Archive of the Transmission Category

Jampro Antennas Powers CJON Digital Television

MOST EASTERLY DTV ANTENNA IN NORTH AMERICA BUILT TO WITHSTAND THE ELEMENTS

Sacramento, CA Jampro Antennas, Inc. — a world leader in the manufacture and design of radio frequency components and antennas for radio and television transmission — announced the successful installation of a digital television transmission antenna for CJON-DT, a privately owned broadcast outlet located in St John’s, the capital of Newfoundland and Labrador, Canada.

The recently installed antenna is one of Jampro’s Prostar Series, a model JA/MS-32/21 Broadband UHF Slot unit set to transmit on channel 21 in a side-mounted, elliptically polarized cardioid pattern. The unit’s sturdy architecture made it the ideal choice for the harsh environment surrounding CJON”S location on the easternmost tip of North America.

The station, known as Newfoundland TV (NTV), began airing in 1955 and was among the first in Canada to broadcast 24 hours a day. NTV reaches over 8 million households across the country with English language programming.

“We delivered the antenna with elliptical polarization especially configured for CJON’s tower location, environment and transmission frequency,” said Alex Perchevitch, president of Jampro. “While its extreme eastern Canada location may not qualify for a Guinness record, we’re nonetheless proud to help this pioneering broadcaster advance into the digital era.”

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 15,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. For additional JAMPRO information, please visit: www.jampro.com.

###
Jampro contact: Sonia Del Castillo
916-383-1177 • Sonia@jampro.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283
harriet@desertmooncomm.com

Jampro Antennas Powers CFAP-DT in Quebec City, Canada

Sacramento, CA – Jampro Antennas, Inc. — a world leader in the manufacture and design of radio frequency components and antennas for radio and television transmission — today announced the successful installation and commissioning of a custom designed, digital television transmission antenna for CFAP-DT, a French language broadcaster located in Québec City, Québec, Canada.

The antenna is one of Jampro’s Prostar Series, a JA/MS-20/39 SHO Broadband UHF Slot set to transmit on channel 39 in a side-mounted, horizontally polarized omnioid pattern. Jampro customized the unit to fit and travel within the confines of a hi-rise elevator, thus significantly reducing the expensive installation costs normally associated with a traditional rooftop installation.

“We delivered the antenna with polarization and transmission pattern specifically configured for CFAP’s tower location, environment and broadcast frequency,” said Alex Perchevitch, president of Jampro. “In addition, we designed the antenna’s dimensions to fit within the tower’s elevator to facilitate installation.”

CFAP-DT is a V Interactions owned station, which promotes itself with the slogan “Be Entertained”. It completed its transition to digital operation in August 2011.

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 15,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. For additional JAMPRO information, please visit: www.jampro.com.
###
Jampro contact: Sonia Del Castillo
916-383-1177 • Sonia@jampro.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283
harriet@desertmooncomm.com

Jampro Antennas to Have Expanded, More Powerful Presence at NAB 2012

ACQUISITION OF ALAN DICK BROADCAST ENHANCES
PRODUCT OFFERINGS AND SUPPORT SERVICES WORLDWIDE

Sacramento, CA – Jampro Antennas, Inc. — a world leader in the manufacture and design of radio frequency components and antennas for radio and television transmission — will have a stronger presence at NAB since the US-based manufacturer acquired Alan Dick Broadcast, one of the oldest names in Europe known for broadcast antennas, combiners / filters, towers and broadcast infrastructure services. The larger, more powerful company will show a full complement of best-selling economical and flexible television and radio solutions designed and engineered to address every application in the broadcast industry including DTV, DVB-T, FM and HD Radio solutions.

HIGHLIGHTS INCLUDE:
Jampro JAT-U UHF Super Turnstile Antenna
The radome-enclosed JAT-U UHF Broadband, Band IV/V 470 – 860 MHz antenna can be either top or side mounted on a tower offering a long life of continuous service. Ideal for broadband multi-channel UHF applications, the unit features minimum windloading while providing broadband response. The JAT-U is the perfect answer for applications where either one channel is defined, or multiple channels are combined.

