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Hal Leonard Publishes Beyond Mastering

“This is the perfect trail guide for musicians, engineers and anyone else interested in how the universe of sound operates.” – Jovino Santos Neto, Brazilian American jazz pianist, composer, and arranger

Montclair, NJ (October 22, 2013) – Hal Leonard, the musician’s best source of books on the music business, audio technology, instrument history and more, releases Beyond Mastering, the highly anticipated second book by mastering engineer Steve Turnidge.

In his first book, Desktop Mastering, Turnidge gave readers a tour of his unique approach to mastering, all the while providing glimpses of his mind-set and resulting workflow. Now, in Beyond Mastering, he unveils the physics and philosophy that drives the mastering engineer. He has found parallels between mastering music and mastering life, and he helps the reader to find the internal state required to achieve happiness and success.

Beyond Mastering is full of guiding principles gained from Turnidge’s 25-plus years in art and technology. He expresses universal truths with a mix of anecdotes, analogies and metaphors, and reveals ways to truly enjoy work and be more productive when fully integrating your profession into the rest of your life.

The book is written for the audio enthusiast who wants to get a better handle on deeper aspects of the art and craft of mastering. It is also for people who enjoy reading philosophical ideas that extend beyond routine education, and for those who want to better understand the world of audio, frequency, and amplitude.

“Although it can seem impossible at times, we can make peace with the demands of making a living and our passion. We can make a life that includes everything we really need. For those who are paying attention to the doors that are opening, rather than the one that just closed, the book may be the way in.” – Frank Sheldon, Guitar Craft

“Steve was the first person to ever do mastering for me on my songs, and let me witness firsthand what his process could do to fix a multitude of sins on the original recordings… In this latest book, Beyond Mastering, the deeper part of Steve Turnidge’s mind comes out and shows incredible insight gleaned from this lifetime living inside of creative music and technology (technology that he not only owns and uses, but also has designed, invented, and sold around the world).” – Gordon Raphael, producer (The Strokes)

About the Author
Steve Turnidge is a noted mastering engineer at UltraViolet Studios with vast professional experience, a history of service in the international audio community, an entrepreneurial outlook that utilizes all available levels of technology, an intellect that finds incredible keys to universal truths and insights, and scores of albums and thousands of licensed music tracks to his credit. Turnidge also has an electronics background as a designer for Rane Corporation, and he currently designs and fabricates modular hardware synthesizers at Synthwerks, as well as guitar pedals for Pigtronix.

Media Contact:
Please contact Music Marcom for review copies, author interviews and excerpts:
Martina McConnon v: 610-577-4982 e: martina@musicmarcom.com

Beyond Mastering
$24.99 (US)
Inventory #HL 00333850
ISBN: 9781458474513
Width: 5.5″ Length: 7.75″ 262 pages
More information at www.halleonardbooks.com

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“Scary Deals”: Save 60% at Soundsonline.com until 10/31/2013!

Select 3 EASTWEST/QUANTUM LEAP titles and save 60% off the retail price

Hollywood, CA (October 22, 2013) Soundsonline.com, the industry leader in virtual instruments distribution, is offering Scary Deals this month, which allows musicians to purchase any 3 of the eligible EASTWEST/QUANTUM LEAP virtual instruments for 60% off the individual retail price.

All eligible titles can now be played with EASTWEST’s newest version of its proprietary software PLAY 4to support Avid’s new AAX format. This will allow Pro Tools 11 users to work with EASTWEST’s virtual instruments in 64-bit, greatly improving performance. PLAY 4 is compatible with all popular hosts (see compatibility chart). PLAY 4 also includes new time-stretch software optimized for loops (with sync to sequencer); offers a new mixer page (with sub-channels for mic positions), background loading, SSL/EW FX suite that includes SSL EQ & Dynamics Channel, SSL Transient Shaper, SSL Stereo Compressor, EASTWEST Expanded Convolution Reverb, and many other new features.

Purchasers can choose any three or more products from EASTWEST’s 20 eligible collections. The 60% discount will be available until October 31, 2013.

For complete promotion details and ordering information, visit http://www.soundsonline.com/Scary-Deals or http://www.soundsonline-europe.com/Scary-Deals for European purchasers. Promotional offers may not be combined.

About EASTWEST
EASTWEST (www.soundsonline.com) has been dedicated to perpetual innovation and uncompromising quality of Sample Libraries and Virtual Instruments for 25 years, setting the industry standard as the most critically acclaimed soundware developer.

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iZotope Releases Nectar 2 Production Suite


Flawless vocal production is just a click away

AES, New York City, (October 18, 2013) - iZotope Inc., a leading audio technology company, has released Nectar® 2 Production Suite. Designed specifically for voice, Nectar 2 harnesses the power of iZotope’s award-winning vocal technologies to quickly and easily treat your voice to sweet results. Whether you’re tracking or mixing, Nectar 2 is designed to deliver professional vocals fast.

“When developing Nectar 2, we focused on adding cutting edge tools like the new Harmony and FX modules, as well as classic tools that have made vocal recordings sound great for decades, like the new EMT 140-modeled plate reverb,” says Brett Bunting, Product Manager at iZotope. “By providing all the tools necessary to create a unique vocal chain, we’re excited to make working with vocals even more inspiring for our users.”

Exclusive to the new Nectar 2 Production Suite, two additional plug-ins are included for perfecting your vocal sound. Pitch correction is simpler than ever with the new Pitch Editor plug-in, and you can remove distracting breaths without tedious, time-consuming editing with the new Breath Control plug-in.

Key Features
Explore eleven powerful tools within Nectar 2: Harmony, Plate Reverb, FX, Pitch, Delay, De-Esser, Saturation, Compressors, Gate, EQ, and Limiter.

- Add impact and space to a vocal track with a new EMT 140-modeled Plate Reverb
- Transform a vocal take into a dynamic, harmonized ensemble of up to twelve voices with a few mouse clicks or by playing your MIDI with the Harmony module.
- Get smooth, pitch-perfect takes quickly with new dedicated Pitch Editor and Breath Control
plug-ins.
- Expand your palette of vocal sound with seven new creative effects in the new FX module.
- Tweak each module’s powerful settings and controls in the Advanced View, or make quick adjustments in the streamlined Overview panel.
- Switch easily between Tracking and Mixing modes to improve vocals at all stages of production.
- Hear instant results with over 150+ new presets inspired by current and classic vocal styles.
For more information about Nectar 2, visit www.izotope.com/nectar.

Pricing & Availability
Nectar 2 Production Suite, featuring the dedicated Pitch Editor and Breath Control plug-ins, will be available for $219 through October 30, 2013 (regular MSRP $299 USD / €185 EURO).
Customers who purchased Nectar after August 1, 2013 will receive an email with a free upgrade to Nectar 2 Production Suite upon release.
Users of Nectar 1 or Nectar Elements can log in to their iZotope accounts at www.izotope.com/myaccount for upgrade information and special upgrade pricing.

Compatibility

Nectar 2 can be used as plug-ins in your favorite host. Supported plug-in formats include 64-bit AAX (Pro Tools 11), RTAS/AudioSuite (Pro Tools 7.4-10), VST, VST 3, and Audio Unit.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX® For more information on iZotope products, please visit www.izotope.com.

Media Contact
Music Marcom
Martina McConnon
e: martina@musicmarcom.com
v: 610-577-4982

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Mick Wingert, “Voice of Awesomeness,” Relies on Neumann U 87 and Sennheiser MKH 416 to Capture Nuances of Animation Performances

Wingert, a ‘Natural Born Mimic’ and Voice of Po in Kung Fu Panda, Says Sennheiser and Neumann Microphones Capture Authenticity of Performances

Old Lyme, Conn., – October 19, 2013- Mick Wingert, who is also known as “Voice of Awesomeness” in and around Hollywood, began his love affair with voice acting by imitating and mimicking his favorite cartoon characters at an early age. As his career blossomed and his acting skills matured, he gravitated towards Neumann and Sennheiser microphones as the primary tools of his trade and hasn’t looked back since.

Wingert has made his calling card in large part through his highly outstanding voice performances as Po in Kung Fu Panda over the last four years, in which he has been featured as Jack Black’s vocal stand-in. However, since the beginning, he has always had an ear for the sound of his characters.

“Every time I played a character in the community theater where I started acting, my first question would be, “What does this character sound like,” Wingert recalls. “The movement, the physical sense and even the emotions of the character were never as important to me as the voice. I knew voice acting would probably be my niche early on.”

Now, whether lending his talent to Nickelodeon, DreamWorks or another major Hollywood studio, Wingert prefers using the Neumann U 87 large diaphragm condenser microphone or the Sennheiser MKH 416 shotgun microphone for all of his voice acting work — whether playing animated characters or doing more traditional voiceovers for advertisements.

“In voice acting, people expect the whole world to come through the audio,” observes Wingert. “It behooves the character actor to be able to create a reality both through their acting voices and through their microphone technique. It fascinates me how often I will dance with the microphone to get the best possible sound.”

For his animation work, Wingert most often uses the Sennheiser MKH 416 shotgun microphone. “For me, the MKH 416 seems to capture a solid sound with a nice, crisp upper end and full bottom end,” he says. “My voice has a bright, brassy sound, and for my animation work, the MKH 416 really works with this, and I tend to use the U 87 for more traditional commercial and narration work. I have never had a ‘big announcer’ type voice, but the U 87 does a great job in capturing the baritone/tenor qualities of my voice.”

While voicing Kung Fu Panda’s Po character, Wingert must capture a broad palette of emotions and dynamic expression. “Po often has to apoligize and have sincere moments during the show, because he is the one with the character arc. I might have an apologetic moment where I have to get really close the mic and sound super-sincere. I let the mic do its job by capturing the intimacy of that moment by bringing out the rich, warmer tones of my voice so it sounds like I am standing right next to the person I am speaking with.” Wingert says this intimacy might contrast with another moment in the script where, say, Po is calling out across the courtyard to a crocodile bandit. “For something like this, I might be a little farther off the mic to allow for more space and room tone.”

Wingert, who also teaches voice acting, recommends the Neumann U 87 to his students whenever they are ready to make an investment in a great microphone. “To make your calling card in this industry, you need to combine your best performance and the best microphone for your sound. Get your own Neumann, because that’s what you will be working with in the ‘real world.’ The Neumann sound is solid, and there is a lot of depth and character to it. It captures nuance in a way that other microphones simply cannot.”

About Neumann:

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

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The Freedom of Sound: The New Neumann TLM 107 Microphone

Standard-setting Microphone Features Multiple Polar Patterns for Studio, Broadcasting and Demanding Home-Recording Applications

New York City – October 18, 2013: At this year’s Audio Engineering Society Convention, premium audio brand Neumann [booth 2831] announced its newest studio microphone: The TLM 107 large diaphragm microphone. It stands for innovation based on tradition and is a universal, standard-setting microphone with multiple polar patterns for studio, broadcasting and demanding home recording applications.

The TLM 107 features a surprisingly fresh design and a novel operating concept. Wolfgang Fraissinet, President of Neumann.Berlin, explains: “The TLM 107 is a modern, high-resolution sound transducer with excellent reproduction characteristics that enable it to capture the original sound without any coloration, thus ensuring unlimited design freedom in mixing and post-production.”

For the first time, all of the microphone switch functions are controlled through an elegant, wear-resistant navigation switch. The contemporary, intuitive operating concept includes an illuminated pattern display in the chrome ring, with the Pad and Low Cut status LEDs positioned to the left and right. The switch and display are located on the rear of the microphone so as to not distract singers. After 15 seconds, the display is turned off automatically, allowing the TLM 107 to be positioned discretely on the stage.

The newly developed double diaphragm capsule is inspired by one of Neumann’s top models, the D-01. With its exceptional impulse fidelity, the TLM 107 is particularly suitable for percussion and the finest overtones of stringed instruments. As a multi-pattern microphone made by Neumann.Berlin, the TLM 107 is impressive not only in the cardioid setting, but delivers balanced sound for all five directional characteristics: Omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid.

For all polar patterns, up to 8 kHz the sound reproduction is almost linear, while a slight high frequency boost lends brilliance and freshness to recordings. Particular attention has been paid to the natural reproduction of the human voice, especially the critical “s” sound. Low sensitivity to pop sounds is ensured by an acoustically optimized grille, which has a characteristic Neumann design, with youthful, flowing lines. The capsule is designed to minimize sensitivity to humidity and other environmental influences. For example, the front and rear diaphragms are at ground voltage, thus preventing the electrostatic attraction of dust particles. In order to ensure that no dust enters the interior, the sound transducer — like all Neumann capsules — is mounted in one of the best cleanrooms in Germany.

Transformerless circuitry permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is practically inaudible. The maximum sound pressure level, specified as 141 dB SPL, can be increased to 153 dB SPL via the two-stage pre-attenuation, so that sound from even the loudest sources can be transmitted without distortion. The switchable Low Cut with the settings Linear, 40 Hz and 100 Hz has been carefully adapted to practical recording situations: The 40 Hz setting eliminates interference noise below the range of fundamental tones, while the 100 Hz setting is ideally suited to speech and vocal recordings.

The TLM 107, which is priced at $1,699.95 and available in late November, is supplied in the colors matte nickel or black, and includes a stand mount. Detailed product information can be found at www.tlm107.neumann.com.

About Neumann:

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

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DPA Microphones Takes its Final Leap into the d:ep End

Company renames remaining mics in collection to reflect the popular ‘d:’ branding

NEW YORK, OCTOBER 18, 2013 – DPA Microphones is delighted to announce at the 135th International AES Convention (Booth 2551) that its 4060, 4080 and 4090 Miniature and 5100, 5006A, 5006-11A and 5015A Surround Microphones will be joining the ‘d:’ family of names. Building off the success of the company’s new “d:” branding, the current 4060, 4080 and 4090 Miniature Mics now fall into the d:screet™ Miniature Microphones group and the Five-channel surround solutions are henceforth known as the d:mension™ Surround Microphones.

DPA has also chosen to add the ever-popular 4066 and 4088 Miniature Headsets under the d:fine™ Headset Microphone category, and the mics will also receive an upgrade to coincide with the existing d:fines. Additionally, it’s new d:dicate™ Recording Microphone line combines the company’s best new and existing capsules and preamplifiers from the previous Reference Standard series.

“A few years ago, we decided to change the names of our new products to make them more recognizable and easy to remember,” says Christian Poulsen, CEO of DPA Microphones. “In the past, our products were branded with numbers, which were difficult to understand and remember unless you were a DPA aficionado. We wanted names that were more meaningful and more interesting. After some brainstorming, we decided on the ‘d:’ (colon) names. Starting with a ‘d’ made it easier to remember as it connects the mics to the DPA name, and leaving out the second letter gave it a graphic element that worked well with our new DPA design.”

Announced at DPA Microphones’ recent Partner Conference at the DPA Microphones Denmark headquarters, the unveiling of the new d:screet Miniature Microphone and d:mension Surround Microphone names is another step in the company’s plans for full “d:” branding. Each product category has been carefully planned out by the DPA Microphones team.

With the company’s 5100, 5006A, 5006-11A and 5015A Surround Microphone now grouped together under the d:mension Surround Microphone line, customers can easily swap between capsules and boom options. Comprised of the 4080 Miniature Cardioid Lavalier, as well as the 4060 and 4090 Omnidirectional Hi-Sens Microphones, the d:screet line also includes the company’s new 4098 Podium Microphones announced earlier this year.

“We found words starting with the letter ‘d’ that fit the significance to the product line,” continues Poulsen. “For instance, people are devoted to their instrument and to their sound, therefore our d:vote Instrument Microphones. The d:fine name was selected as we felt the microphone would define a new generation of headsets. The d:facto because the mic sets a new standard within vocal microphones and d:dicate for people who are dedicated to superior sound. Each name was introduced as there was significant updates within each product group.”

Now known as the DPA d:mension Surround Microphone, the 5100 is a compact microphone that provides users with ease of use and stunning sound quality. It is ideal for bringing truly engaging surround ambience to sport events, documentaries and other applications that especially require HDTV production. The d:mension 5006A, 5006-11A and 5015A are complete Surround Kits with five carefully factory-matched d:dicate microphones. The 5006A kit features d:dicate 4006A omni mics exclusively, while the 5006-11A is made up of a combination of the 4006A omni and 4011A cardioids mics and the 5015A is comprised of the 4015 wide cardioids.

Originally designed for use with wireless systems in theater, television and close-miked instrument applications, the d:screet 4060 capsule is highly unobtrusive, which lends itself to an exceedingly accurate omnidirectional pattern. Also a member of the d:screet family, the d:screet 4080 is well suited for broadcast, conference and other live performances in the studio or in the field. It is acoustically pre-equalized, which makes the voice more distinguishable and improves speech intelligibility.

The DPA d:screet 4090 is a high-quality omnidirectional condenser microphone with a uniquely natural and open sound, that is suitable for instrument miking applications in the studio or on the stage. Due to its remarkably linear frequency response in the 20 Hz to 20 kHz range, sound system engineers can also use the 4090 for sound system alignment, testing and tuning.

Additionally, the 4066 and 4088 Headset Microphones are being absorbed into the d:fine category while the company’s existing Reference Standard Microphones, new modular MMC4018 Supercardioid Capsule and well-known MMC4007 High-SPL Omnidirectional Capsule are now in the d:dicate line.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

iZotope Releases Nectar 2 Production Suite

Flawless vocal production is just a click away

AES, New York City, (October 18, 2013)iZotope Inc., a leading audio technology company, has released Nectar® 2 Production Suite. Designed specifically for voice, Nectar 2 harnesses the power of iZotope’s award-winning vocal technologies to quickly and easily treat your voice to sweet results. Whether you’re tracking or mixing, Nectar 2 is designed to deliver professional vocals fast.

“When developing Nectar 2, we focused on adding cutting edge tools like the new Harmony and FX modules, as well as classic tools that have made vocal recordings sound great for decades, like the new EMT 140-modeled plate reverb,” says Brett Bunting, Product Manager at iZotope. “By providing all the tools necessary to create a unique vocal chain, we’re excited to make working with vocals even more inspiring for our users.”

Exclusive to the new Nectar 2 Production Suite, two additional plug-ins are included for perfecting your vocal sound. Pitch correction is simpler than ever with the new Pitch Editor plug-in, and you can remove distracting breaths without tedious, time-consuming editing with the new Breath Control plug-in.

KEY FEATURES:

Explore eleven powerful tools within Nectar 2: Harmony, Plate Reverb, FX, Pitch, Delay, De-Esser, Saturation, Compressors, Gate, EQ, and Limiter.

- Add impact and space to a vocal track with a new EMT 140-modeled Plate Reverb.
- Transform a vocal take into a dynamic, harmonized ensemble of up to twelve voices with a few mouse clicks or by playing your MIDI with the Harmony module.
- Get smooth, pitch-perfect takes quickly with new dedicated Pitch Editor and Breath Control plug-ins.
- Expand your palette of vocal sound with seven new creative effects in the new FX module.
- Tweak each module’s powerful settings and controls in the Advanced View, or make quick adjustments in the streamlined Overview panel.
- Switch easily between Tracking and Mixing modes to improve vocals at all stages of production.
- Hear instant results with over 150+ new presets inspired by current and classic vocal styles.

For more information about Nectar 2, visit www.izotope.com/nectar.

PRICING AND AVAILABILITY

Nectar 2 Production Suite, featuring the dedicated Pitch Editor and Breath Control plug-ins, will be available for $219 through October 30, 2013 (regular MSRP $299 USD / €185 EURO).

Customers who purchased Nectar after August 1, 2013 will receive an email with a free upgrade to Nectar 2 Production Suite upon release.

Users of Nectar 1 or Nectar Elements can log in to their iZotope accounts at www.izotope.com/myaccount for upgrade information and special upgrade pricing.

COMPATIBILITY

Nectar 2 can be used as plug-ins in your favorite host. Supported plug-in formats include 64-bit AAX (Pro Tools 11), RTAS/AudioSuite (Pro Tools 7.4-10), VST, VST 3, and Audio Unit.

About iZotope, Inc.

iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®

For more information on iZotope products, please visit www.izotope.com.

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Sennheiser’s Digital 9000 Wireless System, HDVD 800 and Neumann KH 310 Monitor Nominated for 29th Annual TEC Awards

Sennheiser and Neumann Receive Nominations in Wireless Technology, Amplification Hardware/Studio & Sound Reinforcement, and Studio Monitor Technology Categories

ANAHEIM, CA – October 17, 2013 – Audio specialist Sennheiser announced that its Digital 9000 Wireless System, HDVD 800 Headphone Amp/DAC, and the Neumann KH 310 Monitor have been nominated for Outstanding Technical Achievement for the 29th Annual TEC awards. The presentation ceremony is scheduled to take place during the 2014 NAMM Show, to be held in Anaheim, Calif. in January 2013.

Sennheiser’s Digital 9000 Wireless System, which has been nominated in the ‘Wireless Technology’ category, is the most advanced professional wireless system in the world and supports professionals across broadcast studios, theaters, and live performances. The HDVD 800 Headphone Amp/DAC, which has been nominated in the ‘Amplification Hardware/Studio & Sound Reinforcement’ category, allows for optimal performance when paired with any Sennheiser audiophile headphones. The Neumann KH 310 Monitor, meanwhile, is a three-way active tri-amplified monitor that is nominated in the ‘Studio Monitor Technology’ category.

“We are thrilled to have such a strong presence once again at this year’s TEC Awards for both Sennheiser and Neumann,” commented Greg Beebe, president of Sennheiser Electronic Corp. “We would like to thank all of our employees around the world for their unrelenting commitment in developing and marketing these groundbreaking products, and of course our customers for their loyalty and continued feedback.”

Presented by the Technical Excellence & Creativity Foundation, the TEC Awards are the professional audio industry’s most prestigious awards. Nominations in Outstanding Technical Achievement in Product Design were made by a select panel of sound and music industry professionals in numerous audio specialties, and were were based on product entries by audio manufacturers. Products and projects released and in commercial use during the period of September 1, 2012 to August 31, 2013 were eligible for a nomination.

The Sennheiser Digital 9000 Wireless System:

The Digital 9000 Wireless System offers completely uncompressed and artifact free digital audio, combining sonic purity and outstanding dynamics. It’s the first digital wireless system that works without compression, allowing for full HD audio transmission. The system uses extremely steep filters to allow a very narrow set-up of the respective radio frequencies within the available frequency range. Through this, the risk of intermodulation is eliminated, allowing for the most reliable wireless operation.

Senheiser HDVD 800 Headphone Amp/DAC:

The HDVD 800 Headphone Amp/DAC is a solid-state amplifier that generates the ultimate acoustic performance when paired with any of Sennheiser’s audiophile headphones. It highlights crisp, balanced and distortion-free sound through a high-quality Burr-Brown digital/analog converter (DAC). The amplifier is outfitted with an symmetrical input socket, which allows for incoming signals to be symmetrized before processing takes place. The HDVD 800 also offers an extra USB input, allowing for 24 bit data transmission at 192 kHz.

Neumann KH 310 Monitor:

The Neumann KH 310 monitor can be used in a wide range of acoustical conditions in a variety of locations such as project and recording studios, broadcast centers and OB vans. Its many uses range from a near-field monitor, a front loudspeaker in mid-sized multi-channel systems, or a rear loudspeaker in a larger multi-channel system. The KH 310 is a three-way active tri-amplified monitor utilizing Mathematically Modeled Dispersion™ Waveguide (MMD™). It offers flexible acoustical controls, various input options, and a wide range of mounting hardware.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

Photo captions:
1. The Sennheiser Digital 9000 Systems
2. The Sennheiser HDVD 800 Amplifier / DAC
3. The Neumann KH 310 monitor

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Jimmy Jam to Give Friday’s Opening Keynote at AES Convention, 11:00 a.m. EDT

— Five-time GRAMMY Award winner Jimmy Jam is a renowned songwriter, record producer, musician, entrepreneur and, with Terry Lewis, part of the most influential and successful writing/producing duo in modern music history —

— Keynote address titled “The Current And Future Direction Of The Recording Process from an Artist, Engineer and Producer’s Perspective” will address the intersection of technology and creativity —

New York, NY, October 17, 2013 — On Friday, October 18, 2013, the 135th Audio Engineering Society Convention at the Javits Center in New York City will feature a keynote address by Jimmy Jam, a five-time GRAMMY® Award winner and a renowned songwriter, record producer, musician, entrepreneur and half of the most influential and successful writing/producing duo in modern music history. Taking place at 11:00 a.m. in Room 1E15/16, the presentation will be entitled “The Current And Future Direction Of The Recording Process from an Artist, Engineer and Producer’s Perspective.”

Since forming their company Flyte Tyme Productions in 1982, Jam and partner Terry Lewis have collaborated with such diverse and legendary artists as Janet Jackson, Mary J. Blige, Gwen Stefani, Michael Jackson, Robert Palmer, Mariah Carey, Boyz II Men, Rod Stewart, Yolanda Adams, Sting, Heather Headley, Usher, Celine Dion, Kanye West, Chaka Khan and Trey Songz, among others. Jimmy and Terry have written and/or produced over 100 albums and singles that have reached gold, platinum, multi-platinum, or diamond status, including 26 No. 1 R&B and 16 No. 1 pop hits, giving the pair more Billboard No. 1′s than any other duo in chart history.

Jimmy Jam’s AES Keynote address will focus on the current and future direction of the recording process from various perspectives. As a songwriter, artist, producer and engineer, Jimmy is uniquely qualified to give a bird’s-eye view of how each of these “personalities” interact and contribute to the overall final product, and along the way, how technology has evolved and what it has meant to his craft.

“Of course it all starts with a great song, but then, it’s important to consider how and what technology should be used to capture that creativity,” stated Jam. “It’s that intersection between the technology and creativity that I have always looked at every day throughout my career. Ultimately, it’s my job as a artist/producer to have those two elements meet and not crash – And that’s when you’re using the available technology to capture the artist in their purest form.”

For further information on the 135th AES International Convention, please visit http://www.aes.org/events/135/.

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SSL Features New LMS-16 Multi-Channel Loudness and True Peak Monitoring System at 135th International AES Convention

16×5.1 Channel System Delivers Comprehensive Compliant Metering in a Powerful, Robust Turnkey System

NEW YORK – Solid State Logic, the world’s leading manufacturer of advanced tools for audio professionals, will feature the new ‘LMS-16’ multi-channel Loudness and True Peak metering system for use with the company’s Digital Broadcast Consoles, or as a stand-alone product, at the 135th International AES Convention (Booth 2821). Created through a strategic partnership with NUGEN Audio, a creator of award winning professional audio plugins and metering software for the creative music producer, sound designer or broadcast engineer, the LMS-16 offers NUGEN Audio’s new ‘MultiMonitor’ software as part of a turnkey system that can augment any production situation where loudness compliance for broadcast is essential. The software is pre-installed and configured on a dedicated industrial strength 1RU PC, fitted with SSL’s ‘MadiXtreme 128’ audio interface with metering information displayed on virtually any connected flat screen video monitor. An optional monitor arm will also be available to facilitate convenient side mounting of a screen on C100 HDS or C10 HD consoles.

The next evolutionary step for NUGEN Audio’s highly regarded ‘VisLM’ software, MultiMonitor provides the most powerful multi-channel Loudness and True Peak metering available today. It offers 16 individual meters, each capable of mono, stereo or 5.1 formats (providing metering of up to 96 audio channels simultaneously), with each meter showing a LUFS momentary display alongside a True Peak display. Each meter also has a dedicated numeric Short Term and Integrated LUFS data display, with the option to color-code meters to aid grouping. Each meter also features a minimum and maximum short term alerts function. MultiMonitor is fully compliant with CALM Act legislation, ITU-R BS1770/1, ATSC A/85, EBU R128 and other specific worldwide localisations.

SSL’s LMS-16 offers the advanced metering capability of MultiMonitor software in a fully configured and tested turnkey system based on an extremely powerful and robust 1RU PC with very low noise fans, a 15 second boot time and pre-built restore partition. Professional loudness metering of 96 channels of audio (@ 48 kHz) requires an exceptional amount of processing power and this pre-configured and fully tested PC delivers. Audio I/O to the system is provided by SSL’s MadiXtreme 128 audio interface, offering 2 x 64 channel fibre connections. GPI connectivity for GPI reset provides seamless integration with SSL consoles and other GPI enabled equipment.

SSL’s LMS-16 is ideal for monitoring multiple playback sources or Audio Sub Groups simultaneously with 5.1 and Stereo PGM output, alongside the console in the Audio Control room, or equally suited in the Master Control room, monitoring multiple studios and formats simultaneously.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

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