SOLID STATE LOGIC APPOINTS BELLA MCAVOY AS MARKETING COMMUNICATIONS MANAGER

SSL creates new senior marketing role

OXFORD, UK – Solid State Logic is pleased to announce that Bella McAvoy has joined the company as Marketing Communications Manager. McAvoy brings a multitude of experience to the table from her varied work in communications, as a broadcast journalist and as composer and songwriter.

Bella McAvoy

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New York City’s Masterdisk Counts on Antelope Audio Trinity/10M Combination for its Image Stability and Sonic Integrity

New York, January 30, 2012 — Masterdisk, one of New York City’s foremost mastering facilities, has installed several of Antelope Audio’s Isochrone Trinity Master Clock and 10M Rubidium Atomic Clock units in its mastering suites, to maintain stereo imaging and the overall sonic integrity of projects passing through its studios. Masterdisk is installing multiple Antelope Audio Zodiac D/A converters at listening stations throughout the facility for quality control purposes.

According to owner Scott Hull, Masterdisk’s mastering suites were constructed with very high quality acoustics and solid grounding, and were already well clocked —therefore they did not appear to be candidates for improvement. “If it’s not broken, don’t fix it,” he says. Yet, the Antelope 10M — which incorporates a reference generator that is 100,000 times more accurate than the quartz oscillators in most equipment — and the Trinity, which offers 64-bit DSP and up to 384 kHz audio streaming, have had a noticeable impact on performance clocking the digital audio converters in the rooms.

“Image stability can’t be generated, and it has to be maintained through the process,” explains Hull. “You can undo certain effects or jitter but you can’t ‘reimage’ something; you can’t get that image back once you lose it.”

As he further elaborates, any component within the signal chain has the potential to degrade the accuracy of the soundstage. “A lot of processors and many, if not all, workstations give you something back that isn’t quite as stable, as rock-solid, as what you put in,” says Hull. However, driving every component in the system from a high quality master clock can reduce the likelihood of any degradation. “Workstations simply work better by being clocked with a more stable clock. Every step along the way where you can give yourself a tenth of a percent, it adds up to something pretty noticeable at the end. And there’s a marked and audible improvement in the final product when everything is Antelope powered,” he states.

Keeping True Quality Control at the Helm
Hull believes that true quality control at the mastering stage has become increasingly overlooked as budgets have become tighter and clients’ time and involvement have decreased. “We really have to know exactly what we’re sending out the door. We have to have at least two sets of ears on every product that we send out. So we’re putting Antelope Zodiac DACs into several listening stations in our facility just to facilitate quality control passes. Suffice it to say we consider that to be one of the best and most open and accurate DACs we can get. Coupled with the headphone amp, this gives us really good functionality for hearing exactly what’s going out the door at 192 kHz or 96k or 44.1.”

As Hull recalls, one of his mastering engineers initially heard about Antelope Audio’s clocks from his clients, and had a unit brought in to evaluate. He also notes that veteran mastering engineer Vlado Meller, who joined Masterdisk when Universal Mastering Studios closed in mid-2011, was a longtime Antelope Audio user. “Once we’d worked with it and got more of the boxes in more of the rooms we came to like what it did,” Hull reports. “The integrity and sonic experience was better overall, and everyone was happy.”

What matters, he continues, is the integrity of the system from beginning to end, and utilizing a high definition master clock can make a difference to the end result. “Sometimes it’s analog, sometimes it’s digital, sometimes it’s digital and analog. But they do like to play together better when they’re locked to a common master reference. When you’re working from a 96k file or a digital device at 96k, through an analog console and back out to a CD master at 44.1, the fact that everything is resolved to a common reference seems to work.” He comments, “I’m just trying to get to an end result that makes the client nod their head.”

“Mastering Your Favorite Records Since 1973”
Established in 1973, Masterdisk has handled projects by a who’s who of the music business over the years, including – to name just a few mastered by Hull – Bob Dylan, Sting, Lou Reed, Steely Dan, Bruce Springsteen, Panic at the Disco, plus many, many others. Hull recently mastered “25 Years”, a retrospective 4-disc box set from Sting, and Vlado Meller recently mastered new albums for Red Hot Chili Peppers and Jane’s Addiction — including iTunes-optimized masters to go along with the vinyl and CD.

Clear-Com Global Rental Group Presents Single Source Communications Solution for Demanding Productions

Industry Veteran Larry Estrin to Head the New Rental Partner Network, Maximizing Access to Intercom Systems

ALAMEDA, CALIFORNIA, JANUARY 30, 2012 – Clear-Com, a global leader in critical voice communication systems, has launched the Clear-Com Global Rental Group (CGRG). Through a network of experienced rental partners equipped to provide Clear-Com intercom systems for productions of any size, the new service, led by industry veteran Larry Estrin, offers greater flexibility and options for addressing customers’ communications requirements.

The CGRG comprises a hand-selected team of trained and experienced rental businesses worldwide. These partners support short-term and rapid installation needs with a full range of advanced wired and wireless production intercoms and technical support. As Director of CGRG, Estrin (who has extensive experience with events such as the Olympic Opening Ceremonies, Grammys and Academy Awards) provides rental partners with greater knowledge, skills and resources to supply the highest level of production communications. By connecting rental partners across the globe, the CGRG also gives customers local access to the most fitting communications equipment for their specific applications, whether for film and television, live performance, special events or theater.

Estrin also conducts interactive training for CGRG rental partners on spectrum planning and frequency coordination. Additionally, he facilitates the collaborative effort of rental partners to supply communications equipment and technical support for large-scale productions, including international sporting events and high-profile live performances. Estrin will continue to strengthen existing rental partner relationships, as well as broaden the CGRG by bringing additional rental businesses on board. This will enable the company to supply an even greater number of Clear-Com systems throughout the world.

“Clear-Com has a longstanding commitment to expanding and improving the daily interactions we have with our customers and partners, helping them develop their knowledge base, enhance their decision-making and achieve their goals,” says Estrin. “By combining the strengths of all rental partners in the Clear-Com Global Rental Group, customers can access every type of communications solution, as well as expertise for even the most complex productions.”

Although Estrin will be the primary facilitator of the partner-to-customer relationship, customers also have the option and convenience of directly reaching out to rental businesses through the CGRG directory. Moreover, CGRG provides customers with connections to experienced engineers and technical staff, which saves them both time and money as they will not have to cultivate the expertise internally. Further, since the CGRG is backed by Clear-Com’s sales, application engineering, marketing, product management and engineering teams, customers are assured that production communication will be optimized. Overall, customers can enjoy the intimacy of working with a local intercom rental provider while reaping the benefits offered by a much more powerful global conglomerate.

For more information on the CGRG, contact Larry Estrin at larry.estrin@clearcom.com.

About Clear-Com
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HM Electronics, Inc. (HME)
A privately held company founded in 1971, HME has continued to be a leading provider of innovative technology focused on enhancing productivity and customer service for multiple markets including pro audio, sports, and restaurants. HME developed the first wireless intercom system for pro audio and continues to introduce exciting, cutting-edge wireless intercoms that enhance communications, increase productivity and facilitate creativity for virtually any application. For more information, please visit www.hme.com.

Audio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with Special Gala Event at NAMM Show

STOW, OH, January 27, 2012 — Audio-Technica, a leading innovator in transducer technology, is this year marking “50 Years of Passionate Listening” with its yearlong 50th Anniversary Celebration. The anniversary year officially kicked off in the U.S. with a special gala event during the 2012 Winter NAMM Show in Anaheim, California. The party took place at Disney California Adventure Park on the evening of Thursday, January 19, 2012. A-T’s 700-plus special guests included musicians (including several Audio-Technica endorsers), recording arts professionals, dealers, distributors, customers and members of the press. Key personnel from Audio-Technica Japan (the parent company of A-T U.S. and the other A-T companies worldwide) were also in attendance, including Audio-Technica Corporation President Kazuo Matsushita.

The evening kicked off with a cocktail hour, followed by a Japanese Taiko drum performance and welcoming comments by Kazuo Matsushita. Audio-Technica U.S. President and CEO Philip Cajka then led a traditional sake barrel-breaking ceremony and toast. Sharing in the toast were onstage guests Ed Cherney (producer/engineer), Alan Parsons (artist/producer/engineer), and personnel from two of A-T’s first professional products dealers Skip Maggiora (Founder, Skip’s Music), and Jonathan and Susan Lipp (Owners, Full Compass Systems). The event then featured an all-star music revue produced by legendary GRAMMY® Award-winning engineer/producer Phil Ramone. The concert was hosted by emcee Dave Koz with the Gregg Field Big Band and featured guest performers Nikki Yanofsky, Mindi Abair, Siedah Garrett, Monica Mancini, Arturo Sandoval, Jim Brickman, BeBe Winans and Patti Austin. The night’s performances were a roaring success, with those in attendance applauding the show’s finale with a standing ovation while confetti filled the room to cap the celebration.

“This event is the kick-off of a year-long celebration of Audio-Technica’s ‘50 years of passionate listening,’ said Phil Cajka. “A-T’s ongoing commitment to the pursuit of worldwide audio excellence and innovation has changed the course of music history. We are so honored to be able to share this evening with A-T staff, artists, journalists and business associates – the extended A-T family, who has contributed so much to Audio-Technica’s success over the past 50 years.”

For more information, please visit www.audio-technica.com.

Sennheiser Opens its Technology and Innovation Center in San Francisco: “The Future Made Right Here”

San Francisco, January 26, 2012: For more than 60 years, Sennheiser has stood for the highest quality audio products across all areas of sound recording, transmission and reproduction. This month, the company announces the official opening of its San Francisco- based research lab: SFTC (Technology and Innovation California). The opening ceremony was attended by more then 100 guests from the audio community in the Bay Area. The new research facility — which relocated from Palo Alto in November 2011, is focused on improving the customer experience through digital signal processing (DSP) technologies and combining this with Sennheiser’s world-renowned expertise in electro-acoustics and wireless transmission.

As a research hub for Sennheiser, whose slogan is “The Future Made Right Here,” SFTC creates knowledge in selected areas of DSP and facilitates knowledge transfer to Sennheiser’s product teams around the world. Many of these ideas and technologies are then adopted and integrated into Sennheiser’s consumer, professional or installed sound divisions.

“The Sennheiser culture has always been rooted in innovation and exploring what may be possible in the future,” commented Daniel Sennheiser, president strategy and finance, Sennheiser. “Our new facility in San Francisco leverages an extensive ecosystem of talents that includes not only our own visionary thinkers and researchers, but world renowned academic institutions and corporations. In this environment, our engineers are free to experiment and play with technology and processes that may eventually find its way into various consumer, pro and installed sound applications.”

“Concept Tahoe”
After it finishes developing and testing a concept, Sennheiser may choose to introduce a prototype model to test its market value and gauge end-user interest.

For example, last year at the prolight+sound and NAMM trade shows, Sennheiser unveiled a project that was under development at its SFTC research laboratory: “Concept Tahoe.”

This wireless microphone prototype — which drew a lot of attention by trade show attendees — is not only able to function as a high quality, professional wireless microphone, but also as an effects and processing controller — providing an unprecedented level of creative options to DJs and performers. This functionality is facilitated by the transmission of control data to a receiver, which can control any number of effects or plug-ins in real time using the MIDI protocol. The microphone can also be transformed into a tambourine or a shaker at the press of a button. By using an accelerometer and a rotation sensor, it measures how quickly it is moving and at what angle in space it is currently located. This prototype was demonstrated during the SFTC opening event, and showcased by beatboxer entertainers Butterscotch and Eklips.

