Archive of the Processing Category

Hal Leonard Announces The Pensado Papers

The behind the scenes story of Dave Pensado’s and Herb Trawick’s incredible and inspirational journey

Montclair, NJ (September 2, 2014) – Hal Leonard Books, the musician’s best source of books on the music business, audio technology, instrument history, and more, announces the release of The Pensado Papers, written by Dave Pensado, first-call mixing engineer (Beyonce, Christina Aguilera, Kelly Clarkson, Mariah Carey, Elton John, Michael Jackson, and more!) and his manager Herb Trawick.

Pensado_cover

The Pensado Papers is first and foremost about work ethic, passion, and commitment. The authors instill the strong conviction that going beyond expectations will guarantee success on all levels. “To this day, if someone hires me to do something it is rare that I don’t do way more than what I’m paid to do,” writes Pensado.

The Pensado Papers reveals insights into the engineering regime of a recording genius, a creative philosophy that results in achievement and success. Starting from the very beginnings of Dave and Herb’s friendship, the book leads to their top-rated YouTube show, Pensado’s Place, where they discuss important music and audio recording topics with pro audio experts. “Audio is the foundation of Pensado’s Place. But the show is really about creativity,” says Pensado when he talks about the show in the book.

The book is written in a warm conversational tone between two friends, with occasional friendly banter making it even more fun to read. Maureen Droney – editor and long-time friend to Pensado and Trawick – has skillfully captured the likeability, wisdom, and charm that millions of viewers have grown to love about this incredible duo.

Dave Pensado and Herb Trawick will introduce their book at the 137th AES Convention at Los Angeles:

Friday, October 10 at 2 pm
AES Platinum Event with Herb and Dave

Saturday, October 11 at 11 am.
Book signing at the Hal Leonard booth #1141

Praise for The Pensado Papers
“The Pensado Papers is a must-read for anyone who’s ever craved the behind-the-scenes, double-barreled, all-access pass into the music business that only Dave Pensado and Herb Trawick could provide: fiery, insightful, incisive, inspiring, and most importantly, one hell of a good read.” —Nick Messitte, Contributor, Forbes.com

About the Authors
Dave Pensado is a Grammy Award-winning mixing engineer who cut his teeth in Atlanta doing live and studio sound engineering during the 1970s and 1980s. In 1990, he moved to Los Angeles and now mixes between 200 and 250 songs per year. In September 2011, he and Herb Trawick started a weekly show called Pensado’s Place. The show is about engineering techniques and features interviews with guest mixers, producers, and artists, and has enjoyed tremendous success due to the valuable information provided by and their guests. Dave and Herb both live in Los Angeles.

The Pensado Papers – Available October 9, 2014 – PLEASE CONTACT Martina@musicmarcom.com for pre-release review copies!

The Pensado Papers
$29.99 (US)
Inventory #HL 00120020
ISBN: 9781480345690
Width: 7.0″, length: 10.0″, 320 pages

For more information, please visit HalLeonardBooks.com

Westlake Pro Hosts Mixing Master Class with Andrew Scheps

First videos in series now available on YouTube

Los Angeles, CA – Westlake Pro, a leading retailer of professional audio, video, broadcast equipment, recording, and live sound equipment, technical services and musical instruments, recently hosted a Mixing Master Class with legendary audio engineer Andrew Scheps. The seminar, which took place at The Village Studios in Los Angeles, was filmed and edited into a video series, with the first of 13 now available for viewing on Westlake Pro’s YouTube channel.
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Flux releases IRCAM SPAT v3 for AAX/AU/VST

Flux completes migration to v3 with the release of SPAT v3 adding support for AVID AAX and 64 bit systems.

Oceanside, California, USA – Flux Sound and Picture Development of Orleans, France is proud to announce the release of SPAT v3, a positional audio plug-in combining three independently definable surround reverbs in a single plug-in with the ability to position and animate, with full automation, mono and stereo sound sources within these reverberant spaces.

SPAT may also be used to position and animate sources with all reverbs disengaged. This advanced feature set makes SPAT an indispensable tool for post-production professionals for ADR.

SPAT has been embraced by many within the community of orchestral composers as a tool for placing instruments on a virtual performance stage for position-correct and convincing orchestral emulations.

SPAT v3 adds support for AVID’s new AAX Native plug-in format. In addition to AAX, Audio Units and VST remain supported on both Mac and Windows. SPAT v1 remains available for users of RTAS systems.

All Flux v3 audio tools support both 64 and 32 bit systems with sample rates up to 384K. The Flux v3 platform delivers exceptionally rich, informative and responsive metering with near zero CPU cost by distributing UI processing to your systems’ GPU. All Flux audio tools are 8-channel ready for surround applications up to 7.1. The only exception is the distinctly named Stereo Tool freeware.

SPAT v3 is available to current SPAT users for no charge. Download SPAT v3 here: www.fluxhome.com/download

In celebration of both the release of SPAT and the completion of the Flux migration to v3, Flux is offering SPAT, the IRCAM TOOLS bundle containing SPAT and all upgrades to SPAT at a 30% discount, effective immediately.

Locate an authorized dealer for Flux and IRCAM Tools by visiting the exclusive Flux US distributor: www.AudioSage.com.

About Flux
Flux Sound and Picture Development of Orleans, France are developers of advanced software audio tools compatible with all major DAWs. Flux specializes in advanced dynamic control, rich real time analysis and EQ. Flux produces the IRCAM Tools line of psychoacoustic post-production tools in collaboration with the prestigious IRCAM Institute of Paris.

Audiofile Releases Spectre 1.7

Major update to leading audio analysis suites is currently a Featured App and named a “Best New App” on the Mac App Store

Minneapolis – (May 16, 2014) – Audiofile, a leading music technology company, today announced a major update to Spectre, the popular real-time audio analysis suite for OS X. The new version, currently featured on the Mac App Store and named a “Best New App”, is available for 50% off the original price for a limited time.

Spectre 1.7 Spectre 1.7

Ideal for any audio professional working today—from producers to broadcast engineers to video editors—Spectre is packed with 20 different multi-channel and multi-trace meters including Level, VU, Spectrograph, Oscilloscope, Spectrogram, LU and LU History. With version 1.7, Spectre has been rewritten from the ground up to support the latest loudness standards as well as making it even more powerful and beautiful.

“Spectre has always been incredibly accurate,” said Matthew Foust, Audiofile Managing Partner and co-founder. “But the enhanced performance in version 1.7 makes your meters more detailed and responsive, providing an even clearer picture of your audio.”

Beyond its significant performance upgrade, Spectre’s updated meters are now even easier to configure. Additionally, they are now Retina-ready and fully optimized for OS X Mavericks, including improved full-screen and multiple display support.

New additions and enhancements to Spectre include:

• Greatly improved performance and stability

• Fully optimized for Retina displays

• Audio bundles enable the creation of groups of channels for audio input hardware, making configuration even easier

• Comprehensive full-screen support

• Meter configuration is now built into each meter

• Traces have their own spectral analysis settings

Spectre includes all of these improvements for it’s original low price, making it ideal for students and professionals alike. And, to celebrate its release, Audiofile is offering an introductory discount on Spectre for only $49.99, 50% off the original price for a limited time.

For more information about Spectre, visit http://www.audiofile-engineering.com/spectre/. To buy Spectre through the Mac App Store, visit https://itunes.apple.com/us/app/spectre/id436872608?mt=12.

ABOUT AUDIOFILE

Audiofile is a boutique technology company building apps that power the world’s musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2006, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name.

Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

iZotope Honored with a New England Innovation Award

SBANE recognizes iZotope for innovation in audio

iZotope Inc., Cambridge, MA - iZotope Inc., a leading audio technology company, has been honored with a 2014 New England Innovation Award by the Smaller Business Association of New England (SBANE). Selected from 210 organizations that lead development in their fields, iZotope was chosen by SBANE for its technological contributions to and reach throughout the audio industries. iZotope technologies are a key component in many music and television studios around the globe, allowing users to change the way they approach audio production.

SBANE recognizes companies and organizations that have transformed their unique ideas into a product or service that SBANE_Logodemonstrates significant benefit to users and addresses market need. One prominent example is iZotope’s Emmy Award-winning RX®, which has changed the way audio is repaired and enhanced in the television broadcast industry. Former winners come from varying fields such as technology, manufacturing, service (both for profit and not for profit), and retail/distribution. Previous winners have included notable companies such as Staples, PictureTel, Ben & Jerry’s, Brooks Automation, Direct Tire, Genzyme, Nantucket Nectars, Imagitas!, Aurora Imaging Technology, and iRobot.

“SBANE is doing very important work in highlighting the amazing innovation that is happening in New England,” says Mark Ethier, co-founder and CEO of iZotope. “It’s inspiring to see what’s happening here and to be a part of it. We are excited to continue to innovate and continue to change the way people are producing sound. It is an honor to accept this award.”

Winners and Finalists of this prestigious award were honored at the “Evening of Innovation” Gala Dinner on May 7, 2014 at the Westin Hotel, Waltham MA. The keynote speaker for this Gala Dinner was Andy Miller, Chief Innovation Architect of Constant Contact.

A complete list of winners can be found on SBANE’s website.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®.

For more information on iZotope products, please visit www.izotope.com.

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StreamGuys and Orban Bring Internet Radio Ecosystem to Life

Complete suite of services gives radio broadcasters an affordable multiplatform alternative

Bayside, California, April 14, 2014StreamGuys and Orban have joined forces to bring an affordable turnkey streaming service to market that addresses the complete internet radio ecosystem. The service will help broadcasters cover the entire media landscape of where audiences exist today — and effectively monetize streams to accelerate return on investment.

The new StreamGuys/Orban solution allows broadcasters to use the entire turnkey package, or choose the elements they need today with options to scale moving forward. The overall solution emphasizes reliable content delivery and business growth regardless of how many services a particular broadcast requires — ensuring that independent radio stations and large network operators receive equal attention while establishing and growing an online identity.

“Broadcasters need to provide online and mobile audiences with a high-quality user experience while generating new revenue streams and controlling costs,” said Kiriki Delany, president, StreamGuys. “StreamGuys and Orban are combining historical strengths to ensure a robust and revenue-generating streaming service customized to each broadcaster’s requirements.”

The complete collection of services address the entire content lifecycle, including front-end processing and multiplatform content delivery to ensure quality of service; as well as business software and playout tools to build audiences and drive revenue opportunities.

Process: Orban’s highly efficient audio processing products prepare broadcast signals for multi-platform delivery, retaining optimal signal integrity while encoding metadata-rich streams into multiple formats – making an exceptional user experience possible across any consumer device.
Deliver: StreamGuys’ cloud-based streaming architecture reliably streams live and on-demand content to the web, mobile and in-car devices, internet radios and OTT media players.
Monetize: Dynamic, server-side ad insertion technologies help broadcasters reliably target audiences without complex integrations, while subscription services from StreamGuys enable broadcasters to generate revenue through special content — with rock-solid conditional access protection.
Play: The latest HTML5 and Flash player options ensure audiences can tune in from anywhere — including tablets and smartphones — while rich mobile apps drive deeper engagement with listeners.

The complete solution also ensures compatibility with industry-leading automation systems to enhance content management and reporting across multiple streams. Additionally, the solution incorporates a variety of reporting and analytics tools to help broadcasters understand global audiences, research trends and pinpoint potential growth opportunities.

“Collectively, the Orban and StreamGuys turnkey streaming service brings world-class broadcast technology into the streaming media universe, ensuring that broadcasters achieve the same premium quality and business opportunities they do with their over-the-air services,” said C. Jayson Brentlinger, president and CEO, Orban.

About StreamGuys, Inc.
In business since 2000, StreamGuys is a provider of audio and video streaming toolsets and services. The company has a reputation for outstanding customer service, a robust and reliable network, and competitive rates. More than 600 clients worldwide, across many industries, depend on their mission-critical service. Projects include serving as the technology backbone for live streaming/podcasting for top public broadcasters such as New York Public Radio, WAMU Washington D.C., KQED San Francisco and WXPN Philadelphia; live video events for major auto racing circuits and the British Royal Wedding; audio streaming for government entities such as D.C. Court of Appeals, U.S. Army, and the National Science Foundation; mobile video content for Cisco Systems; and IPTV content for international broadcaster ABS-CBN.

# # #
StreamGuys, Inc – info@streamguys.com – www.streamguys.com – 707.667.9479
P.O. Box 828 Arcata, California 95518 – fax 707.516.0009

Audiofile Releases Triumph 2.3

Major update to professional audio editor and post-production tool includes integration of Final Cut Pro X technologies

Minneapolis – April 2, 2014 Audiofile, a leading music technology company, today announced the latest major update to Triumph, their acclaimed audio editor and post-production tool for Mac.

Currently featured as a “Best New App” and “Great App for Final Cut Pro” on the Mac App Store, Triumph 2.3 now supports Final Cut Pro X XML import and export complete with video preview, placing it among the App Store’s most powerful audio editors for sound designers, video editors and filmmakers. 

Triumph_Screenshot

“Triumph 2.3 represents a significant step forward for Final Cut Pro X integration,” according to Matthew Foust, Audiofile Managing Partner and co-founder. “With this release we’ve made it even easier for filmmakers the world over to create sound for their films that is as beautiful and polished as the their visuals.” 

In addition to bridging the gap between sound design and Final Cut Pro X, Triumph 2.3 introduces iCloud support, adding to its already rich list integrated Mac technologies. With the inclusion of iCloud support, users are now able to share Triumph projects across all of their personal or studio machines and iOS devices.

“Support for the latest Apple technologies isn’t just a box we check,” says Ev Olcott, Senior Software Architect and co-founder. “Apple technology—from iCloud to Applescript and nearly everything in between—is quite literally at the core of what we do and it has been since the beginning.”

Triumph_Tools

Triumph has been completely rebranded when Creative Director Joseph Kuefler joined the Audiofile team.

Triumph 2.3 is only the latest in a planned roadmap of major updates, all in an effort to further distinguishes it as the flagship Audiofile app for Mac.

For more information about Triumph, visit http://www.audiofile-engineering.com/triumph/ 

 

About Audiofile
Audiofile is a boutique technology company building apps that power the worlds musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2004, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name.

Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

Jünger Audio Shows The D*AP4 VAP Voice Processor At NAB 2014

At NAB 2014 (Booth C2134), dynamics processing specialist Jünger Audio will be showing its recently introduced D*AP4 VAP Voice Processor – a unique unit that is designed to make life easier for engineers working in radio stations, TV production voice-over studios and feature film ADR facilities.

What makes this processor so special is the inclusion of Jünger Audio’s proprietary Spectral Signature™ dynamic EQ – a totally new creative tool that offers automatic and dynamic EQ control to balance spectral differences. By analyzing incoming audio and comparing its spectrum with individually predetermined voice ‘fingerprints’, this clever unit can automatically apply dynamic EQ corrections to give a consistent sound.

For people working in TV voice over and feature film ADR, this facility is a Godsend. Imagine, for example, that you have booked an expensive and well-known actress to voice the cute little rabbit in your new children’s TV series. Over the course of the recording sessions you notice that her voice sounds different at different times of the day – maybe because she is tired, or has developed a sore throat, or has had a heavy night and smoked a lot of cigarettes. If you want your rabbit to sound exactly the same every time, how do you overcome this?

Jünger Audio’s D*AP4 VAP Voice Processor is the answer. On day one you record the actress’ best rabbit voice, and then measure it using Spectral Signature. The voice’s tonal characteristics are analyzed and recorded as a curve on a graph, which is used as a template for all future recordings. The next time your actress does her rabbit voice, the unit compares the new recording to the saved version and automatically adjusts the frequency until both voices match. Voilà! A perfect rabbit voice every time, thus saving a fortune in repeated ADR and voice over sessions, not to mention a lot of frustration on all sides.

Jünger Audio’s D*AP4 VAP Voice Processor is equally interesting to radio broadcasters who want to create an aural identity for their radio stations. By using exactly the same spectral sound management principles, the unit measures specific voice recordings and then uses these sound fingerprints as a reference. The Spectral Signature algorithm matches all subsequent live recordings to these fingerprints, thus creating a dedicated ‘station sound’.

“The D*AP4 VAP draws on our extensive experience with previous Voice Processing devices such as our popular VO2, but adds new tools and algorithms to create an easier and more efficient approach to voice processing with no compromise in sound quality,” says Peter Pörs, CEO of Jünger Audio. “We have also included processing such as HP/LP filtering, versatile dynamics section, full parametric EQ and de-essing, and made the unit really easy to use – even for non-technical radio staff such as producers and journalists.”

Jünger Audio has also provided a dedicated voice leveler combined with an auto-mixer circuit to help mixed voice programs into loudness-based broadcasting on the fly. Using the optional SDI I/O card automated voice over for SDI embedded audio becomes an attractive feature of the D*AP4 VAP.

Available as either an insert into a mixing desk or as a stand-alone unit, D*AP4 VAP offers interfaces that allow integration in existing environments via an AES insert. The unit can also be used with an optional analogue board that adds two high quality mic-preamps.

For more information about Jünger Audio’s D*AP4 VAP, please visit NAB booth C2134 or visit the company’s website at www.jungeraudio.com

-ends-

About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

Audiofile Releases Fidelia 1.5

A major update to the popular high definition music player for OSX

Audiofile, a leading music technology company, today announced an update to Fidelia, the acclaimed premium music player for Mac. Fidelia 1.5 introduces AirPlay, support for Notification Center, Improvements to FHX™, significant improvements to reliability and performance, as well as an updated interface and branding.

“The sophisticated music lover will always be looking for the best listening experience,” says Matthew Foust, Audiofile Managing Partner and co-founder. “Fidelia offers what many digital music players can’t: support for the highest quality formats. But it’s not enough to simply support the best formats. Fidelia also provides users with tools that allow them to control nearly every parameter of the sonic experience.”

Fidelia 1.5 also introduces an updated design for Fidelia Remote for iOS. Fidelia Remote for iOS turns your iPhone or iPod touch into a full-featured remote control for the Fidelia music player. Browse your Fidelia library and playlists, adjust playback volume and navigate between or within tracks from as far away as your wireless network allows.

Fidelia 1.5 is the first in a series planned set of updates.
For more information about Fidelia, visit http://www.audiofile-engineering.com/fidelia/.

Pricing & Availability
Fidelia 1.5 is available on the Mac App Store starting at $19.99 or at audiofile-engineering.com.

About Audiofile
Audiofile is a boutique technology company building apps that power the world’s musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2004, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name. Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

Symetrix Announces SeeSound as New Spanish Distributor

Carles Ribo, SeeSound's product manager, discussing the new distribution contract with Symetrix

Carles Ribo, SeeSound's product manager, discussing the new distribution contract with Symetrix

Eminent Spanish pro-audio distributor will support the digital signal processing brand with extensive training and trade show presence.

SEATTLE, US: Digital signal processing specialist Symetrix has announced the appointment of Barcelona-based SeeSound to serve as its exclusive distributor for the Spanish market. A pro-audio distributor with more than ten years’ experience, SeeSound offers solutions for the live, broadcast, contractor and installation markets.

SeeSound expects Symetrix products such as the Jupiter app-based DSP and flexible SymNet Radius 12×8 Dante™ DSP to resonate with a rapidly growing demand for flexible processing solutions across the Spanish market.

Reflecting on the latest addition to a 20-strong brand portfolio, SeeSound product manager Carles Ribo says that Symetrix “provides a complete solution to implement DSP and control in an audio system. SeeSound has always been aware of its capabilities and has followed its evolution, including the adoption of Audinate’s hugely popular Dante networking technology. Today, we regard Symetrix as one of the top players in this market.”

To help enhance awareness of the Symetrix product range and what it can do for a broad cross-section of professional users, SeeSound plans to implement an extensive training effort. “Audio installers and consultants need to know the possibilities of the different models and the best ways of implementing them. We will also be exhibiting the entire product range at AFIAL (25-27 March 2014), the leading pro-audio show in Spain,” says Ribo.

Craig Richardson, VP of Global Sales at Symetrix, welcomed the latest addition to the manufacturer’s family of distribution partners. “SeeSound has more than a decade’s experience of working with some of the biggest pro-audio brands in the world, and its success throughout that period speaks for itself,” he says. “Symetrix already has a strong foothold in Spain, but we are confident that SeeSound’s expertise and sales network will take the brand to the next level.”

www.seesound.es
www.symetrix.co

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