Archive of the Convention News Category

Sound Devices Introduces PIX 240i KIT at the 2013 NAB Show

Convenient Kit Includes All Necessary Equipment for Professional Video Production

LAS VEGAS, APRIL 9, 2013 — Sound Devices, experts in portable audio and video products for field production, unveils its PIX 240i KIT, an all-inclusive kit that provides all the equipment needed to operate the PIX 240i in professional video production applications, at the 2013 NAB Show (Booth C2849).

Sound Devices’ PIX 240i KIT includes a PIX 240i, power supply (XL-WPH3), two batteries (XL-B2), two drives (includes PIX-CADDY with 240 GB SSD drives), sun hood (PIX-HOOD), articulating mount (PIX-ARM), HDMI and SDI interconnection cables, and a rugged carry-case (PIX-HC1). An ideal, all-in-one solution for video production professionals on the go, Sound Devices new PIX 240i KIT comes with all the necessary equipment needed on location or on-set, conveniently housed in a portable carrying case.

With the latest revision of firmware, version 3.01, PIX 240i users now have the ability to record into Apple ProRes 4444, which offers impressive quality with 4:4:4 sources and workflows involving alpha channel transparency. With its 12-bit, 3G-SDI 4:4:4 capability, the PIX 240i can record 330-Mbps Apple ProRes 4444 files that are perceptually indistinguishable from the original source material. Popular cameras with 4:4:4-capable outputs include the ARRI ALEXA, Canon C500 and Sony F3. Additional features available in Sound Devices’ latest v3.01 firmware update include time-code and recording status displays on the SDI and HDMI outputs, up to 500 ms of audio delay to compensate for multi-device picture delay and selectable 4:4:4 or 4:2:2 video output independent from the source material.

Users can connect PIX 240i to cameras with HD-SDI, 3G-SDI or HDMI and record directly to QuickTime using a range of different Apple ProRes or Avid DNxHD codecs, including Apple ProRes 4444. Since PIX recorders use ProRes and DNxHD, files recorded in the field can be used directly in post production, making for simpler, faster workflows.

The PIX 240i’s five-inch, high-performance, IPS-based LCD display is an accurate field monitor, providing users with immediate confirmation of framing, exposure, focus, audio metering and setup menu selections. It offers excellent color accuracy and contrast, great off-axis visibility and accurate motion tracking.

The built-in hardware scaler and frame-rate converter allows PIX to output and record material at different resolutions and frame rates than supported by the camera. Conversion between HD and SD, with and without anamorphic conversion, is available.

The audio circuitry of the PIX recorders is based on Sound Devices’ award-winning 7-Series digital audio recorders. The low-noise (-128 dBu EIN), high-headroom, high-bandwidth inputs are mic/line switchable and include limiters, high-pass filters and phantom power.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Clear-Com Announces New HelixNet Network Linking at the 2013 NAB Show

New Networking Capability Extends the Digital Partyline System for Supporting Broadcast Production Communication Workflow

LAS VEGAS, APRIL 9, 2013 ? Clear-Com®, a global leader in critical voice communications systems, will unveil version 1.1 of the HelixNet™ Partyline Intercom System at the 2013 NAB Show (Booth C8008). Included in this new product release is a system linking capability, which extends digital partyline intercom communications over a network among a production’s field users, mobile trucks and studio headquarters cost-effectively and efficiently, without compromising the audio quality.

The HelixNet Partyline Intercom System is the industry’s first digital network partyline intercom to combine the simplicity of a traditional analog partyline intercom with the advanced network management capabilities of a matrix intercom. As it uses a single-pair, shielded cable for supporting all audio channels, program audio, and power for beltpacks, it is ideal for broadcast applications that require quick setup and distribution of multiple channels of intercom.

Expanded functionality under version 1.1 includes the ability to link up to five HMS-4X Main Stations and up to 100 HBP-2X Digital Beltpacks via Ethernet to build larger and more sophisticated partyline intercom systems. HelixNet’s station-to-station networking function makes this possible by defining up to five Main Stations that can be connected via the new HLI-ET2 Ethernet Module. Main Stations can connect directly or through a LAN using standard IT switches. A new HLI-FBS Fiber Module is also available for linking stations over long distances. The Fiber Module has two fiber ports using SFP modules for simple exchange of fiber transceivers. It also allows linking to four other Main Stations in a fiber daisy-chain. The standard connection is Single-Mode with Multi-Mode offered as an option.

“HelixNet Partyline’s first release provided broadcast users with a revolutionary design that offered much functionality, power and simplicity for a cost-effective digital partyline communication solution,” says Simon Browne, Clear-Com’s Director of Product Management. “Now, broadcasters have a network extended solution with HelixNet Partyline 1.1 to distribute more channels without compromising the exceptional digital audio clarity or the ease of setup and maintenance, with the efficiency of simplified cabling.

Browne continues, “Linking HelixNet Main Stations together creates a network that pools channel resources of the individual stations. With the ability to link up to five four-channel stations, the system can dynamically discover and share up to 20 digital partylines plus five program inputs in a network distributed system. This means that any of the possible 100 two-channel HelixNet Beltpack users can select from up to a possible 20 partyline channels using a single-pair shielded cable.”

Since the HelixNet platform is based on Clear-Com’s I.V.Core™, a core set of Intercom-over-IP technologies for providing networking flexibility, this entire system can operate over any LAN infrastructure found in studio or remote production environments, making it easier to create a decentralized, distributed intercom architecture. Stage managers, along with teleprompter, lighting and camera operators, audio engineers and any HelixNet user can remain connected and easily interface with remote mobile production trucks and/or studios over HelixNet.

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

RTW Debuts the TMR7 for Radio Broadcasting at NAB 2013

New Four-Channel Metering Solution Offers Parallel Monitoring of On-Air Signals and Other Sources

LAS VEGAS, APRIL 8, 2013 — RTW, a leading vendor of visual audio meters for professional broadcast, production, post production and quality control, is proud to announce that its new TMR7 TouchMonitor is making its U.S. debut at the 2013 NAB Show (Booth C1844) and will begin shipping following the show. Specifically designed for radio broadcasting, the four-channel desktop unit features two AES3 digital (XLR) inputs that integrate all metering options required in radio broadcasting.

The latest introduction to RTW’s TouchMonitor series of cutting-edge metering and monitoring solutions, the TMR7 is based on the TM7 TouchMonitor, featuring a similar flexible, modular configuration. As with the TM7, the TMR7 also includes a seven-inch touch screen and is available as a desktop unit, fitted or as an OEM unit with 16 audio inputs. The versatile TM7 supports all professional audio metering applications.

“The TMR7 TouchMonitor is specifically targeted at users in radio broadcasting environments,” says Michael Kahsnitz, director of engineering at RTW. “It integrates all features required in radio production, two stereo inputs and extensive local configurability in an attractively priced package.”

Separate true peak and PPM instruments, as well as a vectorscope and correlator for evaluating stereo signals, are available on each TMR7 input channel. Licensing options include an extensive loudness-meter implementation (EBU R128, ITU BS.1770-3/1771, ATSC A/85, ARIB) with graphical and numerical single-channel and summing views, as well as loudness range (LRA), MagicLRA and SPL metering. Licenses are also available for an optional real-time analyzer (RTA) and the Premium PPM package with moving-coil instruments.

The intuitive operating concept of the TouchMonitor range offers maximum flexibility. Users can move freely the scalable instruments to any position on the graphical surface, allowing them to personalize the entire screen area. Views, scaling and metering standards are separately definable for each signal source. In addition, the convenient on-screen help function makes setting up the unit simple.

The four audio inputs provided by the two AES3 ports are configurable for mono, stereo or multichannel sources, providing separate instruments for each source. Plus, the GPIO interface for overall control, the Ethernet port and the VGA output for external display units offer further functionality.

RTW will also display its latest 3G version of the popular, compact TM3 meter, the TM3-3G. This unit has 16 audio channels of 3G-SDI and, as with every other TM unit, conforms to the latest loudness specifications. With its budget-friendly base price, 4.3-inch touch screen and stylish exterior allowing for horizontal and vertical placement, the TM3 is a highly appealing, compact alternative ideal for editorial offices, edit suites and small control rooms.