“By moving the location of the SFTC to the Bay Area, our team — and by extension the entire Sennheiser organization — is able to leverage our proximity to the technology industry’s leading innovators, product designers and thought leaders. These include other multi-national companies as well as a unique network of start-ups and highly regarded institutions such as UC Berkeley and Stanford University,” commented Veronique Larcher, director of research, North America, for Sennheiser. “At SFTC, our researchers have access to an enormous pool of talent and imagination; risk taking and the cross-fertilization of ideas is strongly encouraged.”

Sennheiser launched its SFTC in 2006 and since then, its research and development work have been manifested in Sennheiser’s groundbreaking products — including the IS-ADN conference system.

Jampro Acquires Alan Dick Broadcast Ltd

COMBINED COMPANY OFFERS UNPARALLELED RANGE OF SERVICE, SOLUTIONS AND DELIVERY OPTIONS

Sacramento, CA — JAMPRO Antennas, Inc., the oldest broadcast antenna company in North America, has acquired the Alan Dick Broadcast (ADBL) Division of ADC UK Ltd. Located in the UK,ADBL is one of the oldest names in Europe for broadcast antennas, combiners / filters, towers and broadcast infrastructure service . Alex Perchevitch, Jampro’s president, made the announcement from headquarters in Sacramento, CA.

The acquisition combines two industry leaders, both accomplished in the development and implementation of exceptional engineering solutions, to form a powerful, global organization poised to address the growing global need for digital TV (DTV) products. Founded in 1954, Jampro – an early and key player in the emergence of digital TV – has grown to become one of the largest international suppliers of radio and TV antennas and associated radio frequency (RF) equipment, transmission line and components. Based in Cheltenham, UK, ADBL has served as a major provider of communications infrastructures in Europe, the Middle East and Africa for over three decades.

Jampro is known for its pioneering in antenna technology, combiners / filters, towers, and RF components that address nearly every application in the broadcast industry. The Company has installed thousands of broadcast systems since its inception in 1954, each designed and built to address the specifications of the end-user. Winner of multiple Queens Awards for industry, Alan Dick offers a high-quality portfolio of station equipment, towers, and antennas derived from extraordinary and innovative engineering solutions. ADBL’s credits include supplying a large number of broadband multi-channel systems to the BBC – Arqiva for the UK DSO (Digital Switch Over). The systems were installed on large face towers resulting in a successful solution for an exceptionally difficult and challenging application.

“ADBL is a true pioneer in the world-wide broadcast industry bringing numerous innovations to market ahead of their time,” commented Perchevitch. “Our united efforts and product lines will benefit our customers with stronger R&D across all ranges, improved delivery capabilities, and reduced shipping costs. We couldn’t be happier to welcome the entire staff into the Jampro family and look forward to a successful future filled with expanded opportunities for our combined client base.”

Added Rob Fisher, CEO of ADC UK “Alan Dick has been a major player in the worldwide broadcast market for several decades and has built up an enviable reputation for the quality and robustness of its products and services. I am pleased that Jampro will take the Alan Dick broadcast products into its portfolio and continue to market them as apart of an expanded Jampro offering. Jampro will work closely with a number of Alan Dick companies, including Alan Dick Middle East, to ensure that their local product and service capabilities can be combined with the expanded Jampro offering to provide an outstanding turnkey solution for broadcast customers.”

ADBL will remain in the UK and operate as a division of Jampro Antennas with the same management, engineering and production staffs.
# # #

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 15,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems.

Additional information on JAMPRO can be obtained at www.jampro.com.

Jampro Contact: Sonia Del Castillo
916-383-1177 • Sonia@jampro.com

ADBL Contact: Barry Sugden
+44 1242 537734 • barry.sugden@alandick.com

Press Contact: Desert Moon Communications • Harriet Diener
845-512-8283 • harriet@desertmooncomm.com

Sound Devices to Expand Operations with Purchase of New Facility

REEDSBURG, WI, JANUARY 25, 2012 — Sound Devices, makers of production sound and video products for field production, announce the purchase of a new facility for its U.S. headquarters in Reedsburg, WI. The company is expected to relocate and settle into the 27,000-square-foot facility in the first half of 2012, where it will continue to manufacture audio mixers and recorders, and video recorders for feature film, episodic television, documentary, news, and acoustical test and measurement applications.

“This move is part of Sound Devices’ continued commitment to our customers, our community and to the marketplace,” says Jon Tatooles, managing director, Sound Devices. “It gives us the necessary room to grow, and to have all departments, including engineering, manufacturing, and sales, under one (much larger) roof. We look forward to continued success in our new home this year and beyond.”

Equipped with state-of-the-art technology, the new facility will enable Sound Devices to continue its focus on designing and building new, innovative field-production products.

In addition to the improvements to logistics and operations, the newly renovated facility, which sits on 27 wooded acres, can accommodate training meetings for its sales representatives and distributors. It also has space for permanent product setups to assist in product training.

Sound Devices new facility is located at 7556 State Highway 23/33 in Reedsburg.

Sound Devices, LLC designs and manufactures portable audio mixers, digital recorders, portable video recorders and related equipment for feature film, episodic television, documentary, news-gathering and acoustical test and measurement applications. The thirteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Guitar Center, the Nation’s Largest Instrument Retailer, Opens Its 221st Store with New Location in Round Rock, Texas

— Company opens its seventh store in 2011 with special savings and events —

— Store features on-site lessons and guitar repair services —

On September 29, 2011, Guitar Center opened its newest retail location in Round Rock, Texas, located at 2200 South IH-35, Suite B4. The store’s opening delivered vast product selection, along with the unparalleled knowledge and experience of GC’s dedicated staff. Guitar Center Round Rock also features Guitar Center Studios, an embedded lesson and rehearsal facility, and is the only Austin-area Guitar Center with a Guitar Center Studios. To celebrate the opening, Guitar Center hosted a Grand Opening Weekend featuring exclusive savings, gear giveaways and free events tailored to local musicians.

GC Round Rock features well-equipped showrooms with the latest products for the musician, from guitars, amplifiers, percussion instruments and keyboards to live sound, DJ, lighting and recording equipment. In addition to special Grand Opening Weekend programming, early shoppers also enjoyed exclusive savings throughout opening weekend with deals that included guitar and drum essentials.

Gene Joly, Guitar Center Executive VP of Stores, stated, “The Austin area is one of the key music centers in the country, and adding another store helps us to better serve the musicians and engineers in this burgeoning market. As with our other new stores opened in 2011, the Round Rock location reflects a number of new design and merchandising principles. For instance, GC Round Rock features Guitar Center Studios lessons/rehearsal spaces, GC Garage repairs facility and an open layout that yields a streamlined traffic flow and more room for customers to test drive products in a comfortable environment.”

Guitar Center’s plans for the Round Rock location go well beyond offering the biggest selection at the best prices. The store includes Guitar Center Studios, an in-house, state-of-the-art lesson and rehearsal facility, which will create unrivaled opportunities for Round Rock musicians of all ages and skill levels. Guitar Center Studios provides music lessons from beginner to advanced featuring certified instructors providing world-class curriculum, as well as one-on-one Pro Tools, Logic Pro and GarageBand courses. Rehearsal spaces are fully equipped with the latest backline gear, and musicians will have access to a digital recording of their rehearsal sessions. Guitar Center Studios is by all accounts the most modern and affordable lessons and rehearsals facility in the city.

The store also features GC Garage, offering on-site guitar repair services. Staffed with a certified repair technician, GC Garage can handle any repair from restring and basic instrument maintenance to headstock and structural repair.

Building on their ongoing initiatives designed to educate and inspire artists nationwide, Guitar Center in Round Rock will offer unique opportunities for musicians to craft their skills, maintain their instruments and experience many aspects of the music industry first hand. Musicians interested in learning the many facets of home recording were invited to participate in a free workshop with Avid, the makers of popular recording software Pro Tools, held on Saturday, October 1, at 1 pm. They were also able to interact with and hear firsthand from accomplished drummer Jeff Friedl (A Perfect Circle / Ashes Divide / Puscifer / Devo) and respected heavy metal and Guitar Hero lead guitarist Marcus Henderson as they shared their experiences and insights during special Guitar Center Sessions events (Friedl on Friday, September 30, at 7 pm and Henderson on Sunday, October 2, at 5 pm). On grand opening night, hard rock band Lyman and Elvis impersonator Terry Buchwald both performed.

Round Rock shoppers are able to enjoy Guitar Center’s new multi-channel “endless aisle,” with multiple combinations of shopping options to conveniently choose from – not only the Round Rock inventory, but also the over $400 million in gear Guitar Center has to offer nationwide. Consumers can combine a myriad number of in-store, online and phone options to purchase music equipment from anywhere, allowing for a completely personalized and endlessly convenient shopping experience for every customer.

In addition to special programs at the store, each year Guitar Center offers nationwide programs designed to spearhead creativity and highlight the nation’s most promising undiscovered talent. Round Rock area residents will now be able to participate in these ongoing national events from their hometown:

• Your Next Record gives artists a chance to record with some of the top recording artists in the country, including legendary guitarist Slash, country superstar Keith Urban, and rock icon Travis Barker.

• Guitar Center On-Stage gives undiscovered bands the opportunity to compete against their peers for a chance to share a stage with their idols. The most recent On-Stage competition features Jane’s Addiction. For more information, please visit http://gc.guitarcenter.com/onstage/.

• Guitar Center’s Drum-Off and King of the Blues are national competitions that highlight local talent from across the country, giving them widespread exposure and the chance to win incredible prize packages.

Guitar Center Round Rock is open seven days a week. Store hours are 11 a.m. to 8 p.m. Monday through Thursday, 10 a.m. to 8 p.m. Friday, 10 a.m. to 7 p.m. Saturday, and noon to 6 p.m. Sunday.

GUITAR CENTER, THE NATION’S LARGEST INSTRUMENT RETAILER, OPENS NEW SUPERSTORE IN WILMINGTON, DELAWARE

— Company opens its fifth store in 2011 with special savings and events —

On June 16, 2011, Guitar Center opened its latest retail location in Wilmington, Delaware. The store’s opening delivers vast product selection to the region, along with the unparalleled knowledge and experience of its dedicated staff. To celebrate the opening, Guitar Center hosted a Grand Opening Weekend featuring exclusive savings, gear giveaways and free events tailored to local musicians. The opening of the Wilmington, Delaware store marks Guitar Center’s fifth store opening in 2011 and further underscores Guitar Center’s ongoing expansion nationwide.

Located at 5141 Brandywine Parkway, Wilmington, Delaware 19803 (a no sales tax zone), the retailer’s newest location features well-equipped showrooms with the latest products for the musician, from guitars, amplifiers, percussion instruments and keyboards to live sound, DJ, lighting and recording equipment. In addition to special Grand Opening Weekend programming, early shoppers also enjoyed exclusive savings throughout opening weekend, with deals that included guitar and drum essentials at up to 88% off list price.

The store also features GC Garage, offering on-site guitar repair services. Throughout opening weekend, musicians were able to test drive the Garage for free, with any guitar purchased at Guitar Center Wilmington Grand Opening night getting a free, 22-point personalized set-up.

Building on their ongoing initiatives designed to educate and inspire artists nationwide, Guitar Center in Wilmington offers unique opportunities for musicians to craft their skills, maintain their instruments and experience many aspects of the music industry first-hand. Musicians interested in learning the many facets of home recording were invited to participate in a free workshop with Avid, the makers of popular recording software Pro Tools, on Saturday, June 18, at 1:00 p.m. They were also able to interact with and pick the brain of metal gods Derek Roddy and Marcus Henderson as they shared their experiences and insights during special Guitar Center Sessions events. Opening night also featured a performance from IKE.

In addition to special programs at the store, each year Guitar Center offers nationwide programs designed to spearhead creativity and highlight the nation’s most promising undiscovered talent. Wilmington area residents will now be able to participate in these ongoing national events from their hometown:

• Your Next Record gives artists a chance to record with some of the top recording artists in the country, including legendary guitarist Slash, country superstar Keith Urban, and rock icon Travis Barker.

• Guitar Center On-Stage gives undiscovered bands the opportunity to compete against their peers for a chance to share a stage with their idols. The most recent On-Stage competition features Jane’s Addiction, for more info go to http://gc.guitarcenter.com/onstage/.

• Guitar Center’s Drum-Off and King of the Blues are national competitions that highlight local talent from across the country, giving them widespread exposure and the chance to win incredible prize packages.

Guitar Center Wilmington is open seven days a week. Store hours are 11 a.m. to 8 p.m. Monday through Thursday, 10 a.m. to 8 p.m. Friday, 10 a.m. to 7 p.m. Saturday, and noon to 6 p.m. Sunday.

Waves Announces Increased Popularity of SoundGrid® On DiGiCo SD7 and SD10 Consoles in the U.S.

— DiGiCo’s U.S. distributor, Group One Limited, reports that virtually all SD7 and SD10
consoles sold in the U.S. are equipped with Waves SoundGrid® —

KNOXVILLE, TN, January 23, 2012 — Waves Audio, the industry-leading developer of professional audio digital signal processing technologies and the recipient of a Technical GRAMMY® Award, is proud to be in an ongoing strategic alliance with DiGiCo, whose SD Series consoles – SD7 and SD10 – are virtually all shipping with Waves SoundGrid® in the U.S. In fact, DiGiCo’s U.S. distributor, Group One Limited, notes that almost all DiGiCo SD Series consoles are specified with Waves SoundGrid. The SoundGrid platform gives DiGiCo users access to Waves’ award-winning reverbs, equalizers, compressors, limiters, delays and more, directly from their consoles. In 2010, Waves formed the strategic alliance with DiGiCo, the renowned U.K.-based manufacturer of some of the world’s most popular, successful and groundbreaking digital mixing consoles.

Perfect for front-of-house, monitor, broadcast, and theater applications alike, SoundGrid gives users instant access to the industry’s leading audio processors, directly from the industry’s leading consoles. And to make things even simpler, Waves SoundGrid-compatible plugins come pre-loaded into DiGiCo consoles, eliminating the need to install.

Jack Kelly, Founder and President at Group One, DiGiCo’s U.S. distributor, stated, “The integration of Waves plugins into DiGiCo SD Series consoles gives live engineers the ability to really use their artistry – for example, to make changes on-the-fly without a break in the audio, shaping the sound for each and every act or different performance in the moment. We have also found that engineers who have been using the system love the 15-inch touch screen, which they can use for complete control of the Waves platform, versus using a keyboard and mouse. Waves SoundGrid opens a world of opportunity for live engineers working on DiGiCo SD Series consoles.”

“Waves is pleased that more and more live engineers are utilizing the SoundGrid platform on DiGiCo SD Series consoles,” said Mick Olesh, senior vice president of Waves Audio. “Now that most SD7 and SD10 consoles are shipping fully loaded with SoundGrid, it will be easier than ever to bring Waves studio-quality audio processing to the stage.”

For more information, please visit www.waveslive.com or www.waves.com.

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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