Archive of the Recorders and Editors Category

Flux releases IRCAM SPAT v3 for AAX/AU/VST

Flux completes migration to v3 with the release of SPAT v3 adding support for AVID AAX and 64 bit systems.

Oceanside, California, USA – Flux Sound and Picture Development of Orleans, France is proud to announce the release of SPAT v3, a positional audio plug-in combining three independently definable surround reverbs in a single plug-in with the ability to position and animate, with full automation, mono and stereo sound sources within these reverberant spaces.

SPAT may also be used to position and animate sources with all reverbs disengaged. This advanced feature set makes SPAT an indispensable tool for post-production professionals for ADR.

SPAT has been embraced by many within the community of orchestral composers as a tool for placing instruments on a virtual performance stage for position-correct and convincing orchestral emulations.

SPAT v3 adds support for AVID’s new AAX Native plug-in format. In addition to AAX, Audio Units and VST remain supported on both Mac and Windows. SPAT v1 remains available for users of RTAS systems.

All Flux v3 audio tools support both 64 and 32 bit systems with sample rates up to 384K. The Flux v3 platform delivers exceptionally rich, informative and responsive metering with near zero CPU cost by distributing UI processing to your systems’ GPU. All Flux audio tools are 8-channel ready for surround applications up to 7.1. The only exception is the distinctly named Stereo Tool freeware.

SPAT v3 is available to current SPAT users for no charge. Download SPAT v3 here: www.fluxhome.com/download

In celebration of both the release of SPAT and the completion of the Flux migration to v3, Flux is offering SPAT, the IRCAM TOOLS bundle containing SPAT and all upgrades to SPAT at a 30% discount, effective immediately.

Locate an authorized dealer for Flux and IRCAM Tools by visiting the exclusive Flux US distributor: www.AudioSage.com.

About Flux
Flux Sound and Picture Development of Orleans, France are developers of advanced software audio tools compatible with all major DAWs. Flux specializes in advanced dynamic control, rich real time analysis and EQ. Flux produces the IRCAM Tools line of psychoacoustic post-production tools in collaboration with the prestigious IRCAM Institute of Paris.

iZotope Releases New BreakTweaker Expansion: Modern Grooves by Black Octopus

Cambridge, MA — iZotope Inc., a leading audio technology company, and Black Octopus, creators of high-quality sounds for music production, have released Modern Grooves, a new expansion pack for iZotope’s acclaimed drum sculpting and beat sequencing plug-in, BreakTweaker.

Featuring modern, clean, and crisp sounds with a dash of retro throwback, the expansion includes more than 300 sounds with 40 presets—all designed to have a timeless feel and work well with a wide range of material.

In an interview with iZotope, Black Octopus founder Toby Emerson describes his approach to creating Modern Grooves: “I hope the pack will provide something for artists of all skill levels. Users can start with the presets and then tweak the sounds to create something original… For people wanting to sketch ideas in the studio, I tried to lay out the patterns in a musically logical way—someone could jam out full tracks on the fly just by switching between the patterns using a keyboard or MIDI controller.”

Modern Grooves can be seen and heard on iZotope’s YouTube channel: http://youtu.be/y801efft7HU

Pricing and availability:

• Modern Grooves is available now at iZotope.com for $39.00.
• BreakTweaker is on sale now through July 31, 2014 for $199 (save $50) or BreakTweaker Expanded for $249 (save $50).
• BreakTweaker is available with demo content as a free 10-day trial at iZotope.com/BreakTweaker.

Visit the iZotope blog for more on Modern Grooves, including a full Q&A with Toby Emerson of Black Octopus Sound.

About iZotope
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®.

Video Devices PIX 260i Streamlines Multi-Campus Workflow For Bethlehem Baptist Church

MINNEAPOLIS, JULY 8, 2014 – When Bethlehem Baptist Church was looking for a reliable video/audio solution for recording and playback of weekly services among the house of worship’s multiple campuses, it turned to the PIX 260i Production Video Recorder from Video Devices, a new brand of Sound Devices that is dedicated to the company’s mission critical video products. The church utilizes five PIX 260i’s to ensure the highest quality video and audio when rebroadcasting sermons to the campuses.

Comprised of three campuses (Downtown, North and South), Bethlehem Baptist Church hosts multiple services a week. In order to ensure that all three campuses have a current sermon from the main pastor, Associate Director for Media Ministries Jonathan Davis records the Saturday night service using the PIX 260i. He then sends the recording for playback to the two campuses not being served by the preaching pastor, on a particular Sunday morning. Recorded files can be transferred over Ethernet or delivered on one of the four drives that the 260i is able to simultaneously record to. The Downtown and North campuses feature a full production setup, while the South Campus is a portable campus at a local high school for the Sunday morning services. The Downtown and North campuses each have two PIX 260is, and the South campus has another.

The PIX 260i’s extensive audio capabilities are an essential component for the facility. The facility records both the mono- and stereo-feed of the house, as well as an iso of the pastor’s mic. Using the PIX 260i, the facility is able to send and receive all audio over Dante to and from its Yamaha CL5 mixing system. In order to cater to its ethnically diverse members, Bethlehem Baptist Church also records live Spanish and Russian translations. The multiple track count gives the facility room to grow in terms of having additional isolated audio tracks available, when needed. In addition, with only two full-time media staff members, the facility needed a user-friendly solution to cater to its large volunteer base. The PIX 260i’s large display and easy-to-use controls enable non-professionals to use the equipment with ease on an ongoing basis.

“We found that the PIX 260i met all of our criteria, and most importantly, it was seamlessly incorporated into our existing AV system,” says Davis. “The PIX 260i gives us ultimate flexibility in being able to record content from SDI or HDMI, and to get that content back out just as easily. In addition, the PIX 260i allows us to take whatever we record and deliver it directly into our post-production workflow in order to post services online as well as streamline our other productions.”

Davis and the church are already familiar with the company’s products, as they have used its PIX 240i recorder for on-location productions. “We found the PIX 240i to be very proficient and an improvement to our workflow, so when we heard about the PIX 260i, we knew we had to give it a look. It sounded perfect for what we needed,” says Davis. “We needed something that was rock-solid reliable, because when it comes to church services, it is a timed event. There isn’t a backup and you don’t get a do-over. The Video Devices PIX 260i gives us the reliability and redundancy we need to ensure that we capture the services and are able to play them back at both our fixed and mobile locations.”

The PIX 260i brings the features and tools needed by production companies and other production-based AV environments looking to migrate to file-based recording and playback environments. It records either QuickTime files in either Apple ProRes or Avid DNxHD video formats or WAV format audio files. Files recorded with Apple ProRes or Avid DNxHD are ready for editing in common editing environments, such as Avid, Final Cut Pro and Adobe Premiere, eliminating time-consuming transferring and transcoding. For color-critical applications, the PIX 260i supports Apple ProRes 4444 through its 12-bit, 4:4:4 3G-SDI I/O. Users can also play out files from the PIX 260i for real-time applications.

Continuing the company’s heritage in production sound, the PIX 260i is infused with 32-track audio recording and playback capabilities. In addition to 16 channels of embedded SDI audio and eight channels of HDMI audio, the PIX 260i also accepts eight channels of line-level analog I/O and eight channels of AES digital audio. Using Dante, the PIX 260i can accept and transmit up to 32 channels of audio over Ethernet.

“The customer service that we receive from Sound Devices has been absolutely amazing,” adds Davis. “One of my favorite things about Sound Devices is how proactive they are in sending out firmware updates — not only do they fix any potential bugs, but they add new features, which is rare today. They take such great care of their customers.”

Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production. Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit Video Devices and Sound Devices websites, www.videodevices.com; www.sounddevices.com.

Sound Devices 970 Brings Rackmounted Audio to InfoComm 2014

64-Track Dante and MADI-Equipped Multi-Track Audio Recorder Makes AV Debut

LAS VEGAS, JUNE 18, 2014 – Sound Devices, specialists in audio and video production equipment, showcases the 970, its first-ever dedicated audio-only rack-mounted solution, which boasts an impressive 64 channels of Dante and MADI, at InfoComm 2014 (Booth C6443). The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including live events such as concerts and sports recording, corporate events, houses of worship (HOW), studio and mobile production, as well as theater and museum presentations.

Sound Devices 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported.

The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

The Sound Devices 970 features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks as well as file transfer over the data network with SMB. In mission-critical audio-over-IP AV installations, where hundreds of audio channels are distributed between zones, setting up a redundant network to protect against loss of audio due to network failure provides peace of mind. The ability to have one drive transferring files over Ethernet, while another continues recording, offers significant production time savings. Corporate, HOW, theater and museum presentation videos that are created, edited and rendered remotely can be transferred directly to the venue.

File metadata editing of scene name, take name, notes, track names and reel folders can be done during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also allows for format conversion between analog, AES digital, MADI and Dante, acting as a bridge and routing matrix between these types of audio I/O.

Sound Devices 970 is designed with a large five-inch screen for metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording. In addition, the 970 features FileSafe, which automatically detects and repairs corrupted file headers when drives are mounted. This occurs when a drive is inadvertently removed during recording, with the 970, simply reinsert the drive and it automatically repairs its files.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports external synchronization from word clock, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

Video Devices PIX 270i and PIX 250i Come Into Focus at InfoComm 2014

New Recorders Offer Advanced Network Functionality and Multi-Drive Recording for Seamless Integration into Existing AV Systems

LAS VEGAS, JUNE 17, 2014 – Video Devices, mission critical video products by Sound Devices, showcases its latest PIX recorders, PIX 270i and PIX 250i, at InfoComm 2014 (Booth C6443). The network-connected PIX 270i and PIX 250i multi-drive video decks offer comprehensive multi-channel AV record and playback tools for house of worship (HOW), corporate, live event and other production applications.

The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback with the ability to access and transfer high-quality files over Ethernet. Its advanced network functionality along with simultaneous multi-drive video and audio recording makes Video Devices latest PIX products a complete production-ready AV solution. In addition, its ability to be controlled over IP, RS-422 and GPIO make it ideally suited to be integrated into a range of AV applications.

Both products feature extensive network connectivity and can be connected over Ethernet for simultaneous grouped recording and playback, creating a cost-effective scalable solution that addresses the multi-camera recording needs of today’s production. Its built-in Web server, PIXNet, offers browser-based transport and setup-menu control of any number of units. PIX 270i features built-in multiple unit synchronization, offering simultaneous, frame-accurate recording and playback, ideal for multi-camera production and live event multi-screen playback. Any number of units can be grouped and controlled as a single system from either the hardware or the built-in Web-based control panel. Frame accurate sync works with other PIX 260i and PIX 270i recorders. The PIX 250i can be grouped with other PIX 250i, PIX 260i and PIX 270i recorders. The PIX 270i and PIX 250i can be controlled by external RS-422 (Sony 9-pin compatible) controllers as well as via its GPIO port.

Up to four drives, two SATA drives in PIX-CADDYs and two SATA-connected drives can be connected to the PIX 270i. All four drives can be recorded to simultaneously or sequentially for redundancy and long-form programs. For PIX 250i, up to two SATA drives in PIX-CADDYs can be connected to the easily accessed front-panel drive bays. In the same fashion, both drives can be recorded to simultaneously or sequentially. This redundancy in local, removable storage devices, coupled with standard, Ethernet-based file-transfer features, further reduces steps in the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer these files quickly into a post-production environment.

The Video Devices PIX 250i and PIX 270i are designed for mission-critical applications with their dedicated video hardware, and PowerSafe and FileSafe feature sets. Both products are equipped with the company’s proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording. PIX also features FileSafe, which automatically detects and repairs corrupted file headers when drives are mounted. Should a drive be inadvertently removed during recording; simply reinsert the drive and it automatically repairs its files. Powered by 10-27 VDC through a four-pin XLR connector, the PIX 270i also offers a secondary DC input for power supply redundancy.

The PIX recorders offer 3G-SDI (12-bit, 4:4:4) and HDMI I/O, and can record at numerous data rates. Full RGB Apple ProRes 4444 (330 Mbps) and low data rate proxy files (36 Mbps) are available. Files are ready for import directly into popular editing environments, including Avid, Final Cut Pro and Adobe Premiere Pro, eliminating time-consuming transferring and transcoding.

The PIX 270i offers extensive audio capabilities, with 64 record tracks (32 tracks at 96k), Dante audio-over-Ethernet, 64 channels of both MADI (coaxial and optical) audio, eight channels of analog audio, eight channels of AES digital audio, and 16 channels of embedded SDI audio, making the PIX 270i the world’s first video device that also includes Dante audio over Ethernet. The PIX 250i features eight channels of analog audio, eight channels of AES digital audio and 16 channels of embedded SDI audio, and supports up to 16 tracks of audio. With its wide range of input and output capabilities, the 270i also offers real-time bridging between the various audio interface types.

PIX 270i and PIX 250i also include a high-performance hardware scaler and frame-rate converter. Regardless of the incoming signal, PIX records the signal after up-, down- or cross-conversion at the same or different frame rate. Hardware-based 3:2 pull-down removal is also available.

With its built-in ultra-accurate time-code generator/reader with genlock input/output, the PIX is a great master clock for driving a network of devices requiring synchronization. In addition to generating ultra-stable time-code, time-code can be read from the SDI stream, the HDMI stream or external sources.

PIX can be seamlessly integrated into existing AV systems and environments due to its 1/2-rack, 2-U chassis dimension. Both the PIX 270i and PIX 250i have precision five-inch IPS, 800- x 480-pixel displays for setup menu access and video monitoring. The high-accuracy display, with its peaking, false color and zoom functions, is perfect for framing, exposure and focus evaluation.

Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production. Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit Video Devices and Sound Devices websites, www.videodevices.com; www.sounddevices.com.

Audiofile Releases Spectre 1.7

Major update to leading audio analysis suites is currently a Featured App and named a “Best New App” on the Mac App Store

Minneapolis – (May 16, 2014) – Audiofile, a leading music technology company, today announced a major update to Spectre, the popular real-time audio analysis suite for OS X. The new version, currently featured on the Mac App Store and named a “Best New App”, is available for 50% off the original price for a limited time.

Spectre 1.7 Spectre 1.7

Ideal for any audio professional working today—from producers to broadcast engineers to video editors—Spectre is packed with 20 different multi-channel and multi-trace meters including Level, VU, Spectrograph, Oscilloscope, Spectrogram, LU and LU History. With version 1.7, Spectre has been rewritten from the ground up to support the latest loudness standards as well as making it even more powerful and beautiful.

“Spectre has always been incredibly accurate,” said Matthew Foust, Audiofile Managing Partner and co-founder. “But the enhanced performance in version 1.7 makes your meters more detailed and responsive, providing an even clearer picture of your audio.”

Beyond its significant performance upgrade, Spectre’s updated meters are now even easier to configure. Additionally, they are now Retina-ready and fully optimized for OS X Mavericks, including improved full-screen and multiple display support.

New additions and enhancements to Spectre include:

• Greatly improved performance and stability

• Fully optimized for Retina displays

• Audio bundles enable the creation of groups of channels for audio input hardware, making configuration even easier

• Comprehensive full-screen support

• Meter configuration is now built into each meter

• Traces have their own spectral analysis settings

Spectre includes all of these improvements for it’s original low price, making it ideal for students and professionals alike. And, to celebrate its release, Audiofile is offering an introductory discount on Spectre for only $49.99, 50% off the original price for a limited time.

For more information about Spectre, visit http://www.audiofile-engineering.com/spectre/. To buy Spectre through the Mac App Store, visit https://itunes.apple.com/us/app/spectre/id436872608?mt=12.

ABOUT AUDIOFILE

Audiofile is a boutique technology company building apps that power the world’s musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2006, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name.

Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

Sound Devices Latest Video and Audio Recorders Now Shipping

PIX 270i, PIX 250i and 970 Now Available

REEDSBURG, WI, APRIL 28, 2014 – Having first made their official debut at this year’s NAB Show, Sound Devices, specialists in audio and video products for production, announces its PIX 270i, PIX 250i and 970 are now shipping. After a successful launch only a few weeks ago, these rack-mounted products are now available through the Sound Devices network of authorized resellers and distributors.

PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events and mobile production. The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback. The units record edit-ready Apple ProRes or Avid DNxHD files and allow simultaneous multiple-drive recording, giving production staff peace of mind with their rock-solid redundancy and backup capabilities (four drives for PIX 270i and two drives for PIX 250i). Additionally, file transfer and machine control is available over gigabit Ethernet. Their extensive audio capabilities, including 64 channels of both MADI audio and Dante audio-over-Ethernet for PIX 270i, and PIX 250i’s 16 tracks of audio, make each unit a comprehensive, cost-effective replacement for complex video servers and an effective tool for high-performance video production.

Sound Devices 970 is the company’s first-ever dedicated audio-only rack-mounted recorder, which boasts an impressive 64 channels of recording from Dante and MADI sources. The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including drama and reality production, and live concert recording. The 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital.

The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported. The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Audiofile Releases Triumph 2.3

Major update to professional audio editor and post-production tool includes integration of Final Cut Pro X technologies

Minneapolis – April 2, 2014 Audiofile, a leading music technology company, today announced the latest major update to Triumph, their acclaimed audio editor and post-production tool for Mac.

Currently featured as a “Best New App” and “Great App for Final Cut Pro” on the Mac App Store, Triumph 2.3 now supports Final Cut Pro X XML import and export complete with video preview, placing it among the App Store’s most powerful audio editors for sound designers, video editors and filmmakers. 

Triumph_Screenshot

“Triumph 2.3 represents a significant step forward for Final Cut Pro X integration,” according to Matthew Foust, Audiofile Managing Partner and co-founder. “With this release we’ve made it even easier for filmmakers the world over to create sound for their films that is as beautiful and polished as the their visuals.” 

In addition to bridging the gap between sound design and Final Cut Pro X, Triumph 2.3 introduces iCloud support, adding to its already rich list integrated Mac technologies. With the inclusion of iCloud support, users are now able to share Triumph projects across all of their personal or studio machines and iOS devices.

“Support for the latest Apple technologies isn’t just a box we check,” says Ev Olcott, Senior Software Architect and co-founder. “Apple technology—from iCloud to Applescript and nearly everything in between—is quite literally at the core of what we do and it has been since the beginning.”

Triumph_Tools

Triumph has been completely rebranded when Creative Director Joseph Kuefler joined the Audiofile team.

Triumph 2.3 is only the latest in a planned roadmap of major updates, all in an effort to further distinguishes it as the flagship Audiofile app for Mac.

For more information about Triumph, visit http://www.audiofile-engineering.com/triumph/ 

 

About Audiofile
Audiofile is a boutique technology company building apps that power the worlds musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2004, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name.

Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

Sound Devices Introduces the ‘970’ Its First Dedicated Rack-Mounted Audio Solution at the 2014 NAB Show

64-Track Dante and MADI-Equipped Multi-Track Audio Recorder Makes Industry Debut

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces 970, its first-ever dedicated audio-only rack-mounted solution, which boasts an impressive 64 channels of Dante and MADI, at the 2014 NAB Show (Booth C2546). The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including drama and reality production, and live concert recording.

Sound Devices’ 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported.

The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports word clock synchronization from external word clock, video sync, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

The Sound Devices 970 features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks as well as file transfer over the data network with SMB. File metadata editing of scene name, take name, notes, track names, and reel folders can be done during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also allows for format conversion between analog, AES digital, MADI and Dante.

Sound Devices’ 970 is designed with a large five-inch screen for metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Sound Devices Expands Line of Video Recorders with Introduction of PIX 270i and 250i at NAB 2014

New Recorders Offer Extensive High-Quality Video, Audio and Networking Capabilities Addressing the Multiple Source Needs of Today’s Large-Scale Productions

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces its latest PIX recorders, PIX 270i and PIX 250i, at the 2014 NAB Show (Booth C2546). PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events, and mobile production.

The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback with the ability to access and transfer high-quality files over Ethernet. The units record edit-ready Apple ProRes or Avid DNxHD files and allow simultaneous multiple-drive recording, giving production staff peace of mind with their rock-solid redundancy and backup capabilities (four drives for PIX 270i and two drives for 250i). Their extensive audio capabilities, including 64 channels of both MADI audio and Dante audio-over-Ethernet for PIX 270i, and PIX 250i’s 16 tracks of audio, make each unit a comprehensive, cost-effective replacement for complex video servers and an effective tool for high-performance video production.

The PIX recorders offer 3G-SDI (12-bit, 4:4:4) and HDMI I/O, and can record at numerous data rates. Full RGB Apple ProRes 4444 (330 Mbps) and low data rate proxy files (36 Mbps) are available. Files are ready for import directly into popular editing environments, including Avid, Final Cut Pro and Adobe Premiere Pro, eliminating time-consuming transferring and transcoding.

Up to four drives, two SATA drives in PIX-CADDYs and two SATA-connected drives can be connected to the PIX 270i. All four drives can be recorded to simultaneously or sequentially for redundancy and long-form programs. For PIX 250i, up to two SATA drives in PIX-CADDYs can be connected to the easily accessed front-panel drive bays. In the same fashion, both drives can be recorded to simultaneously or sequentially. This redundancy in local, removable storage devices, coupled with standard, Ethernet-based file-transfer features, further reduces steps in the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer these files quickly into a post-production environment.

Both products feature extensive network connectivity and can be connected over Ethernet for simultaneous grouped recording and playback, creating a cost-effective scalable solution that addresses the multi-camera recording needs of today’s production. Its built-in Web server, PIXNet offers browser-based transport and setup-menu control of any number of units. In addition, PIX 270i features built-in multiple unit synchronization, offering simultaneous, frame-accurate recording and playback, ideal for multi-camera production and live event multi-screen playback. Any number of units can be grouped and controlled as a single system from either the hardware or the built-in Web-based control panel. Frame accurate sync works with other PIX 260i and PIX 270i recorders. The PIX 250i can be grouped with other PIX 250i, PIX 260i and PIX 270i recorders. The PIX can also be controlled by external RS-422 (Sony 9-pin compatible) controllers as well as via its GPIO port.

The PIX 270i offers extensive audio capabilities, with 64 record tracks (32 tracks at 96k), eight channels of analog audio, eight channels of AES digital audio, 16 channels of embedded SDI audio, and 64 channels of both MADI (coaxial and optical) audio and Dante audio-over-Ethernet. The PIX 250i features eight channels of analog audio, eight channels of AES digital audio and 16 channels of embedded SDI audio, and supports up to 16 tracks of audio.

With its built-in Ambient Clockit time-code generator/reader with genlock output, the PIX line is designed for multiple-camera and double-system sound applications. In addition to generating ultra-stable time-code, time-code can be read from the SDI stream, the HDMI stream or external sources. PIX 270i and PIX 250i include a high-performance hardware scaler and frame-rate converter. Regardless of the incoming signal, PIX records the signal after up-, down- or cross-conversion at the same or different frame rate. Hardware-based 3:2 pull-down removal is also available. Its convenient 1/2-rack, 2-U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through a four-pin XLR connector. The PIX 270i offers a secondary DC input for power supply redundancy.

The newest additions to the PIX line of products feature Sound Devices’ proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Both the PIX 270i and PIX 250i have precision five-inch IPS, 800- x 480-pixel displays for setup menu access and video monitoring. The high-accuracy display, with its peaking, false color and zoom functions, is perfect for framing, exposure and focus evaluation.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

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