Archive of the Education Category

Prism Sound’s Audio Design Workshop LIVE Travels To Helsinki

High profile guest speakers from Texas Instruments and Klippel are joining the next Prism Sound/Oxford Digital Audio Design Workshop LIVE, which takes place in Helsinki on August 21st, 2013. In an industry first, this groundbreaking event will be webcast live from the 51st AES Convention to audiences around the world.

The registration page for the live webcast can be found here:

http://audiodesignworkshoplivehelsinki-SS.eventbrite.com

The event, which is held in conjunction with the Audio Engineering Society (AES), is open to all engineers, engineering managers, students and academics involved in audio engineering. It will feature seminar sessions and workshops hosted by some of the most experienced engineers in the audio industry who will share their knowledge and practical expertise in active loudspeaker design, providing the audience with an opportunity to learn from their many decades of collective experience.

“The seminar sessions will cover aspects of analogue and digital audio system design and optimization, with a major emphasis on real-world, practical problem solving,” says Simon Woollard, Test & Measurement Product Specialist at Prism Sound. “Our audience will have plenty of opportunity for hands-on experimentation, and for networking with the presenters and other participants. This is a fantastic chance for everyone involved in audio engineering to learn the tricks of the trade from luminaries within the audio industry.”

Prism Sound and Oxford Digital, who have joined forces to organise the Audio Design Workshop LIVE series, have extensive experience in the field of audio engineering.

Prism Sound has been developing audio measurement solutions for over 25 years and has pioneered many major innovations in this field. The company offers high quality audio analyzers that are suited to a wide range of test and manufacturing environments.

Oxford Digital specialises in digital audio signal processing for mobile and consumer equipment. Its products include an extremely compact audio DSP core with a rapid programming and development environment and Sonic Tuning Tools that allow rapid optimisation of the sound reproduced by compact loudspeaker systems. The complete toolset is targeted at reducing time-to-market and lowering software maintenance costs.

Audio Design Workshop LIVE will feature seminar sessions and Q&A opportunities where delegates will have the chance to ask the panellists for answers and advice.

Places for Audio Design Workshop LIVE are limited and anyone wishing to take part is encouraged to register now. This can be done online via the dedicated registration page: http://audiodesignworkshoplivehelsinki-SS.eventbrite.com or by calling +44 (0)1353 648 888.

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

DANLEY UPS THE SPLS ON ITS SH SERIES OF SYNERGY HORNS

GAINESVILLE, GEORGIA: Not content to rest on its laurels, Danley Sound Labs announces improvements to many of its already highly-regarded SH-Series full-range loudspeakers. The new versions are identified by the suffix “HO,” which stands for “high output.” For example, the if one wishes to get the most performance out of the Danley SH-96 they should order the Danley SH-96 HO. The new designs use a more powerful two-way high frequency. As a result, the low- and mid-frequency drivers can now be driven to their full potential while still maintaining Danley’s characteristic frequency response, phase response, and fidelity. In conjunction, the new designs use a new crossover and have additional options for bi-amping and for changing the low-frequency impedance. Because the cabinets themselves haven’t changed, the new versions retain the coverage and frequency loss patterns of the originals. The new models include the SH-95 HO, SH-96 HO, SH-64 HO

“The original versions can be easily modified to become the new ‘High Output’ versions,” explained Ivan Beaver, lead engineer at Danley Sound Labs. “It just takes the new high frequency driver, a new crossover, and a new switch panel.” In addition, the midrange drivers are also wired a little differently, which is incorporated as part of the new crossover wiring harness. “There are two options on the new switch panel,” said Beaver. “First, there’s a biamp/passive switch. In passive mode, the new cabinets run pretty much like the old versions, except that the mid/high section will be relatively louder than the woofers, assuming the woofers are running at 8ohms.”

He continued, “And that’s the second option. Users can select a woofer impedance of either 2ohms or 8ohms. Some people do not like to run at 2ohms, whereas others may need the additional output when using smaller amplifiers. The wire run should also be considered when choosing the impedance. With a 2ohm load there will be more loss across the wire. How much loss will depend on the size of the wire and the length of the run. An 8ohm load will have a higher damping factor than a 2ohm load, and it is of course easier to bridge an amp into an 8ohm load than into a 2ohm load.” In biamp mode, the mid/high section takes the crossover circuitry and the low section thus has no built-in crossover.

Because the new switch panel cannot be expected to operate reliably if left exposed to the elements, weatherized versions of the new High Output loudspeakers must be pre-ordered with specified biamping and impedance settings.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

Prism Sound Hosts Audio Design Workshop LIVE

Some of the most experienced engineers in the audio industry will be sharing their knowledge and practical expertise in active loudspeaker design at a unique workshop being hosted by Prism Sound and Oxford Digital, in partnership with the Audio Engineering Society, LOUDSOFT and TTid.

Audio Design Workshop LIVE will take place at Anglia Ruskin University, Cambridge, on March 25th 2013 and will be open to engineers, engineering managers, students and academics involved in audio engineering.

“The seminar sessions will cover aspects of analogue and digital audio system design and optimization, with a major emphasis on real-world, practical problem solving,” says Simon Woollard, Test & Measurement Product Specialist at Prism Sound. “Our audience will have a unique opportunity to learn from our panel’s many decades of collective experience, plus there will be plenty of opportunity for hands-on experimentation, and for networking with the presenters and other participants. This is a fantastic chance for everyone involved in audio engineering to learn the tricks of the trade from luminaries of the audio industry.”

Audio Design Workshop LIVE will feature seminar sessions presented by Peter Eastty and John Richards of Oxford Digital; Peter Larsen of LOUDSOFT; Ian Dennis and Simon Woollard of Prism Sound; plus a guest presenter to be announced shortly. There will also be a panel discussion/Q&A where delegates will have the chance to ask the panellists for answers and advice, a hands-on session with evaluation units and demonstrations, and plenty of opportunities to network. All delegates will also receive an audio engineering gift pack.

“We are encouraging delegates to bring along their own loudspeakers for evaluation and enhancement using Oxford Digital’s DSP tools,” Simon Woollard adds. “And for those who can’t physically attend, there will be the opportunity to watch the proceedings live via a global webcast.”

Places for Audio Design Workshop LIVE are limited and anyone wishing to take part is encouraged to register now. This can be done online via the Prism Sound website: www.prismsound.com/ADWLCambridge2013, or by calling +44 (0)1353 648 888.

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

Acoustics First releases video on Vibration Isolation

Acoustics First has conjured up yet another video demonstration. As the fourth in a series designed to help explain common acoustic principles, this video briefly reveals what is necessary to provide vibration isolation.

VIBRATION ISOLATION DEMONSTRATION: Controlling Mechanical Sound Transmission

As the quandary of vibration isolation can quickly prove to be obtuse and relatively difficult to understand. Common problems like footfall from upstairs neighbors, industrial noise from machinery and HVAC equipment or isolating speakers and scientific devices can require completely different approaches. Most often, an on site assessment should be completed by a qualified engineering professional to determine an appropriate acoustic solution. In many cases the solution will require a modification to the structure and implement more than a single strategy.

This simple vibration demonstration challenges to provide a basic understanding of how acoustical materials may be used to prevent the spread of mechanical noise and vibration through existing structures like walls, floors and ceilings.

In this acoustic demonstration, a surface mounted piezo transducer connected to an analog meter will register levels of sound vibrations transmitted to the table. A vibrating device placed directly on the surface will transmit sound vibrations and resonate loudly throughout the table. These vibrations will register on the analog meter. By inserting isolation materials between the device and the surface, the mechanical sound transmission is reduced and sound no longer registers on the meter.

VIBRATION ISOLATION DEMONSTRATION: Controlling Mechanical Sound Transmission


Acoustics First Corporation supplies acoustical panels and soundproofing materials to control sound and eliminate noise in commercial, residential, government, and institutional applications worldwide. Products include the patented Art Diffusor®, sound absorbers, noise barriers, acoustical fabrics and accessories. Acoustics First® products are sold for O.E.M applications, direct, and through dealers. For more information on acoustical materials and their application, please visit www.AcousticsFirst.com or call Toll Free 1-888-765-2900 (US & Canada).

Acoustics First Sound Diffusion Demonstration Video

Click here to view the demonstration:
DIFFUSING / SCATTERING SOUND: Sound Diffusion Explained

Acoustic Diffuser DemonstrationAcoustics First has just released another in a series of videos to help explain acoustical principles using simple, easy to understand video demonstrations. This latest demonstration tackles the mystery of acoustic sound diffusion. Using an array of ping pong balls to represent sound visually, this video simply demonstrates what occurs when sound strikes the surface of an acoustic diffuser. First, you will see what happens when sound hits a flat reflective surface with no acoustical treatment. Acoustic Sound DiffuserThe balls all bounce at the same time and in the same direction. This represents what happens to the sound when it hits a flat reflective surface like a wall. Then you see what happens when sound hits an acoustic sound diffuser. You will immediately notice the energy of the wave of balls is scattered in all different directions as well as deflected at different time intervals. Diffusers, disperse or scatter the sound like crowd control, preserving the sound to maintain sound clarity without destructive interference. This is the basic principle behind acoustic sound diffusion.

Click here to view the demonstration: DIFFUSING / SCATTERING SOUND: Sound Diffusion Explained

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Acoustics First Corporation supplies acoustical panels and soundproofing materials to control sound and eliminate noise in commercial, residential, government, institutional applications worldwide. Products include the patented Art Diffusor®, sound absorbers, noise barriers, acoustical fabrics and accessories. Acoustics First® products are sold for O.E.M applications, direct, and through dealers. For more information on acoustical materials and their application, please visit www.AcousticsFirst.com or call Toll Free 1-888-765-2900 (US & Canada).

The Music Producers Guild Helps Define A New Industry Standard

The Music Producers Guild’s Mastering Group has achieved a significant breakthrough for all recording artists and other copyright owners by working with the European Broadcasting Union (EBU) to create an industry standard for embedding ISRCs within digital music files.

This major step forward will make accurate file identification and content tracking much easier and could help royalty agencies develop more precise systems for payments, thereby safeguarding the incomes of all artists and copyright owners when their recordings are played on air.

MPG Mastering Group board member and Alchemy Mastering Engineer Barry Grint, who led the initiative, says: “ISRC stands for International Standard Recording Code. Every song released – and indeed every version of that song – is allocated a unique ISRC by the record label. In the past the ISRC information was included within sub data streams of a CD, so a track could be identified by its associated ISRC.

“However, now that we have entered the digital age and are increasingly using digital WAV files, the ability to securely associate ISRC data with specific tracks has been lost because the only common way to incorporate ISRC into a WAV file is via the file name. If someone renames the file – or if the name is truncated or amended by a software program – the vital ISRC information can easily be lost. Unfortunately many record companies are not aware of this and simply assume that ISRCs are being embedded into WAV files. Technically that just isn’t possible so many mastering engineers were simply adding the code to the file title, which was an insecure practise.”

The MPG Mastering Group recognized that this was a major problem and that the industry needed an approved method for embedding ISRC data within a WAV file. Fortunately the EBU had developed the Broadcast WAV File (BWF), a variant of the WAV file for use by broadcasters. Although this variation allows for metadata to be added within the file, no standard had been defined as to how and where the data should be stored. Also workstation manufacturers offering the ability to create BWF files did not have a consensus as to the fields in which data should be entered.

Barry Grint approached the EBU and asked them to adapt the BWF standard so that ISRC’s could once again be included in metadata in a regular way.

“The new system is simple to implement and the MPG is encouraging workstation manufacturers and record companies to use BWF in preference to WAV as the standard specification for file exchange,” Barry Grint says. “Once adopted, this system will allow ISRC to flow through the whole production chain. iTunes and other aggregators will be able to pull the ISRC through during encoding and broadcast playout systems can easily be adapted to recognise the ISRC, making airplay reporting far more accurate.

“This is a major step forward for the music industry as it gives us the opportunity to identify with certainty every digital Master file regardless of how that file is named. We would like to thank the team at the EBU for recognizing the importance of this to the MPG and the Music Industry worldwide and the speed with which they were able to bring this about. By making ISRC the cornerstone of asset management and royalty reporting, we should be able to ensure a more accurate system of royalty payments and writer/performer credits, thereby supporting the income of all recording artists and copyright owners well into the future.”

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About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

Acoustics First® Office Space to Voice-Over Suite

Acoustical Panels in a Voice-Over StudioThis office space was converted into a voice-over production suite for Moe Rock. Installed are 2′x4′ acoustical wall panels and a 2′x4′ acoustical ceiling cloud over the listening position. A corner bass trap was created using corner impaling clips with one of the standard Sonora Panels. Photo courtesy of Moe Rock: http://www.moerock.com/

With a wide range of available recording equipment, from computers to hand held devices, recording audio is easier than ever! With some simple gear and a good microphone, a quality recording is just moments away. However, before you begin, take a few moments and consider Acoustics First! If proper acoustical material is not in place, you may be recording unwanted room modes or excessive reverberation. Our brains, in combination with our eyes and ears, can compensate in less than ideal conditions, whereas microphones cannot.

Acoustics First Corporation supplies acoustical panels and soundproofing materials to control sound and eliminate noise in commercial, residential, government, institutional applications worldwide. Products include the patented Art Diffusor®, sound absorbers, noise barriers, acoustical fabrics and accessories. Acoustics First® products are sold for O.E.M applications, direct, and through dealers. For more information on acoustical materials and their application, please visit www.AcousticsFirst.com or call Toll Free 1-888-765-2900 (US & Canada).

‘Vlado Meller Mastering Workshop’ Is Announced, Debuting In New York City, Summer, 2012

New York, NY – June 20, 2012: One of the world’s most accomplished mastering engineers, two-time GRAMMY-winner Vlado Meller, has announced the debut of the Vlado Meller Mastering Workshop (VMMW,) a three-day intensive hands-on course, set to launch in New York City this summer. The first course will be offered between August 1 and 3.

Qualified students will have the opportunity to learn personally from Meller. His 43-year career includes albums for Paul McCartney, Pink Floyd, Michael Jackson, Celine Dion, Public Enemy, Jack White, Metallica, Andreas Bocelli, Oasis, Johnny Cash, and Shakira.

VMMW’s intensive curriculum is designed for professional mastering engineers, as well as working mixers, engineers, and producers looking to broaden their understanding of the mastering process.

Over the course of the three-day workshop, Meller will illustrate his personal techniques through before and after examples of past releases, detail the steps taken to arrive at finished results, and guide students as they work hands-on at the mastering console on their own program material. Class size will be limited to only a few students to allow for individualized attention.

VMMW will take place at Arf! Mastering in midtown Manhattan. Owned and operated by GRAMMY-nominated mastering engineer Alan Silverman, Arf! was selected by Meller for its world-class signal path, accurate monitoring, and spacious, day-lit room.

“I welcome the opportunity to share 40+ years of best practices with the next wave of mastering engineers and audio professionals.” says Meller, “Now is the time for me to let the younger generation benefit and learn from my experience.” Silverman adds, “VMMW gives students a rare opportunity to learn from an established master of the craft.”

For more information on the course and Vlado Meller, as well as registration, visit www.masteringworkshop.com.

Sennheiser to Host Series of Online Recording Sound Academy (RSA) Webinars between April and October

Old Lyme, Conn. – April 2, 2012 –Audio specialist Sennheiser announced that it will begin hosting a series of online webinars featuring Grammy-award winning engineers and producers this week. The webinars will teach attendees how to use various recording techniques aimed at achieving the best possible studio sound.

The first webinar, which will focus on EQ and compression techniques, will held free of charge this Thursday April 5th at 5:00 p.m. EDT as a special introductory offering to program participants. To register for this Online RSA, or learn about other upcoming webinars that will be taking place, please visit http://www.sennheiserusa.com/RSA.

Topic/Host
Avoiding Too Much Equalization and Compression, hosted by David Thoener, Grammy-winning producer/engineer (Santana, AC/DC).

When:
Thursday, April 5th at 5:00 p.m. EDT

Attendees will learn:

– How to use EQ constructively
– When to use compression—and when not to
– How to add the final sheen to the mix with gentle use of EQ

Sennheiser: Supporting Aspiring Producers/Engineers
The Online Recording Sound Academy borrows instructional elements from Sennheiser’s highly successful on-site Recording Sound Academy seminars, such as valuable tips and instruction on microphone selection and placement, recording and mixing techniques. The RSA webinars — which run between April and October — feature instruction by accomplished producers and engineers on a variety of recording topics, and also feature a thorough Q&A session with the instructor. Following is a summary of upcoming dates and topics:

May 3: Modern Compression Tactics
Hosted by Karl Richardson, nine-time Grammy-award-winning producer

June 13: Recording Vocals
Hosted by Tom Young, Grammy award-winning engineer

July 17: Mixing
Hosted by Tim Palmer, Grammy-nominated producer/mixer

August 13: Re-Mixing, Beats and Percussive Rhythms
Hosted by: Cool & Dre, production/songwriting team

September 12: Reverb, Spectral Energy and Human Positional Perception
Hosted by: Greg Lukens, engineer and founder of Audio Fabricators

October 25: Engineer’s Roundtable: Award-winning Engineers Discuss Recording Tips, Tricks and Trends
Moderated by: Al Schmitt, 21-time Grammy-winning producer/engineer

Auralex Application Specialist Heads to the Front of the Class at Ball State University

Daniel Porter Shares Expertise on Acoustic Theory and Real-World Applications for Central Indiana Section of the Audio Engineering Society

MUNCIE, IN — Auralex® Acoustics, Inc., the industry leader in innovative sound control solutions, recently participated in the Central Indiana Section of the Audio Engineering Society’s first ever Central Indiana Audio Student Workshop, which took place on March 10 on the campus of Ball State University in the Music Media Production & Industry Studios. more

Ryan Larkin
Sales & Marketing
www.AcousticsFirst.com
Acoustics First Corporation
PH: (804) 342-2900

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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