Archive of the The Wire Category

Antelope Audio Introduces Satori — a Next Gen Monitoring Controller, Combines True Analog Monitoring and Summing Capabilities

Satori Offers a Comprehensive Feature Set and Extreme Efficiency in a Sleek 1U Rack

Los Angeles, October 8, 2014: Building on its unrivaled pedigree of high-end mastering solutions like Eclipse 384, leading professional audio gear manufacturer Antelope Audio [AES booth 1019] introduces a true analog monitoring and summing system. Satori, a Japanese Buddhist term referring to enlightenment, is designed to deliver an ‘epiphany’ experience to the sound engineer. Antelope’s renowned relay-controlled stepped attenuator, the extremely versatile connectivity options and great selection of stereo effects such as mid-side monitoring, place the Satori among the most advanced monitoring controllers in the world, equally suited to both commercial and project studios.

Extremely Transparent, Coherent Audio Processing:
SatoriFrontSatori expands upon the acclaimed design architecture of Eclipse 384 – Antelope’s award-winning mastering AD/DA and monitoring controller. Carefully designed analog circuits and fast, transparent relay attenuators ensure the audio integrity throughout the whole signal path. The 0.05 dB platinum relays provide supremely accurate volume control and perfect L/R balance, even at the lowest listening levels.

“We wanted to design a clean and transparent monitoring controller that would not compromise the quality of our converters and will provide sound engineers with a genuine listening experience,” commented Igor Levin, founder and CEO of Antelope Audio. “Satori is a part of our concept for creating a coherent signal path all the way from the analog source through conversion, recording and playback. Along with Satori, this philosophy is expressed in our latest product additions: MP32, Pure2, and Orion32.

Dedicated Headphone Amps:
satoriFour independent headphone outputs allow individual source selection and volume control, enabling separate feeds for musicians or vocalists. The headphone drivers on Satori employ the same audiophile-grade circuitry found in Antelope’s line of premium home audio products, and are able to drive both low and high impedances.

Great Flexibility and Efficiency:
Satori offers a plethora of functionality such as talkback and level trims, as well as stereo effects like mute, mono, dim and mid-side. The mid-side effect is rarely implemented in monitor controllers, yet routinely requested by mastering engineers. Gain offset is available for any input and output, making A/B testing extremely easy and efficient. In addition to providing outstanding monitoring capabilities, Satori includes a fully analog 8-channel summing mixer. This kind of analog summing, with warm punch and excellent dynamics, allows engineers who work completely “in-the-box” to mix signals in the analog domain for a more natural blending of instruments.

Abundant Input/Output Options:
SatoriRearWith a generous amount of connectivity options, Satori fits perfectly in any studio and represents the ultimate in user flexibility. With eight stereo inputs, four stereo outputs, a range of connectivity options including XLR, 1/4″ TRS and D-Sub 25, the 1U unit is unique in its class. In addition to four stereo speaker outputs, Satori features a dedicated subwoofer output. The unit also features D-Sub 25 connectivity, elegantly solving the issue of connecting to multi-channel converters such as Orion32.

User-friendly Front Panel and Remote Control:
Satori’s delicately machined aluminum volume knob and large LED front panel push buttons allow easy access to the most commonly used monitoring functions such as input and monitor selectors, gain adjustment and level trimming. The unit also ships with the next generation of software application [Mac and PC] enabling flexible and accurate control. The software control panel allows fast and responsive source and speaker switching, accurate volume control, stereo effects selection, headphone controls and user-recallable presets. Analog summing is fully controllable via the software application.

Satori is scheduled to ship later in Q4 of 2014 and will be priced at $1,475.

About Antelope Audio:
Antelope Audio is a leading manufacturer of high-end professional audio equipment and the pioneer in the adoption of Atomic clock generators.

The company utilizes Igor Levin’s more than 20 years’ experience in digital audio to develop professional and consumer high-end products with the signature Antelope Audio sound. The company employs proprietary clocking and jitter management technologies as well as custom-designed digital and analog circuits to provide both professional audio engineers and music aficionados with unprecedented musicality, sound stage and clarity.

Antelope is the first to design a 1U 32-channel audio interface and a multi-channel portable interface with 12 mic pres. Antelope’s breakthrough technologies are offering both studio and live audio engineers great productivity and flexibility.

The company’s customers include many Grammy award-winning sound engineers and some of the most renowned recording, mastering and post-production facilities around the globe.

Photo captions:
1) Antelope Audio’s new Satori, a true analog monitoring and summing system.
2) Teaser video for Antelope Audio’s new Satori monitoring and summing system.
3) Rear panel of Antelope Audio’s new Satori monitoring and summing system.

From World Class Mastering Rooms to Your Own Living Room: Antelope Audio Introduces the Unparalleled Combination of Zodiac Platinum DSD DAC and 10M Atomic Clock

Rocky Mountain Audio Fest Attendees will be Among First to Experience Depth and Clarity Made Possible by Antelope’s Quad DAC Architecture and Ultra Stable Clocking

Denver, October 8, 2014: Leading digital audio manufacturer Antelope Audio [exhibit Marriott Tower, Suite 1125] is once again setting new standards of audio fidelity at this year’s Rocky Mountain Audio Fest (RMAF) by demonstrating its new Zodiac Platinum DSD DAC in combination with its 10M Audiophile Atomic Clock. Attendees of RMAF will be among the first in the U.S. to experience the unrivalled sound quality made possible by the high rate, quad DAC architecture present in the Zodiac Platinum when connected to the ultra stable Audiophile 10M Atomic Clock, an upgraded and enhanced version of Antelope Audio’s renowned Isochrone 10M clock.

Zodiac_platinum_10m_bundle_1080x1080During the demonstration at RMAF, the Antelope suite will consist of two systems built around Zodiac Platinum DACs, with one system connected to the 10M Audiophile Atomic Clock and the other functioning solely as a DAC/preamplifier. The digital signals will originate from a Music Vault M7 music server by Sound Science. The first system (which includes the 10M) will also consist of a Lyngdorf 2170 integrated amplifier with Room Perfect room correction, powering a pair of King Sound Prince 3 electrostatic full range loudspeakers.

The Second system, which will use the Zodiac Platinum as a DAC/preamplifer, will receive its digital signal from Second Music Vault Music Server. The Zodiac Platinum will be used to feed a M20 stereo vacuum tube headphone amplifier, which will drive two Kingsound H3 electrostatic headphones. The Zodiac Platinum will also feed a Kingsound M10 solid state headphone amp that will be driving another pair of Kingsound H3 electrostatic headphones.

Antelope Audio is widely regarded as an authority in digital clocking and audio conversion technologies and is well-known in the professional audio community. The same technology featured in the Audiophile 10M Atomic Clock is also present in the company’s flagship 10M Atomic reference generator and routinely used at the best recording, mastering and postproduction facilities around the Globe.

Zodiac Platinum DSD DAC
The Zodiac Platinum features custom, ultra low jitter USB for streaming up to DSD128 and 384 kHz PCM, plus comprehensive analog and digital I/O. It also features fully reclocked and de-jittered digital outputs along with analog preamp inputs, ensuring sonic purity at the input stage. With its 64-bit precision 8x linear phase PCM and DSD upsampling capabilities and quad DAC architecture, the Zodiac Platinum is able to achieve stunningly transparent imaging and dynamics in the most demanding audiophile environments. With high precision relay attenuators for fast and precise control of main outputs and dual variable impedance headphone outputs, Zodiac Platinum puts power control into the hands of the listener.

10M Audiophile Atomic Clock
The 10M Audiophile Atomic Clock is an upgraded and enhanced version of Antelope’s legendary Isochrone 10M master clock, which has become an industry standard for ensuring audio quality and accurate sound reproduction among leading producers, sound engineers, artists and movie post-production studios worldwide. When coupled with Antelope’s 10M Audiophile Atomic Clock, the Zodiac Platinum Acoustically Focused Clocking (AFC) jitter management technology, reaches an even higher standard of professional-grade performance and a noticeable improvement on audio depth and clarity.

Voltikus PSU: The Ultimate Power Supply
Voltikus PSU is a second generation power supply that is purpose built for the Zodiac Platinum. Hear the difference that a triple regulated power supply with integrated power line filtering can make in combination with an uncompromising DAC and clocking environment.

The Zodiac Platinum DSD DAC & Audiophile 10M Atomic Clock Bundle sells for $12,995. The Zodiac Platinum ships with a dedicated aluminum IR remote and as well as a custom software control panel for PC, Mac or mobile control applications.

Stop by the Antelope Audio suite at RMAF for a complete demonstration by contacting Antelope representative Neal Van Berg at (720) 308-4000, or visit the Antelope website at: www.antelopeaudio.com.

About Antelope Audio:
Antelope Audio is a leading manufacturer of high-end professional audio equipment and the pioneer in the adoption of Atomic clock generators.

The company utilizes Igor Levin’s more than 20 years’ experience in digital audio to develop professional and consumer high-end products with the signature Antelope Audio sound. The company employs proprietary clocking and jitter management technologies as well as custom-designed digital and analog circuits to provide both professional audio engineers and music aficionados with unprecedented musicality, sound stage and clarity.

Antelope is the first to design a 1U 32-channel audio interface and a multi-channel portable interface with 12 mic pres. Antelope’s breakthrough technologies are offering both studio and live audio engineers great productivity and flexibility.

The company’s customers include many Grammy award-winning sound engineers and some of the most renowned recording, mastering and post-production facilities around the globe.

iZotope Announces New Version of Mastering Software

Ozone 6, a complete mastering platform featuring an elegant and modern interface, will preview to the public at AES 137

Cambridge, MA (October 8, 2014) — iZotope, Inc., a leading audio technology company, has announced an update to its critically acclaimed line of mastering software, Ozone.

iZotope-Ozone-6-box

Launching this fall, Ozone 6 is the latest version of iZotope’s complete mastering system. For the first time, the mastering workflow is centered around creativity: Ozone 6’s modern visual paradigm guides and inspires users of all experience levels at every step, so they can freely experiment with ease—or dial in their signature sound in just a few clicks.

Whether they are mastering engineers or home studio producers, Ozone 6 gives users everything they need to effortlessly produce professional-sounding masters in one elegant standalone application.

iZotope at AES 137
iZotope product specialists will preview Ozone 6 to the general public at AES (Booth 1100) in Los Angeles from October 9 – 12. AES attendees can view a demo of Ozone 6, hear from top audio industry figures, and learn the latest research and technology information. iZotope plans to release further information about Ozone 6’s features throughout the coming weeks.

Pricing
Ozone 6 - $199 USD Promotional Price ($249 USD Regular Price)
Ozone 6 Advanced – $599 USD Promotional Price ($999 USD Regular Price)
Upgrade from Ozone 1-5 to Ozone 6 – Always available at a special price of $99 USD
Upgrade from Ozone 1-5 to Ozone 6 Advanced – $399 USD Promotional Price ($750 USD Regular Price)
Upgrade from Ozone 1-5 Adv. to Ozone 6 Adv. – Always available at a special price of $299 USD

For international customers, check with your local dealer for Ozone 6 pricing.

Grace Period Purchases
Customers who purchase Ozone 5 after September 1, 2014, will receive a free upgrade to Ozone 6 upon release.
Customers who purchase Ozone 5 Advanced after September 1, 2014, will receive a free upgrade to Ozone 6 Advanced upon release.

Availability
Be among the first to hear when Ozone 6 and Ozone 6 Advanced become available. Sign up for the iZotope newsletter and learn more at www.izotope.com/ozone6.

Learn more about AES 137 at www.aes.org.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®.

For more information on iZotope products, please visit www.izotope.com.

Expanded Project Studio Expo at AES137 Hosts Sunday Sponsor Events

— Presented in association with leading recording technology publication Sound On Sound, the Project Studio Expo is intended to give home recordists a new perspective on how they can better use their tools and their ears —

New York, NY, October 7, 2014 — A wide range of on-stage sessions have been announced for Sunday’s Project Studio Expo Sponsor Day at the upcoming 137th Audio Engineering Society Convention, scheduled for Thursday, October 9, through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California. The PSE offers 3 days of events covering such topics as getting big-studio results on a tight budget; audio separation; recording and songwriting; and studio/live networking.

Project Studio Expo, Sunday Sponsor Events:

Session PSE14 – Mixing Perspectives: Tales of achieving big studio results on a project studio budget (led by Focal Press)
Sunday, October 12, 11:00 am — 11:45 am

Session PSE15 – Audio Separation (led by Audionamix)
Sunday, October 12, 12:00 pm — 12:45 pm

Session PSE16 – Recording and Songwriting with Focusrite Novation
Sunday, October 12, 1:00 pm — 1:45 pm

Session PSE17 – Real-World AVB Networking in the Studio and on Stage Using MOTU AVB Audio Interfaces
Sunday, October 12, 2:00 pm — 2:45 pm

Full PSE sessions, including events for Friday and Saturday, can be found here: http://www.aes.org/events/137/projectstudioexpo/.

“There has been tremendous response to our Project Studio Expo over the past three Conventions, and the addition of Sunday sessions offers even more resources for Convention attendees,” states Bob Moses, AES Executive Director. “With the help of our partners and sponsors we have seen the PSE grow into a program that really offers something for everyone in the audio community. I feel this serves as a real incubator and inspiration for seasoned professionals as well as those who are attending an AES event for the first time. These are top-notch educators and engineers who are giving as close to a one-on-one dialog as you can get. And to have this included as part of our free Exhibits-Plus badge offerings is really a great way to expand the mission of the AES – to educate and provide support to those audio engineers that play a large part in our audible world.”

The AES gives Special Thanks to presenting PSE Sponsors; Audionamix, Focal Press, Focusrite Novation, and MOTU along with additional sponsors; AVID, Sennheiser, TC Electronic, and Universal Audio.

For information on the Project Studio Expo, as well as further Registration, Hotel, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

Session Info Announced for Upcoming High Resolution Audio Program at 137th Audio Engineering Society Convention

— High Resolution Audio program, taking place Friday, October 10, at AES137 in Los Angeles, will feature four different sessions throughout the day, addressing the current and future direction of High Resolution Audio from various perspectives —

— Representatives from leading consumer audio brands set to participate in High Resolution Audio program, as well as display high-performance audio products on the AES convention’s exhibition floor —

New York, NY, October 7, 2014 — Detailed session information has been announced for the AES137 High Resolution Audio (HRA) program, taking place Friday, October 10, 2014, in Room 304 AB at the 137th Audio Engineering Society Convention (October 9-12, 2014, at the Los Angeles Convention Center in downtown Los Angeles). The direct result of a collaborative effort between the Audio Engineering Society (AES) and DEG: The Digital Entertainment Group, the HRA program will include a number of panels and sessions that address the current and future direction of HRA from various perspectives, including content creation, digital distribution, licensing of hi-res music files, archiving, subscription models, marketing/promotion of hi-res music, compatibility of playback devices and more.

“Taken as a whole, these panel sessions will provide AES attendees a much greater understanding of the key issues that are currently impacting the High Resolution Audio market,” said Marc Finer, Senior Director, DEG: The Digital Entertainment Group. “Working in cooperation with The Recording Academy® Producers & Engineers Wing®, we’ve developed a comprehensive program that fully addresses virtually every aspect of the HRA workflow – from the studio to the home.”

These panels and sessions will feature some of the brightest minds in the business as they discuss some of the most current and controversial issues concerning the rapid adoption of high-resolution audio across the industry.

Individual session info:

Hi-Res Audio Devices for Every Lifestyle (10:00 am – 10:50 am): Learn more details about the growing number of hi-res compatible devices available today from some of the biggest names in hi-res devices including Astell & Kern, dCS, DTS, Kimber Kable, Meridian, Mytek, and Sony. Subjects will include how to demonstrate hi-res audio at retail; the latest options for enjoying hi-res music on-the-go; and how to educate and engage young music enthusiasts. Moderated by Marc Finer (Digital Entertainment Group), the panel includes Owen Kwon (Astell & Kern), John Quick (dCS Ltd.), Fred Maher (DTS Inc.), Ray Kimber (Kimber Kable), J. Robert (Bob) Stuart (Meridian Audio Ltd.), Michal Jurewicz (Mytek Digital) and Aaron Levine (Sony Electronics).

The New Business of Hi-Res Music (11:30 am – 12:20 pm): Get an inside look at the opportunities and challenges associated with hi-res music from Mark Piibe at Sony Music, Howie Singer at Warner Music, and Jim Belcher at Universal Music. Moderated by Marc Finer. Topics will include licensing hi-res files; the latest distribution partners; ingesting and archiving digital assets; new subscription models; and the best ways to promote hi-res music.

Hi-Res Audio Production Workshop (1:00 pm – 1:50 pm): [co-sponsored by the Recording Academy P&E Wing] Join top producers and engineers as they discuss the music creation process and best practices when recording, mixing and mastering in high resolution. The panel, moderated by Leslie Ann Jones (Skywalker Sound), features Chuck Ainlay (Producer/engineer, METAlliance), John Burk (Concord-Telarc Label Group), Ryan Ulyate (Producer/engineer) and Bob Clearmountain (Producer, engineer and mixer), who will review the key aspects of various audio formats in context with their latest music projects.

High Resolution Audio—Super Session (3:00 pm – 3:50 pm): Meet and mix with some of the brightest minds in the business including Bruce Botnick (Music producer, recording and mastering engineer, VP Content Acquisition for Pono Music), George Massenburg (Producer/engineer/inventor, McGill University), Andrew Scheps (Producer/engineer/mixer) and Bill Schnee (Producer/engineer, Schnee Studio), as they explore a number of the most challenging issues facing the recording industry today concerning the adoption of high resolution audio. Moderated by Maureen Droney (former recording engineer/music journalist, currently Managing Director of The Recording Academy® Producers & Engineers Wing®) Don’t miss this rare opportunity to hear from these opinion makers!

The High Resolution Audio program will be a major focus at AES137, part of a long tradition of the AES and its conventions serving as the forum for the discussion and advancement of state-of-the-art audio technologies. For over 65 years, nearly every seminal audio development has been incubated and promoted within the AES community, beginning with stereo LPs in the 1950s and continuing with magnetic tape in the 60s, digital audio and the Compact Disc in the 70s, perceptual coding (e.g. MP3) over the past 25 years, all the way to today’s digital streaming formats. It’s no wonder that the DEG and the AES have decided to partner to bring to AES137 Convention attendees the most current and comprehensive information on the state of High Resolution Audio, which is defined as “lossless audio that is capable of reproducing the full range of sound from recordings that have been mastered from better than CD quality music sources.”

For Registration and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

AES and DEG Announce Sponsors for Upcoming High Resolution Audio Program at 137th Audio Engineering Society Convention

— High Resolution Audio program, taking place October 10 at AES137 in Los Angeles, to be sponsored by leading consumer audio manufacturers —

New York, NY, October 3, 2014 — A High Resolution Audio (HRA) program will take place Friday, October 10, 2014, in Room 304 AB at the 137th Audio Engineering Society Convention (October 9-12, 2014, at the Los Angeles Convention Center in downtown Los Angeles). The direct result of a collaborative effort between the Audio Engineering Society (AES) and DEG: The Digital Entertainment Group, the HRA program will include a number of panels and sessions that address the current and future direction of HRA from various perspectives, including content creation, digital distribution, licensing of hi-res music files, archiving, subscription models, marketing/promotion of hi-res music, compatibility of playback devices and more.

The HRA program is sponsored by the following brands, representing leaders from consumer electronics:

Astell & Kern (manufacturer of portable high-fidelity audio systems capable of playing mastering-quality sound from music mastering studios) / Audeze (manufacturer of high-end audio headphones and accessories)
dCS (“Data Conversion Systems,” a pioneer in high-resolution audio who has developed converters capable of supporting 24/192, DSD and DXD formats; the world’s first high resolution [24/88.2] and surround Super Audio CD [SACD] recordings were created using dCS technology)
DTS (a premier audio solutions provider for high-definition entertainment experiences)
Kimber Kable (a leading developer and manufacturer of cables for the high-performance audio sector)
Meridian Digital (acclaimed developer of the highest quality consumer home entertainment systems, widely recognized as a world leader in quality audio and video reproduction)
Mytek Digital (manufacturer of high performance digital audio converters and meters)
Sony Electronics (a leading consumer and professional electronics and entertainment company)

These panels and sessions will feature some of the brightest minds in the business as they discuss some of the most current and controversial issues concerning the rapid adoption of high-resolution audio across the industry. A complete list of HRA sessions, including topics, moderators and panelists, will be released in the coming days.

“We are very pleased to be working with the Digital Entertainment Group to create this unique and timely program on High Resolution Audio,” stated Bob Moses, AES Executive Director. “High Resolution Audio is a vital topic in the industry right now, and working with organizations like the DEG and The Recording Academy, we have created this comprehensive program, which will give attendees the most current and up-to-date real-world information available on these subjects.”

Introducing the Pure2 by Antelope Audio: A Two Channel Mastering Converter from the Authority in Clocking

Pure2 Features Best in Class Conversion Quality, Dual DAC Architecture and Acoustically Focused Clocking (AFC) Technology from Antelope’s Flagship Trinity Master Clock

Los Angeles, October 7, 2014: As part of a multi-dimensional product unveiling at the 137th International AES Convention, leading professional audio gear manufacturer Antelope Audio introduces Pure2, a mastering-grade 24/192 kHz AD/DA 2-channel converter and master clock. Pure2 builds on Antelope Audio’s mastering legacy of the very successful high-end converter Eclipse 384.

Pure2FrontThe Pure2 enables users to realize unsurpassed digital clarity and analog realism, while offering a flexible set of connectivity options and extremely efficient and ergonomic software remote control. Pure2 employs an all-new design that leverages best-in-class Burr-Brown converters and the same Acoustically Focused Clocking (AFC) technology present in Antelope’s ultra high-end Trinity master clock.

More than just a mastering converter, Pure2 comprises five distinct high performance components:

• An A/D converter with optimized overloads handling
• A D/A converter with dual DAC architecture
• A high-end headphone amplifier with a dedicated D/A
• A relay-based analog volume control for supremely accurate monitoring
• A master clock with 4th generation of Antelope’s AFC jitter management

Pure2With Pure2, clear and realistic audio quality is within reach. In addition to its first-rate conversion and AFC technology, the unit also features Antelope Audio’s pristine analog circuitry, which is driven by a proprietary, multi-stage linear power supply. When monitoring through speakers, Pure2′s relay-based stepped attenuator ensures exceptional transparency and perfect L/R balance, even at low listening levels. Additionally, Pure2′s dual-DAC technology — with separate DAC chips for left and right channels —guarantees superior stereo separation and imaging.

“As digital devices and software-based tools become more and more ubiquitous in recording and playback environments, advanced clocking and conversion technology is now a prerequisite towards getting great sound,” commented Igor Levin, founder and CEO of Antelope Audio. “Pure2 puts world class mastering functionality within the reach of just about anyone, at a fraction of what it would have cost just three years ago.”

Pure2: The New Heartbeat of Your Studio
Pure2RearWith Pure2, attaining immaculate audio quality does not have to be complicated. The device includes a highly intuitive software control panel (compatible with both Mac and PC) enabling users to manage all facets of its operation from a computer. Meanwhile, the front panel of the unit also includes user-definable presets for added routing convenience and efficiency.

Among the most exciting features of Pure2 are its unparalleled connectivity options. With several Word Clock outputs, Pure2 can function as the master clock for an entire studio and can also be locked to Antelope’s legendary 10M Atomic Clock for even greater clocking stability. Further, Pure2 can be connected via S/PDIF, TOSLINK, AES and USB, making it suitable for nearly any studio environment.

Pure2, which is a perfect standalone mastering-grade converter for any studio and live application, is scheduled to ship in late Q4 of 2014 and will be priced at $2,195.

About Antelope Audio:
Antelope Audio is a leading manufacturer of high-end professional audio equipment and the pioneer in the adoption of Atomic clock generators.

The company utilizes Igor Levin’s more than 20 years’ experience in digital audio to develop professional and consumer high-end products with the signature Antelope Audio sound. The company employs proprietary clocking and jitter management technologies as well as custom-designed digital and analog circuits to provide both professional audio engineers and music aficionados with unprecedented musicality, sound stage and clarity.

Antelope is the first to design a 1U 32-channel audio interface and a multi-channel portable interface with 12 mic pres. Antelope’s breakthrough technologies are offering both studio and live audio engineers great productivity and flexibility.

The company’s customers include many Grammy award-winning sound engineers and some of the most renowned recording, mastering and post-production facilities around the globe.

Photo captions:
1) The Antelope Audio Pure2 is a mastering-grade 24/192 kHz AD/DA 2-channel converter and master clock.
2) Teaser video for the new Antelope Audio Pure2 mastering converter.
3) Rear panel of the Antelope Audio Pure2.

Moog Announces Worldwide Release of Werkstatt-01 Analog Synth & Online Modification Portal

Werkstatt_01ASHEVILLE, NC, October 7, 2014: Today, Moog Music announced the official worldwide release of the Werkstatt-01 Analog Synthesizer Moogfest 2014 Kit — a patchable analog synthesizer designed to inspire the exploration and modification of classic Moog circuits while delivering a myriad of vintage and new raw, mangled, and monstrous Moog tones. This highly-portable instrument is secured in a solid-steel chas-sis and features a harmonically rich Moog VCO, classic 4-pole Moog Ladder filter, wide-range LFO with audio-rate modulation capabilities, ADS envelope generator, and an analog patchable header for expansive sonic experimentation, manipulation, and decimation.

Today also marks the launch of WerkstattWorkshop.com (beta) — an interactive creative learning portal containing project ideas, mod tutorials, parts lists, educational lesson plans, 3D printer files, Arduino integration and control and many other dynamic resources for Werkstatt owners. This microsite also includes Moog’s new and ongoing research surrounding the use of subtractive synthesizers in STEM and STEAM high school classrooms. Lessons in these studies are focused on project based learning opportunities, and encouraging a creative deployment of practical skills in STEM fields. All lessons and associated materials are open source and available online free to educators across multiple disciplines.

“Analog synthesizers have long had their own maker culture born of curious engineers, physicists and hobbyists alike,” said Moog Music CEO, Mike Adams. “Bob Moog got his start at the age of 15 by studying and modifying Leon Theremin’s designs. We’d like to share our love for learning, music, and electronics to empower a new generation of makers to expand on our work and take it to levels we can’t yet imagine,” Adams said.

Werkstatt _02In April 2014, the Werkstatt-01 Analog Synthesizer Kit was made available to Engineering VIP ticket holders at Moogfest 2014, Moog’s multi-day celebration of technology, art and music. The success of the workshop at the festival prompted Moog to release a limited number of Werkstatt’s to select US dealers. Starting today the Werkstatt-01 Analog Synthesizer Kit is available and in stock at all Moog Music dealers worldwide. MSRP of $329 US

Video Links:
http://youtu.be/32wzAhNy5aY

Audio Links:
https://soundcloud.com/moogmusicinc/sets/werkstatt-o1-moogfest-2014-kit

Product Page:
http://www.moogmusic.com/products/werkstatt/werkstatt-ø1-moogfest-2014-kit

Community:
www.werkstattworkshop.com

About Moog Music:
Moog Music synthesizers and other electronic musical instruments are designed and lovingly handcrafted in the Moog factory in downtown Asheville, N.C. Moog Music and its customers carry on the legacy of Dr. Robert Moog, inventor of the Moog synthesizer and Founder of Moog Music Inc.

Sound Devices 970 Takes Audio to the Rack at AES 2014

64-Track Dante™ and MADI-Equipped Audio Recorder Features New FileSafe™ Technology to Guard Against Unintentional Drive Removal and Power Loss

LOS ANGELES, OCTOBER 7, 2014 – Sound Devices 970, the company’s first-ever dedicated audio-only rack-mounted recorder/player, makes its AES debut during this year’s convention (Location Sound Booth 1340). The 970 boasts an impressive 64 channels of Dante™ and MADI, and incorporates Sound Devices’ latest FileSafe™ technology, which recovers audio files if drives are unintentionally removed or power is lost during recording. The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording such as capture of multi-channel sound for large-scale live performance and acquisition of dialogue for TV reality shows, drama and film. Sound Devices 970 - front panel

The Sound Devices 970 records 64 channels of monophonic or polyphonic 24-bit Broadcast WAV files from any of its 144 available inputs. Inputs available include 64 channels of Audio-over-IP using Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. It is a supremely powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any of the 64 tracks and any of these tracks can be routed to any output. In addition, 32-track recording at 96 kHz is supported.

The 970 records to up to four attached drives, which include two front-panel drive caddies and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

Sound Devices FileSafeFileSafe, which automatically detects and repairs corrupted file headers when drives are mounted, is incorporated directly into the 970. During recording, data is written to a proprietary Sound Devices file format optimized for high-data rate, real-time audio recording using an ‘.sda’ file extension. When a recording ends, files are automatically “finalized” by converting the ‘.sda’ files to standard ‘.wav’ files. In the event that files cannot be finalized, whether due to power loss or inadvertent drive disconnection, they still remain intact on the drive. Users can recover these files by simply inserting the drive back into the 970. In the absence of the 970, the FileSafe Mac or PC utility, available as a free download (http://www.sounddevices.com/products/filesafe/), can be used to recover files that have not been finalized.

In addition to RS-422 and GPIO control, the Sound Devices 970 features an embedded Web-based control panel for remote transport and setup control from any browser-enabled device as well as the ability to remotely instigate file transfer over Gigabit Ethernet with SMB. In mission-critical audio-over-IP AV installations, where hundreds of audio channels are distributed between zones, the ability to setup a redundant Dante network to protect against loss of audio due to network failure provides peace of mind. The ability to have one drive transferring files over Ethernet, while another continues recording, offers significant production time savings.

Users can perform fast file metadata editing of scene name, take number, notes, track names, circle status and reel folders during, before and after recording across all drives. Metadata is stored in industry standard Broadcast Wave iXML and bEXT containers.

With its vast array of input and output types, the 970 allows for live conversion between analog, AES digital, MADI and Dante, acting as a bridge and routing matrix between these types of audio I/O. The built-in, rock-steady Ambient Recording Lockit time-code technology makes the 970 well suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports external synchronization from word clock, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

Sound Devices 970 is designed with a large five-inch screen for large, easy-to-read, full scale metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

Middle Atlantic Names Colindres As Western Regional Sales Manager

Fairfield, NJ––Middle Atlantic Products has appointed Marco Colindres as Regional Sales Manager for the Western Region. Colindres’ territory includes the Pacific Northwest, Northern California, Northern Nevada, and the Rocky Mountains (Wyoming, Montana, Colorado, Utah and New Mexico) for all market segments.

With extensive sales and marketing experience in the CE, Custom Install and Commercial markets and special expertise in the Power category, Colindres held several key positions at CORE Bands including Ecommerce Sales Manager, National Sales Training Manager and Special Products Marketing Manager prior to joining Middle Atlantic.

Colindres also served as National Sales Manager and Product Area Manager-Cable for Monster Products and headed up his own sales rep firm, Pride of Hawaii Sales Group in Honolulu. His educational background includes an MBA in Business Administration from San Francisco State and a BS in Business Administration Marketing from the University of San Francisco.

Commenting on Colindres’ appointment, Middle Atlantic Sales Director Whitt Adams said, “In addition to his extensive sales and marketing background and technical expertise in key market segments, Marco’s energy, passion and commitment to our customers is what really sets him apart. The fact that he’s become such a valuable asset for Middle Atlantic and our team in a such a short time comes as no surprise.”

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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