AES 133rd Convention Committee Readies World-Class Show For Moscone Center – Oct. 26 – 29

New Tracks – Must See Special Events

SAN FRANCISCO: Let the buzz begin… Deep into preparation for an extraordinary 133rd AES Convention, the planning committee began meeting in January to develop innovative new programs for the event set for Oct. 26-29 at SF’s Moscone Center. Veteran co-chairs Valerie Tyler and Jim McTigue recruited a stellar collaborative team, mixing seasoned convention pros with enthusiastic new Chairs to insure a, highly relevant Convention. “Our objective is to infuse our events with meaningful tracks that anticipate and inform shifting industry trends,” Tyler says. “As San Francisco remains a bastion of innovative thinking, we are well-positioned to keep ahead of the curve.”

“Highlighting these new track introductions is a Project Studio Expo with a two-day series of clinics on best practices, and techniques on all aspects of creating and operating a small studio. They’ve invested in this gear, we want to help them take full advantage of it.” Jim McTigue states. “This year’s Convention will also see the introduction of two new tracks. Nathan Brock will chair the Networked Audio Track, and Brian McCarty will Chair the Sound For Pictures Track. Additionally,” McTigue adds, “we have confirmed a notable Keynote Speaker TBA soon.”

The Convention will also feature a remodeled Student Product Design Competition, which will tap into student’s unlimited capacity for ‘blue-sky’ thinking. Education Committee co-chairs John Krivit and Ezequiel Morfi and advisor Scott Dorsey anticipate a wealth of revolutionary ideas.
“The Committee is mounting a variety of events which will be hard to miss,” reports AES executive director Bob Moses. “On top of that list is a rare screening of The Wrecking Crew. This highly anticipated documentary about the studio musicians who played on countless Gold & Platinum hits has been withheld from distribution due to complex performance rights issues. Technical Tours Chair Jessica Livingston has secured an AES screening of the film. It promises to be a very hot ticket.”

Moses regards these special events as prime examples of the enduring need for ‘on-site conventions.’ “During the first six months of my Executive Directorship I’ve spoken with hundreds of exhibitors, educators, attendees, event developers and participants,” he says. “Virtually every one of them has emphasized the value of the ‘human connection.’ Social media remains a vital and constantly growing part of our messaging effort. But, the opportunity for face-to-face networking remains indisputable. On site conventions will continue to play an integral role in the AES mandate to help our attendees ‘Listen, Learn and Connect.’”

The 133rd AES Convention Committee boasts an all star-line up analogous to the famed Wrecking Crew. The key difference is Convention Committee members are volunteers! Co-Chairs Jim McTigue and Valerie Tyler are pooling their time and energy with: Broadcast/Streaming Chair, David Bialik; Education Co-Chairs, John Krivit and Ezequiel Morfi; Facilities Chair, Bob Megantz; Game Audio Chair, Steve Martz; Historical Chair, Bill Wray; Live Sound Chair, Michael “Bink” Knowles; Master Classes/Tutorials Co-Chairs, Mike Wells and Jose “Vene” Garcia; Networked Audio Chair, Nathan Brock; Papers Co-Chairs, Veronique Larcher & Alan Seefeldt; Product Design Chair, Conrad Cooke; Sound For Pictures Chair, Brian McCarty; Special Events Chair, Christopher Smith; Tech Tours Chair, Jessica Livingston; Volunteers Co-Chairs, Evan Peebles and Michael McConnell and, Workshops Co-Chairs, David Bowles and Jeffrey McKnight. AES Executive Director Bob Moses; Deputy Director, Roger Furness; Director, Convention Management, Chris Plunkett; Business Development Manager, Steven Green; and Chief Information Officer, Steve Johnson continue to provide exceptional organizational support to the complex effort.

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Pictured (l-r) Even Peebles, Alan Seefeldt, Chris Plunkett, Veronique Larcher, Jessica Livingston, Jeffrey McKnight, Valerie Tyler, Christopher Smith, David Bowles, Bill Wray, Michael Knowles, Jim McTigue, Steven Green, Roger Furness, (A/V consultant) Dave Molnar, Bob Moses and Bob Megantz. Not pictured: David Bialik, John Krivit, Ezequiel Morfi, Steve Martz, Mike Wells, Jose Garcia, Nathan Brock, Brian McCarty, Conrad Cooke, Michael McConnell

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

AES Announces Student Design Competition

Blue Ribbon Panel To Select Winning Innovations At 133rd Convention Oct. 26 – 29

SAN FRANCISCO: Aspiring student engineers from around the globe will vie for the opportunity to jumpstart their careers at the Audio Engineering Society’s 133rd Convention at SF’s Moscone Center, Oct. 26-29. A blue-ribbon panel of pro audio manufacturers, product designers and end users will review innovative Student Design Competition hardware and software designs in search of the most audacious, innovative and useful new product ideas.

