Archive of the The Wire Category

RTW TM3-Primus TouchMonitor Now Shipping Worldwide

Ultra-Compact Meter Enables Extensive Loudness and Audio Metering Capabilities for a Variety of Applications and Budgets

AMSTERDAM, 8 SEPTEMBER, 2014 – RTW (IBC Hall 8, Stand D.92), the market leader in visual audio meters and monitoring devices, is pleased to announce that the TM3-Primus, its new smart series product, is now shipping worldwide. This highly compact model from the award-winning TouchMonitor line provides a full set of easy-to-read instruments for level and loudness metering in commercial and non-commercial production and broadcasting environments. Executives will be available during the 2014 IBC Show to demo the TM3-Primus and discuss its capabilities.

Introduced to the market earlier this year at NAB, the RTW TM3-Primus is a multifunctional audio measurement desktop unit featuring unbalanced RCA type two-channel analog, digital (SPDIF) and USB interfaces. In addition, it features an advanced USB hybrid mode where a metering point in a digital audio workstation (DAW) (implemented using a specific RTW plug-in) can be visualized right on the new TouchMonitor’s screen. Also, a USB port allows for implementing an innovative USB/plug-in hybrid mode that enables metering to be performed on the DAW so that a user can process and visualize the information instantly.

As a compact and low-cost member of the TouchMonitor family, the TM3-Primus is equally suited for professional use in minor or secondary workflows for broadcasting, video editing, music and other recording environments. It offers a new quality solution for non-commercial use in small radio environments or podcasting. Like other models from the award-winning TouchMonitor series, the TM3-Primus comes with a highly intuitive and user-friendly 4.3-inch touchscreen interface that simplifies system handling even for operators without a strong background in audio.

Supported loudness standards include: ITU BS.1770-3/1771-1, ATSC A/85, EBU R128, ARIB, OP-59, AGICOM and CALM. The TM3-Primus includes level and loudness display with bargraph type or numerical readout plus MagicLRA type. Other instruments included with the meter are PPM, moving coil, correlator, RTA, vectorscope, numerical and chart.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com, www.facebook.com/rtw.de or call +49 221 709130.

Digigram and KALRAY Partner to Create High-Quality, Low-Power, Real-Time HEVC Video Encoder Solutions

Digigram Expertise in Video Quality Metrics, Encoding, and Streaming Enables Use of KALRAY Manycore Processor to Facilitate High-Density HEVC Encoding more

GeoBroadcast Solutions Receives ZoneCasting™ Patent

Achievement brings targeted advertising for over-the-air radio broadcasters one major step closer to reality

CHICAGO, September 8, 2014GeoBroadcast Solutions has a message for over-the-air broadcasters heading into The Radio Show: The era of geo-local advertising to increase radio revenues is about to begin.

GeoBroadcast Solutions, LLC (GBS) is the company behind ZoneCasting™, a unique and groundbreaking technology that delivers the dual benefit of over-the-air, hyper-local advertising opportunities for businesses right down to targeted neighborhoods; and new revenue-generating opportunities that provide long-term sustainable value for radio stations and networks. As of this week, GBS has been granted a patent for ZoneCasting that makes deployment a realistic proposition for the very near future.

“ZoneCasting is the first true dynamic ad insertion opportunity for over-the-air radio on a geographical basis, using our now-patented wireless architecture,” said Bill Hieatt, Chief Technical Officer, GBS. “We now look forward to the FCC’s approval of the ZoneCasting technology, clearing the way for ZoneCasting deployments that will bring lost revenues from a fractured marketplace back to the terrestrial airwaves.”

The approval of the ZoneCasting™ patent comes at a time when radio broadcasters are faced with increasing competition for ad revenue from online radio, mobile streaming and other emerging models online. ZoneCasting’s targeted precision delivers unique commercial content simultaneously to many defined zones across a single broadcast market, unleashing new revenue opportunities for broadcasters, ad agencies and local businesses through a neighborhood focus. GBS’ proprietary modeling approach is instrumental in enabling targeted advertising capability across multiple in-market zones.

The road to patent approval began in September 2009, when GBS filed a provisional patent to protect the proprietary nature of the ZoneCasting concept. Since filing, the GBS team has partnered with GatesAir for transmitters and IP transport solutions to support low-cost distribution methods; and hyper-directional antennas and combiners from Jampro. After receiving FCC Experimental Authorization grants, two successful field tests were conducted in 2010 (Salt Lake City) and 2011 (Sebring, Florida), followed by simulations and listening tests in 2012. Each of these important events offered significant value and insight into proper zone location, system design, coverage modeling and optimization for ZoneCasting deployments.

GBS continues to evolve the ZoneCasting concept as the final FCC rulemaking phase moves toward completion. The company has filed two additional patent applications since 2010 that will allow for further refinement and optimization of the ZoneCasting architecture.

“The ZoneCasting patent approval underlines the unique character of the ZoneCasting design, and our thorough testing and significant technology partnerships instill exceptional confidence in our design philosophy,” said Hal Kneller, VP Global Sales and Business Development, GBS. “Our mobile network-like approach enables broadcasters to deliver a very robust and high-quality signal with targeted ad insertions. We’re excited about the future of ZoneCasting and the opportunities it brings broadcasters and advertisers alike.”

About GeoBroadcast Solutions
GeoBroadcast Solutions, LLC (GBS) offers proprietary products and solutions to enhance radio station coverage areas to maximize both coverage and revenue as well as the ability to zone both audio (pending FCC approval) and RBDS/RDS. With several additional patents pending, new techniques for Single Frequency Networks have been developed to improve coverage. Christine McCarthy of Barnes & Thornburg guided the ZoneCasting patent to approval and is currently processing the pending patent applications. GBS partners with GatesAir for transmission and IP distribution equipment, and with Jampro for antennas and combiners.

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The 137th Audio Engineering Society Convention to Offer Expanded Broadcast and Streaming Track

— As many as 15 separate Broadcast and Streaming sessions will cover a huge range of timely topics, from loudness issues and CALM Act compliance to facility design, codecs and signal routing —

New York, NY — The ways in which both broadcast and streaming audio platforms are evolving and converging will be on display at this year Broadcast and Streaming Track during the 137th Audio Engineering Society Convention, set for Thursday, October 9, through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California. Broadcast and Streaming Track Chairman David Bialik has identified key trends in these spheres and assembled a series of cutting-edge panels that will explore and discuss these topics.

The list of presentations is comprehensive, including:

Loudness for Streaming and Radio
Audio Issues for 4k and 8k Television
Facility Design
Audio Issues and HTML5
Routing Audio in a Broadcast Facility
Listener Fatigue and Retention
Hear Now/Sound Effects
SBE/Troubleshooting and Maintenance of Equipment
Troubleshooting Software
Compliance with CALM Act/PLOUD
The Streaming Experience
Telephony and IP Codecs: How to Choose What Is Best for You
Understanding Audi0 Processing—How to Use the Audio Processor
MPEG-DASH—What about Audio?

These panels and presentations will go into considerable depth under the guidance of thought leaders in their categories. For instance, the Loudness for Streaming and Radio panel will look at key questions, such as “Is the ‘loudness war’ in radio over?” “Has it moved over to Internet streaming?” “How can we control level without disrupting the audience?” These will be examined by a panel consisting of John Kean, NPR Labs; Thomas Lund, TC Electronics; Robert Orban, Orban; Frank Foti, Telos Alliance; Tom Box, DTS; and Scott Norcross, Dolby.

Attendees at the Broadcast and Streaming Track sessions will also experience a rare treat: a look at facility design through the eyes of two audio legends. Eddie Kramer, acclaimed engineer/producer for such legendary acts as Jimi Hendrix, Led Zeppelin and Kiss; and the Walters-Storyk Design Group’s John Storyk, designer of Hendrix’s Electric Lady Studios as well as hundreds of other iconic recording and broadcast facilities, will both be there to discuss how two leading FM music stations, KEPX in Seattle and KPFK in Los Angeles, are managing substantial changes. KEPX is preparing to move to a new broadcast facility that will feature cutting-edge broadcast/recording studios and a live performance venue designed to showcase visiting artists, while KPFK, one of the most powerful stations in the U.S. at 110,000 watts, will undertake a major acoustical update of their live performance studio and create a new control room. That both stations will operate professional-level recording studio/performance venues underscores radio’s continued importance for music, and the presence of Kramer and Storyk to share their expertise will provide a unique perspective for attendees.

Commenting on the Broadcast and Streaming program at the AES137 Convention, David Bialik states, “The AES Tracks, Sessions and Workshops are about learning ‘Technology and Technique,’ while the sales presentations stay on the exhibition floor. I believe this is the reason that the attendance for the ‘Broadcast and Streaming’ sessions only increases year after year.”

For information on how you can get your FREE Exhibits-Plus badge (pre-registration required) and detailed information on the Broadcast and Streaming Track at the AES137 Convention, as well as further Registration, Hotel, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

Calendar of Technical Program Events for 137th Audio Engineering Society Convention Is Now Online

— Full schedule of Workshops, Papers and Presentations helps attendees make the most of their AES137 experience —

New York, NY — An extensive calendar of Technical Program events is now online for the 137th Audio Engineering Society Convention, which will take place Thursday, October 9, through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California. This year’s Technical Program is full of cutting-edge events, where attendees will have the opportunity to be a part of history as the next chapter in professional audio developments come to light through a detailed series of Papers, Engineering Briefs, Tutorials, Workshops and Special Events. AES137 will offer dedicated program Tracks in the fields of Broadcast and Streaming Media, Game Audio, Live Sound, Networked Audio, Recording and Production, Product Design, and Sound for Picture, as well as Historical Events sessions, Standards Committee meetings, Tech Tours and more.

Those in attendance with either an “Exhibits-Plus” badge (FREE with pre-registration) or a premium “All Access” badge will have entry to two of the AES convention’s newest and hottest events: the Project Studio Expo and the debut of the Live Sound Expo and High Resolution Audio (HRA) program. The Project Studio Expo brings together the latest techniques, tools and experts for professional training on topics ranging from acoustics in small spaces to microphone placement, mixing and mastering. The Live Sound Expo offers expert advice for the broad spectrum of live sound engineers with an emphasis on the practical, bringing professionals with decades of experience to the stage to inspire and educate attendees. Additionally, a High Resolution Audio (HRA) program will be held on Friday, October 10, 2014. The direct result of a collaborative effort between the AES and DEG: The Digital Entertainment Group, the HRA program will include sessions addressing the current and future direction of HRA from various perspectives, including content creation, digital distribution, licensing of hi-res music files, archiving, subscription models, marketing/promotion of hi-res music, compatibility of playback devices and more. These sessions will feature some of the brightest minds in the business as they discuss some of the most current and controversial issues concerning the rapid adoption of high-resolution audio across the industry.

AES Executive Director Bob Moses stated, “Excitement is growing as we finalize the Technical Program itinerary for AES137. We have quite a varied program this year that is sure to garner attention in many audio circles. People who have been to the AES conventions know what a truly unique experience we offer, and this year’s convention is on track to be one of the best. Our online calendar, mobile app and other resources really help to round out the experience and help attendees take advantage of the full spectrum of what they want to get out of the convention. And we are looking forward to more big announcements in the weeks to come further underscoring that AES137 will be the audio event of the year.”

For information on how you can get your FREE Exhibits-Plus badge (pre-registration required) and access the Tech Program Calendar for the AES137 Convention, as well as further Registration, Hotel, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

KJWY Heads East with Help From Jampro

Philadelphia, PA – KJWY-Channel 2, Philadelphia recently received a JCPD-LV-6/4(24)R Band I, circularly polarized, 4-dipole VHF panel antenna system from Jampro Antennas to help with its move east from Wyoming to Pennsylvania. Parent company, PMCM TV, LLC, was able to put the station on air after petitioning the Supreme Court regarding the move. Now, with help from Jampro, KJWY is the first full power CPOL VHF DTV station in the Philadelphia region.

The JCPD-LV-6/4(24)R Band I, circularly polarized, VHF panel antenna was selected because of its outstanding axial ratio and circularity. The Antenna, which is equipped with feed point radomes and custom mounting brackets, is configured to produce an omni directional pattern. Also supplied was a Jampro Channel 2 DTV mask filter, and RCPU antenna switch frame with rigid transmission line.

According to Jampro President Alex M. Perchevitch, “KJWY conducted a number of extensive studies on several antenna systems before making its selection, which allowed it to choose just the right antenna type and minimize nulls. Jampro’s VHF panel antenna is a critical piece of the puzzle for KJWY as it becomes the first full power CPOL VHF DTV station in the Philadelphia area. The delivery and installation worked out perfectly well. We couldn’t be more pleased with the results or proud to be able to help PMCM TV, LLC transition its station, KJWY, from Jackson, WY to Philadelphia.”

The Jampro JCPD antenna is a circularly polarized 4-dipole flat panel antenna system with rugged galvanized steel construction that ensures years of dependable performance in even the harshest environments. Protective lightweight dipole radomes may be added as protection against heavy ice buildup. The JCPD antenna has proven to provide excellent bandwidth, with typical VSWR of <1.1:1 or better. Many standard and custom directional patterns are available to fit a wide range of coverage requirements.

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 25,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. Additional information on JAMPRO can be obtained at www.jampro.com.
###

Jampro contact: Sonia Del Castillo
916-383-1177 • mailto:Sonia@jampro.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283
harriet@desertmoon.tv

Hal Leonard and Groove3 Announce Strategic Partnership

Music Industry Leaders Team Up to Create and Deliver the Future of Online Tutorials

Montclair, NJ, and Austin, TX (September 4, 2014) - Hal Leonard Books, a division of Hal Leonard Corporation, Milwaukee, the leading publisher of books and digital content on the music business, audio technology, and instrument history, and Groove3, the audio community’s best source for informative and effective online tutorials, announced today a long-term strategic partnership to develop and deliver authoritative content to the world.

This collaboration will transform Hal Leonard’s industry leading content, including series such as Music Pro Guides and Quick Pro Guides, using Groove3′s proven online video delivery system and subscription model, while expanding Groove3′s reach beyond the robust community the company has built over the last 10 years, addressing all aspects of the music-making process, including recording, production, engineering, mixing, songwriting, DAW guides and more.

“Groove3 has always had the end user’s best interest in mind and is dedicated to delivering the best tutorials about today’s audio tools and recording and production techniques. Now having the opportunity to partner with Hal Leonard and offer their first-class content along side ours, it’s a match made in heaven for all audio professionals and hobbyists alike around the world,” said Groove3 Vice President Antony Livoti.

“Groove3 is the most trusted and time-tested online quality resource for training videos for musicians, and bringing Hal Leonard’s reputable brands and content into their community will be a huge benefit to all musicians interested in learning online,” said John Cerullo, Group Publisher of Hal Leonard Books.

“Hal Leonard has been a pioneer in offering digital content to active music makers for decades, and the Groove3 partnership, along with our many other recent digital and web based initiatives, will allow us to continue to offer the best in music instruction for years to come,” added Hal Leonard Corporation President Larry Morton.

Groove3 currently offers more the 850 hours of top-notch online training. The new, exclusive content from Hal Leonard will include product by world-renowned recording, audio, and music experts from many fields, including the Hal Leonard Recording Method by Bill Gibson, the Bruce Swedien Recording Method, Rikki Rooksby’s series of books on songwriting, and much more. Additional courses and products will be announced and released in the coming weeks.

In addition, the partnership allows for the development and offering of customized online programs for traditional resellers, such as musical instrument dealers, and licensing programs to audio-trade outlets, secondary and higher educational institutions, and industry organizations.

Eisenberg Audio Releases VIER Software Synthesizer

Berlin, Germany (September 3, 2014)Eisenberg Audio, a German audio software developer, has released a new software synthesizer: VIER, which means ‘four’ in German, emulates the Doepfer MS-404, a famous monophonic analogue synthesizer from the 1990s. Today, the now vintage MS-404 is not only known to synthesizer insiders, but enjoys a large fan base of musicians.

The Doepfer MS-404 was a single rack device, and VIER combines four independent rack modules in one seamless interface. VIER uses modern technologies for its synthesis engine, such as anti-aliasing oscillators, which are capable of audio range modulation and zero-delay feedback filters best known from synthesizers like LuSH, Monark or Diva.

VIER offers a wide range of options for parameter linking and cross modulation as well as intelligent voice management. Thus, VIER is much more than an emulation of a vintage synthesizer, and much more than the sum of four parts.

The parameter linking allows the building of groups, which can be manipulated and modulated by macro parameters together, offering fast access to the most important sound properties, and operates the four modules as one unit. VIER also contains a broad variety of factory presets that may be loaded, adjusted, saved, or marked as favorites. Additionally, users may create, save and load their own presets.

The intelligent voice management offers different creative modes, in which each note of a chord can be assigned to the four different modules and operated with unlimited polyphony. The results are truly unique and inspiring.

VIER runs stand-alone on Windows and Mac OS X or as plugin via VST, AU, RTAS and AAX

Availability & Pricing

VIER is available now at www.eisenberg-audio.de/vier for regular $99.00 (EUR 99.00).

Until September 30, 2014, VIER is available for an introductory price of $69.00 (EUR 69.00)

A free trial version is available at http://eisenberg-audio.de/downloads/vier

For more information, please visit www.eisenberg-audio.de/vier

About Eisenberg Audio
Eisenberg is a young Berlin based company founded in 2009, and currently made up of a team of six members. Having previously formed a core part of the world’s market leader in software synthesizers, the founders of Eisenberg aim to truly break new ground with a whole series of company’s Artificial Intelligence Studio Technology (AIST) based products. The development of any products has taken place in cooperation with a number of well-known featured artists on Berlin’s musical scene, including Brandt Brauer Frick, Phon.o and Roland “Roy” Knauf (Deichkind). At CEBIT 2010, Eisenberg was awarded in the renowned ?Gründerwettbewerb?, a founders’ competition held by the German Federal Ministry of Economics and Technology.

StreamGuys Multimedia Player Supports Video Ad Insertions for Commercial Internet Radio Station

95.5 The Fish transitions to SGplayer, an interactive HTML5 player that reliably streams music and revenue-generating ads to mobile devices

BAYSIDE, CALIFORNIA, September 3, 2014 — Last November, StreamGuys announced a new HTML5 multimedia player to help broadcasters and streaming services expand online and mobile audiences through its all-inclusive, multiplatform approach to content delivery. Now, a major commercial broadcaster has upgraded one of its stations to the interactive player to achieve both reliable multiplatform streaming; and revenue generation through video ad insertions.

The broadcaster, Salem Communications of Northeast Ohio, has transitioned the live online stream for WHFM-FM, better known as 95.5 The Fish, to StreamGuys’ multimedia player. Newly branded as SGplayer, the interactive player supports all popular mobile devices in alignment with the HTML5 markup language – a significant upgrade from the previous CDN’s player, which was only compatible with desktop devices.

Salem Communications of Northeast Ohio’s other primary motivation for the switch was StreamGuys’ dynamic ad insertion capability. StreamGuys has long supported dynamic ad insertions in the form of audio pre-rolls, mid-rolls and post-rolls, as well as single-client video insertions. The latest incarnation of SGplayer supports video pre-rolls for multiple advertisers—a key requirement for 95.5 The Fish. SGplayer’s dynamic interface rotates a series of ads, serving each unique visitor with a sponsor’s message. The player displays a static companion banner associated with the ad following its conclusion on the right side of the player. This detail remains visible for the visitor’s duration alongside artist and title information, album art, purchase links, social media icons, and other metadata related to the live music stream.

In addition to supporting multiplatform delivery and video pre-rolls, StreamGuys customized an affordable turnkey streaming package for the live radio signal that, along with the revenue-generating ad opportunities, offers a quick return on investment for the station.

“The transition to StreamGuys quickly solved the problems we faced with buffering issues and signal drops across a variety of mobile devices,” said Mark Jaycox, general manager, Salem Communications of Northeast Ohio. “A large majority of internet radio streaming is moving to mobile devices. It was critical to get that under control before we significantly damaged our mobile initiative.

“As important as it was to improve our mobile reach, it was just as important to move our video pre-roll offerings to the next level as we have been very aggressive at selling that inventory,” Jaycox continued. “StreamGuys pulled its engineering team together to enhance its player, and did some groundbreaking work. SGplayer delivers more information than our previous player, and provides that extra real estate to sell our advertisers. You can now see the client’s logo in a couple of spots after the video concludes. That upped the ‘sellability’ for us, allowing us to generate more revenue than what was possible before.”

Jaycox notes that the live stream attracts nearly 35,000 unique visitors a month, the large majority of which fall into the 25-54 female demo—a highly coveted audience for radio advertisers. He expects to transition additional Salem Broadcasting Cleveland stations to SGplayer moving forward.

“StreamGuys has been very responsive and proactive in making sure our requirements were exceeded,” said Jaycox. “The design of the player is appealing to listeners and advertisers alike, and offers exceptional value and reliability at a very affordable price point.”

About StreamGuys, Inc.
In business since 2000, StreamGuys is a provider of audio and video streaming toolsets and services. The company has a reputation for outstanding customer service, a robust and reliable network, and competitive rates. More than 600 clients worldwide, across many industries, depend on their mission-critical service. Projects include serving as the technology backbone for live streaming/podcasting for top public broadcasters such as New York Public Radio, WAMU Washington D.C., KQED San Francisco and WXPN Philadelphia; live video events for major auto racing circuits and the British Royal Wedding; audio streaming for government entities such as D.C. Court of Appeals, U.S. Army, and the National Science Foundation; mobile video content for Cisco Systems; and IPTV content for international broadcaster ABS-CBN.

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StreamGuys, Inc – info@streamguys.com – www.streamguys.com – 707.667.9479
P.O. Box 828 Arcata, California 95518 – fax 707.516.0009

As Aspen Music Festival Completes its 65th Successful Season, Neumann Is There to Capture the Warmth and Musical Glow

The Neumann M 150 Tube Microphone Puts Listeners Front and Center for Key Festival Performances, Broadcast on Public Radio

Aspen, CO, September 2, 2014: Since 1949, The Aspen Music Festival and School has been one of the most famous classical music festivals in the world and one of the most prolific, hosting more than 350 performances between June and August each year. The Festival, which features four in-residence orchestras where students play alongside faculty, is recorded each year and can be heard on American Public Media (APM), Colorado Public Radio and Aspen Public Radio. To faithfully capture every nuance of the performances, The Festival relies on several Neumann M 150 microphones at its principal venue: Benedict Music Tent.

NM1Festival performances are mostly orchestral in content and can range anywhere from small chamber ensembles (3, 4 or 5 musicians) up to over 100 musicians and a full choir on stage. Each year, the main microphone array at the Benedict Music Tent consists of a Decca tree with (5) Neumann M 150 Tube microphones placed in the center and arrayed across the stage.

“Our Neumann M 150s Tube microphones, which were a gift from the Sidney E. Frank Foundation, have been a staple of the Festival for a long time,” said Scott Burgess, Head Audio Engineer, Aspen Music Festival and School. “It is of paramount importance for us to capture every instance of what these incredibily talented students are doing onstage, and the M 150 lends a warm sound that makes the orchestra shine in all of our recordings and broadcast transmissions across the country.”

NM2Each performance in Benedict Music Tent, which has a capacity of roughly 2,000, is manned by the Festival’s audio staff, which consists of 14 advanced students and professionals. Burgess says that students on the audio staff come from many of the major recording institutions around the country. This year, the Festival exceeded its attendance projections, with many sold out performances among its three primary venues. The 2014 season concluded with a rousing performance of Beethoven’s Ninth Symphony, which was broadcast live to a vast listenership on public radio.

M 150 Tube w EA 170This year, the Neumann M 150s — which were chosen as the principle microphone several years ago in a ‘blind’ listening test versus microphones from the world’s leading manufacturers — were routed to Grace Design and Millennia Media preamplifiers situated in the catwalk of the venue before being converted by an RME AD/DA interface and subsequently routed to a Studer digital console in the control room. The team relied on several Sennheiser HD 600s for headphone monitoring, including at Front of House: “The HD 600s can be useful at Front of House since they sound great and are open air,” says Burgess. “They can be useful for hearing audio details while remaining aware of what is transpiring around you.”

While this is only Burgess’ second season, he says there is vast collective experience and wisdom to draw from, and that the Neumann M 150 plays an integral role in The Festival’s sound. “The Festival has been working these rooms for a long time and, and we are quite clear on what we want and how to get it. From this perspective, the Neumann M 150 delivers in every possible aspect.”

For further information please visit www.neumann.com.

About Neumann:

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Photo captions:
1) Five Neumann M 150 Tube microphones are used to record performances at the Benedict Music Tent

2) The Decca tree array at the Benedict Music Tent

3) The Neumann TLM 150 Tube microphone

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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