Reliable Sennheiser RF Equipment Supports Super Bowl XLVI

Indianapolis, Indiana – March 8, 2012: In the fractured and multifarious landscape of modern media, the Super Bowl stands as a monolith, gathering the nation together before its television sets to partake of common experience. Indeed, this year’s game between the New York Giants and the New England Patriots was the most-watched program in television history, earning 111.3 million viewers. Of course, the modern Super Bowl experience includes much more than football. In addition to the multi-million dollar commercials, many are drawn to watch the celebrities and celebrity performances. This year, Country Music’s first couple, Miranda Lambert and Blake Shelton, kicked things off with a rousing duet. Shelton was later featured in his judge’s chair on the season premier of NBC’s hit, The Voice. At halftime, Madonna starred in a richly choreographed medley of her chart-toppers (to the tune of 114 million viewers – more than the game itself!). Rock-solid Sennheiser RF equipment gave everyone involved as much peace of mind as one dare hope at this, the most critical of all mission-critical events.

With a stirring rendition of “God Bless America,” Lambert and Shelton gave the Super Bowl a patriotic commencement. Lambert sang into a new custom-made pink Sennheiser SKM 2000-XP handheld mic with an MMD 935-1 capsule that was created for this event. Shelton sang into a Sennheiser SKM 5200-II handheld mic with an MD 5235 capsule. “On such a high-pressure show with so many top-of-their-field experts managing such a massive logistical undertaking, one has to be adamant to get the mics you want,” observed Brad Baisley, the duo’s monitor engineer. ”Of course, Miranda used her new pink Sennheiser microphone, and Blake the Sennheiser SKM 5200. The top end is always superb, the sound is natural, and Miranda and Blake know how to work those capsules. Of course, Sennheiser’s RF has always been rock-solid for us, and that was proved once again at the Super Bowl. In addition to their great products, the assistance from Sennheiser’s Tim Moore was fantastic. He was extremely helpful in ensuring we had the equipment we needed in the appropriate frequency ranges.”

To put the magnitude of the Super Bowl in perspective, Madonna’s 2008-2009 Sticky & Sweet tour – the highest grossing tour by a solo artist and the fourth highest grossing tour of all time – played to 3.5 million people in just over a year’s time. If you crunch the numbers, Madonna would have to play over thirty such tours back-to-back to match her one-time TV-land attendance at the Super Bowl! “Once the show starts, there’s not a lot you can do if something goes wrong,” said Matt Napier, Madonna’s longtime monitor engineer. “The best – and really the only – thing you can do in a situation like that is to have the best equipment available and to prepare thoroughly. I trust Sennheiser in Madonna’s high-stakes concerts, and that trust was rewarded with a perfect performance at the Super Bowl.”

“On tour, we have our own dedicated RF tech,” said Napier. “But as a general rule, we keep things simple and reliable by using Sennheiser wireless exclusively and their Wireless Systems Manager software, which is an effective tool for managing our frequencies.” Madonna used the Sennheiser HSP 4headset at the start of the medley and then switched to a Sennheiser SKM 5200-II handheld Blake and Mirandatransmitter with an ME 5005 capsule for the remainder. All of Madonna’s guests (Nicki Minaj, MIA, LMFAO) used Sennheiser SKM 5200-II handheld transmitters with Neumann KK 104 capsules. Cee Lo Green’s mic used the MD 5235 capsule. Sennheiser EM 3732 receivers captured the on-stage magic for the wired world beyond. Finally, Sennheiser 2000 Series wireless personal monitors rounded out the equipment list for Madonna at her request.

“No matter where we’re playing, the combination of the Sennheiser SKM 5200-II transmitter, ME 5005 capsule, and EM 3732 receiver delivers fantastic audio quality and reliable, flexible RF performance,” said Napier. “Together with Sennheiser’s 2000 Series wireless personal monitors, we’re high fidelity start to finish, with rock-solid reliability and easy frequency coordination. In addition, having the full support of Sennheiser affords me peace of mind. We needed a gold-plated SKM 5200-II transmitter for Madonna and a chrome SKM 5200-II for Cee Lo. With no time to spare, Kristy Jo Winkler and Tim Hunten, Sennheiser, and Jason Bellamy at Soundtronics arranged the delivery of these transmitters. The mics were on their way the same day. That kind of service means a lot in this industry. A big thanks goes out to the Sennheiser team!”

Sennheiser Partners with UniqueSquared to Bring Mobile Studio to Austin During World-Famous Music Week

AUSTIN – March 06, 2012: Audio specialist Sennheiser announced that it has partnered with music retailer UniqueSquared to bring a 45-foot mobile recording studio bus to Austin during its world-famous music week between March 14th and 16th. The UniqueSquared Mobile Studio, which will make stops at various locations in downtown Austin during its music festival, is being co-sponsored by Sennheiser and features a control room, isolated vocal booth / tracking room, a listening lounge and plenty of gear from Sennheiser and Neumann. Music fans are encouraged to attend and admission is free.

The UniqueSquared Mobile Studio will feature an assortment of world-class microphones from Sennheiser and Neumann and several dedicated listening stations equipped with a selection of the latest headphones from Sennheiser — including the HD 800, which many audiophiles consider to be the best-sounding headphone in the world. Following is a selection of the audio equipment that the mobile recording studio will have on hand for musicians and fans to demo:

– Sennheiser e 906, e 914 and MK 4 instrument / vocal microphones
– Sennheiser e 835 and e 935 dynamic vocal microphones
– Neumann TLM 103 condenser microphone
– Sennheiser Amperior, HD 25, HD 205, HD 280, HD 650,HD 800 headphones and others
– TRUE Systems P2 Analog preamplifier (distributed by Sennheiser)

“We are happy to co-sponsor the UniqueSquared Mobile Studio this year in Austin,” commented Tim Moore, artist relations manager, Sennheiser. “It is exciting to interact with so many diverse music fans in one place, and the Mobile Studio enables them to try out a wide range of Sennheiser and Neumann products in a professional environment before making a purchasing decision.”

The UniqueSquared Mobile Studio, which will also have products for sale, is being presented in conjunction with the Sennheiser / Paste party at The Stages on Sixth — where 33 artists will perform over the course of three days.

Over the course of the showcase event, one pair of Sennheiser HD 800 headphones will be given away each day to three lucky registered showcase attendees and hundreds of cards will be given away featuring free music downloads of Sennheiser artists. A dedicated, interactive listening station will be provided for the duration of the event so music fans can experience Sennheiser’s latest products including the Amperior DJ-style headphones, which were recently unveiled at CES 2012.

Sennheiser Rocks (and Rolls in the Deep) with Big Grammy Winners

Los Angeles, California, March 1, 2012: This year’s Grammy Awards event, hosted by LL Cool J, celebrating music’s biggest night, went down in history as the second highest rated telecast since the show’s inception in 1959. It was a phenomenal undertaking showcasing nearly thirty diverse musical performances on multiple indoor and outdoor stages, along with a very last minute tribute celebrating the late Whitney Houston. So when Sennheiser artists took the stage, their engineers knew they had to have Sennheiser microphones to assure their performances would go off without a hitch.

Adele, the big winner of the evening, tied the record, set two years ago by Beyoncé, for the most awards won by a female artist in one year. The 23-year-old pop-soul singer won the night’s most prestigious awards, including Album of the Year and Best Pop Vocal Album for 21, Record of the Year, Song of the Year and Best Short Form Music Video for the single “Rolling in the Deep,” and Best Pop Solo Performance for “Someone Like You.”

The most highly anticipated performance of the evening finally arrived when Adele took the stage to perform “Rolling in the Deep.” Her favorite nickel-finish Sennheiser SKM 2000-XP wireless handheld transmitter with MMK 965-1 capsule conveyed her beautiful voice to the adoring crowd. Dave McDonald, Adele’s front-of-house engineer, said, “It’s a great microphone. We started using it just after the Brit Awards in February of last year, and she’s loved it ever since.” He adds, “Ninety-nine-point-nine percent of the equipment we use is Sennheiser – and the point-one percent is Neumann.” Her performance brought the Grammy audience to its feet for the longest standing ovation of the evening.

Foo Fighters, nominated in a total of six categories, swept the entire rock category, winning awards for Rock Song and Rock Performance for “Walk,” Rock Album for Wasting Light, Hard Rock/Metal Performance for “White Limo,” and Best Long Form Music Video for “Foo Fighters: Back and Forth.”

The band rocked the stage twice during the Grammy broadcast, performing “Walk” from a tent on Nokia Plaza, adjacent to the Staples Center, then returning to play “Rope” during the electronic dance music segment with David Guetta, Chris Brown, Lil’ Wayne, and deadmau5. Frontman Dave Grohl made use of his usual Sennheiser MD 431 II vocal mic on both songs. Ian Beveridge, Foo Fighters’ longtime monitor engineer, spoke highly of Dave’s vocal mic: “I love that microphone to death. That microphone is so unbelievably flat in the high-end, and incredibly stable with moisture and temperature. During their shows, we used to have terrible instability problems with other microphones, and I was going through maybe four, five or six microphones a show with Dave, swapping them out. Now, I keep the 431 for the whole show. I can’t remember the last time there was any feedback during Foo Fighters’ show. And these Grammy performances were no exception.”

Bruno Mars, channeling James Brown with his energetic, throwback performance of “Runaway”, had the singer using an SKM 2000-XP with MMD 945-1 capsule. James Berry, monitor engineer for Mars shared, “Sennheiser products have great sound and reliability. We could not have done it without Sennheiser. I’m always grateful for their gear and support in making it happen under the stress of a live event like the Grammys.”

Other Sennheiser users got to shine during the show, too, including the evening’s host, LL Cool J, who made use of an SKM 5200. Alicia Keys sang a duet with Bonnie Raitt in memory of Etta James through her SKM 5200-II vocal mic with MD 5235 capsule. Katy Perry made a memorable entrance, descending in a glass box with her baby blue hair and her SKM 5200-II/MD 5235 combination to perform her new post-divorce song, “Part of Me.” During a medley honoring and featuring Glen Campbell, Blake Shelton performed the songwriter’s “Southern Nights” using his SKM 5200-II /MD 5235 vocal mic. Tony Bennett, in a duet with Carrie Underwood on “It Had to Be You,” also used an SKM 5200-II.

(Photo Credit: © 2012 FilmMagic)

SOLID STATE LOGIC APPOINTS SENNHEISER MIDDLE EAST AS NEW DISTRIBUTION PARTNER

New arrangement increases presence and highlights the importance of the Middle East for two of pro audios most respected brands

DUBAI AIRPORT FREE ZONE, UAE – Solid State Logic is pleased to announce that it has appointed Sennheiser Middle East (SeME), a division of Sennheiser UK, to be a manufacturer’s representative in the Middle East for SSL console products including C-Series Digital, Duality and AWS Consoles. Over the past 20 years, SSL has built up a significant music, film and broadcast customer base across the Middle East and SeME has built an extensive client network developing Sennheiser’s business in the region. This new partnership reflects SSL’s ongoing success and commitment to the region and will enhance both companies’ ability to develop strong customer relationships and deliver exemplary customer service.

SSL's Paul Lindsay with SeME's Mig Cardamone

more…

Sonnox Offers 35% Discount In Spring Sale

OXFORD, UK: In a special pre-Easter holiday promotion, Sonnox is offering a rare 35% price reduction on all plug-ins and bundles throughout the month of March. Available from authorized resellers as well as the Sonnox website, the Spring Sale encompasses individual Sonnox plug-ins as well as bundles such as the popular Sonnox Elite Collection which includes: Oxford EQ, Dynamics, Inflator, Transient Modulator, Reverb, Limiter and SuprEsser.

Sonnox Sales & Marketing Manager, Nathan Eames says, “It’s been well over a year since we’ve had a sales promotion like this. We intend it to enable new customers to join the countless professionals all over the world who enjoy the same high-quality plug-ins for their work. Pro Tools 10 users will even get free upgrades to our forthcoming AAX Native plug-ins, so there has never been a better time to buy!”

The Sonnox Spring Sale ends March 31st 2012. For more information please visit: www.sonnox.com

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Sennheiser and Paste Magazine to Present 33 Bands in Three Days for Ultimate Music Lovers’ Showcase at Stages on Sixth in Austin

AUSTIN – February 28, 2012: Audio specialist Sennheiser announced that it has partnered with Paste Magazine to present an ultimate music lovers’ showcase during Austin’s famous music week on March 14, 15 and 16. All in all, there will be 33 performances over the course of three days by an eclectic mix of new and established acts held at the Sennheiser-endorsed The Stages on Sixth.

The marathon lineup at Austin’s The Stages on Sixth will include indie rock veterans The Wedding Present, The dBs and Built to Spill, as well as newer acts such as We Were Promised Jetpacks, Blitzen Trapper and Lumineers. Each of the two indoor and outdoor stages will feature sound delivered by premium audio brand Sennheiser.

Sennheiser Returns to Austin

Sennheiser will be sponsoring a showcase at The Stages on Sixth during Austin’s most revered music week for the second time in a row. Sennheiser will have its latest headphones on display, including the Amperior DJ-style headphones unveiled at CES earlier this year, as well as its famous evolution wired microphones. Following are details on locations and times:

· What: Sennheiser & PastePresent The Stages on Sixth, Austin
· When: Wednesday, March 14-16, noon to 6:00 p.m.
· Lineup (may be subject to change without notice)
o Wednesday, March 14: MyNameIsJohnMichael, River City Extension, Apparat, Caveman, Typhoon, The Chain Gang of 1974, Rich Aucoin, Hospitality, Tennis, Van Hunt, Ben Kweller
o Thursday, March 15: Dinosaur Feathers, Howler, Vintage Trouble, JC Brooks, Of Monsters and Men, The dB’s, Rubblebucket, We Were Promised Jetpacks, Blitzen Trapper, Japandroids, Built to Spill
o Friday, March 16: Barr Brothers, Crooked Fingers, Lumineers, The Belle Brigade, Reptar, Rhett Miller, Idle Warship, Alberta Cross, The Wedding Present, Punch Brothers, Glen Hansard

For more information and to RSVP, visit www.sennheiserusa.com/paste.

Uncompromising Classical Audiophile Label 2L Relies on Antelope Audio’s Zodiac Gold DAC to “Proof Listen” its High Resolution Masters

Oslo, Norway, February 28, 2012 — Morten Lindberg is well-known in the audiophile community as head of 2L (Lindberg Lyd), a recording label based in Oslo, Norway that has been exporting its premium classical and folk recordings from Scandinavia for over a decade. Lindberg, who insists on extremely high quality production values throughout the entire recording, manufacturing and packaging processes, uses the Antelope Audio Zodiac Gold to ‘proof’ the carefully recorded 352.8 kHz/24-bit stereo master files before they are ever duplicated or distributed to the company’s discriminating international customers.

2L has garnered no less than 12 GRAMMY Award nominations over the last six years — seven of them in categories including “Best Engineered Album” and “Best Surround Sound Album.” These releases, which feature Norwegian composers and musicians, are recorded in spacious concert halls, cathedrals and churches throughout Scandinavia. One of the greatest challenges is to ensure that performances are reproduced in the living room of the listener as accurately as possible, therefore, 2L is always exploring the best mediums, file formats and technologies available: including Antelope Audio’s Zodiac Gold DAC.

The Zodiac Gold is a D/A converter, pre-amp and headphone amp engineered to deliver pristine audio with keenly articulated pitch and a spectacular soundstage. The unique sound of Zodiac DACs is based on Antelope’s Oven Controlled Oscillator and 64-bit clocking technology used by the world’s top audio engineers.

“Working daily with the finest European AD and DA converters on venue recording, our standard is set to the extreme,” says Lindberg. “I was hardly prepared for the overwhelming moment when I found that the sonic qualities of the Zodiac Gold immediately recalled my memory of the recording sessions.” The Zodiac Gold, which is now a key component in Lindberg’s monitoring chain, is also convenient to use on-location. “With the USB, I am able to use the Zodiac Gold in true plug-and-play fashion with my MacBook Pro. This makes it perfectly suited for portable playback in workshop environments.”

“More than 50% of our total revenue as a label now comes out of Hi-Res FLAC file distribution, with international partners like Hdtracks.com, Highresaudio.com and e-ONKYO,” Lindberg continues. “The Zodiac Gold is a perfect match for domestic customers searching for the best sonic values in computer playback of these super-high resolutions.”

While still a relatively young recording label from a classical music perspective, 2L’s accomplishments are very impressive nonetheless. When 2L began its own studio operations 15 years ago, its core business was contracting recordings out to other labels such as EMI/Virgin, Naxos, Linn and Philips and others. Since 2001, there have been well over 50 recordings issued by 2L and among the highlights for 2012 will be a landmark release of TrondheimSolistene – SOUVENIR, which is being released in two parts and will appear on both vinyl and Pure Audio Blu-ray.

While nothing can replicate the exact sensory experience of listening to a recording session in-person, the Zodiac Gold DAC can help listeners come just a little bit closer: “There is no method available today to reproduce the exact perception of attending a live performance,” concludes Lindberg. “As recording engineers and producers we need to do exactly the same as any good musician; interpret the music and the composer’s intentions and adapt to the media where we perform.” For 2L, the Zodiac Gold continues to perform.

GUITAR CENTER CONTINUES TO EXPAND AS IT OPENS NEW STORE LOCATION IN SALEM, OREGON

— Company hits milestone with 225th location —

— New store offers on-site lessons and repair services —

Westlake Village, CA (February 27, 2012) – On February 16, 2012, Guitar Center hit a milestone by opening its 225th retail location, Guitar Center Salem, at 6325 Ulali Drive NE, Keizer, OR 97303. Guitar Center Salem’s grand opening introduced customers to a vast selection of products and a dedicated staff with unparalleled musical knowledge and experience. To commemorate the store opening, Guitar Center hosted a Grand Opening Weekend celebration (Feb. 16-19) featuring exclusive savings, gear giveaways and free events for local musicians. The grand opening also included free live performances throughout the weekend.

Guitar Center’s newest Oregon location features showrooms equipped with the latest products for musicians – from guitars, amplifiers, percussion instruments and keyboards to live sound, DJ, lighting and recording equipment. In addition to the special Grand Opening Weekend programming, shoppers who came out early also enjoyed exclusive savings throughout opening weekend, including deals on guitar and drum essentials.

“The opening of our 225th store in Salem, Oregon, is truly a landmark occasion for Guitar Center,” commented Gene Joly, Guitar Center Executive VP of Stores. “Our Salem location further underscores Guitar Center’s ongoing commitment to our customers, and to providing an extensive range of products, services and events. Like all openings in the past year the Salem location reflects our new open format design principles and streamlined merchandising layout.”

The new store also features Guitar Center Studios, an in-house, state-of-the-art lesson facility, which will create unrivalled opportunities for Salem musicians of all ages and skill levels. Guitar Center Studios provides music lessons from beginner to advanced featuring certified instructors teaching world-class curriculum as well as one-on-one courses on Pro Tools, Logic Pro and GarageBand. Guitar Center Studios is now the most modern and affordable lessons facility in the area. Guitar Center Salem also features GC Garage, Guitar Center’s on site guitar repair service. Musicians were able to try out the GC Garage for free on Grand Opening night (Feb. 16). With a guitar purchase, customers also received a free, 22-point personalized set-up.

As part of Guitar Center’s initiatives designed to educate and inspire artists nationwide, Guitar Center Salem offers unique opportunities for musicians to craft their skills, maintain their instruments and experience many other aspects of the music industry first-hand. Musicians interested in learning about the industry are able to come to the store to interact with and ask questions of several industry leaders. Free “Recording Made Easy” classes are conducted every Saturday from 10:00 to 11:00 am. Salem shoppers are also able to enjoy Guitar Center’s new multi-channel “endless aisle,” which includes multiple combinations of product options to conveniently choose from. Not only does the “endless aisle” include Salem inventory, but it also provides easy access to $400 million in new and used inventory located in hundreds of stores and warehouses across the nation. Customers have the ability to combine a variety of in-store, online and phone options to purchase music equipment from anywhere they may be, allowing for a personalized and convenient shopping experience.

In addition to special programs at the new Salem store, Guitar Center offers nationwide programs designed to spearhead creativity and highlight the nation’s most promising undiscovered talent. Salem residents will now be able to participate in these ongoing national events from their hometown:

Guitar Center On-Stage is an annual competition that provides unsigned artists the chance to open for established artists such as Motley Crue, KISS and Jane’s Addiction.

Guitar Center Singer-Songwriter is an artist discovery program that aims to find the nation’s best unsigned singer-songwriter. The winner receives a career-altering prize package including recording three songs with accomplished GRAMMY® Award-winning Producer John Shanks, recording time at the state-of-the-art Brooklyn-based Converse Rubber Tracks studio and $10,000 cash. The grand finale took place in Los Angeles on Feb. 18.

Guitar Center’s King of the Blues is a nationwide amateur guitar skills competition with the goal of finding the next great undiscovered blues guitar player. This year’s winner, Jonathon “Boogie” Long, performed alongside GRAMMY-winning guitarist Warren Haynes at the Grand Finals in LA, and won an incredible prize package valued at over $50,000.

Guitar Center’s Drum-Off, entering its 24th year, is the nationwide search for the next great undiscovered drummer. Drummers from across the nation compete in the world’s largest drum competition, vying for thousands of dollars in prizes and the coveted title of Guitar Center’s Drum-Off Champion. The grand prize package is valued at nearly $50,000.

Guitar Center Salem is open seven days a week. Store hours are 11 a.m. to 9 p.m. Monday through Thursday, 10 a.m. to 8 p.m. Friday, 10 a.m. to 8 p.m. Saturday and 11 a.m. to 6 p.m. Sunday. Guitar Center Studio hours follow the same schedule.

Lowell Introduces New Rack Bundles

— Rack bundles offer customer convenience —

PACIFIC, MO, February 27, 2012 — Lowell Manufacturing Company, a U.S. manufacturer of professional AV Products for more than 60 years, introduces new rack bundles to their line of racks and enclosures. Customers now have the convenience of ordering a complete rack set-up using a single part number, according to Marketing Communications Manager Kathy Lane.

The new rack bundles are available for Lowell’s gangable racks (LGR series) and enclosed racks (LER series). Bundled accessories are not installed but packaged individually and shipped to the job site along with the rack. Accessories in the “BAV” bundle vary according to size and type of rack ordered but include commonly ordered items for AV rack set-ups like horizontal and vertical cable managers, power strip, fan panel, leg levelers, velcro cable wraps, extra hardware, etc.

Lowell is also offering a ready-to-use, time- and labor-saving option for their new LXR floor rack. The open-frame LXR has a slim (19.2-in. W) footprint that requires only a minimal amount of floor space. While the standard LXR ships unassembled, selecting the “IAV” option means the rack will be pre-assembled and outfitted with accessories that include shelves, vented panels, 15A power strip, vertical cable manager and fine-floor swivel casters to protect wood, marble and tile floors from mars and scratches. The quantity of accessories varies with rack height. The LXR with the “IAV” option is available in 14, 30 or 38 rack units with 21-in. depth.

Lowell also has an “IAV” option of pre-installed accessories for their LER rack series, which is available for 18, 21 or 35 rack units with 27-in. depth.

For more information, visit www.lowellmfg.com or e-mail Lowell at sales@lowellmfg.com

Harris Boosts Flexiva Transmitter Range, Demonstrates Power Efficiency at NAB

At the 2012 NAB Show, Harris Broadcast Communications will demonstrate how radio broadcasters can maximize transmission efficiency across all power levels — most notably for high-power HD Radio™, FM and AM broadcast operations.

Last year, Harris introduced its Flexiva™ range of quad-mode, solid-state transmitters in low-to-mid power models, boasting a single, highly power-efficient platform to support analog and global digital standards. This year, the company will introduce two new high-power models (30kW and 40kW) for broadcasters that need to minimize operating costs while covering large areas — including analog FM and high-power HD Radio via elevated sideband levels.

The Flexiva exciter will also debut at the 2012 NAB Show, featuring rock-solid digital, direct-to-channel modulation for maximum on-air stability. Web-based monitoring and control, a host of expansion options and upgrade paths to HD Radio and DRM+ make the Flexiva exciter a feature-rich yet simple and cost-effective alternative to the Harris FlexStar® HDx exciter. Both exciters are well-suited for Flexiva transmitters at any power level.

Harris will also demonstrate its high-power 3DX Destiny® AM transmitter range for Modulation Dependent Carrier Level (MDCL) applications, delivering exceptional power efficiency to high-power AM broadcasters via Harris Adaptive Carrier Control Plus (ACC+) systems. Harris ACC+ systems help AM broadcasters reduce average power consumption by approximately 35 percent — sharply reducing operating costs associated with high-power AM broadcasting.

All Harris Flexiva and 3DX transmitters leverage Harris® PowerSmart® technology to increase power density, reduce footprint, and improve reliability through simpler designs and better operational efficiency.

“Radio broadcasters continue to seek greater operational efficiency through compact and modular transmitter designs,” said Richard Redmond, vice president of product strategy and management for transmission systems, Harris Broadcast Communications. “Harris continues to develop new strategies and technologies that give our customers great performance with lower operating costs.”

Harris will also show its latest generation FlexStar importer and exporter models (HDI200 and HDE200) for more efficient management of HD Radio multicast signals comprising main and supplemental program audio channels. The NAB 2012 Show also marks the first spring show demonstration of IP backhaul capabilities within the Harris Intraplex® HD Link™ fixed microwave STL system. This upgrade enables tighter integration of RF and IP capabilities for single-channel or multicast program transport.

# # #

HD Radio™ is a proprietary trademark of iBiquity Digital Corp.

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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