Jampro JUHD Broadband UHF Panel Antenna
The radome-enclosed JUHD Broadband UHF panel antenna is designed as either side-mount or top-mount, and based on a modular design. It can be configured to provide various azimuth and elevation patterns and offers optional beam tilt and null fill to allow maximum coverage. Horizontally polarized, configurations include varying levels of vertical polarization, with results ranging from small amounts of elliptical polarization.

Prostar JA/MS-BB Broadband UHF Slot Antenna
Jampro’s JA/MS-BB Broadband UHF Slot antenna, a part of the legendary Prostar™ line, is an economical alternative to buying, installing and maintaining multiple antennas, it provides a single, compact solution that conserves tower space and minimizes wind loading. Especially designed for multi-channel/combined channel operations in analog-analog, analog-digital or digital-digital TV applications, the JA/MS-BB arrives factory tuned with a ready-to-install, elegant and streamlined design.

RCEC Mask Filter
Jampro’s new 8” RCEC Mask Filter is designed to provide superior mask filter performance at an affordable price and an output power of 5kw. Cross coupling creates steep rejection skirts and the high-Q cavities provide low pass band insertion loss in a compact design.

RCCC-102-FM Constant Impedance FM Bandpass Combiner
Jampro’s RCCC-FM Constant Impedance Combiner features a compact modular design that can be configured to fit into the smallest transmitter rooms and allows an additional frequency to be easily added. These combiners use temperature compensated Bandpass Filters with integrated heat sink tops to keep filters cool and locked on their frequencies. Various models are available for different channel spacing.

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 15,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. For additional JAMPRO information, please visit: www.jampro.com.

###
Jampro contact: Sonia Del Castillo
916-383-1177 • Sonia@jampro.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283
harriet@desertmooncomm.com

Reliable Sennheiser RF Equipment Supports Super Bowl XLVI

Indianapolis, Indiana – March 8, 2012: In the fractured and multifarious landscape of modern media, the Super Bowl stands as a monolith, gathering the nation together before its television sets to partake of common experience. Indeed, this year’s game between the New York Giants and the New England Patriots was the most-watched program in television history, earning 111.3 million viewers. Of course, the modern Super Bowl experience includes much more than football. In addition to the multi-million dollar commercials, many are drawn to watch the celebrities and celebrity performances. This year, Country Music’s first couple, Miranda Lambert and Blake Shelton, kicked things off with a rousing duet. Shelton was later featured in his judge’s chair on the season premier of NBC’s hit, The Voice. At halftime, Madonna starred in a richly choreographed medley of her chart-toppers (to the tune of 114 million viewers – more than the game itself!). Rock-solid Sennheiser RF equipment gave everyone involved as much peace of mind as one dare hope at this, the most critical of all mission-critical events.

With a stirring rendition of “God Bless America,” Lambert and Shelton gave the Super Bowl a patriotic commencement. Lambert sang into a new custom-made pink Sennheiser SKM 2000-XP handheld mic with an MMD 935-1 capsule that was created for this event. Shelton sang into a Sennheiser SKM 5200-II handheld mic with an MD 5235 capsule. “On such a high-pressure show with so many top-of-their-field experts managing such a massive logistical undertaking, one has to be adamant to get the mics you want,” observed Brad Baisley, the duo’s monitor engineer. ”Of course, Miranda used her new pink Sennheiser microphone, and Blake the Sennheiser SKM 5200. The top end is always superb, the sound is natural, and Miranda and Blake know how to work those capsules. Of course, Sennheiser’s RF has always been rock-solid for us, and that was proved once again at the Super Bowl. In addition to their great products, the assistance from Sennheiser’s Tim Moore was fantastic. He was extremely helpful in ensuring we had the equipment we needed in the appropriate frequency ranges.”

