Archive of the Recorders and Editors Category

SSL Showcases V5 Software for C100 HDS Digital Broadcast Console at IBC 2012

Upgrade Introduces Dual Operator Functionality

AMSTERDAM – Solid State Logic, the world’s leading manufacturer of advanced analogue and digital audio consoles, will showcase V5 software for the C100 HDS Digital Broadcast Console at the IBC 2012 (Stand 8.D83). The new software is primarily focused on the implementation of Dual Operator Mode. Developed in response to feedback from a wide range of SSL clients, this upgrade is particularly relevant to mobile installations when two operators are necessary to work on complex productions, but where space and weight are at a premium.

“The SSL engineering team has developed the V5 software enhancement for the C100 to meet the needs of productions requiring two mix engineers at the same time,” says Piers Plaskitt, CEO of SSL, Inc. “With V5, for example, our the C100 can be installed in a space and weight conscious OB van to easily handle a live international sporting event presented in different languages. This application would require different simultaneous mixes handled by two operators. We believe the V5 software upgrade will significantly impact the dual-operator segment of the market.”

SSL’s Dual Operator Mode provides two operators the ability to have independent physical controls and access to shared audio assets, through a single console processing engine, Routing and I/O configuration. The system allows for an unlimited number of consecutive eight-channel fader bays to be assigned to a 2nd operator. These bays can be located at either end of a C100 console or separated and installed in a remote location such as a production gallery. The 2nd operator bays can be specified with a dedicated Master Tile to provide access to EQ, dynamics, aux sends and various routing functions, or specified without a Master Tile for simple fader-only operation.

Dual Operator Mode splits the C100 PFL system to provide independent PFL control for each operator with monitoring via headphones, or the main or mini monitor outputs. If both operators access the PFL system simultaneously and route to the monitor outputs, the PFL system delivers a sum of all selected channels. V5 also introduces a new momentary ‘non-latching’ PFL mode to facilitate shared use of monitor outputs.

Each operator will also have independent access to user layers to facilitate selection of individual channels to be laid out in each operator’s area and individual channels that are a shared resource, allowing simultaneous control from both operator areas. A fully redundant C100 system will see both Operator areas as a single console, delivering seamless redundancy for both users. For streamlined project recall for an entire Dual Operator system, all settings for both operators are also saved within a single project.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Sound Devices Debuts PIX 260 Production Video Recorder at the 2012 NAB Show

LAS VEGAS, APRIL 16, 2012 — Sound Devices, experts in portable audio and video products for field production, introduces its new PIX 260 production audio/video recorder at the 2012 NAB Show (Booth C2546). Based on Sound Devices’ field-proven PIX 220 and PIX 240 recorders, the rack-mounted PIX 260 is a file-based video/audio recorder/player that seamlessly replaces tape-based video decks in production and post-production environments.

Using the Apple ProRes or Avid DNxHD codecs, the PIX 260 records and plays files up to 220 Mbps in high-quality 10-bit 4:2:2 video as well as 32 tracks of 48 kHz audio. Files from the PIX 260 are ready for direct import into Avid and Final Cut editing environments, eliminating time-consuming transferring and transcoding. Files can also play out of the PIX 260 for realtime applications.

Continuing the company’s deep heritage in production sound, Sound Devices has infused the PIX 260 with 32-track record/playback capability. In addition to 16 channels of embedded SDI audio and eight channels of HDMI audio, the PIX 260 also accepts eight channels of line-level analog I/O and eight channels of AES digital audio. Using Dante, the PIX 260 can accept and transmit up to 32 channels of audio over Ethernet.

The PIX 260 has a built-in five-inch 800 x 480-pixel video display that allows users to view video and setup-menu selections. With its extensive control capabilities, the PIX 260 is a flexible video playback source that is compatible with Final Cut Pro 7, Final Cut Pro X and Avid sessions. The PIX 260 can be controlled by both external RS-422 and via Ethernet through the embedded Web server, allowing for machine transport control over Ethernet-based networks.

Up to four SATA drives can be connected to the PIX 260 simultaneously. All four drives can be recorded to simultaneously, for RAID-1 type redundancy and to eliminate the need for post-record copying when multiple copies are required.

The PIX 260 includes a built-in Ambient Clockit time-code generator/reader with genlock output for multi-camera and double-system sound applications. In addition to generating ultra-stable time-code, time-code can be read from the SDI stream, the HDMI stream or from an external source.

Like the PIX 220 and PIX 240, the PIX 260 includes a sophisticated scaler and frame rate converter. Regardless of the incoming signal, the PIX recorders can record the signal after up, down or cross-conversion at the same rate or a different rate. Hardware-based 3:2 pull-down removal is included as well.
PIX 260’s convenient 1/2-rack, 2U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through its four-pin XLR connector.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The thirteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Sound Devices to Expand Operations with Purchase of New Facility

REEDSBURG, WI, JANUARY 25, 2012 — Sound Devices, makers of production sound and video products for field production, announce the purchase of a new facility for its U.S. headquarters in Reedsburg, WI. The company is expected to relocate and settle into the 27,000-square-foot facility in the first half of 2012, where it will continue to manufacture audio mixers and recorders, and video recorders for feature film, episodic television, documentary, news, and acoustical test and measurement applications.

“This move is part of Sound Devices’ continued commitment to our customers, our community and to the marketplace,” says Jon Tatooles, managing director, Sound Devices. “It gives us the necessary room to grow, and to have all departments, including engineering, manufacturing, and sales, under one (much larger) roof. We look forward to continued success in our new home this year and beyond.”

Equipped with state-of-the-art technology, the new facility will enable Sound Devices to continue its focus on designing and building new, innovative field-production products.

In addition to the improvements to logistics and operations, the newly renovated facility, which sits on 27 wooded acres, can accommodate training meetings for its sales representatives and distributors. It also has space for permanent product setups to assist in product training.

Sound Devices new facility is located at 7556 State Highway 23/33 in Reedsburg.

Sound Devices, LLC designs and manufactures portable audio mixers, digital recorders, portable video recorders and related equipment for feature film, episodic television, documentary, news-gathering and acoustical test and measurement applications. The thirteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Auralex Unveils New ProMAX Panels at Winter NAMM 2012

Stand-Mounted StudioFoam Absorbers Offer Convenient, Portable Solution
ANAHEIM, CA, JANUARY 4, 2012 — Auralex Acoustics, Inc., the industry leader in innovative sound control solutions, officially introduces its new ProMAX Panels — stand-mounted, portable StudioFoam absorbers — at Winter NAMM 2012 (Hall A, Booth 6798).

Auralex’s new ProMAX panels are designed as a portable, lightweight, yet highly effective absorption treatment for such run-and-gun recording and performance applications as studio rentals, live events and temporary recording. They can be used in any location where mounting acoustical treatments to the wall are not possible or ideal.

The flexible absorption panels are simple to set up and transport and easily assembled and disassembled for convenient storage. Their lightweight and flexible design makes them ideal portable absorbers, as they can be moved easily and positioned to reduce audible reflections in any recording or listening environment.

Auralex ProMAX Panels can also be grouped together to form a portable vocal booth on the fly. They can also be positioned around a drum kit to “tune” room sounds in recordings and live performance venues. Able to be extended up to eight feet high, Auralex ProMAX Panels feature an adjustable contour for precision positioning.

“Based on the success of our MAX-Wall Mobile Acoustical Environment, we are proud to present this cost-effective portable absorption solution to the NAMM market,” says Eric Smith, founder and president of Auralex Acoustics. “As an extremely flexible acoustical solution, the ProMax is ideal for musicians and on-the-go recording applications.”

About Auralex Acoustics, Inc.
Located in Indianapolis, Auralex Acoustics was founded in 1977 with a mission to provide top-performing acoustical treatment products at the best value. Since then, thousands of satisfied Auralex customers have experienced improved acoustics, expert advice and exceptional customer service. Auralex products enjoy widespread use among prominent artists, producers, engineers, corporations, celebrities and government agencies.

Auralex Acoustics has become the industry leader in innovative sound control solutions and continues to enjoy rapid growth through an international network of authorized dealers. Visit the Auralex Web site at www.auralex.com. Auralex can be reached via email at auralexinfo@auralex.com or by calling 1-800-959-3343.

Prism Sound Launches New Version of SADiE 6 and Dongles

Prism Sound is delighted to announce the release of the latest version of its SADiE 6 software. In addition to various enhancements, SADiE users can now use their SADiE 6 editing software on any computer, anywhere in the world, thanks to the dongle-based security that gives users the ultimate in flexibility. SADiE 6.0.2 supports dongle operations, and the dongles themselves are now shipping.

Full details of the enhancements and the benefits they brig are available on the SADiE website – www.sadie.com – and are also included with each installation. more

Hal Leonard Publishes Pro Tools: Surround Sound Mixing

Author Rich Tozzoli Reveals the Secrets of Mixing in Surround in Pro Tools

Montclair, NJ (December 13, 2011) – Hal Leonard Books, the musician’s best source of books on the music business, audio technology, instrument history, and more, has published Pro Tools: Surround Sound Mixing ($39.99) by Rich Tozzoli. This second edition is updated with the latest information on monitoring and controlling sound, preparing a mix, recording in surround, using software plug-in, mastering in surround, and marketing your mixing skills.

This essential guide takes readers through all the steps needed to record, mix, and produce multichannel music with Avid (formerly Digidesign) Pro Tools. It covers preproduction, recording, setup, mixing, and delivery of surround music, and explains how to use Pro Tools to deliver mixes for DVD, HDTV, Blu-ray and SACD. more

Bournemouth Universtiy Gains SADiE Accreditation

Bournemouth University has been named as the first UK Accredited SADiE Training Establishment as part of a new scheme launched by SADiE to improve training for students using its editing equipment.

The university, which was also the first in the UK to take delivery of the new SADiE 6 software, achieved its accreditation through the quality of its teaching.

Pete Nash, Prism Sound and SADiE’s Broadcast Consultant who is in charge of the Accreditation process, says: “We established the accreditation scheme to give recognition to those training facilities that are offering exemplary lecturing standards in terms of technical and creative awareness of SADiE as a high end editing process.

“As the craft editor of choice for many international broadcasters, including the BBC, it is important that students entering the job market have the necessary skills to work with this industry-established tool. By having SADiE Accreditation, Bournemouth University students can prove to future employers that they have been trained to a very high standard and thoroughly understand the SADiE editing equipment they are likely to encounter in the real world.” more

iZotope Ships Ozone 5 and Ozone 5 Advanced

Cambridge, MA (November 10, 2011) – iZotope, Inc., a leading innovator in digital audio signal processing, announces the release of Ozone 5 and Ozone 5 Advanced. Ozone 5 is an update to iZotope’s critically acclaimed software mastering suite. Ozone 5 Advanced is a professional mastering suite that expands Ozone’s feature set with individual component plug-ins, extended features, and the brand-new Ozone Meter Bridge.

“Whether you’re a musician, engineer, or mastering pro, Ozone 5 lets you master music and other audio simply and efficiently,” says Nick Dika, iZotope Senior Product Manager. “Ozone 5 is the biggest update we’ve ever offered, with improvements that will appeal to Ozone experts and new users alike. Ozone 5 Advanced is designed to set a new industry standard for mastering tools. Advanced includes many exclusive features, and offers mixing and mastering engineers an even higher level of flexibility, precision and control.” more

Sonnox Announces Compatibility With Avid’s New Pro Tools HDX System

Sonnox Announces Compatibility With Avid’s New Pro Tools HDX System

OXFORD, UK: Over the past four years, software developer Sonnox has consistently produced innovative plug-ins to meet the needs of music producers, engineers, TV/radio broadcast and feature film soundmixers. This year, the Sonnox Fraunhofer Pro-Codec (developed in collaboration with the original mp3 inventor) was introduced. Designed to provide real-time auditioning of audio codecs within a DAW environment, the Pro-Codec is considered by many engineers to be a truly game-changing plug-in.

Sonnox has now revealed yet another important advance – compatibility of Oxford plug-ins with Avid’s new Pro Tools|HDX system launched at the AES Show this week. In making the announcement Sonnox Managing Director Rod Densham remarked, “We’re extremely pleased to be an early adopter of the Pro Tools|HDX platform. The new AAX format will undoubtedly become an established plug-in standard, just as TDM has been. In recent months we have doubled the size of our development team to meet increased demand, and we are working overtime to complete the transition to AAX as soon as possible.” more

Sound Devices Introduces New Mix Assist Feature for its 788T Digital Audio Recorder at AES 2011

Distinguishes Background Noise from Speech During Recording

NEW YORK, OCTOBER 21, 2011 — Sound Devices, experts in portable hard-disk recording for audio, introduces Mix Assist, a new feature for its 788T Multi-Track Digital Audio Recorder, at AES 2011 (Booth 139). This new feature is available as a no-charge firmware update to all new and existing 788T customers.

Sound Devices 788T is a powerful, eight-input, 12-track digital audio recorder designed for sound engineers mixing on location for films, documentaries, episodic television and reality TV. As these applications are commonly dialogue-heavy and unscripted, the new Mix Assist turns down unused microphones while instantly activating only the microphones that are in use, making it easier to get clean dialogue recordings. Mix Assist activates only one microphone per sound source, attenuating unused microphones by 15 dB. more

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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