Archive of the Microphones, Mic Processors Category

Jünger Audio Shows The D*AP4 VAP Voice Processor At NAB 2014

At NAB 2014 (Booth C2134), dynamics processing specialist Jünger Audio will be showing its recently introduced D*AP4 VAP Voice Processor – a unique unit that is designed to make life easier for engineers working in radio stations, TV production voice-over studios and feature film ADR facilities.

What makes this processor so special is the inclusion of Jünger Audio’s proprietary Spectral Signature™ dynamic EQ – a totally new creative tool that offers automatic and dynamic EQ control to balance spectral differences. By analyzing incoming audio and comparing its spectrum with individually predetermined voice ‘fingerprints’, this clever unit can automatically apply dynamic EQ corrections to give a consistent sound.

For people working in TV voice over and feature film ADR, this facility is a Godsend. Imagine, for example, that you have booked an expensive and well-known actress to voice the cute little rabbit in your new children’s TV series. Over the course of the recording sessions you notice that her voice sounds different at different times of the day – maybe because she is tired, or has developed a sore throat, or has had a heavy night and smoked a lot of cigarettes. If you want your rabbit to sound exactly the same every time, how do you overcome this?

Jünger Audio’s D*AP4 VAP Voice Processor is the answer. On day one you record the actress’ best rabbit voice, and then measure it using Spectral Signature. The voice’s tonal characteristics are analyzed and recorded as a curve on a graph, which is used as a template for all future recordings. The next time your actress does her rabbit voice, the unit compares the new recording to the saved version and automatically adjusts the frequency until both voices match. Voilà! A perfect rabbit voice every time, thus saving a fortune in repeated ADR and voice over sessions, not to mention a lot of frustration on all sides.

Jünger Audio’s D*AP4 VAP Voice Processor is equally interesting to radio broadcasters who want to create an aural identity for their radio stations. By using exactly the same spectral sound management principles, the unit measures specific voice recordings and then uses these sound fingerprints as a reference. The Spectral Signature algorithm matches all subsequent live recordings to these fingerprints, thus creating a dedicated ‘station sound’.

“The D*AP4 VAP draws on our extensive experience with previous Voice Processing devices such as our popular VO2, but adds new tools and algorithms to create an easier and more efficient approach to voice processing with no compromise in sound quality,” says Peter Pörs, CEO of Jünger Audio. “We have also included processing such as HP/LP filtering, versatile dynamics section, full parametric EQ and de-essing, and made the unit really easy to use – even for non-technical radio staff such as producers and journalists.”

Jünger Audio has also provided a dedicated voice leveler combined with an auto-mixer circuit to help mixed voice programs into loudness-based broadcasting on the fly. Using the optional SDI I/O card automated voice over for SDI embedded audio becomes an attractive feature of the D*AP4 VAP.

Available as either an insert into a mixing desk or as a stand-alone unit, D*AP4 VAP offers interfaces that allow integration in existing environments via an AES insert. The unit can also be used with an optional analogue board that adds two high quality mic-preamps.

For more information about Jünger Audio’s D*AP4 VAP, please visit NAB booth C2134 or visit the company’s website at www.jungeraudio.com

-ends-

About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

DPA Appoints OKNO-AUDIO As Its Distribution Partner In Russia

DPA Microphones has appointed OKNO-AUDIO as its new distributor in Russia, with responsibility for its entire product range including the Award-winning d:facto™ Vocal Microphone, the recently introduced modular active booms from the d:dicate™ Recording microphone and d:fine™ 66 and 88 Miniature Headset Microphones.

Established in 2012, OKNO-AUDIO is a division of Russia’s premier broadcast systems integration company OKNO-TV, which itself has been in operation for more than 20 years. OKNO-AUDIO’s staff have a thorough knowledge of the Russian pro audio market and the company is already a distributor of a number of key pro audio brands including Behringer, Harman Professional, Lab Gruppen, Mogami and Tannoy.

Michael Trolle, DPA’s Area Sales Manager for EMEA, says: “The Russian market is growing rapidly and carries enormous potential for DPA. To maximise this, we need a strong distribution partner with an established presence in the live sound, broadcast and installation markets. OKNO-AUDIO fits this brief perfectly. The company understands the quality hallmark of the DPA brand and shares our proactive approach to developing the market for our products.”

Trolle adds that OKNO-AUDIO has links with other high quality pro audio brands and this brings additional benefits to the partnership.

“Many of these brands complement our product range and OKNO’s ability to offer a comprehensive equipment package gives them – and DPA – additional leverage in the market,” he says.

Renowned for their audio accuracy, reliability and superb engineering, DPA microphones are the first choice for numerous recording and touring artists and sound engineers. The company’s extensive product range also encompasses many other industry areas including broadcast, film, theatre, installation, conferencing and security.
Kirill Pavlov, General Director of OKNO-AUDIO, adds: “It was extremely important for us to become a distributor for such a well-known brand as DPA. The popularity of these microphones is constantly increasing, both among system integrators and in the retail network. OKNO-AUDIO not only possesses one of the biggest dealer networks in Russia, but is also developing its own contract branch of activities by cooperating with theatres, sports complexes and sound recording studios.

Vladislav Manaenkov, co-founder and Executive Director of OKNO-AUDIO, continues: “By being part of OKNO-TV, which is the greatest TV and broadcast integrator in the Russian Federation, we have no doubt that the use of DPA microphones in this field will be valuable and up-to-date. We are proud to be an integral part of the DPA international team and will do our utmost for the brand’s development in all spheres of the Russian professional market.”

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

DPA Microphones Takes its Final Leap into the d:ep End

Company renames remaining mics in collection to reflect the popular ‘d:’ branding

NEW YORK, OCTOBER 18, 2013 – DPA Microphones is delighted to announce at the 135th International AES Convention (Booth 2551) that its 4060, 4080 and 4090 Miniature and 5100, 5006A, 5006-11A and 5015A Surround Microphones will be joining the ‘d:’ family of names. Building off the success of the company’s new “d:” branding, the current 4060, 4080 and 4090 Miniature Mics now fall into the d:screet™ Miniature Microphones group and the Five-channel surround solutions are henceforth known as the d:mension™ Surround Microphones.

DPA has also chosen to add the ever-popular 4066 and 4088 Miniature Headsets under the d:fine™ Headset Microphone category, and the mics will also receive an upgrade to coincide with the existing d:fines. Additionally, it’s new d:dicate™ Recording Microphone line combines the company’s best new and existing capsules and preamplifiers from the previous Reference Standard series.

“A few years ago, we decided to change the names of our new products to make them more recognizable and easy to remember,” says Christian Poulsen, CEO of DPA Microphones. “In the past, our products were branded with numbers, which were difficult to understand and remember unless you were a DPA aficionado. We wanted names that were more meaningful and more interesting. After some brainstorming, we decided on the ‘d:’ (colon) names. Starting with a ‘d’ made it easier to remember as it connects the mics to the DPA name, and leaving out the second letter gave it a graphic element that worked well with our new DPA design.”

Announced at DPA Microphones’ recent Partner Conference at the DPA Microphones Denmark headquarters, the unveiling of the new d:screet Miniature Microphone and d:mension Surround Microphone names is another step in the company’s plans for full “d:” branding. Each product category has been carefully planned out by the DPA Microphones team.

With the company’s 5100, 5006A, 5006-11A and 5015A Surround Microphone now grouped together under the d:mension Surround Microphone line, customers can easily swap between capsules and boom options. Comprised of the 4080 Miniature Cardioid Lavalier, as well as the 4060 and 4090 Omnidirectional Hi-Sens Microphones, the d:screet line also includes the company’s new 4098 Podium Microphones announced earlier this year.

“We found words starting with the letter ‘d’ that fit the significance to the product line,” continues Poulsen. “For instance, people are devoted to their instrument and to their sound, therefore our d:vote Instrument Microphones. The d:fine name was selected as we felt the microphone would define a new generation of headsets. The d:facto because the mic sets a new standard within vocal microphones and d:dicate for people who are dedicated to superior sound. Each name was introduced as there was significant updates within each product group.”

Now known as the DPA d:mension Surround Microphone, the 5100 is a compact microphone that provides users with ease of use and stunning sound quality. It is ideal for bringing truly engaging surround ambience to sport events, documentaries and other applications that especially require HDTV production. The d:mension 5006A, 5006-11A and 5015A are complete Surround Kits with five carefully factory-matched d:dicate microphones. The 5006A kit features d:dicate 4006A omni mics exclusively, while the 5006-11A is made up of a combination of the 4006A omni and 4011A cardioids mics and the 5015A is comprised of the 4015 wide cardioids.

Originally designed for use with wireless systems in theater, television and close-miked instrument applications, the d:screet 4060 capsule is highly unobtrusive, which lends itself to an exceedingly accurate omnidirectional pattern. Also a member of the d:screet family, the d:screet 4080 is well suited for broadcast, conference and other live performances in the studio or in the field. It is acoustically pre-equalized, which makes the voice more distinguishable and improves speech intelligibility.

The DPA d:screet 4090 is a high-quality omnidirectional condenser microphone with a uniquely natural and open sound, that is suitable for instrument miking applications in the studio or on the stage. Due to its remarkably linear frequency response in the 20 Hz to 20 kHz range, sound system engineers can also use the 4090 for sound system alignment, testing and tuning.

Additionally, the 4066 and 4088 Headset Microphones are being absorbed into the d:fine category while the company’s existing Reference Standard Microphones, new modular MMC4018 Supercardioid Capsule and well-known MMC4007 High-SPL Omnidirectional Capsule are now in the d:dicate line.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

DPA Microphones’ 4066 and 4088 Get “d:branded”

Company upgrades its Miniature Headset Microphones and absorbs them into the d:fine™ line

NEW YORK, OCTOBER 18, 2013 – DPA Microphones announces at the 135th International AES Convention (Booth 2551) that its 4066 and 4088 Miniature Headset Microphones will now join the company’s d:fine™ Headset Microphone family. As part of its rebranding efforts, the mics will also receive a facelift to coincide with the more contemporary look and feel of the existing d:fine line.

When DPA Microphones originally launched its d:fine Headset Microphones, company executives expected that they would replace the sales of the 4066 and 4088s. Instead, the original miniature headsets are still booming with popularity and the d:fines are being treated by loyal customers as separate, equally admired products. As a result, DPA Microphones decided to “go all in” and implement all headsets (4088 and 4066) into the d:fine Headset Microphone group. The upgrades to these mics feature a combination of the modern d:fine mechanics, headset mount and ear hook, with the sound capabilities of the classic microphone capsules from the 4066/4088.

“We launched the d:fine Headset Microphones a few years ago and selected the name based on a feeling that the microphone would define a new generation of headsets,” says Christian Poulsen, CEO of DPA Microphones. “It certainly did meet our expectations, but what we didn’t plan on was our customers’ loyalty to our 4066 and 4088 mics. So we decided to give these mics a facelift and incorporate them into the d:fine family. With the upgrades, all four capsules (two omnis and two cardioids) have a variety of options in terms of sound color, dynamic range, size, cleaning issues and so on. In other words, with this ‘new’ d:fine group, all combinations of style and sound are possible.”

The DPA d:fine 4088 Directional Headset Microphone is a miniature cardioid headset mic built on the finest DPA experiences in microphone design and manufacturing, providing the best sounding directional headworn microphone available today for performing talent of various sorts. The d:fine 4066 Omnidirectional Headset Microphone is a flexible miniature microphone solution that features quick and easy adjustment. Like its original d:fine sister, 4066 offers both left and right mounting, color change and now also single or dual-ear functionality.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com

Partner Conference Allows Distributors To Get Under DPA’s Skin

More than 120 pro audio distributors, dealers and opinion leaders travelled to Denmark for DPA Microphones’ Partner Conference.

Guests from around the world attended three days of meetings and seminars in Copenhagen and at DPA’s headquarters in Allerød. They were also taken on a tour of DPA’s production facility in Asnæs where they were shown the different processes involved in making a DPA microphone. The conference culminated in a live, hands-on workshop at the Nørrebro Theatre in Copenhagen, where a singer/actor and a band demonstrated various DPA microphones.

DPA Microphones’ CEO Christian Poulsen says: “The conference was a huge success as it allowed those attending to really get to know the company. DPA has changed a great deal in recent years thanks to the introduction of a new management team and significant developments in R&D that have led our product range in new and exciting directions. We held this conference because we wanted our distribution partners and invited guests to get a real sense of the DNA of the new DPA – a company with true forward vision.”

Among those attending was sound engineer Chris Ekers, who was involved with the London Olympics 2012 Opening and Closing Ceremonies.

Commenting on his time in Denmark he says: “I use DPA microphones all the time for theatre and classical opera work, so I know what they can do. However, I was very interested to see the production facility and learn more about how they are made. I was amazed at the amount of work and care that goes into each microphone. I met one lady who had personally touched every DPA 4060 miniature microphone ever made – and that must be an awful lot of microphones.”

Ekers adds that the seminars and demonstrations were extremely useful, even for an experienced engineer. He also enjoyed meeting the DPA team and learning more about the company’s approach to design and manufacturing.

“This is obviously a young and vibrant company with lots of good ideas for expanding its product range in an intelligent way,” he says. “It was a privilege to be invited to DPA’s Partner Conference and I thoroughly enjoyed the experience and DPA’s hospitality.”

His views were echoed by Rui Lisboa, DPA’s Portuguese distribution partner. “I was surprised to learn that every DPA microphone is hand-crafted, and also amazed by the rigorous test procedure each one goes through,” he says.

Sound engineer Bernard Schmid, who attended the partner conference as a guest of DPA’s Austrian distributor, adds: “For me, the practical demonstrations were the most useful as these gave me a chance to compare different models. I have been using DPA microphones for many years yet I still learned a new and easier way of hiding a miniature microphone in the hair.”

Another guest was Akira Fukada, the inventor of the surround standard Fukada Tree, who says: “Being able to participate in the conference was a great honour and a very stimulating experience. I now understand the direction in which DPA is aimed and I learned about the quality control of these wonderful products. DPA is an indispensable microphone for my music production, and I look forward to new developments at DPA.”

Other attendeed included artist and sound engineer Seigen Ono; Takeru Yamazaki, product manager at DPA’s Japanese distributor Hibino Intersound and Chul Hoon Choi and Soo Hwan Kim from DPA’s South Korean distributor Best Leading Solutions.

“It was a fascinating experience and I came away with a much better understanding of DPA, its business philosophy and its approach to R&D and product design,” says Soo Hwan Kim, sales manager at BLS. ”We got a few hints about some of the new products that are coming along next year and these look really exciting. DPA already has a strong reputation for quality, but seeing the care that goes into the manufacture of each and every microphone leaving its factory makes you realise just how exceptional these products really are.”

