StreamGuys Multimedia Player Supports Video Ad Insertions for Commercial Internet Radio Station

95.5 The Fish transitions to SGplayer, an interactive HTML5 player that reliably streams music and revenue-generating ads to mobile devices

BAYSIDE, CALIFORNIA, September 3, 2014 — Last November, StreamGuys announced a new HTML5 multimedia player to help broadcasters and streaming services expand online and mobile audiences through its all-inclusive, multiplatform approach to content delivery. Now, a major commercial broadcaster has upgraded one of its stations to the interactive player to achieve both reliable multiplatform streaming; and revenue generation through video ad insertions.

The broadcaster, Salem Communications of Northeast Ohio, has transitioned the live online stream for WHFM-FM, better known as 95.5 The Fish, to StreamGuys’ multimedia player. Newly branded as SGplayer, the interactive player supports all popular mobile devices in alignment with the HTML5 markup language – a significant upgrade from the previous CDN’s player, which was only compatible with desktop devices.

Salem Communications of Northeast Ohio’s other primary motivation for the switch was StreamGuys’ dynamic ad insertion capability. StreamGuys has long supported dynamic ad insertions in the form of audio pre-rolls, mid-rolls and post-rolls, as well as single-client video insertions. The latest incarnation of SGplayer supports video pre-rolls for multiple advertisers—a key requirement for 95.5 The Fish. SGplayer’s dynamic interface rotates a series of ads, serving each unique visitor with a sponsor’s message. The player displays a static companion banner associated with the ad following its conclusion on the right side of the player. This detail remains visible for the visitor’s duration alongside artist and title information, album art, purchase links, social media icons, and other metadata related to the live music stream.

In addition to supporting multiplatform delivery and video pre-rolls, StreamGuys customized an affordable turnkey streaming package for the live radio signal that, along with the revenue-generating ad opportunities, offers a quick return on investment for the station.

“The transition to StreamGuys quickly solved the problems we faced with buffering issues and signal drops across a variety of mobile devices,” said Mark Jaycox, general manager, Salem Communications of Northeast Ohio. “A large majority of internet radio streaming is moving to mobile devices. It was critical to get that under control before we significantly damaged our mobile initiative.

“As important as it was to improve our mobile reach, it was just as important to move our video pre-roll offerings to the next level as we have been very aggressive at selling that inventory,” Jaycox continued. “StreamGuys pulled its engineering team together to enhance its player, and did some groundbreaking work. SGplayer delivers more information than our previous player, and provides that extra real estate to sell our advertisers. You can now see the client’s logo in a couple of spots after the video concludes. That upped the ‘sellability’ for us, allowing us to generate more revenue than what was possible before.”

Jaycox notes that the live stream attracts nearly 35,000 unique visitors a month, the large majority of which fall into the 25-54 female demo—a highly coveted audience for radio advertisers. He expects to transition additional Salem Broadcasting Cleveland stations to SGplayer moving forward.

“StreamGuys has been very responsive and proactive in making sure our requirements were exceeded,” said Jaycox. “The design of the player is appealing to listeners and advertisers alike, and offers exceptional value and reliability at a very affordable price point.”

About StreamGuys, Inc.
In business since 2000, StreamGuys is a provider of audio and video streaming toolsets and services. The company has a reputation for outstanding customer service, a robust and reliable network, and competitive rates. More than 600 clients worldwide, across many industries, depend on their mission-critical service. Projects include serving as the technology backbone for live streaming/podcasting for top public broadcasters such as New York Public Radio, WAMU Washington D.C., KQED San Francisco and WXPN Philadelphia; live video events for major auto racing circuits and the British Royal Wedding; audio streaming for government entities such as D.C. Court of Appeals, U.S. Army, and the National Science Foundation; mobile video content for Cisco Systems; and IPTV content for international broadcaster ABS-CBN.

# # #
StreamGuys, Inc – info@streamguys.com – www.streamguys.com – 707.667.9479
P.O. Box 828 Arcata, California 95518 – fax 707.516.0009

As Aspen Music Festival Completes its 65th Successful Season, Neumann Is There to Capture the Warmth and Musical Glow

The Neumann M 150 Tube Microphone Puts Listeners Front and Center for Key Festival Performances, Broadcast on Public Radio

Aspen, CO, September 2, 2014: Since 1949, The Aspen Music Festival and School has been one of the most famous classical music festivals in the world and one of the most prolific, hosting more than 350 performances between June and August each year. The Festival, which features four in-residence orchestras where students play alongside faculty, is recorded each year and can be heard on American Public Media (APM), Colorado Public Radio and Aspen Public Radio. To faithfully capture every nuance of the performances, The Festival relies on several Neumann M 150 microphones at its principal venue: Benedict Music Tent.

NM1Festival performances are mostly orchestral in content and can range anywhere from small chamber ensembles (3, 4 or 5 musicians) up to over 100 musicians and a full choir on stage. Each year, the main microphone array at the Benedict Music Tent consists of a Decca tree with (5) Neumann M 150 Tube microphones placed in the center and arrayed across the stage.

“Our Neumann M 150s Tube microphones, which were a gift from the Sidney E. Frank Foundation, have been a staple of the Festival for a long time,” said Scott Burgess, Head Audio Engineer, Aspen Music Festival and School. “It is of paramount importance for us to capture every instance of what these incredibily talented students are doing onstage, and the M 150 lends a warm sound that makes the orchestra shine in all of our recordings and broadcast transmissions across the country.”

NM2Each performance in Benedict Music Tent, which has a capacity of roughly 2,000, is manned by the Festival’s audio staff, which consists of 14 advanced students and professionals. Burgess says that students on the audio staff come from many of the major recording institutions around the country. This year, the Festival exceeded its attendance projections, with many sold out performances among its three primary venues. The 2014 season concluded with a rousing performance of Beethoven’s Ninth Symphony, which was broadcast live to a vast listenership on public radio.

M 150 Tube w EA 170This year, the Neumann M 150s — which were chosen as the principle microphone several years ago in a ‘blind’ listening test versus microphones from the world’s leading manufacturers — were routed to Grace Design and Millennia Media preamplifiers situated in the catwalk of the venue before being converted by an RME AD/DA interface and subsequently routed to a Studer digital console in the control room. The team relied on several Sennheiser HD 600s for headphone monitoring, including at Front of House: “The HD 600s can be useful at Front of House since they sound great and are open air,” says Burgess. “They can be useful for hearing audio details while remaining aware of what is transpiring around you.”

While this is only Burgess’ second season, he says there is vast collective experience and wisdom to draw from, and that the Neumann M 150 plays an integral role in The Festival’s sound. “The Festival has been working these rooms for a long time and, and we are quite clear on what we want and how to get it. From this perspective, the Neumann M 150 delivers in every possible aspect.”

For further information please visit www.neumann.com.

About Neumann:

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Photo captions:
1) Five Neumann M 150 Tube microphones are used to record performances at the Benedict Music Tent

2) The Decca tree array at the Benedict Music Tent

3) The Neumann TLM 150 Tube microphone

Hal Leonard Announces The Pensado Papers

The behind the scenes story of Dave Pensado’s and Herb Trawick’s incredible and inspirational journey

Montclair, NJ (September 2, 2014) – Hal Leonard Books, the musician’s best source of books on the music business, audio technology, instrument history, and more, announces the release of The Pensado Papers, written by Dave Pensado, first-call mixing engineer (Beyonce, Christina Aguilera, Kelly Clarkson, Mariah Carey, Elton John, Michael Jackson, and more!) and his manager Herb Trawick.

Pensado_cover

The Pensado Papers is first and foremost about work ethic, passion, and commitment. The authors instill the strong conviction that going beyond expectations will guarantee success on all levels. “To this day, if someone hires me to do something it is rare that I don’t do way more than what I’m paid to do,” writes Pensado.

The Pensado Papers reveals insights into the engineering regime of a recording genius, a creative philosophy that results in achievement and success. Starting from the very beginnings of Dave and Herb’s friendship, the book leads to their top-rated YouTube show, Pensado’s Place, where they discuss important music and audio recording topics with pro audio experts. “Audio is the foundation of Pensado’s Place. But the show is really about creativity,” says Pensado when he talks about the show in the book.

The book is written in a warm conversational tone between two friends, with occasional friendly banter making it even more fun to read. Maureen Droney – editor and long-time friend to Pensado and Trawick – has skillfully captured the likeability, wisdom, and charm that millions of viewers have grown to love about this incredible duo.

Dave Pensado and Herb Trawick will introduce their book at the 137th AES Convention at Los Angeles:

Friday, October 10 at 2 pm
AES Platinum Event with Herb and Dave

Saturday, October 11 at 11 am.
Book signing at the Hal Leonard booth #1141

Praise for The Pensado Papers
“The Pensado Papers is a must-read for anyone who’s ever craved the behind-the-scenes, double-barreled, all-access pass into the music business that only Dave Pensado and Herb Trawick could provide: fiery, insightful, incisive, inspiring, and most importantly, one hell of a good read.” —Nick Messitte, Contributor, Forbes.com

About the Authors
Dave Pensado is a Grammy Award-winning mixing engineer who cut his teeth in Atlanta doing live and studio sound engineering during the 1970s and 1980s. In 1990, he moved to Los Angeles and now mixes between 200 and 250 songs per year. In September 2011, he and Herb Trawick started a weekly show called Pensado’s Place. The show is about engineering techniques and features interviews with guest mixers, producers, and artists, and has enjoyed tremendous success due to the valuable information provided by and their guests. Dave and Herb both live in Los Angeles.

The Pensado Papers – Available October 9, 2014 – PLEASE CONTACT Martina@musicmarcom.com for pre-release review copies!

The Pensado Papers
$29.99 (US)
Inventory #HL 00120020
ISBN: 9781480345690
Width: 7.0″, length: 10.0″, 320 pages

For more information, please visit HalLeonardBooks.com

Bible Broadcasting Network Delivers its Message with GatesAir

Network expands with GatesAir high-efficiency FM/AM radio transmitters across the Americas, reducing labor and energy costs with each installation

CINCINNATI, September 2, 2014GatesAir, a global leader in over-the-air broadcast solutions for television and radio, is shipping eight Flexiva™ transmitters to the Bible Broadcasting Network, a quickly expanding Christian FM/AM radio network with English- and Spanish-language stations throughout the Americas. Bible Broadcasting Network has exclusively selected GatesAir for all main transmitter sites, citing noticeable efficiency gains across labor and power consumption as key benefits.

“The green efficiency of the Flexiva transmitter has been advantageous and measurable,” said Ron Muffley, network engineering manager, Bible Broadcasting Network. “We have seen a sharp decrease in power use where we have replaced older transmitters. We see the difference in our recent low-power installations in Pennsylvania and Ohio, and we anticipate a noticeable reduction in power costs as we install the high-power transmitters over the coming months.”

The most recent shipments include low-power FM transmitters for WYBQ-FM in Leesport, Pennsylvania; WYFY-FM in Cambridge, Ohio; and FM stations in Quito and Guayaquil, Ecuador. The network will soon install high-power Flexiva models—10kW, 20kW and 30kW—at WYFO-FM in Lakeland, Florida; WYFQ-FM in Charlotte, North Carolina; KYFS-FM in San Antonio; and KYFJ-FM in New Iberia, Louisiana.

Bible Broadcasting Network has gradually shifted to GatesAir exclusively for its main AM/FM transmitters as the network has grown. In addition to power efficiency gains, maintenance and engineering work has been greatly simplified through fewer spare parts, hot swappable module replacements and built-in redundancy that always keeps them on the air. These benefits all tie to the green PowerSmart® 3D architecture at the core of Flexiva transmitters, reducing footprint, monthly bills and labor through exceptional power density, energy efficiency and broadband designs – all equating to the industry’s lowest total cost of ownership for any radio broadcast transmitter on the market.

“We have some particularly remote sites that are very difficult to access, including the new Pennsylvania, Texas and Louisiana installations,” said Muffley. “The benefit of having fewer spare parts means that an engineer can easily replace a module in a few minutes. We have also been pleased that the high-efficiency Flexiva series eliminates the need for large transformers and chokes, greatly reducing size and weight. There is a big benefit to having a lighter transmitter that one person can handle.”

Bible Broadcasting Network is also deploying GatesAir signal transport solutions, having recently installed an Intraplex® IP Link codec at WBYK-FM in Chattanooga, Tennessee. The IP Link established a network connection to transport audio previously brought in by the satellite receiver, eliminating the RF performance issues that had hindered signal integrity at maximum operating power.

“Our long-term relationship with GatesAir has been excellent through the years, largely due to the excellent sales and support coupled with strong technology,” said Muffley. “They wear more hats than sales, even providing input into maintenance and generally solving problems for us as they did at the Chattanooga site. We have grown far beyond our expectations the past couple of years, and GatesAir has kept up with our growth at every stage.”

About GatesAir

GatesAir, Inc. provides complete solutions for over-the-air radio and television broadcasting, leveraging wireless spectrum to maximize performance for multichannel, mission-critical services. Powering over-the-air networks worldwide with unparalleled reliability for nearly 100 years, GatesAir’s turnkey solutions enable broadcasters to create, transport and transmit radio and TV content. With customers in more than 185 countries, the company leads the industry in innovation and design breakthroughs, improving efficiency and reducing total cost of ownership. Visit www.gatesair.com for more information, and follow us on Twitter at @GatesAir.

# # #

Prism Sound Releases SADiE Version 6.1

Prism Sound has announced the release of SADiE Version 6.1, an update to its highly acclaimed SADiE Version 6.0.0 recording and editing software.

With no dedicated proprietary hardware requirements the SADiE v 6.1 software packs are application based and focus on the core SADiE expertise of Mastering, Radio Production, TV/Film Post, Archiving and Restoration, and high level Sound Design.

Prism Sound has also announced a new and exceptionally competitive pricing structure for its SADiE software packs. With the entry level SADiE PRO now starting at UK £445.00 (plus VAT), the product range is even more cost effective, taking the SADiE brand, reputation and advantages into new markets. The extended compatibility will also significantly reinforce its appeal to professional users around the world.

New SADiE Features

WAV Master
With many more consumers now choosing to buy their music via a download, record labels are increasingly asking mastering engineers to deliver mastered audio as digital WAV files so they can be easily supplied to audio download sites such as iTunes, Spotify and Amazon.
SADiE’s newly introduced WAV Master feature allows users to create WAV files for an entire album, using PQ marks to define the start and end of the WAV file for each album track. Track Titles, Artist Name and other information is automatically incorporated into these files. As a further extension of its WAV Master feature, SADiE has also introduced a new high quality Sample Rate conversion algorithm. This brings the sample rate conversion process in-line with the high quality processing standards for which SADiE’s parent company, Prism Sound, is famous.

This ultra-efficient workflow allows SADiE’s PQ list to be used as a single source to create the WAVs, DDP and CDs that are required by today’s mastering engineers.

ISRC in BWF Files
Prism Sound has also incorporated ISRC in BWF into SADiE’s new WAV Master option. This feature is included as part of the Mastering Suite and Sound Suite packs.

Created and standardised by the European Broadcasting Union, Broadcast WAV (BWF) is an extended WAV format that allows ISRC data to be embedded in the file. ISRC stands for International Standard Recording Code. Every song released, and every version of that song, is allocated a unique ISRC by the record label. ISRC is then used to ensure that the correct files are used for playback and replication. It also ensures that artists and recording professionals who stand to benefit financially from any playback or replication are identified and compensated.

The UK Music Producer’s Guild has led the initiative to get BWF adopted as standard, and in conjunction with the EBU it has produced a Recommended Practice document that lays out methods by which an ISRC can be embedded into a BWF.

Other updates

These include an extension to SADiE’s Wav Master functionality with support for reading and writing a WAV file’s LIST-INFO chunk, and for Track Name and Artist metadata (included in Mastering Suite and Sound Suite packs). Prism Sound has also incorporated 32bit floating point format for recording or bouncing to WAV or BWF, thus allowing engineers to work at the highest possible resolution throughout. There is also the option of creating a profile when making a DDP Image or importing one.
In addition to these upgrades, Prism Sound is now including SADIE MTR (Multi-Track Recorder) software in the SADIE6 installer. This will run without license when using an LRX2 or Prism Sound Lyra, Titan, and Atlas, interfaces, and requires a license for native operation.
Looking to the future, SADiE will soon be offering enhanced video support for BlackMagic Design Decklink cards, as well as timecode support on SADiE Native systems (where the ASIO audio hardware supports timecode functionality). These extended new features will be included in an imminent service update. The software element of this update will be available to all 6.1 users, although some users may require additional hardware.

To try out the software, please visit http://www.sadie.com/support/download_v6.php

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

WIN FREE GEAR! Over $17,000 in total giveaways during September.

To celebrate the launch of their new website, Westlake Pro is giving away free gear every day of September! The grand prize is an AVID Pro Tools 11 HD Native Thunderbolt System with an OMNI Interface and a premium plug-in valued at $5,498! Over $17,000 in daily prizes from the top brands in pro audio.

CLICK TO ENTER:

Chandler Limited and Abbey Road Studios Announce Long-Term Agreement

Wade Goeke - Chandler Limited, Mirek Stiles - Abbey Road Studios

Wade Goeke - Chandler Limited, Mirek Stiles - Abbey Road Studios

Continued Development of EMI/Abbey Road Studios Recording Gear

Shell Rock, IA – August 2014 … Chandler Limited, recognized globally for signal processing and related music and audio products that deliver the classic analog sounds recording and professional musicians seek, is excited to announce the company has entered into a new long-term agreement with Abbey Road Studios, UK, to continue Chandler Limited’s development and marketing of EMI/Abbey Road Studios’ vintage recording equipment.

Abbey Road Studios are the most famous recording studios in the world, home to countless landmark recordings and pioneering advances in recording technology. The studios have hosted some of the world’s most celebrated artists, including the Beatles, Pink Floyd, the Hollies, Kate Bush, Oasis, Florence and the Machine, Adele and Lady Gaga. During the 1950s, ‘60s and ‘70s, Abbey Road Studios helped the EMI Record Engineering Development Department create some of the finest recording gear in history, most of which was only available to EMI Studios and was never sold commercially.

Since the two companies’ relationship began more than a decade ago, Chandler Limited has become renowned for recreating and delivering to the recording industry the highly sought-after and legendary sound of EMI/Abbey Road Studios recording equipment.

With this new agreement, Chandler Limited’s homage to original EMI/Abbey Road equipment is set to grow well into the future.  The official products currently on the market are considered ‘modern classics’ and include the TG1 Limiter, TG2 Pre Amp/DI, TG Channel MKII, TG12345 Curve Bender EQ, TG12413 Zener Limiter and the newly released TG2-500 Pre Amp in the 500-series format.

Mirek Stiles, Head of Audio Products at Abbey Road Studios had this to say, “Thanks to Chandler Limited, a whole new generation of engineers and producers today have access to EMI hardware, inspired by the very units used to record some of the biggest pop hits in history.

Abbey Road Studios is extremely proud to be associated with these excellent examples of quality recording hardware. We are delighted that our partnership has been extended and look forward to releasing new products that continue to keep the Electronic and Musical Industries legend alive.”

Chandler Limited’s Chief Designer Wade Goeke remarked, “I’m delighted to be starting a new era with Abbey Road Studios. We have already logged ten years together, but this new agreement will allow us to expand our product lines and develop our relationship as a whole.

We will be offering products based upon classic EMI equipment that has never been modelled before, including REDD and RS units, as well as new directions in the TG line. There are also a few tricks that we have up our sleeve, which I think will surprise people. We are very excited about what the future holds.”

About Chandler Limited
Headquartered in Shell Rock, Iowa, Chandler Limited, Inc. is a boutique manufacturer of high-end signal processors, mixers, and amplifiers for musicians and audio professionals. Recognized globally for its exquisitely handmade products and the company’s high profile clientele, Chandler’s product offerings include the Abbey Road/TG line, its unique Germanium transistor series of products, the 500 Series Modules, plus its recently introduced guitar pedals and amplifier. For additional information about all Chandler Limited products, please visit the company online at www.chandlerlimited.com.

About Abbey Road Studios
Abbey Road Studios are the most famous recording studios in the world and an iconic symbol of British music.  They have been home to countless landmark recordings and pioneering advances in recording technology.  Opened in November 1931, Abbey Road Studios were the world’s first purpose-built recording studios.  The hallowed building has a phenomenal history spanning over 80 years, during which the studios have hosted many of the world’s most famous artists, including the Beatles, Pink Floyd, the Hollies, Kate Bush, Oasis, Florence and the Machine, Adele and Lady Gaga.  Abbey Road is also one of the world’s premiere locations for movie scoring.  Since the 1980s, scores for films such as Raiders of the Lost Ark, the Lord of the Rings Trilogy, Braveheart, and The King’s Speech have been recorded there.  The list continues with many other major titles, including Shrek, Prometheus, Harry Potter, Skyfall, and The Hobbit.

Abbey Road Studios, Curve Bender, EMI and TG and their associated logos are trademarks of EMI (IP) Limited.

Video Devices Product Line Steps into the Spotlight at IBC for the First Time

New Brand Identity from Sound Devices Reinforces Video Product Line

AMSTERDAM, AUGUST 27, 2014 – Video Devices, mission-critical video products by Sound Devices, will make its IBC debut at this year’s exhibition (Hall 8, Stand B59). Since Sound Devices introduced its first video products, the camera-mounted PIX 240i and PIX 220i, the company has expanded on its success with a range of rack-mounted, network-connected video recorders. These product additions, including the new PIX 270i and PIX 250i, have opened new markets and product categories for the company.

“While production sound equipment is our foundation, and we continue to develop new audio gear, video production has become increasingly important for us,” says Matt Anderson, President of Sound Devices. “We are excited to highlight this new brand to the international broadcast community, in addition to our range of audio gear, at IBC 2014.”

The network-connected PIX 270i and PIX 250i video decks offer significant advantages for production workflows, providing time-saving tapeless, file-based recording and playback with the ability to remotely control, set up and transfer high-quality files over Ethernet. The units record edit-ready Apple ProRes or Avid DNxHD files and allow simultaneous multiple-drive recording, giving production staff peace of mind with their rock-solid redundancy and backup capabilities (four drives for PIX 270i and two drives for 250i). Their extensive audio capabilities, including 64 channels of both MADI audio and Dante audio-over-Ethernet for PIX 270i (a world’s first for a video deck) and the PIX 250i’s 16 tracks of audio, make each unit a comprehensive, cost-effective tool for high-performance video capture and presentation.

Over the next several months, the company will brand all video-related products as Video Devices, including the PIX 240i, PIX 250i, and PIX 270i recorders. All future video products will also be branded Video Devices. This is a key step in a focused strategy to make Video Devices a dominant force in the video production and video integration markets.

Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production. Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures both brands from its Reedsburg, Wisconsin headquarters, with additional offices in Madison, WI. For more information, visit the Video Devices and Sound Devices websites, www.videodevices.com; www.sounddevices.com.

High Resolution Audio to Be a Major Focus at 137th Audio Engineering Society Convention

— DEG to present a comprehensive High Resolution Audio program October 10 at AES137 in Los Angeles —

New York, NY — The 137th Audio Engineering Society Convention (October 9-12, 2014, at the Los Angeles Convention Center in downtown Los Angeles) will feature a High Resolution Audio (HRA) program Friday, October 10, 2014. The direct result of a collaborative effort between the Audio Engineering Society (AES) and DEG: The Digital Entertainment Group, the HRA program will include a number of panels and sessions that address the current and future direction of HRA from various perspectives, including content creation, digital distribution, licensing of hi-res music files, archiving, subscription models, marketing/promotion of hi-res music, compatibility of playback devices and more. These panels and sessions will feature some of the brightest minds in the business as they discuss some of the most current and controversial issues concerning the rapid adoption of high-resolution audio across the industry.

“The DEG is pleased to join with the Audio Engineering Society in promoting the benefits of Hi-Res Audio during this event,” said Amy Jo Smith, President, DEG. “Working together, we can underscore HRA’s numerous benefits to the professional recording community and enlist their support in helping drive this initiative.”

For over 65 years, nearly every seminal audio development has been incubated and promoted within the AES community, beginning with stereo LPs in the 1950s and continuing with magnetic tape in the 60s, digital audio and the Compact Disc in the 70s, perceptual coding (e.g. MP3) over the past 25 years, all the way to today’s digital streaming formats. It’s no wonder that the DEG and the AES have decided to partner to bring to AES137 Convention attendees the most current and comprehensive information on the state of High Resolution Audio, which is defined as “lossless audio that is capable of reproducing the full range of sound from recordings that have been mastered from better than CD quality music sources.”

For information on how you can get your FREE Exhibits-Plus badge (pre-registration required) and detailed information on the High Resolution Audio Program at the AES137 Convention, as well as further Registration, Hotel, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

About DEG
DEG: The Digital Entertainment Group is an industry association that advocates and promotes entertainment platforms, products and distribution channels on behalf of the motion picture, music, consumer electronics and technology companies.

About the Audio Engineering Society
The Audio Engineering Society was formed in 1948 and now counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. Currently, its members are affiliated with more than 75 AES professional sections and more than 95 AES student sections around the world. Section activities may include guest speakers, technical tours, demonstrations and social functions. Through local AES section events, members experience valuable opportunities for professional networking and personal growth. For additional information visit http://www.aes.org.

Alan Dick Broadcast Develops DAB Systems to Satisfy Requirements of Hi-Profile Broadcasters

IBC Stand 8.B99

Click to schedule a visit to ADBL’s Stand
Technology will be Highlighted at IBC in Stand 8.B99

Gloucestershire, United Kingdom — Alan Dick Broadcast Ltd. (ADBL), a world leader in the manufacture and design of radio frequency components and antennas for radio and television transmission, will be highlighting DAB antennas at IBC that were designed to provide economic and space efficient solutions for some of the world’s most renowned broadcasters and Broadcast Signal providers. The DAB antennas will share the spotlight with ADBL’s new VHF BIII Mask filter/combiner along with the Company’s well-established UHF and FM units and towers in stand 8.B99.

“Environmental considerations coupled with zoning and planning restrictions forced the BBC to seek an antenna that could be fitted into the space occupied by existing FM units,” says Alex Perchevitch, President of ADBL. “Nothing suitable existed, so ADBL embarked on a development project to provide a solution that didn’t impact negatively on the FM antenna and met the specification for DAB. Two types of antennas were produced; the Shared Aperture FM Crossbow, and the FM Spearhead.”

The FM Crossbow antenna was designed for square structures and provides an excellent omni directional horizontal radiation pattern from an array of 4 panels mounted around a square structure. The FM Spearhead is suited for triangular structures and provides an excellent omni directional radiation pattern from an array of 3 panels mounted around a triangular structure. The DAB antenna elements were designed to be fitted onto the existing FM antennas without disturbing its installation or performance. The systems were range tested to optimize the RF performance of the combined DAB/FM antennas.

About Alan Dick Broadcast
UK-based Alan Dick Broadcast (ADBL) is a long-established global leader in the manufacture of antennas, combiners / filters, towers and broadcast infrastructure services for digital and analogue video and audio systems. Our portfolio starts at concept and runs through planning site development, station equipment, towers, antennas, and a full implementation and testing service. Additional information about ADBL may be obtained at: www.alandickbroadcast.com

ADBL contact: Sonia Del Castillo
mailto:sonia.delcastillo@alandickbroadcast.com

ADBL contact: Simon Williams
mailto:simon.williams@alandickbroadcast.com

Press Contact: Desert Moon Communications
Harriet Diener • +1 845-512-8283
harriet@desertmoon.tv

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

Calendar

October 2014
S M T W T F S
« Sep    
 1234
567891011
12131415161718
19202122232425
262728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication