PRISM SOUND OPENS A NEW EUROPEAN SALES AND DISTRIBUTION OFFICE IN GERMANY

Prism Sound, manufacturer of premium-quality test and measurement instruments, audio interfaces and processors and for the recording and broadcast markets, has opened a European Sales and Distribution office in Munich, Germany.

Operating under the Prism Media Products Ltd banner and covering the territories of Germany, Austria and Switzerland, the new office will handle all Prism Sound test and measurement, music recording and production products including the dScope Series III audio test instrument, ADA-8XR multichannel converters and the Orpheus FireWire interface.

Bernard Nocker, formerly Sales Manager for Prism Sound products at DIME Medientechnik GmbH, has been appointed to head the Munich office.

He says: “I am delighted to have the opportunity to develop Prism Sound’s business in these territories. Audio is my passion and I have hands-on experience of using Prism Sound’s products, which makes it much easier to explain their features and benefits to potential customers. I also believe that this new arrangement will allow me to concentrate on developing much closer relationships with existing customers and explore new markets for Prism Sound, particularly in the test and measurement arena.”

The new structure will enable Prism Sound to more effectively develop resellers and representatives in the German-speaking market and the company is now actively seeking retailer partnerships for its music recording and production products, as well as closer relationships with industrial test system integrators and supply chain companies.

Graham Boswell, Sales Director for Prism Sound, says: “In 2011, Prism Sound’s sustained export performance won the company the prestigious UK Queens Award for Enterprise in the International Trade category. The German speaking market was a significant factor in winning this award and has been important to the company for 20 years, having first been developed by FFD GmbH in the early 1990’s. More recently distribution has been handled by DIME Medientechnik GmbH and the business has grown considerably over the period.

“Our decision to open the Munich office was based on a desire to conduct closer relationships with our key customers and to be more responsive to local market conditions. The change will bring immediate benefits to our customers in Germany, Austria and Switzerland in the form of a new Euro price structure. Former inter-company pricing has been replaced with a simpler structure and, despite the recent gains in the GBP/EUR rate, the new Euro pricing will be slightly lower than previously.”

Prism Sound and DIME have agreed a swift and amicable handover, with DIME now completing only specific orders already in hand. All new orders will be handled directly by Prism Sound. Warranty and service for all products formerly sold by DIME or by its predecessor SDI will be handled directly by Prism Sound through the Munich office.

Sales of Prism Sound’s SADiE product line continue to be handled by For-Tune GmbH. The new arrangements in Germany will mean closer co-operation between the two companies and offer a range of new marketing opportunities for the SADiE and Prism Sound brands.

Bernhard Nocker can be contacted at Tel: +49 176 27927901. Email: Bernhard.Nocker@prismsound.com. Prism Sound’s Munich office is located at Trappentreustr. 5, 80339 München, Germany.

-ends-

About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

QUALIS AUDIO WELCOMES DX2 BROADCAST AS ITS NEWEST U.S. REPRESENTATIVE

PORTLAND, OREGON, APRIL 30, 2012 – Qualis Audio, a leading developer of professional audio measurement and monitoring instruments, with an emphasis on 5.1 surround sound, is pleased to announce today the appointment of Dx2 Broadcast as its newest U.S. sales representative. Dx2 Broadcast, a Texas-based manufacturer’s representative catering to both broadcast and non-broadcast customers, will support sales of Qualis Audio’s Sentinel Surround Sound Audio Monitor in the southwest region of the United States, further supporting the company’s expanding presence with new customers across the country.

Dx2 will handle sales for Qualis Audio in Arkansas, Louisiana, New Mexico, Oklahoma and Texas. Qualis Audio joins Dx2′s robust roster of products from top technology manufacturers, including AAdynTech, DSI RF Systems, Inc. and ViewZ USA.

“We are very happy to welcome Qualis Audio into our network of manufacturers,” says David Roberts and David Gerety, principals of Dx2 Broadcast. “Adding the Sentinel to our product line gives us an excellent solution for many of our customers working to comply with the recent CALM Act. We think it gives them an unequaled level of confidence and an evidentiary trail that documents compliance beyond a doubt.”

“We are thrilled to team up with one of the most dynamic representatives of quality tech products for the broadcast industry,” says Doug Ordon, director of U.S. sales, Qualis Audio. “Teaming up with Dx2 will allow Qualis Audio to reach new customers in the southwest region of the U.S. quickly, especially during such a crucial time for television audio. We believe the technology behind the Sentinel is an innovative solution for broadcasters seeking to navigate loudness control rules and regulations, as CALM Act compliance inches closer.”
In addition to Dx2, Qualis Audio proudly works with a highly respected group of representatives in the U.S. including DMC Broadcast Group; GMA, LLC; Serial Scene; Trock Media Solutions, LLC; Western Rep Associates and TFM, Inc.

About Dx2 Broadcast
Dx2 Broadcast, based in Dallas, Texas, is an elite rep firm catering to both broadcast and non-broadcast customers. Product lines, sold through a dealer network, include: AAdynTech, The Black Tank, DSI RF Systems Inc, ViewZ USA, Bel Digital, Skydreams, Photomart USA, KAE Corporation (manufacturers of unique mounting hardware for all things Macintosh and other computer equipment) and most recently, Glensound Electronics Ltd. Dx2 also handles specialty LED fixtures for broadcast and industrial applications. For more information visit www.Dx2Broadcast.com or contact the company via email: info@Dx2Broadcast.com.

About Qualis Audio
Founded in 2008, Qualis Audio is a leading developer of professional audio measurement and monitoring instruments for the broadcast industry. With an emphasis on surround, loudness and QoE, Qualis Audio is the only company in the broadcast market focused on audio measurement with roots in test and measurement.
Its flagship product, the Sentinel, is a network-connected surround sound audio monitor capable of unattended operation. In broadcast applications, it provides comprehensive measurements for CALM Act loudness compliance and QoE analysis. In addition to intelligent monitoring and archival logging, the Sentinel delivers innovative forensic and reporting capabilities. For more information visit www.qualisaudio.com.

SmithsonMartin Inc. Announces New Retail Pricing Structure for Entire Product Line, Including Emulator, Kontrol Surface 1974

TORONTO, 26 April 2012— SmithsonMartin Inc., the company that brought musicians and producers Emulator and which released the Kontrol Surface 1974 last December, announced significant price reductions to its entire product line. Effective immediately, retailers can now access the Emulator, Kontrol Surface 1974 and a range of accessories at a fraction of the previous cost. Among the most notable price reductions is the Emulator Lifetime License, which last month was reduced from $499 to $99.

The price reductions, which have been made possible as a result of SmithsonMartin’s increased purchasing leverage and the elimination of its two-tier distribution model, represents an outstanding opportunity for retailers to capture additional margin on the most innovative DJ and MIDI control products currently available on the market.

New Opportunities for Retailers
Now that SmithsonMartin has extended its market recognition well beyond the DJ market into areas such as lighting, broadcast, houses of worship and other areas, our company has significantly increased its purchasing power,” observes CEO Alan Smithson. “This has in turn enabled us to reward our network of international resellers with greater pricing flexibility — and the opportunity to earn very generous margins on if they choose to stock our products.” Following is a summary of new prices for SmithsonMartin’s product line (effective April 1, 2012):

By selling its products direct to retailers and bypassing traditional distribution, SmithsonMartin is able to offer its retailer partners who keep stock attractive sales margins, while offering generously increased margins for its entire retailer base. The company will also continue to offer products through its state of the art eCommerce site, which provides outstanding product support and shipping / logistics capabilities. SmithsonMartin has also become a vendor through www.XchangeMarket.com, a new service that allows retailers to sell software without carrying stock. “Resellers are moving more towards an on-demand purchasing model and XchangeMarket is the ultimate in instant delivery of software serial codes for our customers. Guitar Center has lead the way by adopting this technology early, thus making it the industry standard for software sales moving forward.” Commented Mr. Smithson.

The MIDI software of choice for a broad range of professionals
Recently, SmithsonMartin has significantly extended its user base as its Emulator multi-touch MIDI control software has become the go-to software for lighting designers, video artists, clubs, broadcast professionals and houses of worship. This month, SmithsonMartin will release its Emulator Modular 1.2, which ships with a range of specialized buttons, knobs and sliders, while offering bi-directional MIDI support for the most widely used software platforms.

For a full description of the new pricing, including accessories, please visit www.SmithsonMartin.com or contact Julie Smithson at 1-416-219-8749 or Julie@smithsonmartin.com

Caption:
Kontrol Surface 1974 controlling GrandMA 2 software to light Skrillex at Ultrafest 2012.

RADIO MAGAZINE RECOGNIZES RTW WITH A PICK HIT AWARD

Las Vegas – 2012 NAB Show – April 26, 2012 – Radio magazine, the radio technology leader published by NewBay Media, announced the winners of the Pick Hit Awards for the 2012 NAB Show. The Radio magazine Pick Hits panel selects the top 20 new products introduced at the convention.

This year, RTW earned one of the coveted Pick Hit Awards for its TM3 TouchMonitor. The TM3 includes features of the larger TM7 and TM9 TouchMonitor versions and is controlled using a touch-sensitive display. With its budget-friendly base price, a 4.3-inch touch screen and stylish exterior allowing for horizontal and vertical placement, the TM3 is a highly appealing, compact solution ideal for editorial offices, edit suites and small control rooms.

“The Pick Hit Awards are limited to 20 winners, which maintains the value and prestige of the award,” says Chriss Scherer, editor of Radio magazine. “In addition, the Pick Hit Award judges follow a strict set of rules and make their selections independently and anonymously, which is a further testimony to the proven value of the award to radio broadcasters.”

The Pick Hit Awards were first presented at the NAB Convention in 1985, making them the oldest technology award at the convention. The Pick Hit Awards are selected by a panel of judges who are radio broadcast engineers from radio stations, radio networks and radio production facilities. The official Pick Hit rules require that the winning products must fit a recognized need in radio, are priced within reason, are available within the current calendar year and have never before been exhibited at the NAB convention.

The complete list of recipients will be published in the June 2012 issue of Radio magazine, and is also posted online at RadioMagOnline.com.

About Radio magazine
Radio magazine has served the interests of radio station and radio network engineers, managers and owners since being launched on its own in 1994 from its start from another broadcast publication in 1959. Written by radio industry professionals for radio industry professionals, Radio magazine delivers in-depth technical expertise with the most-respected editorial content. Radio magazine is published by NewBay Media.

About the Pick Hit Awards
First presented at the NAB convention in 1985, the Pick Hit Awards are the original technology award at the convention. The awards are selected by a panel of judges who make their selections independently and anonymously and then convene for a meeting on the third day of the convention. Winning products are selected because they are useful to radio broadcasters, are priced within reason, are available within the current calendar year, and are new introductions at the NAB convention.

About RTW
RTW, based in Cologne (Germany), has more than 40 years of experience in designing, producing, and marketing advanced recording-studio systems. The company focuses its business on professional audio signal metering tools that are in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio highlights the TouchMonitor range, a new series of tools for visual signal analysis and comprehensive loudness metering. The TouchMonitor combines the highest of flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, integrating exceptional surround-signal visualization using the unique and groundbreaking Surround Sound Analyzer. The high-end SurroundControl series of products with fully fledged loudness measuring combines the convenient metering options of the RTW surround display devices and the control functions of an eight-channel monitoring controller. For more information, visit www.rtw.de or www.facebook.com/rtw.de, or call +49 (0) 221 709130.

Barix Reflector Audio Over IP Solution Supports Network-Wide Delivery for CRIS Radio

Connecticut’s only Radio Reading Service uses Barix Reflector service to significantly reduce costs and reliably deliver audio between several studios

ZURICH, SWITZERLAND
Barix is exclusively supporting IP audio delivery between multiple studios and transmitter sites for Connecticut Radio Information System (CRIS Radio), Connecticut’s only radio reading service for the blind. The non-profit broadcaster uses the company’s innovative Reflector Service for audio stream delivery. CRIS Radio is also reducing costs by using the new Barix Reflector App to monitor on-air feeds in real-time from an iPhone.

CRIS Radio is a talking newsstand for the blind and visually impaired, featuring newspaper and magazine articles, book readings and interviews. The broadcaster operates out of Windsor, Connecticut, and transmits programming from four satellite studios to specially tuned radios, cable TV systems, home telephones and to the web at http://www.crisradio.org.

Barix Exstreamer 500 IP audio hardware supports audio transport between headquarters and the remote studios using the Barix Reflector service, with 16 devices in operation across the network. This complete solution from Barix simplifies setting up, operating and monitoring the audio distribution and reduces costs — two significant benefits for CRIS Radio given its small staff and non-profit status.

John Galeota, consulting engineer for CRIS Radio, estimates that the Barix solution saves the company about $9,000 a year in Telco charges by eliminating legacy devices and twisted-pair connections. He notes that the Barix solution is robust and reliable, offering stable and effective audio streams with the right tools to help him manage the entire network.

“The Exstreamer 500 and Reflector Service provide a solid and reliable foundation for growth as we add new locations,” said Galeota. “I can program the 500s from anywhere, add them to the network using the Reflector Service and plug in the devices at the studio — and they work. These are mostly unattended, automated studios, so the ease of configuration and operational reliability are ideal. I also like that the Exstreamer 500 has balanced audio in and out, which allows me to eliminate extra line amplifiers and transformers to maintain quality.”

Radio broadcasters and other service providers typically use the Reflector Service to stream audio between two or more points. Hosted by Barix partner StreamGuys (www.streamguys.com), the application is an online center to configure and monitor the audio transport bridge while providing a straightforward relay of the audio feed. The service offers IP streaming without the complexity of IP, eliminating firewall hassles and the need to configure IP addresses and routing paths.

Galeota adds that the Reflector App reduces time spent on the road traveling between studios to fix on-air problems — a significant benefit as the studios are at least 60 miles apart — and points out that the combined customer support efforts of Barix and StreamGuys has been enormously helpful.

“Technical support is critical for someone like me working at a non-profit,” said Galeota. “The support from Barix and StreamGuys is unlike anything I’ve experienced in all my years in the business. They respond promptly, courteously and effectively whenever we have a question.”

Down the road, Galeota expects to explore other features on the Exstreamer 500 as new sites are added to the network — including the use of built-in contact closures to trigger on-air events via his Broadcast Software automation system.

Audio-Technica 2012 NAB Press Kit

Audio-Technica Positioned for Strong 2012 NAB Convention
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — In the midst of its yearlong 50th anniversary celebration, Audio-Technica is poised for an eventful NAB convention.

On Monday, Tuesday and Wednesday (April 16-18, 2012), A-T’s booth (C3010) will host audio instructional sessions by Dr. Fred Ginsburg, renowned industry veteran and specialist in production sound recording for motion pictures and video; Robert Bigelow, audio engineer for HBO’s Tremé; and Steve Savanyu, Audio-Technica Director, Educational Services. More…

Audio-Technica Holds Presentations by Industry Veterans at NAB
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — This year at NAB, on Monday, Tuesday and Wednesday (April 16-18, 2012), A-T’s booth C3010 will host five 30-minute audio instructional sessions throughout the day.

Dr. Fred Ginsburg, renowned industry veteran and specialist in production sound recording for motion pictures and video, will conduct two sessions each day. The first session will focus on microphone techniques and applications used for episodic television with a focus on multi-track recording, and the second session will be about techniques for rigging and attaching lavalier microphones to actors for film and video production. More…

Audio-Technica Offers AT2005USB Cardioid Dynamic USB/XLR Microphone
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — Audio-Technica (booth C3010), a leading innovator in transducer technology currently celebrating “50 Years of Passionate Listening,” is displaying the AT2005USB Cardioid Dynamic USB/XLR Microphone at NAB 2012. Ideal for recording instruments and vocals, this handheld dynamic microphone has both USB and XLR connections, enabling its use either with a computer or with a P.A. system. Its durable metal construction provides long-lasting performance. Its low-mass diaphragm and smooth, extended frequency response make the microphone ideally suited for podcasting, home studio recording, field recording, voiceover and live performance use. More…

Audio-Technica Marks “50 Years of Passionate Listening”
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — Audio-Technica (booth C3010), a leading innovator in transducer technology, is marking “50 Years of Passionate Listening” with its yearlong 50th Anniversary Celebration in 2012, including several limited edition commemorative products, special events and promotions for customers. From its early beginnings as a manufacturer of phonograph cartridges, Audio-Technica has expanded over the years to become a leading innovator in the design of microphones, wireless microphone systems, headphones, turntables, phono cartridges and more. A-T continues to advance the art and technology of electro-acoustic design with the manufacture of products for the professional recording, M.I., live sound, broadcast, fixed installation and consumer audio markets. On this historic occasion, Audio-Technica is taking the opportunity to look back, with a view toward the future. More…

Audio-Technica Introduces Limited Edition Products Celebrating Its 50th Anniversary
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — Audio-Technica (booth C3010), a leading innovator in transducer technology currently celebrating “50 Years of Passionate Listening,” has introduced a number of limited edition products, all featuring a distinct Audio-Technica 50th Anniversary design and color scheme. The products include ATH-M50s/LE Professional Studio Monitor Headphones, ATM25/LE Hypercardioid Dynamic Instrument Microphone, AE4100/LE Cardioid Dynamic Handheld Microphone, AE5400/LE Cardioid Condenser Handheld Microphone, AE6100/LE Hypercardioid Dynamic Handheld Microphone, AT4050/LE Multi-pattern Condenser Microphone and AT4050URUSHI Multi-pattern Condenser Microphone. Representing just some of Audio-Technica’s offerings in their product line, these products are limited-edition versions of A-T’s ATH-M50s, AE4100, AE5400, AE6100, AT4050 and the legacy product ATM25. More…

Audio-Technica Shows BPHS1-XF4 Communications Headset
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — Audio-Technica (booth C3010), a leading innovator in transducer technology currently celebrating “50 Years of Passionate Listening,” is showing its BPHS1-XF4 Communications Headset at NAB 2012. Based on Audio-Technica’s popular BPHS1 Broadcast Stereo Headset, the BPHS1-XF4 is designed for use with intercom systems for broadcast, theaters, sports, live events or anywhere a high-quality communications headset is required. More…

Remote Digital Media Chooses Audio-Technica Microphones and Wireless Systems to Capture theAudio on Food Network® Programs and Beyond
NAB SHOW, LAS VEGAS, NV, April 16, 2012 — If high-definition broadcast video has made the offerings on The Food Network® look good enough to reach in and sample, Remote Digital Media (RDM) makes certain that the sound is equally enticing. RDM is an EMMY Award®- and Telly Award®-winning audio and video remote company based in Woodstock, New York, that handles audio for several of the network’s most popular programs, including Next Great Baker and Rachael Ray. More…

Please click here to access online press releases and high-res photo files, or use URL below:

http://clynemedia.com/audiotechnica/NAB_4_12/index.html

Genelec 2012 NAB Press Kit

Genelec Exhibits Its BroadcastPak, Featuring Five 8030A Active Monitors and 7050B Active Subwoofer
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Genelec (booth C1332), the world’s longstanding pioneer in active monitoring, is displaying its BroadcastPak at NAB 2012. Composed of five 8030A Bi-Amplified Monitors and a 7050B Active Subwoofer, the BroadcastPak offers a space-saving 5.1 monitoring solution, ideal for multi-channel editing rooms, mobile recording trucks and other mixing environments where space may be at a premium. More…

Genelec Exhibits Its 8260A Tri-Amplified DSP Monitoring System with Minimum Diffraction Coaxial (MDC™) Technology
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Genelec (booth C1332), the world’s longstanding pioneer in active monitoring, is exhibiting its 8260A Tri-Amplified DSP Monitoring System. The 8260A breaks new ground in electro-acoustic design, as mechanical, acoustical and signal-processing designs are linked closely together. The 8260A features major advances in audio driver technology, integrated with a sophisticated enclosure design, and Genelec’s proprietary Minimum Diffraction Coaxial (MDC™) Mid/High driver technology takes a big step in perfecting audio quality in professional active studio monitors. More…

Genelec Displays Its 1238CF Tri-Amplified DSP Monitoring System
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Genelec (booth C1332), the world’s longstanding pioneer in active monitoring, is displaying its 1238CF Tri-Amplified DSP Monitoring System at NAB 2012. The 1238CF is a compact three-way DSP monitoring loudspeaker including a slim speaker enclosure, two eight-inch (210-mm) long-throw bass drivers, a five-inch (130-mm) proprietary Genelec midrange driver and a one-inch (25-mm) metal dome tweeter, multiple power amplifiers, digital signal processing (DSP) circuitry and active, low-level crossovers. More…

Genelec Offers 8240A Bi-Amplified DSP Monitoring System
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Genelec (Booth C1332), the world’s longstanding leader in active monitoring, is exhibiting its 8240A Bi-Amplified DSP Monitoring System. Boasting performance comparable to much larger systems, the compact and powerful 8240A package is optimized for applications where a wide frequency response is needed but space is limited. The 8240A is the ideal monitoring tool for recording studios, post-production houses, broadcast installations, digital edit suites, home studios and mobile production vehicles. More…

Genelec Offers 6010A Bi-Amplified Monitor and 5040A Active Subwoofer in Dark “Mystic” Black
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Genelec (Booth C1332), the world’s longstanding leader in active monitoring, is displaying its 6010A Bi-Amplified Monitoring System and matching 5040A Active Subwoofer in a striking new finish, dark “Mystic” black. The 6010A is Genelec’s smallest monitor system to date, measuring 7 1/8″ x 4 3/4″ x 4 1/2″ (height with Iso-Pod™ 7 11/16″). The system has been designed for computer sound systems, workstations, Master Control Rooms, and other close proximity listening applications requiring a low-profile monitoring solution. More…

Genelec Appoints Image Marketing West as New Sales Reps for Northern California Region
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Genelec (booth C1332), the world’s longstanding pioneer in active monitoring, announces the appointment of California-based firm Image Marketing West to the position of Sales Representative for the Northern California region. John Conard, Genelec USA National Sales Manager, Professional Products, made the announcement. Image Marketing West principals Chuck Rufkahr and Chris Miller will lead the rest of their sales team in their efforts. More…

Beau Raymond Chooses Genelec Active Monitoring for His New Studio Facility
NAB CONVENTION, LAS VEGAS, NV, April 16, 2012 — Beau Raymond knows sound. Having served as the engineer or producer for a wide range of artists (Joss Stone, Motley Crüe, Weapons of Mass Destruction, Devendra Banhart, Little Joy, members of the Black Crowes, Bert Jansch, the Neptunes), and working alongside production legends (Joe Chiccarelli, Rick Rubin, Rich Costey, Pat Leonard, Bob Rock), he’s now taken his substantial experience in Los Angeles studios and migrated it to indie music hub Portland, Oregon. There he opened his 2,500-square-foot Family Farm studio in 2011. More…

Please click here to access online press releases and high-res photo files, or use URL below:

http://clynemedia.com/genelec/NAB_4_12/index.html

AES Announces 132nd Convention Student Paper Award

BUDAPEST: AES Student Technical Paper Award Coordinator Rob Maher has announced that Marton Marschall has been named the recipient of this year’s Award for his paper “Robustness Of A Mixed-Order Ambisonics Microphone Array For Sound Field Reproduction,” co-authored with Sylvain Favrot and JÜrg Buchholz. The Award will be presented on Thursday, April 26 at the Opening Ceremonies at the Novotel Budapest Congress & World Trade Center. Mr. Marschall will present his paper at 10AM on Saturday, April 28.

A native of Budapest, Marton Marschall, received a diploma in electrical engineering from the Budapest University of Technology and Economics in 2006, and his MSc degree in engineering acoustics from the Technical University of Denmark in 2008. He then joined the Centre for Applied Hearing Research at the Technical University of Denmark, where he is currently a PhD student under the guidance of Professor Torsten Dau. As part of his PhD project, he is working on recreating realistic acoustic scenes for hearing research and for the evaluation of communication devices, such as hearing instruments and mobile phones. His research interests include virtual acoustics, spatial hearing and models of auditory signal processing and perception. The Award also makes Mr. Marschall’s manuscript eligible for publication consideration in the Journal of the Audio Engineering Society.

Please visit http://www.aes.org/events/132/calendar/calendar.cfm for a complete list of event titles, abstracts and presentation times.

Photo: Marton Marschall will receive the 2012 AES Student Technical Paper Award
at the 132nd AES Convention in Budapest on April 26.

###

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. With over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East, the organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

NAB Show Presents Sennheiser with ACE Award, Recognizing Excellence in Booth Design and Execution

Las Vegas–April 19, 2012 – Audio specialist Sennheiser [booth C2632] was presented with an ACE (Awesome Cool Exhibit) Award by the NAB Show on Wednesday during a special ceremony. The peer-driven award recognizes NAB Show exhibitors for innovations in booth design and execution. Sennheiser captured the ‘medium sized’ booth category, which is defined as being between 200 and 900 square feet.

The judging criteria for the NAB’s ACE Awards are as follows:

Creativity: use of color, sound, light and other creative elements
Effectiveness: how well the booth draws in and engages the visitor
Overall structure: quality of the build and innovative use of materials
Peer review: overall “look and feel” as judged by other exhibitors

The NAB Show booth design is based on Sennheiser’s new global booth concept that was debuted at the CES and NAMM shows earlier this year and providesa tangible experience of the audio specialist’s brand values, inviting exploration and interaction. The interior space presents Sennheiser’s products in a series of ‘focused islands,’ each concentrating on a particular theme and providing visitors with a ‘hands-on’ experience. A sophisticated lighting concept spotlights each product and optimizes visibility.

This new booth design is yet another milestone in the audio specialist’s premium brand strategy. The design concept, developed by the German design agency Syndicate, was first brought to life two years ago in Sennheiser’s point of purchase program that was executed worldwide. Sennheiser is now consolidating the presentation of its brand profile at shows and trade fairs throughout the world.

“Our team is very proud to have been recognized by the NAB with the ACE Award,” commented Greg Beebe, President of Sennheiser USA. “Our U.S. team was the first to execute this important global concept from Sennheiser, and we have received a great deal of positive feedback from booth attendees — both during NAB Show and at other important U.S. trade shows.”

Over the coming year, the new concept will be used at all Sennheiser leading shows and trade fairs in the Consumer Electronics, Installed Sound and Professional Systems markets.

Antelope Audio to Unveil Rubicon – World’s First Atomic AD-DA Preamp

Santa Monica, CA, April 19, 2012– Antelope Audio will introduce Rubicon, a groundbreaking 384 kHz digital audio preamplifier which integrates the world renowned 10M Rubidium atomic clock. Rubicon caters to the ever-increasing interest in high-resolution audio, addressing the specific needs of high-end consumer electronics enthusiasts for accurate audio representation and detailed soundstage of both analog and digital recordings. The new device will be presented to the public during the Munich High End Show, May 3rd – 6th.

Rubicon is the first DAC to integrate a Rubidium atomic clock, which is 100,000 times more stable than a traditional crystal oscillator. Coupled with Antelope’s 64-bit Acoustically Focused Clocking technology, the Rubidium achieves a breakthrough in jitter management, improving the sound quality in an unprecedented way. The same technology is implemented in the company’s flagship master clocks used for scoring blockbusters such as Avatar and available at the best recording and mastering studios around the Globe.

“I find the idea of an audio enthusiast being able to hear his/her favorite recordings clocked by the world’s most stable clock very exciting. I believe this will bring the music appreciation in the home environment to a completely new level compared only to the precision and sonic detail representation available at the finest professional listening rooms,” shared Igor Levin, CEO and founder of Antelope Audio.

Housed in a sturdy, machined-aluminum enclosure with a vintage Art Deco design, Rubicon incorporates a discrete phono preamp, ultra linear, dual stage headphone drivers and Antelope’s renowned gold-plated relay volume control.

The transformer-based, ultra-low noise, discrete JFET phono preamp is a complement that will be highly appreciated by many vinyl lovers. In addition to the 384 kHz DAC, Rubicon also includes ultra-high sample rate A/D conversion. These functionalities together with the high resolution USB recording capability provide the users with the sublime experience of digitizing their favorite tracks, still keeping the depth and the warmth of the original analog recordings.

In addition to the 384 kHz USB streaming, Rubicon offers extended flexibility and smooth user experience provided by the implemented DLNA capability. The DLNA streaming gives users the opportunity to wirelessly push audio files from their smart phone, PC or NAS (Network-attached storage) server and play the content through the high-sample rate DAC.

Rubicon inherits the D/A conversion technology from 384 kHz Zodiac Gold DAC – the 2012 winner of the Audio Excellence Award in Japan and often described by reviewers and prominent sound engineers as “future-proofed”, “clean”, “neutral” and “accurate”. The A/D circuit comes from the 2011 winner of the Audio Media Gear of the Year award, high-end professional mastering converter Eclipse 384.

Antelope Audio plans to present the Rubicon for the first time to the public and the media during the Munich High End Show, in hall 3, booth A 04, at 2 pm, on May 3rd.

Rubicon features

– 10M Rubidium Atomic Clock, providing 100,000 times more accurate reference;
– 64-bit Acoustically Focused Clocking jitter management technology;
– Ultra low noise phono inputs with custom audio transformers, discrete JFET preamp design;
– 384kHz A/D & D/A converters;
– Gold-plated stepped relay volume attenuator matched to 0.05dB for all volume levels;
– Ultra-linear, dual stage headphone amps;
– De-jittered audio S/PDIF output;
– Custom USB 2.0 chip streaming up to 480 Mbits/384kHz with recording option;
– DLNA streaming capabilities through an Ethernet interface

Specifiations:
Analog Inputs
1x PHONO Input on RCA
3x Inputs on RCA
1x HiZ Input on RCA
1x Combo Balanced Input on XLR/¼ TRS

Analog Outputs
1x Balanced Output on XLR
1x Unbalanced Output on RCA

Digital Inputs
2x S/PDIF
2x TOSLINK
1x AES/EBU
Word Clock Input
Ethernet port

Digital Outputs
2x S/PDIF De-jittered outputs

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

Calendar

December 2014
S M T W T F S
« Nov    
 123456
78910111213
14151617181920
21222324252627
28293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication