A next-generation tool for audio editing, mastering, sound design, podcasting and post-production
Minneapolis, MN (January 21, 2015) – Audiofile, a leading music technology company, announces the release of Triumph 2.5 on the Mac App Store. Built on the success of the company’s Wave Editor, Triumph 2.5 represents the next generation in audio editing, mastering, sound design, podcasting and post-production with new features, powerful DSP and a refined workflow.
Triumph 2.5 is a significant step forward in Triumph’s evolution. Audiofile has improved workflow efficiency by redesigning the Render Assistant with the ability to render and export multiple formats simultaneously, allowing assets to be auditioned more easily by clicking “play” in an asset’s popover, and by adding video import functionality, which will appeal to sounds designers and those working in post-production.
Triumph 2.5 also represents a significant step forward for sample rate conversion and dither as it now includes algorithms by Goodhertz, creators of Triumph’s digital scrubbing feature and FHX™ headphone listening DSP. Goodhertz’ mastering-grade audio sample rate converter combines incredible sonic performance with unmatched speed and efficiency for a nearly ideal frequency response, preserving high frequency content and eliminating aliasing. Goodhertz dither is a custom-tailored noise shaping algorithm that, rather than relying on noisy peaks or drastic high frequency shaping, always remains smooth and natural sounding while preserving every possible detail of the audio.
“The Triumph workflow is revolutionary,” adds Ricardo Gutierrez, Grammy-winning mastering and mix engineer. “It’s a great Swiss army knife. The fact that it can play back different sample rates in a project is amazing. The shapes used for automation, and the way you can snap to grid the different shapes, is really cool. I’m fully in the box now with mastering and finally have the tools and plug-ins to work in the box. I haven’t touched my analogue gear since the summer. Clients want things so fast and Triumph lets you do that!”
Other additions and enhancements to Triumph include:
• Greatly improved performance and stability
• Optimized for OS X 10.10 Yosemite
• Enhanced editing of individual channels in the Waveform View
• Adds an option to import DDP sets from the File menu
• Improved SoundCloud integration
• Improved multichannel file support
• iZotope MBIT+ Dither™ and 64-bit SRC™ are now available by purchasing an additional license from the Audiofile online store or via in-app purchase in the Mac App Store version
• Various improvements to key commands
• Improved User Guide
“I really like this app a lot,” said Rich Breen, Grammy-winning recording, mix and mastering engineer. “Of course, most important are the sonics, and I’ve found it to be totally solid in this respect. For scripting, I can either duplicate and edit an existing script directly in Triumph, or copy it into AppleScript Editor and edit there for greater flexibility – I don’t know of any other audio apps that offer this kind of feature.”
Pricing and Availability
Triumph 2.5 is now available on the Audiofile website for $79.99. Triumph 2.3.2 is available on the Mac App Store for $79.99 with free update coming soon. For product and ordering information or to download a demo, visit http://www.audiofile-engineering.com/triumph/.
Developer/Co-Founder Matthew Foust will be at the NAMM show in Anaheim, California, January 22-24. Contact email@example.com or Dot Bustelo (firstname.lastname@example.org) to schedule a meeting.
Audiofile is a boutique technology company building apps that power the world’s musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2003, Audiofile is among the most innovative and experienced audio software developers for OS X and the iOS with a long history of industry firsts to their name. Learn more about Audiofile’s entire range of music apps at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter: @weareaudiofile.