“Student new product entries have always been integral components of AES Conventions, reports Committee Education Co-Chair John Krivit. “We are making a special effort this year to raise the bar. The deadline for submissions is October 1, 2012. Students will have the entire summer to conceive, develop and refine their dream products. Prizes will be awarded at the AES Convention on October 28 Students must attend the Convention to be considered for the finals.”

All students will have the opportunity to display their projects at the Convention’s tabletop exhibition. Entrants must register as students for the full Convention technical program, but AES membership is not required for entry submission. For a complete list of AES Student Design Competition rules and deadlines visit: http://bit.ly/PzG7tz. For additional questions regarding the competition please contact: Colin Pfund at colin@aes-sda.org.

With over 14,000 members worldwide, the AES is the largest international group of audio professionals. The advancement of professional audio education is a continuing AES focus. Many leading colleges, universities and leading technology schools maintain active AES Student Sections. Annual U.S. Conventions alternate between East and West Coasts. These events attract Gold, Platinum and Grammy Award-winning engineers, producers and artists, along with leading manufacturers from around the world. For details on the upcoming Convention please visit: www.aes.org

Photo: 133rd AES Convention Education Committee Co-Chair John Krivit

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Lowell Manufacturing InfoComm 2012 Press Kit

Jampro Antennas Returns to Broadcast Asia 2012 With Full Range of Television & Radio Solutions

Singapore Jampro Antennas, Inc. — a world leader in the manufacture and design of radio frequency components and antennas for radio and television transmission — returns to Broadcast Asia with their full range of their best-selling, flexible and economical television & radio solutions engineered to address all aspects of the broadcast industry including DTV, DVB-T, FM and HD Radio solutions.

HIGHLIGHTS INCLUDE:
Jampro JAT-U UHF Super Turnstile Antenna
The radome-enclosed JAT-U UHF Broadband, Band IV/V 470 – 860 MHz antenna can be either top or side-mounted on a tower for a long life of continuous service. Ideal for broadband multi-channel UHF applications, the unit features minimum wind loading with wide broadband response. The JAT-U is the perfect solution for applications where either one channel is defined, or multiple channels are combined.

Jampro JUHD Broadband UHF Panel Antenna
The radome-enclosed JUHD Broadband UHF panel antenna, designed for either side or top-mounting, is based on a modular design. It can be configured to provide a variety of azimuth and elevation patterns and offers optional beam tilt and null fill to insure maximum coverage. This horizontally polarized antenna can be configured to include varying levels of vertical polarization, with results ranging from small amounts of elliptical to full circular polarization.

Prostar JA/MS-BB Broadband UHF Slot Antenna
Jampro’s JA/MS-BB Broadband UHF Slot antenna, part of the legendary Prostar™ line, offers an economical alternative to buying, installing and maintaining multiple antennas. A single, compact solution, it conserves tower space and minimizes wind loading. Especially designed for multi-channel or combined-channel operations in analog-analog, analog-digital or digital-digital TV applications, the JA/MS-BB antenna comes factory tuned in an elegant, ready-to-install and streamlined design.

RCEC Mask Filter
Jampro’s new 8” RCEC Mask Filter provides superior mask filter performance at an affordable price with 5ks of output power. Cross coupling creates steep rejection skirts and its high-Q cavities provide low pass band insertion loss in a compact design.

RCCC-102-FM Constant Impedance FM Bandpass Combiner
Jampro’s RCCC-FM Constant Impedance Combiner is a compact modular design, configurable to fit even the smallest transmitter rooms, and allows an additional frequency to be easily added. These combiners use temperature compensated Bandpass Filters with integrated heat sink tops to keep filters cool and locked on their frequencies. Various models are available for different channel spacing.

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 15,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. For additional JAMPRO information, please visit: www.jampro.com.

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Jampro contact: Sonia Del Castillo
916-383-1177 • Sonia@jampro.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283
harriet@desertmooncomm.com

Acoustics First® Office Space to Voice-Over Suite

Acoustical Panels in a Voice-Over StudioThis office space was converted into a voice-over production suite for Moe Rock. Installed are 2′x4′ acoustical wall panels and a 2′x4′ acoustical ceiling cloud over the listening position. A corner bass trap was created using corner impaling clips with one of the standard Sonora Panels. Photo courtesy of Moe Rock: http://www.moerock.com/

With a wide range of available recording equipment, from computers to hand held devices, recording audio is easier than ever! With some simple gear and a good microphone, a quality recording is just moments away. However, before you begin, take a few moments and consider Acoustics First! If proper acoustical material is not in place, you may be recording unwanted room modes or excessive reverberation. Our brains, in combination with our eyes and ears, can compensate in less than ideal conditions, whereas microphones cannot.

Acoustics First Corporation supplies acoustical panels and soundproofing materials to control sound and eliminate noise in commercial, residential, government, institutional applications worldwide. Products include the patented Art Diffusor®, sound absorbers, noise barriers, acoustical fabrics and accessories. Acoustics First® products are sold for O.E.M applications, direct, and through dealers. For more information on acoustical materials and their application, please visit www.AcousticsFirst.com or call Toll Free 1-888-765-2900 (US & Canada).

‘Vlado Meller Mastering Workshop’ Is Announced, Debuting In New York City, Summer, 2012

New York, NY – June 20, 2012: One of the world’s most accomplished mastering engineers, two-time GRAMMY-winner Vlado Meller, has announced the debut of the Vlado Meller Mastering Workshop (VMMW,) a three-day intensive hands-on course, set to launch in New York City this summer. The first course will be offered between August 1 and 3.

Qualified students will have the opportunity to learn personally from Meller. His 43-year career includes albums for Paul McCartney, Pink Floyd, Michael Jackson, Celine Dion, Public Enemy, Jack White, Metallica, Andreas Bocelli, Oasis, Johnny Cash, and Shakira.

VMMW’s intensive curriculum is designed for professional mastering engineers, as well as working mixers, engineers, and producers looking to broaden their understanding of the mastering process.

Over the course of the three-day workshop, Meller will illustrate his personal techniques through before and after examples of past releases, detail the steps taken to arrive at finished results, and guide students as they work hands-on at the mastering console on their own program material. Class size will be limited to only a few students to allow for individualized attention.

VMMW will take place at Arf! Mastering in midtown Manhattan. Owned and operated by GRAMMY-nominated mastering engineer Alan Silverman, Arf! was selected by Meller for its world-class signal path, accurate monitoring, and spacious, day-lit room.

“I welcome the opportunity to share 40+ years of best practices with the next wave of mastering engineers and audio professionals.” says Meller, “Now is the time for me to let the younger generation benefit and learn from my experience.” Silverman adds, “VMMW gives students a rare opportunity to learn from an established master of the craft.”

For more information on the course and Vlado Meller, as well as registration, visit www.masteringworkshop.com.

Audio-Technica InfoComm Press Kit

Auralex 2012 InfoComm Press Kit

GUITAR CENTER OPENS NEW NORTH PORTLAND, OREGON STORE

— 228th Guitar Center location features on-site lessons and repair services, along with GC’s vast inventory selection —

Westlake Village, CA (June 4, 2012) – On the evening of Thursday, May 24, 2012, Guitar Center held the grand opening of its new location in North Portland, Oregon, located at 1147 Hayden Meadows Dr., Portland, OR 97217-7547. Guitar Center North Portland is Guitar Center’s 228th retail location.

Guitar Center North Portland’s grand opening introduced customers to a vast selection of products and a dedicated staff with unparalleled musical knowledge and experience. To celebrate the store opening, Guitar Center hosted a Grand Opening Weekend celebration featuring exclusive savings, gear giveaways and free events catered to local musicians. Special workshops will continue throughout the first 3 months.

Guitar Center’s newest North Portland location features showrooms for customers equipped with the latest products – from guitars, amplifiers, percussion instruments and keyboards to live sound, DJ, lighting and recording equipment. The store also features Guitar Center Studios, an in-house, state-of-the-art lesson facility, which is already creating unrivalled opportunities for North Portland musicians of all ages and skill levels. Guitar Center Studios will provide music lessons from beginner to advanced featuring certified instructors teaching world-class curriculum as well as one-on-one courses on Pro Tools, Logic Pro and GarageBand. Guitar Center Studios is now the most modern and affordable lessons facility in the area. Guitar Center North Portland also features GC Garage, Guitar Center’s on-site guitar repair service. Musicians were able to try out the GC Garage for free on Grand Opening night, and with a guitar purchase, customers also received a free, 22-point personalized set-up.

As part of Guitar Center’s ongoing initiatives designed to educate and inspire artists nationwide, Guitar Center North Portland offers unique opportunities for musicians to craft their skills, maintain their instruments and experience many other aspects of the music industry first-hand. Musicians interested in learning about the industry will be able to come to the store to interact with and pick the brains of several industry leaders. North Portland shoppers are also able to enjoy Guitar Center’s new multi-channel “endless aisle,” which includes multiple combinations of product options to conveniently choose from. Not only does the “endless isle” include North Portland inventory, but it also provides easy access to $400 million in new and used inventory located in hundreds of stores and warehouses across the nation. Customers have the ability to combine a myriad of in-store, online and phone options to purchase music equipment from anywhere they may be, allowing for a personalized and convenient shopping experience. Free Recording Made Easy classes are conducted every Saturday from 10:00 to 11:00 am for anyone who wants to make the exciting journey into recording their music.

In addition to special programs at the new North Portland store, Guitar Center offers nationwide programs designed to spearhead creativity and highlight the nation’s most promising undiscovered talent. North Portland residents will now be able to participate in these ongoing national events from their hometown:

• Guitar Center On-Stage is an annual competition that provides unsigned artists the chance to open for established artists such as Motley Crue, KISS and Jane’s Addiction.

• Guitar Center Singer-Songwriter is an artist discovery program which aims to find the nation’s best unsigned singer-songwriter. The winner receives a career-altering prize package including recording 3 songs with accomplished GRAMMY® Award-winning Producer John Shanks, recording time at Converse Rubber Tracks studio and $10,000 cash. The grand finale took place in Los Angeles on Feb. 18.

• Guitar Center’s Battle of the Blues is a nationwide amateur guitar skills competition with the goal of finding the next great undiscovered blues guitar player. This year’s winner, Jonathon “Boogie” Long, performed alongside GRAMMY-winning guitarist Warren Haynes at the Grand Finals in LA, and won an incredible prize package valued at over $50,000.

• Guitar Center’s Drum-Off, entering its 24th year, is the nationwide search for the next great undiscovered drummer. Drummers from across the nation compete in the world’s largest drum competition, vying for thousands of dollars in prizes and the coveted title of Guitar Center’s Drum-Off Champion. The grand prize package is valued at nearly $50,000.

Guitar Center North Portland is open seven days a week. Store hours are 10:00 a.m. – 9:00 p.m. Monday-Friday; 10:00 a.m. – 8:00 p.m. Saturday; and 11:00 a.m. – 8:00 p.m. Sunday.

Tyler & MC Tigue – 133rd AES Convention Co-Chairs On Track For A Blockbuster Event

SAN FRANCISCO: Co-Chairing an AES Convention takes technical and interpersonal skills, an ability to juggle an infinite stream of details, an aptitude for delegating AND, the capacity for keeping a close eye on your day job. Clearly gifted with these indispensable talents, AES 133rd Convention Co-Chairs Valerie Tyler and Jim McTigue have returned to the scene of their 2010 success. Plans are well underway for the Convention set for October 26-29 at SF’s Moscone Center.

Both Tyler and McTigue take great pride in their contributions to this gargantuan undertaking. Like all the volunteer Chairs, they share a deep sense of accomplishment in producing what appears to attendees and exhibitors to be an effortless, efficient and smoothly running ‘clockwork’ event. Their goal is to perpetuate that ‘never let ‘em see you sweat’ cliché.

Since joining the AES in 1993,Valerie Tyler has served in a variety of Convention committee positions including Workshops, Special Events, Tutorials & Master Classes. Her extensive academic career includes music studies at UC Santa Cruz, music/recording industry studies at San Francisco State University, and electronic music, digital audio, digital video, web design, and graphic design studies at College of San Mateo where she currently holds the position of Webmaster. Tyler has also served as an audio editor and as a freelance live sound engineer.

A 35-year+ veteran of the acoustics, broadcast, and professional audio industry, Jim McTigue began his career at NY’s legendary A&R Recording Studios. He has served in technology and management roles for such leading firms as Altec Lansing, API, Broadcast Technology, Euphonix, Radix Systems and Chief Engineer at NY’s famed Sigma Sound Studios. McTigue is currently director, Audio Hardware Development for Avid Technology. His broad education includes engineering degrees from the Polytechnic Institute of NYU and the University of Oklahoma. In addition to Co-Chairing his 2nd consecutive AES SF Convention, he is currently serving on the AES SF Section Committee.

“Our Committee Chairs devote a vast amount of time and energy to AES Conventions,” says Executive Director, Bob Moses. ” In doing so they earn the respect and appreciation of their peers and the knowledge that they are performing an invaluable service for the industry. We are all indebted to Jim McTigue and Valerie Tyler for their extraordinary contribution to this massive venture. We are confident that they and their Co-Chairs are creating an unforgettable Convention experience.”

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Pictured: AES 133rd Convention Co-Chairs Jim McTigue and Valerie Tyler

About

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