Archive of the The Wire Category

137th Audio Engineering Society Convention in Los Angeles Offers a Comprehensive Recording and Production Track

— The annual AES Convention is where the Recording and Production Track sessions bring top engineers and producers together to share classic techniques and new ideas with the audio recording community —

New York, NY — Considered by many to be the most popular series of panels and presentations at the annual AES Conventions, the Recording and Production Track will take place each day during the 137th Audio Engineering Society Convention, set for Thursday, October 9, through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California. The sessions that make up the Recording and Production Track cover every major aspect of the practical side of music production, including recording vocals, mixing techniques and mastering, in addition to several special presentations from leaders in the industry.

Of interest to all recording engineers and producers this year will be Thursday’s keynote speech given by legendary engineer/producer Alan Parsons, who will share his insight and experience from being part of some of the greatest recordings of all time. Friday’s keynote will further feature Neil Portnow, President/CEO of The Recording Academy, The GRAMMY Foundation and MusiCares, who will share his valuable insights into the music business and the challenges and opportunities available in today’s evolving industry.

Also popular is the Platinum Events series, which covers a variety of topics with high-profile guests and panelists. This year’s Platinum Engineers Panel will feature Dave Pensado and Herb Trawick, hosts of the popular weekly pro audio show Pensado’s Place. Attendees will get to see what happens when “The Script Is Flipped” and Pensado and Trawick are put on the other side of the interview – sure to reveal some unique insights and surprises along the way. A Platinum Mastering event will feature acclaimed mastering engineer Bob Ludwig, along with mastering engineer and incoming AES President Andres A. Mayo and other highly respected audio pros such as Bruce Botnick, Mark Donahue and Barak Moffitt, who will discuss the ramifications of the recent defining of “High Resolution Audio.” This presentation will include a guided tour of audio samples, so the audience can hear for themselves how High Resolution Audio can provide the listener with exactly what artists hear in the studio while creating their music.

AES137 will also feature the newest Project Studio Expo – a popular series of events taking place on the exhibition floor targeted to the burgeoning market of project and home studio facilities around the world. The PSE, included with admission to holders of the Free Exhibits-Plus badge, will feature presentations by leading industry engineers, producers, authors, journalists and educators, including Alex Case, Mike Senior, Stephen Webber, Larry Crane, Craig Anderton, Mick Guzauski, John Storyk, Paul White, Hugh Robjohns and others. Presenters will lead attendees through basics such as recording vocals, preparing multitracks for mixing and best practices for proper monitoring, as well as more detailed discussions on how to optimize value when it comes to choosing and purchasing equipment, how to design a great project studio and how to get the most out of a digital audio workstation. The Project Studio Expo will take place Friday, October 10, and Saturday, October 11, throughout show hours.

This year will also offer master classes that deconstruct, track-by-track, original recordings from Fleetwood Mac, the Beach Boys, David Bowie, and the Red Hot Chili Peppers in the inaugural “Raw Tracks” sessions. On Saturday, October 11, from 5:30 to 6:30 p.m., “An Afternoon With Geoff Emerick” will get attendees up close and personal with the legendary Beatles engineer (also known for his work with such artists as Elvis Costello, Jeff Beck, The Zombies, Robin Trower and Badfinger), who will expound on stories that are part of the living history of music production. This very special presentation will be enhanced with seldom seen photos and video footage as well as rarely heard audio clips.

Additional Recording and Production Track events include a “Mastering for Engineers” session, a presentation entitled “Inside the Mix” given by multi-GRAMMY® winner David Reitzas, and a session titled “Master Mission: Spreading the Word On Mentoring, Formats, and a Changing Industry,” addressing current changes and opportunities in the burgeoning Recording and Production field.

Another mainstay of the AES conventions – the Technical Tours – will offer participants the chance to tour and experience a variety of top-notch local L.A. facilities, from leading studios to manufacturers and live sound venues. This year’s stops, over the four days of the convention, include Sony Computer Entertainment America, Capitol Studios, 20th Century Fox facilities, Village Studios, the QSC factory, EastWest Studios, Dolby Theater, Walt Disney Concert Hall, Henson Recording Studio and The Dub Stage. Tickets are available for purchase during normal registration hours at the convention center.

Also, for the first time in AES history, there will be a panel officially held in Spanish in an International AES Convention. The panel “Grandes Productores de América Latina” (“Great producers from Latin America”) will bring together several of the biggest names from the region, all of them multiple GRAMMY Award winners, to present their most recent work and discuss the state of the musical industry in Latin America.

“This year’s Recording and Production Track is as exciting and in-depth as it’s ever been,” says Recording Track Co-Chair Andres Mayo. Co-Chair Jim Kaiser adds, “We’ve got the project studio side comprehensively covered by our colleagues at Sound On Sound magazine with the PSE, and we have noted and award-winning engineers and producers covering a wide range of other topics that will give those who attend an enticing and well-rounded experience.”

For information on the Recording and Production Track and how you can get your FREE Exhibits-Plus badge (pre-registration required) for the AES137 Convention, as well as All Access badge, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

Hollywood Orchestral Percussion Completes EASTWEST’s Flagship Orchestral Series

Detailed and comprehensive orchestral percussion collection features unprecedented control of sound and instruments

Hollywood, CA – EASTWEST, the industry leader in virtual instruments for over 25 years, has released Hollywood Orchestral Percussion, produced by award-winning team comprised of Doug Rogers, Nick Phoenix, Thomas Bergersen, and engineer Shawn Murphy. This release completes the company’s flagship Hollywood Orchestra, which also includes Hollywood Strings, Hollywood Brass, and Hollywood Orchestral Woodwinds.

Hollywood Percussion Screen

Hollywood Orchestral Percussion is an utterly unique orchestral percussion library featuring one of America’s very best orchestral percussionists and his inspiring arsenal of instruments. A must have compositional tool for serious composers, Hollywood Orchestral Percussion includes PLAY 4 software, offering powerful scripting for ease of use and up to 5 microphone positions for unprecedented control over each instrument including main pickup (Decca tree), mid pickup, close pickup, surround pickup, and an alternate vintage circa 1945 RCA ribbon room pickup.

Recorded in the famous EASTWEST Studio 1, the home of major Hollywood soundtracks and television themes, Hollywood Orchestral Percussion perfects techniques pioneered in Stormdrum 3, using unique repetition sampling techniques and 8 way round robin that deliver a virtual live performance. The entire collection uses zero noise reduction resulting in a spectacular sound that will virtually jump out of the speakers.

Key features:

• Orchestral percussion staples include timpani, snare drums, cymbals, bass drums, and metals. Each instrument shines with exemplary detail and variety making it possible to find exactly the right sound for any piece of music.

• Specific instruments to handle extreme tempos.

• Most extensive and fluid timpani ever sampled.

• An unprecedented, extensive array of epic anvil samples

• Orchestral chimes are sampled to mimic the sound of real church bells, as the instrument was originally intended.

• Inspiring array of vintage field drums, such as Epic Bass Drum Ensemble and Mahler Hammer give this collection some serious punch.

• For the first time, the celeste has been captured in a multi mic position environment with extremely low noise.

For more details, please visit www.soundsonline.com/hollywood-orchestral-percussion

System Requirements
75GB free hard disc space, iLok security key (not provided).

Pricing & Availability
To purchase and more information, please visit www.soundsonline.com/hollywood-orchestral-percussion

• Diamond Edition: $599
• Gold Edition: $499
• Silver Edition: $249

The Diamond Edition is available for immediate download or supplied on an optional hard drive for ease of installation. For more details, please visit
www.soundsonline.com/hollywood-orchestral-percussion. The Silver Edition will be available later in October 2014.

About EASTWEST
EASTWEST (www. soundsonline.com) has been dedicated to perpetual innovation and uncompromising quality of Sample Libraries and Virtual Instruments for 25 years, setting the industry standard as the most critically acclaimed soundware developer. More about EASTWEST at soundsonline.com, on Facebook and Twitter.

Middle Atlantic Sets New Standard for Compact Surge Protection

MAP Compact Surge
Fairfield, NJ––The new Series Protection™ and 2-Stage Compact Surge Devices from Middle Atlantic Products establish new industry standards for reduced size, rapid response time and comprehensive surge protection.

Offering the fastest responding technology in the most compact stand-alone surge protection device in the industry, the new Series Protection system is engineered with non-sacrificial and non-degrading protection to ensure system reliability by effectively absorbing surges without contaminating the system ground. It safeguards against both under and over voltage events with automatic recovery that does not require a hard reset after a surge event, minimizing system downtime.

The new MOV protected 2-Stage unit is the industry’s most compact stand-alone surge protection device that deflects surge events from line to neutral without contaminating the system ground. It safeguards against both over and under voltage events and its two-stage technology provides enhanced surge protection. Quality fire-protected components eliminate the risk of fire associated with surge events.

Both of these devices can power and protect displays, extenders, digital signage players and more, while their ultra compact size makes them ideal for installation behind flat panel displays, in furniture, within ceiling and wall boxes or in a traditional rack already filled with components.

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

SALZBRENNER ANNOUNCES POLARIS EVOLUTION NETWORK AUDIO MIXING SYSTEM

**** Photo: Polaris Evolution ****

**** Photo: Polaris Evolution ****

Los Angeles, CA – AES Booth 1547… Salzbrenner is pleased to announce the North American debut of the network controlled Polaris Evolution cloud-based digital audio mixing system with the Polaris Scala audio DSP unit. Polaris Scala is the node where all aspects of the Evolution system’s simultaneous audio processing operations originate and come together. The Polaris Scala is where controllers are connected via Ethernet or Wi-Fi, resources are allocated for the tasks at hand, and where signal sources and output devices are connected. The system’s radically new cloud-based operations and flexibility usher in a new era in digital audio mixing and processing. more

GC Pro Helps DCP Productions Take Commercials On The Road

DCP_MobileRig

— Boutique Baltimore commercial production house created a mobile production rig that, like their six-suite studio, was built with both equipment and expertise from GC Pro —

WESTLAKE VILLAGE, CA, September 22, 2014 — Don Cherel, the Founder and Director/Producer with DCP Productions, created the iconic Motorcycle Money Man for commercial client GEICO, along with spots for Planet Fitness, the Washington Nationals MLB team and the Washington Capitals NHL team. Now DCP Productions, like their mobile GEICO creation, itself is ready to go on the road, with a flypack rig that will let it shoot, record, edit and mix on location, vastly increasing the boutique shop’s productivity while giving it access to new sights, sounds and talent. And that road rig, like DCP Productions’ six-room video and audio production facility in Baltimore, was sourced with a combination of technology and expertise provided by Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users.

Eight-year-old DCP Productions’ business model is predicated on Cherel’s “concept to completion” notion, which enables clients to work with one entity for concept creation; original music creation; and pre-, field- and post-production. “By simply eliminating the layers of multiple companies in the advertising development process, DCP is able to create content and transform it into quality advertising media much less expensively and faster than traditional ad agencies,” Cherel explains. “That savings is passed on to the client.”

The new mobile rig, which tackles its first official project in July for the next GEICO campaign, is made up of two 12-space racks that hold gear including a Universal Audio® Apollo high-resolution interface, an Avid Pro Tools system with Thunderbolt connectivity, an Avid MC Mix controller, an API 550 EQ, Crane Song Falcon compressor and two Rupert Neve Designs 542 tape emulators.

All of this equipment was sourced through GC Pro Account Manager Mitch Shaivitz at GC Pro’s Baltimore-area office. The mobile rig’s make-up grew from Shaivitz’s conversations with Cherel about what the producer/director wanted to accomplish. “I called up Mitch and said, here’s what I want to do,’ and he came back with equipment suggestions that matched our workflow at the studio,” Cherel explains. “This mix of equipment and systems really make the mobile rig an extension of the studio — our workflow remains the same on the road and in the studio, so the end product is totally consistent.”

“Every product choice was well thought-out,” says Cherel. “With the exception of cameras and lenses, virtually every piece of equipment we have, in the studio and on the road, came through GC Pro. “They have the products and the expertise. But mostly, they get what we’re trying to do.”

For more information, please visit www.gcpro.com.

Hal Leonard Publishes Alan Parsons’ Art & Science of Sound Recording

Alan Parsons and Julian Colbeck to present ASSR, The Book based on the award-winning DVD set at the 137th AES in Los Angeles

Montclair, NJ (September 24, 2014) – Alan Parsons’ Art & Science of Sound Recording: The Book, is a complete rewrite and reappraisal of the award-winning video series. Parsons takes his approach to sound recording to the next level as the book provides ample space to present more technical background information, more detailed diagrams, and more in-depth discussion on each of the twenty-four topics, from “A Brief History of Recording “ to the now-classic “Dealing with Disasters.”

AlanParsons_cover

Written with the DVD’s co-producer, musician, and author Julian Colbeck, ASSR: The Book offers readers a classic “big picture” view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. The Book has a logical flow of chapters, looking at how sound is created and how it behaves before moving on to the different processes of manipulating sound recordings such as EQ, reverb, delays, compression; covering how to work and record with live musicians as well as the art and science that go into the mixing process.

“With the videos we strove to keep you visually and aurally entertained. Now, you can be reading this at home, or in a busy Starbucks, or on a plane… you can read one page at a sitting or one chapter, or just dive in here and there using the index or the glossary,” said Parsons.

For all its heft and authority – authored by a man trained at London’s famed Abbey Road Studios in the 1970s – ASSR: The Book is also written in plain English and is packed with priceless anecdotes from Alan Parsons’ own career working with the Beatles, Pink Floyd, and countless others. Not just informative and packed with colorful pictures, but also highly entertaining and inspirational, ASSR: The Book is the perfect platform on which to build expertise in the art and science of sound recording.

Alan Parsons and Julian Colbeck will present ASSR, The Book at AES in Los Angeles with a book signing on October 10, 2014 at 12 pm in the Hal Leonard booth #1141.

About the authors
Alan Parsons’ recording career got off to a great start with the Beatles when he served as their assistant engineer on Let It Be and Abbey Road. With an illustrious engineering career that included The Dark Side of the Moon, Parsons went on to become one of the most sought-after producer/engineers of the seventies and eighties, scoring No. 1 hits with multiple artists. In 1976, he formed the Alan Parsons Project, enjoying multiplatinum success with hits such as “Eye in the Sky”, “Time”, and “Games People Play”. Parsons remains an active recording artist and producer.

Julian Colbeck was a professional keyboardist for over twenty-five years, working with Yes/ABWH, Steve Hackett, John Miles, and his own group, Charlie. He has also authored a dozen books on music and music technology, including the groundbreaking Keyfax series, and he has written and produced numerous instructional DVDs on recording, live sound, and synthesizer technology. CEO of Keyfax NewMedia since 1994, Colbeck has most recently been on active duty with the creative and advocacy platform Musicians Guild.

Hal Leonard Books is an imprint of Hal Leonard Performing Arts Publishing Group – please visit alanparsonsbook.halleonardbooks.com.

Alan Parsons’ Art & Science of Sound Recording – THE BOOK
$49.99 (US)
Inventory #HL 00333735
ISBN: 9781458443199
Width: 8.75″, Length: 11.25″, 272 pages
alanparsonsbook.halleonardbooks.com

Win a Pro Tools Rig from Westlake Pro

Final Week of Westlake Pro’s 30 Days of Giveaways

Los Angeles, CA (September 23, 2014) – Westlake Pro, a leading retailer of professional audio, recording gear, live sound equipment, and technical services is heading into the final week of their month-long September Gear Giveaway and will draw the Grand Prize on September 30.

WP_Sept_Sweeps_2_border

Entry remains open until 12:00 noon (PST) on September 30 after which the Grand Prize of an AVID Pro Tools HD Native Thunderbolt System with an OMNI Interface, Pro Tools 11 and a premium AVID plug-in valued at $5498 will be drawn. Entrants can also win daily prizes drawn each day of September. Remaining prizes include a MOTU MachFive 3 software sampler, a Sound Radix Radical Bundle, Sennheiser HD600 headphones, a Mojave Audio MA-201fet, a Universal Audio Apollo Twin Solo, a Zynaptiq Zap Bundle and a Waves Gold Soundgrid Bundle.

Throughout September, Westlake Pro is giving away a total of $17,000 worth of gear from the top brands in pro audio. Winners have already claimed gear from Shure, Zoom, A Designs, Hosa, Rob Pappen, Toontrack, Synthology, Exponential Audio, Focusrite, iZotope, Vienna Symphonic, Slate Audio, JBL, Radial, McDSP, Anglebird, Furman, Spectrasonics, and SSL.

Enter Westlake Pro’s September Sweepstakes – 30 Days of Giveaways here.

About Westlake Pro
Based in Los Angeles, Westlake Pro specializes in business-to-business and retail sales of professional audio and video equipment, broadcast equipment, video editing software, recording software, computers, musical instruments and live sound application products. The company also provides technical services from complete studio design to live sound system design. Westlake Pro serves the Post Production, Broadcast, Music Production, Educational, House of Worship and Government markets.

AES Educational Foundation Announces Awards for 2014

MINOLTA DIGITAL CAMERA

New York, NY, September 18, 2014 — The Educational Foundation of the Audio Engineering Society (AES) has announced the recipients of the 2014 AES Educational Grants for Graduate Studies in Audio Engineering. The announcement was made by Don Puluse, President of the AES Educational Foundation (AESEF), on behalf of the foundation’s Board of Directors.

This year the foundation proudly offers a special scholarship marking Bruce Swedien’s 80th birthday and recognizing over six decades of recording artistry. This scholarship is funded by his colleagues, family, fans and friends. The scholarship will aid young recording engineers who believe in putting “Music First!” For more information, visit http://www.swedienscholarship.org.

The inaugural Bruce Swedien Scholarship is awarded to Pawel Leskiewicz, a graduate student in Sound Recording at the Schulich School of Music, McGill University. He earned his BM with honors from the Royal Conservatory of Music, The Hague, Netherlands. Pawel has won top prizes at several international competitions on classical guitar in his native Poland. He has also completed internships with Channel Classics Records and Polyhymnia International (formerly Philips Classics).

Two special grants are being generously provided by HARMAN International Industries to support graduate education in audio. The Board of Directors has decided to renew these grants for last year’s HARMAN Scholars Brecht De Man and Kai Siedenburg. Mr. De Man has undergraduate and graduate degrees in electrical engineering from University of Ghent, Belgium, and is studying for a Ph.D. (EE and Computer Science) at Queen Mary University of London. Mr. Siedenburg has an M.S. in Mathematics from Humboldt University, Berlin, and is a Ph.D. candidate in Music Technology, Department of Music Research, at McGill University. He was previously a Fulbright visiting student at UC Berkeley and did his master’s thesis at University of Vienna.

The Emil Torick Scholar distinction is being given to Charlotte Desvages, who will earn a Ph.D. in audio and acoustics at the University of Edinburgh. Her previous degrees are from Edinburgh (Acoustics and Music Technology) and Universitè de Caen Basse-Normandie (physics). This award, honoring former AES Foundation President Torick, is awarded to an outstanding student with exceptional career goals.

The John Eargle Award, given annually to a student who excels in both technology and music, is a renewal award for Elizabeth Marston towards her M.M. in Sound Recording at McGill University. Ms. Marston holds a B.A. in Music from Seattle Pacific University.

Javed Hamza receives a renewal award to pursue a Ph.D. in Speech and Audio Processing from Imperial College London, where he also completed his previous degrees. Marlene Mathew earns a renewal award towards her Master’s in Music Technology to NYU. She has a BS in Computer Science from CWPost.

Dziedzic Tomasz is a Ph.D. candidate at AGH University of Science & Technology, Poland, where he also received his M.A.; Tomasz is in the department of Mechanics and Vibroacoustics. Robert Fernandes is studying for an M.M. in Sound Recording at McGill; he has a B.M. from Humber College. Jiayue Wu is a Ph.D. candidate in Media Arts and Technology at University of California, Santa Barbara; she has a BS from the Beijing Institute of Fashion Technology and an MA from Stanford University.

The AES Educational Foundation was established in 1984 to encourage talented students to enter the profession of audio engineering. Grants for graduate studies with emphasis on audio topics are awarded annually. Recipients are selected on the basis of demonstrated talent, achievements, goals and recommendations. Since its inception, the AESEF has presented awards totaling over seven hundred thousand dollars. Grants have been made possible by contributions from AES, Inc., HARMAN International Industries Inc., the estate of John K. Hilliard, JBL Inc., the Mix Foundation for Excellence in Audio, the families of John Eargle, David Smith and Emil Torick, and the family and friends of Bruce Swedien. The AES also receives support from other benefactors such as in-memoriam donors, and individuals and companies that support education in audio. Application forms and additional information are available from the Audio Engineering Society, 60 East 42nd Street, New York, NY 10165, USA, or on its web site: www.aes.org/education/foundation/.

Photo Caption: Don Puluse, president of the AES Educational Foundation.

AES to Unveil Its Inaugural “Raw Tracks” Series at 137th Audio Engineering Society Convention

— New series will offer an intimate, behind-the-scenes look at the making of various recordings by influential artists spanning decades and genres —

New York, NY, September 16, 2014 — The Audio Engineering Society (AES) is pleased to debut their new “Raw Tracks” series as part of this year’s Recording and Production Track at the upcoming 137th Audio Engineering Society Convention, taking place October 9-12, 2014, at the Los Angeles Convention Center. This new series features top-name producers and engineers who will discuss and deconstruct influential, classic recordings from some of music’s most highly regarded artists. Attendees can learn firsthand about details of the sessions — the gear that was used, recording technique, and other insightful production information.

Sessions in the new series include:
Recording & Production: RP1 – Raw Tracks: Fleetwood Mac — A Master Class presented by Ken Caillat about the recording of a classic song from the hit album, Rumours.

Recording & Production: RP2 – Raw Tracks: David Bowie — A track-by-track Master Class featuring a classic David Bowie recording, presented by Ken Scott.

Recording & Production: RP3 – Raw Tracks: Pet Sounds — A Master Class by three-time GRAMMY®-winner Mark Linett about two songs – “Wouldn’t It Be Nice” and “God Only Knows” – from the Beach Boys’ seminal album Pet Sounds.

Recording & Production: RP7 – Raw Tracks: Red Hot Chili Peppers — A Master Class featuring Andrew Scheps that explores the classic song “Pink As a Floyd.”

“We are pleased to be able to offer this new ‘behind-the-scenes’ track featuring the names behind the hits. Attendees are in for a truly unique experience – when it comes to learning about how the biggest hits came to life in the studio, there’s nothing like hearing it directly from those who were there,” said Bob Moses, AES Executive Director.

For further information about the Raw Tracks series, FREE Exhibits-Plus badges (pre-registration required), premium All Access badges, Hotel and Technical Program information, and more visit http://www.aes.org/events/137/.

DPA Microphones, Lectrosonics and Sound Devices Host ‘The Sound Summit LA’

Sound_Summit_LA_graphicLOS ANGELES, SEPTEMBER 23, 2014 — On Wednesday, October 8 at The Sportsmen’s Lodge in Studio City, CA (http://www.thesoundsummit.org/la), just prior to the start of the 137th International AES Convention at the Los Angeles Convention Center, DPA Microphones, Lectrosonics and Sound Devices will host The Sound Summit LA event. The three manufacturers represent the pinnacle of the location audio capture side of professional audio, with products commonly used in the field, including DPA’s d:screet™ Miniature Microphones and d:dicate™ 4017B Shotgun Microphone, Lectrosonics’ new L Series and DSW wireless microphone systems and the Sound Devices 664 Field Mixer and rack-mounted 970 64-Track Dante and MADI Audio Recorder.

The event will take place from 3 to 9 p.m., with short technology presentations from the manufacturers at 4 and 7 p.m. Breakout sessions presented by location sound practitioners will take place at 5 and 8 p.m. Additionally, leaders from all three companies; Eric Mayer, president of DPA Microphones, Inc.; Karl Winkler, director of business development for Lectrosonics and Jon Tatooles, co-founder and chief business development officer for Sound Devices, LLC; will be available during the event to discuss the best practices for utilizing all three brands during a production.

Fernando Delgado and his team from Stickman Sound will be in attendance and will demonstrate their unique audio solutions for a variety of hit shows, including UFC’s The Ultimate Fighter (FX) and Top Chef (Bravo). In addition, Daniel McCoy, C.A.S. with ToneMesa, Inc. will be on hand to discuss his equipment and techniques on shows such as Shark Tank (CNBC), The Ellen DeGeneres Show (NBC), Tosh.O (Comedy Central) and Jim Henson’s Creature Shop Challenge (Syfy).

“I have known both Karl and Jon since the mid-90s and we all share the same sensibilities when it comes to meeting the needs of our common marketplace,” says Mayer. “By joining forces, we hope to bring together a large audience that wishes to meet and see our respective products, and to hear the latest and greatest from each of us. This event will be a great opportunity for attendees to meet each other and talk about their experiences in the field using many of the solutions that we manufacture. Think of the Sound Summit as sort of a ‘Meet Up’ for users of DPA Microphones, Lectrosonics and Sound Devices products. I’m confident it will be fun for all!”

“We’re excited about this event because it gives us a chance to get to know the community in a casual, sharing atmosphere,” states Winkler. “We anticipate this taking off rather well, leading, hopefully, to similar events in other large metropolitan areas such as New York, Chicago, Atlanta and other cities along the way.”

Tatooles is equally enthusiastic about the upcoming seminar, “Events such as the Sound Summit are an excellent opportunity for companies, like ours, to meet with our customers, listen to their feedback, share experiences, and learn from them. We are pleased to be an integral part of this program.”

To sign up for this event, please register at http://www.thesoundsummit.org/la/.

ABOUT DPA Microphones
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound. For more information, visit www.dpamicrophones.com/en.

About Lectrosonics
Well respected within the film, broadcast, and theatre technical communities since 1971, Lectrosonics wireless microphone systems and audio processing products are used daily in mission-critical applications by audio engineers familiar with the company’s dedication to quality, customer service, and innovation. Lectrosonics is a US manufacturer based in Rio Rancho, New Mexico. Visit the company online at www.lectrosonics.com.

About Sound Devices
Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production. Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

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