Archive of the The Wire Category

AES Names Steve Green Business Development Manager

New Job Title Reflects Organizational Evolution

NEW YORK: Recognizing the importance of engaging directly with its stakeholders, Executive Director Bob Moses has named Steve Green AES Business Development Manager. An accomplished audio systems and applications engineer, and skilled technical marketing manager, Green will focus his energies on expanding the AES constituency and maximizing the value of its many assets and services.

“I’ve known Steve Green over twenty years,” Moses said. “I was his customer for more than half of them, and I learned that I could go to Steve whenever I needed an honest answer to a question, or help getting my project out the door. I want that experience for all AES members, exhibitors and attendees. His mission is simple – talk to people and find out how we can make AES better. Then, as we used to say in the manufacturing business, ship it.”

Sharing his thoughts for his new position, Green remarked, “As an AES member for over 30 years, I have a personal interest in the continued success of the organization. My primary goal is to increase the value of the AES for the individuals, companies and educational organizations within the audio community. One of the unique attributes of the AES is the incredible diversity in the interests and focus areas of our members. Facilitating the exchange of ideas and knowledge both within and between these groups is something that only the AES is in a position to provide. I look forward to meeting with many old friends and to building many new relationships on my new journey.”

Steve Green has worked for the past 20+ years with integrated circuit manufacturers focused on audio products, primarily with Crystal Semiconductor/Cirrus Logic. He has held various positions including Applications Engineer, Applications Manager and Technical Marketing Manager. In November 2010 he was awarded an AES Fellowship, “In recognition of two decades of valuable contributions to mixed-signal audio design and implementation.”

Photo: Steve Green has been named AES Business Development Manager

###

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Prism Sound Fulfils An Important New Order For Its SADiE 6 Craft Editing Software

Less than one year after installing 50 SADiE 6 editing systems at BBC North in Salford, the BBC has expanded its SADiE editing capabilities by ordering another 250 systems. These will be strategically located in the Corporation’s radio studios around the UK.

Following a comprehensive review of a range of potential solutions, the broadcaster selected SADiE as its standard “Craft Editor” for audio to complement its radio production and playout automation systems. This decision helped the broadcaster to streamline the range of tools that it supports internally for its radio programme makers.

The Corporation already has many hundreds of SADiE installations. Key to this success is the unique approach that SADiE has to audio editing and productivity, tailored to high-end radio production workflow. The new SADiE 6 software is primarily being used as a software-only application on the broadcaster’s desktops, but it can also be installed on existing SADiE 5 hardware as an upgrade.

The Craft Editor specification demanded a number of feature enhancements for the new SADIE 6 software, including the integration of a comprehensive signal processing plug-in package. This has been met with the iZotope plug-in pack for SADiE 6. In addition, Prism Sound has developed a USB interface for SADiE 6 that supports the broadcaster’s 200-plus SADiE hardware controller. This enables re-use rather than replacement of the controllers.

Graham Boswell, Sales Director of Prism Sound, says: “We are delighted that the BBC is making SADiE 6 available to many more of its radio production employees and we feel confident that they will appreciate the benefits that SADiE 6 brings.”

SADiE digital audio workstations and LRX 2 digital audio workstation have long been the mainstay of the broadcast community thanks to their editing and location recording capabilities. The SADiE product range is renowned for its speed and ease of use, making it ideal for radio drama production and topical documentaries where the emphasis is on a quick turnaround. The new SADiE 6 software operates on any computer running Microsoft Windows as well as existing SADiE 5 hardware platforms.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

BroadcastAsia2012 Preview June 19-22, Singapore NETIA Exhibiting With Master Dealer Broadcast Communications International, Booth 4S3-02

Company Overview:
NETIA, a GlobeCast company, is a leading provider of software solutions that enable efficient management and delivery of content to today’s full array of media platforms. Relied on by more than 10,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides content management solutions to major radio and television brands and to multimedia groups around the world. Clients include SBS and ABC in Australia, RAI Italy, France Telecom/Orange, MediaCorp Singapore, RTL France, Rádio Globo in Brazil, RTM Malaysia, Radio France, the Associated Press, France Télévisions, TV Center Russia, and L’Équipe 24/24. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

NETIA Products at BroadcastAsia2012:

New! Radio-Assist(TM) 8.1 — Upgraded Radio Automation System
At BroadcastAsia2012, NETIA will showcase enhancements to its Radio-Assist(TM) 8 range of digital audio automation software. Radio-Assist 8.1 will offer the same robust array of tools for streamlined end-to-end multimedia production, broadcast, and publication workflows, as well as additions including two significant features: a new integrated music scheduling application and new video editing capability from within a single user interface.

