Archive of the The Wire Category

Neumann TLM 107 Microphone Receives Outstanding Technical Achievement Award at 30th Annual TEC Awards

TLM 107 Is Recognized as Best In Class in the Recording Microphone Category During Awards Ceremony at the 2015 NAMM Show

1Anaheim, CA, January 28, 2015: Premium audio brand Neumann announced that its TLM 107 microphone was recognized with an Outstanding Technical Achievement Award by the TEC (Technical Excellence & Creativity) Foundation. Neumann President Wolfgang Fraissinet was on hand to accept the award during a reception held at the 2015 NAMM Show in Anaheim, CA on Saturday evening.

The TLM 107 is a modern, high-resolution sound transducer with excellent reproduction characteristics that enable it to capture the original sound without coloration, ensuring unlimited design freedom in mixing and post-production. The newly developed double diaphragm capsule is inspired by one of Neumann’s top models, the D-01. With its exceptional impulse fidelity, the TLM 107 is particularly suitable for percussion and the finest overtones of stringed instruments.

2“Speaking behalf of Neumann and Sennheiser, I am very proud to have the TLM 107 recognized by the TEC Foundation and by our peers in such a competitive technology category,” commented Wolfgang Fraissinet, President of Neumann and Director, Business Segment Audio Recording for Sennheiser. “The TLM 107 was designed to capture instruments and vocals transparently and without coloration, while providing the ultimate in flexibility for different recording applications. I am very proud of our entire team which helped us achieve this result.”

3Since the TEC Foundation was established in 1990, Sennheiser and Neumann have been presented with a cumulative total of 21 Outstanding Technical Achievement awards as well as having five products represented in the TECnology Hall of Fame, including the venerable Sennheiser MD 421 microphone.

Detailed product information on the Neumann TLM 107 can be found at www.tlm107.neumann.com.

About Neumann
Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser
Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Photo captions:
1) Neumann President Wolfgang Fraissinet accepts the TEC Award for the Neumann TLM 107 microphone.

2) The TLM 107

Powersoft X Series Wins Pro Sound Web / Live Sound International Reader’s Choice Award for Power Amplifier Products

After Casting Thousands of Ballots for Sixth Annual Awards, X Series Emerges as Favored Choice

Ventura, CA, January 28, 2015: Powersoft, a world-leading manufacturer of professional power amplifiers, announced that its X Series has been presented with a Reader’s Choice award from Pro Sound Web / Live Sound International magazines. The X Series emerged as the favored choice in the Power Amplifier Products category after thousands of reader ballots were tallied.

11The X Series, which was launched to the U.S. market during the InfoComm show last June to great success, delivers unmatched levels of versatility, flexibility and power, redefining what is possible in power amplification. With flexible channel routing, a truly universal mono, bi and three-phase balancing power supply and fully featured DSP, the X Series represents a revolutionary step forward in performance and power efficiency in both concert touring and fixed installation applications.

“We are pleased to be recognized by the readers of Pro Sound Web and Live Sound International, who are among a very informed constituency within the pro audio community,” commented Kurt Meltzer, U.S. Sales Director, Powersoft Audio. “Each of the products in our X Series line is the result of tireless research, relentless innovation and meticulous refinement — it is exciting to see our customers taking their audio solutions to the next level in such a broad range of applications.”

XSeries-GlamShadow-850x410Powersoft X Series has been also nominated as a finalist in the Audio category for the InAVation Awards and for Newbay Media’s ISE Best of Show Awards. Both awards will be announced during the ISE Show in Amsterdam, between February 10th and 12th. “Being named as a finalist in not one, but three respected industry awards gives our team a tremendous sense of achievement,” said Francesco Fanicchi, Brand and Communication Director of Powersoft. “Winning the Pro Sound Web Reader’s Choice award also validates that we are proceeding in the right direction and that our hard work is paying off.”

The X Series follows previous innovations by Powersoft including the K Series, which debuted in 1995 and introduced the professional audio industry to disruptive technologies including Power Factor Correction (PFC) and switch-mode amplification. The unprecedented efficiency of the X Series enables system integrators and production professionals to deploy fewer rack units while realizing sustained, predictable high performance power suitable for just about any production or installation.

By using Armonia Pro Audio Suite™ in conjunction with the X Series, users are able to access all necessary set up parameters as well as comprehensive control over digital audio processing and system performance monitoring. An integrated WiFi connection allows the X Series amplifiers to be accessed and managed by smartphone or tablet through ¬a customized user interface.

The X Series, which consists of the X8 (2U chassis) and the X4 (1U chassis), supports AES3 and Dante™ by Audinate®, and also features analog inputs for up to four input sources per channel. For more information on X Series, please visit: http://www.powersoft-audio.com/en/touring/x-series.

About Powersoft:
Powersoft is the world leader in lightweight, high power, single rack space, energy efficient amplifiers for the professional audio market. Founded in Italy in 1995, headquartered in Florence, Italy, with offices in Ventura, CA, Powersoft couples the experience and precision of its production department with exceptional components to deliver products with perfect audio response and high performance reliability. Its state-of-the-art amplifiers can be found in an array of markets, ranging from stadiums, sporting arenas, theme parks, performance venues and airports to convention centers, churches and clubs, and are used by the world’s leading tour sound companies. For more information, visit the Powersoft website @ www.powersoft-audio.com.

Are you D1 and Only?

ew D1 VisualAnaheim, CA, January 23, 2015: To celebrate the launch of its new evolution wireless D1 digital microphone series, audio specialist Sennheiser is announcing a contest to find the ultimate cover version of “The One and Only”, the classic pop song by Chesney Hawkes. 50,000 euros worth of brilliant prizes can be won, with the very best performer winning their very own professionally produced music video and audio recording of their cover and ew D1 systems for their band.

Runner-up prizes include fantastic new D1 wireless microphone sets, and there are more opportunities to win: the first 20 valid entries will receive an evolution wireless D1 vocal set, as will the ten best covers as voted by the public.

The ultimate winner and best runners-up will be selected by a jury of industry experts from among the 20 best entries shortlisted by a public vote. Jury members include “The One and Only” song-writer, Nik Kershaw, Anastasia Schoeck of Imagem Music, Sennheiser CEO Andreas Sennheiser, and Joel Cassady of Walk off the Earth – a band whose own covers are the stuff of YouTube legend.

Ingo AngresIngo Angres, marketing manager Live Performance and MI at Sennheiser, explains the contest: “The evolution wireless D1 is all about setting your performance free and taking your talent to the next stage. It removes the hassle of complex set-ups and cables and delivers incredible sound quality. When there’s nothing in the way of your creativity, think what you could achieve. That’s the spirit behind this contest – we want to see people take a song everyone thinks they know and set themselves free to make something fresh and new.“?

How to enter
If you think you and your band are the ones to take on the challenge, then get creative, interpret the song in your own unique style and record a video of your performance and upload it to YouTube. Then simply visit www.sennheiser-D1.com to submit your entry. The competition will be open to entries from 21 January until midnight on 10th May 2015.

ew D1 Vocal Set 2Between 21 January and 19 May 2015, visitors to the Sennheiser contest page can vote for their favourite cover version. The 20 performances with the most votes will be announced on 20 May and will go through to the final round, with the top ten receiving a D1 vocal set. The jury will then proceed to judge the entries according to musical quality, unique style and authentic performance.

The winner, who will receive the grand prize, and the second and third places will be announced on 1 June 2015.

The Sennheiser Group based in Wedemark near Hanover, Germany, was founded in 1945 and has gone on to become a leading manufacturer of microphones, headphones and wireless transmission systems. Sales in 2013 totaled 590.4 million euros. Sennheiser employs more than 2,500 staff worldwide and operates plants in Germany, Ireland and the USA. The company has a worldwide network of subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hongkong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico, and the USA. It also has long-established trading partners in other countries. Georg Neumann GmbH, Berlin, a maker of studio microphones and monitor speakers, and Sennheiser Communications A/S, a joint venture making headsets for PCs, offices and call centers, are also part of the Sennheiser Group.

More up-to-date information about Sennheiser is available on the internet at www.sennheiser.com.

Captions:
1: Sennheiser launches a cover contest to celebrate the launch of evolution wireless D1
2: Ingo Angres, marketing manager Live Performance and MI at Sennheiser
3: The first 20 videos on the website will each receive an evolution wireless D1 Vocal Set for being so quick – as will the ten best covers with the most votes by the public

Sennheiser and Apogee announce partnership at NAMM Show

Anaheim, CA, January 23, 2015: At Winter NAMM, audio specialist Sennheiser and Apogee Electronics, industry leader in digital audio conversion technology, have announced their collaboration.

logosAt the NAMM Show in Anaheim, Apogee’s Betty Bennett and Sennheiser’s Peter Claussen have jointly announced the cooperation of their companies. Peter Claussen, COO of Sennheiser, said that “Apogee and Sennheiser are a perfect fit. We both operate in the demanding premium sector, serving professional and semi-professional audio customers across the globe. Our product portfolios perfectly complement each other, and I am looking forward to collaborate with a company that has truly pushed the boundaries of digital audio.”

Betty Bennett, Co-Founder and CEO of Apogee, commented, “This is an exciting collaboration for us. Sennheiser is a highly respected brand with an incredible product portfolio and an extensive global reach. Our reputation for delivering premium products to the pro and prosumer markets are well aligned and our core competencies are very complementary. This collaboration will result in innovative, high-quality products that will truly inspire our customers.”

Details about the collaboration are to be revealed at a later date.

About Apogee
Apogee Electronics is an award-winning manufacturer of professional audio devices that advance audio recording and deliver ultimate sound quality, inspiring simplicity and incredible value. Apogee initially made its name with special anti-aliasing filters that solved many of the early problems associated with digital audio. Later, Apogee’s complete conversion systems pushed the envelope of digital audio quality and established Apogee as a key innovator in the field of professional digital audio. Today, Apogee converters and audio interfaces are regarded as the reference standard in the audio industry. Products such as Symphony I/O, Big Ben, Ensemble and Duet all have set the benchmark by which digital audio recording hardware is judged. Now with its latest products JAM and MiC, designed especially for Apple’s iPad, iPhone and GarageBand software, Apogee continues to be at the forefront of recording technology. Apogee’s mission is to build products that offer ultimate sound quality, innovative design and unparalleled value to all music creators from the aspiring artist to the discerning audio professional.

About Sennheiser
The Sennheiser Group based in Wedemark near Hanover, Germany, was founded in 1945 and has gone on to become a leading manufacturer of microphones, headphones and wireless transmission systems. Sales in 2013 totaled 590.4 million euros. Sennheiser employs more than 2,500 staff worldwide and operates plants in Germany, Ireland and the USA. The company has a worldwide network of subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hongkong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico, and the USA. It also has long-established trading partners in other countries. Georg Neumann GmbH, Berlin, a maker of studio microphones and monitor speakers, and Sennheiser Communications A/S, a joint venture making headsets for PCs, offices and call centers, are also part of the Sennheiser Group.

More up-to-date information about Sennheiser is available on the internet at www.sennheiser.com.

Sennheiser Announces Booth Performances at NAMM 2015, Including Freedy Johnston, Nina Storey, Raining Jane and others

Anaheim, CA, January 22, 2015: Audio specialist Sennheiser (Hall A, Booth 6577) announced that its booth stage at NAMM will once again feature an impressive roster of both established and emerging musical talent. The product demonstrations — which will feature the latest audio equipment from Sennheiser — will begin at noon today and con-tinue through Sunday afternoon, January 25th.

Scheduled performances are as follows and may be subject to change:

Thursday, January 22nd
12:00 p.m. — Chris Pierce
12:45 p.m. — Nina Storey
1:30 p.m. — Freedy Johnston
3:00 p.m. — Shane Henry and Maggie McClure
3:45 p.m. — Nina Storey
4:30 p.m. — Halocene

Friday, January 23rd
12:00 p.m. — Sista Jean & CB
12:45 p.m. — Marcus Eaton
1:30 p.m. — Dilana
2:15 p.m. — Sista Jean & CB
3:00 p.m. — Marcus Eaton
3:45 p.m. — Katie Cole
4:40 p.m. — Nu-Blu

Saturday, January 24th
12:00 p.m. — Debby Holiday
12:45 p.m. — Nu-Blu
1:30 p.m. — Raining Jane
2:15 p.m. — Debby Holiday
3:00 p.m. — Nu-Blu
3:45 p.m. — Magnolia Memoir
4:30 p.m. — Zane and Paris Carney

Sunday, January 25th
12:00 p.m. — Katie Cole
12:45 p.m. — Chantelle Barry
1:30 p.m. — Jaq Mackenzie and Matt Jordan
2:15 p.m. — Katie Cole
3:00 p.m. — Chantelle Barry
3:45 p.m. — Celia Chavez

Each year, the Sennheiser booth stage provides a high-quality, entertaining platform for emerging talent to heard by the over 80,000 people attending NAMM. For more infor-mation on artist performances, or to learn more about Sennheiser, please stop by booth 6577 or visit www.sennheiserusa.com.

The Sennheiser Group based in Wedemark near Hanover, Germany, was founded in 1945 and has gone on to become a leading manufacturer of microphones, headphones and wireless transmission systems. Sales in 2013 totaled 590.4 million euros. Senn-heiser employs more than 2,500 staff worldwide and operates plants in Germany, Ireland and the USA. The company has a worldwide network of subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hongkong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico, and the USA. It also has long-established trading partners in other countries. Georg Neumann GmbH, Berlin, a maker of studio microphones and monitor speakers, and Sennheiser Communications A/S, a joint venture making headsets for PCs, offices and call centers, are also part of the Sennheiser Group.

More up-to-date information about Sennheiser is available on the internet at www.sennheiser.com.

Sennheiser launches evolution wireless D1 – easy digital wireless for ambitious bands

ew D1 VisualAnaheim, CA, January 22, 2015: At NAMM, Sennheiser has launched evolution wireless D1, a range of digital wireless microphone systems that lets bands go wireless the easy way. With systems for vocals or for instruments, a band’s life is made simpler: transmitters and receivers automatically pair and select suitable transmission frequencies, while multiple D1 systems can automatically coordinate themselves. ew D1 operates in the 2.4 GHz range, which is license-free worldwide. “D1 instantly readies you for making music – and takes the complexity out of wireless,” summarizes Martin Fischer, product manager at Sennheiser.

Ease of use is key
Bands can now just forget about frequency setting, matching transmitters and receivers, and getting the gain right – evolution wireless D1 offers true ease of use by doing all these time-consuming and sometimes error-prone chores for them. “Basically, all that is needed is to switch the system on”, said Martin Fischer. “The rest will happen automatically. In no time at all, you’re all set to start jamming – with all the levels right, and a stable wireless link.”

License-free 2.4 GHz transmission with intelligent channel management
ew D1 LogoD1 operates in the 2,400 to 2,483.5 MHz range, which is license-free worldwide so there is no need to register the system or pay for the use of bandwidth. Region-specific particularities are catered for in the respective country variants. To allow co-existence with Wi-Fi, Bluetooth and other 2.4 GHz systems, the D1 receiver continually scans the RF environment, and will inaudibly and seamlessly hop to another frequency if it detects any interference. “ew D1 continually checks the entire 2.4 GHz band in your surroundings to guarantee you optimum performance,” added Fischer. Two channels are always available: besides the actual audio transmission channel, the system runs a redundant back-up channel, thus providing frequency and time diversity. Transmission reliability is further increased by fast-switching antenna diversity. Summing up, Fischer said, “ew D1 uses triple diversity to protect the wireless link between radio microphone and receiver.”

Quality audio
evolution wireless D1 employs the industry-leading aptX Live® codec that ensures excellent audio quality and wide dynamics for vocals, speech and instruments over the entire audio frequency range. Overall latency is a low 3.9 milliseconds, which is ideal if wireless monitors are to be used. To ensure optimum levels, ew D1 automatically sets the correct microphone sensitivity.

ew D1 Vocal SetVia the ew D1 menu control, bands have a range of audio effects at their disposal. These include a 7-band graphic equalizer, low-cut filter, automatic gain control and de-esser. The D1 vocal systems come with dynamic evolution microphone heads but can naturally also be combined with the condenser capsules from the acclaimed series, which are available as accessories.

Channel coordination and adaptive transmission power
ew D1 systems coordinate themselves fully automatically. For multiple systems, receivers will synchronize themselves to accommodate up to 15 channels in an ideal RF environment.

ew D1 Instrument SetWhere local frequency regulations allow, for example in the USA and Canada, Sennheiser has fitted its evolution wireless D1 systems with adaptive transmission power, with up to 100 milliwatts of power ensuring an extra-reliable link and extended range. For this, the receiver continuously informs the transmitter about how much RF output power is actually needed for a stable signal. The transmitter adapts accordingly and transmits at the requested power. “This feature not only increases the range if, for example, the singer moves further away from the receiver but it also saves battery power in those instances where the transmitter is very close to the receiver,” said Martin Fischer.

Powering and control options
D1 transmitters can be powered by either standard batteries or rechargeable “accupacks” that are available as accessories. These rechargeable lithium-ion packs recharge via USB or a docking charger and offer the additional advantage that the remaining battery life is indicated on the transmitter and receiver. Where required, the ew D1 system can be controlled by Apple® or Android® devices using a dedicated app.

Available soon
Headmicevolution wireless D1 comes in complete, ready-to-use systems or can be tailor-made by combining individual components, which is especially attractive for vocal systems. Besides the vocal and instrument systems, the D1 series comprises headmic and lavalier systems. Available in your local music stores from March 2015.

www.sennheiser-d1.com

aptX Live® is a trademark owned by CSR Plc
Apple® is a registered trademark of Apple Inc.
Android® is a registered trademark of Google Inc.

The Sennheiser Group based in Wedemark near Hanover, Germany, was founded in 1945 and has gone on to become a leading manufacturer of microphones, headphones and wireless transmission systems. Sales in 2013 totaled 590.4 million euros. Sennheiser employs more than 2,500 staff worldwide and operates plants in Germany, Ireland and the USA. The company has a worldwide network of subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hongkong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico, and the USA. It also has long-established trading partners in other countries. Georg Neumann GmbH, Berlin, a maker of studio microphones and monitor speakers, and Sennheiser Communications A/S, a joint venture making headsets for PCs, offices and call centers, are also part of the Sennheiser Group.

More up-to-date information about Sennheiser is available on the internet at www.sennheiser.com.

Captions:
1: Coming to your music store soon: evolution wireless D1 digital wireless mics

2: Sennheiser’s D1 sets a new standard for easy-to-use wireless microphones

3: The evolution wireless D1 instrument system

4: The ME 3-II headset microphone offers increased comfort and an optimized capsule

Back to the Future Sounds: Moog Recommences Manufacturing Large Format Modular Synthesizers

ASHEVILLE, NC, January 19, 2015: January 19, 2014 Asheville, NC: 50 years ago, at its first introduction, the Moog modular synthesizer represented as radical a transition as Kandinski’s abstracts or Kodak’s cameras – offering both a break from yesterday and a startling glimpse of tomorrow. And, as with all cultural explosions, the impact of Dr. Bob Moog’s invention was impossible to evaluate from the epicenter. It’s only now, 50 years down the line that we can get some measure of the importance, and the sheer untapped potentiality of the Moog Modular Synthesizer.

1Today, it is with great excitement that Moog Music Inc. announces their plans to re-commence the limited run manufacturing of three of their most sought after 5U large format modular synthesizers: The System 55, the System 35 and the Model 15. These three modular synthesizer systems were originally created and manufactured by Moog in 1973.

To commemorate the announcement, Moog shot a short film at their factory about the inspiring and multifaceted relationship artists have with modular synthesizers. The video features electronic music pioneers such as Suzanne Ciani, Malcolm Cecil, David Borden, Dick Hyman and Herb Deutsch alongside performances by contemporary modular artists like Holy Ghost! (DFA), Gavin Russom (ECSTATIC/Entropy Trax), Max Ravitz AKA Patricia (L.I.E.S./Spectral Sound/Opal Tapes), Kaitlyn Aurelia Smith (Western Vinyl), Jacques Greene (Vase/LuckyMe) and M. Geddes Gengras (Stones Throw). Each artist played a patch live, in one take, with no overdubs on one or more of the new Moog Modular systems.

2The foundation for this announcement was laid last year at Moogfest 2014, when Moog released the Emerson Moog Modular system – a faithful recreation of Keith Emerson’s legendary modular instrument, which was the culmination of three years worth of research and engineering. Now Moog will use the techniques learned recreating the EMMS manufacturing process to once again build these modular systems. Crucially, in deference to the unique character and appeal of the original instruments, these systems will be made entirely to their original product specifications and manufacturing techniques and processes.

Working from the 1970s schematics, the System 55, the System 35 and the Model 15 will be meticulously handcrafted, as a true recreation of the original. The modules are built from the original circuit board films – just as they were in 1973- by hand-stuffing and hand-soldering components to circuit boards, and using traditional wiring methods. The front panels are photo-etched aluminum, a classic process rarely still used in today’s synthesizer manufacturing, to maintain the classic and durable look of vintage Moog modules.

3Upon their first release in 1973, the System 55, the System 35 and the Model 15 represented a high watermark for modular synthesis, and their inimitable tones can be heard shaping many much-loved albums. They were fundamental in the development of contemporary soul, RnB, and disco from giving Stevie Wonder’s classic run of 70s LPs their questing, innovative edge, to providing Giorgio Moroder with the pulsating machine melodies that ushered in electronic dance. At the same time, these were the instruments that inspired Brian Eno to push further out into seas of layered tranquillity on his pioneering ambient albums, or provoked bands like Yes and Tangerine Dream to blast their sonic freak outs into the cosmos.

However, the reintroduction of these instruments is not about reliving the past – while much incredible work has been done with the Moog Modular, there is so much further yet to be explored in this relatively young instrument. Artists had only begun to grasp the vast possibilities of these large format modular synthesizers when they went out of production over thirty years ago. Decades of electronic experimentation have enabled musicians to move on from viewing the Moog Modular as a replacement for traditional instrumentation. Now a new generation of artists, with a greater understanding and more complex tools, will have the opportunity to explore the power of these singular sonic machines. Today, the modular synthesizer is viewed in the manner Bob Moog originally intended: to “discover endless offbeat, unconventional, and even irrational ways of working.”

4The dedicated nature of the Moog modular rebuilding process is such that the units will come in extremely limited quantities. There will be 55 units of the System 55, priced at $35,000 per instrument; 35 of units of the System 35, priced at $22,000 per instrument; and 150 units of the Model 15, priced at $10,000 per instrument.

Alongside these Moog Modular Systems will be the Sequencer Complement B Expansion Cabinet, a dual 960 Sequential Controller, an accompaniment to the System 35 and System 55, that has been out of production for over 30 years– as well as an optional 5-Octave duo phonic keyboard.

Links:
Video: http://youtu.be/3w6qWiEx8BQ
Modular Systems: http://www.moogmusic.com/moog-modular-synthesizers
Photos: https://www.dropbox.com/sh/u0zsvbsisj0pedy/AADnSqH3jKKfRWRwitZ2tBCZa?dl=0

About Moog Music
Moog Music 500 series modules and electronic musical instruments are designed and lovingly handcrafted at the Moog factory in downtown Asheville, N.C. Moog Music and its customers carry on the legacy of Dr. Robert Moog, inventor of the Moog synthesizer and Founder of Moog Music Inc.

Antelope Audio to Demonstrate Zen Studio, Satori Monitor Controller, Pure2 Mastering Converter and MP32 Preamplifier During 2015 NAMM Show

Zen Studio, Now Available with Z-Rack Mount and Embroidered Travel Case, to be Honored as Nominee During TEC Award Ceremony Saturday Evening

Anaheim, CA, January 21, 2015: During the 2015 NAMM Show this week, leading digital audio manufacturer Antelope Audio [Hall A - Booth 6274] will demonstrate the detail, purity and flexibility of the newest products in its lineup of professional audio products: the Pure2 mastering converter, the MP32 microphone preamplifier, the Satori monitoring controller, and of course the Zen Studio — which has received industry accolades and a TEC Award nomination during 2014.

zrackThe new products, which are all shipping as of this month, bring unprecedented detail, depth, clarity and transparency to professional users’ audio signal chain, while extending usability with an array of product features and multiple I/Os. Antelope Audio will also showcase new accessories for Zen Studio including its new Z-rack mounting system and a Zen Studio embroidered protective carrying case, an elegant solution designed for ease of use and portability.

Zen Studio: A Fully Featured Recording System ‘To Go’

Zen Studio, which is nominated for the 30th Annual Technical Excellence & Creativity (TEC) Awards in the ‘Computer Audio Hardware” category, is a full-featured audio interface, clock, preamp, and monitor controller in an ergonomic and robust road-ready chassis.

Featuring 20 analog inputs, 12 world-class mic preamps, Antelope’s acclaimed conversion and clocking, onboard DSP effects, multiple monitor mixers, custom high-bandwidth low-latency USB, and Mac/PC control software, Zen Studio is a powerful core to any professional mobile recording studio.

Pure2, Satori and MP32: The Enlightened Audio Chain

The combination of the Pure2 mastering converter, the Satori monitor controller and the MP32 preamplifier, which will each be demonstrated at the Antelope booth, brings a new level of detail and purity to any signal chain.

zen_case2Pure2 is a mastering-grade 24/192 kHz AD/DA 2-channel converter and master clock, enabling users to realize unsurpassed digital clarity and analog realism, while offering a flexible set of connectivity options and extremely efficient and ergonomic software remote control. With best-in-class Burr-Brown converters and the same Acoustically Focused Clocking (AFC) technology present in Antelope’s ultra high-end Trinity master clock, Pure2 helps musicians and engineers achieve new levels of mastering excellence.

MP32, a 32-channel, console-grade microphone preamplifier with integrated software control, is designed to compliment Antelope’s Orion32 and provide the greatest possible transparency during the recording process. Occupying just 3U rack spaces make the MP32 the ultimate solution for both studios and live recording — where rack space can be a precious commodity.

Satori, meanwhile, is a true analog monitoring and summing system designed to deliver an ‘epiphany’ experience to the sound engineer. Antelope’s renowned relay-controlled stepped attenuator, the extremely versatile connectivity options and great selection of stereo effects and comprehensive monitoring options, place the Satori among the most advanced monitoring controllers in the world, and make it equally suited to both commercial and project studios.

To learn more, stop by Antelope’s booth at the NAMM Show or visit Antelope’s web site at: http://www.antelopeaudio.com.

About Antelope Audio
Antelope Audio is the brainchild of Igor Levin who has more than 20 years’ experience and a number of innovations in digital audio and synchronization technology. The company is widely acknowledged as the leading manufacturer of audio master clocks.

In 2009 Antelope Audio launched its product line of high-resolution USB D/A converters, being among the pioneers designing a 384 kHz DAC. Antelope’s DACs employ their renowned 64-bit clocking and jitter management technologies and custom-designed circuits, achieving unprecedented precision and sound clarity.

Audiofile Releases Triumph 2.5

A next-generation tool for audio editing, mastering, sound design, podcasting and post-production

Minneapolis, MN (January 21, 2015) – Audiofile, a leading music technology company, announces the release of Triumph 2.5 on the Mac App Store. Built on the success of the company’s Wave Editor, Triumph 2.5 represents the next generation in audio editing, mastering, sound design, podcasting and post-production with new features, powerful DSP and a refined workflow.

AF_Triumph_2_5

Triumph 2.5 is a significant step forward in Triumph’s evolution. Audiofile has improved workflow efficiency by redesigning the Render Assistant with the ability to render and export multiple formats simultaneously, allowing assets to be auditioned more easily by clicking “play” in an asset’s popover, and by adding video import functionality, which will appeal to sounds designers and those working in post-production.

Triumph 2.5 also represents a significant step forward for sample rate conversion and dither as it now includes algorithms by Goodhertz, creators of Triumph’s digital scrubbing feature and FHX™ headphone listening DSP. Goodhertz’ mastering-grade audio sample rate converter combines incredible sonic performance with unmatched speed and efficiency for a nearly ideal frequency response, preserving high frequency content and eliminating aliasing. Goodhertz dither is a custom-tailored noise shaping algorithm that, rather than relying on noisy peaks or drastic high frequency shaping, always remains smooth and natural sounding while preserving every possible detail of the audio.

“The Triumph workflow is revolutionary,” adds Ricardo Gutierrez, Grammy-winning mastering and mix engineer. “It’s a great Swiss army knife. The fact that it can play back different sample rates in a project is amazing. The shapes used for automation, and the way you can snap to grid the different shapes, is really cool. I’m fully in the box now with mastering and finally have the tools and plug-ins to work in the box. I haven’t touched my analogue gear since the summer. Clients want things so fast and Triumph lets you do that!”

Other additions and enhancements to Triumph include:

• Greatly improved performance and stability
• Optimized for OS X 10.10 Yosemite
• Enhanced editing of individual channels in the Waveform View
• Adds an option to import DDP sets from the File menu
• Improved SoundCloud integration
• Improved multichannel file support
• iZotope MBIT+ Dither™ and 64-bit SRC™ are now available by purchasing an additional license from the Audiofile online store or via in-app purchase in the Mac App Store version
• Various improvements to key commands
• Improved User Guide

“I really like this app a lot,” said Rich Breen, Grammy-winning recording, mix and mastering engineer. “Of course, most important are the sonics, and I’ve found it to be totally solid in this respect. For scripting, I can either duplicate and edit an existing script directly in Triumph, or copy it into AppleScript Editor and edit there for greater flexibility – I don’t know of any other audio apps that offer this kind of feature.”

Pricing and Availability
Triumph 2.5 is now available on the Audiofile website for $79.99. Triumph 2.3.2 is available on the Mac App Store for $79.99 with free update coming soon. For product and ordering information or to download a demo, visit http://www.audiofile-engineering.com/triumph/.

NAMM 2015
Developer/Co-Founder Matthew Foust will be at the NAMM show in Anaheim, California, January 22-24. Contact matthew@audiofile-engineering.com or Dot Bustelo (dot@audiofile-engineering.com) to schedule a meeting.

About Audiofile
Audiofile is a boutique technology company building apps that power the world’s musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2003, Audiofile is among the most innovative and experienced audio software developers for OS X and the iOS with a long history of industry firsts to their name. Learn more about Audiofile’s entire range of music apps at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter: @weareaudiofile.

Sound Devices 970 Earns Nomination for 51st Annual Cinema Audio Society Technical Achievement Award

REEDSBURG, WI— Sound Devices, specialists in audio and video products for broadcast and film production, is pleased to announce that its 970 64-track Dante- and MADI-equipped multi-track audio recorder has been nominated for a Cinema Audio Society (CAS) Technical Achievement Award in the Production category.

“We are grateful that such a prestigious industry organization has chosen to acknowledge us once again with a nomination for a CAS Technical Achievement Award,” says Matt Anderson, President of Sound Devices. “We continually look to advance our technology in order to better serve the art and science of sound in the motion picture and television industry. We couldn’t be happier that the 970, our first-ever dedicated rack-mount audio solution, is being recognized for doing so.”Sound Devices 970 - front panel

Sound Devices’ 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs, including 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. The half-rack, 2-U device simplifies any application requiring high-quality high-track-count audio recording, such as drama and reality productions, and live concert recording. The 970 records to any of four attached drives, two front-panel drive bays and two rear-panel e-SATA-connected drives. Material can be recorded to multiple drives simultaneously or sequentially. With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock.

The 970 also features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks as well as file transfer over the data network with SMB. Users can perform file metadata editing of scene name, take name, notes, track names and reel folders before, during and after recording across all drives. In addition to RS-422 and GPIO control, the unit also allows for format conversion between analog, AES digital, MADI and Dante. Sound Devices’ 970 is designed with a large five-inch screen for metering of up to 64 tracks and for fast and intuitive menu control.Sound Devices 970 - back panel

Additionally, Sound Devices 970 features the company’s proprietary PowerSafe™ technology, which has a built-in 10-second power reserve. In the event of a power loss, the unit continues to operate for up to 10 seconds to safely stop any file operation and then shuts down. This ensures that a complete power loss has no effect on the recording. The 970 also features FileSafe, which automatically detects and repairs corrupted file headers when drives are mounted. Should this occur when a drive is inadvertently removed during recording, the user can simply reinsert the drive and FileSafe will automatically repair the files.
The Cinema Audio Society was formed in 1964 to recognize outstanding sound mixing in film and television as well as technical achievement in production and post production. A blue-ribbon panel of CAS Members determined the nominees for the 51st Annual Cinema Audio Society Technical Achievement Awards. Winners will be announced February 14 during the CAS Awards ceremony at the Millennium Biltmore in Los Angeles.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices is a brand of Sound Devices for their digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events, and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, Wisconsin. For more information, visit the Sound Devices and Video Devices websites: www.sounddevices.com and www.videodevices.com.

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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