Archive of the Monitoring – Speakers, Headphones, Amplifiers Category

Grizzly Bear Evolves its Unorthodox Onstage Vocal Chain, Using Several TRUE P-Solo Preamplifiers

2012 has been a defining year for Grizzly Bear, a Brooklyn, NY-based indie rock band that has headlined at venues including Radio City Music Hall in New York and The Greek Theater in Los Angeles, and performed on television shows including “The Tonight Show with Jay Leno,” “Late Night with Jimmy Fallon” and others. A few years ago, the band began employing a somewhat unorthodox practice of integrating guitar pedals and other stage effects into its onstage vocal chain. Thanks to front of house engineer Drew Malamud, the band has recently taken this approach to the next level by incorporating several TRUE Systems P-Solo preamplifiers, distributed by audio specialist Sennheiser.

“When I started working with Grizzly Bear back in 2009 around the release of ‘Veckatimest,’ they were doing things like taking their stage mics and plugging them right into reverb pedals with just an XLR to 1/4″ adapters on the end of the cable,” Malamud recalls. “Then after the reverb pedal, they would go into a DI and that was their vocal chain. It didn’t sound very good because a microphone likes to hit a preamplifier before anything else.”

Malamud began searching for a suitable preamp solution to use at the foot of the stage, before eventually choosing the TRUE P-Solo. “I liked many things about the P-Solo,” he says. “It is compact, has a robust build and also has an internal power supply rather than a wall wart. I was already familiar with the great sound because I have a TRUE Precision 8 in my own studio.” Malamud soon acquired six TRUE P-Solos for Grizzly Bear’s live performances, one for each vocal mic on the stage.

After setting up the P-Solos on stage, which took the microphone input and then ran to a Radial Engineering X-Amp™ active preamplifier, through a series of effects pedals and finally through a Radial JDI, there was a noticeable increase in the quality of the audio signal. “Once we had the TRUE P-Solos all set up and routed through the wireless personal monitors, the band couldn’t believe the difference in sound they were hearing versus just plugging a mic into an effects pedal,” Malamud says. “They were able to experience much more sonic detail and clarity.”

Having noticed that TRUE preamplifiers are often used in recording trucks for well-known festivals such as Bonnaroo, Coachella and others, Malamud has long appreciated the natural sound of the TRUE P-Solo. “It is a clean sound that I knew would work with Grizzly Bear,” he says. “It also had really nice LED metering on the front so I could see what was going on, even in extremely low light situations.”

While its onstage vocal chain set up may be somewhat unconventional, it is the result of Grizzly Bear’s relentless desire to recreate the sonic textures of their studio work in a live setting. “Part of their whole sound is the effects,” Malamud says “When Grizzly Bear is recording and mixing in the studio, I am always thinking, ‘How am I going to help recreate this sound live?’ And for the onstage vocal effects, the TRUE P-Solo is a perfect fit.”

As Grizzly Bear continues to find new audiences around the world and its live rig continues to expand and evolve, the band remains committed to its sound: “I feel like it’s all been a natural growth,” concludes Malamud. “We are one of the few bands in music today still doing everything with analog at front of house with really unique and exotic gear and vintage analog effects. Our TRUE P-Solos are a perfect complement to our approach.”

TRUE Systems P-SOLO at a glance

Natural, musical, highly detailed soundfield
Complete compatibility with condenser, dynamic and ribbon mics
A totally balanced, dual servo, high dynamic range, transformerless design
Internal linear AC power supply for excellent transient response
Built-in DI: high-impedance instrument output
High impedance instrument input
High-pass filter and 48 V phantom power
Dual analog outputs
Four-level metering
Oversize volume control with selectable 10 dB input level attenuation
Compact, portable, solid desktop case

The upgraded version of the P-SOLO is available now, and pricing remains the same at $599.95.

Photo captions:
1) Grizzly Bear during a rehearsal on their Fall 2012 tour.
2) The TRUE P-Solo is a core component of Grizzly Bear’s on-stage live vocal chain.

Sennheiser Circle Series and DW Pro2 Headsets Win Top “Six Dragons” Rating from Voice Recognition Leader Nuance

Audio specialist Sennheiser announced that its DW Pro2 wireless headset received the top ranking for quality from Nuance, a leader in voice and language technologies. The DW Pro2 was the only and first product in Nuance’s recent wireless headset comparison to receive a score of “Six Dragons” — the highest possible ranking from the company’s rigorous testing — for use with Dragon NaturallySpeaking and Dragon Dictate for Mac.

Nuance routinely assigns quality rankings to audio equipment such as headphones and microphones on a scale of one to six dragons, six being the highest. According to the company, microphones and headsets are subject to a stringent evaluation of performance, accuracy, ease-of-use, durability, Windows compatibility and other criteria. To date, Nuance has certified more than 20 wireless headsets from nine other manufacturers .

In addition to the DW Pro2 headset’s Six Dragons rating, Sennheiser’s Circle Series SC230 and SC260 models received a top score of Six Dragons in the wired category.

“Sennheiser is completely dedicated to achieving great quality audio,” said Bill Rice, national sales manager, telecommunications, of Sennheiser. “The reason why Sennheiser is able to score so highly in these evaluations is because for more than 65 years, our core expertise has been sound. In the world of voice recognition, this is the ultimate attribute.”

The DW Pro2 professional wireless headset is an ergonomically designed, high-performance DECT (Digital Enhanced Cordless Telecommunications) headset that delivers HD voice quality and noise-cancelling capabilities in a comfortable, sleek design. The DW Series consists of the DW Pro1 and the DW Pro2, with the Pro2 being the stereophonic version. Professional wireless headsets allow workers greater comfort and mobility in an office setting, resulting in increased productivity and more precise communications.

Sennheiser’s DW Pro headsets were previously awarded a 2012 Speech Technology Excellence Award from TMCnet’s Customer Interaction Solutions magazine, which recognizes companies that have made significant contributions improving speech applications for their clientele. These models have also been certified for interoperability with telephony solutions from Microsoft, Avaya, Cisco, IBM and Polycom.

As business environments rely increasingly on digital audio content, speech recognition continues to gain momentum as a valuable tool. This technology is especially pertinent in markets such as healthcare, where physicians can transcribe patient records and verbal comments into their (now mandatory) electronic health records; or in education, where students and professors can electronically digitize the text of their lectures. Nuance holds significant market share in the healthcare vertical, as more hospitals and private practices transition their paper records to secure, electronic data files, in adherence with government HIPAA (Health Insurance Portability and Accountability Act) regulations.

“We developed our Dragon ranking system to help ensure our customers are aware of the highest quality audio products for our Dragon NaturallySpeaking and Dragon Dictate for Mac products. We congratulate Sennheiser and its DW Pro2 for achieving Six Dragons,” said Peter Mahoney, Chief Marketing Officer for Nuance, and General Manager for Dragon.

Neumann KH 120 Studio Monitors Deliver Superior Midrange and Truthful Response for Classical Music Producer Leszek Wojcik

Since the early 1970s, Leszek Wojcik has been recording exquisite classical music performances at top venues including Lincoln Center’s Alice Tully Hall, The Rose Theater and Carnegie Hall, where he is employed as recording studio manager. Wojcik, who is also a highly sought after freelance classical recording professional, recently acquired a pair of Neumann KH 120 monitors.

Wojcik had been using a competitor’s pair of monitors, but ‘never really fell in love with them.’ He decided to switch to the Neumann KH 120s after one of his classical recording colleagues, Mateusz Zechowski, recommended them, citing their outstanding transparency and natural sound. Since then, they have become a foundational element of his control room and he’s never looked back.

“It took me about 15 seconds to make the decision to switch to the Neumann KH 120s,” Wojcik says. “The midrange is fantastic. It’s very truthful and flat, which is critical in recording classical music. For me, the midrange is the single most important part of a monitor’s sound, because most of the compositions in Western music were written for this range.”

Wojcik, who has a master’s degree in Tonmeister Studies from Chopin Music Academy and who lectures on “Aesthetics of Recording” at New York University, is well versed in both the theory and practice of audio recording and draws from over three decades of experience: “I come from the school that encourages making your decisions based on listening,” says Wojcik. “No two situations are the same in classical music recording so you have to keep searching for the perfect sound and you do this by listening. For this reason, the main component of the control room are the monitors, and the Neumann KH 120s are a great tool.”

Wojcik’s first field test of the KH 120 came during the recording of a performance of an orchestra from Qatar at the United Nations General Assembly Hall in New York City. Wojcik set up his Neumann KH 120s in an alcove adjacent to the hall where he monitored the recording and also sent out a stereo broadcast mix for television. While he was monitoring at low levels, he says that the KH 120s performed admirably, providing a dynamic sound that simplified his job.

For Wojcik, having the right mix of tools is an absolute prerequisite to creating the vibrant recordings he has become known for in the industry. “I’m sure that the chisel and the hammer that Michelangelo used to create his statues were the highest possible quality of the time, and for me, the Neumann KH 120 is a wonderful tool to have — it’s like Michelangelo’s chisel,” Wojcik said.

In addition to the Neumann KH 120 monitors, Wojcik relies heavily on other Neumann and Sennheiser equipment such as Neumann KM series microphones, Sennheiser MKH series microphones — including the Sennheiser multi-pattern MKH 8000 which he uses on the ‘most demanding’ instruments — and a pair of classic Sennheiser HD 580 headphones.

“The basic premise of classical music recording is concert realism,” Wojcik concludes. “The recording should reflect the concert sound. If you go to the ideal concert hall, sit in the ideal seat in the ideal distance from the performance, this is how you should expect to hear a well made recording. Your skill and your choice of tools is immensely important. In my work as a recording recording professional, the Neumann KH 120s are a very important tool for me.”

Image caption:
Leszek Wojcik recording on location with his Neumann KH 120 monitors at the United Nations General Assembly Hall in New York City.

K-array and Hip Hop Legend Darryl McDaniels of Run DMC Help Inspire Underprivileged Children through New York Foundling’s Camp Felix

On Thursday, August 16th, children enrolled at Camp Felix participated in an exhuberant talent show, capping a two-week camp of activities that included arts and crafts, music, creative writing, drama and several workshops. Camp Felix, which is hosted each year by The New York Foundling — a prominent family services organization specializing in child welfare — is an overnight summer camp located in Putnam Valley, NY that features a variety of educational events and activities abandoned and underprivileged children.

Thursday evening’s talent show included a wide range of performances from children aged 8 to 13 such as synchronized Spanish dance routines, singer/songwriter performances and several vocal acts. The performances, which were broadcast to an audience of approximately 200 attendees through a pair of K-array KR 200 loudspeakers, also featured a performance of “Walk This Way” by Darryl McDaniels of Run DMC to cap off the evening.

Perhaps the highlight of the evening was when McDaniels gave a heartfelt message of hope to the children, stressing that they can overcome challenges and achieve whatever they want to in life. The New York Foundling, which helps over 13,000 people each year and whose guiding principle is ‘abandon no one,’ strengthens families and communities by helping each individual reach his or her potential. 

McDaniels was enthusiastic about the sound of the K-array loudspeakers and Sennheiser’s overall participation in the event: “Sennheiser had the K-array speakers at Camp Felix for the kids’ talent show and it was amazing,” he said. “People out in the parking lot wanted to know who was sounding so good at ‘the concert.’ And it was only two speakers!”

Ben Escobedo, RF services & field support engineer, technical services, Sennheiser, was on hand to set up and provide mixing services for the event: “This camp was for a great cause, and the K-array’s were just fantastic,” he said. “For an outdoor venue such as this, I needed something that was portable and could fit in my car, but that was powerful enough to provide great sound for the entire camp audience.”

Escobedo, who was able to get the system up and running in a matter of minutes due to its extreme portability, set up a simple mixer and connected Sennheiser microphones including an ew135 G3 wireless to provide flexibility on the stage, as well as e835, e935 and e965 wired microphones.

Photo captions:
1. Darryl McDaniels of Run DMC communicates a message of inspiration to children attending Camp Felix.
2. Performances at Camp Felix included Spanish dance routines; K-array KR 200s are visible at the left side of the photo.

St. Michael’s Church in New York City Discovers New Clarity in Music and Spoken Word with Recent K-array Loudspeaker Installation

Churches can provide an inspirational and pleasing atmosphere for congregants to enjoy both music and sermon messages. But frequently, challenging acoustic environments and highly reflective interior spaces can make creating a quality listening experience an enormous challenge. Recently, St. Michael’s Church in New York City upgraded its audio system for masses and services and chose Sennheiser-distributed K-array loudspeakers — not only for their unmatched audio quality, but also for their ability to blend into the existing aesthetics of the church.

The St. Michael’s Episcopal Church, which is located on the upper West Side of Manhattan, has been a mainstay for parishioners since its construction was completed in 1807. Its reverberant space makes it ideal for music performances, but the existing loudspeaker system that was in place more than 25 years was simply not up to the task of accurately reproducing both spoken word and live music performances with the quality and intelligibility that was required.

Once St. Michael’s made the decision to upgrade, authorized Sennheiser dealer PanAVid recommended installing K-array speakers and amplifiers to increase both sonic integrity and intelligibility, thereby improving the overall worship experience for congregants.

“The church’s reverberation makes it difficult to produce spoken word sound that is clear to all members of the congregation, but the K-array speakers and amplifiers provided crystal clear sound that has solved the problem,” said Robert Loehr, vice president of operations at PanAVid.

PanAVid installed two K-array KK 100 loudspeakers for the main system, two KKS 50s for the main sub-woofer system, and a total of six KK 50s as delay support speakers: two in the balconies and the other four spread throughout the sanctuary, all controlled by a programmable Roland digital mixing console.

“Although the church is beautiful in its classic design, this provides a unique acoustic challenge making it difficult for many of our congregation to hear the services,” said John Edward Cantrell, St. Michael’s Church’s choirmaster, organist and chief audio engineer. “K-array speakers and amplifiers helped us take advantage of the high frequencies the room favors, while boosting the overall quality of our spoken word services.”

The combination of the KK 50, KK 100 and KKS 50 made it possible for PanAVid to design a system that would meet the needs of St. Michael’s Church. The KK 50 and KK 100 speakers are compact line array elements comprised of multiple 2” neodymium transducers in a strong stainless steel chassis — each casting a wide dispersion pattern that can be configured horizontally or vertically. The KKS50 is a compact line array bass system comprised of 4 x 4” neodymium transducers housed in a stainless steel chassis that can also be configured horizontally or vertically.

The interior of St. Michael’s Church, which has a reverb time of approximately 3.5 seconds, has been particularly challenging for spoken word messages to be heard loud and clear. But Cantrell says the new K-array-based system generates a pleasing, crystal clear sound that provides clarity throughout the entire church.

With the new K-array installation now complete, Cantrell is able to spend more time creating inspirational music by playing the organ and leading the choir rather than at the mixing console grappling with interior acoustics and audio intelligibility.

Photo captions:
1. During a recent audio upgrade at St. Michael’s Church in New York, K-array speakers were chosen not only for their sound quality but also to match the aesthetics of the interior.

2. In the recent St. Michael’s audio upgrade, six K-array KK 50s were installed as delay support speakers.

3. View of the St. Michael’s sanctuary.

Sennheiser Unveils Premium Headsets Optimized for Microsoft Lync, Enabling Increased Quality in Unified Communications Deployments

Audio specialist Sennheiser announced the launch of two headset lines optimized for Microsoft Lync. The Circle Series wired headsets and the DW Series wireless headsets have been optimized for Microsoft Lync to enhance productivity in busy working environments. The new headsets help enable organizations leverage productivity advantages of a unified communications environment while providing comfort, voice clarity and premium sound quality for users.

Circle Series
The Circle Series includes two Microsoft Lync-compatible models: the dual-sided SC 260 ML and the single-sided SC 230 ML. Each is designed to deliver HD voice clarity sound and comfort to busy contact center, office and Unified Communication professionals. “In increasingly busy workplaces, smart communication tools that allow users to work more efficiently can give a competitive advantage. With Sennheiser’s launch of its new wired Circle Series headsets optimized for Microsoft Lync, we can help provide our mutual customers with an even wider choice of Unified Communications tools to improve their business productivity,” says Giovanni Mezgec, General Manager Lync Marketing at Microsoft Corp.

DW Series
The DW Series DECT wireless headsets includes three Microsoft Lync-compatible models: the 2-in-1 DW Office ML with headband and ear hook, the DW Pro1 ML single-sided headset and the DW Pro2 ML double-sided headset. “The DW Series of headsets optimized for Microsoft Lync leverages Sennheiser’s expertise in sound quality, noise cancelation and wireless audio transmission,” said Tori Seliokas, channel manager for telecommunications at Sennheiser’s U.S. headquarters. “The DW Series features an intelligent design, intuitive pairing options and a generous wireless range of approximately 180 feet within a typical office building. These features, especially when combined with Microsoft Lync optimization, can be a very powerful unified communications tool in just about any workplace.”

“Sennheiser is very pleased to be extending our portfolio with these five new wired and wireless products, each of which are now optimized for Microsoft Lync,” Seliokas concluded. “With our leadership in sound quality, comfort and hearing protection, contact center, office and Unified Communication professionals can enjoy an enriched communications experience.”

Photo captions:
Sennheiser’s Circle and DW Series headsets are now optimized for Microsoft Lync.

Neumann KH 120 Monitors Maintain Sonic Consistency in WWE’s Challenging Multiple-Medium Post-Production Environment

The production standard is set extremely high for post-production engineers at WWE (World Wrestling Entertainment, Inc.), a global entertainment company headquartered in Stamford, Conn. that reaches over 13 million viewers in the U.S. and broadcasts to more than 145 countries in 30 languages. Recently, WWE installed several pairs of Neumann KH 120s in its editing and post-production suites, which are used to monitor its weekly television, web and live auditorium programming.

The Neumann KH 120 was chosen for its versatility and its ability to deliver consistent sound quality across multiple broadcast mediums. Post-production staff at WWE relies on monitors in their non-linear video editing suites to produce audio that will provide viewers with the best possible listening experience on television, online and in arenas.

WWE produces seven hours of domestic television and another 80 hours of international content every week of the year, in addition to two home video titles and a pay-per-view event each month. When it came time to upgrade the video editing suites in WWE headquarters, the production team spent 18 months investigating options to get audio quality that sounded like “real speakers,” said Chris Argento, vice president of post-production at WWE.

“I fell in love with the audio quality of the small, self-powered Neumann KH 120 monitors,” Argentino says. “The stereo imaging and center channel information are absolutely perfect, and it’s incredible how accurate they are. There’s no artificial high end or feeling of processing. They sound like ‘real speakers’ and enable us to develop programming where we can judge the sound for television, online and the arena.”

Argento tested a variety of monitors while upgrading WWE’s Audio Mixing suites. For large suites, he selected Neumann’s new O 410 active midfield studio monitors. Having been extremely pleased with the crisp sound of the O 410s, Argento turned again to Neumann for the smaller non-linear video editing suites, which he chose to outfit with KH 120 monitors after getting firsthand experience with them during the 2011 NAB Show in Las Vegas.

WWE initially deployed pairs of KH 120 monitors in six non-linear editing suites, and subsequently added pairs to 14 additional suites. Now that the Neumann KH 120 has become the standard for WWE monitoring environments, Argento says he plans to add even more pairs of KH 120 monitors to additional editing suites in the near future.

Following its mantra of “good video is made by good audio,” WWE engineers are faced with a daily challenge of providing a consistent quality across existing and future media. Argento says the Neumann KH 120 monitors have made it easy to achieve this consistency, while maintaining the company’s high standards of audio quality.

The monitors have also aided editing and production staff in finishing programs that must forego audio post-production. Argento said it is critical post-production engineers are able get the same listening experience viewers will have later, and in this regard, he says the KH 120s have exceeded expectations.

As the first of Neumann’s line of studio monitors, the KH 120 is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. It represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible.

Antelope Audio Eclipse 384 AD/DA Converter Brings Master-Quality Audio to Korn Frontman Jonathan Davis’ Road Rig

Korn shook up the rock world at the end of 2011 when the L.A.-based band released its tenth studio album, “Path of Totality,” featuring collaborations with a host of dubstep producers including multiple Grammy Award-winner Skrillex. Now, Korn frontman Jonathan Davis is doubling down on his recent statement that “North American dubstep is the new electronic heavy metal” through a side project, Killbot, and a solo project under his DJ name, J Devil, recording into a laptop on the road and in the studio, using Antelope Audio’s new Eclipse 384 converter, master clock and monitor controller.

Davis recently added the Eclipse 384 AD/DA converter in order to streamline his mobile production rig after spotting it on the Antelope Audio web site. The 384 kHz A-to-D/D-to-A converter is clocked using the same Oven Controlled Clock and 64-bit Acoustically Focused Clocking technology that is implemented in Antelope Audio’s renowned Trinity Master Clock. The Eclipse 384 offers additional features conducive to mobile production applications, including two dedicated headphone amplifiers and a custom USB interface, as well as two large peak meters on the front panel. In order to simplify operation, users can create up to five custom presets of favorite setups via the system’s OS X- and Windows-compatible software control panel that may then be recalled from the Eclipse 384’s front panel.

“This is all I’ve got now; I used to have racks of stuff,” says Davis, who records vocals, guitar and bass into an Apple MacBook Pro through a signal chain comprising little more than the Antelope Eclipse 384, an API Channel Strip and a Shure microphone. “It’s basically my studio all in one box. It’s the best interface I’ve used. I love that everything is right there,” he says of the Eclipse.

Davis, who has been performing DJ sets using the moniker J Devil, is a longtime aficionado of electronic dance music (EDM), and has been producing dubstep-influenced remixes for rock and electronic artists for several years. Having started creating EDM on his laptop “for fun,” Davis has now teamed up with dubstep producers and fellow metal-heads Sluggo and Tyler Blue to form Killbot, a “metalstep” collaboration that has signed to Steve Aoki’s Dim Mak dance record label and has announced plans to release a four-track EP. There is also a J Devil solo EP in the works.

Davis has jumped into EDM production with both feet, making use of every waking minute to create new music for all of his projects. “Making electronic music and learning to produce and learning my new instrument—laptop, I call it—has been an amazing thing,” he told Billboard.com recently. “After every Korn show I come offstage, take a shower and I start writing.”

By utilizing high-grade audio production equipment such as the Antelope Eclipse 384, Davis is able to produce release-ready masters right there on the tour bus or the hotel room. “The Eclipse is essential, because it gives me everything I need to work on the road and not just make a demo. The stuff I actually do on the road I keep and it sounds great—it’s not just a demo that I have to rework or re-record later,” he says.

Sennheiser and Full Compass to Co-Sponsor Vocal Recording Clinic Featuring Leslie Ann Jones of Skywalker Sound

Audio specialist Sennheiser and Full Compass Systems, a national leader in professional audio, professional video, A/V, lighting and musical instrument sales, are co-sponsoring a special audio recording clinic on Tuesday, September 11th at the Full Compass facility in Madison, WI. The event will feature renowned, Grammy® award-winning sound engineer Leslie Ann Jones, who will demonstrate vocal recording techniques and cover best practices when recording live vocals in the studio.

Attendees will be provided with a pair of Sennheiser HD 449s, enabling them to monitor both recording and playback. The event will feature door prizes including a K-array Piccolo audio system, a Neumann TLM 102 microphone and a TRUE Systems P-SOLO microphone preamplifier.

Leslie Ann Jones, who is Director of Music Recording and Scoring with Skywalker Sound, has been a recording and mixing engineer for over 30 years. She began her career at ABC Recording Studios in Los Angeles in 1975 before moving to Northern California in 1978 to accept a staff position at the legendary Automatt Recording Studios. There she worked with such artists as Herbie Hancock, Bobby McFerrin, Holly Near, Angela Bofill, and Narada Michael Walden, and started her film score mixing career with “Apocalypse Now.”

From 1987 to 1997 she was a staff engineer at Capitol Studios located in the historic Capitol Records Tower in Hollywood. She recorded projects with Rosemary Clooney, Michael Feinstein, Michelle Shocked, BeBe & CeCe Winans, and Marcus Miller, as well as the scores for several feature films and television shows.

In 2003, Leslie was nominated for a Grammy Award for Best Engineered Recording, Classical, and received a Grammy Award for The Kronos Quartet’s recording of Berg: Lyric Suite, which won Best Chamber Music Album. This year, she won a Grammy Award for Best Engineered Album, Classical for Quincy Porter: Complete Viola Works by Eliesha Nelson & John McLaughlin Williams.

World renowned DJ legend Bob Sinclar becomes Sennheiser’s first global headphones endorser – combining music with style

Old Lyme, Conn., August 7, 2012 – With a list of hits including ‘World Hold On’ and ‘Love Generation’ as part of his back catalogue, Bob Sinclar can truly be described as a DJ legend. The man who brought the groove back to the dancefloor – a man who marches to the beat of his own tune, producing number ones around the world which are played on radio stations in every country and on every continent. Bob Sinclar has carved out a reputation as one of the most talented DJs on the planet and Sennheiser is proud to announce that he will be its first global endorser for the new Amperior headphones. This is a collaboration be¬tween a man and a company who are both passionate about music and style.

The Sennheiser Amperior brings DJ-club sound quality to the streets – perfect for everyday music fans wanting superior sound as they listen to their beats on the move. The Amperior mobile headphones are a must-have for users wanting to experience the professional quality enjoyed by Bob Sinclar. They combine the pureness of sound of a great performance with a high-end look and style.

For Bob Sinclar sound quality is paramount. Whether three people in a small room are listening to his hits, or a dance floor full of clubbers, the sound needs to be precise and exact, and he gets this with Sennheiser – having used their HD 25 headphones for years. For him, nothing is more important than sound quality in order to share the energy of the songs with his audience; for them to hear, enjoy and react to each beat and every word.

For Bob Sinclar, being a DJ is a way of living – and was his dream since the age of 16. He is passionate about sharing energy with the crowd, creating an environment for them to escape to and lose themselves in their enjoyment of the music.

From the States to South America, Europe, Asia and Australia, the demand for Bob Sinclar’s smooth disco-tinged house sets is unwavering. His flair for blending vocals, instrumentals and rhythms into one soaring, euphoric house set rocks clubs to their very foundation wherever he touches down.

On the partnership with Sennheiser, Bob Sinclar commented, “I have worn Sennheiser headphones since I was 18, since the start of my career, because of the quality of sound. It goes straight to your ear so you can enjoy and lose yourself in the music. I want people on the streets to experience with the Amperior what I myself experience when I DJ, when I produce, when I listen to the music that I not only make, but that inspires me. Sennheiser creates a professional quality of sound for every day, and is the best in the industry.”

Sennheiser Amperior headphones are part of the lifestyle range. Their sound signature has been derived from the legendary HD 25 monitoring headphones. They bring together cutting-edge and superior sound technology with stunning materials to create headphones that people want to be seen wearing. The Amperior come in a silver or blue aluminium finish and are the perfect choice for those who don’t want to choose between perfect sound and cool design. Allowing people to experience club beats wherever they are – a real design statement which means you’ll stand out in the crowd and show your real appreciation for quality sound. Demonstrating their exclusivity, Sennheiser Amperior headphones are currently only available in Apple stores and Apple online stores and they are the perfect fit for the iPad, iPhone and iPod.

Peter Callan, President, Consumer Electronics at Sennheiser explained, “These headphones are essential for all music lovers who want to experience the pure joy of a great sound performance – whenever they want and wherever they go. We are extremely excited and proud to be working with Bob Sinclar, a true musical legend, who combines fashion and style with music – just like the new Amperior.”

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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