NETIA’s Radio-Assist family of digital audio software programs covers each part of the production and broadcast workflow, allowing users to record, edit, or prepare a playlist. In addition to new browse and publishing tools for full multimedia functionality, the software features tools for acquisition, sound-file editing, commercial and music production, newsroom systems, scheduling, multicasting, and administration.

Radio-Assist 8.1 will allow users to leverage built-in music scheduling functionality. With music management tools integrated into Radio-Assist 8.1′s FederAll playlist preparation module, users will be able to automate playlist generation according to preset criteria, business policies, and a wide range of intelligent options for sequencing music.

The video editing tool now available within the Radio-Assist 8.1 interface complements the software’s Snippet and Snippet+ audio editing tools. Offering a convenient editing solution, this enhancement addresses the growing demand for radio broadcasters to provide video via their online portals. This simple and intuitive editing tool is available through the same GUI as the Snippet tool, providing a consistency that allows staff to produce video clips with very little additional training.

At BroadcastAsia2012, NETIA will highlight further functional and technical enhancements that add to the value of Radio-Assist 8.1 in today’s radio broadcast operations.

Image Link: www.wallstcom.com/NETIA/RadioAssist8.zip
Image Caption: NETIA Radio-Assist(TM) 8.1

New! Content Management System
NETIA will showcase a new version of its Content Management System (CMS) at BroadcastAsia2012. The new version allows users to manage all processes within the global production environment — from editing through post and distribution — through simple, easy-to-manage workflows and task automation, accessed through one unique and easy-to-use interface. The NETIA software suite also allows users to connect all of their partners and vendors within a single production ecosystem, simplifying the sharing and managing of media assets.

The CMS that will be presented at BroadcastAsia2012 includes enriched features within its metadata management module, as well as in its indexing functionality. The CMS GUI includes a greater number of fields that can be personalized, and the system’s metadata template can be customized by users. A multilingual thesaurus module available in this new CMS release ensures there are endless possibilities for very precisely describing content, in turn making it easier for users to access and retrieve specific content. Finally, the CMS will include an enhanced administration application that further simplifies system management.

Image Link: www.wallstcom.com/NETIA/CMS.zip
Image Caption: NETIA Content Management System (CMS)

All trademarks appearing herein are the property of their respective owners.

Audio-Technica and Celebrated Artists Support Music Education

— Nine scholarships/donations honor A-T’s 50th anniversary —

Audio-Technica, a leading innovator in transducer technology, officially kicked off its 50th Anniversary Year in the U.S. with a special gala event held January 19, 2012, during the Winter NAMM Show in Anaheim, California. The event featured an all-star music revue produced by legendary GRAMMY® Award-winning producer Phil Ramone. Among the featured all-star cast of performers were saxophonist and longtime Audio-Technica endorser Mindi Abair, R&B/jazz vocalist Patti Austin, new age/adult-contemporary superstar and Audio-Technica endorser Jim Brickman, smooth jazz saxophonist Dave Koz, vocalist Monica Mancini, legendary trumpeter/pianist/composer Arturo Sandoval, gospel/R&B music legend BeBe Winans and Canadian jazz-pop vocalist Nikki Yanofsky. In commemoration of the event, all eight performers have decided to donate their performance honoraria to different music education programs and institutions, helping promote the importance of music education and assisting students in their pursuits.

Greg Pinto, Audio-Technica U.S. Vice President of Marketing and Consumer Sales, stated, “It was thrilling to have Phil Ramone produce the concert, and to have these eight world-class artists perform at our anniversary celebration in Anaheim marking ‘50 Years of Passionate Listening,’ and it is a special honor that they are donating these funds toward music education, a cause that is very near to the hearts of the A-T family.”

Phil Ramone donated his honorarium to The Salvation Army’s Phil Ramone Orchestra for Children. Abair has decided to donate to the Berklee College of Music Five-Week Summer Performance Program, creating the Mindi Abair/Audio-Technica Berklee Five-Week Summer Performance Scholarship. Austin is also donating her honorarium to the Berklee College of Music. Brickman is giving to his alma mater Cleveland Institute of Music (CIM), creating the Jim Brickman/Audio-Technica Scholarship. Koz is proud to donate to the GRAMMY Camp® (held at and in partnership with the USC Thornton School of Music), creating the Dave Koz/Audio-Technica GRAMMY Camp Scholarship. Mancini selected The Mr. Holland’s Opus Foundation, thereby creating the Monica Mancini/Audio-Technica Donation for Music Education. Sandoval chose the Young Musicians’ Camp at the University of Miami Frost School of Music, creating the Arturo Sandoval/Audio-Technica Scholarship for the Young Musicians’ Camp. Winans is donating to Juilliard’s Summer Jazz Workshops, creating the BeBe Winans/Audio-Technica Scholarship. Yanofsky has selected the Schulich School of Music and its Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) at McGill University, creating the Nikki Yanofsky/Audio-Technica Scholarship.

Audio-Technica endorser Abair stated, “Audio-Technica has been helping me achieve my sound for more than 18 years on the road and in the studio. I was honored to play for their 50th Anniversary and even more honored to give back with a scholarship to Berklee’s five-week program. I grew up musically and personally while getting my degree at Berklee. I was encouraged to be an individual there and create my own musical vision. That’s priceless. I couldn’t be happier to pass that gift along to another individual.”

Beverly Tryon, Director, Corporate and Foundation Relations, Berklee College of Music, remarks, “We are very grateful to Mindi Abair for selecting her alma mater to receive this generous scholarship support, and to Audio-Technica for making it possible. This scholarship will allow a deserving young person to participate in this life-changing summer experience at Berklee.”

Fellow A-T endorser Brickman stated, “I want to express my thanks to Audio-Technica for the opportunity to create the Jim Brickman/Audio-Technica Scholarship at the Cleveland Institute of Music. CIM is the school where I found my sound. I think it’s important to cultivate musicianship, and their teachers do just that. My hope is that through scholarship efforts like this one, it will open doors and further the music education of another aspiring pianist.”

“It is particularly gratifying that Jim has chosen the Cleveland Institute of Music as the beneficiary of this wonderful gift, since he is one of our own, having studied here with Marshall Griffith and Olga Radosavljevich. It was their teaching that helped transform Jim’s future life, and through this gift, CIM will be able to continue our goal of transforming lives for their future, through all that we do,” said Conservatory Dean Adrian Daly. “In consultation with the piano faculty, the scholarship will be awarded to a student who ‘reminds us of Jim,’ with the special qualities he has and has developed to be the wonderful musician, artist and entertainer that he has become. We are also extremely grateful to Audio-Technica for their connections with Jim Brickman, and for their ongoing support of our institutional mission of providing a world-class educational and transformative experience for our students, and for those with whom we interact.”

For more information, please visit www.audio-technica.com.

AES 132nd Convention A Hit In Budapest

Mercedes-Benz Signature Sound Audio & John Buckman Keynote Highlight Show

BUDAPEST: With over 100 paper, workshop, tutorial and networking events, 11 exhibitors and 805 attendees, the 132nd AES Convention was the most intimate yet intensive gathering in the organization’s 64-year history. Participant response to the event and, to the host city, was uniformly positive.

“Budapest exceeded our expectations as a distinctive site for our 2012 European convention,” stated AES Executive Director Bob Moses. “We attracted a number of eastern European audio professionals who had not previously had the opportunity to participate in an AES event. The feedback we received from them as well as from our traditional AES European Convention attendees was extremely positive.”

The convention was highlighted by the first surround recording, specifically mixed and mastered for the exotic new Mercedes SL Roadster. Presented by a blue-ribbon panel which included Leslie Ann Jones of Skywalker Sound, Mario Fresner of Daimler AG, Stefan Bock, msm-studios GmbH, Norbert Niemczyk, Daimler AG, Wieslaw Woszczyk of McGill University, and moderator Herbert Waltl of LA’s mediaHYPERIUM, the event demonstrated the “ultimate surround sound car listening experience.” Technical issues behind its development were discussed at length.

Keynote speaker John Buckman, a leading online label entrepreneur and Chairman of the Electronic Frontier Foundation (EFF), provided deep insights into developing successful 21st century progressive music business models. Presentations spanning subjects from Smartphone technology to Virtual Microphones and the Beach Boys’ “Smile” sessions offered attendees invaluable insights, career tips and social networking opportunities.

Moses reports the quality of the research papers was particularly high thanks in part to a newly instituted Convention paper review process. “The turnout for Workshops and Tutorials was particularly strong,” he adds, “The rooms were packed and, while the exhibition was smaller than we had hoped, we deeply appreciate the support of Audiomonde, Auro Technologies, Charteroak, Crane Song, Delta Senselab, Linear Audio, Microtech Gefell, Neutrik, Profusion and Roland Systems Group East Europe. Our post-show conversations with them clearly substantiate their palpable sense of having made the right judgment call in being with us. “The 132nd Convention clearly confirms the importance of continuing the AES European show. We are already in the planning stages for our next event, and will be incorporating changes our stakeholders are requesting to add value and ensure its long term success” Moses concludes.

Commenting on his reaction to the 132nd Convention, David Josephson of Josephson Engineering who shared a booth with Crane Song, AEA and Hitspace remarked, “The show was really worthwhile. We saw a lot of students and pro users. The technical sessions seemed stronger and better attended than the last London show. We went because it was the first time we could reach out to buyers in Eastern Europe. The opportunity for seeing significant people is absolutely worth attending an event like this.”

Photos: 1. 132nd AES Convention Opening Day Registration
2. 132nd AES Convention Workshop

###

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. With over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East, the organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Acoustics First’s Paintable Design Friendly Acoustic Panel

For Immediate Release

Acoustics First Unveils Tone Tiles™. (Paintable, Design Friendly Acoustical Panel System)Tone Tile™ Paintable Design Friendly Panels

www.ToneTiles.com

As a follow up to the recent PhaseFOAM™ system, the Acoustics First design team has invented a new wall panel system named Tone Tiles™, www.ToneTiles.com. Tone Tile™ acoustical panels are now ready to be shipped and deployed into any application requiring sound control. This new acoustical system offers acoustical absorption with limitless design potential and installation possibilities.

The white soft drywall texture appearance of the tile allows you to install them right out of the box or paint with a matte finish spray paint to complement colors on site. These sound absorbing panels are covered with a paintable / printable finish, allowing you to match any design scheme.

The unique 2’x1’ size of the panel allows one the freedom to create diverse wall tile patterns and mount around existing room obstructions. Optional 2” Stand-Off Mounting Brackets further acoustical control by creating an air gap, increasing absorption and improving low frequency response. The 2″ space behind the panels also presents an opportunity for back lighting effects. Employing optional Corner Mounting Clips permits the installer to construct one foot wide or two foot wide custom bass traps in room corners.

10 ea. 2′ x 1′ Tone Tile™ panels in each box for $350.00 USD.
Optional Mounting Clips:
Acoustics First 2″ Stand off Clips, Box of 20 Clips AF2SC20 $ 80.00
Acoustics First Corner Clips, Box of 8 pair (8 Left & 8 Right) AFCC8 $ 48.00

-Spray Paint Panels to Complement Color Schemes
-Locally Print Images on Panel Face
-Design Unique Wall Patterns
-Apply Stencil Designs
-Increase Absorption Using 2″ Stand off Clips
-Easily Construct Custom Bass Traps

www.ToneTiles.com

Ryan Larkin
Sales & Marketing
www.AcousticsFirst.com
Acoustics First Corporation
PH: (804) 342-2900

Sistema Globo de Radio Installs NETIA Radio-Assist(TM) 8 to Streamline News Production Across Its Four Largest Brazilian Stations

CLARET, France — May 2, 2012 — NETIA, a leading software manufacturer of media asset management and radio automation solutions, today announced that Sistema Globo de Radio – SGR is installing the Radio-Assist(TM) 8 suite of digital audio automation software across its facilities in Rio de Janeiro, Sao Paulo, Brasilia, and Belo Horizonte to simplify and streamline radio production operations from end to end.

“We needed a software solution that would enable us to schedule and play out programming from studios, exchange content among multiple sites, and archive content — all while interfacing with existing systems in a very heterogeneous environment,” said Marco Tulio Nascimento, technology manager for SGR. “NETIA’s Radio-Assist 8 offered us all of these capabilities, integrating smoothly into our operations to support staff throughout the production and playout workflow.”

The four SGR sites at which Radio-Assist 8 is being installed are responsible for the broadcast of programs on Radio Globo (talk show), Globo FM (Web), Beat98 (pop music), BH FM (pop music), and CBN (all news), a network of stations that reaches more than 30 cities across Brazil. Integrated with SGR’s existing iNEWS newsroom system through a MOS protocol, Radio-Assist 8 will make it simple for journalists to work on a story, incorporating any news from Avid software, rewriting it, adding sound from the Radio-Assist 8 database, and then organizing the content to be broadcast.

All four sites will be interconnected, with the ability to share content. As a result, journalists working simultaneously can exchange media in a more collaborative production process. Across SGR operations, 250 workstations will be equipped with the NETIA Radio-Assist 8 software. The software has been adapted by NETIA to meet SGR’s cultural and linguistic requirements with a special focus on customizing the database structure. The Radio-Assist 8 GUI has been translated into Portuguese, and local training for staff in Brazil also is in Portuguese.

“Sistema Globo de Radio is among Latin America’s leading broadcasters, and the company’s installation of the Radio-Assist 8 suite marks a significant step for us in Brazil and the region as a whole,” said Stéphane Lefebvre, NETIA sales manager for Latin America. “Upon completion of this installation, SGR will be able to leverage all of its resources far more effectively in bringing quality programming to listeners.”

Further information about NETIA and the company’s products is available at www.netia.com.

# # #

About NETIA
NETIA, a GlobeCast company, is a leading provider of software solutions that enable efficient management and delivery of content to today’s full array of media platforms. Relied on by more than 10,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides content management solutions to major radio and television brands and multimedia groups around the world, and recent wins have made the company a significant new player in the telco market as well. Clients include BSkyB, RAI Italy, RTL, Radio Globo, Radio Riyadh, France Telecom/Orange, RTM Malaysia, Mediacorp Singapore, Radio France, the Associated Press, France Televisions, and L’Équipe 24/24. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

PRISM SOUND OPENS A NEW EUROPEAN SALES AND DISTRIBUTION OFFICE IN GERMANY

Prism Sound, manufacturer of premium-quality test and measurement instruments, audio interfaces and processors and for the recording and broadcast markets, has opened a European Sales and Distribution office in Munich, Germany.

Operating under the Prism Media Products Ltd banner and covering the territories of Germany, Austria and Switzerland, the new office will handle all Prism Sound test and measurement, music recording and production products including the dScope Series III audio test instrument, ADA-8XR multichannel converters and the Orpheus FireWire interface.

Bernard Nocker, formerly Sales Manager for Prism Sound products at DIME Medientechnik GmbH, has been appointed to head the Munich office.

He says: “I am delighted to have the opportunity to develop Prism Sound’s business in these territories. Audio is my passion and I have hands-on experience of using Prism Sound’s products, which makes it much easier to explain their features and benefits to potential customers. I also believe that this new arrangement will allow me to concentrate on developing much closer relationships with existing customers and explore new markets for Prism Sound, particularly in the test and measurement arena.”

The new structure will enable Prism Sound to more effectively develop resellers and representatives in the German-speaking market and the company is now actively seeking retailer partnerships for its music recording and production products, as well as closer relationships with industrial test system integrators and supply chain companies.

Graham Boswell, Sales Director for Prism Sound, says: “In 2011, Prism Sound’s sustained export performance won the company the prestigious UK Queens Award for Enterprise in the International Trade category. The German speaking market was a significant factor in winning this award and has been important to the company for 20 years, having first been developed by FFD GmbH in the early 1990’s. More recently distribution has been handled by DIME Medientechnik GmbH and the business has grown considerably over the period.

“Our decision to open the Munich office was based on a desire to conduct closer relationships with our key customers and to be more responsive to local market conditions. The change will bring immediate benefits to our customers in Germany, Austria and Switzerland in the form of a new Euro price structure. Former inter-company pricing has been replaced with a simpler structure and, despite the recent gains in the GBP/EUR rate, the new Euro pricing will be slightly lower than previously.”

Prism Sound and DIME have agreed a swift and amicable handover, with DIME now completing only specific orders already in hand. All new orders will be handled directly by Prism Sound. Warranty and service for all products formerly sold by DIME or by its predecessor SDI will be handled directly by Prism Sound through the Munich office.

Sales of Prism Sound’s SADiE product line continue to be handled by For-Tune GmbH. The new arrangements in Germany will mean closer co-operation between the two companies and offer a range of new marketing opportunities for the SADiE and Prism Sound brands.

Bernhard Nocker can be contacted at Tel: +49 176 27927901. Email: Bernhard.Nocker@prismsound.com. Prism Sound’s Munich office is located at Trappentreustr. 5, 80339 München, Germany.

-ends-

About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

QUALIS AUDIO WELCOMES DX2 BROADCAST AS ITS NEWEST U.S. REPRESENTATIVE

PORTLAND, OREGON, APRIL 30, 2012 – Qualis Audio, a leading developer of professional audio measurement and monitoring instruments, with an emphasis on 5.1 surround sound, is pleased to announce today the appointment of Dx2 Broadcast as its newest U.S. sales representative. Dx2 Broadcast, a Texas-based manufacturer’s representative catering to both broadcast and non-broadcast customers, will support sales of Qualis Audio’s Sentinel Surround Sound Audio Monitor in the southwest region of the United States, further supporting the company’s expanding presence with new customers across the country.

Dx2 will handle sales for Qualis Audio in Arkansas, Louisiana, New Mexico, Oklahoma and Texas. Qualis Audio joins Dx2′s robust roster of products from top technology manufacturers, including AAdynTech, DSI RF Systems, Inc. and ViewZ USA.

“We are very happy to welcome Qualis Audio into our network of manufacturers,” says David Roberts and David Gerety, principals of Dx2 Broadcast. “Adding the Sentinel to our product line gives us an excellent solution for many of our customers working to comply with the recent CALM Act. We think it gives them an unequaled level of confidence and an evidentiary trail that documents compliance beyond a doubt.”

“We are thrilled to team up with one of the most dynamic representatives of quality tech products for the broadcast industry,” says Doug Ordon, director of U.S. sales, Qualis Audio. “Teaming up with Dx2 will allow Qualis Audio to reach new customers in the southwest region of the U.S. quickly, especially during such a crucial time for television audio. We believe the technology behind the Sentinel is an innovative solution for broadcasters seeking to navigate loudness control rules and regulations, as CALM Act compliance inches closer.”
In addition to Dx2, Qualis Audio proudly works with a highly respected group of representatives in the U.S. including DMC Broadcast Group; GMA, LLC; Serial Scene; Trock Media Solutions, LLC; Western Rep Associates and TFM, Inc.

About Dx2 Broadcast
Dx2 Broadcast, based in Dallas, Texas, is an elite rep firm catering to both broadcast and non-broadcast customers. Product lines, sold through a dealer network, include: AAdynTech, The Black Tank, DSI RF Systems Inc, ViewZ USA, Bel Digital, Skydreams, Photomart USA, KAE Corporation (manufacturers of unique mounting hardware for all things Macintosh and other computer equipment) and most recently, Glensound Electronics Ltd. Dx2 also handles specialty LED fixtures for broadcast and industrial applications. For more information visit www.Dx2Broadcast.com or contact the company via email: info@Dx2Broadcast.com.

About Qualis Audio
Founded in 2008, Qualis Audio is a leading developer of professional audio measurement and monitoring instruments for the broadcast industry. With an emphasis on surround, loudness and QoE, Qualis Audio is the only company in the broadcast market focused on audio measurement with roots in test and measurement.
Its flagship product, the Sentinel, is a network-connected surround sound audio monitor capable of unattended operation. In broadcast applications, it provides comprehensive measurements for CALM Act loudness compliance and QoE analysis. In addition to intelligent monitoring and archival logging, the Sentinel delivers innovative forensic and reporting capabilities. For more information visit www.qualisaudio.com.

RADIO MAGAZINE RECOGNIZES RTW WITH A PICK HIT AWARD

Las Vegas – 2012 NAB Show – April 26, 2012 – Radio magazine, the radio technology leader published by NewBay Media, announced the winners of the Pick Hit Awards for the 2012 NAB Show. The Radio magazine Pick Hits panel selects the top 20 new products introduced at the convention.

This year, RTW earned one of the coveted Pick Hit Awards for its TM3 TouchMonitor. The TM3 includes features of the larger TM7 and TM9 TouchMonitor versions and is controlled using a touch-sensitive display. With its budget-friendly base price, a 4.3-inch touch screen and stylish exterior allowing for horizontal and vertical placement, the TM3 is a highly appealing, compact solution ideal for editorial offices, edit suites and small control rooms.

“The Pick Hit Awards are limited to 20 winners, which maintains the value and prestige of the award,” says Chriss Scherer, editor of Radio magazine. “In addition, the Pick Hit Award judges follow a strict set of rules and make their selections independently and anonymously, which is a further testimony to the proven value of the award to radio broadcasters.”

The Pick Hit Awards were first presented at the NAB Convention in 1985, making them the oldest technology award at the convention. The Pick Hit Awards are selected by a panel of judges who are radio broadcast engineers from radio stations, radio networks and radio production facilities. The official Pick Hit rules require that the winning products must fit a recognized need in radio, are priced within reason, are available within the current calendar year and have never before been exhibited at the NAB convention.

The complete list of recipients will be published in the June 2012 issue of Radio magazine, and is also posted online at RadioMagOnline.com.

About Radio magazine
Radio magazine has served the interests of radio station and radio network engineers, managers and owners since being launched on its own in 1994 from its start from another broadcast publication in 1959. Written by radio industry professionals for radio industry professionals, Radio magazine delivers in-depth technical expertise with the most-respected editorial content. Radio magazine is published by NewBay Media.

About the Pick Hit Awards
First presented at the NAB convention in 1985, the Pick Hit Awards are the original technology award at the convention. The awards are selected by a panel of judges who make their selections independently and anonymously and then convene for a meeting on the third day of the convention. Winning products are selected because they are useful to radio broadcasters, are priced within reason, are available within the current calendar year, and are new introductions at the NAB convention.

About RTW
RTW, based in Cologne (Germany), has more than 40 years of experience in designing, producing, and marketing advanced recording-studio systems. The company focuses its business on professional audio signal metering tools that are in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio highlights the TouchMonitor range, a new series of tools for visual signal analysis and comprehensive loudness metering. The TouchMonitor combines the highest of flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, integrating exceptional surround-signal visualization using the unique and groundbreaking Surround Sound Analyzer. The high-end SurroundControl series of products with fully fledged loudness measuring combines the convenient metering options of the RTW surround display devices and the control functions of an eight-channel monitoring controller. For more information, visit www.rtw.de or www.facebook.com/rtw.de, or call +49 (0) 221 709130.

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

Calendar

October 2014
S M T W T F S
« Sep    
 1234
567891011
12131415161718
19202122232425
262728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication