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Guitar Center Professional Makes Moves for Continued Growth in 2012

— After a strong 10th-anniversary year in 2011, GC Pro is poised for further expansion and enhanced customer services in the coming year —

WESTLAKE VILLAGE, CA, February 14, 2012 — Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, is proud to have capped off a strong 2011, its banner 10th-anniversary year, with a number of initiatives that position GC Pro for further growth in 2012.

“GC Pro had a fabulous 2011,” stated GC Pro Vice President Rick Plushner. “We performed above expectations with greater than 30% growth over 2010 – the biggest one-year jump we’ve had in our history. We’re proud of our success and our growing reputation in the industry. In 2012, we are focusing on reinforcing our infrastructure in an effort to provide the best possible customer service, as well as increasing our sales force.”

A number of recent hires reflect this emphasis on customer service and sales. The following sales personnel have been added to their respective GC Pro locations:

Jason Block Atlanta, Georgia
Adam Muraski Brookfield, Wisconsin
Chris Hodkins Denver, Colorado
Ricardo Jimenez Hallandale, Florida
David Touloumian Hollywood, California
Michael Merrill Houston, Texas
Eric Kreuzer Nashville, Tennessee
Javier Willis San Diego (La Mesa), California
Nic De La Riva San Francisco, California
Maryam Haddad Seattle, Washington

Aside from that, these logistics coordinators have been appointed, to help GC Pro fulfill orders, optimize efficiency and expedite delivery to ensure customer satisfaction.

Dwayne Wright Dallas, Texas
Martina Mehta Hallandale, Florida
Nick Zamora Houston, Texas
John Maxson Indianapolis, Indiana
Karla Kennedy Manhattan, New York

“Several offices now have three-person teams improving our ability to spend more time consulting and fulfilling customer orders,” noted Plushner. “The Logistics Coordinators are a significant addition. Once a sales engineer develops specifications and provides consultations for a client, the Logistics Coordinator plays an integral role in ordering the products – whether from a surrounding Guitar Center store, our distribution center or a special order from vendors – and then tracks the order and coordinates delivery. Getting orders right and delivering on time, every time, is what our clients have come to expect from GC Pro, and the Logistics Coordinators serve to strengthen customer service and satisfaction.”

The Dallas location hosts one of the teams benefiting from a recently appointed Logistics Coordinator. Jeff McDaniel, Senior Account Manager based out of Dallas, notes, “Dwayne [Wright, Logistics Coordinator] joined us starting January 1, and it has made a huge impact in the way we do business. We already had a great workflow and relationship with our clients, but with a Logistics Coordinator, we are able to keep things running just that much more smoothly, fully serving our clients to an even greater extent. And Dwayne is a great fit – he is super-nice, well-connected and great with customers.” Wright notes, “This is a great office with a really cool vibe, and I’m proud to join the team. I am looking forward to a big year for me and for GC Pro. I think the new team infrastructure puts us in a position to maximize all of our tools and help customers get to the next level. Already we can see and feel things going the right way. It’s all positive.” Rounding out the Dallas team is Account Manager Kevin Deal, a recent transplant from the Plano location. He states, “It is a pleasure to be working with such an outstanding team here in Dallas. 2012 is going to be an excellent year for our office, and I’m proud to be a significant part of moving us forward for years to come.”

GC Pro is also expanding its Technical Services operation. In 2011, GC Pro opened a Technical Services office in the Hollywood location, and in April 2012 a new office in Nashville will open, with a dedicated GC Pro Technician, providing services direct from the Nashville GC Pro location, building up custom CTO Mac systems for turnkey recording purposes in installation in the Nashville area.

Additionally, GC Pro is establishing a national headquarters based out of the Hollywood location, including offices for GC Pro executive staff, technical services and sales. This location will also be equipped to host vendor and customer meetings, as well as an upgraded pro audio demonstration facility. Plushner stated, “We already have an excellent demo facility, but we’re going to be improving upon that and making it truly a world-class working recording studio where people can come and see the gear that we recommend. We’re very excited about seeing that in action, and we hope our customers are too. With our expanding staff and enhanced services, we are refining what we do well, and that is customer relations, and that will lead to another strong year for GC Pro and our customers, both new and returning.”

For more information, please visit www.gcpro.com .

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The Recording Academy® Producers & Engineers Wing® Star-Studded GRAMMY® Week Event Salutes Music Producer, Executive and Entrepreneur Jimmy Iovine

An Advocate for Artistic and Sonic Integrity Is Feted by the Music Production Community

Audio Industry Leaders Support Fifth Annual GRAMMY® Week Celebration at The Village Studios in West Los Angeles

SANTA MONICA, Calif. (February 14, 2012) — In what has become a much-anticipated evening that kicks off music’s biggest week ahead of the annual GRAMMY Awards®, Wednesday, February 8, 2012, saw the fifth annual GRAMMY® Week event held by The Recording Academy®’s Producers & Engineers Wing®. The event, which took place at The Village Studios in West Los Angeles, brings to center stage the irreplaceable contributions made by the recording engineers and record producers whose technical expertise and brilliance warrant GRAMMY Awards of their own. Created specifically to honor individuals who, in the words of Recording Academy President Neil Portnow, have “championed creative freedom” throughout their career, the event has previously honored T-Bone Burnett, Island Records’ Chris Blackwell, and five individuals associated with Atlantic Records: Tom Dowd, Ahmet and Nesuhi Ertegun, Arif Mardin and Jerry Wexler. This year’s Producers & Engineers Wing event, which preceded the 54th Annual GRAMMY Awards on Sunday, Feb. 12, 2012, airing live on the CBS Television Network, singled out music producer and entrepreneur Jimmy Iovine, engineer and producer for artists including Bruce Springsteen, Patti Smith, U2, the Pretenders, Dire Straits, Stevie Nicks, Tom Petty & the Heartbreakers and many more. Portnow presented The Recording Academy President’s Merit Award to Iovine in front of a star-studded audience that included such individuals as Alex da Kid, Mary J. Blige, Colbie Caillat, Diddy, Simon Fuller, Brian Grazer, Dave Koz, Nigel Lithgow, Stevie Nicks, Robbie Robertson, and will.i.am and Taboo from the Black Eyed Peas.

After musical performances by singer/songwriter and “I Love The Way You Lie” co-writer Skylar Grey and singer/songwriter Lana Del Rey, Iovine arrived onstage to receive The Recording Academy President’s Merit Award from Portnow. By that time, the crowd was charged, applauding Iovine both for his contributions to record making and for his entrepreneurship. Iovine founded Interscope Records, one of the most successful labels in the world, and more recently he established Beats Electronics, his consumer headphone venture with colleague Dr. Dre, one of many GRAMMY Award winners in the audience that night.

Iovine singled out many people to honor with a personal note of thanks, including Stevie Nicks (whom he praised for her unique vocal style), Elliot Scheiner – the first producer Iovine ever worked with and whom he credits for giving him the studio bug (“He wore boots and a leather jacket with a matching leather bag, and at the end of the night he went home with a beautiful woman and I said, ‘That’s what I want!” Iovine recalled to the delight of the crowd) – as well as engineer Roy Cicala, label head and producer Doug Morris, the late studio owner Eddie Germano and artists such as Mary J. Blige and Tom Petty. Even as he celebrated his current role as chairman of Interscope Geffen A&M Records, a unit of Universal Music Group, and his 20 years as a label head, Iovine credited others for guiding him and for teaching him to give that back throughout his career. He noted, “People were constantly giving me opportunities I wasn’t really ready for,” but that prompted him to rise to meet those challenges and do the same for several generations of artists, producers and engineers over more than four decades.

Iovine also praised the pro audio manufacturing community for its contributions, and indeed The Village was filled with technology demonstrations from sponsors West L.A. Music and Westlake Professional Sales, as well as co-sponsors including Harman International brands AKG Acoustics, JBL, and Lexicon; Iron Mountain; Avid; Musician’s Institute; Music Marketing; Shure Incorporated; Beats Electronics; Ultimate Ears; Focusrite Novation; Prism Media Products; Apogee Electronics Corporation; Full Sail University; Guitar Center Professional (GC Pro); Lurssen Mastering; Sennheiser Electronic Corporation; SoundExchange. Eco-friendly cocktails were provided by VeeV.
Looking over the crowd of audio professionals gathered at The Village that evening, Maureen Droney, Senior Executive Director of the P&E Wing, observed, “Each year, we take a night to honor the people who work behind the scenes to make great-sounding recordings. You are the glue, the foundation that holds the music business together. Day after day, you are the problem solvers, and the creatives who help others to shine. This is your night to shine. It has been challenging in recent times to keep commercial studios in operation and to maintain a focus on the importance of creating music that sonically reflects the artist’s intention. Thanks to the dedication and outspokenness of Jimmy Iovine and others like him, that trend is starting to change. The public is beginning to realize that the sound of the music they are listening to is not as good as it can be and they are starting to demand better. Producers and engineers deserve recognition for being in the forefront of the quest for better sound.”

Photo File 1: Jam_Portnow_Iovine_Droney.JPG
Photo Caption 1: Shown L-R: Producer Jimmy Jam; President/CEO of The Recording Academy®, Neil Portnow; honoree Jimmy Iovine; and Producers & Engineers Wing® Senior Executive Director Maureen Droney, at the P&E Wing Event at The Village Recording Studios on February 8, 2012, in Los Angeles, California. Photo courtesy of The Recording Academy/WireImage.com/Michael Kovac. Photographed by Michael Kovac. © 2012.

Photo File 2: Portnow_Iovine.JPG
Photo Caption 2: Shown L-R: President/CEO of The Recording Academy® Neil Portnow and honoree Jimmy Iovine, posing onstage during The 54th Annual GRAMMY® Awards P&E Wing Event at The Village Recording Studios on February 8, 2012, in Los Angeles, California. Photo courtesy of The Recording Academy/WireImage.com/Lester Cohen. Photographed by Lester Cohen. © 2012.

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Peregrine Andrews Upgrades His Studio With A White Mark Fast Studio System

Recording engineer Peregrine Andrews, who specializes in mixing radio and television, has installed a White Mark Fast Studio acoustic system in his west London-based private studio.

Developed by studio and design consultancy White Mark Ltd, Fast Studio allows producers, composers and studio owners to build high performance facilities in far less time and at far less cost than would normally be anticipated. The system uses properly constructed and individually specified acoustic modules that are assembled off-site, making them very quick and easy to install. It is ideal for rooms using free-standing monitors and in which there is no need for full isolation.

White Mark’s managing director David Bell says: “Fast Studio meets market demand for high quality studios that are acoustically accurate, quick to install and preserve more of the character of the original building. Not everyone has the time or the requirement to invest in high levels of isolation. With Fast Studio, we can install a room that sounds good and delivers great acoustic results. We always insist that Fast Studio customers have their initial drawings and monitor set-ups carried out by our team of experts so that we can guarantee both the viability of using the system and the level of performance that will be achieved, but, provided the room meets our criteria, we can deliver a studio that satisfies our customers’ requirements – and in a fraction of the normal time.”

Peregrine Andrews says he chose White Mark for his studio upgrade on the basis of the company’s reputation for excellence in acoustics.

“My studio is a converted room in my flat and I use it for all my radio work and an increasing amount of TV,” he explains. “It is equipped with SADiE and Nuendo, a Smart AV Tango control surface set into a bespoke desk and stereo PMC monitoring, although I’m planning to install surround sound monitoring soon.

“I chose White Mark because I knew they had designed a lot of the top audio post rooms in London and a couple of friends in the business had used them. David Bell recommended the Fast Studio system as suitable for my needs and the company installed a set of panel absorbers and a bass trap in a void at the back of the room. David and Matt Dobson optimized the height and position of my speakers using their measurement system and they achieved an impressively flat response. I am really delighted with the sound of the room and the speed at which the work was carried out.”

Andrews, who trained at the BBC and now runs his own company Moving Air, has already put the studio through its paces mixing a variety of projects.

“In radio I do a lot of fast turnaround mixes, mainly documentaries, for the BBC
and also some drama. Recent TV work for the BBC includes the comedies “Twenty Twelve” and “The Bleak Old Shop of Stuff”, the Queen music doc “Days of their Lives”, and a series of “Motorway Cops”.

White Mark’s Fast Studio system has now been used to great effect on a number of other studio projects including an advertising agency in Mexico City, Giles Martin’s new room at Abbey Road and Cenzo Townshend’s new mixing facility in Suffolk.

For more information about Fast Studio visit www.whitemark.com

For more information about Moving Air, please contact Peregrine Andrews. Email: pez@moving-air.com

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About White Mark:

Established in 1997 by David Bell, John Dunnill, Derek Buckingham and Alan Cundell, White Mark Ltd specialises in production facilities for music recording and the film and television industries. Over the last decade it has designed and supervised the construction of over 170 audio production suites worldwide. The company’s impressive client list encompasses some of the world’s most famous music recording facilities including Peter Gabriel’s Real World Studios in the UK, Hit Factory in New York (for which the company won a coveted TEC Award for Best Acoustic Design), Hit Factory/Criteria Recording Studios in Miami, Strongroom in London and private studios for producers and musicians such as William Orbit and Damon Albarn. In the area of audio post production, White Mark has completed over 100 studios for more than 40 companies in Soho alone. The list includes Grand Central, Hackenbacker, Envy, Scramble, Lipsync, Molinare, Ascent Media, Wave and Boom. This impressive achievement means that a significant proportion of mainstream British television output passes through rooms designed by White Mark.

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Jünger Audio Gives US Broadcasters The Tools To ‘CALM’ Audio Loudness at NAB 2012

Dynamics specialist Jünger Audio will be attending the NAB 2012 convention (Booth SU3604) with two new additions to its *AP family of loudness control processors. These units are specifically designed to help US broadcasters stay within the parameters of the newly introduced CALM legislation.

The *AP family all incorporate Version II of Jünger Audio’s renowned LEVEL MAGIC™ adaptive loudness algorithm, which is compliant with all current broadcast audio loudness recommendations including ITU 1770 (versions 1 and 2), ATSC A/85, ARIB TR-B32 and EBU R128. Based on a Multi-Loop dynamic range control principle where slow changes (AGC), fast changes (Transient processing) and Look Ahead peak limiting are handled simultaneously, LEVEL MAGIC offers level management with exceptionally high audio quality and without coloration, pumping, breathing, distortion or modulation effects.

Peter Pörs, managing director of Jünger Audio, says: “When it comes to controlling audio loudness and ensuring that broadcast audio stays within the law, our *AP family provides broadcasters with all the tools they need. Major broadcasters around the world are choosing these products because they allow loudness consistency to be maintained in a very easy and cost effective way – and without any detrimental effects on sound quality.”

At NAB 2012, Jünger Audio will show its Award-winning T*AP TV Audio Processor, which made its operational debut at the 2011 Eurovision Song Contest and has now being installed in numerous broadcast facilities. Primarily designed for TV playout, the device provides Loudness control, Upmix and surround sound processing for up to eight channels of audio (8×1, 4×2, or 6+2).

T*AP focuses on automatic and adaptive loudness control and also offers Jünger Audio’s Spectral Signature™ as standard. This remarkable proprietary technology gives TV and radio broadcasters the ability to create a signature mask as a template so that they can recreate the same atmosphere and dynamics on subsequent audio content. Optional Dolby Decoding and Encoding (D, D+, or Pulse), as well as metadata management, are also provided along with 5.1 Downmix and Jünger Audio’s 5.1 UPMIX circuit, which has been upgraded to deliver greatly improved performance and a range of new settings.

The two new additions to the *AP family, which will be on show for the first time in the USA, include the D*AP LM4 and the D*AP LM2.

The D*AP LM4, a four-channel Digital Audio Processor aimed at television broadcasters and video production and post production companies that need to control audio loudness while creating and editing broadcast content. Similar in concept to the hugely popular Jünger Audio B46 processor, which it replaces, the D*AP LM4 also features on board AES/EBU digital I/O, along with optional 3G/HD/SD-SDI I/O or analogue I/O. This combination of formats is likely to open up many new markets for the unit. Control of this 19” rack-mountable unit is via a smart new front panel or via a Web interface for those who wish to operate it remotely.

The D*AP LM2 is a two-channel Digital Audio Processor that replaces Jünger Audio’s ground breaking D06 unit. The D*AP LM2 offers a powerful combination of dynamics and loudness control, making it suitable for a wide range of applications including television, radio, music production and PA. It can handle both analogue and digital (AES/EBU) audio and features an automatic input switchover with parallel output formats. It also fits neatly into a rack and is controllable through a newly designed front panel or via a Web based interface.

Both the D*AP LM2 and D*AP LM4 come with optional redundant PSU and a power fail bypass to ensure maximum operational security. They also feature Jünger Audio’s Adaptive Dynamics as standard, allowing customers to incorporate additional processing blocks such as compressors and expanders. Spectral Signature™ will become an option for these processors.

Jünger Audio will also be showing a prototype of the V*AP two-channel voice processor, a new addition to the *AP family that will be officially launched at IBC 2012.

The development of this unit has been driven by market demand for a voice processor that allows TV and radio journalists to capture their own narrative style, particularly when operating outside the studio. The V*AP will come with either a microphone (optional dual high end Mic preamps) or AES I/Os so that it can be used with a mixing desk as a high end outboard dynamics processor. Featuring Jünger Audio’s renowned audio quality, this 19” 1RU device will combine classic dynamics processing, filters, EQ and Spectral Signature, Jünger Audio’s new dynamic equalization algorithm. It is designed to be extremely easy to use and will have powerful User Interfaces including front panel operation, GUI selection and API for third party application (HTTP, Ember).

Junger Audio is completing its NAB line up with Loudness Logger, a powerful tool that offers customers of all Jünger Audio levelling processors an easy way to monitor the development of the loudness over time. This innovation is critical to all broadcasters who now need to show precisely how their audio levels are performing in order to comply with new legislation on Loudness. Using this new software, broadcasters can monitor in real time or by analyzing previously stored loudness log files. The software, which is an MS Windows application, can be purchased from Jünger Audio on a license basis per PC and is protected by an USB dongle. The Loudness Logger works with Jünger Audio’s entire range of new box processors as well as with recent versions of LEVEL MAGIC™ cards in the modular C8000 system.
If you would like more information about these products please visit Junger Audio at NAB 2012 – Booth SU3604 – for a demo.

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.junger-audio.com

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German Radio Group Tunes In Sonnox Broadcast Bundles

LUDWIGSHAFEN, GERMANY: Attracting over 10 million daily listeners, RPR1., Radio Regenbogen and bigFM are three of Southwest Germany’s largest privately-owned radio stations. Featuring three distinctive formats, AC, Hot AC and CHR,
each of the stations share a single ‘Service Center Production’ Sound Department. Head of Production, Stefan Müller, recently purchased Sonnox Broadcast Bundles for each of the Sound Department’s 11 workstations.

“I had considerable experience with Sonnox plug-ins as a film mixing engineer prior to joining the Radio Group,” Müller says. “Their overall sound quality and flexibility is simply the best you can get in the plug-in market, so I knew they would provide excellent audio processing for radio production where sound is the major priority.”

“One of the most important jobs is to get the voice through to our listeners as clearly and effectively as possible, without being harsh or unpleasantly loud,” he adds. “Of course the sound of voices, music beds and FX varies from format to format, so we needed a plug-in bundle that would suit all our needs; aggressive for one radio format, and more transparent for another without losing loudness.”

The Service Center Production Sound Department utilizes Sonnox plug-ins differently for each station. “The Oxford EQ is engaged for virtually every track, shaping detail and emphasizing transparency, but tailoring the finished mixes for specific audiences,” Müller explains. “The Oxford Dynamics plug-in’s built-in modules are particularly well suited to our bigFM audience, and to CHR where voices are more directly in the listeners’ face. The SuprEsser plug-in gets deeper into our AC and Hot AC workflows, enabling us to dynamically reduce ‘overemphasized’ frequencies. The Oxford Limiter and Inflator are our primary weapons in the ‘Loudness War.’ I’m not a fan of indiscriminately increasing volume. That translates to lost punch and transparency,” he says. “By creatively employing the Limiter and Inflator plug-ins in our summing busses and masters, we can achieve excellent loudness levels and retain the details, emotions and dynamics that make compelling broadcasts.”

“The Sonnox Broadcast Bundles have proved themselves the perfect solution to all our radio sound design challenges,” Müller concludes.

Photo: Stefan Müller, Service Center Production Sound Department Head of Production

###

For information on Sonnox Plug-Ins please visit: www.sonnox.com

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Middle Atlantic Introduces HRF Series Half Rack Systems

HRF Series Half Frame Rack In Lectern

Fairfield, NJ––Middle Atlantic Products is introducing the new HRF Series Half Rack family of products that will also serve to help develop an ECIA standard for the half-width rack format.

The new HRF Series half racks–which incorporate the dimensions of the proposed standard–feature a low profile design and compact dimensions. An offset cable tie area keeps their overall width to a slim 10 5/8”, which makes them an important off-the-shelf solution for maximizing the amount of usable rack space in confined areas. These dimensions also allow the HRF Series to be used with half rack equipment from a variety of manufacturers.

The HRF Series half racks also feature a strong welded frame that enables equipment to be pre-loaded and transported to the installation site. Initial models are available in 8 and 12 space useable racking height configurations with available mounting shelves that include a pattern of holes and slots that accommodate any device-mounting pattern. The line of complementary accessories for the Half Rack Series also includes a high-static pressure blower to exhaust heat, as well as blank and vented panels to complete the installation.

According to Mark Tracy, Director of Product Management, “There was a real need for a smaller, space-saving solution when rackmounting a variety of half-width components in lecterns, credenzas, and in-wall. Thanks to the feedback from our installer and consultant partners, as well as the participation of several manufacturers, this system accommodates the vast majority of smaller components currently available and provides installers with a useful new choice for mounting electronics.”

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

NETIA 2012 NAB Show Preview

2012 NAB Show Preview April 16-19, 2012 Las Vegas NETIA Exhibiting With GlobeCast, Booth SU812
NETIA 377 Chemin de Farjou 34270 Claret France

NETIA Contact: Isabelle Sost Michoux Communication and Field Marketing Manager Tel: +33 4 67 59 97 47 Email: i.michoux@netia.com Website: www.netia.com

Agency Contact: Samantha Drazin Wall Street Communications Tel: +1 786 464 9724 Email: samantha@wallstcom.com

Company Overview: NETIA, a GlobeCast company, is a leading provider of software solutions that enable efficient management and delivery of content to today’s full array of media platforms. Relied on by more than 10,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides content management solutions to major radio and television brands and to multimedia groups around the world, and recent wins have made the company a significant new player in the telco market, as well. Clients include RAI Italy, France Telecom/Orange, ABC, MediaCorp Singapore, RTL, Radio Globo, Radio France, The Associated Press, France Télévisions, TV Center Russia, and L’Équipe 24/24. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

NETIA Products at the 2012 NAB Show:

New! Radio-Assist(TM) 8.1 — Upgraded Radio Automation NETIA will showcase enhancements to its Radio-Assist(TM) 8 range of digital audio automation software at the 2012 NAB Show. Radio-Assist 8.1 will offer the same robust array of tools for streamlined end-to-end multimedia production, broadcast, and publication workflows, as well as additions including two significant features: a new integrated music scheduling application and new video editing capability from within a single user interface.

NETIA’s Radio-Assist family of digital audio software programs covers each part of the production and broadcast workflow, allowing users to record, edit, or prepare a playlist. In addition to new browse and publishing tools for full multimedia functionality, the software features tools for acquisition, sound-file editing, commercial and music production, newsroom systems, scheduling, multicasting, and administration.

Radio-Assist 8.1 will allow users to leverage built-in music scheduling functionality. With music management tools integrated into Radio-Assist 8.1′s FederAll playlist preparation module, users will be able to automate playlist generation according to preset criteria, business policies, and a wide range of intelligent options for sequencing music.

The video editing tool now available within the Radio-Assist 8.1 interface complements the software’s Snippet and Snippet+ audio editing tools. Offering a convenient editing solution, this enhancement addresses the growing demand for radio broadcasters to provide video via their online portals. This simple and easy-to-use editing tool is available through the same GUI as the Snippet tool, providing familiar utility that allows staff to produce video clips with very little training.

During the 2012 NAB Show, NETIA will highlight further functional and technical enhancements that add to the value of Radio-Assist 8.1 in today’s radio broadcast operations.

Image Link: www.wallstcom.com/NETIA/RadioAssist8.zip Image Caption: NETIA Radio-Assist(TM) 8

New! Content Management System At the 2012 NAB Show, NETIA will launch a new version of its Content Management System (CMS) that allows users to manage all processes within the global production environment — from editing through post and distribution — through simple, easy-to-manage workflows and task automation, accessed through one unique and easy-to-use interface. The NETIA software suite also allows users to connect all of their partners and vendors within a single production ecosystem, simplifying the sharing and managing of media assets.

The CMS that will be presented at the 2012 NAB Show includes enriched features within its metadata management module, as well as in its indexing functionality. The CMS GUI includes a greater number of fields that can be personalized, and the system’s metadata template can be customized by users. A multilingual thesaurus module available in this new CMS release ensures there are endless possibilities for very precisely describing content, in turn making it easier for users to access and retrieve specific content. Finally, the CMS will include an enhanced administration application that further simplifies system management.

Image Link: www.wallstcom.com/NETIA/CMS.zip Image Caption: NETIA Content Management System (CMS)

All trademarks appearing herein are the property of their respective owners.

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Prism Sound’s New Loudness Test Suite Allows Broadcasters To Deliver Flawless and Legally Compliant Audio

With the CALM Act now law in the US and compliance soon to be mandatory, Prism Sound is using the NAB 2012 platform to highlight the importance of loudness meter verification by showing a new application for its award-winning dScope Series III audio analyzer.

This unique, freely-available test suite allows broadcasters and manufacturers to determine whether every aspect of their meter design complies with the latest international loudness standards.

Developed by Dr Rich Cabot, Founder and CTO of Qualis Audio, and Ian Dennis, joint-founder and CTO of Prism Sound, this comprehensive new suite of audio tests can be used to evaluate the performance and compliance of any loudness meter on the market. As US broadcasters are now legally obliged to comply with the ATSC A/89 standards, Prism Sound’s new test suite enables them to properly evaluate all loudness meters and ensure that their chosen product can deliver both ATSC and ITU BS.1770 compliance.

The new test suite will be on show at Prism Sound’s NAB 2012 booth (C3029). Visitors to the booth can obtain a FREE set of wave files and dScope Series III test files for verifying the performance of their loudness meters. The wave files have been specifically designed to expose any design flaws in a loudness meter, and the dScope Series III programmable test suite replicates these test signals in a highly convenient format, allowing the waveforms to be sourced directly from the dScope Series III digital signal generator.

Prism Sound is widely regarded as the leading expert in the field of audio test and measurement. The company offers a range of audio test solutions including the highly-acclaimed dScope Series III instrument, which incorporates precision, automatic gain-ranging that allows high resolution analogue measurements over a massive range, from a few micro-volts to more than 150 volts RMS, and from less than 1 Hz to over 90kHz. Its dedicated hardware interface uses DSP to provide a wide range of real time measurements, while its software exploits the host PC for almost unlimited number crunching and analysis options such as Fast Fourier Transforms, unique ‘Smart FFT’ soft instruments, swept sine and multi-tone testing. Designed to be highly programmable, the dScope Series III can be automated from a wide range of third-party software applications using Active X controls, or internally using VBScript.

Prism Sound will be showcasing its full range of audio Test & Measurement solutions at NAB 2012, 16–19 April, 2012, Las Vegas Convention Centre, Las vegas UAS, Booth C3029. For further information visit www.prismsound.com

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

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Anthony Wilkins Appointed as RTW’S International Sales Manager

Wilkins’ Extensive Experience in Broadcast and Pro Audio Sales will Bring Continuous Development of RTW’s Presence in the US and International Markets

COLOGNE, GERMANY, 2 February 2012 — RTW, a leading manufacturer and distributor of professional audio metering and control devices for studio recording and radio and TV broadcast applications, , has appointed Anthony Wilkins as the company’s new International Sales Manager. Wilkins is an English native speaker and has lived and worked in Great Britain, Switzerland, Germany and Ireland. His main role will be to control and coordinate RTW’s international sales from the corporate headquarters at Cologne.

Wilkins has more than 25 years of experience in the Pro Audio industry and is currently completing his MBA. He has previously worked for Sony, Analog Devices, DTS and most recently for Linear Acoustic. He is also a member of the EBU P/Loud group, which is in charge of developing the R128 loudness standard; the AES and the IEEE.

“We are very glad that Anthony Wilkins has joined our team and proud to have gained a sales expert with an in-depth understanding of the international broadcast and pro-audio markets,” says Mahmoud Chatah, RTW director of marketing and sales. “Wilkins will significantly increase our brand visibility in the international key markets. In taking over those critical tasks, he will allow me to focus on strategic alignment of RTW’s marketing.”

“I am determined to strengthen RTW’s global sales with effective measures and extensive travel,” adds Wilkins. “Further development of the important US market is my primary objective.”

About RTW
RTW, based in Cologne (Germany), has more than 40 years of experience in designing, producing, and marketing advanced recording-studio systems. The company focuses its business on peak meters and audio vectorscopes that are in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio includes the TouchMonitor range, a new series of tools for visual signal analysis, loudness metering, and more. TouchMonitors combine highest flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, integrating exceptional surround-signal visualization using the unique and groundbreaking Surround Sound Analyzer. In June 2008, RTW was certified for the internationally accepted DIN EN ISO 9001:2000 quality-management standard.

For more information, visit www.rtw.de or www.facebook.com/rtw.de, or call +49 221 709130.

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Audio-Technica Presents “Get Your Own Mic”

Grunge is more than just a genre. As any singer knows, grunge (along with dirt, grime, and sludge) is what happens to a vocal microphone, especially when it’s shared among different performers. With their latest video, Audio-Technica humorously illustrates this phenomenon and urges singers to “Get Your Own Mic” – it should be a basic right for singers.

Please take a look at this clever, irreverent clip, and feel free to post to your website, share on facebook, add to newsletters, tweet or pass along to friends.

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