Archive of the Recorders and Editors Category

Video Devices PIX 270i and PIX 250i Come Into Focus at InfoComm 2014

New Recorders Offer Advanced Network Functionality and Multi-Drive Recording for Seamless Integration into Existing AV Systems

LAS VEGAS, JUNE 17, 2014 – Video Devices, mission critical video products by Sound Devices, showcases its latest PIX recorders, PIX 270i and PIX 250i, at InfoComm 2014 (Booth C6443). The network-connected PIX 270i and PIX 250i multi-drive video decks offer comprehensive multi-channel AV record and playback tools for house of worship (HOW), corporate, live event and other production applications.

The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback with the ability to access and transfer high-quality files over Ethernet. Its advanced network functionality along with simultaneous multi-drive video and audio recording makes Video Devices latest PIX products a complete production-ready AV solution. In addition, its ability to be controlled over IP, RS-422 and GPIO make it ideally suited to be integrated into a range of AV applications.

Both products feature extensive network connectivity and can be connected over Ethernet for simultaneous grouped recording and playback, creating a cost-effective scalable solution that addresses the multi-camera recording needs of today’s production. Its built-in Web server, PIXNet, offers browser-based transport and setup-menu control of any number of units. PIX 270i features built-in multiple unit synchronization, offering simultaneous, frame-accurate recording and playback, ideal for multi-camera production and live event multi-screen playback. Any number of units can be grouped and controlled as a single system from either the hardware or the built-in Web-based control panel. Frame accurate sync works with other PIX 260i and PIX 270i recorders. The PIX 250i can be grouped with other PIX 250i, PIX 260i and PIX 270i recorders. The PIX 270i and PIX 250i can be controlled by external RS-422 (Sony 9-pin compatible) controllers as well as via its GPIO port.

Up to four drives, two SATA drives in PIX-CADDYs and two SATA-connected drives can be connected to the PIX 270i. All four drives can be recorded to simultaneously or sequentially for redundancy and long-form programs. For PIX 250i, up to two SATA drives in PIX-CADDYs can be connected to the easily accessed front-panel drive bays. In the same fashion, both drives can be recorded to simultaneously or sequentially. This redundancy in local, removable storage devices, coupled with standard, Ethernet-based file-transfer features, further reduces steps in the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer these files quickly into a post-production environment.

The Video Devices PIX 250i and PIX 270i are designed for mission-critical applications with their dedicated video hardware, and PowerSafe and FileSafe feature sets. Both products are equipped with the company’s proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording. PIX also features FileSafe, which automatically detects and repairs corrupted file headers when drives are mounted. Should a drive be inadvertently removed during recording; simply reinsert the drive and it automatically repairs its files. Powered by 10-27 VDC through a four-pin XLR connector, the PIX 270i also offers a secondary DC input for power supply redundancy.

The PIX recorders offer 3G-SDI (12-bit, 4:4:4) and HDMI I/O, and can record at numerous data rates. Full RGB Apple ProRes 4444 (330 Mbps) and low data rate proxy files (36 Mbps) are available. Files are ready for import directly into popular editing environments, including Avid, Final Cut Pro and Adobe Premiere Pro, eliminating time-consuming transferring and transcoding.

The PIX 270i offers extensive audio capabilities, with 64 record tracks (32 tracks at 96k), Dante audio-over-Ethernet, 64 channels of both MADI (coaxial and optical) audio, eight channels of analog audio, eight channels of AES digital audio, and 16 channels of embedded SDI audio, making the PIX 270i the world’s first video device that also includes Dante audio over Ethernet. The PIX 250i features eight channels of analog audio, eight channels of AES digital audio and 16 channels of embedded SDI audio, and supports up to 16 tracks of audio. With its wide range of input and output capabilities, the 270i also offers real-time bridging between the various audio interface types.

PIX 270i and PIX 250i also include a high-performance hardware scaler and frame-rate converter. Regardless of the incoming signal, PIX records the signal after up-, down- or cross-conversion at the same or different frame rate. Hardware-based 3:2 pull-down removal is also available.

