— Popular Internet radio stream equips its new mobile studio with Audio-Technica mics for live music capture, in-studio performances and voiceovers —

2010 NAB, LAS VEGAS, NV, April 12, 2010 — Audio-Technica, a world leader for microphone solutions for over 45 years, was recently selected as microphone of choice employed by the new mobile studio for the Folk Alley live streaming web radio program from Kent, Ohio-based WKSU-FM. Audio-Technica microphones are used for announcement/voiceover applications, live music broadcast and in-studio guests/performances in the mobile broadcast vehicle, which has been up and running since August 1, 2009, and was part of the team for the National Public Radio (NPR) stream from the 50th Anniversary Newport Folk Festival later that month.

WKSU and Folk Alley Executive Director Al Bartholet stated, “When we first developed our plans for Folk Alley’s mobile recording studio, we put Audio-Technica microphones on the top of our wish list. Music and radio are industries that revolve around audio, and having the ability to use mics of Audio-Technica’s outstanding quality makes it easier for us to do our job well.� more

— Warranty is effective for all applicable products purchased from an authorized Audio-Technica U.S. dealer on or after January 1, 2010 —

NAB EXPO, LAS VEGAS, NV, April 12, 2010 — Audio-Technica, a world leader in transducer technology, announces a new five-year warranty for selected A-T Broadcast & Production Products. This warranty includes some of Audio-Technica’s most popular offerings for the broadcast and production market sectors — numerous shotgun, stereo, handheld and gooseneck mics in the product range are all eligible. The announcement was made by Greg Pinto, Audio-Technica U.S. Vice President of Marketing, and underscores A-T’s ongoing commitment to its broadcast solutions and unparalleled dedication to its end users. “These are extremely durable, high-performance microphones,� said Pinto. He continued: “Their durability has been proven by the use of thousands of Broadcast & Production microphones spanning two decades in summer and winter game climates as well as by our own rigorous environmental testing procedures. We are confident that these microphones will live up to the promise of our extended warranty.�

Eligible models include more

— Groundbreaking new ribbon microphones, stereo condenser and multi-pattern condenser bolster A-T’s award-winning 40 Series —

NAB EXPO, LAS VEGAS, NV, April 12, 2010 — Audio-Technica, a leading innovator in transducer technology for over 45 years, displays its four latest 40 Series microphone offerings: the AT4080 and AT4081 Bidirectional Active Ribbon Microphones, the AT4050ST Stereo Condenser Microphone and the AT4047MP Multi-Pattern Condenser Microphone. These four products have also recently been certified by the Music Engineering and Technology Alliance (METAlliance).

The AT4080 and AT4081 are Audio-Technica’s first-ever ribbon microphones. A-T’s R&D team in Japan engineered and manufactured the AT4080 and AT4081 from the ground up, utilizing a hand-built, proprietary design with rugged construction. With these groundbreaking microphones, A-T achieves the coveted ribbon microphone sound while solving the problems of fragility and low output that have historically plagued ribbon mics. With 18 patents pending, the mics’ innovative ribbon transducer advances the evolution of ribbon microphone technology, combining remarkable durability and high SPL capability with smooth, rich audio quality. The AT4080’s footprint is that of a side-address condenser, and the AT4081 resembles a pencil condenser. more

— The BP4001 Cardioid Dynamic and BP4002 Omnidirectional Dynamic Interview Mics feature exceptional sound quality and extended handle, perfect for on-location interviews and sports broadcasting —

NAB EXPO, LAS VEGAS, NV, April 12, 2010 — Audio-Technica, a leading innovator in transducer technology for over 45 years, introduces its BP4001 Cardioid Dynamic Interview Microphone and BP4002 Omnidirectional Dynamic Interview Microphone. These professional mics, each featuring extended-length handles, are ideal for all aspects of broadcast and remote newsgathering: on-location interviews, ENG, EFP, sports applications and much more. more

— The BPHS1 offers broadcasters a high-performance integrated microphone and headphone combination perfect for on-air or live news and sports broadcast, announcing and interviews —

NAB EXPO, LAS VEGAS, NV, April 12, 2010 — Audio-Technica, a leading innovator in transducer technology for over 45 years, is showing the new BPHS1 Broadcast Stereo Headset with Dynamic Boom Microphone, offering natural, highly intelligible stereo reproduction. The rugged BPHS1 features closed-back circumaural (around-the-ear) ear cups that were designed to provide maximum comfort and ambient noise rejection with minimal ear fatigue. The BPHS1 also has a professional boom-mounted moving coil dynamic microphone that can be positioned for use on either side of the mouth. It is specifically intended and optimized for on-air or live news and sports broadcasting, announcing and interviews.

The BPHS1’s microphone has a unidirectional polar pattern tailored for pickup of speech with maximum voice intelligibility over a wide frequency range. A high-performance neodymium magnet in the microphone ensures a high output level and detailed sound reproduction. The microphone is more sensitive to sound originating directly in front of the element, making it useful in reducing pickup of unwanted, off-axis sounds. The flexible gooseneck boom swivels for easy positioning on either the right or left side. more

Old Lyme, Conn – April 9, 2010 – Whether at the football stadium or a Formula One racetrack, the HMD 26 broadcast headset from Sennheiser is ideal for professional use in noisy environments. The sound pressure level of the headphones ensures precise listening even in the noisiest situations, while the hyper-cardioid microphone guarantees broadcast-quality voice transmission.

It is not only sports events that are noisy: a high level of background noise on film sets or during outside broadcasts can also make it necessary to use special equipment. “Our many years of experience in the broadcasting sector have gone into the HMD 26,� explained Jörg Buchberger, Industry Team Manager Aviation and Professional Headsets at Sennheiser. “Its top-quality sound and transmission characteristics make the HMD 26 the ideal choice for outdoor applications.�

Work in peace and quiet
The new broadcast headset has a frequency response of 20 to 18,000 Hz, ensuring detailed, lifelike sound reproduction. At the same time, the sound pressure level of up to 105 dB offers sufficient reserves for even the noisiest of environments. The closed design effectively attenuates external noise by up to 25dB. Those who prefer even more peace and quiet while working can choose the HMDC 26. This version is additionally equipped with Sennheiser’s NoiseGard function for active noise reduction. At the push of a button, it reduces background noise by a further 18dB. more

OLD LYME, Conn. – April 8, 2010 – Back in December of 2008, the Christian Broadcasting Network (http://www.cbn.com), the nation’s oldest Christian broadcast facility and one of the largest Christian television ministries in the world, began preparing for Digital TV Transition (DVT) and the clearing of the 700 MHz frequency band.

The Virginia Beach, VA-based campus, which is the main production engine of CBN, features two100′ x 100′ broadcast studios as well as a smaller news insert stage. Each of these environments, which are fully outfitted for HD, collectively produce an average of 25 to 30 shows each week–for both domestic and international programming. more

— Audio veterans Michael Abbott and Dr. Fred Ginsburg to impart practical real-world information on mixing for broadcast and film audio acquisition —

STOW, OH, April 8, 2010 — Audio-Technica, a leading innovator in microphone and headphone technology, is holding a series of informative audio demonstration and instruction events during NAB 2010 at the company’s booth, C1632.

Throughout each day on Monday 4/12, Tuesday 4/13 and Wednesday 4/14, renowned audio/broadcast veteran Michael Abbott, perhaps best known as Audio Coordinator for the GRAMMY® Awards, will present multi-track microphone mixing demonstrations entitled “Mix a Basketball Game in 5.1.� The sessions will allow attendees to mix a basketball game under Abbott’s direction. Participants will experience real-time, hands-on mixing in A-T’s custom listening room, using state-of-the-art equipment (including a Calrec Sigma audio console), and audition and compare stereo, mono, shotgun and boundary mic options. more

Arlington, Texas – March 31, 2010: This year’s NBA All Star Game brought some 108,000 basketball fans to the “Texas-sized� Dallas Cowboys Stadium, a record-breaking number for the sport. Consistent with the high-profile spectacle of the event, which included several days of games and skills contests, the big game’s halftime show rivaled that of the Super Bowl, being broadcast to 215 countries in 44 languages. Columbian pop sensation Shakira and R&B superstar Alicia Keys delivered their stellar performances with “wired� fidelity and rock-solid reliability, over thirty channels of Sennheiser 5000 and 2000 Series wireless microphones and G2 and G3 monitoring systems. The Sennheiser gear ably navigated the RF space, which, like the stadium itself, was filled to capacity. In addition, a range of Sennheiser wired microphones handled the backline.

Cowboys Stadium is the largest domed stadium in the world, a fact that simultaneously impressed and intimidated Kevin Sanford, president of Wireless First, the company that provided the gear and RF coordination for the show. Sanford arrived nine days before the game itself to pave the way for hiccup-free wireless performance during all the entertainment phases of the big weekend, culminating with the halftime show. “The sheer size of the place and the distances we had to cover made this a very challenging job,� remarked Sanford. “In addition to the frequencies I was dealing with, there were something like three hundred other wireless channels in use! CNN, TNN, you name it, everyone was consuming wireless channels.� In addition to bringing his arsenal of Sennheiser gear that was used for both Alicia Keys and Shakira’s performances, Sanford relied on often easily-forgotten textbook advice: careful antenna placement that maintains height and line of sight between transmitter and receiver. more

OLD LYME, Conn. – March 30, 2010 – Over the past several years, audio specialist Sennheiser has been a regular presenter in New England Institute of Art’s Boston Area Definitive Audio Student Summit (BADASS), which provides students from all over the Northeastern U.S. with an opportunity to learn about emerging trends in broadcast technology and other areas. After an overwhelmingly enthusiastic response from both students and faculty, Sennheiser worked with the Institute to create a potentially ‘life changing’ career opportunity for a broadcast student: shadowing an A1 during a live HBO boxing event.

Dustin Gregg, a senior at New England Institute of Art, was selected from a pool of top student applicants and was asked to shadow Randy Flick, senior audio for HBO Boxing and a top A1 in the sports industry. “It was like learning about basketball from Michael Jordan,” Gregg said. Sennheiser and New England Institute of Art believe that by initiating sponsorships such as this, students will arrive in the working world better equipped with the relevant knowledge and tools that a career in broadcast requires. more