ABOUT RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s ranges of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

Clear-Com Debuts Latest Matrix Frame for Eclipse HX Range at the 2013 NAB Show

New HX-Delta Frame Offers High Performance Across Multiple Production Spaces

LAS VEGAS, APRIL 8, 2013 ? Clear-Com®, a global leader in critical voice communications systems, will debut the newest addition to its line of Eclipse HX Digital Matrix Systems, the Eclipse HX-Delta Matrix Frame, at the 2013 NAB Show (Booth C8008). The Eclipse HX-Delta offers the connectivity and high capacity of a larger matrix system in a 3RU frame, giving broadcasters more flexible installation options.

The cost-effective and compact Eclipse HX-Delta system is optimal for installation across many different production environments, from mobile broadcast trucks to smaller or multi-level studios. The Eclipse HX-Delta intercom system provides two CPU cards for redundant system control, along with the option of up to four varied I/O frame cards and up to three interface modules in a 3RU frame. Instead of installing large system frames in just one location, the Eclipse HX-Delta gives broadcasters the option of building a distributed matrix system. This offers a more flexible workflow and permits shorter cable runs between system frames and intercom panels, cutting down on cabling costs. The size of Eclipse HX-Delta is a benefit for mobile truck installations where space is limited, but varied and complex connectivity is required.

“No other matrix line offers such a wide range of advanced control panels, intercom interfaces and system frames as the Eclipse HX,” says Stephen Sandford, Product Manager at Clear-Com. “With the addition of the Eclipse HX-Delta to the already extensive variety of Eclipse HX frames, Clear-Com provides broadcasters with a complete intercom solution for every type of production.”

The HX-Delta interface cards provide users with a variety of connectivity options. The Eclipse HX-Delta frame uses all of the current Eclipse interface cards, such as the E-MADI64-HX 64 bi-directional channel card, the IVC-32-HX IP connection card and the E-Que Integra integrated wireless or E1/T1 trunking card, to name a few. In addition to the four interface card slots, the HX-Delta also provides three internal slots for interface modules. Interface modules allow the HX-Delta to integrate seamlessly with other third-party communication devices, such as telephones, two-way radios and camera intercoms.

The Eclipse HX systems, comprising the Eclipse HX-Omega, Eclipse HX-Median, Eclipse HX-PiCo and Eclipse HX-Delta matrices, along with the EHX Software, allow users to rapidly make system-wide changes. They also provide simplified setup, operation and administration as well as high system capacity for many audio and user connections. Clear-Com’s V-Series and iStation user panels, existing frame I/O cards and interfaces are all compatible with the Eclipse HX range, providing a seamless and logical upgrade path for most existing Eclipse customers.

About Clear-Com®

Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

RTW TM3-3G TouchMonitor to Make its NAB 2013 Debut

Unit Features 3G-SDI Interface, Eight-Channel Level and Loudness Instruments

LAS VEGAS, APRIL 4, 2013 — RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is exhibiting at NAB 2013 (Booth C1844) its TM3-3G TouchMonitor. The TM3-3G seamlessly allows the TM3’s current hardware and software design to visualize, convert and replay 3G SDI signals in TV and video production and post production applications, offering a feature set unrivalled in its class. Attendees will also have the chance to win one of three TM3-3G or TM3 units that RTW will be raffling off during the show. A winner will be chosen live at the booth at 5 p.m. local time, on Monday, April 8; Tuesday, April 9 and Wednesday, April 10. Participants are encouraged to be in attendance each day to win.

The TouchMonitor TM3-3G is a compact yet versatile solution for metering, de-embedding and monitoring 3G SDI audio. It features a 4.3-inch touch screen for horizontal as well as vertical orientation, which can display any of the eight audio channels contained in a 3G-SDI stream. For that purpose, it includes a large number of graphical and numerical instruments showing single-channel and summing loudness bargraphs, PPM, true peak, SPL, loudness range (LRA), dialnorm and correlation. The TM3 offers comprehensive loudness metering in compliance with all globally relevant standards (EBU R128, ITU BS.1770-2/1771, ATSC A/85 and ARIB). It also features the Magic LRA mode, specifically designed by RTW, for intuitive visualization of the loudness range and integrated-loudness parameters.

If equipped with the corresponding software license option, the integrated de-embedder also outputs up to 16 audio channels from the 3G-SDI signal on eight AES3 two-channel ports. The output signals are independent from the visualized audio. In addition, the TM3-3G can be upgraded with a built-in monitoring controller license. This uses an on-screen fader for output-volume adjustment, a stereo output and phones out. The optional timecode license expands the feature set of the TM3-3G to allow external or SDI timecode signals to be decoded, displayed and used for additional functions.

The intuitive operating concept of the TM3 allows for quick and easy selection of presets that can be configured using RTW’s Devicer DC1 software (available for Mac OS X® and Windows®). Using custom presets, the user can easily switch between the various sources, loudness standards and instrument layouts. The configuration software allows users to freely scale and place the required instruments virtually anywhere on the screen.

ABOUT RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s ranges of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

Sound Devices Highlights New 4:4:4 Feature for PIX 240 And 240i at the 2013 NAB Show

Video Recorders Can Now Record 12-Bit, 4:4:4 Content to Apple ProRes 4444

LAS VEGAS, APRIL 4, 2013 — For attendees in search of the latest 4:4:4 recording solutions, Sound Devices showcases its latest upgrade to PIX 240 and PIX 240i Production Video Recorders at the 2013 NAB Show (Booth C2849). This new major update, available for all PIX customers free of charge, offers Apple ProRes 4444 recording from video sources over 3G-SDI (4:4:4 RGB or YCbCr). Recording 4:4:4 offers productions superior color precision for applications in chroma-keying, color-grading and multi-generational editing.

PIX 240 and 240i users now have the ability to record into Apple ProRes 4444, which offers impressive quality with 4:4:4 sources and workflows involving alpha channel transparency. With its 12-bit, 4:4:4 capability, the PIX 240 and 240i can record 330-Mbps Apple ProRes 4444 files that are perceptually indistinguishable from the original source material. Popular cameras with 4:4:4 capable outputs include the ARRI ALEXA, Canon C500 and Sony F3.

“Sound Devices is pleased to feature this latest firmware update at NAB, as we know this is an important feature to many of our users and we foresee this capability being a hot topic at this year’s show,” says Paul Isaacs, Technical Development Manager, Sound Devices. “Bringing Apple ProRes 4444 recording over 3G-SDI to the PIX 240 and 240i offers additional color accuracy available in a 4:4:4 environment—reinforcing the PIX recorder as a master-grade production recorder suitable for the most demanding production applications.”

Additional features available in this latest v3.0 firmware update include time-code and recording status displays on the SDI and HDMI outputs, up to 500 ms of audio delay to compensate for multi-device picture delay, and selectable 4:4:4 or 4:2:2 video output independent from the source material.

Users can connect PIX 240 and 240i to cameras with HD-SDI, 3G-SDI, or HDMI and record directly to QuickTime using a range of different Apple ProRes or Avid DNxHD codecs, including Apple ProRes 4444. Since PIX recorders use ProRes and DNxHD, files recorded in the field can be used directly in post production, making for simpler, faster workflows.

The PIX 240i’s high-performance five-inch, IPS-based LCD display is an accurate field monitor, providing users with immediate confirmation of framing, exposure, focus, audio metering and setup menu selections. It offers excellent color accuracy and contrast, great off-axis visibility and accurate motion tracking.

The built-in hardware scaler and frame rate converter allows PIX to output and record material at different resolutions and frame rates than supported by the camera. Conversion between HD and SD, with and without anamorphic conversion, is available.

The audio circuitry of the PIX recorders is based on Sound Devices’ award-winning 7-Series digital audio recorders. The low-noise (-128 dBu EIN), high-headroom, high-bandwidth inputs are mic/line switchable and include limiters, high-pass filters and phantom power.

The HDMI-only PIX 220 and PIX 220i video recorders also gain new features available in the new version 3.0 update, including Apple ProRes 4444 recording, time-code and recording status displays on HDMI outputs, and up to 500 ms of audio delay to compensate for multi-device picture delay.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

CLEAR-COM UNVEILS FURTHER ENHANCEMENTS TO ITS TEMPEST DIGITAL WIRELESS INTERCOMS AT THE 2013 NAB SHOW

LAS VEGAS, APRIL 3, 2013 ? Clear-Com®, a global leader in critical voice communications systems, announces further enhancements to its Tempest Digital Wireless Intercoms at the 2013 NAB Show (Booth C8008). Included among the latest offerings are a new Tempest®900 BeltStation and a Remote Line Extender. These solutions further enhance the systems’ use for broadcasters requiring ultra-portable wireless communications in RF-rich environments.

The Tempest line of feature-rich wireless intercoms comprises the 2.4 GHz Tempest®2400 and the 900 MHz Tempest900 wireless systems in either a two- or four-channel offering. Both Tempest systems deliver cutting-edge RF technologies to ensure interference-free communications for mobile productions and broadcast facilities. The Tempest2400 offers a Seamless Roaming feature, which provides broadcasters with continuous wireless coverage across an expanded production space. The Seamless Roaming feature allows BeltStation users to migrate between as many as 16 different Tempest BaseStations (coverage areas or zones), allowing audio professionals to focus on critical production cues rather than on the settings of their wireless BeltStations. This gives them the ability to move freely and wirelessly throughout large venues separated by large distances, such as multi-studio complexes and sports arenas. Both Seamless Roaming and iSelect Roaming are available to accommodate virtually every application need.

As part of a continuing effort to expand the Tempest system further, Clear-Com is introducing the latest Tempest900 BeltStation. Equipped with an advanced Planar Inverted-F Antenna (PIFA), the new BeltStation has an increased range, allowing more wireless coverage. Becoming increasingly more popular in the mobile phone market, a PIFA is low profile and has an omnidirectional signal pattern, which means it can receive a connection from any direction. Backwards compatible with Tempest900 firmware version 3.0, the new BeltStations will continue to operate within the 900MHz frequency band and are fully compatible with all versions of the Tempest900 BaseStations and BeltStations. The longer wavelengths and wider symbol width in this band allow the system’s signals to break through dense walls and other structural objects more readily, increasing the range for users and reducing any potential loss of audio.

The new Tempest Remote Transceiver Line Extender increases the systems’ cable run distance of a remote antenna by 3,000 feet (914m) with one Line Extender or 2,000 feet (609m) per Line Extender if using more than one Line Extender. This allows for the deployment of larger systems with longer cable runs from the BaseStation. A total of three Line Extenders can be connected to provide total coverage of up to 7,500 feet (2286m).

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

DK5 – DK Meter Logging Has Arrived!

DK5, the newest addition to DK-Technologies’ award-winning DK meter range, introduces Logging as its significant feature, allowing detailed documentation, visualization and evaluation of DK Metering data.

On show for the first time at NAB 2013, the new DK5 Logging PC application allows for session based real time logging of metering data history on loudness, along with peak channel performance, essentially providing instant documentation and metering hindsight. The integrated log session database provides safe storing, identification and advanced search facilities, while data can be exported in several file formats for additional analysis and visualization.

“Our ‘One box’ DK Meter range has already proven its versatility in allowing broadcasters at-a-glance Loudness conformity with all major loudness standards, as well as a long list of other metering tools and views,” says Jacob Hänel Christensen, DK-Technologies’ Chief Operating Officer. ”With the addition of DK5 and the Logging solution, users can now document, visualize and evaluate their material in real time.”

The new Logging feature is also available for all existing DK Meter owners as an optional software upgrade, and as a software update feature for owners of DK-Technologies’ PT0760 flagship Audio and Video Waveform Meter.

DK-Technologies is giving customers the opportunity to trial the new DK Meter software upgrade for a period of 180 hours. This try-before-you-buy period will give users unlimited access to all of the software’s upgraded features and improved functionality.

Finally, the DK Meter software update adds a new ultra wide moving coil emulation in the MSD View, as well as 5.1 Down-mix opportunity.

DK-Technologies’ new DK5 and DK Meter software update will be on show at NAB 2013 on the Ward-Beck Systems Ltd booth N1202. DK5 and the new software will both be available in April. For a brochure and video demo of the DK Meter range, please visit DK-Technologies at www.dk-technologies.com

-ends-

About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Barix Speaks Simplicity at 2013 NAB Show

New enhancements to radio broadcast, partyline intercom solutions enhance quality and streamline configuration

ZURICH, SWITZERLAND, April 2, 2013 — Barix comes to the 2013 NAB Show with new enhancements to its professional two-way IP audio solutions for broadcast radio and intercom, improving quality in sound and communications. Barix also continues to simplify system setup for customers, eliminating traditional IP configuration processes to have customers streaming audio within minutes.

The company will show its Partyline Intercom solution at the 2013 NAB Show (April 8-11, Las Vegas Convention Center, Booth C144), highlighting open-channel communications across multiple parties without audio interference — especially ideal in fast-paced video production environments. New enhancements eliminate the need to configure IP addresses and servers, stripping away the complexity often associated with multipoint IP audio system setup.

Barix will demonstrate how camera operators and other production personnel can use the compact Annuncicom PS1 on the move, utilizing a push-to-talk button with selectable audio channels to facilitate communications amongst directors and production personnel.

Radio Broadcast Solutions
Barix enhances its Exstreamer 500 bi-directional audio device at the 2013 NAB Show to improve audio quality and streaming flexibility. The device now supports both constant and variable bitrate, with the former added to simplify streaming to Shoutcast and Icecast servers – pertinent for extending how broadcasters incorporate Barix IP audio solutions for live streaming and syndicated program distribution. A new chip improves quality of the analog-to-digital conversion path to enhance professional broadcast sound.

The Exstreamer 500 is a multiprotocol encoder and decoder with balanced audio and professional I/O options for signal relay and control. In broadcast, it is ideal for STL and remote contribution applications. Broadcasters can simplify configuration using the Exstreamer 500 with the Barix Reflector Service, creating a complete streaming audio solution that replicates a received stream to an unlimited number of destinations through the public internet. The Reflector Service is based on a simple server-client architecture that removes IP address, server and other configuration hassles.

Barix: The Voice of Simplicity (www.barix.com)
Barix AG, headquartered in Zurich, Switzerland, specializes in the research and development of state-of-the-art IP based communication and control technology. The company is a long-term and reliable supplier of IP audio and control devices, with more than 150,000 devices shipped in its first decade of business. Barix products are stand-alone and able to remotely connect worldwide over standard networks/Internet, offering new and improved solutions to the commercial audio distribution, communication and automation industries. Barix products provide solutions in Audio over IP (audio distribution and monitoring, communication, security) and automation (remote controlling, monitoring and maintenance).

# # #
Barix AG, Seefeldstrasse 303, 8008 Zurich, Switzerland
Phone: +41 43 43322 11, Fax: +41 44 2742849
Barix Technology Inc, St. Paul, MN – (866) 815-0866

http://www.barix.com

http://www.ip-audio.info

RTW Welcomes Arjen Hofland as International Sales Manager

Hofland Will Utilize His Pro Audio Experience to Further Expand the Worldwide Distribution of RTW Devices

COLOGNE, GERMANY, 1 APRIL, 2013 ? RTW (NAB Booth C1844), a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is pleased to announce the appointment of Arjen Hofland as the company’s new International Sales Manager. Based at RTW’s headquarters in Cologne, Germany, Hofland will oversee all of RTW’s international sales in different regions around the world.

In its more than 45-year history, RTW has consistently experienced increasing global customer demand, especially as more countries adopt loudness regulations. In his new role, Hofland will work to further this success in markets beyond Germany and the surrounding European countries, working with current customers in South America, Canada, Australia, the Asia-Pacific regions and parts of Europe. He will also endeavour to introduce new distributors and dealers to the benefits of the RTW product line.

With his 25 years of experience in the pro audio and video industry, Hofland brings to RTW a thorough knowledge of, and familiarity with, the pro audio and broadcast industries. He has spent time at several top-tier audio and video companies in and around Europe as a manager and in other sales and technical support positions.

“With Arjen joining the RTW team, we are gaining an expert with a deep understanding of the current needs of the pro audio community, whether in the broadcast, post-production or other markets around the world,” says Mahmoud Chatah, RTW director of marketing and sales. “RTW’s current goal is to strengthen the RTW brand internationally, and we are confident that he will lend the support necessary to the RTW sales team to do this.”

For his part, Hofland is excited about coming aboard at RTW. “I am honored to join RTW, a company with such an excellent reputation and commitment to bringing its customers innovative solutions that are reliable, technologically advanced and set standards in the pro audio market,” he says. “I look forward to working with such a talented, knowledgeable group of people, as we all strive toward the common goal of maintaining and further strengthening the popularity of RTW products around the world.”

ABOUT RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s ranges of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

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