Archive of the The Wire Category

Acoustics First’s acoustical wall fabric saves $Green$ while being Green!

For Immediate Release

Acoustical wall fabric saves $Green$ while being Green!

Acoustical wall fabric installed under chair rail

Sound Channels® acoustical wall fabric is manufactured from 100% Post-Consumer Recycled material, making this a quick ship, easy, no thought acoustic solution.

Sound Channels® is applied directly to vertical surfaces, is easy to cut and installs like wall carpet. This absorptive wall fabric is a great choice to moderate speech frequencies in any application. Great to soften sound in conference rooms, distance learning, offices, and day care facilities, this material can also be used as a base layer in home theaters, recording studios and broadcast facilities.

Not only is this economical acoustical treatment available in countless colors, it is manufactured from recycled materials, reducing environmental impact!

Sound Channels in manufactured using Eco-fi fibers. Eco-fi is a high-quality polyester fiber made from 100% certified recycled plastic bottles. It can go into any textile product such as clothing, blankets, carpets, wall coverings, auto interiors, home furnishings, and craft felt. Eco-fi can also be blended with other fibers, such as cotton or wool, for enhanced qualities.

AN EASY GUIDE: 15 bottles = 1 yard of wall covering

Why buy Eco?fi products?
We have the capacity to keep billions of plastic bottles out of the world’s landfills each year by using post-consumer plastic bottles instead of virgin materials in the fiber manufacturing process. By doing this, we can lower harmful air emissions and save millions of barrels of oil from being used which, in turn, reduces the harmful effects of acid rain, global warming, and smog. Fabrics made from Eco-fi fiber are chemically and functionally nearly identical to those made from non-recycled fiber. The difference is that Eco-fi fiber is made without depleting the Earth’s natural resources. With properties such as strength, softness, shrinkage-resistance, and colorfastness, market applications for Eco-fi products are expanding every day.

Click here for more information on the Sound Channels acoustical wall fabric.
http://www.acousticsfirst.com/sound-channels-wall-covering.htm

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Acoustics First Corporation supplies acoustical panels and soundproofing materials to control sound and eliminate noise in commercial, residential, government, institutional applications worldwide. Products include the patented Art Diffusor®, sound absorbers, noise barriers, acoustical fabrics and accessories. Acoustics First® products are sold for O.E.M applications, direct, and through dealers. For more information on acoustical materials and their application, please visit www.AcousticsFirst.com or call Toll Free 1-888-765-2900 (US & Canada).

AES Convention Heyser Lecture By JJ Johnston

“Audio, Radio, Acoustics and Signal Processing – The Way Forward

SAN FRANCISCO: An innovative and highly respected pro audio doyen James D. “JJ” Johnston, will present the 133rd AES Convention Heyser Lecture. Scheduled for Saturday evening, Oct. 27 from 6:30 to 8:00 PM at the Moscone Center. Dr. Johnston’s lecture is entitled “Audio, Radio, Acoustics, and Signal Processing – The Way Forward.”

This presentation will explore the current understanding of human auditory perception, and reveal how the way we actually work encourages a dichotomy of knowledge that no longer exists. Dr. Johnston will propose educational methods designed to amalgamate artistic and technical approaches; and techniques for applying some of the technical expertise we’ve acquired on the artistic side in order to better understand what the artistic side of the business needs and desires.

Currently an independent consultant, JJ Johnston recently retired from his position as Chief Scientist for DTS, Inc. In that role, he contributed to a variety of acoustical modeling, preprocessing and post-processing algorithms for audio capture, analysis, control, and presentation. He served in a similar capacity at Neural Audio, and as an Audio Architect for the Codecs, Core Media Processing, and Video Services Groups of Microsoft Corporation. He previously worked with AT&T Labs Speech Processing Software and Technology Research Department. And, with AT&T Bell Laboratories’ Acoustics Research and Signal Processing Research Departments.

“JJ Johnston is one of our most distinguished, imaginative, and forward-thinking AES members,” remarked AES president Jan Pedersen, “We are extremely fortunate to have him share the benefits of his long and productive career with us at the 133rd Convention.”

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Photo: 133rd AES Convention Heyser lecturer JJ Johnston

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Legendary ‘San Francisco Sound’ Artists Convene For AES Convention Special Event

From ‘Big Brother And The Holding Company To Country Joe McDonald

SAN FRANCISCO: Christopher Smith, Special Events Chair for the 133rd AES Convention, has collaborated with award-winning photographer, journalist Mr. Bonzai, on a special salute to “The Sounds Of San Francisco.” Set for Saturday, Oct. 27, 11:15 am – 12:30 pm, the panel will feature members of super-groups that helped create the soundtrack for ‘The Summer of Love.’ Also lending his keen perspective to the proceedings is Joel Selvin, a Bay-area journalist, who provided eyewitness coverage of those halcyon days for Rolling Stone, the LA Times, SF Chronicle, Billboard and Melody Maker.

Participants in this soulful ‘gathering of the tribe’ include: Big Brother And The Holding Company, founding member/songwriter/guitarist, Peter Albin; Huey Lewis And The News, bassist Michael Cipollina, and, Woodstock Festival legend, Country Joe McDonald

“Our panel looms as an historical, attitudinal, and philosophical show stopper.” Mr. Bonzai, aka David Goggin, remarked. “Their shared love of music, spirit of adventure and collective memories about this universally acknowledged high point in creativity, community and social awareness remains relevant today. And … it will totally rock. They’ll be mixing musical notes, recording anecdotes, and well-sewn wild oats. A high old time is guaranteed for all.”

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For a detailed Preliminary Calendar of Events please visit: http://www.aes.org/events/133/calendar/calendar.cfm

1. Country Joe (sans The Fish) at Woodstock, 1969
2. Peter Albin (right) with Big Brother And The Holding Company

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Platinum Producers & Engineers – A Gathering Of Eagles

Jack Douglas, Warren Huart, Narada Michael Walden and Young Guru

SAN FRANCISCO: With an all-star cast of 100% Certified Platinum participants, the 133rd AES Convention Platinum Producers & Engineers Panel looms as one of the show’s hottest tickets. Convention Special Events Chair, Christopher Smith worked closely with panel moderator Michael Romanowski, to coordinate this stellar event, set for Sunday, Oct. 28, 1:30 pm – 3:00 pm at the Moscone Center.

“We are tremendously excited to have a group of this stature participating in a single AES event,” Smith says. “The range of their work encompasses iconic hits for artists ranging from John Lennon to Aerosmith, Whitney Houston and Jay-Z. These superstar engineer/producers represent the best of the best.”

AES Platinum Producers & Engineers Panel: Moderator Michael Romanowski: Owner/chief mastering engineer of the SF-based facility, which bears his name, Romanowski has worked with Third Eye Blind, Big Brother & The Holding Company and many other major artists. He also serves as President of the NARAS SF Chapter. This highly anticipated Special Event will range across a field of creative and technical topics including: Memorable moments in the studio, the finer points of collaboration, and, innovative recording techniques.

PLATINUM PRODUCER/ENGINEER PANELISTS:

Young Guru: Weighs in with credits for over a dozen Platinum hip hop classics including Jay-Z’s The Black Album, Life & Times of S. Carter, and The Blueprint; Kanye West’s The College Dropout; Ghostface Killah’s FishScale; Nellyville, Drake’s Thank Me Later and Beyonce’s Crazy In Love. Young Guru has logged over a decade of Grammy-winning experience as an engineer, producer and, an A&R wizard for Roc-A-Fella and Def Jam Recordings. Committed to sharing his knowledge, he lectures extensively, and has established the Young Guru Scholarship Fund for students pursuing careers in Communications, Audio Engineering, Music Education and Music Business.

Jack Douglas: An undisputed legend, Jack Douglas had a long, and close association with John Lennon. Working in NYC’s fabled Record Plant he engineered the classic Imagine album, considered one of the most influential recordings of the last century. In 1980 he completed the Grammy of the Year Double Fantasy album, just weeks before John was murdered. Douglas went on to work with such giants as Supertramp, Guns N’ Roses and Miles Davis. He remains at the top of his game today, with current projects for the Michael Monroe Band and many other contemporary hit makers. Douglas also teaches a studio etiquette class at Ex’pression College for Digital Arts in Emeryville, CA., where he is also hosting an AES Tech Tour.

Narada Michael Walden: Is an eminently successful producer, drummer, singer, and songwriter. His musical career spans three decades, and is highlighted by multiple Gold, Platinum and Multi-Platinum Awards. In 1985 he won R&B Song of The Year Grammy for Aretha Franklin’s Freeway of Love. In 1987 he won Grammys for Producer of the Year and Album of the Year for The Bodyguard movie soundtrack, which included Whitney Houston’s timeless hit, I Will Always Love You. Named one of the “Top Ten Producers With the Most Number One Hits” by Billboard magazine, Walden has owned and operated Tarpan Studios, in San Rafael, since the mid-1980s.

Warren Huart: This Los Angeles based, UK-born music producer has played a fundamental part in creating platinum albums, and in the development of such successful artists as The Fray, Aerosmith, Howie Day and Matisyahu. Known for his hard work ethic and deep respect for the artist’s vision, Huart’s more than 20 years of experience encompasses record production, engineering, mixing and song writing. His extensive knowledge of musical equipment ranges from vintage through state of the art.

“The scope of their credentials may vary widely, but the quality and success ratio of their projects establishes a common ground for these creative masters. I also want to thank AES Tech Tours Chair Jessica Livingstone for her help in bringing Jack Douglas and Narada Michael Walden to this panel. This event will be the talk of the Convention,” “Christopher Smith concludes.”

Photos: AES Platinum Producer & Engineer Panelists

1. Young Guru
2. Narada Michael Walden
3. Jack Douglas
4. Warren Huart

For a detailed Preliminary Calendar of Events please visit: http://www.aes.org/events/133/calendar/calendar.cfm

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Christophe Anet Joins WSDG’S European Office

Leading Acoustician/Engineer Augments International Design Firm’s Resources

BASEL, SWITZERLAND: Dirk Noy, Partner/General Manager, Walters-Storyk Design Group | Europe Office, has welcomed Christophe Anet to the international architectural/acoustical design firm as an Acoustician/Project Engineer. A multi-lingual, technically accomplished, decision-maker with extensive fieldwork and managerial credentials, Anet brings a diverse skill set to this new appointment.

“WSDG has been engaged in a number of diverse projects over the past years,” Dirk Noy remarked. “From the electro-acoustic upgrade for the KKL Luzern Concert Hall to the acoustic restoration of the Cathedral in Solothurn, Switzerland, a major project for the Berklee College of Music’s expansive new campus in Valencia, Spain, and a recent commission for one of the largest ever recording studio projects in Doha/Qatar, we have sustained an on-going period of extremely high activity. The time lines and complexity of these projects have necessitated the expansion of our staff,” Noy says. “Christophe Anet encapsulates a technical, managerial and communications skill set which is an ideal match for this new position. We are confident that he will be as effective in on-site project management as he will be in boardroom client meetings.”

Most recently an executive with the Swiss Federal Administration, Anet previously served thirteen years with Genelec Oy, Finland, first as Customer Support Acoustic Engineer and later as Technical Editor for the Marketing Department. Fluent in French, English, Italian and German, Anet is also proficient in a wide range of software tools, including acoustical measurement equipments and web programming. He holds a Bachelor of Engineering degree with Honors in Electroacoustics from the University of Salford, Manchester, UK.

“I have followed WSDG’s growth for some time, and was continually impressed with the diversity and scope of their work,” Anet remarked. “I am delighted with the opportunity to collaborate with this talented and accomplished team. I look forward to serving in the field and to devoting my energies to expanding the Walters-Storyk Design Group client base in the broadcast, recording studio, performing arts, business/conference centers and religious spaces sectors throughout Europe and beyond.” Christophe Anet can be reached at chris.anet@wsdg.com.

Photo: Christophe Anet has joined WSDG as Acoustician/Project Engineer

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Walters-Storyk Design Group has designed over 3000 media production facilities in the U.S., Europe, the Far East and Latin America. WSDG credits range from the original Jimi Hendrix Electric Lady Studio in Greenwich Village to NYC’s Jazz At Lincoln Center performance complex, broadcast facilities for The Food Network, CBS and WNET, over twenty teaching studios for The Art Institutes around the US, and corporate clients such as Hoffman La Roche. Recent credits include Jungle City, NY’s major new destination studio; private studios for Green Day, Jay-Z, Timbaland’s Tim Mosley, film composer Carter Burwell, Aerosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk, Beth Walters, and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG is a seven-time winner of the prestigious TEC Award for outstanding achievement in Acoustics/Facility Design, including 2012 for Jungle City. WSDG maintains offices in NY, SF, Miami, Argentina, Brazil, Beijing, Mexico City, Spain and Switzerland.

Jack Joseph Puig, Dell, Skullcandy and Waves Audio Announce Cooperative Effort

Industry-leading electronics brands and GRAMMY®-winning producer join forces to create a new audio standard for next-generation consumer electronics products

October 16, 2012 – Three of the world’s leading electronics brands: the CE Division of Waves Audio, Skullcandy and Dell, along with GRAMMY®-winning producer Jack Joseph Puig, announce that they are joining forces to bring about consumer electronics products with proprietary, studio-quality audio technologies.

Waves, the industry leader in professional audio digital signal processing and recipient of a Technical GRAMMY Award®, has a longstanding relationship with iconic multi-platinum award-winning record producer/mixer Jack Joseph Puig, and has worked with him on several acclaimed signal processors for the professional market.

Waves has also previously worked with Dell to offer enhanced audio on select products. With the decision to deliver an enhanced audio experience on Dell laptops and desktops targeted towards consumers and professionals alike, Puig, working with Waves and Dell, then invited Skullcandy, a leading performance lifestyle audio brand that reinvented the headphone category, to join forces.

Initial results of this unique effort were unveiled recently with the launch of several new Dell XPS and Inspiron laptops, all of which include the Waves MaxxAudio suite. Select systems, like the sleek Inspiron 14Z Ultrabook, also include Skullcandy-branded speakers.

“Skullcandy brings a fresh branding perspective and audio expertise to this partnership. Our genesis was the collision of music, action sports and fashion, which allows us to be an authentic, everyday part of our consumers’ lives,” says Jeremy Andrus, President and CEO, Skullcandy, Inc.

Puig is responsible for some of the most successful recordings in music today, including work with Green Day, U2, Lady Gaga, Black Eyed Peas, Goo Goo Dolls, Florence and the Machine, Faith Hill, Beck, Mary J. Blige and many more. His extensive relationships with top artists and record companies give him a unique perspective on the nexus between the entertainment world, technology, and the world of consumer electronics.

“As leaders in their respective market sectors, it is natural that these companies would decide to do work together,” stated Jack Joseph Puig. “This cooperative effort has already led to some brilliant ideas. We are very, very close to where we can unveil some of the new results of our efforts. In the coming weeks and months, the market is going to see us introduce some groundbreaking technological innovations that set new standards in consumer electronics.”

“Now more than ever, people use their laptop or desktop as their primary entertainment center or communication device, and we are making the investment to ensure they get the best audio experience available,” said Brian Pitstick, Executive Director of Consumer Product Marketing at Dell. “Whether it’s listening to your favorite music playlist, watching a movie, or calling friends and family over VoIP, it sounds better with Dell.”

Tomer Elbaz, Executive Vice President, Waves Audio Consumer Electronics Division, stated, “Waves is proud to bring professional audio expertise to this partnership. Our DSP and design are used by every professional producer and engineer in all areas of entertainment audio. Waves Consumer Audio provides the infrastructure and tools that enable each member to do what they do best and, in the end, refine and redefine peoples’ perceptions of consumer electronics sound. Waves brings a precise representation of The Professional Studio sound to the consumer’s listening experience.”

About Skullcandy, Inc.
Skullcandy is a leading audio brand that reflects the collision of the music, fashion and action sports lifestyles. The Skullcandy brand and distinctive logo symbolize youth and rebellion and embody the company’s motto “Every revolution needs a soundtrack.” Skullcandy headphones feature the distinctive Skullcandy sound and leading-edge design. Skullcandy products are currently sold in the United States, as well as in more than 70 countries around the world and through its websites.

About Jack Joseph Puig
Jack Joseph Puig (JJP) has helped redefine the role of the producer and mixing engineer in modern music. As an inventor and technologist he relies on vintage hardware and cutting edge software to create complex aural tapestries that capture the essence of the recording artists’ vision. JJP has worked with countless hitmakers, including Sheryl Crow, Fergie, Weezer, John Mayer, No Doubt, Sugarland, and The Rolling Stones.

About Waves Ltd.:
Waves is the world’s leading provider of audio DSP solutions for professional, broadcast, and consumer electronics audio markets, and recipient of a 2011 Technical GRAMMY Award®. Waves has twenty years of expertise in the development of psychoacoustic signal processing algorithms that leverage knowledge on the human perception of hearing to radically improve perceived sound quality. Waves’ award-winning processors are utilized to improve sound quality in the creation of the world’s most popular music, movie soundtracks, and multimedia titles. Waves offers semiconductor-with-embedded-software solutions under the Maxx brand for consumer electronics audio applications. Waves’ Maxx technologies dramatically enhance audio performance and are used by industry leaders such as Dell, Sony, Sanyo, ASUS, Toshiba, and many others.

About Dell
Dell Inc. (NASDAQ: DELL) listens to customers and delivers innovative technology and services that give them the power to do more. For more information, visit www.dell.com.

All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with Waves. GRAMMY is a registered trademark of the National Academy of Recording Arts & Sciences.

For further information please contact:

Waves: Robert Clyne, Clyne Media, Inc., O: 615-662-1616 E: robert@clynemedia.com

Skullcandy: Tyson Andrus, Marketing Machine, Product & Retail Marketing Division,
O: 435-729-2561 E: tyson@skullcandy.com

Sennheiser to Host “Al Schmitt & Friends” Roundtable at AES to Include Elliot Scheiner, Ed Cherney, George Massenburg, Chuck Ainlay and Frank Filipetti

Audio specialist Sennheiser announced that it will sponsor “Al Schmitt & Friends: AES Roundtable of Award-Winning Engineers” at the 133rd Audio Engineering Society (AES) convention, to be held at the Moscone Convention Center in San Francisco later this month. The roundtable, which is free to registered AES attendees on a first-come, first-serve basis, will cover a range of recording-related topics and includes some of the biggest names in audio production: Elliot Scheiner (Foo Fighters, Eric Clapton), Ed Cherney (Bob Dylan, The Rolling Stones), George Massenburg (Earth Wind & Fire, James Taylor), Chuck Ainlay (Mark Knopfler, Dire Straits) and Frank Filipetti (Foreigner, KISS).

The roundtable will be hosted by 21-time Grammy-winning engineer and producer Al Schmitt and is being presented as part of Sennheiser’s Recording Sound Academy (RSA) program. Admission to the event at the convention is free for all AES attendees. For those not able to attend, the event will be recorded and posted online at the Recording Sound Academy (RSA) and AES websites. The archived video can be viewed free for all RSA and AES members, and just $9.95 for non-members. To learn more or to sign up for RSA, please visit http://www.sennheiserrsa.com.

Details on time and location
When: Friday, October 26, 2012 between 3:30 p.m. and 5:30 p.m. PDT
Where: 133rd AES Convention, San Francisco
Moscone Convention Center Special Events Room #134

Topics covered at the roundtable will include:
Understanding the differences of recording at home, in a project studio and in a larger traditional studio
How to effectively record drums
How and when to use effects
Techniques for vocal thickening
Obstacles that were encountered and resolved during the recording of classic albums
Diplomacy in the studio with artists, executives and other stakeholders

During the presentation, the panel will answer questions both in person and those posted by RSA members from the RSA forum page.

Register for the Online Recording Sound Academy
By registering for Sennheiser’s Online Recording Sound Academy, participants have the opportunity to have two of their own mixes critiqued by award-winning engineers, in addition to having access to live and archived webinars and other special events featuring well-known artists and producers. Members can also access exclusive tutorial videos and receive a free copy of CuBase LE5 mixing software as well as the chance to win a Neumann U 87 studio microphone.

Photo caption:
Al Schmitt, 21-time Grammy-winning engineer and producer (image courtesy Capitol Studios).

Primestream(R) New Products at CCW 2012:

FORK(TM) 3.5
At CCW 2012, Primestream(R) will be exhibiting FORK(TM) 3.5, the newest version of its acclaimed FORK Production Suite for managing and automating broadcast workflows. With new features, technological improvements, and integration with third-party broadcast workflows, FORK 3.5 is even more responsive, powerful, extendable, and adept at managing large-scale and multisite installations. Improvements to FORK’s underlying technology — such as FORK Drones(TM), dynamic metadata forms, and scripts — increase the software’s stability, reliability, and functionality, enabling FORK 3.5 to manage larger installations more efficiently and operate within today’s workflows for multiscreen delivery.

Photo Link: www.wallstcom.com/Primestream/FORK35newest.zip
Photo Caption: FORK(TM) 3.5 Production Suite

FORK(TM) Logger 1.0
FORK(TM) Logger 1.0 is a new cross-platform module that’s part of the acclaimed FORK Production Suite 3.5. The module is a powerful metadata-tagging tool that allows for logging live or prerecorded video. Its tightly integrated and configurable user interface enables content loggers to tag video with defined metadata into the FORK environment effortlessly, making assets easier to manage, automate, and, ultimately, monetize.

The heart of the FORK Logger is a dynamic GUI that contains form panels, button panels, video viewers, marker thumbnail lists, and a bin list of created events, all of which are tools that can be combined — many in a dynamic way — based on the content. FORK Logger supports multiple layouts per system. Users can work live with ingesting feeds or can call up existing clips inside FORK. With FORK Logger, users can log video files so that they can be searched, filtered, and organized by any metadata entry inside FORK Content Navigator(TM).

Image link: www.wallstcom.com/Primestream/FORK_Logger.zip
Photo Caption: FORK(TM) Logger 1.0

FORK(TM) Xchange(TM) Suite 1.5
Primestream(R) will exhibit version 1.5 of FORK(TM) Xchange(TM) Suite, the application that gives broadcasters instant Web access to content on their FORK Production servers from any Windows(R), Mac(R), or iOS device. FORK Xchange Suite 1.5, an add-on to Primestream’s highly acclaimed FORK software platform for managing and automating broadcast workflows, contains new capabilities for creating subclips and markers, as well as an upload manager, extended metadata functionality, multitrack audio control, and more new features that make it even easier for media enterprises to manage content efficiently among multiple FORK Production sites.

Image link: www.wallstcom.com/Primestream/120814_Xchange_1_5.zip
Photo Caption: FORK Xchange(TM) Suite 1.5

Enhanced for CCW 2012:

Adobe(R) Premiere(R) Pro Integration
At CCW 2012, Primestream(R) will demonstrate the enhanced level of integration of FORK(TM) with both Adobe(R) Premiere(R) Pro and the new Adobe Creative Suite(R) 6 Production Premium on Windows(R) and Mac OS(R) X. Using a newly developed panel, Premiere Pro users are able to search and browse the FORK media asset database with speed; select clips, bins, or timelines created in the FORK Editor; and simply drag those items into a Premiere Pro project. When an edited sequence is complete, users can send the project — ready for air — to FORK or into a newsroom system placeholder.

Photo Link: www.wallstcom.com/Primestream/FORK_AdobePremierePro.zip
Photo Caption: Enhanced Adobe(R) Premiere(R) Pro Integration

Company Quote:

“CCW attendees will see the latest version of our FORK Production Suite, which has evolved to enable content owners to process ever larger quantities of incoming content and deliver it to the widest range of screens and destinations. Our new FORK Logger is a highly configurable, completely customizable, user-friendly application built inside FORK for quick metadata tagging. FORK Xchange Suite lets producers and editors tap into their content from anywhere, and FORK’s new integration with Adobe Premiere Pro brings editing to a level of functionality that surpasses anything we’ve had with other video editing solutions.”
– Claudio Lisman, Primestream-B4M president and CEO

Company Overview:

Primestream’s broadcast software solutions offer a seamless, end-to-end platform for digital acquisition of live and file-based video content. Features include media asset management (MAM), editing, logging, playback, publishing to the Web, video contribution via smartphone, and dynamic archiving. The company’s portfolio includes the FORK(TM) Production Suite, as well as Mobile2Air(R), ControlStation(TM), and the cloud-based FORK Xchange(TM) Suite. Deployed in more than 300 broadcast operations across 40 countries, Primestream’s proven solutions are implemented by some of the world’s leading broadcasters, uplink service providers, online digital media operations, and production/postproduction facilities. More information about FORK software solutions is available at www.primestream.com/b4m.

Moog Announces Revolution 2 of its Minitaur Analog Bass Synthesizer

Moog Music announced the release of Revolution 2 for its Minitaur Analog Bass Synthesizer, which was recently nominated for a 2013 TEC Award in the ‘Musical Instrument (Hardware)’ category. REV 2, which is a free update for Minitaur owners, unlocks a host of new performance features and implements a number of user requested updates to Minitaur and the free Minitaur Editor/Librarian.

Among these updated features, Minitaur REV 2 owners can now create up to 100 presets and store them directly within their Minitaur. Presets are managed from within the free Editor/Librarian software and can be conveniently recalled from the Minitaur’s front panel controls.

Also in REV 2, a new operational mode for the Decay/Release knob provides users independent control of Decay and Release times from Minitaur’s front panel. Users can easily switch between this new mode and Minitaur’s legacy mode from the front panel.

In addition, Minitaur’s CV and Gate inputs are now assignable from the Minitaur Editor/Librarian software. The Pitch and Mod CV inputs can be routed to any function, while the Gate input can be routed to functions with on/off behavior. REV 2 also enables Minitaur to effectively function as an intuitive CV to MIDI converter.

Minitaur: Analog Bass Synthesizer
The Moog Minitaur is a powerful, compact analog bass synthesizer that features a classic one knob per function design. At only 8.5″ x 5.25″ and less than 3lbs, the Minitaur puts legendary analog Moog bass into a package designed to fit seamlessly into today’s performance and production environments.

To download REV 2 firmware, and an updated manual go to: http://www.moogmusic.com/products/taurus/minitaur#downloads-tab

NOTE: This Firmware update requires the Minitaur REV 2 Editor/Librarian.
To receive the Minitaur REV 2 Editor/Librarian, register your Minitaur at http://www.moogmusic.com/register

Currently registered Minitaur owners will receive an email from Moog with download instructions.

Links:
Web Page: http://moogmusic.com/products/taurus/minitaur
Sounds: http://moogmusic.com/products/taurus/minitaur#sound-tab
Videos: http://www.moogmusic.com/sight-and-sound/product_demo/minitaur-rev-2

Photo caption:
The Moog Minitaur analog bass synthesizer

GUITAR CENTER OPENS NEW PORTSMOUTH, NEW HAMPSHIRE STORE

— 236th Guitar Center location features on-site lessons and repair services, along with GC’s vast inventory selection —

Westlake Village, CA (October 9, 2012) – On the evening of Thursday, September 27, 2012, Guitar Center held the grand opening of its new location in Portsmouth, New Hampshire, located at 1600 Woodbury Ave #24, Portsmouth NH 03801-3250. The Portsmouth store is Guitar Center’s 236th retail location.

Guitar Center Portsmouth’s grand opening introduces customers to a vast selection of products and a dedicated staff with unparalleled musical knowledge and experience. To celebrate the store opening, Guitar Center hosted a Grand Opening Weekend celebration featuring exclusive savings, gear giveaways and free events. Guitar Center’s Portsmouth location features showrooms equipped with the latest products for musicians – from guitars, amplifiers, percussion instruments and keyboards to live sound, DJ, lighting and recording equipment and more.

The store features Guitar Center Studios, an in-house, state-of-the-art lesson facility, which is already creating unrivalled opportunities for Portsmouth musicians of all ages and skill levels. Guitar Center Studios provides music lessons from beginner to advanced featuring certified instructors teaching world-class curriculum as well as one-on-one courses on Pro Tools, Logic Pro and GarageBand. Guitar Center Studios will be the most modern lessons facility in the area. Guitar Center Portsmouth also features GC Garage, Guitar Center’s on-site guitar repair service.

As part of Guitar Center’s initiatives designed to educate and inspire artists nationwide, Guitar Center Portsmouth will offer unique opportunities for musicians to craft their skills, maintain their instruments and experience many other aspects of the music industry first-hand. Musicians interested in learning about the industry will be able to come to the store to interact with and pick the brains of several industry leaders.

Portsmouth shoppers are also able to enjoy Guitar Center’s new multi-channel “endless aisle,” which includes multiple combinations of product options to conveniently choose from. Not only does the “endless aisle” include Portsmouth inventory, but it also provides easy access to Guitar Center’s $400 million in new and used inventory located in hundreds of GC stores and warehouses nationwide. Customers have the ability to combine a variety of in-store, online and phone options to purchase music equipment from anywhere they may be, allowing for a personalized and convenient shopping experience.

In addition to special programs at the new Portsmouth store, Guitar Center offers nationwide programs designed to spearhead creativity and highlight the nation’s most promising undiscovered talent. Portsmouth residents will now be able to participate in these ongoing national events from their hometown:

Guitar Center On-Stage is an annual competition that provides unsigned artists the chance to open for established artists such as Motley Crüe, KISS and Jane’s Addiction.
Guitar Center Singer-Songwriter is an artist discovery program that aims to find the nation’s best unsigned singer-songwriter. Last year’s winner received a career-altering prize package which has included recording 3 songs with accomplished Grammy® Award-winning Producer John Shanks, recording time at Converse Rubber Tracks studio and $10,000 cash.
Guitar Center’s Battle of the Blues is a nationwide amateur guitar skills competition with the goal of finding the next great undiscovered blues guitar player. This year’s winner, Daniel “Boscoe” France, performed alongside Grammy Award-winning Producer Pete Anderson at the Grand Finals in LA, and won an incredible prize package valued at over $50,000.
Guitar Center’s Drum-Off, entering its 24th year, is the nationwide search for the next great undiscovered drummer. Drummers from across the nation compete in the world’s largest drum competition, vying for thousands of dollars in prizes and the coveted title of Guitar Center’s Drum-Off Champion. The grand prize package is valued at nearly $50,000.

Guitar Center Portsmouth is open seven days a week. Store hours are 11:00 a.m. – 7:00 p.m. Monday-Friday; 10:00 a.m. – 7:00 p.m. Saturday; and 12:00 p.m. – 6:00 p.m. Sunday.

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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