Archive of the Monitoring – Speakers, Headphones, Amplifiers Category

Audient Breaks New Ground At NAMM 2015

Anaheim, California – Seventeen years since its inception, British audio equipment manufacturer Audient brings exciting new products, a fresh, dynamic team, a progressive new owner and a new distribution partner to the United States.

Audient_Logo

No stranger to NAMM, Audient comes to this year’s show having picked up its third TEC-Award nomination, this time for the eight-channel mic pre, ASP880. Another recipient of much acclaim is the feature-packed USB AD/DA interface and monitoring system, iD22 which visitors to the show should be able to get a look at.

It all started with the large format ASP8024 analogue console designed by David Dearden, who himself lays claim to a sound electronics design experience second to none. He’s spent over 40 years working with consoles, headed up DDA, co-founded Audient, and also had the incredible experience of helping build the custom console used for John Lennon’s ‘Imagine’ album.

“Every Audient product with a mic pre – including the latest releases, ASP880 and iD22 – incorporates the original Dearden-designed console preamps,” explains Chief Technical Officer, Tom Waterman taking pride in driving Audient’s engineering in new directions, whilst staying true to the company’s heritage. “Indeed Audient is the only company whose renowned mic pre design features throughout the whole range. It is testament to the design of the flagship analogue console, ASP8024 that it is still manufactured today and that there are more than 1,000 in daily use worldwide.”

ASP8024 is a top choice for schools as well as studios across the United States. Renowned creative institute Full Sail University packs a staggering 12 desks into a single teaching space; NYU Steinhardt and University of Central Oklahoma both possess one and Women’s Audio Mission has just taken delivery of its first 48 channel Audient.

Industry heavyweight Simon Blackwood is at now at Audient’s helm and has a proven track record for pro audio business development – past successes including Focusrite, Novation and founding Spirit.
A year after taking the reins he is very pleased with the brand’s progress, stating: “There was significant growth in our business in 2014 and our focus for 2015 is the US market”. Most recently he has utilised his close connections with industry manufacturing to help source new technology and better component pricing, which has led to the significant reduction in the price of iD22.

Together with Tom’s vision for exciting new products, Simon promises to propel Audient forward into the new year. “We have plenty of scope for further development over the next 12 months, and great energy from our team based in southern England. Setting up new distribution agreements in the States and across the globe is just the start of it.”

To bring this new direction to the USA, Audient has signed on a new distribution partner in Momentum Audio Sales. Founded by audio industry veteran John Devins on his experience in leading sales efforts for Steinberg, Cerwin-Vega, Focusrite/Novation, AKG, and JBL, Momentum Audio Sales is the perfect fit for Audient to expand their offerings in the US market. Devins will tap established dealer and sales rep networks in the US and is looking forward to a year of growth in 2015.

Belar Electronics Reorganizes, Relocates to Drive Future Innovation in Modulation Monitoring

New management structure, headquarters lay foundation for company growth heading into the 2015 NAB Show

West Chester, PA, January 20, 2015
Belar Electronics has set the stage for future growth and innovation in modulation monitoring with a new management structure as the company settles into its new Philadelphia-area headquarters. With its more than 50-year reputation for quality, reliability and precision cemented, Belar’s reorganization signals a shift in strategy to meet the dynamically changing needs of the radio broadcaster heading into the 2015 NAB Show (April 13-16, Las Vegas Convention Center, Booth #C2452).

With founder and industry visionary Arno Meyer now retired, Mark Grant steps in as CEO of Belar Electronics, managing all decisions surrounding company vision and direction. Erich Meyer assumes the role of COO, responsible for day-to-day plant operations across manufacturing and supply chain. Under Erich Meyer’s direction, the company will continue to centralize all production at its new West Chester, Pennsylvania headquarters, and manufacture 100 percent of its products in the USA. Erich Barchi will continue in his role as manager of global sales and customer relations, overseeing strategy for direct and channel sales worldwide.

Mark Grant, COO

Mark Grant, COO

Erich Meyer, COO

Erich Meyer, COO

Erich Barchi, Manager, Sales and Customer Service

Erich Barchi, Manager, Sales and Customer Service

To support global sales and service augmentations, Belar will build on its distinguished legacy as a trusted technology innovator through new software-defined test and monitoring applications. In addition to improving operational efficiencies for the end user, these enhancements, notably IP connectivity and FM/HD Radio time-alignment, will bring renewed focus to the value of the modulation monitor for the radio broadcaster.

“The modulation monitor remains the pre-eminent tool to help broadcasters accurately monitor on-air levels, calibrate equipment and remain in FCC compliance, and there is a strong value proposition around improved market-wide performance for broadcasters that make the investment in this gear,” said Mark Grant, CEO, Belar. “While the audio processor, exciter and other air chain components ideally amplify sound quality, broadcasters cannot take full advantage of their modulation thresholds without an accurate modulation monitor. Belar’s focus on delivering top-of-the-line, precision-oriented test instruments remains our core strategy, for the purpose of helping broadcasters troubleshoot performance issues in the air chain and maximize their broadcast signals. And moving forward, Belar intends to build on these principles with exciting new innovations that elevate the role of the modulation monitor.”

At NAB, Belar will reiterate its leadership in traditional AM and FM modulation monitoring, while highlighting new software-defined features that enhance remote connectivity for off-site signal monitoring; and improve time-alignment between FM and HD Radio signals. While the former will focus on the convenience of remote monitoring across all signal parameters and alarm conditions via IP connectivity, the latter will highlight how the modulation monitor can noticeably improve the listener experience, including the elimination of signal echo as FM and HD Radio signals blend.

“Belar has continually worked to ensure superior performance and reliability across the product line, including the use of digital signal processing to eliminate signal drifts, offsets and other signal quality hindrances for robust, stable and repeatable signal performance that remains in calibration,” said Grant. “We’ve eliminated unnecessary adjustments, minimized conversions and consolidated previously separate monitoring applications into a single box to make modulation monitoring a more user-friendly, operationally efficient and valuable process for broadcasters. We look forward to unveiling our next generation of enhancements at NAB.”

Belar Electronics’ new headquarters is located at 1140 McDermott Drive, Suite 105 in West Chester, PA 19380.

About Belar Electronics
Founded in 1964, Belar Electronics Laboratory, Inc. is the world’s leading manufacturer of modulation monitors. Used by radio and TV stations globally to monitor broadcast signals, Belar products are world-renowned for accuracy and reliability. These benefits are also recognized worldwide by manufacturers of transmitters and audio processors, which regularly rely on Belar monitors as test instruments to ensure their products meet specifications. Contact Belar at (610)-687-5550 or visit them on the web at http://www.belar.com.

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Westlake Pro Posts Tony Shepperd Mixing Master Class Videos

First installments of video series now available on YouTube

Los Angeles, CA (October 7, 2014) – Westlake Pro, a leading retailer of professional audio, recording, live sound equipment, and technical services has posted the first two videos in a new Mixing Master Class series with veteran mixing engineer Tony Shepperd.

TonyShepperd

Shepperd, a prolific engineer who has recorded and mixed such music heavyweights as Take 6, Whitney Houston, Quincy Jones, Diana Ross, Madonna, Kenny Loggins, Boyz II Men and more, deconstructs his mix of Sheléa’s hit single I’ll Never Let You Go as he talks about his workflow and his vocal production technique, which have become his specialty over the past two decades.

“It was an honor for us to host Tony Shepperd,” said Peter Malick, Director of Online Content for Westlake Pro. “The depth of knowledge that he shares with our customers and viewers is a testament to his willingness to further the craft of recording, mixing, and producing.”

Co-sponsored by A-Designs Audio, the master class was filmed at Westlake Pro in Los Angeles in front of an overflow crowd of more than 100 local musicians, producers, and engineers and is divided into 14 videos of easily digestible content and cover a wide variety of mixing topics. Shepperd’s relaxed presentation style demystifies complex mixing concepts and he takes questions from the audience throughout the series as well as during a Q&A at its conclusion.

The Tony Shepperd Mixing Master Class video series can be found on Westlake Pro’s YouTube channel at: https://www.youtube.com/playlist?list=PLWvgCiRlNKN9Ef94nM302FlrBS3Rv-o73

About Westlake Pro
Based in Los Angeles, Westlake Pro specializes in business-to-business and retail sales of professional audio and video equipment, broadcast equipment, video editing software, recording software, computers, musical instruments and live sound application products. The company also provides technical services from complete studio design to live sound system design. Westlake Pro serves the Post Production, Broadcast, Music Production, Educational, House of Worship and Government markets.

For more information, visit http://www.westlakepro.com.

Hal Leonard Publishes Alan Parsons’ Art & Science of Sound Recording

Alan Parsons and Julian Colbeck to present ASSR, The Book based on the award-winning DVD set at the 137th AES in Los Angeles

Montclair, NJ (September 24, 2014) – Alan Parsons’ Art & Science of Sound Recording: The Book, is a complete rewrite and reappraisal of the award-winning video series. Parsons takes his approach to sound recording to the next level as the book provides ample space to present more technical background information, more detailed diagrams, and more in-depth discussion on each of the twenty-four topics, from “A Brief History of Recording “ to the now-classic “Dealing with Disasters.”

AlanParsons_cover

Written with the DVD’s co-producer, musician, and author Julian Colbeck, ASSR: The Book offers readers a classic “big picture” view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. The Book has a logical flow of chapters, looking at how sound is created and how it behaves before moving on to the different processes of manipulating sound recordings such as EQ, reverb, delays, compression; covering how to work and record with live musicians as well as the art and science that go into the mixing process.

“With the videos we strove to keep you visually and aurally entertained. Now, you can be reading this at home, or in a busy Starbucks, or on a plane… you can read one page at a sitting or one chapter, or just dive in here and there using the index or the glossary,” said Parsons.

For all its heft and authority – authored by a man trained at London’s famed Abbey Road Studios in the 1970s – ASSR: The Book is also written in plain English and is packed with priceless anecdotes from Alan Parsons’ own career working with the Beatles, Pink Floyd, and countless others. Not just informative and packed with colorful pictures, but also highly entertaining and inspirational, ASSR: The Book is the perfect platform on which to build expertise in the art and science of sound recording.

Alan Parsons and Julian Colbeck will present ASSR, The Book at AES in Los Angeles with a book signing on October 10, 2014 at 12 pm in the Hal Leonard booth #1141.

About the authors
Alan Parsons’ recording career got off to a great start with the Beatles when he served as their assistant engineer on Let It Be and Abbey Road. With an illustrious engineering career that included The Dark Side of the Moon, Parsons went on to become one of the most sought-after producer/engineers of the seventies and eighties, scoring No. 1 hits with multiple artists. In 1976, he formed the Alan Parsons Project, enjoying multiplatinum success with hits such as “Eye in the Sky”, “Time”, and “Games People Play”. Parsons remains an active recording artist and producer.

Julian Colbeck was a professional keyboardist for over twenty-five years, working with Yes/ABWH, Steve Hackett, John Miles, and his own group, Charlie. He has also authored a dozen books on music and music technology, including the groundbreaking Keyfax series, and he has written and produced numerous instructional DVDs on recording, live sound, and synthesizer technology. CEO of Keyfax NewMedia since 1994, Colbeck has most recently been on active duty with the creative and advocacy platform Musicians Guild.

Hal Leonard Books is an imprint of Hal Leonard Performing Arts Publishing Group – please visit alanparsonsbook.halleonardbooks.com.

Alan Parsons’ Art & Science of Sound Recording – THE BOOK
$49.99 (US)
Inventory #HL 00333735
ISBN: 9781458443199
Width: 8.75″, Length: 11.25″, 272 pages
alanparsonsbook.halleonardbooks.com

WIN FREE GEAR! Over $17,000 in total giveaways during September.

To celebrate the launch of their new website, Westlake Pro is giving away free gear every day of September! The grand prize is an AVID Pro Tools 11 HD Native Thunderbolt System with an OMNI Interface and a premium plug-in valued at $5,498! Over $17,000 in daily prizes from the top brands in pro audio.

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Prism Sound’s Audio Design Workshop LIVE Travels To Helsinki

High profile guest speakers from Texas Instruments and Klippel are joining the next Prism Sound/Oxford Digital Audio Design Workshop LIVE, which takes place in Helsinki on August 21st, 2013. In an industry first, this groundbreaking event will be webcast live from the 51st AES Convention to audiences around the world.

The registration page for the live webcast can be found here:

http://audiodesignworkshoplivehelsinki-SS.eventbrite.com

The event, which is held in conjunction with the Audio Engineering Society (AES), is open to all engineers, engineering managers, students and academics involved in audio engineering. It will feature seminar sessions and workshops hosted by some of the most experienced engineers in the audio industry who will share their knowledge and practical expertise in active loudspeaker design, providing the audience with an opportunity to learn from their many decades of collective experience.

“The seminar sessions will cover aspects of analogue and digital audio system design and optimization, with a major emphasis on real-world, practical problem solving,” says Simon Woollard, Test & Measurement Product Specialist at Prism Sound. “Our audience will have plenty of opportunity for hands-on experimentation, and for networking with the presenters and other participants. This is a fantastic chance for everyone involved in audio engineering to learn the tricks of the trade from luminaries within the audio industry.”

Prism Sound and Oxford Digital, who have joined forces to organise the Audio Design Workshop LIVE series, have extensive experience in the field of audio engineering.

Prism Sound has been developing audio measurement solutions for over 25 years and has pioneered many major innovations in this field. The company offers high quality audio analyzers that are suited to a wide range of test and manufacturing environments.

Oxford Digital specialises in digital audio signal processing for mobile and consumer equipment. Its products include an extremely compact audio DSP core with a rapid programming and development environment and Sonic Tuning Tools that allow rapid optimisation of the sound reproduced by compact loudspeaker systems. The complete toolset is targeted at reducing time-to-market and lowering software maintenance costs.

Audio Design Workshop LIVE will feature seminar sessions and Q&A opportunities where delegates will have the chance to ask the panellists for answers and advice.

Places for Audio Design Workshop LIVE are limited and anyone wishing to take part is encouraged to register now. This can be done online via the dedicated registration page: http://audiodesignworkshoplivehelsinki-SS.eventbrite.com or by calling +44 (0)1353 648 888.

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

DANLEY UPS THE SPLS ON ITS SH SERIES OF SYNERGY HORNS

GAINESVILLE, GEORGIA: Not content to rest on its laurels, Danley Sound Labs announces improvements to many of its already highly-regarded SH-Series full-range loudspeakers. The new versions are identified by the suffix “HO,” which stands for “high output.” For example, the if one wishes to get the most performance out of the Danley SH-96 they should order the Danley SH-96 HO. The new designs use a more powerful two-way high frequency. As a result, the low- and mid-frequency drivers can now be driven to their full potential while still maintaining Danley’s characteristic frequency response, phase response, and fidelity. In conjunction, the new designs use a new crossover and have additional options for bi-amping and for changing the low-frequency impedance. Because the cabinets themselves haven’t changed, the new versions retain the coverage and frequency loss patterns of the originals. The new models include the SH-95 HO, SH-96 HO, SH-64 HO

“The original versions can be easily modified to become the new ‘High Output’ versions,” explained Ivan Beaver, lead engineer at Danley Sound Labs. “It just takes the new high frequency driver, a new crossover, and a new switch panel.” In addition, the midrange drivers are also wired a little differently, which is incorporated as part of the new crossover wiring harness. “There are two options on the new switch panel,” said Beaver. “First, there’s a biamp/passive switch. In passive mode, the new cabinets run pretty much like the old versions, except that the mid/high section will be relatively louder than the woofers, assuming the woofers are running at 8ohms.”

He continued, “And that’s the second option. Users can select a woofer impedance of either 2ohms or 8ohms. Some people do not like to run at 2ohms, whereas others may need the additional output when using smaller amplifiers. The wire run should also be considered when choosing the impedance. With a 2ohm load there will be more loss across the wire. How much loss will depend on the size of the wire and the length of the run. An 8ohm load will have a higher damping factor than a 2ohm load, and it is of course easier to bridge an amp into an 8ohm load than into a 2ohm load.” In biamp mode, the mid/high section takes the crossover circuitry and the low section thus has no built-in crossover.

Because the new switch panel cannot be expected to operate reliably if left exposed to the elements, weatherized versions of the new High Output loudspeakers must be pre-ordered with specified biamping and impedance settings.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

Prism Sound Hosts Audio Design Workshop LIVE

Some of the most experienced engineers in the audio industry will be sharing their knowledge and practical expertise in active loudspeaker design at a unique workshop being hosted by Prism Sound and Oxford Digital, in partnership with the Audio Engineering Society, LOUDSOFT and TTid.

Audio Design Workshop LIVE will take place at Anglia Ruskin University, Cambridge, on March 25th 2013 and will be open to engineers, engineering managers, students and academics involved in audio engineering.

“The seminar sessions will cover aspects of analogue and digital audio system design and optimization, with a major emphasis on real-world, practical problem solving,” says Simon Woollard, Test & Measurement Product Specialist at Prism Sound. “Our audience will have a unique opportunity to learn from our panel’s many decades of collective experience, plus there will be plenty of opportunity for hands-on experimentation, and for networking with the presenters and other participants. This is a fantastic chance for everyone involved in audio engineering to learn the tricks of the trade from luminaries of the audio industry.”

Audio Design Workshop LIVE will feature seminar sessions presented by Peter Eastty and John Richards of Oxford Digital; Peter Larsen of LOUDSOFT; Ian Dennis and Simon Woollard of Prism Sound; plus a guest presenter to be announced shortly. There will also be a panel discussion/Q&A where delegates will have the chance to ask the panellists for answers and advice, a hands-on session with evaluation units and demonstrations, and plenty of opportunities to network. All delegates will also receive an audio engineering gift pack.

“We are encouraging delegates to bring along their own loudspeakers for evaluation and enhancement using Oxford Digital’s DSP tools,” Simon Woollard adds. “And for those who can’t physically attend, there will be the opportunity to watch the proceedings live via a global webcast.”

Places for Audio Design Workshop LIVE are limited and anyone wishing to take part is encouraged to register now. This can be done online via the Prism Sound website: www.prismsound.com/ADWLCambridge2013, or by calling +44 (0)1353 648 888.

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

CLEAR-COM EXHIBITS LATEST IN BROADCAST INTERCOMS AT BVE 2013

LONDON, 6 FEBRUARY 2013 ? Clear-Com®, a global leader in critical voice communications systems, is displaying its latest range of broadcast intercom solutions at BVE 2013 (Stand J16). Included among the intercom offerings on display are the recently unveiled Eclipse HX matrices and HelixNet Partyline system. The company is also presenting its BroaMan interface options and the latest upgrades to the Tempest®2400 wireless intercom. more

Acoustics First Sound Diffusion Demonstration Video

Click here to view the demonstration:
DIFFUSING / SCATTERING SOUND: Sound Diffusion Explained

Acoustic Diffuser DemonstrationAcoustics First has just released another in a series of videos to help explain acoustical principles using simple, easy to understand video demonstrations. This latest demonstration tackles the mystery of acoustic sound diffusion. Using an array of ping pong balls to represent sound visually, this video simply demonstrates what occurs when sound strikes the surface of an acoustic diffuser. First, you will see what happens when sound hits a flat reflective surface with no acoustical treatment. Acoustic Sound DiffuserThe balls all bounce at the same time and in the same direction. This represents what happens to the sound when it hits a flat reflective surface like a wall. Then you see what happens when sound hits an acoustic sound diffuser. You will immediately notice the energy of the wave of balls is scattered in all different directions as well as deflected at different time intervals. Diffusers, disperse or scatter the sound like crowd control, preserving the sound to maintain sound clarity without destructive interference. This is the basic principle behind acoustic sound diffusion.

Click here to view the demonstration: DIFFUSING / SCATTERING SOUND: Sound Diffusion Explained

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Acoustics First Corporation supplies acoustical panels and soundproofing materials to control sound and eliminate noise in commercial, residential, government, institutional applications worldwide. Products include the patented Art Diffusor®, sound absorbers, noise barriers, acoustical fabrics and accessories. Acoustics First® products are sold for O.E.M applications, direct, and through dealers. For more information on acoustical materials and their application, please visit www.AcousticsFirst.com or call Toll Free 1-888-765-2900 (US & Canada).

Ryan Larkin
Sales & Marketing
www.AcousticsFirst.com
Acoustics First Corporation
PH: (804) 342-2900

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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