Archive of the The Wire Category

133rd AES Convention Papers Sessions Address Essential Issues

Networked Audio To Spatial Auditory Display For Remote Planetary Exploration

SAN FRANCISCO: Within the multi-faceted realm of the AES Convention, Papers represent the highest order of technical knowledge. Papers Co-Chairs Veronique Larcher and Alan Seefeldt have assembled a four-day program of solidly researched presentations designed to share knowledge on both esoteric and widely discussed issues. “Our objective was to develop the most useful, timely, challenging and above all interesting issues to inform and inspire our attendees,” Larcher said.

“The quality and diversity of the submissions we received enabled us to develop multi-faceted sessions covering such essential issues as: Networked Audio, Emerging Audio Technologies and Auditory Perception. A glance at the titles featured in these sessions substantiates their comprehensive intent,” Larcher emphasized. “Attendees should note that all paper presentations are available in print and PDF/CD format, and they will be available in audio format following the Convention.”

AES PAPERS SESSIONS INCLUDE:

Friday, Oct. 26

NETWORKED AUDIO: Chair, Ellen Juhlin, Meyer Sound Labs, Inc., Berkeley, CA
* Audio Latency Masking In Music Telepresence Using Artificial Reverberation
* Service Discovery Using Open Sound Control
* A Unified Low Latency Network Architecture For Multichannel Live Audio

Saturday, Oct. 27

EMERGING AUDIO TECHNOLOGIES: Chair, Agnieszka Roginska, New York University, NYC
* A Method For Enhancement of Background Sounds In Forensic Audio Recordings
* Transient Room Acoustics Using A 2.5 Dimensional Approach
* Multimodal Information Management: Evaluation Of Auditory And Haptic Cues for NextGen Communication Displays
* Prototype Spatial Auditory Display For Remote Planetary Exploration
* The Influence of 2-D & 3-D Video Playback On The Perceived Quality of Spatial Audio Rendering For Headphones
* An Autonomous System For Multitrack Stereo Pan Positioning
* DReaM – A Novel System For Joint Source Separation and Multitrack Coding

AUDITORY PERCEPTION & EVALUATION: Chair, Scott Norcross, Dolby, SF

Saturday, Oct. 27

* Subjective Evaluation of Personalized Equalization Curves In Music
* Thresholds For The Discrimination of Tonal And Narrowband Noise Bursts
* Identification And Evaluation of Target Curves For Headphones
* Consistency Of Balance Preferences In Three Musical Genres
* The Effect of Acoustic Environment On Reverberation Level Preference
* Localization of a Virtual Point Source Within The Listening Area For Wave Field Synthesis

Sunday, Oct. 28

Spatial Audio Over Headphones 5 papers
Signal Processing Fundamentals 7 papers
Analysis and Synthesis of Sound 10 papers

Monday, Oct. 29

Spatial Audio Processing – 8 papers

“The 133rd AES Convention will offer a total of 112 individual presentations,” Papers Co-Chair, Alan Seefeldt reports. “The Preliminary Events Calendar at: http://www.aes.org/events/133/calendar/calendar.cfm provides a wealth of information on individual Papers, including times, comprehensive abstracts and presenter details. Attendees are guaranteed to come away from the 133rd AES Convention with invaluable knowledge,” Seefeldt concludes. “They will also be invigorated by the on-the-ground networking opportunities they’ll encounter,”

Photo: AES Papers Co-Chair Veronique Larcher

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Lauren Laverne Confirmed as Host of the Music Producers Guild Awards 2013

Radio and television presenter Lauren Laverne is to host the 2013 Music Producers Guild Awards, which take place at the Café de Paris in London on February 7th 2013.

An award-winning presenter, Lauren began her career in the music industry as a member of the indie band Kenickie. She entered the world of broadcasting in 1996 when she joined leading London radio station XFM, before moving to BBC 6Music where she now hosts a daily show.

Lauren has a successful and varied on-screen career, presenting TV shows such as Transmission, The Culture Show, Style on Trial, 10 o’Clock Live and coverage from music events including Glastonbury and The Mercury Prize. She is also no stranger to the red carpet, having hosted a number of premieres in London’s Leicester Square.

Steve Levine, chairman of the Music Producers Guild, says: “We are delighted that Lauren will be part of our 2013 Awards ceremony. She is immensely experienced and has a deep understanding of the music industry, both as an artist and a presenter. Her obvious love of music makes her ideally suited to host an event that recognises the recording professionals whose creative talents contribute so much to the hit records we all enjoy.”

The 2013 Music Producers Guild Awards offers the perfect opportunity to mingle, network and rub shoulders with many of the industry’s most celebrated recording professionals, artists and decision makers.

“Audio professionals have a unique place at the very heart of the music industry,” Steve Levine adds. “As true independents, we have an important role to play in supporting and guiding the artistic creation that is the lifeblood of our industry.”

Now in its fifth year, the 2013 Music Producers Guild Awards will once again be presenting a BRIT Award for Best Producer to the winner of its UK Producer of the Year category. In total there are 18 award categories and these include:

UK Producer of the Year
International Producer of the Year
Breakthrough Producer of the Year
Recording Engineer of the Year
International Recording Engineer of the Year
Breakthrough Engineer of the Year
Mix Engineer of the Year
Mastering Engineer of the Year
Re-mixer of the Year
UK Album of the Year
UK Single Song Release of the Year
Live Production of the Year
Studio of the Year
The A&R Award
The Unsung Hero Award
The MPG Innovation Award
The MPG Inspiration Award
Outstanding Contribution to UK Music

For more information about the Music Producers Guild awards please visit www.mpgawards.com

-ends-

About Music Producers Guild (UK):
The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk or www.mpgawards.com

Akai Professional And M-Audio Sign On As 133rd AES Convention Platinum Sponsors

Young Guru Joins Platinum Engineer/Producer Panel

SAN FRANCISCO: AES Executive Director Bob Moses has announced that inMusic Brands’ Akai Professional and M-Audio are the Platinum Sponsors of the 133rd AES Convention. Coordinated by company Tradeshow and Events Manager, Lee Cwiek, the far-ranging sponsorship will provide these brands with extensive visibility across the entire AES Convention.

“Akai Professional and M-Audio are delighted to be platinum sponsors for the 133rd AES show,” said inMusic owner/CEO Jack O’Donnell. “Each year the AES show presents tremendous opportunities to engage with discerning audio professionals from around the world. As a leading manufacturer of cutting-edge professional digital audio technology and musical instruments, we believe this convention provides the perfect platform to engage directly with our customers and with industry thought leaders in meaningful and exciting ways.”

“We are pleased to welcome Akai Professional and M-Audio as our Platinum Sponsors,” Moses said. “This is a great vehicle to serve these two great companies to the fullest extent possible. It is especially apropos that Young Guru, one of their highest-profile spokesmen, will participate in our Project Studio Expo on Saturday, Oct. 27 from 5-6pm, and, in our Platinum Producers and Engineers Panel, Sunday afternoon, Oct. 28, from 1:30 pm – 3:00 pm. He’ll be in terrific company, with legendary producer/engineers Jack Douglas, Warren Huart and Narada Michael Walden. Moderated by Michael Romanowski, a mastering ace and president of the NARAS Board of Governors, this superstar panel will be one of the Convention’s hottest tickets.”

“AES is the ideal venue to discuss the state of the art and to present products and technology that move it forward, added inMusic Brands’ Director of Marketing, David Frederick. “These are among the many reasons we’ve invited award-winning producer and engineer and long time MPC icon Young Guru to participate in a variety of sponsored panels. Young Guru is revered as “The Sound of New York.” He is fluent in the ever-evolving language of music production and he has years in the trenches working with acclaimed Roc-A-Fella Records and Def Jam Recordings. Young Guru has shaped the sound of some of the biggest names in hip hop, most notably mixing 10 of the 11 albums to date for Grammy Award-winning rap artist Jay-Z. At the AES, Young Guru will share his wealth of experiences and domain expertise on the ‘Era of an Engineer’ panel. For recording professionals, these are must-attend conversations.”

Commenting on his participation at the AES, Young Guru said, “This is truly the ‘Era Of The Engineer.’ There isn’t a person under 30 years old without a pair of headphones. This means there needs to be more dialogue about sound and how we are going to innovate at the rate of its accessibility to the masses. I’m looking forward to making my first appearance as an AES speaker at this year’s convention.”

“The 133rd Convention is shaping up as one of the most exciting in AES history,” Bob Moses concludes. “We are working hard to introduce important new events like our Project Studio Expo, and program tracks such as Sound For Pictures and Networked Audio. We’ve built a healthy exhibitor base, crowned by the Akai Professional and M-Audio Platinum Sponsorship. And, our Convention Committee has developed another killer program of Workshops, Broadcast/ Streaming, Live Sound, Technical Tours and Special Events. We anticipate a fantastic event.”

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Photo: Akai Professional/M-Audio spokesman Young Guru will participate in the AES Convention Project Studio Expo and on the Platinum Producer/Engineer Panel

The 133rd Audio Engineering Convention will be held in SF’s Moscone Convention Center Friday, October 26 thru Monday, Oct. 29. For details visit the Preliminary Calendar of Events, http://www.aes.org/events/133/calendar/calendar.cfm

About AES
The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

About Akai Professional
Since 1984, Akai Professional’s production tools have been staples of modern music both in the studio and on stage. Akai Professional is one of the world’s most influential manufacturers of musical electronics, creating iconic production instruments, like the legendary MPC, which have altered the landscape of music making. Akai Professional is a member of the premier family of brands known as inMusic. For more information, visit akaipro.com or inmusicbrands.com. Product images are available at akaipro.com/media.

About M-Audio
M-Audio is a leading provider of digital audio and MIDI solutions for electronic musicians and audio professionals. Since 1988, M-Audio has continually provided musicians with innovative and creative products: from acclaimed MIDI and audio interfaces to wildly popular keyboard controllers, M-Audio’s products have become studio and stage mainstays, giving musicians broad access to the latest in music creation and performance technology. M-Audio is a member of the premier family of brands known as inMusic. For more information, visit m-audio.com or inmusicbrands.com.

About inMusic
inMusic is the parent company for a family of premier brands that includes A.I.R. Software Group, Akai Professional, Alesis, Alto Professional, ION Audio, M-Audio, MixMeister, Numark, and Sonivox. Committed to pushing the boundaries of innovation in the DJ, music production, live sound, musical instrument, pro audio, and consumer electronics industries, each of inMusic’s brands creates cutting-edge products that incorporate and build upon the latest in engineering, design, and technology. For more information, visit inmusicbrands.com.

Moog Minitaur and Animoog Receive Technical Achievement Nominations for 28th Annual TEC Awards

Moog Music announced that it has been nominated for the 28th Annual TEC Awards in two separate categories: “Musical Instrument Technology (Hardware)” and a new category, “Audio Apps for Smartphones & Tablets.” The TEC Awards is the pro audio industry’s most prestigious awards show honoring outstanding achievement in product innovation and sound production. The 28th Annual TEC Awards will be presented during the 2013 NAMM Show in Anaheim, CA.

Nominations are based on product entries made by a select panel of industry professionals in numerous audio categories. Products must be released and in commercial use during the period of September 1, 2011 to August 31, 2012, to be eligible for nomination.

Mike Adams, CEO/President of Moog Music, commented: “It is a privilege for us to be considered for two TEC Awards this year, especially in the new Smartphone and Tablet Apps category. We are very proud of the work our team has done on both the Minitaur and Animoog and are grateful for this recognition.”

Minitaur: Analog Bass Synthesizer
The Moog Minitaur, which captured a nomination in “Musical Instrument Technolgy” is a powerful, compact analog bass synthesizer that features a classic one knob per function design. It is the first instrument in Moog’s Taurus family that does not have foot pedals. At only 8.5″ x 5.25″ and less than 3lbs, the Minitaur puts legendary analog Moog bass into a package designed to fit seamlessly into today’s performance and production environments.

Animoog: Expressive, Captivating and Sonically Immersive
Animoog, which has been nominated in the new “Audio Apps for Smartphones & Tablets” category, is powered by Moog’s new Anisotropic Synth Engine (ASE) and is the first professional polyphonic synthesizer designed for the IOS. Animoog captures the vast sonic vocabulary of Moog synthesizers and applies it to the modern touch surface paradigm, enabling a user to quickly sculpt fluid and dynamic sounds that live, breathe, and evolve. Visually captivating and sonically immersive, Animoog brings IOS music production to the next level.

For more information about Minitaur or Animoog, visit http://www.moogmusic.com.

For more information about the TEC Foundation, visit http://www.tecfoundation.com.

Photo caption:
Moog Music’s Minitaur and Animoog.

Myers Releases Version 6.06 of ProTrack Broadcast Management Software

Northampton, MA – Myers Information Systems – a respected developer of broadcast traffic, business, and content management software – today announced a significant new release, Version 6.06, of the company’s long-established ProTrack™ flagship suites for multi-media broadcasters. “This is the first execution of a new development strategy focused on streamlining the product internally and externally,” stated company CEO and president Crist Myers.

“While many improvements will go unnoticed ‘under-the-hood’, clients will benefit from ProTrack’s new workflows to better manage day-of-air schedule opportunities, plus greater integration of schedules and sales across multiple distribution platforms … it’s among the most expansive management systems on the market today in terms of addressing needs throughout the broadcast chain, from program acquisition to rights management, scheduling to media management, sales contracting to reconciliation and invoicing,” Myers noted. Also unveiled was a new and improved ProTrack Knowledgebase (PK), a searchable self-help support database containing helpful video tutorials, user guides, FAQ’s, and common inquiries with solutions.

Myers’ proven flagship suite, ProTrack, is available in both radio and television editions. It offers comprehensive scheduling and business management for individual, multichannel and multi-station facilities. Actively used by more than 226 media outlets, supporting more than 1,300 channels, ProTrack provides a high-level of structure, scalability, and systems integration for today’s rapidly evolving media environments.

ABOUT MYERS INFORMATION SYSTEMS
Myers Information Systems, Inc. has been developing broadcast management software since 1989. The Company provides technology and services for television, radio and other digital media providers designed to improve every aspect of their operations, from contracting to invoicing, media management to scheduling, and from trafficking to reconciliation. For more information, please visit: www.myersinfosys.com

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Myers Information Systems contact: Crist Myers
+1-413-585-9820 / sales@myersinfosys.com

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

POE – A Life In Stories & Sound: A Very Special AES Event

Rare Live Performance By Firesign Theater Star Phil Proctor

SAN FRANCISCO: Underscoring the diversity of this year’s AES Convention Special Events Track, Poe – A Life And Stories In Sound offers attendees a rare opportunity to see legendary 3-time Grammy-nominated Firesign Theatre star Phil Proctor, in a live, hour-long dramatic audio performance, as writer Edgar Allen Poe. Engaging live and recorded sound effects, with an original score, the production features Proctor dramatizing moments from Poe’s life and passages from the author’s most powerful prose.

Scheduled for Saturday, October 27, 8:00 pm – 9:00 pm, Poe – A Life And Stories In Sound will also feature actors Melinda Peterson, Bill Chessman, and Ellen Stewart. The production, underwritten by Sennheiser-Neumann USA, features an original play written, produced and directed by award-winning audio dramatist Sue Zizza, and features sound design by David Shinn, of SueMedia Productions, (www.sumediaproductions.com) with live sound effects performed by Valerie Priest and Suzan Lorraine and recorded playback by Don Priest.

The production was coordinated by AES Convention Broadcast/Streaming Media Chair David Bialik to illustrate the diversity of live audio production. It also serves to kick-off the inaugural “HEAR Now: The Audio Fiction and Arts Festival” happening in Kansas City June 20-23, 2013 (www.hearnowfestival.org.).

A multi-faceted artist recognized as the inimitable voice of ‘Howard’ on the Emmy-award winning Rugrats, and as iconic characters in such major animated films as Finding Nemo, and Monsters, Inc., Phil Proctor is an equally accomplished on-and-off Broadway actor. He has performed with LA’s celebrated Antaeus Classical Company with his wife, Melinda Peterson, toured the USSR with the Yale Russian Chorus, and will appear in the forthcoming independent feature film, Window of Opportunity.

Co-starring with Proctor in this exclusive AES production is Melinda Peterson, an audio and live theater pro whose appearances range from multiple roles in Proctor & Bergman’s long-running NPR Power series which aired on John Hockenberry’s Heat, to NPR Playhouse productions, and work with all-star casts on We Hold These Truths and Empire Of The Air for Other World Media. Later this year, she will reprise her lead role of Agatha Christie in The BBC Murders.

Photos: Phil Proctor and Melinda Peterson will perform, Poe – A Life And Stories In Sound, at the 133rd AES Convention, in SF’s Moscone Center, on Oct. 27 8 pm – 9 pm.

For a detailed Preliminary Calendar of AES Convention events visit:

http://www.aes.org/events/133/calendar/calendar.cfm

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Audio for video: Sennheiser launches online tutorial for filmmakers

“If you’re asking me ‘What is the most underestimated power of filmmaking?’ that would be sound,” says filmmaker Geert Verdickt. To remedy this situation, the multi-award-winning video journalist has joined forces with audio specialist Sennheiser to develop a series of tutorial videos dedicated to the subject of audio for video filmmakers. In a total of five episodes, Geert Verdickt shows ambitious filmmakers how to record perfect sound for their videos, and does it in a way that is both professional and entertaining. New tutorials will be uploaded to www.sennheiserusa.com/audioforvideo every two weeks through November 14.

“The video series is packed with useful tips on every aspect of audio for video, ranging from everyday situations to particularly challenging filming environments,” explained Oliver Ohrndorf, Marketing Manager Professional at Sennheiser. “The tutorials are aimed at video journalists, video filmmakers and amateurs who want to enhance their video images with excellent sound. Geert Verdickt is not only an outstanding video filmmaker but also an entertainer who is able to inspire and motivate his audience.”

The subjects dealt with in the tutorials include wireless audio recording, choosing the right microphone, recording with DSLR cameras and using shotgun microphones, as well as tips and tricks for avoiding proximity effect and reducing wind noise.

A win-win situation
Not only does each tutorial provide valuable information, it also gives participants a chance to win an attractive prize by answering a question on the subject. For each episode, there will be a chance to win three combinations of an MKE 600, Sennheiser‘s new video shotgun microphone and a set of classic HD 25-II headphones. The winners will be drawn from all the correct answers submitted.

Sennheiser HD 700 Headphones and Neumann KK 204/205 Wireless Microphone Capsules Each Nominated for TEC Award

Audio specialist Sennheiser announced that its HD 700 headphones and the Neumann KK 204 and KK 205 wireless microphone capsules have been nominated for the 28th Annual TEC awards. Sennheiser’s HD 700 headphone, which has been nominated in the new ‘Headphone/Earpiece Technology’ category, is an open, dynamic stereo headphone combining high-end sound with an innovative headphone design. The cardioid KK 204 and supercardioid KK 205 capsules, which have been nominated in the ‘Microphone Technology/Sound Reinforcement’ category, are fully compatible with Sennheiser’s 2000 Series wireless handheld transmitters.

Presented by the TEC Foundation, the TEC Awards is the pro audio industry’s most prestigious awards show honoring outstanding achievement in product innovation and sound production. The 28th Annual TEC Awards will be presented during the 2013 NAMM Show, to be held in Anaheim, Calif. in January 2013. The nominations, based on product entries by audio manufacturers, were made by a select panel of 130 professionals in numerous audio specialties. Products and projects released and in commercial use during the period of September 1, 2011 to August 31, 2012, were eligible for nomination.

Greg Beebe, president of Sennheiser USA, commented: “We are pleased that both Sennheiser and Neumann have once again been nominated for an Outstanding Technical Achievement Award by the TEC Foundation. Both the HD 700 headphone and the Neumann KK 200 Series capsules are best-in-class products, representing the pinnacle of premium sound and innovation.”

HD 700: A Wide Sound Stage with an Ultra-Fast Response
The HD 700 open, dynamic stereo headphone joins Sennheiser’s series of acclaimed audiophile headphones. A patent-pending vented magnet system manages air movement beneath the diaphragm, providing clean, controlled dynamics with ultra-low total harmonic distortion. An angled transducer design and a vibration dampening chassis offer audiophiles and mastering engineers outstanding spatial imaging without artificial coloration.

KK 204/205: Uniform over the Entire Frequency Range
The Neumann KK 204/205 microphone capsules were designed to complement Sennheiser’s renowned 2000 series wireless transmitters. The acoustic features of the KK 204 and KK 205 capsule heads are derived from the multiple award-winning wired Neumann stage microphones, the KMS 104 and KMS 105. The KK 204, with its cardioid pattern, ensures the best possible suppression of sound originating from 180 degrees to the rear, while the supercardioid KK 205 has greater directivity, and maximizes incident sound from the front as compared to sound from the rear. Due to the “single polar pattern design,” the polar patterns are very uniform over the entire frequency range and provide excellent resistance to feedback.

HARMAN Professional Reaffirms Its Support of The Recording Academy® Producers & Engineers Wing®

HARMAN Professional’s AKG Acoustics, JBL Professional and Lexicon will continue to serve as official P&E Wing Sponsors

Santa Monica, Calif., Oct. 3, 2012 — The Producers & Engineers Wing® of The Recording Academy® is proud that its relationship with HARMAN Professional’s leading audio brands AKG® Acoustics, JBL Professional and Lexicon has been increasingly successful in its efforts to promote quality in audio. As official “P&E Wing Sustaining Partners,” AKG Acoustics, JBL Professional and Lexicon have participated in a wide variety of activities, including being the title sponsor of high-profile regional Academy Chapter events, having a presence on the P&E Wing section of the GRAMMY 365 member Web site and serving as a sustaining sponsor of the P&E Wing Manufacturers Council. HARMAN Professional has reaffirmed its sponsorship for the coming year and will continue to work closely with the P&E Wing and support its initiatives and membership.

“HARMAN proudly supports the Producers & Engineers Wing,” noted Blake Augsburger, Executive Vice President, HARMAN International and President, Professional Division. “Their efforts advance the recording industry, benefitting artists, equipment manufacturers and most of all, the listeners. We look forward to another year of rewarding projects together.”

“We are very pleased that HARMAN has again chosen to continue its partnership with The Producers & Engineers Wing,” stated Maureen Droney, Sr. Executive Director of The Recording Academy P&E Wing. “JBL Professional, AKG Acoustics and Lexicon share the P&E Wing’s vision of capturing and delivering the highest quality audio. We look forward to this continued partnership and to having key individuals from the HARMAN family of products interact and exchange ideas with our membership.”

Established in 1957, The Recording Academy is an organization of musicians, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @TheGRAMMYs on Twitter, like “The GRAMMYs” on Facebook, and join The GRAMMYs’ social communities on YouTube, Tumblr, Foursquare, GetGlue, and Instagram.

Currently more than 6,000 professionals comprise The Recording Academy Producers & Engineers Wing, which was established for producers, engineers, remixers, manufacturers, technologists, and other related creative and technical professionals in the recording field. This organized voice for the recording community addresses issues that affect the craft of recorded music, including the development and implementation of new technologies, technical guidelines and recommendations, and archiving and preservation initiatives. For more information, please visit www.producersandengineers.com.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

AES Announces Awards Presentation

SAN FRANCISCO: Each year the Audio Engineering Society presents special awards to members who have made outstanding contributions to the Society in such areas as research, scholarship, and publications. Additionally, members whose accomplishments have advanced and enhanced our industry are recognized for their endeavors. This year’s Awards will be presented during the opening ceremonies of the 133rd AES Convention on Friday, Oct. 26th at SF’s Moscone Center.

“While their individual areas of expertise are diverse, AES Award recipients are similar in that each of them has made an indelible mark on the advancement of the art and science of pro audio,” remarked Awards Committee Chair Diemer de Vries. “The dedication and perspiration they have devoted to their life’s work, coupled with their ongoing efforts to further the goals of our Society, make them examples of perseverance and innovation. We are extremely pleased to honor these brilliant, original thinkers.”

RECIPIENTS OF THE 2012 AES BOARD OF GOVERNORS AWARD ARE:

•Jay Fouts, in recognition of his work on behalf of the Audio Engineering Society over more than half a century
•Kyungwhoon Cheun, in recognition of co-chairing the 43rd AES International Conference in Rohang, Korea, September-October 2011
•Ricardo Escallón in recognition of co-chairing the 2010 Latin American Conference in Bogota, October 2010
•Cesar Lamschtein, in recognition of chairing the 2011 Latin America Conference in Montevideo, August-September 2011
•Gunther Melendez, in recognition of chairing the 2012 Latin America Conference in Guatemala, August 2012
•John Oh, in recognition of co-chairing the 43rd AES International Conference in Pohang, Korea, September-October 2011
•Ville Pulkki, in recognition of chairing the 45th AES International Conference on Application of Time-Frequency Processing in Audio in Helsinki, Finland, March 2012
•Jeff. M. Smith, in recognition of chairing the 46th AES International Conference on Audio Forensics in Denver, June 2012
•Michael Santucci, in recognition of chairing the 47th AES International Conference on Music Induced Hearing Disorders in Chicago, June 2012
•Marcela Zorro, in recognition of co-chairing the 2010 Latin American Conference in Bogota, October 2010

AES FELLOWSHIP AWARDS WILL BE PRESENTED TO:

•Juha Backman, for his contribution to bringing about high-quality audio for mobile devices

•David Bialik, in recognition of his outstanding contributions to AES activities in the field of radio broadcast engineering
•Poppy Crum, for her work in neuroscience and psyhoacoustics, allowing a better understanding of how we listen to audio
•Carlos Indio Gauvron, in recognition of outstanding contribution to the dissemination of audio knowledge in Latin America
•Garry Margolis, in recognition of his many years of activities in audio engineering, having worked in areas as diverse as loudspeaker development and digital audio coding.
•Jorge Moreno, in recognition of his many years of work in researching new technologies in audio measurement as well as his dedication to audio education in Latin America
•John Storyk, in recognition of his more than four decades of work in the areas of room design, acoustical treatment, and modification.
•Woon-Seng Gan, for contributions to signal processing, education, and research leadership in the field of Audio Engineering

THE DISTINGUISHED SERVICES MEDAL IS AWARDED TO:

•John Vanderkooy, in recognition of his many years of work as AES Journal Editor and as a member of the Board of Governors

AN HONORARY MEMBERSHIP AWARD IS PRESENTED TO:

•Ronald E. Uhlig, in recognition of his pioneering engineering achievements to enhance the film sound experience for the audience

“The significance of these AES Awards can not be overstated,” concludes AES President, Jan Abildgaard Pedersen. “The Awards Committee scrupulously deliberates every nominee recommendation. Our Awards are held in high regard because they honor noteworthy achievements and long, productive careers. Each recipient has earned the enduring respect of his or her peers. We are proud to honor them in this fashion.”

For a detailed Preliminary Calendar of Events please visit: http://www.aes.org/events/133/calendar/calendar.cfm

Photo: John Vanderkooy will receive the AES Distinguished Services Medal

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

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