To put the magnitude of the Super Bowl in perspective, Madonna’s 2008-2009 Sticky & Sweet tour – the highest grossing tour by a solo artist and the fourth highest grossing tour of all time – played to 3.5 million people in just over a year’s time. If you crunch the numbers, Madonna would have to play over thirty such tours back-to-back to match her one-time TV-land attendance at the Super Bowl! “Once the show starts, there’s not a lot you can do if something goes wrong,” said Matt Napier, Madonna’s longtime monitor engineer. “The best – and really the only – thing you can do in a situation like that is to have the best equipment available and to prepare thoroughly. I trust Sennheiser in Madonna’s high-stakes concerts, and that trust was rewarded with a perfect performance at the Super Bowl.”

“On tour, we have our own dedicated RF tech,” said Napier. “But as a general rule, we keep things simple and reliable by using Sennheiser wireless exclusively and their Wireless Systems Manager software, which is an effective tool for managing our frequencies.” Madonna used the Sennheiser HSP 4headset at the start of the medley and then switched to a Sennheiser SKM 5200-II handheld Blake and Mirandatransmitter with an ME 5005 capsule for the remainder. All of Madonna’s guests (Nicki Minaj, MIA, LMFAO) used Sennheiser SKM 5200-II handheld transmitters with Neumann KK 104 capsules. Cee Lo Green’s mic used the MD 5235 capsule. Sennheiser EM 3732 receivers captured the on-stage magic for the wired world beyond. Finally, Sennheiser 2000 Series wireless personal monitors rounded out the equipment list for Madonna at her request.

“No matter where we’re playing, the combination of the Sennheiser SKM 5200-II transmitter, ME 5005 capsule, and EM 3732 receiver delivers fantastic audio quality and reliable, flexible RF performance,” said Napier. “Together with Sennheiser’s 2000 Series wireless personal monitors, we’re high fidelity start to finish, with rock-solid reliability and easy frequency coordination. In addition, having the full support of Sennheiser affords me peace of mind. We needed a gold-plated SKM 5200-II transmitter for Madonna and a chrome SKM 5200-II for Cee Lo. With no time to spare, Kristy Jo Winkler and Tim Hunten, Sennheiser, and Jason Bellamy at Soundtronics arranged the delivery of these transmitters. The mics were on their way the same day. That kind of service means a lot in this industry. A big thanks goes out to the Sennheiser team!”

Sennheiser Rocks (and Rolls in the Deep) with Big Grammy Winners

Los Angeles, California, March 1, 2012: This year’s Grammy Awards event, hosted by LL Cool J, celebrating music’s biggest night, went down in history as the second highest rated telecast since the show’s inception in 1959. It was a phenomenal undertaking showcasing nearly thirty diverse musical performances on multiple indoor and outdoor stages, along with a very last minute tribute celebrating the late Whitney Houston. So when Sennheiser artists took the stage, their engineers knew they had to have Sennheiser microphones to assure their performances would go off without a hitch.

Adele, the big winner of the evening, tied the record, set two years ago by Beyoncé, for the most awards won by a female artist in one year. The 23-year-old pop-soul singer won the night’s most prestigious awards, including Album of the Year and Best Pop Vocal Album for 21, Record of the Year, Song of the Year and Best Short Form Music Video for the single “Rolling in the Deep,” and Best Pop Solo Performance for “Someone Like You.”

The most highly anticipated performance of the evening finally arrived when Adele took the stage to perform “Rolling in the Deep.” Her favorite nickel-finish Sennheiser SKM 2000-XP wireless handheld transmitter with MMK 965-1 capsule conveyed her beautiful voice to the adoring crowd. Dave McDonald, Adele’s front-of-house engineer, said, “It’s a great microphone. We started using it just after the Brit Awards in February of last year, and she’s loved it ever since.” He adds, “Ninety-nine-point-nine percent of the equipment we use is Sennheiser – and the point-one percent is Neumann.” Her performance brought the Grammy audience to its feet for the longest standing ovation of the evening.

Foo Fighters, nominated in a total of six categories, swept the entire rock category, winning awards for Rock Song and Rock Performance for “Walk,” Rock Album for Wasting Light, Hard Rock/Metal Performance for “White Limo,” and Best Long Form Music Video for “Foo Fighters: Back and Forth.”

The band rocked the stage twice during the Grammy broadcast, performing “Walk” from a tent on Nokia Plaza, adjacent to the Staples Center, then returning to play “Rope” during the electronic dance music segment with David Guetta, Chris Brown, Lil’ Wayne, and deadmau5. Frontman Dave Grohl made use of his usual Sennheiser MD 431 II vocal mic on both songs. Ian Beveridge, Foo Fighters’ longtime monitor engineer, spoke highly of Dave’s vocal mic: “I love that microphone to death. That microphone is so unbelievably flat in the high-end, and incredibly stable with moisture and temperature. During their shows, we used to have terrible instability problems with other microphones, and I was going through maybe four, five or six microphones a show with Dave, swapping them out. Now, I keep the 431 for the whole show. I can’t remember the last time there was any feedback during Foo Fighters’ show. And these Grammy performances were no exception.”

Bruno Mars, channeling James Brown with his energetic, throwback performance of “Runaway”, had the singer using an SKM 2000-XP with MMD 945-1 capsule. James Berry, monitor engineer for Mars shared, “Sennheiser products have great sound and reliability. We could not have done it without Sennheiser. I’m always grateful for their gear and support in making it happen under the stress of a live event like the Grammys.”

Other Sennheiser users got to shine during the show, too, including the evening’s host, LL Cool J, who made use of an SKM 5200. Alicia Keys sang a duet with Bonnie Raitt in memory of Etta James through her SKM 5200-II vocal mic with MD 5235 capsule. Katy Perry made a memorable entrance, descending in a glass box with her baby blue hair and her SKM 5200-II/MD 5235 combination to perform her new post-divorce song, “Part of Me.” During a medley honoring and featuring Glen Campbell, Blake Shelton performed the songwriter’s “Southern Nights” using his SKM 5200-II /MD 5235 vocal mic. Tony Bennett, in a duet with Carrie Underwood on “It Had to Be You,” also used an SKM 5200-II.

(Photo Credit: © 2012 FilmMagic)

Harris Boosts Flexiva Transmitter Range, Demonstrates Power Efficiency at NAB

At the 2012 NAB Show, Harris Broadcast Communications will demonstrate how radio broadcasters can maximize transmission efficiency across all power levels — most notably for high-power HD Radio™, FM and AM broadcast operations.

Last year, Harris introduced its Flexiva™ range of quad-mode, solid-state transmitters in low-to-mid power models, boasting a single, highly power-efficient platform to support analog and global digital standards. This year, the company will introduce two new high-power models (30kW and 40kW) for broadcasters that need to minimize operating costs while covering large areas — including analog FM and high-power HD Radio via elevated sideband levels.

The Flexiva exciter will also debut at the 2012 NAB Show, featuring rock-solid digital, direct-to-channel modulation for maximum on-air stability. Web-based monitoring and control, a host of expansion options and upgrade paths to HD Radio and DRM+ make the Flexiva exciter a feature-rich yet simple and cost-effective alternative to the Harris FlexStar® HDx exciter. Both exciters are well-suited for Flexiva transmitters at any power level.

Harris will also demonstrate its high-power 3DX Destiny® AM transmitter range for Modulation Dependent Carrier Level (MDCL) applications, delivering exceptional power efficiency to high-power AM broadcasters via Harris Adaptive Carrier Control Plus (ACC+) systems. Harris ACC+ systems help AM broadcasters reduce average power consumption by approximately 35 percent — sharply reducing operating costs associated with high-power AM broadcasting.

All Harris Flexiva and 3DX transmitters leverage Harris® PowerSmart® technology to increase power density, reduce footprint, and improve reliability through simpler designs and better operational efficiency.

“Radio broadcasters continue to seek greater operational efficiency through compact and modular transmitter designs,” said Richard Redmond, vice president of product strategy and management for transmission systems, Harris Broadcast Communications. “Harris continues to develop new strategies and technologies that give our customers great performance with lower operating costs.”

Harris will also show its latest generation FlexStar importer and exporter models (HDI200 and HDE200) for more efficient management of HD Radio multicast signals comprising main and supplemental program audio channels. The NAB 2012 Show also marks the first spring show demonstration of IP backhaul capabilities within the Harris Intraplex® HD Link™ fixed microwave STL system. This upgrade enables tighter integration of RF and IP capabilities for single-channel or multicast program transport.

# # #

HD Radio™ is a proprietary trademark of iBiquity Digital Corp.

Lady Antebellum Expands Tour and Sennheiser Endorsement

Old Lyme, Conn.– February 21, 2012: Few need an introduction to Lady Antebellum, who, in the four short years since its formation, has won six Grammys, scored six number one hits on country radio, has sold over six million albums across the globe and is currently on its 2012 Own The Nightworld tour. Sennheiser is supporting the tour with equipment, such as SKM 5200-II wireless vocal microphones and ew 300 IEM G3 wireless personal monitors, along with the expertise to ensure that no glitches ever distract from Lady Antebellum’s spellbinding performance. With an agreement brokered by Tim Moore, artist relations manager for Sennheiser USA, and Kristy Jo Winkler, Sennheiser global relations manager for the Americas and Canada, reigning Country Music Awards and Academy of Country Music Awards Vocal Group of the Year Lady Antebellum is now a Sennheiser Global Relations endorsed artist.

FOH engineer Brett “Scoop” Blanden was careful to select the perfect wireless vocal mic for the tour. “The stage setup includes a forty-foot runway that extends well in front of the house PA,” he said. “I needed a microphone and a capsule that would be well-suited to all six vocalists – who might all be on that runway at the same time! By using the same capsule, with the same frequency response and polar pattern, on all six mics, I am able to tune the PA without fear of the unpredictable interactions that can occur when different capsules are open on stage.” Blanden selected the Sennheiser MD 5235 dynamic capsule, which features a floating directivity that is super-cardioid at high frequencies and cardioid at low frequencies. The Sennheiser SKM 5200-II handheld RF transmitter completes the vocal setup, and two additional SKM 5200-II/MD 5235 combinations go to the opening acts.

Monitor engineer Peter Bowman organizes the RF channels for the show. “I have had zero RF issues since we made the switch to the Sennheiser 5000 series on vocals,” he said. “In addition, I’m also very happy with how useful the Command Function is for Lady Antebellum. Whether they need the guitar turned down or a cup of tea, they can communicate with ease from any point on the stage.”

Instrument mics include the Sennheiser e 901 on kick, the e 904 on rack toms, the e 902 on the floor tom, and a small diaphragm e 614 on the ride. “I’m particularly fond of the e 904 and e 902 on the toms,” said Blanden, who is himself a drummer. “I love the tonal picture of those dynamic mics – it’s familiar and comfortable to me. The frequency response and transient response are perfect. I can run those inputs flat on my channel strip because all the right color is captured by the mic. The convenient mounting hardware on the e 904 is also nice.” For all three guitar cabinets on stage, Blanden uses the classic Sennheiser MD 421-II. “What a standard! Even in my studio days,” he said, “I was always a fan of the MD 421 on guitars. It has the perfect combination of top-end bite and low-end growl to deliver the ideal rock ‘n roll guitar sound.”

In addition to the eight Sennheiser SKM 5200-IIs for vocals (and their associated command channels), Bowman manages eight Sennheiser EK 300 IEM G3 stereo wireless personal monitors, for a total of twenty-eight wireless frequencies. “I set them myself every day,” he said. “And with the scanning options available on both the G3 and 5000 series, that process is fairly simple. I love that when the monitor system is networked together, I have the ability to set all the transmitters to new frequencies using just one bodypack. I usually scan one bodypack during the day, even before I get power to monitor world, and then use it later to synch up all the transmitters.” For antennas, Bowman uses one Sennheiser paddle antenna and one Sennheiser A 5000?CP circularly polarized antenna. “Although I know there are several valid approaches, this system works well for me,” he said. “Our RF performance has been perfect.”

Even the band’s guitars and bass benefit from Sennheiser wireless technology. To navigate the tour’s large stage with the crowd-pleasing confidence that a wire won’t allow, every fretted instrument is equipped with a Sennheiser ew 572 G3 wireless transmitter, save for one acoustic guitar which uses an ew 572 G2 unit. There are eleven units in all. “Our RF performance has been absolutely flawless,” said guitar tech Steve Castro, who formerly worked with Sugarland. “We all work together to maintain clean channels. If someone gets stepped on, it’s a simple matter to use the scan feature to dial in a new clean channel.”

“The Sennheiser team has really gone above and beyond for us,” said Blanden. “Tim Moore has been there for us during the last four years. Throughout our trips to Australia, Europe and various television performances, Sennheiser is the gear we rely on for consistency wherever we are performing.”

Winkler added, “For decades, Sennheiser has supported emerging artists as well as mega-stars. All of us on the Global Relations team welcome Lady Antebellum to this special tier of artists and congratulate them on their creativity, musicianship, performance excellence, and industry dedication.”

(Photo Credit: © 2012 Adam Boatman)

RFvenue RELEASES UNIQUE LONG RANGE UHF ANTENNA FOR WIRELESS MICROPHONES AND IEMs

rfvenue_cp_beam.JPGASHLAND, MASSACHUSETTS – FEBRUARY 2012: RFvenue, maker of innovative remote antenna products for production wireless, announced today that it has released its high-gain, foldable, circularly polarized CP Beam(tm) Antenna for sale to audio/visual integrators, location sound mixers, broadcast engineers, and touring companies.

“The patent-pending CP Beam is a convenient, easy-to-use, full-size beam antenna for long-range applications that can be very quickly utilized when needed,” remarked RFvenue CEO, Chris Regan. “Customers wanted a compact and durable high-gain antenna without the size, weight, and additional cost of hard plastic or metal designs. It’s great that it folds up for storage, yet is quickly deployable. There’s no need for a dedicated flight case to store the CP Beam – it fits in a two RU rack drawer when folded.”

Robert J Crowley, inventor of Crowley and Tripp microphone technology, and chief of the company, Soundwave more

Sennheiser and House of Blues Renew Marketing Alliance

Wedemark, Germany, February 6, 2012: Four years ago, audio specialist Sennheiser teamed up with the House of Blues – creator of a celebrated collection of intimate music venues. Sennheiser supplied a comprehensive set of its evolution series wired and wireless microphones and personal monitors, as well as Sennheiser headphones and Neumann microphones, to each of the House of Blues’ thirteen locations in the United States. The gear allowed House of Blues’ engineers to optimize sound reinforcement and provide robust RF solutions for the diverse performers that nightly take its stages. In addition, each company benefited from the cross-marketing exposure generated by the relationship. With such an obvious win for Sennheiser, the House of Blues, the musicians, and the concertgoers, both parties gladly renewed the marketing alliance.

Live music powerhouse Live Nation owns the House of Blues, which, in the two decades since opening its doors, has risen to become the USA’s preeminent live music venue for intimate shows. Each location is distinctively decorated with the world’s largest collection of folk art and serves top-drawer food and beverages. The fact that the House of Blues provides state-of-the-art sound reinforcement and lighting makes the venue a top choice of both local and national acts. Sennheiser’s Global Relations Manager for the Americas and Canada, Kristy Jo Winkler, worked with House of Blues to facilitate the renewal. “Our relationship with the House of Blues strengthens Sennheiser’s marketing at the MI and corporate levels,” she said. “Every night, musicians and engineers from around the globe experience the musicality and reliability of our microphones and RF equipment. We’re happy to continue such fantastic exposure.”

Matthew Scoggins, FOH Engineer at the House of Blues Los Angeles, commented, “No matter what the application, when clarity is of the utmost importance, I reach for a Sennheiser mic.” The House of Blues is set up with a full complement of gear, suitable for any of the diverse flavors of contemporary music that the House of Blues hosts. The kits include multiple models of evolution mics for backline and vocals, a couple of Neumann vocal mics and Sennheiser headphones. “The House of Blues prides itself on providing an ideal venue for both our artists and our guests,” said Dan Schartoff, VP Club and Theatre Productions for Live Nation. “Everyone loves the sound we’re getting with the Sennheiser gear, and we’re glad it will continue.”

Brian Fiegelman, A1 tech at House of Blues Dallas, agreed: “The Sennheiser e 900 Series mics are always my first choice. Their tailored frequency responses make it easy to mix everything from gospel to metal. In addition, the durability of their metal casings makes them almost indestructi¬ble… an essential asset that has allowed them to stand up to years of abuse on our Dallas stage!”

House of Blues Dallas production manager Thomas DeBeaudry said that Sennheiser’s robust performance often solves problems and makes Sennheiser devotees of touring engineers and bands. “We sit in a heavily saturated wireless environment,” he said. “On more than a few occasions, we have used our Sennheiser EM 2050 wireless package in place of a touring wireless package because of its ability to continuously scan and eliminate RF interference. We often find that the engineers and musicians prefer our rig due to its ease of use and its bulletproof performance. In addition, the smooth frequency response of the Sennheiser MMK 965-1 capsule generates a lot favorable comments.”

Middle Atlantic and Extron Electronics Initiate New Half Rack Standard for AV Integration

FOR IMMEDIATE RELEASE: February 2, 2012––Middle Atlantic Products, in conjunction with Extron Electronics, is initiating and supporting the establishment of a new standard for half-width rack systems for AV integration.

Working in cooperation with the Electronic Components Industry Association (ECIA), Extron and Middle Atlantic are seeking to establish and maintain a specific ECIA standard for what has typically been offered as a custom rack offering until now. To further strengthen the quality and application of the standard, the two companies are inviting manufacturers of compact-format devices to join a communication and working group for this effort.

Both manufacturers have recently developed product families – the Extron Half Rack Shelf System and Middle Atlantic’s new HR Series Half Racks – which, respectively, fit within and incorporate the proposed 10 5/8” overall width defined in the proposed new standard.

Commenting on the introduction and standard effort, Middle Atlantic Director of Marketing Kevin Handerson stated, “We are pleased to be working with device manufacturing partners to seize the initiative for establishing an ECIA standard for AV half rack systems. Having a workable, clear standard will greatly facilitate the installation of half rack products in useful applications.”

Dave Pincek, Vice President of Product Development for Extron Electronics, stated “Extron has long advocated the use of standard, rack-mount enclosure dimensions as a means of improving AV system designs and integration. With this proposed new standard for a compact mounting system, key AV equipment can now be more easily integrated into lecterns, columns, table legs, and similar spaces without sacrificing system functionality, thermal management, or room aesthetics.”

Device manufacturers that would like to participate in the working group should contact Mark Tracy, Director of Product and Business Development at Middle Atlantic Products, using the email address Standards@MiddleAtlantic.com.

For more information on the Extron Half Rack Shelf System, please visit: www.extron.com/halfracksystem. For more information on the Middle Atlantic HR Series Half Rack click to www.MiddleAtlantic.com.

Middle Atlantic Products manufactures exceptional support and protection products to mount Commercial and Professional AV and other electronics systems including racks, AV furniture, thermal and cable management and power distribution & protection. All products are designed from the installer’s point of view to save time and simplify the job.

Extron Electronics is a leading manufacturer of professional AV system integration products including AV control systems, computer-video interfaces, switchers, matrix switchers, distribution amplifiers, audio amplifiers, speakers, twisted pair and fiber optic equipment, video scalers, AV signal processors, AV streaming products, classroom sound field systems, and high resolution cable.

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

Calendar

August 2014
S M T W T F S
« Jul    
 12
3456789
10111213141516
17181920212223
24252627282930
31  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication