Archive of the The Wire Category

Alan Dick Broadcast Receives Major DVB-T Project Award For (RTB) Radio Television Brunei

TO PROVIDE TURNKEY INSTALLATION

Alan Dick Broadcast — a world leader in the manufacture and design of radio frequency components and antennas for radio and television transmission — today announced they have been awarded a full turnkey project to install and commission a sizeable DVB-T television antenna system in the Southeast Asian Nation of Brunei.

ADBL will provide Radio Television Brunei (RTB) with their vertically polarized 30 panel UHF DVB-T broadband antenna, along with a Constant Impedance Combiner, unitized Patch Panel Power Splitter and Rigid Line kits. RTB is the official state broadcaster of Brunei. Its first radio broadcast was in May 1957; television service followed in March 1975. RTB currently airs five television channels including the national flagship channel, an HDTV service, a 24-hour international satellite channel, and one dedicated to the nation’s Royal Islamic Mosque.

“We are extremely pleased to be chosen by Radio Television Brunei to implement this important upgrade to their nation’s broadcast infrastructure and 1st DVB-T installation,” said Barry Sugden, director of Alan Dick Broadcast. “Our skilled technical staff is eager to commence installation.”

About Alan Dick Broadcast
UK-based Alan Dick Broadcast (ADBL) is a long-established global leader in the manufacture of antennas, combiners / filters, towers and broadcast infrastructure services for digital and analogue video and audio systems. Our portfolio starts at concept and runs through planning site development, station equipment, towers, antennas, and a full implementation and testing service. Additional information about ADBL may be obtained at: www.alandickbroadcast.com

ADBL contact: Sonia Del Castillo
sonia.delcastillo@alandickbroadcast.com

ADBL contact: Barry Sugden
barry.sugden@alandickbroadcast.com

Press Contact: Desert Moon Communications
Harriet Diener • +1 845-512-8283
harriet@desertmooncomm.com

AES Educational Foundation Announces 2012 Awards

NEW YORK: Don Puluse, President of the AES Educational Foundation, and its Board of Directors, have announced the recipients of the 2012 AES Educational Grants for Graduate Studies in the field of Audio Engineering. “This year our Emil Torick Scholar is Matthias Leimeister, who will pursue an MSi in Medientechnnologie in Audio Signal Processing from the Technische Universitat Ilmenau,” Mr. Puluse said. “Mr. Leimeister holds a degree in Mathematics from the University of Heidelberg. The Emil Torick Award honors an outstanding student with exceptional career goals.”

The John Eargle Award given annually to a student who excels in both technology and music was presented to Ross Penniman, candidate for an MS in Music Engineering, University of Miami. Mr. Penniman holds a BM and a BS from University of Michigan.

Other AES Educational Foundation Awards Include:

Areti Andreopoulos is studying for her PhD at the Steinhart School of NYU. She has a degree from the University of Athens, Greece, and an MM in Music Technology from Steinhart.

Christos Manolas, receives a renewal grant for his PhD studies at the University of York. Manolas has a degree from the New Music School, Thessaloniki, Greece, and two masters’ degrees from University of York.

Magdalena Plewa is pursuing a PhD at Gdansk University of Technology in Audio Engineering and Telecommunication. She has a MSc. from AGH University of Science & Technology in Krakow, Poland. She is current president of the AES International Student Delegate Assembly.

Jamie Tagg will begin his studies towards a PhD in Sound Recording from McGill University. He has a BM from the University of Miami in Music Engineering Technology, and a MM in Sound Recording Technology from U. Mass Lowell.

Mauricio J. Gargel receives a renewal grant to continue his studies towards an MFA in Recording Arts at MTSU. He has a degree in Social Communication from Univerdidade Metodista de São Paulo, Brazil and studied audio at the Institute of Audio and Video.

Scott Levine continues his studies at McGill University for an MM in Sound Recording. He receives a renewal grant. His previous degree is in Music Technology from the University of California at San Diego.

Hannah Robertson holds a BA in Physics from Middlebury College. She continues with a renewal grant at McGill University for an MS in Music Technology.

The Board of Directors has also announced the addition of two new members, Bob Moses and Jim Anderson. Mr. Moses, a product designer, technologist, and pro audio industry advocate, is Executive Director of the AES. Mr. Anderson, a Grammy Award- winning producer and engineer, is a former President and Governor of AES and a professor at NYU.

The AES Educational Foundation was established in 1984 to encourage talented students to enter the profession of audio engineering. Grants for graduate studies with emphasis on audio topics are awarded annually. Recipients are selected on the basis of demonstrated talent, achievements, goals and recommendations. Since its inception, the AESEF has presented 170 grants at 60 universities worldwide, totaling over seven hundred thousand dollars. Grants have been made possible by contributions from AES, Inc., the estate of John K. Hilliard, JBL Inc., the Mix Foundation for Excellence in Audio, and the families of John Eargle, David Smith, and Emil Torick. The AES also receives support from other benefactors such as in memoriam donors, and individuals and companies, which support education in audio.

Application forms and additional information are available from the Audio Engineering Society, 60 East 42nd Street, New York, NY 10165, USA, or on its web site: www.aes.org/education/foundation/.

Photo: Don Puluse, president of the AES Educational Foundation

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Alan Dick Broadcast Announces IBC 2012 Exhibition Plans

IBC STAND 8.B99

Cheltenham, UK – Alan Dick Broadcast (ADBL), one of the oldest names in Europe for antennas, combiners, mask filters, transmission line and towers, has announced plans to highlight its competitively priced product portfolio as well as installation services at IBC 2012. A true pioneer in the worldwide broadcast Industry for over 40 years, ADBL serves as a major provider of communications infrastructures in Europe, the Middle East and Africa from headquarters in Cheltenham, UK.

ADBL’s extraordinary and innovative engineering expertise serves as the foundation for its high-quality range of station equipment, towers, and antennas. Products, developed to satisfy the infrastructure needs of global broadcast markets, include broadband FM and DVB-T antenna system solutions.

IBC 2012 HIGHLIGHTS

    ADB-VP – Vertical Dipole FM Broadband Antenna

ADBL’s Vertical Dipole FM Broadcast Antenna, ideal for HD Radio™ and analog broadcasting, is a vertically polarized broadband FM side mount antenna consisting of a Balun fed vertical dipole, power divider, coaxial feed lines and featuring symmetrical band bass. Constructed of stainless steel with a brass inner conductor, all associated brackets and hardware are made of hot dipped, galvanized steel to furnish many years of dependable service. The unit is completely assembled full size and factory tuned on an electrically similar tower structure to insure proper impedance match and low VSWR.

    ADB-CNQ-X1X-FM – FM Notch Filter

The ADB-CNQ is a Coaxial Quarter Wave Notch Filter. Designed for suppression of intermodal products and rejection of a single frequency, the filter family also features natural temperature stabilization, low insertion loss and VSWR packaged in a compact, high “Q” aluminum cavity. The filter’s small footprint allows it to be mounted virtually anywhere in a transmission system.

    About Alan Dick Broadcast

UK-based Alan Dick Broadcast (ADBL) is a long-established global leader in the manufacture of antennas, combiners / filters, towers and broadcast infrastructure services for digital and analogue video and audio systems. Our portfolio starts at concept and runs through planning site development, station equipment, towers, antennas, and a full implementation and testing service. Additional information about ADBL may be obtained at: www.alandickbroadcast.com

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ADBL contact: Sonia Del Castillo
mailto:sonia.delcastillo@alandickbroadcast.com

ADBL contact: Barry Sugden
mailto:barry.sugden@alandickbroadcast.com

Press Contact: Desert Moon Communications
Harriet Diener • +1 845-512-8283
harriet@desertmooncomm.com

133rd AES Convention Signals Expanded Broadcast/Streaming Media Sessions

Diverse Media Playback, New Techniques, Hot Technology

SAN FRANCISCO: Relevant and enlightening, AES Convention Broadcast/Streaming Sessions are among the most diverse and popular fielded at the event. “Back for his 26th consecutive turn as Broadcast/Streaming Chair, David Bialik consistently develops meaningful sessions which literally pack the halls,” remarked Committee Co-Chair, Jim McTigue. “We count on David to deliver high-level, entertaining and informative presentations that keep attendees coming back year after year.” The 133rd AES Convention is scheduled for Oct. 26-29 at the SF Moscone Center.

“Our goal is to provide meaningful information in the most accessible format,” Bialik reports. “We make a special effort to develop mini-tracks focused on topic-related issues. For example, attendees will find groupings of events on Troubleshooting, and Audio for TV, Radio, & Streaming, which are virtually crash courses on these issues. And, we stress the point that these events are discussions of technologies and techniques, not sales presentations. The AES Convention continues to serve as an essential destination for the serious audio professional,” Bialik adds.

133rd AES Convention Broadcast And Streaming Media Sessions Include:

What Happens to Your Production When Played Back On Diverse Media? Chair,David Bialik, CBS; Frank Foti, OMNIA; Greg Ogonowski, ORBAN; Karlheinz Brandenberg, FRAUNHOFFER; Steve Greenberg, S-Curve; Robert Orban, ORBAN and George Massenburg, McGill University. – This all-star panel will address one of today’s key production/post production issues. Faced with a plethora of costly and not always compatible, formats and playback systems, sound engineers and mixers frequently find their mixes sound remarkably dissimilar when played on various systems and formats. Comprised of leaders in broadcast, streaming, recording, technology & software design and production/ post-production, this blue ribbon panel will discuss common problems and potential solutions.

Loudness and Metadata (Living With The CALM Act) – Chair, Joel Spector, independent broadcast consultant, Andrew Mason, BBC; Robert Murch, Fox Television; Lon Neumann, Tim Carrol, Linear Accoustic; Jim Starzinsinki, NBC/Universal; Robert Seidel, CBS; Robert Murch, Fox – One of the most hotly debated and universally welcomed (by TV viewers) legislations passed by Congress in recent years, the Commercial Advertising Loudness Mitigation Act (CALM) is the culmination of a long and passionate public advocacy campaign. What effect will the passage of this act have on broadcasters?

Facility Design: A User’s Evaluation Of Integral Acoustic Products & Materials: Chair, John Storyk – A panel of four leading studio contractors and installation experts: (TBD) will provide a real-world users survey of products and acoustic materials commonly (and occasionally) incorporated in critical listening environments. Optimal options for doors, glass, HVAC, variable acoustic panels, furniture, equipment racks and other integral components of today’s high-end (and budget conscious) TV and Radio broadcast facilities will be discussed. This is not an advertorial event. Contractor recommendations are based on personal field experience. Product considerations are based on their ability to provide cost-effective solutions to a myriad of technical and aesthetic issues.

*Stream Distribution – IP in the Mobile Environment: Moderator David Layer, NAB, Panel: Samuel Sousa, Triton Digital; Mike Daskalopoulos, Dolby; other participants TBA – The public demands portability for stream listening, whether in handheld mobile devices or cars. This panel will discuss current capabilities, future possibilities, and potential hurdles.

Audio for Mobile Television: TBA; Dave Wilson, CEA; Jim Starzinsinki, NBC/Universal; Robert Murch, Fox Television; Geir Skaaden, DTS other participants, TBA – This technology is currently being rolled out in the US. The discussion will encompass transmission and audio concerns for this emerging, low bandwidth terrestrial service.

Broadcast Audio Networking Techniques: Dan Braverman, Radio Systems; Greg Shay, Telos Alliance; Tag Borland, Logitek Ravena – Wiring, routing and configuring broadcast studios has evolved into a sophisticated networking process for audio and control functions This session will explore a variety of established and emerging technologies and techniques for implementing and configuring broadcast studios to accommodate fully networked audio and video control functions.

Sound Design: How Does That ‘Thing’ Go Bump In The Night? Co-Moderators, Sue Zizza & David Shinn, SueMedia Productions – Whether you are working with props, recording sounds on location, or using prerecorded library sounds, the elements you choose will impact the aesthetics of the stories you tell. Illustrated by scenes from the AES Performance, Poe A Life and Stories in Sound, this session will explore working with sound effects props in the studio and location recording elements. A brief overview of sound effects libraries will be included.

The Broadcast/Streaming Track Includes:

Understanding Codecs: Chair, Barry Mishkind, Broadcasters Desktop Resource; Kirk Harnack, TELOS; Chris Tobin, MUSICAM USA; JJ Johnston, consultant; Jeff Riedmiller, Dolby – Techniques for maximizing the effectiveness of codecs developed to encode or decode a digital data stream or signal will be discussed in depth.

The Streaming Experience Samuel Sousa, TRITON DIGITAL; participants TBA
Audio Encoding for Streaming: Samuel Sousa, TRITON DIGITAL; JT, Limelight; Casey Cambra, Dolby; Robert Reams, Streaming Appliances/DSP Concepts; Other participants & chair TBA

Additional Broadcast/Streaming Events Include:

* Working with HTML5: Chair Valerie Tyler, Greg Ogonowski, ORBAN; other participants TBA
* Audio Processing Basics: JJ Johnston; Frank Foti, OMNIA; Bob Orban, ORBAN; Participants, TBA.
* Listener Fatigue: Chair Dave Wilson Craig Kasper, Audiologist; Sean Olive, JBL: Robert Reams, Streaming Appliances/DSP Concepts
* Lip Sync Experiment: Chair, Jonathan Abrams, Nutmeg Post; participants TBA
* Troubleshooting Software Issues: Chair, Jonathan Abrams, Nutmeg Post; participants TBA
* Maintenance, Repair & Troubleshooting: Chair, Kirk Harnack; Bill Sacks and Kim Sacks, Optimod Refurbishing; Bob Moore, Mooretronix
* “Poe A Life In Sound” A live performance starring Phil Proctor of Firesign Theater & Disney animated film voiceover fame. Produced & directed by Sue Zizza of SueMedia, with sound design by David Shinn.

Photo: AES 133rd Convention Broadcast/Streaming Chair David Bialik

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Customization is Key at Jampro Antennas

IBC 2012 STAND 8.B96

MANUFACTURER’S TARGETED, REASONABLY PRICED SOLUTIONS TO SERVE AS HEART OF

Sacramento, CA - Jampro Antennas, Inc. — a world leader in the manufacture and design of antennas, combiners & filters and RF components for every application in radio and television broadcast including DTV, DVB-T, FM and HD Radio solutions — will demonstrate its commitment to serving the needs of individual broadcasters with a full complement of customizable, high-quality and reasonably priced systems at IBC 2012 in Stand 8.B96. Jampro, founded in California where it is still headquartered, has been delivering systems tailored to the specific requirements of over 25,000 broadcasters worldwide since the company was established in 1954.

“At Jampro, customizing each product to accommodate the end-user reflects our internal teamwork, commitment to excellence, and dedication to customer relations,” states Alex Perchevitch, Jampro president. “Modifications may include adapting a standard antenna for multiplex applications, developing a custom directional pattern, or engineering an antenna to withstand harsh environments. Then, before shipping, directional patterns and pattern measurement studies are conducted on our 7,000-foot full-scale test range to guarantee the best coverage. The finished product often exceeds customer expectations.”

At IBC 2012 Jampro will exhibit broadband solutions that bring great value and outstanding features to all segments of the broadcasting industry. Highlights include the JAT-U UHF super turnstile and JUHD Broadband UHF panel antenna that are both radome-enclosed, the Prostar JA/MS-BB Broadband UHF Slot Antenna for multi-channel/combined channel operations, the affordable RCEC (8”) mask filter featuring superior performance, and the compact and modular RCCC constant impedance combiner. The Company’s economical and flexible antennas, combiners & filters, towers, and RF components will also be on display. In addition, Jampro will emphasize the vast scope of services –spanning from concept to completion – available from its Service Group.

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 25,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. For additional JAMPRO information, please visit: www.jampro.com.

Jampro contact: Sonia Del Castillo
916-383-1177 • Sonia@jampro.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283
harriet@desertmooncomm.com

Bob Ludwig Platinum Panel To Address ‘Mastered For iTunes’

Mastering Pros To Clarify Misunderstood Initiative

SAN FRANCISCO: The Mastered For iTunes initiative, one of the most significant, yet misunderstood innovations developed for the ubiquitous music distribution format will be the subject of an essential Special Event planned for the 133rd AES Convention. Scheduled for October 26 – 29 in SF’s Moscone Center, the Convention will provide 20,000+ music industry pro’s with timely and definitive information on a plethora of creative and technical issues. Convention Special Events Chair, Christopher Smith. reports, “One of our most important presentations is this year’s Platinum Mastering event. Long-time moderator Bob Ludwig has developed a panel discussion to assess and clarify the relevance and value of this vital new Apple iTunes process. Attendance at this Special Event should be required by every pro engineer who hopes to keep current with critical innovations.”

MASTERING APPLE INC.’s “MASTERED FOR iTUNES” INITIATIVE – THE SCIENCE, THE PROCEDURES AND THE RESULTS: Moderator, Gateway Mastering President, Bob Ludwig (Springsteen, Stones, Radiohead, Mumford & Sons), will helm a vital discussion with leading mastering engineers including Eric Boulanger (Colby Caillat, Chris Botti, The Bravery). Other panelists tba – Apple’s iTunes Store is the world’s largest music vendor. Last year, with the introduction of Colbie Caillat’s All of You download, they began selling higher fidelity AAC encodes at no additional cost to consumers. Some mastering and recording engineers have misunderstood this process. Additionally, a surprising amount of misguided press about what it does and does not do has been generated. Considering Apple’s market share, every mastering engineer should understand this vital new procedure. The Apple “Mastered for iTunes” initiative is based on 100% solid science and it can yield AAC encodes so close to the 44kHz/24 bit PCM encode masters that many have failed an A-B-X listening test. A Q&A will follow this timely discussion.

Photo: AES Platinum Mastering Panel Moderator, Bob Ludwig

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Rome Selected As Host City for 134th AES Convention

May 4-7, 2013 At The Roma Eventi – Fontana di Trevi Conference Centre

ROME, ITALY: “We take great pleasure in announcing that the 134th Audio Engineering Society Convention will be held in Rome, May 4-7, 2013,” reports AES executive director, Bob Moses. “Set in the heart of the ‘Eternal City’ at the new Roma Eventi – Fontana di Trevi Conference Centre, the Convention will be chaired by Umberto Zanghieri, vice president of the AES Southern Europe Region,” Moses adds.

Recently opened in the heart of Rome, a stone’s throw from the Quirinale Palace and, its namesake the Trevi Fountain, the very modern, Roma Eventi – Fontana di Trevi Conference Centre is situated in a magnificent neoclassical palace, built by Guido Barluzzi in 1930. Designated by Benedict XV as home to the Gregorian University, the Conference Centre covers almost 30,000 square feet, and consists of 15 meeting rooms able to accommodate over 1,000 participants.

The 134th AES Convention will bring together audio engineers from around the world to ‘Listen, Learn, Connect’ and, share the latest knowledge in audio research, development and applications. More details will follow shortly. This marks the first time an AES Convention will be held in Rome.

The 133rd AES Convention will be held in SF’s Moscone Center, Oct. 26 – 29, 2012

Photo: The Roma Eventi – Fontana di Trevi Conference Centre

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Sonnox Posts ‘Pro-Codec Explained’

In-Depth Tutorial Created By Groove 3

OXFORD, UK “Sonnox Pro-Codec Explained,” a comprehensive, tutorial on the innovative Sonnox Fraunhofer Plug-in, has been produced by Groove 3, a leading provider of training and tutorial videos.

At ninety minutes, the tutorial is the most comprehensive and highly detailed training program on the Pro-Codec ever produced. Three full-length episodes: “Intro,” 8:27,
“Which Codec To Use,” 8:09, and a 12-minute “Overview,” have been culled from the tutorial series. Click here to view them at no charge. The full tutorial series is available from Groove 3 at 50% off the regular $25.00 (£15.929) price with promo code: sonnox50. This offer ends on August 31st.

Introduced in January 2011, the Sonnox Fraunhofer Pro-Codec has garnered rave reviews from users and press for its revolutionary ability to enable auditioning, encoding and decoding of audio in real-time. Mixes can be optimized towards specific target codecs, and encoded to multiple distribution formats with a host DAW environment.

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For information on Sonnox Oxford Plug-ins please visit: www.sonnox.com

Genelec Unveils SpeakerAngle App for iOS Devices

— New app allows users to correctly configure and match the angling of stereo or surround-sound speaker systems —

NATICK, MA, August 8, 2012 — Genelec, the world’s longstanding pioneer in active monitoring, is proud to present the SpeakerAngle app for iOS devices, the first digital tool which allows anyone to correctly set and match the angling (“toe-in”) of both stereo and 7.1 surround sound speakers, helping to ensure optimum audio fidelity. Easy and intuitive to use, SpeakerAngle was co-developed by Genelec and AudioApps (a new mobile apps company) and is compatible with iPhone 4 and later, iPad 2 and later and iPhone Touch 4th Generation and later. SpeakerAngle is available now at the iTunes App Store (http://itunes.apple.com/us/app/speakerangle/id549033688?ls=1&mt=8), at a price of just 99 cents.

In the app, dedicated onscreen speaker icons move as the actual speaker is rotated, while number boxes below each speaker icon continuously display the angle of the speaker. The number boxes also change color to let users know when their speaker is angled within industry recommendations, and when it is angled to the same degree as the other one in the pair (i.e. left and right in stereo systems; front left / front right, rear left / rear right and side left / side right in 7.1 surround systems). Detailed information screens provide a tutorial on speaker angling, as well as step-by-step instructions for using SpeakerAngle.

“The new Genelec SpeakerAngle app is a convenient and intuitive way to quickly set and confirm the angle of your speakers in your listening environment,” stated Will Eggleston, Genelec USA Marketing Director. “This is a perfect tool for home theater owners, recording engineers, system installers and anyone else working to get optimum sound from any loudspeaker system. The possibilities are exciting, and we look forward to audio enthusiasts everywhere putting it to good use.”

To use SpeakerAngle, simply select the desired mode of operation (Stereo or Surround), then place your iPhone, iPad or iPod Touch on top of the speaker your want to angle. Set the speaker so that it is facing straight towards you, then touch the corresponding speaker icon so that it lights up. Next, touch the icon’s number box to let SpeakerAngle know that the selected speaker is currently at “zero-axis.” Now physically rotate the speaker inwards (that is, towards the listening position). The selected speaker icon will move accordingly, and the number box below it will display the degree to which the speaker is angled. When the speaker is angled within the industry recommendation of 20 degrees to 45 degrees, the number box changes color, from red to green. When you touch the speaker icon once again (or select any other speaker icon), the number box changes color to orange, and “freezes” the currently displayed angle. Next, touch the paired speaker icon (for example, the right speaker in a stereo system if you have just angled the left speaker). Pick up your iPhone, iPad or iPod Touch and place it on top of that speaker, then touch the number box below the speaker icon. Physically rotate the speaker inwards until the number box changes color to yellow, indicating that this speaker is now angled to the same degree as the first one. To continue experimenting with different speaker angles, you can start from scratch at any time by pressing SpeakerAngle’s RESET button.

For more information, please visit www.genelecusa.com/.

Audio-Technica U.S. Appoints Javier Tiburcio as Training & Sales Support Specialist for Mexico and Central America

STOW, OH, August 8, 2012 — Audio-Technica U.S. announces the appointment of Javier Tiburcio as Training & Sales Support Specialist for the territories of Mexico and Central America. He will be responsible for providing product training and sales support to Audio-Technica distributors and customers in Mexico, Central America and South America, as he works as part of the team to grow the A-T brand and increase sales within these regions. The announcement was made by Philip Cajka, Audio-Technica U.S. President and CEO, and reflects A-T’s commitment to ongoing growth in the Latin American market.

Tiburcio has extensive and broad experience in microphone sales and training. A native of Acapulco, he has lived and worked his entire career in Mexico, and will continue to be based there. His previous positions at Hermes Music and Grupo Imis have included sales and marketing responsibilities for the A-T brand in Mexico.

An experienced musician and audio engineer, Tiburcio studied music at the School of SUTUM, and digital audio and audio for broadcasting at CECAT, gaining expertise in microphone placement for live sound and recording. He has visited music industry dealers throughout Mexico and conducted clinics and training seminars at a variety of music expos with musicians like Moderatto Drummer Elohim Corona.

“Javier is a tremendous asset for us to expand our sales and training strategies in Mexico, Central America and South America,” said Cajka. “He comes to Audio-Technica with a wealth of experience, and we look forward to all of the great things we can accomplish together.”

For more information, please visit www.audio-technica.com.

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