With its built-in ultra-accurate time-code generator/reader with genlock input/output, the PIX is a great master clock for driving a network of devices requiring synchronization. In addition to generating ultra-stable time-code, time-code can be read from the SDI stream, the HDMI stream or external sources.

PIX can be seamlessly integrated into existing AV systems and environments due to its 1/2-rack, 2-U chassis dimension. Both the PIX 270i and PIX 250i have precision five-inch IPS, 800- x 480-pixel displays for setup menu access and video monitoring. The high-accuracy display, with its peaking, false color and zoom functions, is perfect for framing, exposure and focus evaluation.

Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production. Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit Video Devices and Sound Devices websites, www.videodevices.com; www.sounddevices.com.

Audiofile Releases Spectre 1.7

Major update to leading audio analysis suites is currently a Featured App and named a “Best New App” on the Mac App Store

Minneapolis – (May 16, 2014) – Audiofile, a leading music technology company, today announced a major update to Spectre, the popular real-time audio analysis suite for OS X. The new version, currently featured on the Mac App Store and named a “Best New App”, is available for 50% off the original price for a limited time.

Spectre 1.7

Spectre 1.7

Ideal for any audio professional working today—from producers to broadcast engineers to video editors—Spectre is packed with 20 different multi-channel and multi-trace meters including Level, VU, Spectrograph, Oscilloscope, Spectrogram, LU and LU History. With version 1.7, Spectre has been rewritten from the ground up to support the latest loudness standards as well as making it even more powerful and beautiful.

“Spectre has always been incredibly accurate,” said Matthew Foust, Audiofile Managing Partner and co-founder. “But the enhanced performance in version 1.7 makes your meters more detailed and responsive, providing an even clearer picture of your audio.”

Beyond its significant performance upgrade, Spectre’s updated meters are now even easier to configure. Additionally, they are now Retina-ready and fully optimized for OS X Mavericks, including improved full-screen and multiple display support.

New additions and enhancements to Spectre include:

• Greatly improved performance and stability

• Fully optimized for Retina displays

• Audio bundles enable the creation of groups of channels for audio input hardware, making configuration even easier

• Comprehensive full-screen support

• Meter configuration is now built into each meter

• Traces have their own spectral analysis settings

Spectre includes all of these improvements for it’s original low price, making it ideal for students and professionals alike. And, to celebrate its release, Audiofile is offering an introductory discount on Spectre for only $49.99, 50% off the original price for a limited time.

For more information about Spectre, visit http://www.audiofile-engineering.com/spectre/. To buy Spectre through the Mac App Store, visit https://itunes.apple.com/us/app/spectre/id436872608?mt=12.

ABOUT AUDIOFILE

Audiofile is a boutique technology company building apps that power the world’s musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2006, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name.

Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

Sound Devices Latest Video and Audio Recorders Now Shipping

PIX 270i, PIX 250i and 970 Now Available

REEDSBURG, WI, APRIL 28, 2014 – Having first made their official debut at this year’s NAB Show, Sound Devices, specialists in audio and video products for production, announces its PIX 270i, PIX 250i and 970 are now shipping. After a successful launch only a few weeks ago, these rack-mounted products are now available through the Sound Devices network of authorized resellers and distributors.

PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events and mobile production. The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback. The units record edit-ready Apple ProRes or Avid DNxHD files and allow simultaneous multiple-drive recording, giving production staff peace of mind with their rock-solid redundancy and backup capabilities (four drives for PIX 270i and two drives for PIX 250i). Additionally, file transfer and machine control is available over gigabit Ethernet. Their extensive audio capabilities, including 64 channels of both MADI audio and Dante audio-over-Ethernet for PIX 270i, and PIX 250i’s 16 tracks of audio, make each unit a comprehensive, cost-effective replacement for complex video servers and an effective tool for high-performance video production.

Sound Devices 970 is the company’s first-ever dedicated audio-only rack-mounted recorder, which boasts an impressive 64 channels of recording from Dante and MADI sources. The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including drama and reality production, and live concert recording. The 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital.

The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported. The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Audiofile Releases Triumph 2.3

Major update to professional audio editor and post-production tool includes integration of Final Cut Pro X technologies

Minneapolis – April 2, 2014 Audiofile, a leading music technology company, today announced the latest major update to Triumph, their acclaimed audio editor and post-production tool for Mac.

Currently featured as a “Best New App” and “Great App for Final Cut Pro” on the Mac App Store, Triumph 2.3 now supports Final Cut Pro X XML import and export complete with video preview, placing it among the App Store’s most powerful audio editors for sound designers, video editors and filmmakers. 

Triumph_Screenshot

“Triumph 2.3 represents a significant step forward for Final Cut Pro X integration,” according to Matthew Foust, Audiofile Managing Partner and co-founder. “With this release we’ve made it even easier for filmmakers the world over to create sound for their films that is as beautiful and polished as the their visuals.” 

In addition to bridging the gap between sound design and Final Cut Pro X, Triumph 2.3 introduces iCloud support, adding to its already rich list integrated Mac technologies. With the inclusion of iCloud support, users are now able to share Triumph projects across all of their personal or studio machines and iOS devices.

“Support for the latest Apple technologies isn’t just a box we check,” says Ev Olcott, Senior Software Architect and co-founder. “Apple technology—from iCloud to Applescript and nearly everything in between—is quite literally at the core of what we do and it has been since the beginning.”

Triumph_Tools

Triumph has been completely rebranded when Creative Director Joseph Kuefler joined the Audiofile team.

Triumph 2.3 is only the latest in a planned roadmap of major updates, all in an effort to further distinguishes it as the flagship Audiofile app for Mac.

For more information about Triumph, visit http://www.audiofile-engineering.com/triumph/ 

 

About Audiofile
Audiofile is a boutique technology company building apps that power the worlds musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2004, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name.

Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

Sound Devices Introduces the ‘970’ Its First Dedicated Rack-Mounted Audio Solution at the 2014 NAB Show

64-Track Dante and MADI-Equipped Multi-Track Audio Recorder Makes Industry Debut

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces 970, its first-ever dedicated audio-only rack-mounted solution, which boasts an impressive 64 channels of Dante and MADI, at the 2014 NAB Show (Booth C2546). The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including drama and reality production, and live concert recording.

Sound Devices’ 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported.

The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports word clock synchronization from external word clock, video sync, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

The Sound Devices 970 features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks as well as file transfer over the data network with SMB. File metadata editing of scene name, take name, notes, track names, and reel folders can be done during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also allows for format conversion between analog, AES digital, MADI and Dante.

Sound Devices’ 970 is designed with a large five-inch screen for metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Sound Devices Expands Line of Video Recorders with Introduction of PIX 270i and 250i at NAB 2014

New Recorders Offer Extensive High-Quality Video, Audio and Networking Capabilities Addressing the Multiple Source Needs of Today’s Large-Scale Productions

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces its latest PIX recorders, PIX 270i and PIX 250i, at the 2014 NAB Show (Booth C2546). PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events, and mobile production.

The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback with the ability to access and transfer high-quality files over Ethernet. The units record edit-ready Apple ProRes or Avid DNxHD files and allow simultaneous multiple-drive recording, giving production staff peace of mind with their rock-solid redundancy and backup capabilities (four drives for PIX 270i and two drives for 250i). Their extensive audio capabilities, including 64 channels of both MADI audio and Dante audio-over-Ethernet for PIX 270i, and PIX 250i’s 16 tracks of audio, make each unit a comprehensive, cost-effective replacement for complex video servers and an effective tool for high-performance video production.

The PIX recorders offer 3G-SDI (12-bit, 4:4:4) and HDMI I/O, and can record at numerous data rates. Full RGB Apple ProRes 4444 (330 Mbps) and low data rate proxy files (36 Mbps) are available. Files are ready for import directly into popular editing environments, including Avid, Final Cut Pro and Adobe Premiere Pro, eliminating time-consuming transferring and transcoding.

Up to four drives, two SATA drives in PIX-CADDYs and two SATA-connected drives can be connected to the PIX 270i. All four drives can be recorded to simultaneously or sequentially for redundancy and long-form programs. For PIX 250i, up to two SATA drives in PIX-CADDYs can be connected to the easily accessed front-panel drive bays. In the same fashion, both drives can be recorded to simultaneously or sequentially. This redundancy in local, removable storage devices, coupled with standard, Ethernet-based file-transfer features, further reduces steps in the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer these files quickly into a post-production environment.

Both products feature extensive network connectivity and can be connected over Ethernet for simultaneous grouped recording and playback, creating a cost-effective scalable solution that addresses the multi-camera recording needs of today’s production. Its built-in Web server, PIXNet offers browser-based transport and setup-menu control of any number of units. In addition, PIX 270i features built-in multiple unit synchronization, offering simultaneous, frame-accurate recording and playback, ideal for multi-camera production and live event multi-screen playback. Any number of units can be grouped and controlled as a single system from either the hardware or the built-in Web-based control panel. Frame accurate sync works with other PIX 260i and PIX 270i recorders. The PIX 250i can be grouped with other PIX 250i, PIX 260i and PIX 270i recorders. The PIX can also be controlled by external RS-422 (Sony 9-pin compatible) controllers as well as via its GPIO port.

The PIX 270i offers extensive audio capabilities, with 64 record tracks (32 tracks at 96k), eight channels of analog audio, eight channels of AES digital audio, 16 channels of embedded SDI audio, and 64 channels of both MADI (coaxial and optical) audio and Dante audio-over-Ethernet. The PIX 250i features eight channels of analog audio, eight channels of AES digital audio and 16 channels of embedded SDI audio, and supports up to 16 tracks of audio.

With its built-in Ambient Clockit time-code generator/reader with genlock output, the PIX line is designed for multiple-camera and double-system sound applications. In addition to generating ultra-stable time-code, time-code can be read from the SDI stream, the HDMI stream or external sources. PIX 270i and PIX 250i include a high-performance hardware scaler and frame-rate converter. Regardless of the incoming signal, PIX records the signal after up-, down- or cross-conversion at the same or different frame rate. Hardware-based 3:2 pull-down removal is also available. Its convenient 1/2-rack, 2-U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through a four-pin XLR connector. The PIX 270i offers a secondary DC input for power supply redundancy.

The newest additions to the PIX line of products feature Sound Devices’ proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Both the PIX 270i and PIX 250i have precision five-inch IPS, 800- x 480-pixel displays for setup menu access and video monitoring. The high-accuracy display, with its peaking, false color and zoom functions, is perfect for framing, exposure and focus evaluation.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Audiofile Releases Fidelia 1.5

A major update to the popular high definition music player for OSX

Audiofile, a leading music technology company, today announced an update to Fidelia, the acclaimed premium music player for Mac. Fidelia 1.5 introduces AirPlay, support for Notification Center, Improvements to FHX™, significant improvements to reliability and performance, as well as an updated interface and branding.

“The sophisticated music lover will always be looking for the best listening experience,” says Matthew Foust, Audiofile Managing Partner and co-founder. “Fidelia offers what many digital music players can’t: support for the highest quality formats. But it’s not enough to simply support the best formats. Fidelia also provides users with tools that allow them to control nearly every parameter of the sonic experience.”

Fidelia 1.5 also introduces an updated design for Fidelia Remote for iOS. Fidelia Remote for iOS turns your iPhone or iPod touch into a full-featured remote control for the Fidelia music player. Browse your Fidelia library and playlists, adjust playback volume and navigate between or within tracks from as far away as your wireless network allows.

Fidelia 1.5 is the first in a series planned set of updates.
For more information about Fidelia, visit http://www.audiofile-engineering.com/fidelia/.

Pricing & Availability
Fidelia 1.5 is available on the Mac App Store starting at $19.99 or at audiofile-engineering.com.

About Audiofile
Audiofile is a boutique technology company building apps that power the world’s musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2004, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name. Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

Sound Devices Takes Home Cinema Audio Society’s Technical Achievement Award

REEDSBURG, WI, FEBRUARY 25, 2014 – Sound Devices, specialists in portable audio and video products for field production, is pleased to announce that its 633 Production Mixer has earned the prestigious Cinema Audio Society (CAS) Technical Achievement Award in the production category.

The CAS Technical Achievement Awards recognize innovations in recording technologies, including hardware and software products that are used by sound mixing professionals. Sound Devices has now been a recipient of the CAS Technical Achievement Award four times. The 744T and 788T Production Recorders, and the 664 Field Production Mixer are past winners.

“To be consistently recognized for our new products with CAS Technical Achievement Awards is an outstanding accomplishment,” says Matt Anderson, President of Sound Devices. “At Sound Devices, we continue to push the boundaries by presenting high-quality, innovative tools that really make a difference in the workflow of our customers. Having the Cinema Audio Society behind us reaffirms the positive impact that our product development goals have within the industry.”

Sound Devices 633 mixer/recorder features six inputs, with three high-bandwidth mic/line XLR inputs complete with phantom power, high-pass filter, input limiter and variable pan. Three additional line-level inputs appear on TA3 (mini-XLR) connectors. All inputs are assignable to any output bus. AES digital I/O, including support for AES42 digital microphones, is available.

The 633 offers 10-track 24-bit, 48 kHz uncompressed polyphonic or monophonic broadcast WAV file recording (96 kHz for eight tracks, 192 kHz for six tracks) or timecode stamped MP3 recording to CompactFlash and/or SD cards. All six inputs plus Left/Right and Aux 1/2, can be recorded to individual tracks. Similar to Sound Devices’ 12-input 664 Production Mixer, the 633 offers dual card slots that record to either one or both cards simultaneously, with the added ability to assign different tracks to each memory card.

Unique to the industry, the 633 is equipped with a four-way power supply and Sound Devices’ proprietary PowerSafe technology. This four-way powering allows for multiple, simultaneous power sources including external DC on a Hirose 4-pin locking (12-18 V), two removable and independent L-type Lithium-ion batteries and internal AA battery powering (six-AA). The unit detects when power sources are removed and seamlessly transitions to an available power source. With its PowerSafe circuitry, when all power is removed the unit remains on for 10 seconds to close all file operations and properly shut down. With PowerSafe, a complete power loss has no effect on the recording. PowerSafe also provides two-second ‘power-on-to-recording’ so the mixer is ready for operation at a moment’s notice.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

RTW LQL Software Now Shipping Worldwide

RTW, a leading vendor of visual audio meters for professional broadcast, production, post production and quality control, is pleased to announce that it is now shipping worldwide the new LQL – Loudness Quality Logger software.

Developed for logging, true-peak data analysis and reporting, the LQL is compatible with the TM7, TMR7 and TM9 TouchMonitor line of products running with Logging Data Server license (SW20014). The LQL is a natural extension of RTW’s range of innovative software options for the 7- and 9-inch line of TouchMonitor audio meters.

Once activated, LQL enables measured Loudness and TruePeak data to be derived directly via an IP-connection from a capable TouchMonitor audio meter, as well as from external storage media such as a USB stick. The software also includes dual limit weighting, status information, marker and various other reporting features. The new PC software is free of charge to users; however the SW20014 Logging Data Server license is required to enable a TM7, TMR7 or TM9 series meter to be compatible with data export and additional display functions.

The TM7 and TM9 series TouchMonitors, which include the innovative Magic LRA instrument, feature a 7- and 9-inch touch-sensitive display, respectively, and provide unparalleled flexibility and modularity, combined with intuitive control. The software visualizes multiple sources simultaneously. Both support displaying the same signal on multiple instruments in parallel, each with dedicated defaults with both horizontal and vertical operation. TM7 visualizes up to 40 sources at the same time, while the TM9 visualizes up to 48 and the TMR7, specifically designed for radio broadcasting, visualizes up to four.

Various audio interfaces and combinations are available i.e. analog, AES3, AES3id or 3G-SDI. RTW’s entire TouchMonitor range was created to help adhere to all major industry loudness standards, including EBU R128, ITU BS.1770-3/1771-1, ATSC A/85 and ARIB.

About RTW
RTW, based in Cologne (Germany), has more than 45 years of experience in designing, producing, and marketing advanced recording-studio systems. The company focuses its business on professional audio signal metering tools that are in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio highlights the TouchMonitor range, a new series of tools for visual signal analysis and comprehensive loudness metering. The TouchMonitor combines the highest of flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, integrating exceptional surround-signal visualization using the unique and groundbreaking Surround Sound Analyzer. The high-end SurroundControl series of products with fully fledged loudness measuring combines the convenient metering options of the RTW surround display devices and the control functions of an eight-channel monitoring controller.


For more information, visit
www.rtw.de
www.rtw.com
www.facebook.com/rtw.de
or call +49 (0) 221 709130.

Sound Devices PIX 260i Production Video Recorders Get in Sync with Latest Firmware Update

Advanced Metadata Editing Functionality Also Available

REEDSBURG, WI, JANUARY 7, 2014 — Sound Devices, specialists in portable audio and video products for field production, announces its latest firmware update, Version 1.50, for its PIX 260i Production Video Recorder. PIX 260i recorders seamlessly replace tape-based video decks in production and post-production environments, while also offering 32 tracks of audio recording and playback. The latest firmware, which is available as a free download to all PIX 260i users, further streamlines production workflows with several powerful upgrades.

For applications with multiple, grouped units, version 1.50 allows for frame-synchronized control for record, play, stop and pause functions. It also offers several advanced metadata editing enhancements, including the ability to edit scene, take, note, track name and circle metadata for the current take, next take or previous takes—even while recording. Metadata edits now apply to all drives selected for recording. Scene/take edits update the embedded bEXT /iXML metadata and the file name when the File Name Format is set to “Reel-Scene-Take” or “Scene-Take.” The recorders audio-only mode offers an additional audio-specific LCD view, which includes metering, file name, scene/take, timecode, ABS time, track names, sample rate, bit-depth and drive remaining time.

In addition, Version 1.50 features an updated method for preventing file corruption in the event of power loss during recording. It also introduces record and playback of SDI Source ID (SID) metadata. With the latest firmware, File OSD Field now shows Poly versus Mono WAV, and several keyboard shortcuts are now available for transport controls in PIXNET.

The PIX 260i supplies all the features and tools needed by production companies looking to migrate to file-based recording and playback environments. It records QuickTime video files in either Apple ProRes or Avid DNxHD formats and sound-only files in either monophonic or polyphonic WAV format. Video files recorded with Apple ProRes or Avid DNxHD are ready for editing directly from the recorder in common editing environments, such as Avid, Final Cut Pro and Adobe Premiere, eliminating time-consuming transferring and transcoding. For color-critical applications, the PIX 260i supports Apple ProRes 4444 through its 12-bit, 4:4:4 3G-SDI I/O. Users can also play out files from the PIX 260i for real-time applications.

Continuing the company’s heritage in production sound, Sound Devices has infused the PIX 260i with 32-track audio recording and playback capabilities. In addition to 16 channels of embedded SDI audio and eight channels of HDMI audio, the PIX 260i also accepts eight channels of line-level analog I/O and eight channels of AES digital audio. Using Audinate’s Dante audio-over-Ethernet protocol, the PIX 260i can accept and transmit up to 32 channels of audio over Ethernet.

Files are recorded either simultaneously or sequentially on up to four separate drives, two front-panel PIX-CADDY slots and two rear-panel eSATAp connections. This redundancy in local, removable storage devices, coupled with standard Ethernet-based file transfer features further streamline the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer files quickly into a post-production environment. In addition, the PIX-CADDY CF allows the PIX 260i to record polyphonic WAV files directly to removable CompactFlash cards (audio poly mode only).

Another key feature of the PIX 260i is that it can be controlled from browser-capable computers and tablets. When connected to a data network, transport controls and setup menu controls are available on PIXNET, which offers control of one or multiple PIX 260i recorders. Multiple units can be grouped for simultaneous control.

Existing PIX 260i users can download version 1.50 by visiting http://www.sounddevices.com/download/pix260i-firmware/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

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