directly via an IP-connection from a capable TouchMonitor audio meter, as well as from external storage media such as a USB stick. Also included in the software are dual limit weighting, status information, marker and various other reporting features. The new PC software is free of charge to users, however the SW20014 LQL license is required to enable a TM7, TMR7 or TM9 series meter to be compatible with data export and additional display functions.

“The new Loudness Quality Logger is quite a milestone for RTW,” says Andreas Tweitmann, CEO, RTW. “When we first developed the concept for the TouchMonitor, we knew it would be necessary to continue researching and developing tools that would keep up with and be one step ahead of technology for managing loudness. With the ability for the user to obtain a log, analysis and reporting, their experience is enhanced even further, providing them with an essential solution unlike ever before.”

The TM7 and TM9 series TouchMonitors, which include the innovative Magic LRA instrument, feature a 7- and 9-inch touch-sensitive display, respectively, and provide unparalleled flexibility and modularity, combined with intuitive control. The software visualizes multiple sources simultaneously. Both support displaying the same signal on multiple instruments in parallel, each with dedicated defaults with both horizontal and vertical operation. TM7 visualizes up to 40 sources at the same time, while the TM9 visualizes up to 48 and the TMR7, specifically designed for radio broadcasting, visualizes up to four.

Various audio interfaces and combinations are available i.e. analog, AES3, AES3id or 3G-SDI. RTW’s entire TouchMonitor range was created to help adhere to all major industry loudness standards, including EBU R128, ITU BS.1770-3/1771-1, ATSC A/85 and ARIB.

About RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s range of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TouchMonitor units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

Clear-Com Delivers Major Updates to the Eclipse HX Digital Matrix Intercom Solution at IBC 2013

Updates include the New Ethernet/IP Intelligent Trunking, Dual-Label and Arabic Language Support for V-Series Panels, IVC-32-HX Redundancy and the New Eclipse HX-Delta Frame

AMSTERDAM, SEPTEMBER 13, 2013 – Clear-Com® today announces the delivery of major enhancements to the Eclipse HX Digital Matrix Intercom System, including the first European debut of the compact 3RU Eclipse HX-Delta matrix frame, at IBC 2013 (Stand 10.D29). New capabilities of the Eclipse HX system include Ethernet/IP Intelligent Trunking with IVC-32-HX card redundancy, as well as dual-label and Arabic language support for V-Series panels. These new additions are particularly ideal for mobile production and multi-location production facilities that require agile and flexible communications solutions.

Compact, 3RU Eclipse HX-Delta System Frame
The cost-effective and compact Eclipse HX-Delta system is optimal for installation across many different production environments, from mobile broadcast trucks to smaller and multi-level studios. The Eclipse HX-Delta intercom system provides two CPU cards for redundant system control, along with the option of up to four varied I/O frame cards and up to three interface modules in a 3RU frame.

Instead of installing large system frames in just one location, the Eclipse HX-Delta gives broadcasters the option of building a distributed matrix system. This offers a more flexible workflow and permits shorter cable runs between system frames and intercom panels, cutting down on cabling costs. The size of Eclipse HX-Delta is a benefit for mobile truck installations where space is limited, but where varied and complex connectivity is required.

Similar to other Eclipse HX system frames, the Eclipse HX-Delta is also supported by the high-performance EHX Configuration Software and can be intelligently linked with Eclipse HX-PiCo, Eclipse HX-Median and Eclipse HX-Omega frames to create seamless local and/or remotely networked intercom systems.

Ethernet/IP Intelligent Trunking with IVC-32-HX Redundancy
With the application of Ethernet and IP connectivity continuing to grow in live production, Clear-Com has enhanced its 32-channel IVC-32-HX IP card to allow flexible Ethernet/IP intelligent trunking of up to 64, local and/or remote, Eclipse HX matrix frames. Following this update, a single IVC-32-HX IP card can now flexibly support both panel-to-matrix and matrix-to-matrix connectivity. From its inception, the card has been designed to provide encrypted communications over standard IP networks and its use of the established G.722 audio codec has enabled low latency voice communications without the need for dedicated infrastructure or fiber pipes. Consequently, IVC-32-HX IP has been proven to provide reliable service over LAN, WLAN and Internet infrastructure, including mobile data networks. This card has also been used in support at the world’s most prestigious sporting events.

In addition, the updated Eclipse HX offers the IVC-32-HX card redundancy feature. This new capability allocates a spare IVC-32-HX card to function as a hot redundant backup for one or more IVC-32-HX cards, which are located in the same matrix frame. On detection of a failure of the primary IVC-32-HX to communicate to its associated panels or matrices, the hot redundant backup card takes over service provision.

V-Series Panel Dual-Label and Arabic Language Support
Offering Arabic characters and dual label support on all V-Series panels is another significant enhancement to the Eclipse HX family. Previously, the V-Series panels uniquely offered 10-character and international character displays. Now, the panels can also support the Arabic language and allow operators to toggle between two predefined languages on the panel. This is most helpful in production situations where two operators with different preferred languages share use of the intercom system.

“We are very pleased to launch this latest set of capabilities to the Eclipse HX family, which further demonstrates Clear-Com’s commitment to innovating intercom solutions for the broadcast market,” says Peter Stallard, Senior Product Manager, Clear-Com. “As increasingly more broadcasters are decentralizing their productions across multiple locations, the need for reliable and high-performance Ethernet/IP connectivity, as well as the extended language support, makes the Eclipse HX family the ideal matrix intercom solution for live productions on a local or global scale.”

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

Media Group International Installs VidiGo’s Visual Radio Solution at Clouds FM

Leading Media Systems Integrator Media Group International has assisted Tanzania’s Clouds FM radio station to give its audience a totally new, interactive experience by installing VidiGo Visual Radio software. The new software will go live on air at Clouds FM within the next few weeks.

The Clouds FM project is the first major radio installation MGI and VidiGo have completed in Africa since meeting at CABSAT 2012 and subsequently forging a partnership. The two companies are now working together to give MGI’s television and radio customers much greater access to VidiGo’s revolutionary range of broadcast software products.
VidiGo Visual Radio was the ideal solution for Clouds FM, one of four stations operated by Tanzania’s Clouds Media Group. Affectionately referred to as The People’s Station, Clouds FM is annually rated the number one station in Tanzania for the youth segment.

MGI’s Sales Director Paul Wallis, who brokered the Clouds FM deal in conjunction with Sales Assistant Diana Velikova, says: “Thanks to its strong reputation for delivering trendsetting programming, dynamic presenters and innovative promotions, Clouds FM is widely regarded as the ‘coolest’ radio station in Tanzania by the country’s 18 to 35 year olds. Given this demographic, the station wanted to incorporate interactive graphics that could be overlaid onto the video feed of its radio broadcasts and used to enhance its internet presence and Twitter, RSS and social media feeds. Diana and I felt that VidiGo Visual Radio was ideal for Clouds FM because it will be able to deliver all the elements station staff need in a very simple to use and intuitive package.”

VidiGo Virtual Radio combines the strength of VidiGo Live and VidiGo Audio Director. VidiGo Live is a full blown software solution for multi-camera TV production. The VidiGo Audio Director is an intelligent extension to VidiGo Live that makes automatic decisions by analyzing audio signals with its advanced algorithms, allowing it to make decisions like a real television director. Finally, the graphics and text overlays are automatically inserted within VidiGo Live, which makes it possible to superimpose content in a live situation using a station’s own designed Flash application.

Joseph Cusago, Managing Director, Clouds Media Group, says: “We are really thrilled with the workflow VidiGo Virtual Radio has provided and our audiences will love the fact that we will soon offer an interactive visual radio experience via the internet and social media feeds. The system is incredibly easy to operate and, because the cameras are switched automatically on the basis of which microphone input is being used, there is very little for our presenters to do. This means they can concentrate on the job of presenting, leaving VidiGo’s clever software to take care of everything else.”

VidiGo CCO Reinout Lempers adds: “With VidiGo’s background in radio, we understand the culture and needs of a radio station. We knew from the start that we shouldn’t bother radio presenters with creating video. That’s why we developed an automated software workflow that is fully compatible with existing radio workflows. With our solution presenters to do what they are good at, which is making radio, while VidiGo’s automated workflow creates an entire TV show, just like a real director would.”

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Notes to the editor:
About Ghanim bin Saad Al Saad & Sons Group Holdings
Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.
GSSG has enjoyed steady growth and success in many fields and industries locally and internationally. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.
The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.
In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.
www.gssg.com

Media Group International
Media Group International is a proven media broadcast and communications technologies systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 40 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.

Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor

and multisensory environments. Media Group International provides solutions from safeguarding national security such as in government operations, creating the best venues for education such as museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.

To support the workflow and innovation demands of our valued customers, the team has grown with new local and international talent. We use our expertise to help realise your goals and ambitions – we listen, advise, design and build great workflows that work for you. Our ambition is to be your trusted partner in the Gulf region.

www.mgi.tv
Clouds Media Group
Clouds Media Group is a privately owned media house based in Dar es Salaam, Tanzania. Clouds Media Group excels at entertaining and deepening community engagement, integrating new media technologies to meet evolving lifestyles, and leveraging resources to build vibrant and informed communities. Now celebrating its 15th year, Clouds Media Group has an impeccable track record for excellence in execution of radio campaigns and broadcasting performance. Comprised of 4 dynamic broadcast stations, East & Central Africa’s largest event production firm as well as a 40 Channel DTT network on the Island of Zanzibar, all of which are leaders in their specific categories fuel the Clouds Media Group powerhouse. This dynamic assortment of formidable companies allows advertisers to achieve maximum value by enabling them to reach their core demographic on multiple platforms all within one media house. Clouds Media Group stands as a beacon of fair business ethics, openness, transparency, and value; and is one of the highest awarded media houses in Tanzania. Clouds Media Group recently was named the #2 Mid -Company in Tanzania in 2012 by Superbrands.
VidiGo
For almost a decade VidiGo has been the visionary leader in the broadcast industry, with the first full software based AV-workflow running on standard IT hardware. The core of all VidiGo workflows is DAVE; an in-house developed powerful, low-latency video engine. All VidiGo workflows focus on automation, flexibility and open architecture to make broadcasting easier, faster and cost effective.
VidiGo stands for innovation, reliability, product leadership, and premium support.
VidiGo clients include leading broadcasters, radio stations, sport arenas and video production companies all around the world.
VidiGo offers a full portfolio of broadcasting workflows and solutions
VidiGo Live – Multi camera live production suite
VidiGo Visual Radio – Quality video content of your radio show
VidiGo Studio Automation – Full rundown automation
VidiGo Arena Solutions – Boost stadium experiences
VidiGo Toolbox – Desktop grabber, Skype to SDI and VLC media plugin
VidiGo Graphics – Adobe Air/Flash directly into your live broadcast
VidiGo Playout – 24/7 Playout with Adobe Air/Flash graphics
www.vidigo.tv

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