Archive of the Recorders and Editors Category

Sound Devices Introduces the Next Must-Have Audio Product, the 633 Mixer

Six-Input Mixer with 10-Track Recorder Offers Unprecedented Capability in a Compact, Portable Device

REEDSBURG, WI, NOVEMBER 19, 2013 — Sound Devices, specialists in portable audio and video products for field production, introduces the 633, a six-input mixer with integrated 10-track recorder. It includes Sound Devices’ proprietary PowerSafe technology and a unique four-way power supply for maximum operational runtime. As the next must-have production tool, the 633 has a full complement of I/O designed into a compact, portable device, ideal for over-the-shoulder applications.

The powerful 633 mixer/recorder features six inputs, with three high-bandwidth mic/line XLR inputs complete with phantom power, high-pass filter, input limiter and variable pan. Three additional line-level inputs appear on TA3 (mini-XLR) connectors. All inputs are assignable to any output bus. AES digital I/O, including support for AES42 digital microphones, is available.

The 633 offers 10-track 24-bit, 48 kHz uncompressed polyphonic or monophonic broadcast WAV file recording (96 kHz for eight tracks, 192 kHz for six tracks) or timecode stamped MP3 recording to CompactFlash and/or SD cards. All six inputs plus Left/Right and Aux 1/2, can be recorded to individual tracks. Similar to Sound Devices’ 12-input 664 Production Mixer, the 633 offers dual card slots that record to either one or both cards simultaneously, with the added ability to assign different tracks to each memory card.

Unique to the industry, the 633 is equipped with a four-way power supply and Sound Devices’ proprietary PowerSafe technology. This four-way powering allows for multiple, simultaneous power sources including external DC on a Hirose 4-pin locking (12-18 V), two removable and independent L-type Lithium-ion batteries and internal AA battery powering (six-AA). The unit detects when power sources are removed and seamlessly transitions to an available power source. With its PowerSafe circuitry, when all power is removed the unit remains on for 10 seconds to close all file operations and properly shut down. With PowerSafe, a complete power loss has no effect on the recording. PowerSafe also provides two-second ‘power-on-to-recording’ so the mixer is ready for operation at a moment’s notice.

The 633’s high-accuracy, Ambient-based timecode generator/reader assists in multi-camera and double-system sound applications. All common production timecode rates and modes are available. Extensive file metadata is supported along with the timecode. The 633 also features a keyboard port for quick and easy metadata entry.

Designed for the demands of field production, the 633 has easily accessible, tactile front panel controls. Its LCD-based setup menu offers easy navigation and control of its extensive features. Menu options for metering, display and headphone favorites are among the selections that can be saved to scenes, which save the complete state of the mixer to memory cards in order to quickly reproduce a setup.

The 633 is also available as a complete package, the 633-KIT, which includes the unit plus all of the accessories needed for use in the field. This production-ready kit includes the 633 mixer, the CS-633 Production Case, two L-type Lithium-ion batteries, one SD and one CF card, plus TA3-to-XLR cables.

The 633, like all Sound Devices products, is designed to withstand the physical and environmental extremes of the field. Its top and bottom chassis panels are made from molded, metalized carbon fiber for superior durability and weight reduction. The chassis panels are also gasketed for water resistance.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

SOUND DEVICES EXHIBITS LATEST FIRMWARE FOR 664 PRODUCTION MIXER AT CCW 2013

Unit now offers 12 Analog Inputs and 16 Recording Tracks

NEW YORK, NOVEMBER 13, 2013 — Sound Devices, experts in portable audio and video products for field production, continues its tradition of adding significant features to its products through regular firmware updates. The latest update, Version 2.00 for its flagship 664 Production Mixer, unlocks six additional line-level inputs on this already powerful field mixer. The 664 now offers 12 analog inputs and 16-track recording without requiring the CL-6 Input Controller. Sound Devices showcases the benefits of the 664’s latest firmware update, Version 2.00 at Content & Communications World 2013 (CCW Booth 1140).

Sound Devices 664 features six ultra-low-noise, high-dynamic-range preamps that accept mic- or line-level signals and include analog peak limiters, high-pass filters, and input trim control. Version 2.0 firmware provides access to six additional, menu-controlled, line-level inputs for a total of 12 inputs. Inputs 7-12 appear on TA3 connectors shared with the direct outputs. Inputs 1 and 6 can be set to accept AES3 or AES42 for digital microphones, each with its own SRC for simplicity in system clocking.

With version 2.00, the 664 can record 16 track files, which include all 12 inputs plus its four outputs, without requiring the CL-6 Input Controller. The CL-6 continues to be an important accessory for users requiring hardware fader control of inputs 7 through 12. Firmware revision 2.00 also brings additional LCD metering modes to support the expanded input capability. Three menu-set metering modes are selectable from the front panel meter button. Meter modes offer combinations of input and output levels.

The 664 records 16-track monophonic or polyphonic broadcast WAV files or stereo MP3 files to SD and/or CompactFlash cards. All inputs and outputs are individually selectable for recording, and feature up to three seconds of record pre-roll. With its dual card slots, the 664 can record content to either or both cards simultaneously, with the ability to assign different tracks to each memory card. With cards not optimized for multi-channel monophonic file recording or if the monophonic 10-track limit is exceeded, a warning message is displayed on the LCD display when starting a recording. In addition, when formatted in the 664, SD cards 64 GB and larger are automatically formatted as ExFAT (in accordance with the SD Association’s recommendation). All CF cards and lower-capacity SD cards remain FAT32.

The 664 offers greater flexibility and ease-of-use with its “LCD Daylight Display” mode, which incorporates a daylight-specific color scheme and solid-bar metering option for improved readability in direct sunlight. In addition, it includes a high-precision, Ambient-based timecode generator/reader for multi-camera and double-system sound applications.

Existing 664 users can download version 2.00 for free by visiting http://www.sounddevices.com/download/664-firmware/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

The Music Producers Guild Gets BPI and AIM Backing For Its Broadcast WAV Initiative

Just months after officially launching its ‘ISRC in Broadcast WAV’ initiative, the Music Producers Guild has received the support of the BPI and AIM, two trade bodies representing the music industry. Both have agreed to adopt Broadcast WAV as standard.

“We are really delighted to have the support of the BPI and AIM,” says Alchemy Mastering’s Barry Grint, who has led the MPG ISRC campaign. “This is fantastic news for all recording artists and copyright owners because adopting Broadcast WAV will make file identification and content tracking much easier and more accurate. It will also help royalty agencies develop more precise systems for payments, thereby safeguarding the incomes of artists and copyright owners when their recordings are played on air.”

With two major UK music industry organisations now firmly behind the new format – and with a number of mastering hardware equipment manufactures also on-board – the Music Producers Guild believes it is only a matter of time before Broadcast WAV is adopted by the music industry world-wide.

“WAV is the standard format for music interchange in the production process, but MPG members were frustrated that there was no method of embedding industry standard ISRC information in the format to enable more accurate identification the content of files,” Grint explains. “Working in collaboration with the European Broadcasting Union, which created a professional version of the WAV format called Broadcast WAV, we have been able to ensure the carriage of ISRC information in this type of file, thus removing the need for it to be re-entered and reducing the opportunity for error.”

The inherent good sense of using Broadcast WAV is now being recognised.

BPI Chief Executive Geoff Taylor says: “BPI is pleased to support this MPG initiative and we’ll be encouraging our members to adopt Broadcast WAV as a standard. By incorporating ISRC data into the WAV file, we can provide a more accurate and reliable means of identifying recordings when they are exchanged between labels and studios.”

James Farrelly, membership manager of AIM, adds: “In an environment where labels of all sizes now understand that effective metadata management is the key to maximising revenue from their master rights, the work MPG is doing to adapt the BWF format will result in a clearer, more accurate approach to identifying tracks and minimising potential mis-allocation of income from repertoire usage. AIM is proud to support this initiative and looks forward to working with the MPG and their partners to build industry wide adoption of the format.”

The MPG is now planning to address mastering engineers by holding a seminar to demonstrate the ease with which Broadcast WAV can be implemented. This will take place in London in early November (see www.mpg.org.uk for more details).

“For engineers using Magix/Sequioa or Merging/Pyramix, switching to Broadcast WAV will simply involve a software upgrade as both of these workstation manufacturers are already backing the Broadcast WAV initiative, ” Grint explains. “Now that this issue is higher up the priority list, we hope other manufacturers will quickly follow their lead.”

-ends-

About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

Sound Devices Demonstrates Latest Solutions for Production Professionals at BIRTV 2013

PIX 260i Production Video Recorder and 664 Production Mixer Bring Expanded Functionality to Broadcast and Production Professionals

BEIJING, CHINA, AUGUST 21, 2013 — Sound Devices, specialists in portable audio and video products for field production, showcases the newest functionality for the PIX 260i Production Video Recorder (China Broadcast Technologies Co., Ltd. Booth 1A112) and 664 Production Mixer (Dingrun International Digital Tec.co., Ltd Booth 2001) at the Beijing International Radio, TV & Film Equipment Exhibition 2013. BIRTV is one of the most influential exhibitions in the broadcasting industry in Asia. With recent firmware updates, PIX 260i and the 664 both offer increased functionality to the end user.

“We look forward to attending BIRTV each year, as it gives us the opportunity to meet with local content creators from the region and discuss their needs,” says Ed Capp, Global Director of Sales for Sound Devices. “Attendees at this year’s show will soon find that this year’s lineup can vastly improve their workflows—whether they are looking for production recorders or mixers.”

Sound Devices’ PIX 260i brings the features and tools needed by production companies and broadcasters looking to migrate to file-based recording and playback environments. It records QuickTime files in either Apple ProRes or Avid DNxHD video formats. Files recorded in these intra-frame codecs are ready for editing directly from the recorder in common editing environments, such as Avid, Final Cut Pro and Adobe Premiere, eliminating time-consuming transferring and transcoding. For color-critical applications, the PIX 260i supports Apple ProRes 4444 through its 12-bit, 4:4:4 3G-SDI I/O. Users can also play out files from the PIX 260i for real-time applications.

Files are recorded simultaneously on up to four separate, 2.5” SSD storage devices via two front-panel PIX-CADDY slots and two rear-panel eSATAp connections. This redundancy in local, removable storage devices, coupled with standard Ethernet-based file transfer features further reduces steps in the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer these files quickly into a post-production environment.

PIX 260i can also be controlled from browser-capable computers and tablets. When connected to a data network, transport and setup menu controls are available on PIXNET, which offers control of one or multiple PIX 260i recorders. Multiple units can be grouped for simultaneous control.

With version 1.03 firmware, available as a free download to existing PIX 260i users, PIX 260i provides support for the new Sound Devices PIX-CADDY CF accessory. The PIX-CADDY CF allows the PIX 260i to record polyphonic WAV files directly to removable CompactFlash cards (audio poly mode only). In addition, v1.03 enables users to record and playback Mono Audio Wave Files (audio only mode with SSD and HDD) and supports RS-422 locate to timecode, cue point commands and device type ID (Sony BVW-75 emulation). Version 1.03 also provides an added scene increment shortcut feature from the main screen and added options for displaying smaller audio meters in various parts of the main screen.

Also on-site will be the 664, Sound Devices’ flagship portable production mixer. The 664 features six ultra-low-noise, high-dynamic-range and transformer-less preamps that accept mic- or line-level signals and include analog peak limiters, high-pass filters, input trim control and direct outputs on every channel. Featuring full analog audio paths for high-performance audio and superb power efficiency, the 664 also has numerous digital capabilities. Inputs 1 and 6 can be selected as AES3 or AES42 inputs for digital microphones, each with its own SRC for simplicity in system clocking. The 664’s analog output compliment includes four output buses. The L and R buses are on balanced XLR, 10-Pin and TA-3M connectors and on unbalanced TA-3M or 3.5mm connectors. Secondary output buses X1 and X2 are available on balanced TA-3M connectors. Users can route inputs and buses to four AES3 connections for eight digital outputs on the XLR and 10-pin connectors.

Firmware version 1.05, also now available for existing customers as a free download, brings additional features to the already-powerful mixer, including greater flexibility and ease of use during outdoor production. The LCD Daylight Display Mode incorporates a daylight-specific color scheme for improved readability in sunlight. It also offers a new solid bar metering option for improved readability in direct sunlight. Sound Devices has also incorporated additional Front Panel button shortcuts, including LCD Daylight Display Mode (HP + SELECT encoders) and Phrase list (HP + RTN B/C) for fast entry of notes. Version 1.05 also incorporates the shortcut for activating the alternating Tone mode (SELECT + TONE)—if Tone Mode is set to Continuous in the menu, then (SELECT + TONE) activates L-Ident tone. Users also have a Track Names in Meters options (without color gradient/ramp) that are selectable for either right- or left-side display.

With version 1.05, 664 now offers users Monophonic Broadcast WAV file support, with the ability to record up to 10 tracks to two cards, three second pre-roll maximum. If a card not optimized for multi-channel monophonic file recording is used, or if the monophonic 10-track limit is exceeded, a warning message is displayed on the LCD when starting a recording. Polyphonic mode or reducing track count is recommended. In addition, when formatted in the 664, SD cards 64 GB and larger are now automatically formatted as ExFAT (in accordance with the SD Association’s recommendation). All CF cards and lower-capacity SD cards remain FAT32. Version 1.05 also enables a Headphone Volume or Headphone Preset default option, which sets the HP encoder to operate as headphone level or to select HP presets when rotated. Pressing the Headphone encoder momentarily activates the alternative function.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Sound Devices Demonstrates 788T with Latest Firmware and Production Capabilities at SMPTE Australia 2013

SYDNEY, JULY 22, 2013 — Sound Devices, specialists in portable audio and video products for field production, will be on-site at The Society of Motion Picture and Television Engineers biennial conference and exhibition, SMPTE13, demonstrating its latest solutions for content creators in the motion-imaging, sound and broadcast industries (John Barry Sales, Stand C29). The company will exhibit its flagship 788T and 788T-SSD digital audio recorders with the latest firmware update, Version 3.0.

With the influx of multi-tracking in the field and on set, the 788T has become the next-generation digital audio recorder for advanced sound mixers who require additional isolated tracks. It boasts eight full-featured inputs and records to up to 12 tracks. It accepts either microphone or line-level signals, provides 48-V phantom power for condenser microphones, offers peak limiters for microphone inputs and features fully adjustable high-pass filters—all in a compact package. Routing flexibility allows each input to be routed to left/right mixed tracks, isolated tracks or aux tracks.

Further positioning the 788T as one of the foremost solutions for today’s evolving production standards, Version 3.0 is a free download for all existing and new 788T users offering a 192-kHz sampling rate for up to four tracks (L through B) recording to one drive. It provides for scene, take, notes, false takes, circle and track name metadata to be synched between C-Linked 788Ts. Version 3 firmware also features digital input limiters for AES3 and AES42 inputs, perfect for digital microphones. Additional enhancements include a left/right tone identification mode with a shortcut to toggle the mode on or off, added user-customizable CL-9 encoder adjustments, which affect trim gain and EQ frequency, and the option to decode MS into LR MIX only and leave ISO tracks as un-decoded MS.

In addition, Version 3.0 offers a new timecode mode, “Free Run – Auto Output Mute.” This is the same as the “Free” run mode, but mutes the “Lemo” timecode output when stopped and can be used to roll external devices when the “Rec-Run” timecode is not suitable. In addition to overall faster drive formatting, the latest firmware features an upgraded external low-voltage threshold, now 11.3V, along with various overall system improvements and optimizations.

“SMPTE is a leading technical society for the industry and we look forward to attending the conference once again this year,” says Ed Capp, Global Director of Sales for Sound Devices. “We believe attendees will be pleased to learn more about the new upgrades to the 788T and how the product can continue to be a mainstay in their production rigs, especially as audio production techniques continue to evolve.”

788T/788T-SSD users can download Version 3.0, by visiting: http://www.sounddevices.com/download/788t-firmware/download/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Sound Devices Continues to Develop the 788T for the Latest Production Requirements

Firmware Update 3.0 Now Available for Free Download

REEDSBURG, WI, JUNE 17, 2013 — To further position the company’s flagship 788T and 788T-SSD digital audio recorders as the foremost solutions for today’s evolving production standards, Sound Devices, specialists in portable audio and video products for field production, announces the availability of firmware update Version 3.0. A free download for all existing and new 788T users, this latest software update offers a 192 kHz sampling rate for up to four tracks, increased C-Link metadata functionality and added limiters for digital inputs.

Version 3.0 now offers Sound Devices 788T users a 192 kHz sampling rate for up to four tracks (L through B) recording to one drive. It provides for scene, take, notes, false takes, circle and track name metadata to be synched between C-Linked 788Ts. Version 3.0 firmware also features digital input limiters for AES3 and AES42 inputs, perfect for digital microphones. Additional enhancements include a left/right tone identification mode with a shortcut to toggle the mode on or off, added user-customizable CL-9 encoder adjustments which affect trim gain and EQ frequency, and the option to decode MS into LR MIX only and leave ISO tracks as un-decoded MS.

In addition, Version 3.0 offers a new timecode mode, “Free Run – Auto Output Mute.” This is the same as the “Free” run mode, but mutes the “Lemo” timecode output when stopped and can be used to roll external devices when the “Rec-Run” timecode is not suitable. In addition to overall faster drive formatting, the latest firmware features an upgraded external low voltage threshold, now 11.3V, along with various overall system improvements and optimizations.

“As our flagship digital audio recorder, the 788T has become a mainstay in the industry, and is in constant use on high-profile film, television and new media projects,” says Paul Isaacs, Technical Development Manager for Sound Devices. “As audio production techniques continue to evolve and become more streamlined, Sound Devices is committed to ensuring that our products remain on the cutting edge of technology through regular firmware updates.”

With the influx of multi-tracking both in the field and on set, the Sound Devices 788T has become the next-generation digital audio recorder for advanced sound mixers who require additional isolated tracks. It boasts eight full-featured inputs and records to up to 12 tracks. It accepts either microphone or line-level signals, provides 48-V phantom power for condenser microphones, offers peak limiters for microphone inputs and features fully adjustable high-pass filters—all in a compact package. Routing flexibility allows each input to be routed to left/right mixed tracks, isolated tracks or aux tracks.

The 788T has several options for recording media, including an internal SATA hard drive (solid-state in the 788T-SSD), CompactFlash cards, an external FireWire hard drive or DVD-RAM (with bus powering). Any or all of these can be used simultaneously. Additionally, when connected to Mac or Windows computers with high-speed USB or FireWire 400/800, the 788T functions as a high-speed mass storage device.

To simplify AES3 connectivity with mixers and cameras, the 788T has eight channels of balanced AES3 digital inputs and six channels of balanced AES3 outputs. The 788T can be clocked from an external word clock or from video sync. The 788T also comes equipped with a high-accuracy time-code reader/generator. It also includes auto-record features to chase external “Rec-Run” video sources. To simplify metadata entry, the 788T accepts USB keyboards directly or can be operated remotely from iOS devices with the optional CL-WiFi. The 788T, like all Sound Devices products, is versatile and designed to withstand the physical and environmental extremes of rigorous field production.

788T/788T-SSD users can download Version 3.0, by visiting:
http://www.sounddevices.com/download/788t-firmware/download/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Prism Sound Launches Two Low Cost Versions of SADiE 6

Prism Sound has released two new versions of its SADiE 6 software, which was recently nominated for a TEC Award in the Workstation Technology category.

SADiE 6 Professional and SADiE 6 Lite are designed to bring this ground-breaking audio production and recording software to a much wider audience by allowing users to access the software at a lower price point.

Graham Boswell, Sales Director of Prism Sound, says: “SADiE has always excelled in roles where the most sophisticated editing capabilities are required and where reliability and robustness are paramount. However, we have recognised that not every user needs a full complement of features and functionality, so we have tailored specific versions of SADiE 6 software to suite different budgets and applications. SADiE Professional and SADiE Lite are the latest additions to our product suite.”

SADiE 6 Lite presents the core capabilities of SADiE in an entry level package, while SADiE 6 Professional can handle unlimited tracks and incorporates one year’s free support including all major updates. Both SADiE Lite and SADiE Professional include SADiE’s unique and streamlined array of flexible and non-destructive editing tools such as the Playlist, Trim and Region editors. They also provide a slimmed down core set of iZotope VST plug-ins and the well-established palette of SADiE channel strip processing.

“SADiE Professional and SADiE Lite are designed to appeal to radio producers who want the core functionality of SADiE 6 so that they can edit on their own lap-tops,” Boswell adds. “These versions are ideal for users who don’t need integration with networked radio automation or facilities to master or restore audio.”

SADiE Professional retails at £949 plus VAT, while SADiE Lite retails at £450 plus VAT. Both versions are available now as a download or on a dongle.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

Sound Devices Highlights New 4:4:4 Feature for PIX 240 And 240i at the 2013 NAB Show

Video Recorders Can Now Record 12-Bit, 4:4:4 Content to Apple ProRes 4444

LAS VEGAS, APRIL 4, 2013 — For attendees in search of the latest 4:4:4 recording solutions, Sound Devices showcases its latest upgrade to PIX 240 and PIX 240i Production Video Recorders at the 2013 NAB Show (Booth C2849). This new major update, available for all PIX customers free of charge, offers Apple ProRes 4444 recording from video sources over 3G-SDI (4:4:4 RGB or YCbCr). Recording 4:4:4 offers productions superior color precision for applications in chroma-keying, color-grading and multi-generational editing.

PIX 240 and 240i users now have the ability to record into Apple ProRes 4444, which offers impressive quality with 4:4:4 sources and workflows involving alpha channel transparency. With its 12-bit, 4:4:4 capability, the PIX 240 and 240i can record 330-Mbps Apple ProRes 4444 files that are perceptually indistinguishable from the original source material. Popular cameras with 4:4:4 capable outputs include the ARRI ALEXA, Canon C500 and Sony F3.

“Sound Devices is pleased to feature this latest firmware update at NAB, as we know this is an important feature to many of our users and we foresee this capability being a hot topic at this year’s show,” says Paul Isaacs, Technical Development Manager, Sound Devices. “Bringing Apple ProRes 4444 recording over 3G-SDI to the PIX 240 and 240i offers additional color accuracy available in a 4:4:4 environment—reinforcing the PIX recorder as a master-grade production recorder suitable for the most demanding production applications.”

Additional features available in this latest v3.0 firmware update include time-code and recording status displays on the SDI and HDMI outputs, up to 500 ms of audio delay to compensate for multi-device picture delay, and selectable 4:4:4 or 4:2:2 video output independent from the source material.

Users can connect PIX 240 and 240i to cameras with HD-SDI, 3G-SDI, or HDMI and record directly to QuickTime using a range of different Apple ProRes or Avid DNxHD codecs, including Apple ProRes 4444. Since PIX recorders use ProRes and DNxHD, files recorded in the field can be used directly in post production, making for simpler, faster workflows.

The PIX 240i’s high-performance five-inch, IPS-based LCD display is an accurate field monitor, providing users with immediate confirmation of framing, exposure, focus, audio metering and setup menu selections. It offers excellent color accuracy and contrast, great off-axis visibility and accurate motion tracking.

The built-in hardware scaler and frame rate converter allows PIX to output and record material at different resolutions and frame rates than supported by the camera. Conversion between HD and SD, with and without anamorphic conversion, is available.

The audio circuitry of the PIX recorders is based on Sound Devices’ award-winning 7-Series digital audio recorders. The low-noise (-128 dBu EIN), high-headroom, high-bandwidth inputs are mic/line switchable and include limiters, high-pass filters and phantom power.

The HDMI-only PIX 220 and PIX 220i video recorders also gain new features available in the new version 3.0 update, including Apple ProRes 4444 recording, time-code and recording status displays on HDMI outputs, and up to 500 ms of audio delay to compensate for multi-device picture delay.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

MAGIX Becomes The First DAW Manufacturer To Embrace The Music Producers Guild’s ISRC Initiative

The Music Producers Guild’s efforts to establish an industry standard for embedding ISRC data within digital music files has received a significant boost with the announcement by MAGIX Software GmbH that it will incorporate EBU (European Broadcasting Union) Broadcast WAV files in the latest software upstate for its popular Sequoia Digital Audio Workstation.

André Standke, Product Manager Sequoia, MAGIX Software GmbH, says: “For years, Sequoia has been an integral part of leading broadcast and mastering studios worldwide. We focus our attention on delivering the best sound and tools by working closely with engineers and music producers including Sterling Sound in New York, Air Studios, Alchemy Mastering in London and many more.

“As optical media is gradually replaced by file and server based audio content, we will continue to support the changes to the mastering process with innovative developments such as EBU tech3352 and we are happy to announce this feature is now incorporated into Sequoia, our number one product on the market.”

From the MPG’s point of view, the importance of ISRC cannot be understated. ISRC, which stands for International Standard Recording Code, is uniquely allocated to every song recorded. These codes are then registered with royalty payment agencies, thus ensuring that recording artists and copyright holders are properly remunerated for their work when it is played on radio or TV.

In the past the ISRC information was included within sub data streams of a CD, but in today’s digital age, where music is often stored on digital WAV files, the ability to securely associate ISRC data with specific tracks has been lost. This is because the only common way to incorporate ISRC into a WAV file is via the file name – and if someone changes the file name or it is truncated or amended by a software program, the vital ISRC information can easily go missing.

To resolve this problem, the MPG’s Mastering Group has been working closely with the EBU to develop an industry-approved method for embedding ISRC data within a WAV file. Following discussions, it was agreed that the best solution was to use was the EBU’s existing Broadcast WAV File (BWF), a variant of the traditional WAV file that was developed for use by broadcasters. The EBU has now agreed to adopt the BWF as standard so that all-important ISRC data can be securely associated with specific tracks.

MPG Mastering Group board member and Alchemy Mastering Engineer Barry Grint, who is leading the BWF initiative, adds: “MAGIX’ decision to incorporate BWF into Sequoia is a significant step forward for the MPG’s initiative and we are delighted that the company has embraced BWF as the standard specification for file exchange. The new system is simple to implement and, once adopted, it will allow ISRC to flow through the whole production chain. We now hope that other DAW manufacturers will follow suit.”

Grint adds that ISRC is set to become the cornerstone of every aspect of digital asset management, from tracking and reporting through to royalty reporting and song identification.

“The entire music industry needs a robust and secure system for identifying tracks, and who had input into their creation, so that we can safeguard the incomes of all artists and copyright owners,” he says. “Ultimately, the adoption of BWF as standard will provide a cornerstone for the MPG’s Credit Where Credit is Due campaign, which aims to highlight the woeful lack of credit information within the digital domain. Our overall goal is to ensure that all music creators receive proper credit and proper payment for their work, and having an industry-standard technical solution that allows credit information to be included in the metadata is a major step forward in achieving this ambition.”

-ends-

For more information about Sequoia Digital Audio Workstations, please visit www.sequoia-audio.com.

About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

From The Field to the Studio: Sound Devices Highlights Diverse Capabilities of Rack-Mounted PIX 260i at the 2013 NAB Show

File-Based Audio/Video Recorder Ideal for OB, In-Studio and Post-Production Environments

LAS VEGAS, MARCH 5, 2013 — Sound Devices, experts in portable audio and video products for field production, is taking its proven field technology into the studio with its PIX 260i Production Video Recorder at the 2013 NAB Show (Booth C2849). Based on Sound Devices’ PIX 240i Recorder, the rack-mounted PIX 260i is a file-based audio/video recorder that seamlessly replaces tape-based video decks in production and post-production environments. Currently shipping, PIX 260i also offers 32 tracks of audio record/playback as well as control functionality from browser-capable computers and tablets.

The PIX 260i brings the features and tools needed by production companies and broadcasters looking to migrate to file-based recording and playback environments. The PIX 260i records QuickTime files in either Apple ProRes or Avid DNxHD video formats. Files recorded in these intra-frame codecs are ready for editing directly from the recorder in common editing environments, such as Avid, Final Cut Pro, and Adobe Premiere, eliminating time-consuming transferring and transcoding. For color-critical applications, the PIX 260i supports Apple ProRes 4444 through its 12-bit, 4:4:4 3G-SDI I/O. Users can also play out files from the PIX 260i for real-time applications.

PIX 260i recorders can be controlled from browser-capable computers and tablets. When connected to a data network, transport controls and setup menu controls are available on the Sound Devices PIXNET, which offers IP-addressable control of one or multiple PIX 260i recorders. Users can group multiple units for simultaneous control. Data drives connected to PIX 260i are also accessible on Ethernet-based networks as read-only SMB shares, opening up endless possibilities for file sharing. Files can be copied from any PIX 260i located on a network, enabling access from across a room or the globe.

Up to four SATA drives can be connected to the PIX 260i simultaneously. For RAID-type redundancy and to eliminate the need for post-record copying when multiple copies are required, users can record to all four drives simultaneously.

Building on the company’s deep heritage in production sound, Sound Devices has infused the PIX 260i with 32-track record/playback capabilities. In addition to 16 channels of embedded SDI audio and eight channels of HDMI audio, the PIX 260i also accepts eight channels of line-level analog I/O and eight channels of AES digital audio. Using Dante, the PIX 260i can accept and transmit up to 32 channels of audio over Ethernet.

With its extensive control capabilities, the PIX 260i is a flexible video playback source. The PIX 260i can be controlled by both external RS-422 and via Ethernet through PIXNet.

The PIX 260i includes a built-in Ambient Clockit time-code generator/reader with genlock output for rock-steady, multi-camera and double-system sound applications. In addition to generating ultra-stable time code, time codes can be read from the SDI stream, the HDMI stream or from an external source.

Like the PIX 220i and PIX 240i, the PIX 260i includes a sophisticated scaler and frame-rate converter. Regardless of the incoming signal, the PIX recorders can record the signal after up-, down- or cross-conversion at the same or a different rate. Hardware-based 3:2 pull-down removal and anamorphic conversion is also available.

PIX 260i’s convenient half-rack, 2U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through its four-pin XLR connector. Sound Devices’ PIX-RACK accessory includes one full 2U rack, which can hold two PIX 260is.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

Calendar

October 2014
S M T W T F S
« Sep    
 1234
567891011
12131415161718
19202122232425
262728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication