Archive of the The Wire Category

133rd AES Convention Tech Tours – Fantasy To Electronic Arts

TRI, 25th Street, Ex’Pression, + Fenix, The Bay Area’s Hottest New Club

SAN FRANCISCO: “A Bay Area native with a solid background in all things audio, 133rd AES Convention Tech Tours Chair Jessica Livingston has proven herself an invaluable resource in ferreting out our town’s most interesting and ‘happening’ highlights,” says Convention Co-chair Valerie Tyler. “The depth of Jessica’s connectivity, coupled with her instinctive grasp of what would most appeal to our Tech Tour aficionados has shaped a particularly well rounded schedule this year,” Tyler adds.

“My goal was to profile the diverse range of SF’s pro audio community,” Livingston says. “From a cutting edge video game creative campus, to a top-flight school and SF’s latest live performance venue, these tours are designed to be instructive, colorful and entertaining.”

133rd AES Convention Technical Tours include:

Tamalpais Research Institute (TRI) Created by Grateful Dead founding member Bob Weir, TRI is a $5+ million, state-of-the-art recording and broadcast facility located in San Rafael. The 11,500-square-foot complex features a 2,000-square-foot main studio, a smaller studio, two mixing rooms and five additional isolation rooms. The entire facility is interconnected, for audio and HD video recording. In addition to its broadcast and recording capabilities, the complex is a showcase for the Meyers Sound Constellation System, a revolutionary new concept in public audio.

Electronic Arts: The world’s largest video game publisher, features a host of high tech development and production studios. In addition to sophisticated design and production technology, the 22-acre campus-like environment is equipped with a number of employee-friendly amenities including sports fields, and basketball courts. The tour will visit each of EA’s four buildings and include a presentation in their state-of-the-art auditorium, a ‘Visceral Studio’ demonstration illustrating the audio focus of game development. And, a web audio API sound engine demo.

25th Street Recording: Distinguished by a 1,400 square-foot tracking room, and 17-foot-high ceilings, this new Fran Manzella-designed complex represents a rare example of a large-scale studio launch in our current ‘project studio’ era. Outfitted with a massive collection of analog outboard gear and a 64-channel API Vision console, 25th Street also boasts a number of cool (and green) aesthetic accoutrements, including floors fashioned from wood reclaimed from stadium benches.

Polarity Post Production: This 5-studio, full service, audio post house represents the penultimate environment for creative sound design and mixing. Clients range from Disney Channel, to many national ad campaigns. Outpost Studios: Creators of Sound Design, Music, Dolby Mixing, Voice-Over/ADR and Foley for feature films, TV and Gaming. Recent Outpost projects include the new Robert Redford feature “The Company You Keep,” and Kiefer Southerland’s “Touch” for FOX. Thanks to dual occupancy in the same Embarcadero District building, participants may attend both tours concurrently.

Ex’Pression College For Digital Arts: One of SF’s largest and most comprehensive cutting edge educational campuses, Ex’Pression features an Interactive Audio Program focused on preparing students for careers in video games, mobile phone technology, hand-held multimedia devices and many more contemporary creative options. The ultra modern school features multiple studios, control rooms, editing suites, gaming stations, a theater, MDG Labs and a Stop Motion Room. Among the guides for this tour will be legendary multi-Grammy-winning producer/engineer Jack Douglas, who is now a guest lecturer on Sound Arts for Ex’Pression.

Fantasy Recording Studios: is celebrating its 40th year as one of the world’s premiere studios. With credits ranging from Creedence Clearwater to U2 and Estelle, Fantasy continues to attract crème de la crème artists and producers. The three-studio complex boasts a total Studio D upgrade, completed early this year.

The Fenix Club: The latest addition to San Rafael’s cool but low key night life scene, this new, 200 seat, 8600 sq. ft. showcase performing venue/restaurant features outstanding acoustics. Just 25 minutes from the Moscone Center, The Fenix is distinguished by a whimsically elegant design, and accented by a striking backlit wall. This tour will be conducted by architect/acoustician, John Storyk, whose Walters-Storyk Design Group designed the club.

Dolby Atmos Demo: Considered the most significant new development in audio since surround sound, Dolby Atmos delivers a more natural and realistic soundfield. It transports the audience into the story with a ‘lifelike sensory experience.’ Developed with input from highly respected feature film professionals, this new concept in sound represents a dynamic reinvention of traditional surround sound methodology. This demo will be held at the Dolby Headquarters Theater in SF.

*PLEASE NOTE: Tickets for Technical Tours are only available on site at the Moscone Center. A Preliminary Calendar of Event dates and times will be posted on the www.aes.org website soon. Tickets will be sold at the Reception Desk in the main lobby well in advance of departure.

Photos: 1. Electronic Arts
2. 25th Street Studios Live Room
3. TRI Studios Control Room

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Waves MaxxAudio Technologies Employed on the New ASUS N Series

— Multimedia notebooks now feature studio-quality sound enhancement by Waves MaxxAudio —

TEL AVIV, ISRAEL, August 15, 2012 — The Consumer Electronics Division of Waves, the industry leader in professional audio digital signal processing and recipient of a Technical GRAMMY® award, is proud to see its MaxxAudio technologies employed on new ASUS N Series notebook computers. This line of premium portable PCs will now have the audio experience to match, as the same award-winning Waves processors that are utilized to improve sound quality in the creation of the world’s most popular music, television, gaming, movies, and multimedia titles are now available for studio-quality sound at home, in the office or on the go. A major point of focus for ASUS is its unwavering dedication to customer satisfaction with every product. This commitment holds true with the new N Series of multimedia notebooks, which deliver ASUS SonicMaster Premium audio technology to ensure the utmost sound quality. It uses enhanced hardware alongside professional Waves MaxxAudio processing tools, further enhancing audio capabilities and taking sound experiences to the next level. In terms of aesthetics, an elegant ripple-effect speaker mesh conveys the flow of lifelike, high-quality sound, emphasizing the elegant design and powerful technology offered by the new ASUS N Series to consumers worldwide.

“We are pleased to be working with ASUS on their new product line,” stated Tomer Elbaz, General Manager of the Waves Consumer Electronics Division. “The new N Series models truly live up to the ASUS reputation as a trailblazer in the new digital era, and we are proud that Waves MaxxAudio technology can help take their audio to the next level.”

Jeff Yang, Marketing Director of the ASUS System Business Group, added, “As audio is becoming increasingly important in computing, we felt it important to work with Waves, the proven leader in the professional audio recording industry, for our new N Series. Now customers are able to get larger than life, immersive sound from their notebooks at home or on the go.”

For more information, please visit www.maxx.com.

GUITAR CENTER OPENS NEW COLLEGE STATION, TEXAS STORE

— 233rd Guitar Center location features on-site lessons and repair services, along with GC’s vast inventory selection —

Westlake Village, CA (August 21, 2012) – On the evening of Thursday, August 9, 2012, Guitar Center held the grand opening of its new location in College Station, Texas, located at 1003 Harvey Rd. Ste 100, College Station, TX 77840-3752. Guitar Center College Station is Guitar Center’s 233rd retail location.

Guitar Center College Station’s grand opening introduced customers to a vast selection of products and a dedicated staff with unparalleled musical knowledge and experience. To celebrate the store opening, Guitar Center hosted a Grand Opening Weekend celebration featuring exclusive savings, gear giveaways and free events catered to local musicians. The grand opening events will also include a free performance and workshops throughout the next two months.

Guitar Center’s newest College Station location features showrooms equipped with the latest products for musicians — from guitars, amplifiers, percussion instruments and keyboards to live sound, DJ, lighting and recording equipment. The new store features Guitar Center Studios, an in-house, state-of-the-art lesson facility, which is creating unrivalled opportunities for area musicians of all ages and skill levels. Guitar Center Studios provides music lessons from beginner to advanced featuring certified instructors teaching world-class curriculum as well as one-on-one courses on Pro Tools, Logic Pro and GarageBand. Guitar Center Studios is now the most modern and affordable lessons facility in the area. Guitar Center College Station also features GC Garage, Guitar Center’s on site guitar repair service.

As part of Guitar Center’s initiatives designed to educate and inspire artists nationwide, Guitar Center College Station will offer unique opportunities for musicians to craft their skills, maintain their instruments and experience many other aspects of the music industry first-hand. Musicians interested in learning about the industry will be able to come to the store to interact with and pick the brains of several industry leaders. College Station shoppers are also able to enjoy Guitar Center’s new multi-channel “endless aisle,” which includes multiple combinations of product options to conveniently choose from. Not only does the “endless aisle” include the College Station store’s extensive inventory, but it also provides easy access to $400 million in new and used inventory located in hundreds of GC stores and warehouses across the nation. Customers have the ability to combine a myriad of in-store, online and phone options to purchase music equipment from anywhere they may be, allowing for a personalized and convenient shopping experience.

In addition to special programs at the new College Station store, Guitar Center offers nationwide programs designed to spearhead creativity and highlight the nation’s most promising undiscovered talent. College Station residents will now be able to participate in these ongoing national events from their hometown:

Guitar Center On-Stage is an annual competition that provides unsigned artists the chance to open for established artists such as Motley Crüe, KISS and Jane’s Addiction.
Guitar Center Singer-Songwriter is an artist discovery program which aims to find the nation’s best unsigned singer-songwriter. Last year’s winner received a career-altering prize package which has included recording 3 songs with accomplished GRAMMY® Award-winning Producer John Shanks, recording time at Converse Rubber Tracks studio and $10,000 cash.
Guitar Center’s Battle of the Blues is a nationwide amateur guitar skills competition with the goal of finding the next great undiscovered blues guitar player and The grand prize package is valued at over $50,000.
Guitar Center’s Drum-Off, entering its 24th year, is the nationwide search for the next great undiscovered drummer. Drummers from across the nation compete in the world’s largest drum competition, vying for thousands of dollars in prizes and the coveted title of Guitar Center’s Drum-Off Champion. The grand prize package is valued at nearly $50,000.

Guitar Center College Station is open seven days a week. Store hours are 11:00 a.m. – 7:00 p.m. Monday-Thursday; 11:00 a.m. – 8:00 p.m. Friday; 10:00 a.m. – 7:00 p.m. Saturday; and 12:00 p.m. – 6:00 p.m. Sunday.

Upcoming event:
Monday, August 27: Guitar Workshop with Dave Elitch (Drummer for The Mars Volta, Daughters of Mara) (7:00pm)

Audio-Technica Endorser Jim Brickman Tapes Session for Long-Running Radio Show at Audio-Technica’s Stow, Ohio Headquarters

STOW, OH, August 16, 2012 — Audio-Technica, a leading innovator in transducer technology currently celebrating “50 Years of Passionate Listening,” was proud to recently host A-T endorser Jim Brickman as he recorded segments for his radio show Your Weekend with Jim Brickman, currently celebrating its 15th year as a syndicated hit, at Audio-Technica’s studio at their Stow, Ohio headquarters on August 3, 2012. A-T products used during the session included the AT4047/SV Cardioid Condenser Microphones and ATH-M50 Professional Studio Monitor Headphones.

About Jim Brickman
Jim Brickman has revolutionized the sound of solo piano with his pop-style instrumentals and star-studded vocal collaborations. A native of Cleveland, Jim Brickman began playing piano at the age of five and studied music at the prestigious Cleveland Institute of Music. Since the release of his debut album No Words in 1994, Jim Brickman’s romantic piano sound has made him the best-selling solo piano artist of our time. He has established a reputation for his collaborations with many gifted musical artists: Lady Antebellum, Martina McBride, Kenny Loggins, Michael W. Smith, Carly Simon, Herb Alpert, Collin Raye, Michael Bolton, Donny Osmond, and Olivia Newton-John. His signature style has brought him six Gold and Platinum albums, 30 charted adult radio hits, and two GRAMMY® nominations. He recently tied for most Number One albums on Billboard’s New Age chart, and he currently holds four of its Top 10 spots. Catch Jim Brickman On A Winter’s Night touring this holiday season. For a complete list of tour dates and details visit jimbrickman.com.

Auralex® Now Shipping UtiliTek™ Sound Absorbent Panels

— Based on Auralex®’s popular ProPanel series, UtiliTek™ panels offer contractors and system integrators a cost-effective solution in acoustical control —

INDIANAPOLIS, IN, August 13, 2012 – Auralex® Acoustics, Inc., the world’s leading brand of acoustical treatments and soon to celebrate its 35th anniversary, is now shipping its UtiliTek™ sound absorbers. Designed based on input from leading contractors and system integrators, the UtiliTek panels are similar in function, performance and design to Auralex’s acclaimed ProPanel series, but at an even more attractive price point that still yields top-notch aesthetics and performance. UtiliTek panels are fabric covered, acoustically absorptive panels designed to reduce unwanted room reflections and reverberation, providing a more accurate and articulate listening experience. UtiliTek panels are highly effective and lightweight, are composed of Class A fire-rated materials and feature a recycled absorbent core.

UtiliTek is available in four thicknesses and two edge profiles. The beveled-edge style is available in 2′x2′x1″, 2′x4′x1″ and 2′x4′x2″ sizes. The square-edge style is available in a 2′x4′x3″ size that is perfect for corner mounting between two walls or across wall/ceiling junctures for moderate low-frequency control.

“As part of our ongoing commitment to the sound contracting/fixed installation market sectors, we wanted to offer solutions for contractors working with the tighter budgets that are common in today’s economy,” stated Eric Smith, Auralex Founder and President. “UtiliTek panels can be employed in a wide variety of installations, including clubs, live performance venues, restaurants/bars, houses of worship, corporate, municipal and residential installations.”

For more information, please visit www.auralex.com.

StreamGuys and AdsWizz Strike Partnership to Monetize Digital Media

Partners Offer Both On-Demand and Live Streaming Media Monetization Tools, Including First-Ever Pre-Roll and Mid-Roll Podcast Ad Insertion Technology

BAYSIDE, CALIFORNIA, August 21, 2012 – Broadcasters and audio publishers can now experience a true streaming media return on investment through the collective strengths of StreamGuys’ cloud-based streaming services and AdsWizz’s digital advertising solutions. The new StreamGuys and AdsWizz partnership offers one of the first mobile-friendly, multi-platform streaming solutions with targeted, rich media advertising capabilities.

The two companies have already won a contract with a major sports broadcaster. The new customer is successfully using AdsWizz’s Pre-Roll Ad Insertion technology to deliver targeted advertisements to consumers who download the broadcaster’s audio podcasts, reaching more online media players and mobile devices than before via StreamGuys’ one-to-many streaming architecture.

In addition to pre-roll podcast capabilities, the two companies will provide joint customers with a portfolio offering several ad-supported monetization tools, including audio and video mid-roll ad insertion technology as well as companion display ad banners. These rich media advertisements can target specific subsets of users based on their gender, demographic and active location based data.

AdsWizz’s Digital Advertising Monetization Platform enables CDNs, Ad Networks and Online Audio Publishers to unleash the power of one-to-one marketing by allowing them to insert ads directly into each end-user’s on-demand or live stream and ensure the ad specifically speaks to the individual’s interests. In addition AdsWizz also provides real-time audience measurement and analytics tools to evaluate audience response. Customers using these tools can later confirm with their advertisers that streams were monetized through targeted advertisements.

StreamGuys’ one-to-many architecture ensures that broadcasters and publishers can deliver content, including advertisements in multiple formats to reach many targets. StreamGuys also eliminates transcoding steps often used for multi-format streaming that degrade audio and video quality.

Jason Osburn, executive vice president at StreamGuys, notes that the StreamGuys/AdsWizz partnership allows the company to offer a solution that simplifies monetization of live and on-demand rich media delivery — and deliver those ad-injected streams to virtually every popular end user device for consumption. The StreamGuys/AdsWizz solution currently supports Flash and Icecast streaming for MP3 and HE-AAC audio formats; as well as Flash and iOS for video.

“Most broadcasters are now seeking compatibility with iOS devices, including the iPhone and iPad, as well as other mobile platforms to expand their audience reach,” said Osburn. “Our relationship with AdsWizz allows us to provide a full-service shop to support broadcasters who depend on ad placement for revenue generation.”

StreamGuys manages the overall solution from their facility, including the AdsWizz server software that lives on StreamGuys’ adaptive bit-rate streaming architecture in the cloud. The company also provides rich data on hits, visitors, user agents, geographic regions and other analytics to help customers strategize future growth.

“Until now broadcasters, audio publishers and advertisers were constantly in search of ways to turn podcasts into revenue-generating advertising mediums,” said Alexis van de Wyer, president at AdsWizz. “Their search officially stops today with AdsWizz’s breakthrough in enabling broadcasters to insert targeted ads into podcasts. As we continue our partnership with StreamGuys, joint customers will be able to further grow their revenue through several other innovative ad-supported monetization tools, leveraging both on-demand and live streaming media.”

# # #

About AdsWizz, Inc.
AdsWizz provides ad serving and audience measurement technologies to CDNs, agencies, ad networks and online audio publishers. Its audience measurement product delivers publishers with real-time and actionable analytics on their audience behavior. AdsWizz ad serving technology enables agencies and ad networks to create online advertising campaigns across audio, video and display formats with social media integration. The ad serving technology gives online audio publishers the ability to monetize all their online content such as Simulcast, webcast or Podcast; Web, Mobile or In-dash; and domestic or international. AdsWizz serves its customers from its San Francisco, Denver, Paris, Brussels and Bucharest offices. For more information, visit www.adswizz.com.

About StreamGuys, Inc.
In business since 2000, StreamGuys is a provider of audio and video streaming services. The company has have a reputation for outstanding customer service, a robust and reliable network, and competitive rates. More than 600 clients worldwide, across many industries, depend on their mission-critical service. Projects include serving as the technology backbone for live streaming/podcasting for top public broadcasters such as New York Public Radio, WAMU Washington D.C., KQED San Francisco and WXPN Philadelphia; live video events for major auto racing circuits and the British Royal Wedding; audio streaming for government entities such as D.C. Court of Appeals, U.S. Army, and the National Science Foundation; mobile video content for Cisco Systems; and IPTV content for international broadcaster ABS-CBN.

# # #

StreamGuys, Inc – info@streamguys.com – www.streamguys.com – 707.667.9479
P.O. Box 828 Arcata, California 95518 – fax 707.516.0009

133rd AES Convention Introduces Networked Audio Track

Interoperability! The “Holy Grail” For Audio Transport Over IP-Based Networks

SAN FRANCISCO: Networked Audio presents a host of technological and operational advantages, and an equal number of Workflow issues and potential quagmires. 133rd AES Convention Co-Chair Jim McTigue reports that Networked Audio Track Chair, Tim Shuttleworth’s collaboration with the late Nathan Brock has produced a comprehensive program of Workshops designed to ameliorate many of these concerns.

“Before his untimely death this summer, Nathan Brock was an international leader in the field of networked audio,” McTigue said. “We mourn his loss, but his collaboration with Tim Shuttleworth will stand as an invaluable addition to the AES Convention. Tim Shuttleworth, is a master engineer with a special focus on high performance analog and networked audio. During the course of his 30+-year association with the AES he has served in many key roles including editing the Emerging Trends Report for the AES Technical Committee on Networked Audio Systems. ”

Networked Audio Track Workshops Include:

Audio Network Device Connection And Control: Chair, Richard Foss, Rhodes University; Panel: Jeff Koftinoff: MeyerSound; Robby Gurdan , UMAN; Andreas Hildebrand, ALC NetworX; Kieran Walsh, Audinate – Leading industry experts will demonstrate how they have enabled the discovery of audio devices on local area networks, their connection management, and control over their various parameters. Issues related to streaming audio, such as bandwidth management and synchronization, and connection management and control protocols will be discussed.

The Unified AV Network: Chair Rob Silfvast, AVID: This panel discussion will provide an overview of the AVnu Alliance, a consortium of audio and video product makers and core technology companies. Committed to delivering an interoperable open standard for audio/video, networked connectivity, AVnu offers a logo-testing program that allows products to become certified for interoperability. Representatives from several different member companies will provide insights about AVB technology and participation in the AVnu Alliance.

Interoperability Issues In Audio Transport Over IP Based Networks: Chair, Tim Shuttleworth; Panel: Lee Minich, Lab X Technologies/AVnu Alliance; Kevin Gross, AVA Networks/AES X-192; Sonja Langhans, IRT Munich; Greg Shay, Telos/Axia – This Workshop will focus on two key areas of audio/media transport over IP based networks: Multichannel Audio distribution over Ethernet LANs for low latency, high reliability interconnections in home, automobile and commercial environments; and, the interoperability of audio contribution, over Internet Protocol (ACIP and ACIP2). These issues will be addressed, from both the European and US perspectives. Issues include challenges and solutions in achieving reliable content distribution.

Audio Networks – Paradigm Shift For Broadcasters: Chair, Stefan Ledergerber, Lawo, Germany; Panel: Sonja Langhans, IRT Munich; Andreas Hildebrand, ALC Networx; Lee Minich, Lab X Technologies/AVnu alliance; Greg Shay, Telos/Axia; Kevin Gross, AVA Networks/AES X-192 – With the emergence of a variety of audio networking technologies, many broadcast organization workflow-related questions remain unanswered. This panel will address a number of these hot topics e.g. Will traditional cross-point, matrix switches (routers) be replaced by networks? Which component will deal with signal processing, currently accomplished within audio routers? Which department is best equipped for handling audio networks: audio or IT? And, how do we educate personnel to deal with audio networks?

Error-Tolerant Audio Coding: Chair, David Trainor, CSR; Panelists: Gary Spittle, Dolby; Deepen Sinha, ATC Labs (tbc) and Juergen Herre, Fraunhofer IIS (tbc) – Two key, observable trends are: The increasing delivery of real-time audio services over the Internet or cellular networks; and, the variable capacity and reliability of these networks for real-time audio streaming. This workshop will discuss the capabilities of error-tolerant audio coding algorithms and, recent advances in the state of the art.

Open IP Protocols For Audio Networking: Chair: Kevin Gross, CobraNet, QSC – This Tutorial will address the conundrum resulting from the networking and telecommunication industry’s multiplicity of protocols for carriage of audio and video over IP networks. These protocols have been widely deployed for telephony and teleconferencing applications, Internet streaming and cable television. A variety of these protocols and their capabilities and limitations will be addressed. Including: IP, VoIP, IPTV, HTTP streaming, Real-time transport protocol (RTP), RTCP, and RTSP, and IEEE 1588 Precision time protocol (PTP). An overview of AES standards work, X192, adapting these protocols to high-performance audio applications will also be presented.

“We have attempted to make this initial Networked Audio Track as timely and inclusive as possible,” Tim Shuttleworth said. “Attendees will find invaluable information here. And in keeping with the AES goal for the Convention to serve as a forum to ‘Listen, Learn and Connect,’ the opportunities for traditional networking and information exchange will be manifest.”

Photo: Tim Shuttleworth, 133rd AES Convention Networked Audio Track Chair

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Alan Dick Broadcast Receives Major DVB-T Project Award For (RTB) Radio Television Brunei

TO PROVIDE TURNKEY INSTALLATION

Alan Dick Broadcast — a world leader in the manufacture and design of radio frequency components and antennas for radio and television transmission — today announced they have been awarded a full turnkey project to install and commission a sizeable DVB-T television antenna system in the Southeast Asian Nation of Brunei.

ADBL will provide Radio Television Brunei (RTB) with their vertically polarized 30 panel UHF DVB-T broadband antenna, along with a Constant Impedance Combiner, unitized Patch Panel Power Splitter and Rigid Line kits. RTB is the official state broadcaster of Brunei. Its first radio broadcast was in May 1957; television service followed in March 1975. RTB currently airs five television channels including the national flagship channel, an HDTV service, a 24-hour international satellite channel, and one dedicated to the nation’s Royal Islamic Mosque.

“We are extremely pleased to be chosen by Radio Television Brunei to implement this important upgrade to their nation’s broadcast infrastructure and 1st DVB-T installation,” said Barry Sugden, director of Alan Dick Broadcast. “Our skilled technical staff is eager to commence installation.”

About Alan Dick Broadcast
UK-based Alan Dick Broadcast (ADBL) is a long-established global leader in the manufacture of antennas, combiners / filters, towers and broadcast infrastructure services for digital and analogue video and audio systems. Our portfolio starts at concept and runs through planning site development, station equipment, towers, antennas, and a full implementation and testing service. Additional information about ADBL may be obtained at: www.alandickbroadcast.com

ADBL contact: Sonia Del Castillo
sonia.delcastillo@alandickbroadcast.com

ADBL contact: Barry Sugden
barry.sugden@alandickbroadcast.com

Press Contact: Desert Moon Communications
Harriet Diener • +1 845-512-8283
harriet@desertmooncomm.com

AES Educational Foundation Announces 2012 Awards

NEW YORK: Don Puluse, President of the AES Educational Foundation, and its Board of Directors, have announced the recipients of the 2012 AES Educational Grants for Graduate Studies in the field of Audio Engineering. “This year our Emil Torick Scholar is Matthias Leimeister, who will pursue an MSi in Medientechnnologie in Audio Signal Processing from the Technische Universitat Ilmenau,” Mr. Puluse said. “Mr. Leimeister holds a degree in Mathematics from the University of Heidelberg. The Emil Torick Award honors an outstanding student with exceptional career goals.”

The John Eargle Award given annually to a student who excels in both technology and music was presented to Ross Penniman, candidate for an MS in Music Engineering, University of Miami. Mr. Penniman holds a BM and a BS from University of Michigan.

Other AES Educational Foundation Awards Include:

Areti Andreopoulos is studying for her PhD at the Steinhart School of NYU. She has a degree from the University of Athens, Greece, and an MM in Music Technology from Steinhart.

Christos Manolas, receives a renewal grant for his PhD studies at the University of York. Manolas has a degree from the New Music School, Thessaloniki, Greece, and two masters’ degrees from University of York.

Magdalena Plewa is pursuing a PhD at Gdansk University of Technology in Audio Engineering and Telecommunication. She has a MSc. from AGH University of Science & Technology in Krakow, Poland. She is current president of the AES International Student Delegate Assembly.

Jamie Tagg will begin his studies towards a PhD in Sound Recording from McGill University. He has a BM from the University of Miami in Music Engineering Technology, and a MM in Sound Recording Technology from U. Mass Lowell.

Mauricio J. Gargel receives a renewal grant to continue his studies towards an MFA in Recording Arts at MTSU. He has a degree in Social Communication from Univerdidade Metodista de São Paulo, Brazil and studied audio at the Institute of Audio and Video.

Scott Levine continues his studies at McGill University for an MM in Sound Recording. He receives a renewal grant. His previous degree is in Music Technology from the University of California at San Diego.

Hannah Robertson holds a BA in Physics from Middlebury College. She continues with a renewal grant at McGill University for an MS in Music Technology.

The Board of Directors has also announced the addition of two new members, Bob Moses and Jim Anderson. Mr. Moses, a product designer, technologist, and pro audio industry advocate, is Executive Director of the AES. Mr. Anderson, a Grammy Award- winning producer and engineer, is a former President and Governor of AES and a professor at NYU.

The AES Educational Foundation was established in 1984 to encourage talented students to enter the profession of audio engineering. Grants for graduate studies with emphasis on audio topics are awarded annually. Recipients are selected on the basis of demonstrated talent, achievements, goals and recommendations. Since its inception, the AESEF has presented 170 grants at 60 universities worldwide, totaling over seven hundred thousand dollars. Grants have been made possible by contributions from AES, Inc., the estate of John K. Hilliard, JBL Inc., the Mix Foundation for Excellence in Audio, and the families of John Eargle, David Smith, and Emil Torick. The AES also receives support from other benefactors such as in memoriam donors, and individuals and companies, which support education in audio.

Application forms and additional information are available from the Audio Engineering Society, 60 East 42nd Street, New York, NY 10165, USA, or on its web site: www.aes.org/education/foundation/.

Photo: Don Puluse, president of the AES Educational Foundation

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Alan Dick Broadcast Announces IBC 2012 Exhibition Plans

IBC STAND 8.B99

Cheltenham, UK – Alan Dick Broadcast (ADBL), one of the oldest names in Europe for antennas, combiners, mask filters, transmission line and towers, has announced plans to highlight its competitively priced product portfolio as well as installation services at IBC 2012. A true pioneer in the worldwide broadcast Industry for over 40 years, ADBL serves as a major provider of communications infrastructures in Europe, the Middle East and Africa from headquarters in Cheltenham, UK.

ADBL’s extraordinary and innovative engineering expertise serves as the foundation for its high-quality range of station equipment, towers, and antennas. Products, developed to satisfy the infrastructure needs of global broadcast markets, include broadband FM and DVB-T antenna system solutions.

IBC 2012 HIGHLIGHTS

    ADB-VP – Vertical Dipole FM Broadband Antenna

ADBL’s Vertical Dipole FM Broadcast Antenna, ideal for HD Radio™ and analog broadcasting, is a vertically polarized broadband FM side mount antenna consisting of a Balun fed vertical dipole, power divider, coaxial feed lines and featuring symmetrical band bass. Constructed of stainless steel with a brass inner conductor, all associated brackets and hardware are made of hot dipped, galvanized steel to furnish many years of dependable service. The unit is completely assembled full size and factory tuned on an electrically similar tower structure to insure proper impedance match and low VSWR.

    ADB-CNQ-X1X-FM – FM Notch Filter

The ADB-CNQ is a Coaxial Quarter Wave Notch Filter. Designed for suppression of intermodal products and rejection of a single frequency, the filter family also features natural temperature stabilization, low insertion loss and VSWR packaged in a compact, high “Q” aluminum cavity. The filter’s small footprint allows it to be mounted virtually anywhere in a transmission system.

    About Alan Dick Broadcast

UK-based Alan Dick Broadcast (ADBL) is a long-established global leader in the manufacture of antennas, combiners / filters, towers and broadcast infrastructure services for digital and analogue video and audio systems. Our portfolio starts at concept and runs through planning site development, station equipment, towers, antennas, and a full implementation and testing service. Additional information about ADBL may be obtained at: www.alandickbroadcast.com

###

ADBL contact: Sonia Del Castillo
mailto:sonia.delcastillo@alandickbroadcast.com

ADBL contact: Barry Sugden
mailto:barry.sugden@alandickbroadcast.com

Press Contact: Desert Moon Communications
Harriet Diener • +1 845-512-8283
harriet@desertmooncomm.com

About

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