Archive of the Convention News Category

Antelope Audio to Demonstrate its Zodiac Line of High End Digital-to-Analog Converters (DACs) at T.H.E. Show Home Entertainment Convention in Las Vegas

Las Vegas, January 9th, 2012 — Antelope Audio will demonstrate its audiophile-grade digital to analog converters (DACs) at T.H.E. Show in Las Vegas between Tuesday, January 10th and Friday, January 6th at The Flamingo Hotel, room 4044.

Antelope Audio’s high-end Zodiac D/A converters (DACs) are based on the company’s proprietary clocking and conversion technologies developed for world’s top mastering professionals and sound engineers in the music, film and television industries. Antelope brings to audiophiles’ home environment the highest audio quality available only at the leading and most technically demanding sound studios around the globe.

During T.H.E. Show, music lovers will have the opportunity to experience the pristine sound quality of all three models – Zodiac, Zodiac+ and Zodiac Gold. All of them utilize Antelope’s famous Oven Controlled Clock and Acoustically Focused Clocking as well as the custom USB chip, which allows audio streaming of up to 384 kHz.

Morten Lindberg the founder of Lindberg Lyd and the music label 2L, and several times Grammy Award nominee says “The Zodiac Gold is now our preferred DAC for proof listening of our 352.8kHz/24bit stereo master files.”

“The best way to experience Antelope Audio is to listen to our products first hand,” explained Marcel James, director of sales for Antelope Audio. “At T.H.E. Show, we will be reaching a very focused contingent of discerning audiophiles, who are keen to take the home listening experience to the next level. With our unique clocking and conversion technology, they can achieve that goal.”

Zodiac DACs: Unprecedented detail and clarity

The Antelope Audio Zodiacs help audiophile consumers and home listeners experience a new level of detail, sound clarity and warmth. Featuring a plug and play interface that connects seamlessly to a Mac, PC or just about any other digital media source, the Zodiacs deliver up to 384 kHz resolution audio, dramatically improving the listening experience on both loudspeakers and headphones. Antelope’s proprietary clocking technology, which is shielded from other electronic components to maintain a consistent temperature, is at the core of the Antelope sound and results in astounding accuracy, dynamics and stereo placement of the audio.

The Zodiacs are also particularly attractive to audio consumers who use headphones, being designed for precise monitoring with a wide range of headphone impedance. Ultra linear, dual stage headphone amplifiers, which are controlled by a dedicated volume knob, deliver smooth sound at both high and low levels.

To learn more about T.H.E. Show or to register, please visit http://www.theshowlasvegas.com.

High-end sound without cables: Sennheiser presents RS 220 digital wireless headphones

Old Lyme, Conn., January 9, 2012 – High-end audio fans attach great importance to loss-free transmission of the sound signal between the source and the ears. In the past, wireless audio transmission has come up against its limits. Now however, audio specialist Sennheiser is opening up a new class of wireless listening with the new RS 220 wireless headphones. The digital wireless headphones have a full, detailed sound while offering total freedom of movement.

Headphone development is driven by the challenge of reproducing sound that is as lifelike and direct as possible. Up until now, cabled headphones had a far better audio quality than wireless headphones. But now, the RS 220 from Sennheiser is setting new standards. “With these digital wireless headphones, we have succeeded for the first time in combining wireless music enjoyment with high-end quality,” said Maurice Quarré, Director Product Lifecycle Management at Sennheiser Consumer Electronics, describing the new RS 220.

Superior wireless listening pleasure
Many years of experience in the field of wireless transmission and audio technology have gone into the development of the new digital headphones. Dynamic transducers with powerful neodymium magnets ensure clear, lifelike audio reproduction with a frequency response of 19 to 21,000 hertz. The maximum sound pressure level of the open, circumaural headphones is 106 decibels. In the RS 220, the transmitter sends the audio signals to the headphones without compression via a stable 2.4 GHz connection using the so-called Direct Sequence Spread Spectrum (DSSS) technique. “This is a frequency spreading process in which the output signal is spread to a width of 22 MHz by means of a specified bit sequence. If interference occurs at one point within this frequency range, the output signal experiences no interference as the data is transmitted with redundancy, in other words several times. As a result, only a minimal and inaudible part of the whole information is affected and the overall sound quality is not influenced,” explained Axel Grell, Senior Acoustical Engineer at Sennheiser. The headphones have a range of up to 100 metres without the need for the transmitter and receiver to be in the same room. A further advantage of the transmission process is the low latency and thus minimum delay of the audio signal.

Choice of several connection possibilities

The sound quality of a set of headphones is decisively dependent, among other things, on the connection between the audio source and the headphones. As the data between the transmitter and receiver is transmitted wirelessly in the RS 220, the feeding of the data from the audio source to the transmitter is particularly important. For this reason, the headphone system has an analogue, a coaxial digital and an optical digital input. Discerning users can decide themselves on the type and quality of the audio signal being fed in. Sensor buttons on the transmitter or directly on the headphones enable users to switch back and forth between the sources.

Lifelike sound experience
An important means of creating a musical effect is the transition between quiet and loud passages, as can be heard for example in Ravel’s Bolero. Conventional digital data transmission sometimes reduces this dynamic range, as an optimum signal volume for the entire data package is often assigned to the information when the analogue signal is converted into a digital data package. To preserve the original dynamics of a piece of music, the RS 220 completely dispenses with the automatic level control function. The data of the digital sources is transmitted unchanged, and the user can manually adjust the reference volume for the analogue inputs. As a result, the system comes very close to the audiophile ideal: a lifelike sound experience.

Maximum comfort
Operating the RS 220 is extremely easy. An on/off switch, controls for selecting the audio source and tracks, as well as a volume control are directly integrated into the headphones. There is also a control to individually adjust the volume balance between right and left. Setting up the wireless headphones for the first time is equally easy. Simply connect the transmitter to the audio or video device using the chosen connector, put on the headphones and switch on. The headphones come with rechargeable batteries that guarantee up to eight hours of listening enjoyment and which can be conveniently recharged while still in the headphones. As an added feature, the transmitter can also be used to supply a second optional set of headphones – for shared listening pleasure. The RS 220 will be available in late January and carries a street price of $599.95.

Sennheiser NAMM Booth Stage to Feature Four Days of Performances By Diverse Roster of Emerging Talent

Anaheim, Calif., – January 9, 2012 – Audio specialist Sennheiser (booth 6579) announced that its booth stage at NAMM will once again feature an impressive roster of emerging musical talent. The performances — all of which will feature the latest audio equipment from Sennheiser and its family of distributed brands — will begin on Thursday, January 19th at noon and will continue through Sunday, January 22nd.

Scheduled performances are as follows and may be subject to change (click here to download complete biographical information):

Thursday, January 19th

• 12:00 p.m. of Verona

• 12:45 p.m. King Washington

• 1:30 p.m. The wellspring

• 2:15 p.m. Border Radio

• 3:00 p.m. of Verona

• 3:45 p.m. King Washington

• 4:30 p.m. Border Radio

Friday, January 20th

• 12:00 p.m. So and so

• 12:45 p.m. Magnolia Memoir

• 1:30 p.m. Chantelle Barry

• 2:15 p.m. Katelyn Benton

• 3:00 p.m. So and so

• 3:45 p.m. Magnolia Memoir

• 4:30 p.m. Marina V

• 5:00 p.m. Katelyn Benton

Saturday, January 21st

• 12:00 p.m. Debby Holiday

• 12:45 p.m. Blame Shift

• 1:30 p.m. Raining Jane

• 2:15 p.m. The Material

• 3:00 p.m. Debby Holiday

• 3:45 p.m. Raining Jane

• 4:30 p.m. Kate Kilbane

Sunday, January 22nd

• 12:00 p.m. Honeymoon

• 12:45 p.m. Chlöe Lear

• 1:30 p.m. Marcus Eaton

• 2:15 p.m. Honeymoon

• 3:00 p.m. The Baron Sisters

• 3:45 p.m. Chlöe Lear

• 4:30 p.m. Marcus Eaton

Each year, the Sennheiser booth stage provides a high-quality, entertaining platform for emerging talent to heard by the over 80,000 people attending NAMM. For more information on artist performances, or to learn more about Sennheiser, please stop by booth 6579 or visit www.sennheiserusa.com.

RTW to Present TM3 Touchmonitor at Interbee 2011

Newest TouchMonitor Offering is an Affordable Solution for Pro-Level Loudness, True-Peak and PPM Metering for Analog and Digital Stereo and 5.1 Signals

TOKYO, NOVEMBER 17, 2011 — RTW, a leading vendor of visual audio meters for professional broadcast, production, post-production and quality control, is pleased to showcase at InterBee 2011 (Toyo Corporation Stand 4.219) the TM3 TouchMonitor, the latest addition to the company’s successful TouchMonitor range. more

Guitar Center Professional Has Strong Showing at AES 2011

— With new product launches and high-profile booth attendees, GC Pro was present in full force at this year’s convention —

Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, again had a strong showing at this year’s AES convention, which took place October 21-23, 2011, at the Javits Center in New York City. GC Pro has been celebrating its 10th anniversary throughout 2011 as the organization continues to grow, and AES was the perfect opportunity to highlight the new and exciting things that they have to offer.

At the booth, GC Pro showcased some of the products that they exclusively distribute in the U.S., such as the Neve Genesys Console, which sports new enhanced functionality and many new features; the new Ocean Way HR-3 High Resolution Reference Monitor System, which provides virtually unlimited dynamic range while maintaining absolutely matched uniform frequency response between channels; and the new Sterling Audio ST6050 Ocean Way Signature Series Microphone, a limited-edition Class-A FET studio mic. more

Broadcast Legends Celebrate FM Stereo’s Half-Century Milestone At 131st AES Convention Special Event

NEW YORK: On Friday evening, Oct. 21 a panel of legendary FM Radio engineers gathered at the Clear Channel Studios in the PC Richards & Son Theater in lower Manhattan to celebrate a half century of FM Stereo. The event was a highlight of the 131st AES Convention held earlier this month at NY’s Jacob Javits Convention Center.
Developed by the New York Section of the AES and by AES Convention Broadcast/ Streaming Events Co-Chair David Bialik, the panel was Co-chaired by Bialik and Scott Fybush of Fybush.com / Inside Radio. Participants included such iconic broadcast figures as: Richard Burden, an original member of the FM Stereo Committee; Frank Foti, Omnia Audio; Richard Mertz, Cavell and Mertz; Arno Meyer, Belar; Robert Orban, Orban; Skip Pizzi, NAB; Bill Sacks, Orban; Eric Small, Modulation Sciences; Jeff Smith, Clear Channel; and former WQXR Radio Chief Engineer, Herb Squire. more

131st AES Convention Rocks New York

131st AES Convention Rocks New York

310 Exhibitors; 15,926 Attendees; Ben Folds, Judy Collins & Perfect Weather

NEW YORK: With the successful completion of the 131st AES Convention on Sunday, Oct. 23rd, one of the most positive, pages has been writ in the annals of AES history. As 310 Exhibitors and 15,926 attendees thronged to NY’s Jacob Javits Center for the “World Series of Pro Audio,” flawless fall weather and rampant enthusiasm coalesced in a textbook example of planning and execution. “Soon after the curtains fell on last year’s event, our 2011 Committee began the first of over a dozen intensive planning meetings,” reports Convention Chair Jim Anderson. Each Chair brought an extraordinary degree of commitment, enthusiasm and professionalism to the table. The results of their labors registered rave reviews and high praise from attendees and exhibitors alike.” more

Auralex to Unveil New ProMAX Panels During AES 2011

Stand-Mounted StudioFoam Absorbers Offer Convenient, Portable Solution

NEW YORK, OCTOBER 21, 2011 — Auralex Acoustics, Inc., the industry leader in innovative sound control solutions, will be unveiling its new ProMAX Panels — stand-mounted, portable StudioFoam absorbers — during AES 2011.

Auralex’s new ProMAX panels are designed as a portable, lightweight, yet highly effective absorption treatment for run-and-gun recording situations such as studio rentals, live events, temporary recording applications and any location where mounting acoustical treatments to the wall are not possible or ideal. more

Auralex Application Specialist to Present at AES 2011

Daniel Porter to Share Expertise on Acoustic Theory and how it Applies to Real-World Applications

NEW YORK, OCTOBER 20, 2011 — Auralex Acoustics, Inc., the industry leader in innovative sound control solutions, will participate in PMC/Prism Sound’s Masters of Audio Series seminar during AES 2011. Auralex Application Specialist Daniel Porter will share his acoustical expertise with attendees, providing practical tips on how to handle several real-world recording and performing scenarios.

The session, titled “From the Bedroom to Dubbing Stage,” is scheduled for Saturday, October 22nd at 3:30 p.m. in Room 1E06. The session will demonstrate the importance of acoustics in any space where critical decisions are made during the creation of music. Porter will discuss a range of typical acoustical challenges (room nodes, reflections, reverberation, etc.) and the available solutions (bass trapping, absorption, diffusion and isolation) for spaces ranging from project studios to large concert venues. more

131st AES Convention Posts Lunchtime Keynote Events

ron-carter.jpegNEW YORK: “This year’s Lunchtime Keynote events will offer attendees options designed to appeal to a wide range of interests,” states Convention Chair Jim Anderson. “Our guest speakers run the gamut from mp3 innovator Karlheinz Brandenburg to celebrated jazz bassist Ron Carter and noted broadcast journalist/engineer and futurist Skip Pizzi. Each is guaranteed to provide an information-packed respite from the busy Exhibition Hall and crowded Event Presentations. Attendees are reminded to ‘bring their own lunches.’” The 131st AES Convention will be held at NYC’s Javits Center October 20-23. Lunchtime Keynotes are set for 1:15 – 2:15PM Fri.-Sun.

LUNCHTIME KEYNOTES: more

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