Anthony Wilkins Appointed as RTW’S International Sales Manager

Wilkins’ Extensive Experience in Broadcast and Pro Audio Sales will Bring Continuous Development of RTW’s Presence in the US and International Markets

COLOGNE, GERMANY, 2 February 2012 — RTW, a leading manufacturer and distributor of professional audio metering and control devices for studio recording and radio and TV broadcast applications, , has appointed Anthony Wilkins as the company’s new International Sales Manager. Wilkins is an English native speaker and has lived and worked in Great Britain, Switzerland, Germany and Ireland. His main role will be to control and coordinate RTW’s international sales from the corporate headquarters at Cologne.

Wilkins has more than 25 years of experience in the Pro Audio industry and is currently completing his MBA. He has previously worked for Sony, Analog Devices, DTS and most recently for Linear Acoustic. He is also a member of the EBU P/Loud group, which is in charge of developing the R128 loudness standard; the AES and the IEEE.

“We are very glad that Anthony Wilkins has joined our team and proud to have gained a sales expert with an in-depth understanding of the international broadcast and pro-audio markets,” says Mahmoud Chatah, RTW director of marketing and sales. “Wilkins will significantly increase our brand visibility in the international key markets. In taking over those critical tasks, he will allow me to focus on strategic alignment of RTW’s marketing.”

“I am determined to strengthen RTW’s global sales with effective measures and extensive travel,” adds Wilkins. “Further development of the important US market is my primary objective.”

About RTW
RTW, based in Cologne (Germany), has more than 40 years of experience in designing, producing, and marketing advanced recording-studio systems. The company focuses its business on peak meters and audio vectorscopes that are in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio includes the TouchMonitor range, a new series of tools for visual signal analysis, loudness metering, and more. TouchMonitors combine highest flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, integrating exceptional surround-signal visualization using the unique and groundbreaking Surround Sound Analyzer. In June 2008, RTW was certified for the internationally accepted DIN EN ISO 9001:2000 quality-management standard.

For more information, visit www.rtw.de or www.facebook.com/rtw.de, or call +49 221 709130.

Middle Atlantic and Extron Electronics Initiate New Half Rack Standard for AV Integration

FOR IMMEDIATE RELEASE: February 2, 2012––Middle Atlantic Products, in conjunction with Extron Electronics, is initiating and supporting the establishment of a new standard for half-width rack systems for AV integration.

Working in cooperation with the Electronic Components Industry Association (ECIA), Extron and Middle Atlantic are seeking to establish and maintain a specific ECIA standard for what has typically been offered as a custom rack offering until now. To further strengthen the quality and application of the standard, the two companies are inviting manufacturers of compact-format devices to join a communication and working group for this effort.

Both manufacturers have recently developed product families – the Extron Half Rack Shelf System and Middle Atlantic’s new HR Series Half Racks – which, respectively, fit within and incorporate the proposed 10 5/8” overall width defined in the proposed new standard.

Commenting on the introduction and standard effort, Middle Atlantic Director of Marketing Kevin Handerson stated, “We are pleased to be working with device manufacturing partners to seize the initiative for establishing an ECIA standard for AV half rack systems. Having a workable, clear standard will greatly facilitate the installation of half rack products in useful applications.”

Dave Pincek, Vice President of Product Development for Extron Electronics, stated “Extron has long advocated the use of standard, rack-mount enclosure dimensions as a means of improving AV system designs and integration. With this proposed new standard for a compact mounting system, key AV equipment can now be more easily integrated into lecterns, columns, table legs, and similar spaces without sacrificing system functionality, thermal management, or room aesthetics.”

Device manufacturers that would like to participate in the working group should contact Mark Tracy, Director of Product and Business Development at Middle Atlantic Products, using the email address Standards@MiddleAtlantic.com.

For more information on the Extron Half Rack Shelf System, please visit: www.extron.com/halfracksystem. For more information on the Middle Atlantic HR Series Half Rack click to www.MiddleAtlantic.com.

Middle Atlantic Products manufactures exceptional support and protection products to mount Commercial and Professional AV and other electronics systems including racks, AV furniture, thermal and cable management and power distribution & protection. All products are designed from the installer’s point of view to save time and simplify the job.

Extron Electronics is a leading manufacturer of professional AV system integration products including AV control systems, computer-video interfaces, switchers, matrix switchers, distribution amplifiers, audio amplifiers, speakers, twisted pair and fiber optic equipment, video scalers, AV signal processors, AV streaming products, classroom sound field systems, and high resolution cable.

Audio-Technica Presents “Get Your Own Mic”

Grunge is more than just a genre. As any singer knows, grunge (along with dirt, grime, and sludge) is what happens to a vocal microphone, especially when it’s shared among different performers. With their latest video, Audio-Technica humorously illustrates this phenomenon and urges singers to “Get Your Own Mic” – it should be a basic right for singers.

Please take a look at this clever, irreverent clip, and feel free to post to your website, share on facebook, add to newsletters, tweet or pass along to friends.

The Recording Academy® Producers & Engineers Wing® Announces Sponsors for Fifth Annual GRAMMY® Week Event This Year Honoring Music Producer and Executive Jimmy Iovine

Audio Industry Leaders Support Fifth Annual GRAMMY® Week Celebration at The Village Studios in West Los Angeles

P&E Wing’s Annual Gathering Recognizes the Music Industry Production Community’s Achievements and Contributions

SANTA MONICA, Calif. (January 31, 2012) — The Producers & Engineers Wing® of The Recording Academy® will celebrate its fifth annual GRAMMY® Week event, this year honoring legendary music producer and entrepreneur Jimmy Iovine for his commitment to excellence and ongoing support for the art and craft of recorded music. The event will be held on Wednesday, Feb. 8, 2012, at The Village Studios in West Los Angeles, with Bono and Dr. Dre serving as honorary event co-chairs. GRAMMY Week culminates with the 54th Annual GRAMMY Awards® on Sunday, Feb. 12, 2012, airing live on the CBS Television Network, at 8 p.m. ET/PT. (www.grammy.com)

The event is being held with the support of leading companies within the Professional Audio and Musical Instrument market sectors. Presenting sponsors are The Village Studios, West L.A. Music and Westlake Professional Sales. Co-sponsors include such leading professional audio manufacturers/institutions and other corporate support as Harman International brands AKG Acoustics, JBL, and Lexicon; Iron Mountain; Avid; Musician’s Institute; Music Marketing; Shure Incorporated; Beats Electronics; Ultimate Ears; Focusrite Novation; Prism Media Products; Apogee Electronics Corporation; Full Sail University; Guitar Center Professional (GC Pro); Lurssen Mastering; Sennheiser Electronic Corporation; SoundExchange. Eco-friendly cocktails will be provided by VeeV. Additional sponsors will be announced soon.
“There is no way we could present an event of this magnitude without the support of our loyal sponsors.” states Maureen Droney, Senior Executive Director of the P&E Wing. “Our sponsors make this evening possible. This year’s honoree, Jimmy Iovine, has a career that spans the breadth of the music industry, from his roles as an engineer, producer, and co-founder of Interscope Records, to his current position as chairman of Interscope Geffen A&M Records and his founding of Beats Electronics with Dr. Dre. Throughout all of these endeavors he has continued to be an outspoken evangelist for high quality audio. He shares common goals with the P&E Wing in supporting the art and craft of recorded music, and we are thrilled to be honoring him at this year’s P&E Wing GRAMMY Week Celebration.”

Jimmy Iovine began his career in the ’70s as a recording engineer for artists including John Lennon and Bruce Springsteen. He then made the transition to producer, working on classic albums with artists including Dire Straits, Stevie Nicks, Tom Petty & The Heartbreakers, Patti Smith and U2. In 1990, Iovine co-founded Interscope Records with partner Ted Field. He is now chairman of Interscope Geffen A&M Records, a unit of Universal Music Group, and recently celebrated 20 years commitment as a label head to diverse and gifted artists including the Black Eyed Peas, Mary J. Blige, Dr. Dre, Eminem, Nelly Furtado, Lady Gaga, No Doubt and U2. Furthering his interest in and commitment to sound quality, in 2008 Iovine co-founded the high-performance headphone and sound transmission company Beats Electronics with GRAMMY-winning artist Dr. Dre, and he continues to passionately advocate for reversal of the degradation of sound quality in music that has resulted from the recording industry’s transition to digital distribution.

SOLID STATE LOGIC APPOINTS BELLA MCAVOY AS MARKETING COMMUNICATIONS MANAGER

SSL creates new senior marketing role

OXFORD, UK – Solid State Logic is pleased to announce that Bella McAvoy has joined the company as Marketing Communications Manager. McAvoy brings a multitude of experience to the table from her varied work in communications, as a broadcast journalist and as composer and songwriter.

Bella McAvoy

more…

New York City’s Masterdisk Counts on Antelope Audio Trinity/10M Combination for its Image Stability and Sonic Integrity

New York, January 30, 2012 — Masterdisk, one of New York City’s foremost mastering facilities, has installed several of Antelope Audio’s Isochrone Trinity Master Clock and 10M Rubidium Atomic Clock units in its mastering suites, to maintain stereo imaging and the overall sonic integrity of projects passing through its studios. Masterdisk is installing multiple Antelope Audio Zodiac D/A converters at listening stations throughout the facility for quality control purposes.

According to owner Scott Hull, Masterdisk’s mastering suites were constructed with very high quality acoustics and solid grounding, and were already well clocked —therefore they did not appear to be candidates for improvement. “If it’s not broken, don’t fix it,” he says. Yet, the Antelope 10M — which incorporates a reference generator that is 100,000 times more accurate than the quartz oscillators in most equipment — and the Trinity, which offers 64-bit DSP and up to 384 kHz audio streaming, have had a noticeable impact on performance clocking the digital audio converters in the rooms.

“Image stability can’t be generated, and it has to be maintained through the process,” explains Hull. “You can undo certain effects or jitter but you can’t ‘reimage’ something; you can’t get that image back once you lose it.”

As he further elaborates, any component within the signal chain has the potential to degrade the accuracy of the soundstage. “A lot of processors and many, if not all, workstations give you something back that isn’t quite as stable, as rock-solid, as what you put in,” says Hull. However, driving every component in the system from a high quality master clock can reduce the likelihood of any degradation. “Workstations simply work better by being clocked with a more stable clock. Every step along the way where you can give yourself a tenth of a percent, it adds up to something pretty noticeable at the end. And there’s a marked and audible improvement in the final product when everything is Antelope powered,” he states.

Keeping True Quality Control at the Helm
Hull believes that true quality control at the mastering stage has become increasingly overlooked as budgets have become tighter and clients’ time and involvement have decreased. “We really have to know exactly what we’re sending out the door. We have to have at least two sets of ears on every product that we send out. So we’re putting Antelope Zodiac DACs into several listening stations in our facility just to facilitate quality control passes. Suffice it to say we consider that to be one of the best and most open and accurate DACs we can get. Coupled with the headphone amp, this gives us really good functionality for hearing exactly what’s going out the door at 192 kHz or 96k or 44.1.”

As Hull recalls, one of his mastering engineers initially heard about Antelope Audio’s clocks from his clients, and had a unit brought in to evaluate. He also notes that veteran mastering engineer Vlado Meller, who joined Masterdisk when Universal Mastering Studios closed in mid-2011, was a longtime Antelope Audio user. “Once we’d worked with it and got more of the boxes in more of the rooms we came to like what it did,” Hull reports. “The integrity and sonic experience was better overall, and everyone was happy.”

What matters, he continues, is the integrity of the system from beginning to end, and utilizing a high definition master clock can make a difference to the end result. “Sometimes it’s analog, sometimes it’s digital, sometimes it’s digital and analog. But they do like to play together better when they’re locked to a common master reference. When you’re working from a 96k file or a digital device at 96k, through an analog console and back out to a CD master at 44.1, the fact that everything is resolved to a common reference seems to work.” He comments, “I’m just trying to get to an end result that makes the client nod their head.”

“Mastering Your Favorite Records Since 1973”
Established in 1973, Masterdisk has handled projects by a who’s who of the music business over the years, including – to name just a few mastered by Hull – Bob Dylan, Sting, Lou Reed, Steely Dan, Bruce Springsteen, Panic at the Disco, plus many, many others. Hull recently mastered “25 Years”, a retrospective 4-disc box set from Sting, and Vlado Meller recently mastered new albums for Red Hot Chili Peppers and Jane’s Addiction — including iTunes-optimized masters to go along with the vinyl and CD.

Clear-Com Global Rental Group Presents Single Source Communications Solution for Demanding Productions

Industry Veteran Larry Estrin to Head the New Rental Partner Network, Maximizing Access to Intercom Systems

ALAMEDA, CALIFORNIA, JANUARY 30, 2012 – Clear-Com, a global leader in critical voice communication systems, has launched the Clear-Com Global Rental Group (CGRG). Through a network of experienced rental partners equipped to provide Clear-Com intercom systems for productions of any size, the new service, led by industry veteran Larry Estrin, offers greater flexibility and options for addressing customers’ communications requirements.

The CGRG comprises a hand-selected team of trained and experienced rental businesses worldwide. These partners support short-term and rapid installation needs with a full range of advanced wired and wireless production intercoms and technical support. As Director of CGRG, Estrin (who has extensive experience with events such as the Olympic Opening Ceremonies, Grammys and Academy Awards) provides rental partners with greater knowledge, skills and resources to supply the highest level of production communications. By connecting rental partners across the globe, the CGRG also gives customers local access to the most fitting communications equipment for their specific applications, whether for film and television, live performance, special events or theater.

Estrin also conducts interactive training for CGRG rental partners on spectrum planning and frequency coordination. Additionally, he facilitates the collaborative effort of rental partners to supply communications equipment and technical support for large-scale productions, including international sporting events and high-profile live performances. Estrin will continue to strengthen existing rental partner relationships, as well as broaden the CGRG by bringing additional rental businesses on board. This will enable the company to supply an even greater number of Clear-Com systems throughout the world.

“Clear-Com has a longstanding commitment to expanding and improving the daily interactions we have with our customers and partners, helping them develop their knowledge base, enhance their decision-making and achieve their goals,” says Estrin. “By combining the strengths of all rental partners in the Clear-Com Global Rental Group, customers can access every type of communications solution, as well as expertise for even the most complex productions.”

Although Estrin will be the primary facilitator of the partner-to-customer relationship, customers also have the option and convenience of directly reaching out to rental businesses through the CGRG directory. Moreover, CGRG provides customers with connections to experienced engineers and technical staff, which saves them both time and money as they will not have to cultivate the expertise internally. Further, since the CGRG is backed by Clear-Com’s sales, application engineering, marketing, product management and engineering teams, customers are assured that production communication will be optimized. Overall, customers can enjoy the intimacy of working with a local intercom rental provider while reaping the benefits offered by a much more powerful global conglomerate.

For more information on the CGRG, contact Larry Estrin at larry.estrin@clearcom.com.

About Clear-Com
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HM Electronics, Inc. (HME)
A privately held company founded in 1971, HME has continued to be a leading provider of innovative technology focused on enhancing productivity and customer service for multiple markets including pro audio, sports, and restaurants. HME developed the first wireless intercom system for pro audio and continues to introduce exciting, cutting-edge wireless intercoms that enhance communications, increase productivity and facilitate creativity for virtually any application. For more information, please visit www.hme.com.

Audio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with Special Gala Event at NAMM Show

STOW, OH, January 27, 2012 — Audio-Technica, a leading innovator in transducer technology, is this year marking “50 Years of Passionate Listening” with its yearlong 50th Anniversary Celebration. The anniversary year officially kicked off in the U.S. with a special gala event during the 2012 Winter NAMM Show in Anaheim, California. The party took place at Disney California Adventure Park on the evening of Thursday, January 19, 2012. A-T’s 700-plus special guests included musicians (including several Audio-Technica endorsers), recording arts professionals, dealers, distributors, customers and members of the press. Key personnel from Audio-Technica Japan (the parent company of A-T U.S. and the other A-T companies worldwide) were also in attendance, including Audio-Technica Corporation President Kazuo Matsushita.

The evening kicked off with a cocktail hour, followed by a Japanese Taiko drum performance and welcoming comments by Kazuo Matsushita. Audio-Technica U.S. President and CEO Philip Cajka then led a traditional sake barrel-breaking ceremony and toast. Sharing in the toast were onstage guests Ed Cherney (producer/engineer), Alan Parsons (artist/producer/engineer), and personnel from two of A-T’s first professional products dealers Skip Maggiora (Founder, Skip’s Music), and Jonathan and Susan Lipp (Owners, Full Compass Systems). The event then featured an all-star music revue produced by legendary GRAMMY® Award-winning engineer/producer Phil Ramone. The concert was hosted by emcee Dave Koz with the Gregg Field Big Band and featured guest performers Nikki Yanofsky, Mindi Abair, Siedah Garrett, Monica Mancini, Arturo Sandoval, Jim Brickman, BeBe Winans and Patti Austin. The night’s performances were a roaring success, with those in attendance applauding the show’s finale with a standing ovation while confetti filled the room to cap the celebration.

“This event is the kick-off of a year-long celebration of Audio-Technica’s ‘50 years of passionate listening,’ said Phil Cajka. “A-T’s ongoing commitment to the pursuit of worldwide audio excellence and innovation has changed the course of music history. We are so honored to be able to share this evening with A-T staff, artists, journalists and business associates – the extended A-T family, who has contributed so much to Audio-Technica’s success over the past 50 years.”

For more information, please visit www.audio-technica.com.

Sennheiser Opens its Technology and Innovation Center in San Francisco: “The Future Made Right Here”

San Francisco, January 26, 2012: For more than 60 years, Sennheiser has stood for the highest quality audio products across all areas of sound recording, transmission and reproduction. This month, the company announces the official opening of its San Francisco- based research lab: SFTC (Technology and Innovation California). The opening ceremony was attended by more then 100 guests from the audio community in the Bay Area. The new research facility — which relocated from Palo Alto in November 2011, is focused on improving the customer experience through digital signal processing (DSP) technologies and combining this with Sennheiser’s world-renowned expertise in electro-acoustics and wireless transmission.

As a research hub for Sennheiser, whose slogan is “The Future Made Right Here,” SFTC creates knowledge in selected areas of DSP and facilitates knowledge transfer to Sennheiser’s product teams around the world. Many of these ideas and technologies are then adopted and integrated into Sennheiser’s consumer, professional or installed sound divisions.

“The Sennheiser culture has always been rooted in innovation and exploring what may be possible in the future,” commented Daniel Sennheiser, president strategy and finance, Sennheiser. “Our new facility in San Francisco leverages an extensive ecosystem of talents that includes not only our own visionary thinkers and researchers, but world renowned academic institutions and corporations. In this environment, our engineers are free to experiment and play with technology and processes that may eventually find its way into various consumer, pro and installed sound applications.”

“Concept Tahoe”
After it finishes developing and testing a concept, Sennheiser may choose to introduce a prototype model to test its market value and gauge end-user interest.

For example, last year at the prolight+sound and NAMM trade shows, Sennheiser unveiled a project that was under development at its SFTC research laboratory: “Concept Tahoe.”

This wireless microphone prototype — which drew a lot of attention by trade show attendees — is not only able to function as a high quality, professional wireless microphone, but also as an effects and processing controller — providing an unprecedented level of creative options to DJs and performers. This functionality is facilitated by the transmission of control data to a receiver, which can control any number of effects or plug-ins in real time using the MIDI protocol. The microphone can also be transformed into a tambourine or a shaker at the press of a button. By using an accelerometer and a rotation sensor, it measures how quickly it is moving and at what angle in space it is currently located. This prototype was demonstrated during the SFTC opening event, and showcased by beatboxer entertainers Butterscotch and Eklips.

“By moving the location of the SFTC to the Bay Area, our team — and by extension the entire Sennheiser organization — is able to leverage our proximity to the technology industry’s leading innovators, product designers and thought leaders. These include other multi-national companies as well as a unique network of start-ups and highly regarded institutions such as UC Berkeley and Stanford University,” commented Veronique Larcher, director of research, North America, for Sennheiser. “At SFTC, our researchers have access to an enormous pool of talent and imagination; risk taking and the cross-fertilization of ideas is strongly encouraged.”

Sennheiser launched its SFTC in 2006 and since then, its research and development work have been manifested in Sennheiser’s groundbreaking products — including the IS-ADN conference system.

Jampro Acquires Alan Dick Broadcast Ltd

COMBINED COMPANY OFFERS UNPARALLELED RANGE OF SERVICE, SOLUTIONS AND DELIVERY OPTIONS

Sacramento, CA — JAMPRO Antennas, Inc., the oldest broadcast antenna company in North America, has acquired the Alan Dick Broadcast (ADBL) Division of ADC UK Ltd. Located in the UK,ADBL is one of the oldest names in Europe for broadcast antennas, combiners / filters, towers and broadcast infrastructure service . Alex Perchevitch, Jampro’s president, made the announcement from headquarters in Sacramento, CA.

The acquisition combines two industry leaders, both accomplished in the development and implementation of exceptional engineering solutions, to form a powerful, global organization poised to address the growing global need for digital TV (DTV) products. Founded in 1954, Jampro – an early and key player in the emergence of digital TV – has grown to become one of the largest international suppliers of radio and TV antennas and associated radio frequency (RF) equipment, transmission line and components. Based in Cheltenham, UK, ADBL has served as a major provider of communications infrastructures in Europe, the Middle East and Africa for over three decades.

Jampro is known for its pioneering in antenna technology, combiners / filters, towers, and RF components that address nearly every application in the broadcast industry. The Company has installed thousands of broadcast systems since its inception in 1954, each designed and built to address the specifications of the end-user. Winner of multiple Queens Awards for industry, Alan Dick offers a high-quality portfolio of station equipment, towers, and antennas derived from extraordinary and innovative engineering solutions. ADBL’s credits include supplying a large number of broadband multi-channel systems to the BBC – Arqiva for the UK DSO (Digital Switch Over). The systems were installed on large face towers resulting in a successful solution for an exceptionally difficult and challenging application.

“ADBL is a true pioneer in the world-wide broadcast industry bringing numerous innovations to market ahead of their time,” commented Perchevitch. “Our united efforts and product lines will benefit our customers with stronger R&D across all ranges, improved delivery capabilities, and reduced shipping costs. We couldn’t be happier to welcome the entire staff into the Jampro family and look forward to a successful future filled with expanded opportunities for our combined client base.”

Added Rob Fisher, CEO of ADC UK “Alan Dick has been a major player in the worldwide broadcast market for several decades and has built up an enviable reputation for the quality and robustness of its products and services. I am pleased that Jampro will take the Alan Dick broadcast products into its portfolio and continue to market them as apart of an expanded Jampro offering. Jampro will work closely with a number of Alan Dick companies, including Alan Dick Middle East, to ensure that their local product and service capabilities can be combined with the expanded Jampro offering to provide an outstanding turnkey solution for broadcast customers.”

ADBL will remain in the UK and operate as a division of Jampro Antennas with the same management, engineering and production staffs.
# # #

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 15,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems.

Additional information on JAMPRO can be obtained at www.jampro.com.

Jampro Contact: Sonia Del Castillo
916-383-1177 • Sonia@jampro.com

ADBL Contact: Barry Sugden
+44 1242 537734 • barry.sugden@alandick.com

Press Contact: Desert Moon Communications • Harriet Diener
845-512-8283 • harriet@desertmooncomm.com

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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