Archive of the Recorders and Editors Category

Morocco’s Atlantic FM Upgrades to NETIA’s Radio-Assist 8.2

CLARET, France — Dec. 3, 2014 — NETIA today announced that Moroccan radio group Atlantic FM, part of the Eco-Medias Group, has upgraded to version 8.2 of NETIA’s Radio-Assist(TM) digital audio software suite. Bringing Atlantic FM to the forefront of audio technology, the installation provides the foundation for a complete shift to digital broadcasting while enabling operators to take advantage of the familiar functionality and interfaces they know from the initial Radio-Assist system deployed in 2006.

“Radio-Assist offers an extensive range of features critical to the operation of a modern broadcast station,” said Rachid Mounaouar, technical director at Atlantic FM. “Given this robust functionality and the familiarity of our operators with the NETIA software, the upgrade to version 8.2 was an easy and logical decision. Also, as we move forward with our migration to digital operations, the NETIA software will support a fluid transition.”

Founded in 2006, Atlantic FM today is the Moroccan economic news leader. To keep its number-one position, the radio station needs a robust and reliable system such as NETIA’s radio automation solution. The software is a complete solution that covers the entire distribution channel from ingest to distribution, and Atlantic FM relies on the software in areas including news, commercials, and music scheduling.

The new Radio-Assist 8.2 installation at Atlantic FM’s Casablanca facilities comprises more than 32 workstations for editing, planning, and recording. Operators use NETIA’s broadcast module for production and distribution. New features introduced in Radio-Assist 8.2 include cloud-based management, giving users the ability to access the system database from any network-connected workstation.

“The new installation at Atlantic FM demonstrates not only the continued strength of our Radio-Assist software suite in the MEA area, but also the value that broadcasters see in the significantly extended feature set of version 8.2,” Jean-Michel Bombois, operations project manager at NETIA. “Ever since the original Radio-Assist in 2006, we have worked closely with Atlantic FM to support its evolution — particularly its transition to digital — and its leadership as a foremost news source in Morocco.”

More information about NETIA and its product portfolio is available at www.netia.com.

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About NETIA
NETIA, a Globecast company and part of Orange, is a leading provider of software solutions that enable efficient management and delivery of audiovisual content to today’s full array of media platforms. Relied on by more than 15,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides radio automation, media asset, and workflow management solutions to major radio and television brands and to multimedia groups around the world. Clients include The Associated Press, ABC News Radio Network, WestwoodOne, Radio Globo in Brazil, RTM in Malaysia, SBS and ABC in Australia, MediaCorp Singapore, RAI Italy, RTL France, Radio France, RTBF in Belgium, and France Televisions. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, Moscow, and Singapore, in addition to a global network of professional distribution partners.

Photo Link: www.wallstcom.com/NETIA/NETIA-RA8_2-MusicScheduling.jpg
Photo Caption: NETIA Radio-Assist(TM) 8.2 Music Scheduling

Access the Power of ProTools 11 for More Effective Mixes and Masters

Hal Leonard publishes Producing Music with ProTools 11 and Mixing & Mastering with ProTools 11 by Glenn Lorbecki and Greg “Stryke” Chin

Montclair, NJ – Hal Leonard Books, the musician’s best source of books on the music business, audio technology, instrument history, and more, has published Mixing and Mastering with ProTools 11 and Producing Music with ProTools 11, both by certified Pro Tools trainer Greg Lorbecki and Avid pro audio specialist Greg “Stryke” Chin.

HL_Mix_Mastering_PT11cover

Given Pro Tools 11′s high-tech enhancements in delivery speed, ultra-low latency, inclusion of the Avid Audio Engine, and HD video-editing capability, users need practical guides to get up and running quickly and efficiently. In these focused guide, Lorbecki and Chin unlock the full potential of ProTools 11 as a professional mixing and mastering platform. They put the best of ProTools at the reader’s fingertips, with plenty of online sessions, audio examples, and video tutorials to guide them along the way.

HL_Producing_PT11_cover

Published as Quick Pro Guides by Hal Leonard, both books are designed to help the readers quickly implement professional techniques into their music productions. These straightforward, task-driven, and easy-to-understand books cover material in a way that gets to the point and helps maximize creative and technical accomplishments. The books also include online media that provides audio and video demos as well as helpful key command charts and chapter review quizzes to reinforce key concepts.

About the Authors:
Glenn Lorbecki is an award-winning producer-engineer, musician, composer, and educator. President of Glenn Sound Studios, Lorbecki has been in the recording business since th days of punk music and has produced or recorded projects for Weezer, green Day, Dave Matthews, Tori Amos and more. He is a certified Pro Tools trainer and an instructor at the University of Washington in Seattle.

Greg “Stryke” Chin is a well-respected and internationally acclaimed producer, DJ, and Avid specialist. He has had Billboard chart success with his Ad Finem project and as a remixer for artists such as Depeche Mode and Pink. Chin has taken on the role of company spokesperson for Avid, giving clinics and seminars about the creative and efficient uses of Avid’s products.

Mixing & Mastering with Pro Tools 11
$19.99 (US)
Inventory #HL 00122309
ISBN: 9781480355095
Width: 8.5″
Length: 11.0″
135 pages

Producing Music with Pro Tools 11
$19.99 (US)
Inventory #HL 00122307
ISBN: 9781480355088
Width: 8.5″
Length: 11.0″
154 pages

For more information, please visit http://www.halleonardbooks.com – Hal Leonard Books – An Imprint of Hal Leonard.

iZotope Releases Iris 2

New sample-based synthesizer includes 11 GB of versatile patches and samples

Cambridge, MA – iZotope, Inc., a leading audio technology company, has just released the newest version of their sample¬-based synthesizer, Iris. Iris 2 is a visual instrument that combines the power of a sampler with the flexibility of a modular synth.

iZotope-Iris-2-box-ui-1

New features include a robust modulation system, sample pools that can load both samples and classic oscillator waveforms, a completely redesigned interface with extensive visualizations and metering, enhanced effects and filters, and fresh patches to inspire creativity.

Iris 2 is built so that new sounds can be discovered right out of the box, including soaring leads, growling basses, classic synths, and percussive effects. More than 350 patches with intuitive controls are included, so that users can easily produce and perform music that they have tweaked and customized.

“After listening carefully to feedback from hundreds of musicians, producers, and sound designers, it became clear that Iris is a one-of-a-kind tool in their craft,” says iZotope Product Manager Bradford Swanson. “We’ve designed Iris 2 to help inspire musicians with new possibilities and sounds that are easy to access and tweak, but still totally unique.”

The core of Iris 2’s creative engine is the ability to layer samples. Endless combinations can be made by mixing a built-¬in collection of analog oscillator waveforms, an 11 GB sound library of samples, and users’ own audio files. Dynamic tremolo effects, expressive vibratos, and radical filter sweeps can be achieved through up to five adjustable curve ADSR envelopes, as well as five LFOs with dozens of morphing wavetable options. Iris 2 is rounded out with multiple effects, like eight distortions, a classic synth chorus, digital and analog delay options, and a warm plate reverb emulation.

iZotope’s award¬-winning spectral filtering technology contributes to the Iris experience. Users can visualize and edit their sound with incredible precision by drawing, selecting, and isolating sonic components from each sample layer.The world is your instrument.

See Iris 2 in action: http://youtu.be/ceY_crXdTJU
Hear the sounds of Iris 2: http://youtu.be/Cd4BMESUN14

Learn more at: www.izotope.com/iris

Availability:
Iris 2 is available now at www.izotope.com/iris and at select retailers.

Pricing:
Iris 2 is on sale for $199 USD ($99 USD upgrade) through December 11, 2014. After that date, Iris 2 will be available at the regular price of $299 USD ($149 USD upgrade).

For international customers, check with your local reseller for Iris 2 pricing.

Compatibility:
Iris 2 runs as a plug-¬in or as a standalone application.

Operating system requirements:
Windows: 7, 8
Mac: OS X 10.7 or later (Intel only)

Plug-in formats:
32/64 bit Audio Units, VST, VST3, AAX, and RTAS

Plug-in host compatibility:
Ableton Live 8 and 9, Logic Pro X, Pro Tools, Cubase, Nuendo, FL Studo, Bitwig, and many more.

About iZotope, Inc.

iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®. For more information on iZotope products, please visit www.izotope.com.

All India Radio Takes New NETIA Radio-Assist Software Live at New Delhi Headquarters and 48 Stations Across India

CLARET, France — Nov. 18, 2014 — NETIA today announced that All India Radio (AIR), the national radio broadcaster of India and a division of Prasar Bharati group, has taken its new Radio-Assist(TM) digital audio software suite live on more than 1,300 workstations to support its national broadcast facility and 48 local stations. Through this installation, coordinated by Delhi-based systems integrator Progressive Infotech, NETIA software has effectively been deployed in every major city across India, enabling AIR to tailor and deliver informative, educational, and entertaining programming to listeners throughout the country.

“The work performed by Progressive Infotech and NETIA ensured that the Radio-Assist deployment met the demanding requirements of geographically distributed operations, as well as the challenges of providing content that engages AIR listeners across a large and diverse audience,” said Gulshan Kharbanda, chief technology officer at Progressive Infotech. “We believe this project represented a significant improvement in AIR’s production and broadcast capabilities, and we are confident that they can build on these capabilities to enrich the on-air product for their many listeners.”

AIR, the sister service to national television broadcaster Doordarshan, is one of the world’s largest radio networks with respect to the number of broadcast languages it offers and the socio-economic and cultural diversity of its audience. The broadcaster’s home service comprises 277 stations located across the country, reaching nearly 92 percent of the country’s area and 99 percent of the total population. At AIR headquarters in New Delhi, the NETIA Radio-Assist deployment streamlines the broadcaster production and customization of services to address the language and culture of each listening area.

Radio-Assist covers each part of the production and broadcast workflow, allowing users across AIR stations to record, edit, or prepare a playlist. In addition to browse and publishing tools for full multimedia functionality, the software features tools for acquisition, archiving, audio editing, commercial and music production, newsroom systems, scheduling, broadcasting, and administration. Thanks to its Unicode compatibility, the NETIA software makes it easier for AIR to broadcast its programming in over 20 different languages and numerous dialects.

NETIA worked closely with Progressive Infotech throughout the project, providing training and support, as well as on-the-ground assistance at critical sites in Delhi, Mumbai, and Kolkata.

“The size of this Radio-Assist implementation is truly remarkable, and it demonstrates the extent to which NETIA software can scale in supporting highly efficient radio production and broadcasting, despite the challenges of multilingual broadcasting across a massive geographic area,” said Benjamin Schvent, head of Asia-Pacific operations at NETIA. “The system running live now at AIR is an excellent model of the modern large-scale radio broadcasting operation.”

More information about NETIA and its product portfolio is available at www.netia.com.

# # #

About NETIA
NETIA, a Globecast company and part of Orange, is a leading provider of software solutions that enable efficient management and delivery of audiovisual content to today’s full array of media platforms. Relied on by more than 15,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides radio automation, media asset, and workflow management solutions to major radio and television brands and to multimedia groups around the world. Clients include The Associated Press, ABC News Radio Network, WestwoodOne, Radio Globo in Brazil, RTM in Malaysia, SBS and ABC in Australia, MediaCorp Singapore, RAI Italy, RTL France, Radio France, RTBF in Belgium, and France Televisions. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, Moscow, and Singapore, in addition to a global network of professional distribution partners.

Photo Link: www.wallstcom.com/NETIA/NETIA-RA8_2-MusicScheduling.jpg
Photo Caption: NETIA Radio-Assist(TM) 8.2 Music Scheduling

Sound Devices Announces Expanded List of Approved Media

Comprehensive Testing Process Determines if Media Meets Requirements for Mission-Critical Production Applications

REEDSBURG, WI, NOVEMBER 18, 2014Sound Devices, specialists in audio and video products, announces an expanded Approved Media List designed to identify media fully compatible with and meeting the high-quality standards of the Sound Devices and Video Devices mission-critical production recorders. Since a recording is only as good as the medium in which it is stored, identifying and using approved media ensures that the company’s products will operate with the utmost reliability in the field. Approved Media more

Sound Devices 970 Audio Recorder Earns NAMM TEC Award Nomination

Company’s First Dedicated Rack-Mounted Audio Recorder Features 64 Tracks of Dante and MADI

REEDSBURG, WI, NOVEMBER 4, 2014 – Sound Devices, specialists in professional audio and video products, is pleased to announce that its 970, the company’s first dedicated rack-mounted audio recorder, which boasts an impressive 64 channels of Dante and MADI with FileSafe™ technology, has been nominated for the 30th Annual NAMM TEC Awards in the category of Outstanding Technical Achievement, Recording Devices.Sound Devices 970 - front panel

Founded in 1985, and presented by the TEC Foundation for Excellence in Audio, the TEC Awards are the longest-running awards show specifically recognizing outstanding achievement in product innovation and sound production. The awards ceremony will take place on Saturday, January 24, during the 2015 NAMM Show, one of the world’s largest global music industry trade shows, held annually in Anaheim, CA.

“We are honored that the 970 has been nominated for the prestigious TEC Award,” says Paul Isaacs, VP Marketing and Product Design, Sound Devices. “It’s great to receive such recognition from the professional audio industry for our first dedicated rack-mounted audio recorder. For audio professionals requiring a significant number of audio channels, the 970 is an incredibly powerful and flexible tool, backed by Sound Devices’ reputation for high-quality audio and reliability.”

A half-rack, 2U audio recording device, the Sound Devices 970 simplifies any application requiring high-quality, high-track-count audio recording, including live musical productions, concert recordings, and drama- or reality-based productions. Incorporated into the 970, FileSafe recovers audio files if, during recording, drives are unintentionally removed or power is lost.

Sound Devices 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. These inputs include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported. The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying, and allows for continuous long-form, high-track count recordings.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports word-clock synchronization from an external word clock, video sync, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

The Sound Devices 970 also features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks, as well as file transfer over the data network with SMB. File metadata editing of scene name, take name, notes, track names and reel folders can be performed during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also operates as a bridging interface between analog, AES digital, MADI and Dante connectivity.

Additionally, the Sound Devices 970 features the company’s proprietary PowerSafe™ technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording. In addition, 970 features FileSafe, which automatically detects and repairs corrupted file headers when drives are mounted. Should this occur when a drive is inadvertently removed during recording, the user can simply reinsert the drive and FileSafe will automatically repair the files.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Berlin-Adlershof, Germany. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

Groove3 Unveils $99 All Access Annual Web Pass

Become a better producer with unlimited access to online audio tutorials for about the cost of 2 cups of coffee a month!

Austin, TX – October 30, 2014 – Beyond one-day events like Black Friday or Cyber Monday, Groove3 has launched the Black November Sale and is offering new customers an All Access Annual Web Pass for just $99 during entire month of November. Normally $150, customers gain instant online access to every video tutorial currently available on Groove3.com as well as new videos that are added during their 1-year membership.

G3-AAP-1-Year-600x600

Groove3.com hosts nearly 900 hours of innovative, inventive and progressive online video training for music producers of all levels, covering all of the top digital audio workstations, plug-ins, and virtual instruments on the market as well as essential audio topics like recording, mixing, and mastering. Groove3’s expert trainers are working musicians and audio professionals that know how to get the most from their gear and apply that knowledge to real-world workflow. New content is added weekly and is accessible with the All Access Annual Web Pass.

While there is plenty of video instruction on YouTube, Groove3 takes the guess work out of finding consistently high-quality instruction backed by more than 10 years of experience in working closely with audio experts and directly with manufacturers. This saves the end-user countless hours of searching the web for relevant, high quality video instruction.

“My schedule is so hectic that I don’t have the time it takes to fully learn the latest and greatest software,” said Trace Foster, engineer and guitar tech for Joe Perry of Aerosmith. “Now I just put on a Groove3 video while we’re flying or on the bus and before long, I’m so far ahead of the learning curve! It really makes my life easy.”

There has never been a better time to become a Groove3 member. In addition to the Black November Sale price of $99, members will have access to new content from a recent development partnership with publishing giant Hal Leonard, which will include titles on drums, guitars, bass and keyboard playing and more. Several new titles are due out in November and December as well as many more in 2015.

For more information and to purchase an All Access Annual Web Pass for just $99 during the Black November Sale, visit http://www.groove3.com/str/access-it-all.html.

About Groove3:
For over 10 years, Groove3 has been on providing informative and effective training and content that is in-depth yet easy to follow. Their products are currently in use by thousands of musicians, engineers, producers, project studio owners, colleges, universities, trade schools, and working professionals. They were the first to offer training videos specifically targeted to the pro audio community via online access and the first to offer regular video content updates for their members. Groove3 offers the most flexible options for purchasing their training and viewing the content with DRM free downloads, iOS and Android apps, as well as an intuitive streaming player.

iZotope Releases Ozone 6: Creative Mastering Platform

Ozone 6 features a redesigned interface, standalone application, and new Dynamic EQ module

Cambridge, MA (October 30, 2014) – iZotope, Inc., a leading audio technology company, has launched the latest version of its critically acclaimed line of mastering software, Ozone.

iZotope-Ozone-6-Advanced-box

Ozone 6 is a creative mastering platform that enables both project studio producers and mastering engineers to easily add a final level of professional polish to their mix.

The modern new workflow is centered around creativity. A fully redesigned interface and real-time visual feedback in every module assist users in creating masters with ease.

“Our goal was to create an elegant visual aesthetic and fluid workflow,” says iZotope Product Manager Brett Bunting, “in order to bring the creative elements of mastering front and center and allow users to define their own sound.”

Ozone 6 takes the guesswork and the manual labor out of the mastering process, helping users experiment without fear of making the wrong sonic choices. Using Ozone’s presets as a starting point, pros and newcomers alike can immediately achieve authentic sounds in any genre.

izotope-ozone6-equalizer-single-band-sa

Ozone also produces great sound, providing the warmth and character of analog sound without the restrictions of hardware. And since Ozone 6 works as either a standalone application or a suite of plug-ins, users can choose to work exclusively in Ozone, or to complement their audio editor of choice.

For professional users, the Advanced version’s Dynamic EQ module lives and breathes with your music, harnessing the precision of an equalizer and the musical ballistics of a compressor. It’s an ideal tool for transparently sculpting audio.

“Ozone is full of great mastering tools,” says Adam Ayan, GRAMMY-winning mastering engineer at Gateway Mastering, “and it just keeps getting better!”

Learn more at www.izotope.com/ozone6.

Watch the video at http://youtu.be/GZMvIxPZ-50.

Availability
Ozone 6 is available now at www.izotope.com/ozone and at select retailers.

Pricing
Ozone 6 – Promotional Price: $199 USD, Regular Price: $249 USD

Ozone 6 Advanced – Promotional Price: $599 USD, Regular Price: $999 USD

Upgrade from Ozone 1-5 to Ozone 6: Always available at a special price of $99 USD

Upgrade from Ozone 1-5 to Ozone 6 Advanced – Promotional Price: $399 USD, Regular Price: $750 USD

Upgrade from Ozone 5 Advanced to Ozone 6 Advanced: Always available at a special price of $299 USD

For international customers, check with your local reseller for Ozone 6 pricing.

Grace Period Purchases
Customers who purchased Ozone 5 after September 1, 2014, will receive a free upgrade to Ozone 6 upon release.

Customers who purchased Ozone 5 Advanced after September 1, 2014, will receive a free upgrade to Ozone 6 Advanced upon release.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®. For more information on iZotope products, please visit www.izotope.com.

Sound Devices Streamlines Production Workflows with Launch of Firmware 2.10 for Rack-Mounted Recorders

Latest Firmware Update Incorporates New Release Candidate Screening Program

REEDSBURG, WI, OCTOBER 21, 2014 – Sound Devices, specialists in portable audio and video products for field, live event and studio production, introduces Firmware 2.10, the latest software update for its 970 audio rack-mounted and PIX 250i, PIX 260i and PIX 270i video rack-mounted recorders. New features and upgrades include enhanced metadata functionality, sound report creation and improved file/folder formats. In addition, Sound Devices now offers a Release Candidate Screening Program, which gives existing end users of its rack-mounted recorders a sneak peek into new features and changes under development in the firmware.Video Devices PIX 270i

Firmware 2.10 features a new Metadata screen so users recording audio can quickly access and edit the Scene, Notes, Take and Circle status of Previous, Current and Next takes. It also provides the same metadata editing functionality from PIXNet, the Web browser interface. Additionally, the PIXNet clips tab has been enhanced to display useful information about recordings, including start timecode, fps, user-bits, duration, codec and audio format.

With regard to reel folder formats, in previous iterations of the firmware, a Custom option enabled users to edit reel folder names with any alphanumeric value, whereas the 2.10 firmware offers a second Daily option. If set to Daily, new reel folders will automatically be named with the current system date in the YYMMDD format. These daily reel folders, which are containers for the recordings, are helpful in organizing deliverables for projects that span multiple days. This latest firmware also features a new Phrase List Manager, which lets end users create a list of commonly used phrases and then use them to quickly edit the Notes field of recorded WAV files. Users can also now enter notes from either the File list or the new Metadata screen, for the next recording.

For those devices operating in Audio Only Mono mode, it is now possible to have the system append the actual audio track name to the end of the file name. While recording, track names can now be edited from the audio screen and from PIXNet. This assists those in post production in determining which audio file is associated with which member of the cast, a feature that is particularly useful in high-track-count reality shows. In addition, the new Sound Reports feature creates CSV files based on WAV-file metadata.
Sound Devices 970 - front panel
Sound Devices’ new Release Candidate Screening Program provides the company with direct customer input on the usability of its updates, ensuring the stability of firmware updates in real-world applications. Initially, the program will target the Video Devices and Sound Devices rack-mount products, with the company planning to expand the program to other product lines over time.

“The goal of our new screening program is to work together with end users to identify and resolve any potential stability issues and get feedback on product performance in real-life workflows, so the best possible firmware makes it into upcoming official releases,” says Dan Desjardins, Manager of Software Development and Quality Assurance, Sound Devices. “Sound Devices enjoys a highly regarded, open-door relationship with its customers worldwide, and this program promises to expand on that bond.”

Each Release Candidate will come with a pre-determined expiration date and limited technical support. Firmware 2.10 is available as a free download for all existing rack-mount products. To download this firmware and offer feedback on the Release Candidate firmware version, participants simply need to fill out a convenient online form located at www.sounddevices.com/download/release-candidate/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

Westlake Pro Posts Tony Shepperd Mixing Master Class Videos

First installments of video series now available on YouTube

Los Angeles, CA (October 7, 2014) – Westlake Pro, a leading retailer of professional audio, recording, live sound equipment, and technical services has posted the first two videos in a new Mixing Master Class series with veteran mixing engineer Tony Shepperd.

TonyShepperd

Shepperd, a prolific engineer who has recorded and mixed such music heavyweights as Take 6, Whitney Houston, Quincy Jones, Diana Ross, Madonna, Kenny Loggins, Boyz II Men and more, deconstructs his mix of Sheléa’s hit single I’ll Never Let You Go as he talks about his workflow and his vocal production technique, which have become his specialty over the past two decades.

“It was an honor for us to host Tony Shepperd,” said Peter Malick, Director of Online Content for Westlake Pro. “The depth of knowledge that he shares with our customers and viewers is a testament to his willingness to further the craft of recording, mixing, and producing.”

Co-sponsored by A-Designs Audio, the master class was filmed at Westlake Pro in Los Angeles in front of an overflow crowd of more than 100 local musicians, producers, and engineers and is divided into 14 videos of easily digestible content and cover a wide variety of mixing topics. Shepperd’s relaxed presentation style demystifies complex mixing concepts and he takes questions from the audience throughout the series as well as during a Q&A at its conclusion.

The Tony Shepperd Mixing Master Class video series can be found on Westlake Pro’s YouTube channel at: https://www.youtube.com/playlist?list=PLWvgCiRlNKN9Ef94nM302FlrBS3Rv-o73

About Westlake Pro
Based in Los Angeles, Westlake Pro specializes in business-to-business and retail sales of professional audio and video equipment, broadcast equipment, video editing software, recording software, computers, musical instruments and live sound application products. The company also provides technical services from complete studio design to live sound system design. Westlake Pro serves the Post Production, Broadcast, Music Production, Educational, House of Worship and Government markets.

For more information, visit http://www.westlakepro.com.

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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