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

COUNTRYMAN EMW OMNIDIRECTIONAL LAVALIER MICS PROVE VITAL TO HEALTHCARE PANEL DISCUSSION

**** Photo: Ty Ford ****

Baltimore, MD – October 2013… As anyone involved in location sound can attest, you’re only as good as your last project. Hence, there is no room for failure in this business. So how do you ensure exceptional audio in a small space with multiple open mics and no chance to fix in post? Such was the case for a recent studio shoot held at BlueRock Productions in Baltimore for an online peer exchange among a community of oncologists. The event consisted of five doctors who were actively engaged in a constructive and lively discussion about the current state of cancer pharmacology. The ability to ensure clean, clear dialog was essential on this project and, to meet this requirement, EMW Omnidirectional Lavalier microphones from Menlo Park, CA-based Countryman Associates were placed into service. more

DPA Brings Out The ‘Wood’ and ‘Air’ In Dave Swift’s Bass

The first time bassist Dave Swift used a DPA d:vote™ 4099 Instrument Microphone to amplify his double bass, he was so blown away by the sound that he decided to make the d:vote his only microphone.

“The sound coming out of my bass monitor was simply incredible,” he says. “The d:vote captured every little nuance of my playing and I could really hear the “wood” and “air” in the notes. I was so impressed that I decided to buy one and it is now the only microphone I would consider using. What’s interesting is that everyone has commented on how brilliantly it performs. Sound engineers have the biggest smile on their faces when they discover I have a DPA and they all say the same thing: ‘well done for using the best clip-on mic on the market’. Every engineer tells me it is now the industry standard mic, particularly for amplified strings, and it makes me very happy and extremely confident to know that I’m using the best product available for my needs.”

Dave Swift has been the bassist for Jools Holland’s Rhythm & Blues Orchestra since 1991 and during this time he has played with an enormous range of artists including Al Jarreau, George Benson, Chaka Khan, Eric Clapton, Paul Weller, BB King and many more. Swift has also toured across the globe with Jools Holland, as well as performing on his hugely popular ‘Later…with Jools Holland’ TV show, which attracts millions of viewers on BBC2. Swift is also the bassist on ‘The Jools Holland Show’ on BBC Radio 2 and has recorded several multi-platinum selling albums and DVDs with Jools and his band.

When Swift is not playing with Jools Holland he works as a freelance session musician. Over the summer he is touring with comedian, game show host and singer Alexander Armstrong, but he will be back with Jools Holland by the end of the year for a tour that will feature guests such as Roland Gift and former Spice Girl Melanie C.

Dave Swift believes his DPA d:vote 4099 Instrument Microphone has made an enormous difference to both his live and his recorded sessions. He was introduced to the microphone by DPA’s UK distributor Sound Network while he was recording ‘Later….With Jools Holland’. At the time he was using Fishman pickups, but he wanted a microphone that could capture more of the acoustic quality of his double bass so he decided to try a DPA because he had heard such good things about the brand.

“I’m really impressed with this microphone, especially with the way it fits so easily and simply onto the strings beyond the tailpiece,” Swift says. “It doesn’t involve any ‘clamping’ to the actual body of the bass, so it allows the instrument to resonate to its full potential. It is also very quick and easy to remove the mic without causing any damage whatsoever to the instrument – and another feature I really like is the extension gooseneck attachment. This allows even greater placement range for the mic itself, giving many options of where to position it, which is very useful as players tend to have different ideas about where best to position a mic on a Double Bass for their particular requirements. In my case, for example, I tend to position my DPA an inch or so from the central ‘belly’ of the bass, but I’ve seen other players have the DPA mic above the bridge, hovering over the strings themselves. That’s what is so great about this mic and its mounting system. It’s just so flexible and accommodating.”

Fellow musicians, including Jools Holland, have been equally impressed with Dave Swift’s DPA microphone.

“Jools is very particular when it comes to the sound of a double bass – he loves the true, vintage ‘old school’ sound of the instrument, which is why I use Pirastro gut and synthetic strings on my Double Bass,” Swift says. “However, it was only when I started using the DPA mic that Jools’ eyes lit up because he was finally hearing the full potential of the bass, and could really hear the ‘gut’ in those strings. He loves my DPA mic and on every gig and session he asks if I’ve brought it with me. I always tell him not to worry because the DPA never leaves my bass under any circumstances – I couldn’t play without it now.”

Swift adds that the DPA d:vote 4099 microphone has not only transformed his amplified sound, but has also significantly enhanced the whole process of performing and recording.

“Any musician who needs to amplify their instrument should check out DPA microphones,” he says. “They really are the industry standard and I have never encountered a better product.”

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information on DPA Microphones, please visit www.dpamicrophones.com

DPA Diversifies Its Highly Directional Microphone Palette

Broadcasters and film makers who are searching for a high quality boom microphone capable of capturing audio in challenging locations need to look no further than DPA Microphones’ IBC 2013 booth (8:D76).

On show for the first time at IBC is the new DPA MMC4018 – a modular supercardioid condenser capsule that is an integral part of the company’s d:dicate™ Recording Microphone range. Thanks to its directional pattern, the MMC4018 has an extremely controlled off-axis response and very uniform directional shape (independent of frequency), thus ensuring exceptionally smooth and controlled sound.

Unlike the DPA d:dicate 4017 Shotgun, which includes an interference tube and is therefore more directional at the sides, this new variant offers more consistent rear rejection making it an interesting alternative to a conventional shotgun. While the MMC4017 is exceedingly directional, especially at higher frequencies, the sleek and compact MMC4018 focuses on low noise and high sensitivity, making it more suited to long-distance voice capture.

The DPA MMC4018 is the counterpart to the MMC4018V capsule, which is used in DPA’s popular d:facto™ Vocal Microphone. This means it offers extremely good isolation and feedback rejection, making it ideally suited to applications where clarity and audio quality are critical.

Christian Poulsen, CEO of DPA Microphones, says: “Our new MMC4018 supercardioid condenser capsule expands the flexibility of DPA’s d:dicate range by offering the broadcast, film and music recording industries the perfect microphone for long-distance boom miking, spot miking in orchestras, foley and speech recording. Due to its shorter length, it is very easy to boom in low-ceilinged rooms or to mount in challenging film recording sets such as the inside of cars.”

The modular nature of DPA’s d:dicate Recording Microphone range has enabled the company to expand its remit by entering the installation market. To this end it has introduced new desktop and podium microphones that give AV installers and conference organisers the clear, transparent and precise sound they demand.

DPA’s new MMC4018 capsule is the standard recommendation for the d:dicate podium microphone. By combining the capsule with different active booms and cables, installers can specify the exact microphone for their needs. For example, an MMC4018 capsule combined with an MMP-C compact pre-amp makes an ideal desktop microphone, while the same capsule combined with an MMP-E modular active cable is perfect for applications where the microphone needs to be hung from the ceiling because the preamp only adds 12mm to the capsule – and thanks to its integrated cable it is very inconspicuous.

“Given the flexibility of our d:dicate range, creating a microphone for the installation and conference markets was an obvious step,” Christian Poulsen adds. “We already had the high-end capsule and pre-amplifier technology needed to fulfil the brief, so all we had to do was employ some ingenious mechanical solutions. By doing this, we have been able to adapt our boom and cable technology so that we can deliver installation solutions for a wide variety of applications. Whether this is for a podium, a desk top, a stage stand or even suspended from the ceiling, we have it covered with visually elegant and sonically superior products that boast all the robustness inherent in DPA’s ingenious engineering techniques.”

For more information about DPA’s microphone range, please visit DPA’s IBC stand – Hall 8, D76. Visitors to the booth will also have the opportunity to win a DPA microphone by having their badge scanned and entering a free draw, which will be drawn each day at five pm throughout the show.

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information on DPA Microphones, please visit
www.dpamicrophones.com

Jünger Audio Redefines Audio Processing at IBC 2013

Dynamics specialist Jünger Audio will use the IBC 2013 platform (Hall 10, Stand A49) to announce a new direction of creating solution based packages for its entire product range – one that is designed to make it much easier for customers to identify the exact processing solution they are looking for.

“As there is now a trend among some of our customers to use products like the T*AP (Television Audio Processor) for applications such as radio or PA, we decided to separate processing hardware from the feature set,” says Jünger Audio’s Managing Director Peter Pörs. “This change acknowledges the way in which many of our customers are working and allows Jünger Audio’s highly recognized functionality packages previously known as T*AP and M*AP to live on in common hardware.”

The new strategy will see Jünger Audio’s key hardware products marketed as universal processing platforms, with each one capable of handling transcoding and routing, as well as audio processing, and offering various ways of control including through automation or third party equipment. Instead of specific product names such as T*AP, M*AP and V*AP, Jünger Audio will now use these names to identify application packages. Once customers have chosen a processor with the right channel count and specified the application area they want to address (radio, TV, production, post production etc.), Jünger Audio will deliver the relevant software package with the audio processor box of choice to create a solution that exactly matches the customer’s needs.

“By using a universal processing platform, the new modularity of our product range will get as close as possible to each customer’s workflow,” Peter Pörs says. “Managing audio loudness with our renowned non-destructive Level Magic™ algorithm will be one of many features, along with 3G, HD and SD SDI embedded audio handling and high quality limiters, compressors, delays and equalisers. This modularity concept will also allow for specific coding hardware to decode, encode or transcode Dolby®-E, Dolby®-D (AC-3) and Dolby® Digital plus (E-AC-3), as well as HE-AAC formats.”

Pörs adds that the proliferation of distribution formats has made audio quality control during production more important than ever.

“In the past it might have been sufficient to monitor only the main mix, ignoring all transport coding and metadata implications,” he says. “But with all the simulcast formats in use today, the production team needs to simulate the home listening experience by real time metadata emulation. Adding this functionality to a hardware based monitoring controller, combined with loudness measurement and logging features, is the feature set of our QC and production monitoring solution M*AP.

“We are clearly refocusing on production and the fantastic first feedback we have received for our new voice processor V*AP evidently signals that we’re on the right track with our range of products. The V*AP offers all the processing arsenal you need for highest quality voice processing including mic preamps, compressors, expanders, limiters, and voice optimized equalizers. The V*AP also includes a voice optimized version of Spectral Signature, a process using individual spectral reference footprints as a real-time comparison reference for incoming audio, adding filtering only if it is necessary to generate spectral consistency.”

Pörs adds that the company’s extensive product range will now include a plug-in version of Level Magic™ in native plugin formats (VST, RTAS, AU, AAX, Audiosuite, etc.) for MAC and PC, 32- and 64-bit systems. This will be launched at IBC 2013.

“For the first time ever it will be possible for production staff using equipment such as Pro Tools to control audio loudness using our Level Magic™ algorithm,” he says. The addition of a plug-in to our range means that, from production right though to transmission, broadcasters can use Level Magic™ processing throughout their entire production and broadcasting chain.”

If you would like more information about Junger Audio’s universal processing platforms, please visit the company in Hall 10, Stand A49.

-ends-

About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

Get HD Sound For HD Pictures with DPA Microphones at IBC 2013

Broadcasters attending IBC 2013 will only need to stop at DPA Microphones’ stand D76 in Hall 8 to cover all HD broadcast microphone applications, from the single interview to the complete TV show.

Since its beginning in 1992, DPA Microphones has been developing microphones that deliver HD sound from the deepest sounds to the highest peaks, covering the whole dynamic range, delivering perfect, linear HD sound.

Christian Poulsen, CEO of DPA Microphones, says: “People spend a lot of time in front of their TV and enjoying this experience depends on the picture they see and the sound they hear. This is where DPA microphones make the difference. A poor sound, even with a good picture, is not accepted. Our goal is to make it as easy as possible for the sound engineer to work with DPA microphones. This means that they are extremely linear and need very little or no EQ’ing. DPA is the only company on the market that delivers the same sound pattern, whether you work with a miniature microphone or a larger d:dicate™ microphone. The microphones simply blend perfectly and give a fantastic sound experience – for the sound engineer and the audience.”

Broadcast applications cover many situations and different miking possibilities depending on requirements, taste and specifications. In the broadcast studio the TV host is close miked with a DPA lavalier miniature mic mounted on the chest, or perhaps the elegant d:dicate™ mic on a goose neck mounted on the desktop. The journalist (the VJ) who interviews people in the field needs lightweight equipment because he has to record both the video and the sound at the same time. He would be miked with a DPA miniature or headset mic, while recording the interview with a d:facto mic. In a full blown TV talent show, the TV host wears a d:fine™ Headset Microphone, the singer sings into a d:facto™ Vocal Microphone, the band is reinforced with d:vote™ 4099 Instrument Microphones and d:dicate Recording microphones and the whole ambience is captured with the 5100 Mobile Surround microphones. And the list of combinations goes on and on.

“We believe we deliver the best sounding microphones to the broadcast industry and you can challenge us on that,” Christian Poulsen adds. “The audience deserves the best and we want to be the first choice when it comes to the best sounding microphones. The hallmarks of DPA’s ingenious engineering techniques ensure that every DPA microphone delivers clear, transparent and precise sound, along with the robustness and versatility.”

Beside DPA’s unique miniature based microphones, broadcasters will be particularly interested in the new d:dicate™ 4017C Shotgun microphone, a shorter version of the popular d:dicate 4017B Shotgun microphone. Thanks to the modularity of this new d:dicate range, DPA has been able to team the much loved 4017 shotgun capsule with its compact C preamp to create a microphone that is ideal for boom recording in tight spaces and rooms where ceiling height is limited. Offering the same functionality as the 4017B-R, which is the shotgun microphone in a Rycote Windshield, the 4017C-R offers the same solution, just with the 4017C and a smaller Rycote Windshield to give outside broadcasters, journalists and location film-makers everything they need for clear, directional sound, regardless of weather or environmental conditions.

The d:dicate series has been expanded with yet another new preamplifier solution, two modular active cables (MMP-ER with rear cable entry and MMP-ES with side cable entry), plus a number of modular active booms (MMP-F). These new microphone solutions can be used in many different applications, for example as a microphone solution on a desktop, on a podium, suspended for high-end capture or on elegant stage stands. The active booms come in several lengths and configurations with flexible gooseneck and XLR termination. The new active cable only adds a centimeter to the capsule, making it even more discreer than the compact C preamp, but giving comparable performance.

At IBC 2013, DPA Microphones will also be showing its new, high quality d:facto™ II Vocal Microphone that gives users unlimited possibilities for their performance. This eagerly awaited addition to the DPA condenser microphone range brings true studio sound to the live stage by offering an extraordinarily natural sound, superior gain before feedback and extreme SPL handling. In addition to use with the new wired DPA handle, the d:facto II provides singers and engineers with the added benefit of a state-of-the-art adapter system that allows for seamless integration with many professional wireless systems.

DPA will complete its IBC 2013 line up with its expanded d:fine™ series of Headset Microphones. Offering impressive gain before feedback and very stable construction, these unobtrusive microphones are easy to fit and provide presenters and guests with a discreet microphone solution that can’t be seen on the face. The d:fine range is renowned for its audio accuracy and its ability to deliver natural voice intelligibility and consistent audio performance at all SPLs. Available in both directional and omnidirectional options, in single or dual-ear designs and with long or short booms, d:fine™ headset Microphones are designed to fit comfortably and can be adjusted to accommodate any ear size and head shape.

At the DPA stand every microphone can be listened to and there is even a tombola where you can win a d:vote 4099 Instrument Microphone every day at 5 pm.

For more information about DPA Microphones, please come to Hall 8, Stand D76 or visit the company’s website – www.dpamicrophones.com

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information on DPA Microphones, please visit www.dpamicrophones.com

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

Calendar

December 2014
S M T W T F S
« Nov    
 123456
78910111213
14151617181920
21222324252627
28293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication